#idk what inspired me to make this

[dapper-lil-arts]

Happy pride!

[guest1300]

real

[negativeresponse]

[wasyago]

so, would you?

nothing important under the cut, you don't need to look haha

[waterghostype]

i thought this was a beautiful nonbinary lesbian but it’s just morro from ninjago

[saetoru]

al-haitham’s the kind of guy who tilts his head slightly for a kiss before you even lean in to give him one. he just knows it’s coming. expects it. trusts it’ll happen.

he’s yawning when he sits at the table for breakfast, hair slightly disheveled from sleep. he sits down and when you place the mug of coffee in front of him, his head angles a little for that kiss you place on his cheek.

he’s drowned in endless paperwork at the akademiya when you stop by to visit, chuckling when he gives you that look of despair at the all the work he has to do. you don’t even manage to walk up to him fully before he’s leaning in and waiting for the kiss to the top of his head.

he’s shirtless in the bathroom, brushing his teeth at night when you walk in to brush yours too, bumping hips with his as you giggle. you don’t even have to turn before he’s tilting his head so he’s exposed and ready for that gentle peck you leave at his jaw.

“have you ever noticed how demanding you are for these,” you chuckle one day, pressing a kiss to his cheek to prove your point.

he grunts, leaning in and burying his head into your neck as you greet him at the door after a long day. “what makes you say that,” he mumbles.

“you’re ready for one before i’ve even come close,” you grin, “what if one day i don’t kiss you?”

“you’d stop kissing me?” he asks, squeezing your hips as he nuzzles into your neck. something tells you he already knows your answer.

and he’s warm. he’s close. he’s here and he’s everything all at once. he’s all you need and everything you’ve ever wanted. he’s the messy hair of your mornings and the pouty lips of your afternoons and that shirtless back of every night. he meets you halfway—maybe even takes the first step so you don’t have to.

he leans in for that kiss before you do. because he needs you, wants you, loves you—and he never lets you forget it. so you turn your head, press your lips against the side of his head and run your fingers through his hair as he sighs in content.

“no,” you hum, falling in love all over again, “no i’d never stop kissing you.”

[redwitchrune]

something about comfort, blue and orange, and new perspectives

[solarpunkani]

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

[tangledinink]

ninja turtles are here for projecting and processing grief, apparently.

i've seen lots of 'the death of future donnie' comics, most recently ofc being from @somerandomdudelmao (i went back and forth abt tagging but then decided i would, because this is directly their fault, /pos) and then, of course, all the fan content that was made in response to said comic... and i love seeing so many people make so much awesome work! but it's also really fucking sad.

so often in the real world, there are no goodbyes, no dying in the arms of a loved one, no heroic sacrifices, there's just... death. people just die and it sucks. especially because in real life there's also no cool storyboarder assuring you that there's gonna be a happy ending and you'll see them again. and so it's like... then what?

i dunno. i was just sad about it for a while, and i wasn't really sure what to do with that, but i guess this is my answer. sometimes you don't get to say goodbye or hold them when they leave you, and you dunno if you'll get to see them again. but you can still have the mark they left on the world and hang onto that. because no matter what, once upon a time, they were there, and you remember. other people probably do, too.

[x-gon-give-it]

Headcanon, theory, prediction, whatever you want to call it,

but I think the reason that the universe Miquel hijacked collapsed, and not Miles, despite them both being “anomalies” is because Miquel was trying to change someone else’s story, as opposed to Miles who inspires other people to change their own stories.

Like, Miquel tried to force himself into a universe that wasn’t his. He took the place of his counterpart and pretended to be him, he was playing a part that wasn’t meant for him, he was changing a story that wasn’t his. And the universe rejected that.

Whereas Miles inspires people to change their own stories. His universe didn’t collapse because that’s HIS universe. It’s HIS story to tell, and sure the plot changed along the way, but he’s still telling it.

The same with 42-Miles. His story was drastically changed because he wasn’t bitten by that spider, but his universe isn’t collapsing because he’s the one still telling the story. He’s still shaping his own future.

And like how Miles inspired Peter B to have Mayday at all. Without Miles, Peter wouldn’t have gone back to his and he wouldn’t have had Mayday. But his universe isn’t collapsing because that’s a decision PETER made. No one forced him to make up with MJ and have Mayday. But Miles gave him faith and inspired him to go back and give life another try. (Don’t even get me started how Peter would have literally DIED if not for Miles. He was going to stay in Miles dimension. He was fully ready to deteriorate. He literally would have died if not for Miles saying “NO BITCH YOU GOTTA GO HOME” much less inspiring him to have Mayday, I’m just saying I’m just saying.)

And the thing is I don’t think Miquel realizes that. He’s so caught up in his grief and anger that he’s completely consumed with following canon and my never disrupting ANYTHING. He doesn’t realize that that universe collapsed because he tried to change someone ELSES story. He tried to become someone else to live their story. He didn’t try to make his own and that’s not how it works.

Idk just thinking thots tonight, And ATSV is always at the top of my brain

[fisheito]

collab #2 with @xenole i was given a chibi yakumo and i.. i...... turned it into thiS

[mistykaru]

rest on...ᵗᶦᵈᵈʸ...

