#i'm not targeting anyone

[skzhua]

Just wondering if i could be added to the min ho x reader tAglist! :)

Taking this as an opportunity to tell everyone that if you want to be in the taglist, go fill out the form in my bio please. I asked this in my masterlist already thinking people would do that but I get more asked on tumblr than in my google form. I get too many notifications so I would most likely miss it if you ask me on here. Y'all have no idea how much of a struggle it is to keep up when all the demands are scattered on so many posts or places in tumblr, it's hard to keep track with who I've already added or not.

(And of course I'll add you my dear, sorry I used your ask to rant 😭 Thank you for enjoying my work <3)

[faeriekit]

The Foster Mother

Now on ao3 and VHS release

There was, supposedly, someone waiting for him in the green sitting room.

“…Why?” Tim asked. Most of the usual suspects had already come by to give their “condolences”—former Drakes Industries investors, curious about the newly orphaned heir; fellow socialites, once again flocking in to give and receive sympathies for their “close friends, the Drakes”; gawkers come to see what they could scavenge off of a dead family’s home, never mind that their child was alive.

“She claims to know you, Master Tim,” Alfred offered, kettle in his hand. He spent a moment deciding between different two canisters of tea; a sign of possibly difficult future conversation. “Her interest in your father's estate seemed quite…minimal.”

…Alright.

Tim was still in his formalwear. Dissolving Drake Industries would take at least another year, and plenty of future hours cementing the future home of certain resources in their dissolution, but the outfit probably was more appropriate for whatever oncoming conversation that was about to ensue than his planned change into Dick’s old hoodie and board shorts.

Okay. Tim steeled himself. The self-determination…mostly worked. Whatever. He trudged up into the green sitting room from the kitchen with his usual introduction ready on his tongue.

And then Tim walked into the room.

And then Jazzy was there.

*

Tim had been three, and Miss Jasmine had been his had been his third nanny. He’d outgrown the wetnurse early on, and his second nanny had been dismissed, so although Miss Jasmine was the third nanny, she was first nanny Tim could consciously remember.

She’d had red hair. She’d been very gentle with him.

She got him up in the morning and put him to bed at night; for the first time, there had been someone who sat with him until he was asleep, reading all sorts of books his parents had left to engage him with as an early genius. Then, when those were over and done as promised to his parents, they got unauthorized books from the library: silly books with made-up words, dinosaur books, books about teddy bears and adventures around the world.

Tim hadn’t been allowed to travel the world. Tim hadn’t been allowed a teddy bear. His parents had thought it would encourage undue attachment.

(It had been the same reason he’d never been given a pacifier.)

Miss Jazz had given him a knitted bunny. She’d said her dad had made it especially for him.

The toy’s name was Bunny and Tim remembered him being very soft.

She didn’t smile all the time, but smiles were rewards that were easy to earn. He finished his meal and she smiled. He finished an educational puzzle and she smiled. He was quiet all through her phone call and she smiled, and answered all his questions once she was done.

Jazzy had been the first person in his life who was there all the time. She’d kissed his forehead after the bath and kissed his scraped knees; she’d carried him in his arms when he was tired and sometimes even when he wasn’t. His parents had wanted him to be independent, proactive, and not clingy, but Jazzy had been someone who he could run to from his bed when he’d had nightmares and someone he could cuddle on her lap with when he’d cried.

She was gone when he was seven. He didn’t remember why. His parents had probably never told him, but still; he'd assumed he'd have found out why eventually.

Jazzy looked the same right now as she looked in Tim’s memories, although she was likely no longer a college student at a nannying gig. Her red hair was pulled into a high bun, her dress modest and conservative from her neck to her ankles. There was a backpack beside her foot. She was sitting, one leg crossed over the other, on the high-backed loveseat in the green sitting room.

She looked up when he came in.

Tim. Stopped in his tracks.

