#i'm loving all the ones in the notes

[poorly-drawn-mdzs]

The squad of all time has arrived on scene.

[lotus-pear]

learning to love

[thekaiserroll]

Hug

It's nearly impossible to have a quiet and peaceful day with the crew, like the strawhats. Nami is mostly used to the noise on Going Merry but one day she gets fed up with Zoro and Sanji arguing. Not only are they extremely loud, but they've also already broken way too many things during their fights.

She decides that If they want to act like brats, then she's going to treat them as such. So she makes them apologize and hug each other in silence for an hour. None of them are happy about this punishment, but Nami threatened to raise Zoro's debt, and Sanji couldn't say no to her. It could be worse.

It's awkward enough for them to not incite any fight for a long time and Nami is quite proud of herself. She knows it won't last forever but at least now she knows how to handle them. It inevitably happens again. And again. And again.

Much to her surprise, those fights became more and more frequent. And what's even weirder is that she could see the way both Zoro and Sanji occasionally glanced at her to make sure she was nearby. It's almost as if they wanted someone to make them hug each other. As if they needed an excuse.... these idiots.

Soon, they don't even need Nami's help. When they aren't busy training, cooking or fighting, they cuddle together. Sometimes Luffy or Chopper would join them, but most of the crew knew it was their time.

After two years spent separately, they became extremely clingy. It's no surprise when they start sleeping in the same bed. What is surprising is that despite them behaving like a lovey-dovey couple, those oblivious idiots are STILL unaware of each other's feelings.

[shatouto]

両片思い

[lazylittledragon]

did somebody say dadkarios

[lucky-fy]

For the Laicion nation (aka, me and three other people)

I had this illustration commissioned (a big thank you to @lunehowls) for my werewolf AU Laicion fic (still a WIP).

The general pitch is as follows :

AU in which Laios never got to meet his sister again, putting his life on a whole other path, a more desperate one. A military deserter with barely a coin to his name, Laios hitches a ride on a boat to one of the elven continents, where he learns about magical tattoos that binds one’s soul to a wolf’s, effectively making them artificial werewolves. Illegal magic be damned, this feels like the answer to… everything.

In the process, he learns about the existence of an illegal fighting ring in one of the elven cities, where beastmen gladiators gather. Freshly tattooed and without anywhere else to go to, Laios decides to head there, where he meets Lycion, an elf and artificial werewolf gladiator. If they first bond over a simple shared meal, by spending time together (sharing the same room in the barracks, maybe the same bed? gasp) they find that they have a lot in common, notably a shared distaste for the body they were born in, a dysphoria partially remedied by becoming a werewolf.

They bond :)

NB: I commissioned another piece, go take a look :D

[wherestoriescomefrom]

rian johnson took all that time, put in all that effort to make glass onion a fantastic period piece to the first four months of pandemic, a prescient narrative that anticipates the stupidity of rich billionaires, and then pulled the rug from under us because the world of benoit blanc just straight up doesn't have the mona lisa anymore

[laddertek]

@countthelions (tumblr ate this when I tried to save my answer as a draft, so we improvise 🙃)

This one? :D

This whole stream was delightful. What a way to return 🤗

Tango was so happy energetic.

And from Tango calling Etho's storage system cute and Etho in gamechat going "CUTE?!" (00:41:07). To the razzing (and laughing) over shops (00:49:00 and 01:03:49). Etho taking Tango's head twice, and it all being so playful (00:58:11). Etho using Tango's catchphrases 🥹🥹🥹 It gets me every time! "porkchop power" "flee with extra flee!" And the way he said it was the cutest, and Tango's giggle about it too (01:00:59). Etho offering to give the tour Tango wanted. More mail talk and laughing guilt and planning and razzing and teaching Etho to do the stamps. Tango complimenting the path (and that Etho showed it to him when he first came back when Etho came to say hi) (01:15:41). They still plan on doing their sand-collection-off (01:35:06).

And of course the whole TNTificating with Etho's new "boom boom tech" (01:39:43--02:15:17) was just…the most fun. They are having the most fun together...it's an absolute joy. (And it's also them collaborating on how to figure out a redstone thing together which is just so satisfying.) Just...TOO MANY (!!!) (so many) fun moments in that whole TNT section that I can't even start on highlighting them all 😭 I'd need another mammoth paragraph...

Honestly??? Still smiling. Great great great stream 🥹

Timestamps are for YouTube not Twitch because Tango was so fast on getting the VOD up lmao

[unproduciblesmackdown]

Lackadaisy Enrichment

[feroluce]

On Sampo's name (ALL of his names!)

