The Sergeants doing Filipino things (based on this twt)
quick explanation under the cut!!
note: i was projecting a bit on Gaz,,, i do the commentary bit almost all the time LMAOOOO
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dunno if this has been done yet but: airplane didn’t first become aware of peerless cucumber in the comments of pidw, he first saw peerless in the comments of a different web novel (that perhaps was one of airplane’s earlier works?) and so when initially drafting pidw he was inspired to write a villain just like cucumber bc “he’s MEAN MEAN for no reason, a literature snob, and pretends to be all high and mighty while looking down on others. also likes to kick down the little guy” and boom. sqq was born. cut to years later post-transmigration when sqh just casually drops this info with “lol i always did find it funny how much you hated the guy considering he’s literally based off you”
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recent sketches!!
The first pic are redesigns of my 2019-2021 ocs! If you remember any of these characters no you dont! Embarrassing. Second is Maria, Marysia, my beloved protagonist for my newest project. Third is Helena my favorite rat. And fourth is Maria once again, with her friend, Juras, also a character from my newest project
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Uhm uh uh...I have no excuse for this 😔 PPG self insert who is secretly an alien! I imagine her intro episode would have her having a little romance with the professor when he comes into a bookstore she works at/owns and the girls being (rightfully, given the prof's dating history) suspicious of her. Wacky capers ensue where they try to prove that she's up to no good, only to find that she genuinely is just chilling and wants to live a normal life on earth!
Well, normal as she can, now that she knows this family! I think she'd fit right in 😉
Taglist♡: @crushes-georg @changeling-selfship @me-myself-and-my-fos @tiny-cloud-of-flowers @sunstar-of-the-north @dearly-beeloved @adoredbyalatus @squips-ship @cherry-bomb-ships @miutonium
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I need to hop back into my transformers bullshit for just a moment because I don't think they've had much interaction in canon, but I think it'd be really really funny if Tarn was actually terrified of Starscream.
Like, I dunno if MTMTE/IDW canon has confirmed Starscream's immortal spark for that particular series, but I'm going to assume it carries over. If so, it'd make Tarn's power basically useless against him.
In my ideal headcanon, Tarn got sick of Starscream's shit at some point and went against Megatron to try to murder him. He tried to do this subtly using his voice only for it to 100% not work even a little bit. He would've had this whole build up where he got Starscream alone and was attempting to be a dramatic bitch about the whole thing and build up to the murder and then-
And then it just doesn't work and there's a really awkward pause where Starscream is looking around kind of expecting something to happen when literally nothing does. Tarn is trying to keep a normal conversation going now while also attempting the murder again and again just for it to literally do nothing. Eventually Starscream gets sick of him being weird and walks out judging the guy.
It'd be so fucking funny particularly because Starscream having an immortal spark is generally totally unknown, so Tarn would have to assume that Starscream had found some way to render his ability useless, which is terrifying. Tarn is now extremely worried that Starscream somehow had a spy and found out what he was planning to do ahead of time. He might've even been able to get something into Tarn's head somehow to know his plan this well. Clearly that level of genius must be part of why Megatron keeps him around. Tarn was a fool for having attempted to disobey, and Starscream was clearly not a problem he could solve like this. What if Starscream reports this clear disobedience to Megatron? Tarn just tried and failed to kill the second in command! Starscream would have every right to demand his execution if he so desired, or save this as blackmail!
Tarn is just out of his mind spinning conspiracy theories and getting super high levels of paranoia about Starscream. Just doing whatever he can to not have to be in the same place as the guy. He runs under the assumption he's being blackmailed by Starscream for his attempt and does what he can to not cross the seeker.
Meanwhile from Starscream's perspective, Tarn showed up and had a very weird conversation where he kept raising his voice at random times and then nothing happened. Then the guy freaked out and got even more weird about it. He has no idea why this happened. He has no idea that Tarn is hiding from him. He thought it was weird and stopped thinking about it after a few days. Starscream's minding his own business and mostly forgot about this entire thing after two weeks meanwhile Tarn is having a mental breakdown about it for years.
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So I was just told something interesting
You know how a lot of these big Victorian houses have seemingly useless railings around windows that are clearly not balconies? Come to find out these sorts of houses were built so that you could close off parts of the house from each other, like if you had guests or were hosting a party or something. But staff still needed to be able to get around so these windows would be large enough that staff could go out one window from one closed off section of the house to the other. It also gave the effect that guests rarely actually saw staff moving around doing day-to-day tasks. And apparently, a lot of these windows had hidden panels that swung out and make it look like the window wasn't there from inside the room
When I heard that, I immediately thought about a lot of modern criticism of older novels books that feature wealthier protagonists, who talk about their isolation and loneliness. I've heard people discussing these protagonists say things like "How can you be lonely when you're surrounded by staff? It must be their sense of class that prevents them from seeing the staff as people who they can socialize with". That is absolutely at play, don't get me wrong. But with the windows in mind and the knowledge that one of the marks of a good staff at the time was to be as unseen as possible, I think it's completely possible that these protagonists, and the real people they represented, really DID feel that they were completely alone in their houses. Not only were all these social structures in place to keep them separate from everyone else in the house, but also these physical structures that further limited interaction. Because we no longer build houses like this and a lot of older surviving houses no longer have this feature, it's a bit of context that modern readers aren't aware of
I think it's really interesting, cause it gives a whole new context to these stories and social life in the period, and also makes me wonder about what other context that we're not aware of when looking at history or fiction from previous time periods that would re-frame our understandings of the event of those times
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