It didn’t matter. Jazzy—Miss Jasmine stood up as soon as she saw him, eyes alight with worry. Foggy memories were swimming to the forefront of Tim’s brain. He couldn’t move.

“Tim?” Ja—Miss Jasmine asked, teal eyes raking over his frame. Tim froze where he was. He didn’t move, wide-eyed and terrified for no reason at all when Miss Jasmine got closer to him, at a distance that was more appropriate for a conversation.

She stood there. Watching him. It felt like his mother had just come home from her trips with Dad, and a ghost of old terror wafted through him as he waited for her to decide he’d done something wrong. Her voice got softer. Her eyes got softer. Why was Tim feeling so wrong-footed?? It was only a former staff person!

“Tim?” her voice was so gentle. “I don’t know if you remember me. I’m—“

“M’s Jazz,” Tim croaked. Which. Wasn’t the level of formality he’d been going for, but better than Jazzy. He wasn’t a toddler anymore.

Miss Jasmine was so tall—honestly, was she taller than Bruce? She’d seemed insurmountable as a child; he hadn’t expected her height to truly be so statuesque as an adult.

(Or. Well. Almost an adult.)

She didn’t quite kneel down, but she did stoop lower, as if Tim was small and he needed to be on equal footing in order to have a serious conversation.

He could see all her freckles. Tim swallowed. It was too familiar. Everything about her was too familiar.

“You’re so big now,” Jazzy whispered, looking at his hair, his suit, his polished shoes. He didn’t feel it. “Oh, you’ve grown up so well.”

Thanks, Tim almost said. Something stopped him—something thick in his throat, to impassable to break through.

“I—“ he tried. He coughed. “Why…you… You’re here?”

Jazzy threw him an incredulous look, and then an incredibly wry one. “Well,” she drawled a little too primly, in the way that Alfred occasionally made obvious statements, “I’d think it obvious that when one’s parents have passed away, that those who care about you might come to check and see if you’re alright.”

Which. That didn’t make sense. Jazzy hadn’t come back for any other reason; she hadn’t come back for his mother’s funeral, nor when his father was injured publicly by a villain. Why start now?

“And,” Jazz added, seeing his visual confusion and distrust, “Your parents can’t exactly threaten me with a kidnapping charge for visiting you when they’re dead.” Pause. “Which I am sorry about. My condolences.”

Which. Whiplash. What a statement.

“Uh,” said Tim, who was rapidly losing control over the situation.

Jazzy stood again, and went back to her seat; she didn’t set herself down, though, as she only stooped to grab her backpack. “I am sorry for being unable to visit, although I really wanted to; you were at a very vulnerable age and had already moved into a class a year above you, and your parents should have been less hasty about replacing your main caretaker. The assassination attempts were unwarranted, but they did drive the point home that attempting contact was perhaps discouraged.”

“What,” said Tim. “Assassin what.”

“They were ninjas,” Jazzy offered, as if that was an answer. “Except the last one, which was a former marine. The point is that I do care about you, and wanted to ask if you had any idea where you’re going now that your parents are no longer…available guardians.”

Tim’s mouth opened. It closed.

Jazzy waited patiently.

“…How have you been?” Tim tried, resorting to a part of the script they hadn’t gone through yet.

Jazzy’s laugh was tired, but no less real. It was nothing like listening to his parents titter politely; he didn’t think Jazzy would even know how to fake a laugh. “Well, my brother told me that my former bosses had died, which was somewhat stressful. Otherwise, I’m pretty happy: I live with my brother and worked with him for the last few years. I was going to pursue medicine, but…well. The assassination attempts made it hard to interview for scholarships. I suppose that I could return to that now,” Jazzy mused, attention now elsewhere. She pulled the backpack off the floor and up into her grip. She opened it, and flipped through its contents. “How are you doing? I know that Wayne Manor fosters, but your parents were always rather…hands off. I thought the difference in levels of attention might be overwhelming.”

