#i... i didnt think this through

[ryuuseini]

god if people follow me for hanamusa i just realized theyre gonna be shocked that my main otp is shinsato and i have... a stupidly large polycule in which every combination is valid except shinhika. HUH

[captainmaxatx]

Can’t get over how fast Logan decided him and Wade were a pair

Right after Pyro made Johnny fall out of the sky Logan goes “we don’t know that guy”

Logan what do you mean WE, you’ve known Deadpool for all of half an hour and spent half of that time trying to kill him!

Wolverine really saw that Deadpool could also regenerate and immediately decided they were a package deal, he’s still gotta act grumpy though, gotta keep up the reputation

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[kenjakusbraincum]

Sukuna is old. He is also weirdly cultured for the monster that he is. With so much time on his hands, he loves indulging in arts and literature, and as with everything else he tries, he's good at it. You wouldn't know this, of course, you are only his pet. The time you spend with him is limited and hardly consists of intellectual conversation. You are there to serve one purpose and you know that quite well. So when you wake up in his bed one morning, two things come as a surprise. First that you're even here. It's one of those rare occasions when Sukuna couldn't be bothered kicking or carrying you out of his chambers once your time together was up. Second, he's awake, bent over his desk and so concentrated on a little figurine in his hand that he doesn't immediately notice you've shuffled awake. Once your eyes focus, you see that he's holding a tool in his other hand. He's carving wood. You're almost hypnotized by the scene. The scene feels so private that even for a pet like you, who knows Sukuna in the most intimate way, it feels like you shouldn't be watching. But you can't look away.

"Awake?", he asks, without sparing a glance at you. You apologize for staring, and look for your clothes around the bed. You throw them on just precisely enough to cover up until you reach your chambers, just wanting to be as quick and innocuous as possible. You wait for Sukuna's approval to leave. He gives you a simple nod, once more avoiding to look at you. You leave feeling conflicted. Special, because he allowed you to stay and watch (even as little as you did), but saddened because he barely looked at you, once more solidifying in your mind that you're only interesting to him when you're naked and bent over. As long as you've been here, you could never stop wishing for his validation.

Sukuna knows when you get insecure too. He notices the way your eyes droop, the way you close in on yourself and seem absent in his presence. He justifies this excessive worry about you by telling himself he likes to be the only thing that bothers his pets. All the way until he realized he already is the only thing that can make you sad. This realization falls upon him one time he lashes out on you and sees the immediate change of heart on your face. Now, he isn't one to apologize, especially not to someone who is as low under him as his pet. But why does he feel guilty when he sees this one act of his ruin your day? When he catches a glimpse of you sitting in the garden with your head hung low, or leaving more food on your plate than you usually do. If only you knew the way you really made him feel.

He beckons you to his chambers, and you follow three steps behind him like a good pet does. You didn't expect this time to be any different than others. You've become used to serving Sukuna on days you loved him and on days you hated him. But when he tells you to close your eyes, you know something is different. You obey, of course, and listen to his footsteps as he fetches something from the room. His hand takes yours and opens it, placing a piece of wood onto your palm. You already know, but you wait for him to allow you to open your eyes. He lightly presses his thumb on your cheek under your eye, and when you look, you find a small wooden fawn, curled up and asleep in your hands.

"Master!!..", you start, but nothing else can leave your mouth. You turn the figure around in your hand, inspecting and admiring the details. He's given you gifts before, but not ones carved by his own hand. Not ones made with love.

"You don't have to squint anymore.", Sukuna says, almost jokingly. But his face is as serious as ever as he looks at you, his muse. He thinks of the first time he's exhausted you to the point of passing out right after your nightly meetings. You were relatively new and very unsure of your safety. He thinks of your small body curled up in sleep on the edge of his bed, knees pressed to your chest in a primal, subconscious attempt to protect yourself. His little pet, his fawn.

You slur on and on about how beautiful it is, how you don't know how to thank him, the usual when you receive a gift. And as usual, Sukuna shuts you up with a kiss. You welcome it and wrap your arms around his neck, giving yourself in to him and letting him take you to the bed.

And he takes things slow tonight. He's gentle and so, so giving. Every sensation is delicate, prolonged and heightened to exhaustion. You cling to him, pull him impossibly close, and come apart under the comforting weight of him. Afterwards, you hold his hand to your face and kiss it softly. His hands, so large and strong, capable of such violence, yet for you they craft gifts, cradle, caress, love... in a very subtle and distant way, of course. With these thoughts your hands slip away from his, you turn around and quickly drift off.

He looks at you now, sleeping so close to him. Trusting him with your back, and turning your curled up form to the outside world. As if he is no longer a perceived danger. He smiles to himself in victory, and plants a chaste kiss to your shoulder to wish you one final goodnight.

[anervousmirrorball]

the tortured poets department tracklist (album out april 19)

[onawhimsicot]

i know not many people would want to read a 10,000 word article about the minecraft end poem and how the author, Julian Gough, was never fairly compensated for his work and has made it public domain.

But it's a very well-written and heartfelt read, and he makes it very clear that none of this is a cash-grab and despite the fact that he is essentially a starving artist in this capitalist society, he only mentions his financial struggles despite Minecraft's huge huge success at the bottom of this article and not in the tweets so as to not dilute his message.

Anyway, I just think it'd be cool if those who are able to could support him in some way whether it be subscribing to his substack or donating to his paypal (that's linked in the article, you can ctrl + F to find it easier), that's all.

[daily-odile]

FINALLY FINALLY HAPPY (VERY LATE) BIRTHDAY ODILE!!!!!

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[black-and-yellow]

[caycanteven]

It was supposed to be a joke, but...

I may or may not have made a slight mistake.

[caramelldansenu]

[dizzybizz]

the honse and bnuuy

[tittyinfinity]

I just remembered that up until 5th grade, all of the sports teams I was in weren't separated by gender. I played basketball and baseball with boys. And we did just fine.

It wasn't until 6th grade when they segregated it by gender. It didn't make sense to me. I was now in softball instead of baseball, because "softball is for girls" and "baseball is for boys" (which confused me bc my dad was on an adult softball team).

Now, my brother's all-male team didn't win a single game. My all-girls team won every single one.

They presented the boys' team with this HUGE trophy, and if you wanted replicas of it, they were $30 each.

My team was presented with a very small trophy. Extras were $5.

That's when I decided gender-segregated sports were bullshit.

[adeleine-everyday]

hello adeleine what is your favorite color

day 138

when the world is so full of color and vibrance, how can you choose just one?

[itseghost]

i have been steadily catching up with the mighty nein campaign the past few weeks after i fell off right around travelercon arc a few years ago.... i am ENTRANCED AGAIN and i have been doodling them while i put off thesis film work..

[milothebeetle]

sudden interrogation! - Going from complete dark to sudden light must be spooky!

Comic made for @virune 's literal shadow au :)!