#i'm so sad like genuinely

[moinsbienquekaworu]

Tonight we listened to the last L'Heure Bleue, the show on France Inter, and hearing that theme for the last time at the end.... It always made me feel thoughtful, literally full of thoughts, a little like Goodbye To a World, but that last time... Man, that's part of my childhood too! I can't remember a time she wasn't on the radio, it's like if Les Petits Bateaux stopped

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[lucienff]

the leader and his bloodhounds

[madootles]

there’s just something about a good superior-subordinate professional relationship built upon mutual hate...

[resurrectedcrowgod]

The severe lack of toa apollo angst fics is criminal

[vaguely-concerned]

Thinking about the symbolic weight of smoking in the TLT universe that comes to the fore in The Unwanted Guest -- the way it moves through from person to person: Pyrrha smoked, and Augustine wanted to impress her in all her stone cold fox MILF James Bond glory (and tbf who wouldn't) so he started too. and even though as far as he knows she's been gone for a myriad and is never coming back, he keeps the habit. Ianthe sees something in the hollowed-out Faberge eggshell of Augustine that resonates with her, all that gilded eloquent emptiness and disdain through the ages, so she picked it up from him to try to emulate it. She picked it up so hard that Palamedes -- the exact spiritual antithesis of the 'smoking! on a space station! what a powermove' ennui Ianthe so admired -- spontaneously unnerded enough to even known how to, simply from a sort of contact contamination of the soul.

G1deon and Augustine sharing a jittery smoke after their near-Harrow experience during soup night, and it's the closest thing to any real sense of brotherhood that remains between them. Pyrrha going ten thousand years dying both literally and for a smoke (and then Camilla sold her fucking cigarettes (for a third of what they were worth, probably Pyrrha's own good, and also more importantly grocery money). what an entirely haunted time to be alive etc.). Augustine and Mercy trading a cigarette back and forth in the middle of their collusion over the love and murder of god.

An act of small and measured self-destruction in the name of something a little bit like connection when you're stuck somewhere in yourself where love itself dares not or cannot tread (ritualized, transmissible)..........

[dollya-robinprotector]

Winter holds the gem up to the light. "Pretty," he says. "Similar to the ones they mine nearby." He frowns. "Except a different hue."

[canisalbus]

Your art is so poignant and skillfully executed. I'm always excited to see what you create, and all the various influences that are revealed(or hidden) in each art piece.

That being said, I was not prepared for the sudden influx of Sad Dog x Bright Dog art you've been sharing recently! Machete having the potential of being loved and enjoying tenderness despite himself is one of The Best reveals of 2023. I enjoy how you express his relationship and struggles just as much as i enjoyed the stand alone pieces you've shared.

Thank you much for sharing the broader stories and pictures of your characters 💓

.

[originalcontent]

I can't find art of my ship anywhere so I GUESS that means I have to make it myself, here are some doodles.

[your-ne1ghbor]

STAR BOY AND ASHA FULL DELETED SCENE

I FOUND IT I FINALLY FOUND THE FULL CLIP OMG

Okay thoughts?

This is the best scene of the entire film. Like I really liked it, and the tone felt genuine to. I FELT THE EMOTIONS SO WELL.

In my opinion, when you feel something in a film, YOU KNOW it is good. Like how horrifying Hunchback of Notre Dome is or Prince of Egypt.

If they don't make you feel anything about the characters, then you need to review what went wrong.

Ofc, you don't have to FEEL what is going on in a good film, but the darker the film, the more that it hits.

This...THIS RIGHT HERE, felt like old disney.

[triaelf9]

sees a post that's like "LOOK, LOOK AT ME I HAVE TERRIBLE MEDIA LITERACY LOOOOK AHAHA ISN'T THAT FUNNY"

Checks bio

"I'm 21"

Ah, yes. You're in the age group to have been hit by the resurgence of purity culture. I'm so sorry.

[scuderia-hamilton]

i’m happy for Lewis going to Ferrari and that he's leaving a toxic environment and i am so so excited to see him in red, in a team that wants him, but then sometimes i see a sad edit of him leaving and it’s just truly devastating.

how he always said that Mercedes is his family, that it’s the place where he wants to retire from, that he cannot imagine not being a Mercedes driver. he was so loyal, he gave everything he had to that team and somehow, it just still wasn’t good enough. they didn’t listen to him, they excluded him, made him feel unwanted and alienated, didn’t prioritize him at all. it’s been so clear that he wasn’t part of their future plans, which was just heartbreaking.

and when he decided to take back his career and go to a team that clearly appreciates him for all that he’s achieved, they spin this whole narrative around, going completely against him. suddenly everything was an issue and a problem, his age, his attitude, his commitment and determination.

and still, he didn’t say a single bad word about them, always expressing how hard of a decision it was. the hardest he ever had to make. he makes sure they know how grateful he is, how proud he is of their journey and shared history, that he'll miss them tremendously and it just doesn't feel reciprocated at all.

and i can’t imagine how drastically the situation must have worsened for him to decide this over winter break, in such a short period of time. he was always so full of hope regarding the team, no matter how horrible the situation was. something broke his unwavering support and hope.

he built a legacy way bigger than any world champion in the sport, he built a legacy that is bigger than f1. and it still wasn't enough. he felt like he had to leave first, before he got left behind. and that is just gut wrenching. he's the most successful formula 1 driver in history and they just couldn't appreciate him.

Mercedes was his family. until it wasn't.

[steakout-05]

i might get some hate for this depending on where this post goes but i think lesboys are so valid and the discourse about them is so ridiculous. like you guys shouldn't have to deal with all that and it frustrates me that people throw hissy fits over an identity that literally does not affect them at all.

"but men cant be lesbians-" wrong. butch lesbians and trans men have a really closely connected history with each other that practically intersects and you should really do some research on that before you make blanket statements, not to mention that gender and sexuality is weird and wobbly and fluid and a very personal experience. it means a different thing to each person. being a man can be something completely different and saying stuff like this ignores people like demiboys, demigirls, genderfluid and genderflux people etc. these people will really preach "demolish the gender binary!! love is love!!" until someone's relationship with gender and sexuality is a little too freaky for them to handle and be challenged by lmaoo

"ohhh but what about the cishet men who say they're lesbians to prey on women-" YEAH WHAT ABOUT THEM????? THIS AIN'T ABOUT THEM BRO!!!!! this argument also REEKS of terfy "trans women are just predatory men!!!111!!1" rhetoric and it grosses me out. yeah some men are gross and do try to pull this but that does not negate someone's entire identity completely just because of a few bad actors, you know that right? actual black and white behaviour.

queer discourse is silly and i don't know why it's a thing. just let people exist. it isn't that hard. we have worse things to worry about than whether someone calls themselves a lesboy or not. i think we need to unplug our ears and yank our heads out of the sand and remember that the queer community is what it is because of our unique and amazing diversity. arguing over labels like school children isn't gonna help that. damn.

[boyfridged]

You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.

Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.

I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.

Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.

oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.

tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.

and the long, long version, coming with panels and quotes: under the cut.

first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.

i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.

bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)

i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"

this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.

so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.

the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."

the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.

but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.

so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.

that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.

we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.

the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.

and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.

which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.

[icewindandboringhorror]

sneeping with his legs up over his head for some reason... weird boye

[laesas]

The hands holding yours are not clean either.

VegasPete + Hands || KinnPorsche (2022)