It was. Tim should be surprised how clearly she sees through him—

—But Jazzy used to watch him stim for almost a full hour after school, twisting Bunny’s arms back and forth until he could calm down. Seeing other people all day had been too much for him. Coming home from his parents’ parties had been similarly stressful.

She’d never been mad at him for it. She held him while he talked and stimmed and talked and talked and talked, and brushed his hair sometimes, or if it was very late and he was very young, helped him brush his teeth through all the medieval execution facts he could name.

“It is a lot to get used to,” Tim agreed quietly. He didn’t want to be ungrateful. He didn’t want to let on anyone about his plan to leave.

He had an out. The papers had already been filed; there was an actor waiting to play his uncle for a custody battle, ready for the fight.

Tim was ready to up and go. It was no hardship to leave all the good things here; anything beat making Bruce stick his fingers into Tim any deeper than they already were, compromising the dynamic they’d already established.

It was for the best.

“I can imagine,” Jazzy sympathized easily. “And I wanted to offer—well. I know there’s probably a lot of choices available to you, but my brother and I recently moved back to Gotham proper for the time being. He’s teaching astronomy courses at the university and I’m filing paperwork for Arkham patients. It’s not so privileged a home, but it’s quieter, and more central in town.”

…Tim’s heart skipped.

He. He couldn’t stop staring. Jazzy stared back at him, quiet and sure. Sure of what, Tim had no idea, but…

Why? Why would she want Tim? There was no way she would be able to get to his trust fund without his help, and he for sure knew better than to enable her ability to leech from him. The last time she’d known him, Tim had been a snot-nosed kid who cried all the time and couldn’t be normal for twenty consecutive minutes. His parents couldn’t even stand to be on the same hemisphere as him as a child. What appeal did this have for her?? What could having a teenager with severe baggage living in her house do for her?

And it’s not like there was any chance she knew he was Robin!

“Oh,” Jazzy suddenly interrupted. “I brought these for you, by the way. Your parents had tossed them out at various points; I’ve washed them since, of course.”

She handed him the backpack by the handle.

…Tim peeked inside.

On top was Bunny, still a washed-out faded sort of pink. He looked as fresh as he had the day when Tim’s parents had ”cleaned out” Tim’s nursery—in other words, a faded, a little gray, and slightly discolored from an old spaghetti stain. His button eyes were big and blue.

And beneath him were books that hadn’t passed his father’s muster as appropriately masculine reading material: The Velveteen Rabbit, with the cover a little scarred from a fierce attack of wet wipes. There’s A Monster at the End of This Book, with a goofy-looking Muppet on the cover, gold spine beat up beyond belief. Art Tim’s teacher at the time must have laminated and sent home; Tim’s dorky, crayon cat proved he would never make it as an artist, but attached to it was a photograph of a grinning boy with a bowl cut and a missing tooth.

Tim stared. There’d been purple marker on his hands and face. His grin looked…really bad, actually, like as if he was baring his teeth because he didn’t know how to smile. There was no formal grace there. Nothing to show the neighbors, nothing worth framing to put into the line of sight of the investors in the office.

Jazzy had kept it and brought it home with her. Jazzy had fished it out of the trash, and brought it with her to give back to him in Gotham.

It was crinkled like it’d been folded, over and over again. Further down in the bag was a crumpled certificate dedicated to “Timmy Drake, for: knowing a lot about octopi”, and a baby blanket Tim didn’t even remember. It had rocket ships on it. It looked as if someone had cut into it with scissors, although it had been obviously and brightly mended with red embroidery floss later on.

Jazzy had only been his nanny until Tim was seven. She had simply been gone one night, and Mom and Dad had been home for ten nights after without help before giving in and hiring Mrs. McIlvane and Mrs. Edith. Ms. Edith had never been so…permissive…with Tim as Jazzy had been.

Tim swallowed. He carefully put everything back into the backpack, unsure if he even wanted to keep it or not. It wasn’t like he could leave it here; he’d be gone, ideally, before the week was out. There was no point in taking it with him if he only planned to live with a stranger until he was eighteen.