[sharks3ye]

Soo umm this happened

Translation:

"We need a personal demon

Personal god

who can do

What I couldn't do"

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[mari-monsta]

It honestly really baffles me when people say adrien is a boring or simple character, I don’t understand where that comes from at all. Because I think the main reason he’s so compelling are his complexities, but in the same vein those complexities I think make him someone very easy to relate to. Like it’s fine if he’s not likable or relatable to everyone but saying he’s not complex is really just ???? To me. Just looking at how DIFFERENTLY he acts around different people and situations is so fascinating to me. Of course everyone takes different personas and highlights different aspects of their personality around different people but adrien is the king of doing it around the same people to the extent of which having his two personalities be the same is laughable to those who know him personally in his everyday life.

But it’s not out of no where, seeing his home life and the kind of person he’s made out to be by his situation it’s not hard at all to understand that he’s a person who is immensely self conscious. He’s constantly gauging others perception of him and whether or not he is “safe”. What’s more fascinating is the entirely different way this comes out in chat noir. Because adriens personality as chat noir is also deliberate to a certain extent but it’s deliberate in the way that that’s how he wants others to see him. He wants to see self assured and larger than life because in his everyday life he feels small and self conscious. The fact that this dichotomy is so easy to follow in his character but creates such a black and white image in his two personalities is so interesting!

Another thing I find completely fascinating about him are his high empathy and how that actually fucks him up more often than not. He’s acutely aware of how other people might be feeling and can easily sympathize. At the same time though he has a hard time understanding certain social cues and situations and seems very out of his element. I don’t think these things conflict at all. Adrien is someone who easily puts himself in other peoples shoes and can imagine and have sympathy for their situation, but that doesn’t mean he’s going to pick up on the social complexities of every interaction every time. Emotions aren’t the same as communication and when it comes to the later adrien works best with simple and straight forward interactions.

In the same vein because of his aforementioned situations he’s also a character who has a lot of repressed anger and frustration that has been building up for a very long time. In his everyday life, he feels powerless, small, and insignificant. He doesn’t have faith that anyone would listen to his thoughts and feelings and actually take them into account, because by all of his experiences no one really has. This creates a defense mechanism where he shuts himself out before he even gets to the point of sharing how he really feels. We see this really easily in his relationship with Nino. He loves Nino DEARLY, but there is something that we have seen in him constantly putting up walls emotionally. He won’t tell him when he doesn’t find something funny, he won’t tell him if he’s unhappy to do something even when it greatly affects his life because he is at his core afraid Nino will not validate those emotions.

As a result, all the frustration he’s built up from feeling powerless in his everyday life we see just. Randomly bursting out of him in inopportune moments as chat noir. It’s not that adrien is such a violent or angry person normally. But he’s so used to repressing and modulating his emotions regularly that when he feels somewhat safe to express any frustration ALL of the anger he feels constantly bubbling under the surface all of the time just suddenly rushes out, like a dam holding back hundreds of gallons of water. This happens repeatedly, and then as soon as he’s realized he’s let himself get out of control he immediately feels immense guilt and he stops the dam up even tighter. This is obviously not a healthy feedback loop but it’s fucking FASCINATING!!!!

A common thing that I feel like I see fans often misinterpret about his character in my own opinion is just how PRIVATE of a person adrien is. Adrien loves sharing his love and appreciation for those around him because he knows how it feels not to know, not to be sure of that affection. But in the same token, Adrien rarely if ever actually shares his real feelings with those he’s close to. He doesn’t like people prying into his life or his feelings and he is very private about most things. We don’t see him talking about what he likes, we don’t see him sharing with his friends his anger or frustration. And in the end Adrien is the one character who has kept his secrets most closely held to his vest. This is all despite being so grandiose and loud mouthed as chat noir. Even as chat noir, adrien rarely is entirely open about things going on in his life.

To me Adrien as a character isn’t interesting or compelling because he is shy or cute or sweet, but because there are a number of different facets to his personality that I can easily see reasons for and understand where his feelings come from. He IS sweet, but not without misplaced anger, not without repression, not without mistakes and messy emotions. Not without pain that we can both easily see the roots of but also have a wide spread variety of consequences from. We see how his formative experiences affect every aspect of his life even in ways he audience wouldn’t necessarily expect, but make complete sense. That’s so fun and interesting to me!!!! Let characters be messy but try their best anyways!!! Let characters hurt each other and try to put the pieces back together one shard at a time. People have complicated emotions that come out in ways we can’t always foresee or help, people make mistakes because of that. But despite everything adrien is a character who cares deeply for those around him and tries to do right by them despite all the rest of it, and despite sometimes not really knowing how.

It’s things like that that keep miraculous being an extremely engaging and compelling story to me. Most of the general things about adriens character are also things that I find interesting about marinettes as well! Of course the intricacies of her character are completely different, but the general hows and whys and complex motivations for her actions while maintaining the best of intentions are what make them both so interesting to me. So this is just a little love letter to adriens character because I wanted to talk about that and why I find him so engaging!

[whenyoulosesmallmind]

Nicklas Bäckström & the Washington Capitals (+ nickeovi) ― Remember, Christina Rossetti | insp.; per @lafragolina's tags

credits: x. x. x. x. x. x. x. x. x. x. x. x.