I feel like everyone who's a fan knows the meaning of Sampo's full name by now- the sampo was a legendary item that could magically make endless supplies of gold, flour, and salt, all priceless items at the time! So it works perfectly for a scammer businessman like Sampo. ☆

"Koski" is the Finnish word for "water rapids" which might seem kinda random but actually makes sense for him, since Aha and the Masked Fools are also referred to with water terms:

This kind of analogy isn't specific to only Aha and the Masked Fools, but it does still tie them together. So water rapids fits perfectly! Sampo wants to stir the pot! He likes to shake things around and spice things up! He's taking that stagnant pool and turning it into water rapids! It would actually explain his ridiculous hair color, too; a dark blue wave tipped with white foam haha

EDIT: an amazing contribution from @ricochetlovebombs, who heard it from hoyolab user Rattaboy. If you interpret his first and last name together, instead of separately like I did, you would get something like "money river."

In other words, Sampo's name literally means CASH FLOW SKXJMDMDMD

What I really wanted to talk about is his drag alias name, though, Brughel Poisson, because to me that's where it gets really interesting.

So like in the English version, Sampo goes by Brughel Poisson when he's in disguise. Searching for just "Brughel" itself doesn't seem to get you much at first: a Flemish and Dutch Renaissance painter named Pieter Brueghel the Elder, who was famous for his landscapes and peasant scenery, especially Hunters in the Snow and The Blue Cloak.

He's referred to as "the Elder" because he had a son also named Pieter Brueghel (the Younger), and he began a long line of painters, all named Brueghel. Some of them did original work, and many of them created reproductions of the Elder's art to sell. The Elder was also famous as a printmaker. All of this is hilarious when you remember that Sampo is an infamous counterfeiter and has sold a relic called the Parallel Universe Printer JSKZJSMD

There is also something called Brueghel's Syndrome, named after one of Brueghel's paintings called De Gaper, which pictured a man yawning widely. It's a condition that causes the mouth to open and gape uncontrollably, twisting a person's countenance into a distorted mask of their usual face.

Tumblr doesn't have a way of censoring pics like twitter, so for the sake of the medically squeamish, I'm just showing De Gaper here. But if you look up Brueghel's Syndrome, you can find pictures of actual patients, some of whom really do make faces resembling Aha's comedy and tragedy masks!

In the Chinese and Japanese versions, his alias last name is a lot more silly- In those, "Sampo" is phonetically written as "san-bo" and "san-po." And in disguise, his last names are phonetically written as... "Bo-san" and "Po-san." The Chinese version uses different tones, but still. This smug asshole seriously just decided to write his own name backwards and called it a day NDMKXMDMD

In the English version, Poisson itself is kind of a reused Hoyo asset- it's also the name of Navia's fishing village in Genshin Impact. Which is a really silly name for a village, because it literally just means "fish" in French smzjxkdkdk but!

Again, more water imagery. And in English, if something is suspicious, we say that it's "fishy," which is perhaps the most fitting association yet for someone as shady as Sampo ☆

And for a good while I thought that was the only connection. But then. My beloved @hydrachea, who is an actual native French speaker, dropped this on me right after April Fool's Day:

Poisson is literally the word you use to pull an April Fool's prank.

[frownyalfred]

here friend, I'll help you: when you realize the characterization isn't to your liking, go ahead and do me a favor -- scroll up to the top right of your screen and hit that big red X button. there, problem solved.

also don't bookmark it. I'm so freaking tired of having this conversation.

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4 (soon))

[vaguely-concerned]

'the hissing wastes suck' wow what a way to admit you've never experienced the joy of listening to iron bull wax archaeologic about ancient dwarven building techniques

[deoidesign]

I spent months prepping books and running a Kickstarter, and it's going great! But...

I just got 300 books with the wrong type of cover. They're glossy!!!

There's nothing else wrong with them! I'll be getting the matte covered books that match the set soon, but in the meantime I have 300 extra glossy books.

SO!!!

If you would like a book, the glossy covered copies are going to be $15 instead of $25!!!

If you're okay with the book cover not matching the set, or you're interested in trying the series out, then this is the best place to start! Each book is self contained, so you won't be missing out by starting with the second book.

This is the fan favorite book from the series, so it's a great one to pick up.

Time and Time Again: Summer Camp Cowabummer Volunteering as counselors at a summer camp facing closure, Adam and Steve must manage their campers and the mysterious problems at the camp.

You can buy it here!

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[autisticandroids]

CASTIEL: Stop. What's the point if you don't mean it? You fear me - not love, not respect, just fear.

[youtube with closed captions]

a godstiel pity party. i'd like to thank an anon i got way back in february of 2021.