“J…” Tim tried. He cut himself off before he could get too informal without prompting. “Miss Jasmine—“

“Just Jazz,” Jazzy corrected politely.

“—Why are you here?” Tim asked, ignoring how she’d technically already answered. He didn’t believe her. “What made my parents fire you?”

Jazzy’s expression turned…soft. Tim couldn’t look at her. Something horrible was welling with it, and he didn’t know how to cope.

“I’m here because I care about you,” Jazz repeated, and knelt beside him. She looked up into his face, and took his hand. Tim didn’t know why. He was practically an adult—he didn’t need this!

“And I was fired because your Mother overheard you calling me ‘Mommy’ on accident when you were tired. I suppose she was insulted, although I’d never know why; it’s not like she was ever home to bond with you in the first place.”

Tim’s throat closed. He missed his mom. He missed waiting up for his parents’ flight home, seeing their headlights outside the window, and knowing they’d bring home gifts from overseas. He missed using Mom’s perfume, and knowing he’d used more of the bottle sitting on her dressed than she ever had, but that it still smelled like her. He missed hearing his Dad telling all sorts of adventure stories and promises through the phone to be home for the holidays, even if Tim knew there was every chance he’d find some other way to spend the time back in Gotham.

And there was some small child in him who missed Jazzy, who hugged him and walked him to the library and made him soup from a can instead of fancy dinners and, who’d never needed to be waited for in the first place.

Tim looked at Jazzy’s round, freckled face.

He swallowed.

Tim moved out before the end of the week, as expected.

[shittyutmv]

He's fine killer by rahafwabas dream by jokublog

[theoriginalsapphic]

If Mike had the same focus on his mental health as part of his character arc in season 4 like Max did, he wouldn’t be as a disliked character by the general audience as he currently is.

I’m being serious.

Their behaviors throughout season 4 are similar enough to draw parallels between them.

They both treat Lucas like crap in less than ideal terms.

They both get their declining academic performance pointed out by another character.

They are both hiding things from people, and being open and honest about it could help them but they won’t do it.

They both mistreat and push away someone they love.

They both lack self-preservation, which leads them to have suicidal tendencies and put their lives at risk.

The show even makes a point of putting Mike next to Max in two of the symptoms mentioned in the Vecna’s curse.

The only difference is that Max’s character has a huge focus this season, and most of it is centers on her deteriorating mental state. On the other hand, the only time Mike gets a chance to explicitly and verbally acknowledge that he is struggling with something, he admonishes himself for caring about something so irrelevant considering the ongoing situation, and the scene shifts to be about Will and his disguised confession through the painting.

.

.

.

So, with all being said... what could this possibly mean for Mike in season 5? Well, Ms. Kelly said it best:

[a2zillustration]

Makin our way

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[ryllen]

[themintman]

Finished two pages is my mcsm only fixation book 😋😋

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[chirpsythismorning]

What they're saying is s5 is going to have Hawkins High School as one of the locations for the plot. What I'm hearing is jealous Mike opportunities...

[takemebacktowheniwassane]

"god I hate people who draw falsettos marvin this way" "fuck people who draw whizzer like that'"

*edited*

...guys, do you know what an art style is???? cuz', this seems pointed. I see what you mean. I completely agree.

But hear me out. Along with these posts, could we consider? Maybe? Some constructive criticism? People should draw them more accurate.

They SHOULD.

But how should they do it? Realism art? It's a foreign concept to me. I try and it absolutely fucking sucks and i'd love to be a part of this fandom showing that the characters are real people but

It's kind of

Just

Very "do this. No other explanation. Change it."

Look, I really want to. And I am trying. But could we like, make a space for teaching people? Cuz I am stumped dude like fr. Need some guidance.

sincerely, a tired lesbian who is infinitely more tired of seeing this everywhere. thanks

[midnight-scugs]

Okay I'm not usually one to be rude but genuinely, I am BEGGING this fucking fandom to stop using entirely or primarily he/him for Seven Red Suns.

It's always he/him! Literally at least a quarter of this fandom seems to he/him them and masculinize them constantly. What gets me here is that it's never like, they/he/she and nonbinary, or they/them + neopronouns and agender, or something like that where you're just adding onto stuff while still respecting their canon gender and pronouns, gender and pronoun headcanons that aren't just the canonical nonbinary they/them are like, ALWAYS he/him or he/they and masc aligned. When people do that CONSTANTLY it's not just something you can ignore either. Because people are just constantly misgendering them.

This isn't even mentioning how despite having no canon genders, Chasing Wind/Grey Wind and Unparalleled Innocence are pretty often just stuck with binary genders... especially the latter who's most commonly just "she/her girl" to people. Now mind you there's nothing really wrong with this since they don't have established genders, but idk, like, man is it tiring to see that a lot of this fandom is just... either weird about nonbinary gender or just not really varied in common interpretations, between this and especially people just straight up misgendering Suns.

Genuinely I can't stand the "Suns being written as a he/him using boy" thing though. I'm so tired of nonbinary characters being forced into a binary box to be made more palatable or for shipping. Yeah that's right, I'm saying it; a lot of Suns being masculinized comes from the fact that their two most common monogamous ships and most common polyship are with guys and people are weird about MLM or MLM presenting ships. Not everything has to be yaoi guys I am begging you, a ship can be just as fun when one party is nonbinary. Literally begging. It doesn't need to be all masc aligned characters to be good. Please just be normal.

[chocokano]

it is officially the one year anniversary of hz episode 16, aka THE spinel pokemon episode, therefore!

a redraw of my very first (08/01/23) digital drawing of spinel (*'▽'*)

plus cool overlay hehe

i can't believe it's been a whole year since he got his big episode ∑(ﾟДﾟ) i don't think i'll ever be as excited for any episode as i was for 16

here's to another year of this freak !! maybe he'll actually show up soon outside of a 5 second appearance that sets up him being suspicious just for it to be forgotten for months

og under cut! (old art alert)

[r0semultiverse]

My tumblr update looks a little strange.

[a-s-levynn]

About those new masks..

So i saw this take a few times already and i have some thoughts. Obviously it's paraphrasing but you'll see these a lot similar to this if you scroll in ST spaces since yesterday:

"These new masks have too much personality, they said the people behind the music is uniportant but they now have this new personalized look instead of the uniform sleek minimalist one and it is the direct opposite of what they are saying. These new looks do not fit Sleep Token"

Let me preface this: I'm not going to explore specific reasons why people might hate on the masks because... No i refuse to go there, but i will talk about the issues i have around this a bit.

No.

If you are hating on the new masks so much so as to cry about that "this is not what they supposed to be about" you are missing your own point. You are in fact shooting the opposite direction. You are no longer in it for "just the music" but you are very much caught upon the "everything else beside the music." You got distracted. You putting the blame on them instead on yourself for loosing your own point.

There is no moral highground in this whole ordeal. Please respect yourself enought to try not to look utterly stupid if you frothing about something you visibly misunderstood. Do not hide behind excuses. Do not put this on the artists. Own up to the fact that you simple don't like it.

Admit that it's your opinion purely; because ultimately the artist creating their own art will understand creative choices behind their creations more than you ever will. No matter how far you try to bend backwards.

The masks fit Sleep Token because it is Sleep Token who decided to have them. End of story. You can hate it all you want but it is still part of the shabang now. And don't try to mask your distaste over visuals with shouting about the artist not understanding their own ideology.

If you are so hung up on how they look like, more than what the music still is, than stop and think for a second please.. You have it backwards. If you really truly only care about the music, what it is about, what it gives you, than you are not going to give a shit what they are wearing on stage.

Maybe in a passing few sentences but otherwise you are not going to be worked up about it to the point you sent hatecomments to the artist who made them.. It is shameful.

Besides i hate to break it to people but they already had their personalities with their outfits just not this strongly. III had the random whacky shit. IV had the hint's of this comfy leisurly punk-ish techwear whatever going on besides the fancy stuff the past a months since the summer. II had a slightly sleeker but maybe sort of tech-ish look which is now reflected (in my opinion) much more strongly with this new look (which sorta reminds me of a stylized oni or something tbh and that is extremely in line with their older far-east inspired thematics visually, just saying).

They are not handing you the "we are unimportant" part anymore. They are not spoonfeeding it to you. Not in the way they had before at least. They presume you are mature and smart enough at this point to get it. To get to the conclusion that it is unimportant what they look like. And allow them to still have fun with it.

Or just they are being cheeky and went for something that would shake up the people. I don't know, i don't know them or anyone close to them. I don't have answers. But they are trying something new an it is perfectly fine.

Also which would have come off so much differently if Vessel is 100% btw. Be honest, if they would have been able to perform to their fullest abilities, far less people would be so loud over this.. This was just an unfortunate turn of events and when shit hits the fan it usually never just one dose. And my heart breaks for the boys for all this.

Besides, people were so loud about hating that "they looked the same" and "so hard to distinguish" and "easy to replace because of this" ... now they have personalized masks and looks and the same people cry about the exact opposite they did before..

Also it just occured to me that this is basically the same as the lightshow upgrade. It gives you something to look at at the rituals. The new looks are visually interesting, and with the lighting setup they have now they are gonna look like some seriously fun nightmare creatures btw. I love that already.

So all in all i don't know, i don't really have a point here i guess, but the boys are in such a no win situation right now and i hate the fact that people are shitting on them just because they don't fit their idea of "an anonymous collective" anymore. Which is reddiculous and sad because nothign has changed.

It never was about being a blank page. It was about being human. It flies over so many peoples head but the anonymity part isn't about not being a person under there. It is being about that person not having a name. It doesn't matter if the person has a personality or not. What matter there is that no name.

There is no definitiveness. It gives an open invitation for anyone to step into that person but first you need to recognise that there is a person there. And there is no doing that if there are no traces of personality. Or humanity if you will because personalities makes us humans. Don't make me hold a philosophy lecture here on what it means being human please.

It does not matter who that individual it is by tagging a name on them. But it is extremely important that there is a person there. Otherwise there is no connection point. If there is no person there is nothing to understand. But it does not matter how that person looks like. It does not matter what the person wears. Or what that person is called. What matters is that it is a human being. And as such you can understand it. Our at least you should be able to.

Regardless of the design of a mask.

[cienie-isengardu]

Does Bi-Han really has no idea where his brothers are living now?

To me, the most funny thing about the origin of the MK1 Shirai Ryu clan is Kuai Liang and Tomas' assumption that Bi-Han has no idea where their new clan is stationed.

We know from intros, Scorpion and Smoke do not share its location even with their allies so that Lin Kuei can't find it.

Kenshi: Why keep the Shirai Ryu's location secret? Smoke: So that the Lin Kuei can't find it.

But then we have Kuai Liang's ending:

"No sooner had Titan Shang Tsung had been defeated than Bi-Han and his loyalists hunted us down. Outnumbered, we fled to Japan. There we sought refuge from an old family friend. As children, we played together. But Harumi Shirai was a woman now, the head of her clan. Her strength, beauty, and intellect awed me. Also incensed by Bi-Han's betrayal, Harumi agreed to help me forge a new clan. One that would stand against him and defend Earthrealm. Her aid proved invaluable. And as time went on, we grew closer. To honor Harumi and pay respects to my new bride, I named the clan after her, calling it the Shirai Ryu. Now the battle against my brother begins in earnest. The Shirai Ryu won't rest until Bi-Han is defeated and the Lin Kuei's honor restored."

in which:

A) Kuai Liang and Tomas fled to Japan and sought refuge from Harumi Shirai who is called an "old family friend"

B) she and Kuai played together as a children

C) Harumi is the head of her own clan living in Japan so between Scorpion and Smoke and her, it is Harumi who own land, money and/or necessary goods for a clan to prospere AND to fund Kuai Liang's new clan

D) Kuai Liang named his clan, Shirai Ryu, in honor of Harumi.

With such a description, the chances that Bi-Han is not familiar with Harumi are pretty slim to none. He already knows Scorpion and Smoke are in Japan, as they were hunted down by Sub-Zero's loyalists. Kuai has no money so for him to start a new clan, he needs to ally himself with someone who can fund it and support the two former Lin Kuei - and Harumi Shirai is an obvious choice, as the old family friend.

But even if that was not the first Bi-Han's conclusion, the fact that Kuai Liang married Harumi Shirai AND named his clan the Shirai Ryu makes it clear where he is - around Harumi. Scorpion's clan may go into hiding but I doubt Harumi would abaddon her land and clan or force everyone under her rule/protection into hiding so Bi-Han doesn’t even need to search for his brothers, he needs find only Harumi, as Scorpion and Smoke will come to protect her against Lin Kuei.

Since these days it seems everyone, including Outworld and Netherrealm characters, know about Kuai Liang's marriage and Bi-Han is A) operating in Sun Do, the capital of Mileena's Empire and B) is know to collect secrets, it is no surprise he knows about brother's relationship with Harumi. As even intro dialogues outright says so

Scorpion: Stay away from Harumi. Sub-Zero: In this war, family isn't off limits.

and look, putting aside the threat, Bi-Han already considers Harumi part of the family even if they are enemies.

So yeah, the whole "keep Shirai Ryu's location in secret" is so hilarious to me, because the Shirai name is total opposite of secret for Bi-Han, as he knows Harumi and where she is living, if Kuai Liang and Tomas knew where they should go while fleeing to Japan.

Good job, Kuai! 

But you know what is even more hilarious? The fact that Kuai Liang has no real idea where is currently his older brother and goes asking allies and enemies alike for help or information. Like yes, he and Tomas know the Lin Kuei clan is operating somewhere in Sun Do, but Li Mei found them and confronted them about Shirai Ryu activity in her city, while they did not capture Bi-Han there. And sure, Sub-Zero may not stay in one place for too long, however his own ending

"I had broken the Lin Kuei free of Liu Kang's enslavement. We were now masters of our destiny and could take our place among Earthrealm's greatest nations. But taking and holding territory would require a vast army. I needed more fighters to make our presence felt. Then I recalled Shang Tsung's dragon warriors. An army of them would be unstoppable. But trafficking in such strong magic would surely draw Liu Kang's attention. Sektor advised me that we avoid detection by building our army using science, not sorcery. We've invested much time in this endeavor, and we are beginning to see results. Once again proving the depths of Sektor's genius. When we are done, all of Earthrealm will honor our desires and heed our demands. If not, they will face the Lin Kuei's wrath."

says Bi-Han wanted to take and hold territory for his clan and so Lin Kuei invested time and energy into building an army based on magic Dragon warriors. Though it is not specified, I think it is right to assume the building of the army happened on Lin Kuei territory,

as that was their best secured base of operation. Like sure, Liu Kang and Shirai Ryu knew where Lin Kuei home was based but as the clan was living in hiding for centuries, their land was probably well guarded and the headquarter was located in a naturally defensive place.

And I admit, the whole idea that Bi-Han knows perfectly well where his brothers are hiding while Kuai Liang and Tomas have no idea about Sub-Zero's whereabouts and can't find him because none of them thought - or dared - to check Lin Kuei home is way too more hilarious than it should be.

People may make fun of Bi-Han not being smart during story mode but damn, Kuai Liang for sure is no mastermind either. 

[hearteyes-wheeler]

i think mike and max hang out together sometimes without the rest of the party and max teaches him how to skateboard