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#if he really is judging them based on their actions they took only after taking the authority
selarina · 8 months
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This is Part 2 because you guys asked
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This florist guy is a peculiar lanky character, who later revealed himself as Gojo Satoru, who is apparently the son of a rich guy, the grandson a rich guy. He descended from a whole lineage of rich men and women, and so, it seemed particularly odd that this scion of affluence was was cooped up in a barely running florist shop.
So, you didn’t end up texting the guy after he cheekily slipped his number on the card but you did get rather… intrigued?
There’s something so strange and unreal about him. Apart from the oddity, the lankiness, the outright boldness that could only be a result of a privileged upbringing, he’s also interested in you — and boldly so. It’s never truly happened to you before, even your current boyfriend took about 6 whole months of weighing out the pros and cons before asking you out. It feels nice, you do suppose.
You’re lounging on your bed, the red roses from the shop lying beside you on your bed table almost dead from the rejection of the apology you gave. And honestly, you thought not to put waste to such pretty flower. You intended to put it into a vase or an empty bottle but you never ended up doing it. It’s funny how you’ve managed to neglect them over the past few days. It seems like a cruelly fitting metaphor of your relationship.
you: remember that florist guy
yue: sighh
yue: yeah you haven’t shut up about him all week if you haven’t noticed
you: shut up i only mentioned him like twice
you: anyway
you: i’m pretty sure he told me he wished my boyfriend died
yue: WHAT
yue: he’s just like me fr <3
You sighed. He is just like her. She’s never liked your boyfriend and saw right through him to be the facade of a temporary high school relationship based on nothing but superficial optics that would hurt at least one of you on the way.
But now, at the very least, she felt safe knowing it won’t be you, regardless of how cruel and selfish that may be. She always prioritised only the people around her. It’s something you admire about her, you wish you could care about the people around you as much as she did.
You mulled over the prospect of texting the florist, Gojo Satoru. For starters, he’s clearly interested in you, and you’re clearly in an odd limbo of a relationship and the ethics of that are well… pretty grey. And also, he came off strong, bold and you’re just meh. The first taste of your bitter sweetness and he’ll run.
A week passes, the withering roses sit comfortably at the bottom of your trash bin, amid ruffled paper, tissues and other junk alike. You stil find yourself thinking about Gojo Satoru, pondering whether you should send him a message.
If he's going to run away, you reasoned, you don't see the harm. Well, you do see the harm for your current relationship but again, he's going to run. So, it doesn't truly matter. So, you text him.
---
A week elapsed, and you received no text back, it started to eat you alive just a bit. The single checkmark next to your message mocked you every time you opened the chat. Did he give you a dead phone number? Was he just being nice?
It's all too odd, and the memory of you meeting the guy starts to feel like something you made up. You try not to dwell on it much, focusing on school, chores, sports, friends. Yet, after exhausting these distractions, you found yourself lying in bed, bones growing drowsy, thinking and dreaming about the man.
So, several days later, you do something slightly insane. Some might argue it was the most sane course of action, namely... Yue. But who cares? You're the only one here to judge.
You really, truly do not have interest in him but you do find yourself slowly taking the long route back home, walking past the flower shop every chance you get this week. But you always made sure to maintain a distance, choosing to walk on the other side of road, because like you said before — you aren't interested, just curious really.
And it would truly insane if this meant anything because he's just some guy you met while buying roses for your boyfriend.
You start to notice the little things about the shop itself — how it seems perpetually quiet, how the flowers displayed outside changing is the only sign of it being active, and then you eventually manage to catch a glimpse of Satoru inside, tending to the blooms like he's a practiced still from a movie.
You started to wonder if he was purposefully ignoring you. His quaint and unpopular shop always seemed devoid of customers. What did he do with all his time? From all the times you have crossed past the shop, not a single one of these instances has had any customers in them.
And one day, you decide to finally go back into the shop. No excuses prepared, you decide to make it all up as you go.
"Thought you'd never come in," he greeted you with a grin, leaning casually against the counter as if posing for a photograph.
You turned to scan every corner of the shop, checking to see if anyone else was present, reluctant to divulge your teenage romantic conundrum to an audience.
But to your relief, the shop was empty, save for the two of you.
You turned back to Satoru, noticing how his signature black sunglasses lay perched on the bridge of his nose. That's another one of those unusual things you've noticed about him, how he's always wearing his glasses.
One day you got late at school, having stayed back to hang some posters, so when you walked back you noticed the man still donning his glasses, even though the night had already set itself in the sky. You didn't understand why he would wear them. Perhaps, he has an eye condition.
"So, you didn't reply to my text," you say, striving for a casual tone as you pocketed your hands and approached the counter. You try to ignore the implications of him knowing you were walking past here all week.
He doesn't say anything, tilting his head, before he startles you by taking off into the backroom.
You wait there, confused, staring at the silent flowers beside you, as you wait and you wait.
He reemerged with a bag, rummaging through it for something? His phone, maybe?
Yes, his phone. "Right! Sorry! Sorry, I had my phone off," he explained, his eyes focused on his loading phone.
"You have one... right here," you remarked, removing your hand from your pocket and pointing at another phone resting on the counter.
He chuckles, "Huh, yeah. I do have another phone, but that's more for business stuff. My personal phone is the one you texted," he clarified, nodding toward the device in his hands.
"I see," you replied plainly, slipping your hand back into your pocket.
"I'm sorry for not responding. How about I make it up to you over some Mochi?" he grins. "Today? Right now?"
"Whoa, hold on. I didn't agree to go on a date with you. Remember, I have a boyfriend," you reminded him.
"Right," he grits with restrained chuckle. "Well, I didn't ask you out on a date. Just Mochi."
You can't help but raise an eyebrow at his response, amused by his persistence.
"Just Mochi, huh? Are you always this forward with all your customers?" you tease, finding yourself intrigued by him and all his boldness and audacity.
"Well, you're not really a customer today. Unless, you want to buy me flowers before our date?" he grins, abandoning his apron, as he comes from behind the counter.
"Hey! I said this wasn't a date," you find yourself yelling back at him, leaving only a slew of chortles as a response from him.
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crash-and-cure · 7 months
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Been a Thorn in the Side of Man (Yandere!Elvis x Reader)
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Summary: In her twenty years of the business, Jimena’s seen just about the worst Hollywood has to offer. However all of that failed to prepare her for the likes of Elvis Presley. 
A/N: Yikes on bikes, this took alot longer than I was expecting. I would like to personally thank @stylespresleyhearted ​ for keeping me motivated to write and allowing me to bounce ideas off her and on top of all of that making the beautiful mood board above. I was just able to release this on my birthday so there's that lol. Based off of this request.
Warnings: Yandere!Elvis so expect themes of obsessive, manipulative, jealous, and delusional behavior. Dubious Consent in regards to coersion being involved. Explicit sexual content depicted that includes Penetrative sex (m/f), oral sex (f.recieving), doggy style and mating press, and not to mention huge breeding kink on his part. BIG TRIGGER Warning for some suicidal ideation on his part. Loss of family members. Drug overdose. Mentions of Pregnancy. Self-loathing. Probably more that I am blanking on. Please do not interact if you are under 18. 
Word Count: I’m gonna be honest, stopped counting  after 30K (don’t judge me)
Then 
There’s an odd sense of calm once one officially accepts that they’re alone in the world. It’s easier in a way to accept that no one will ever truly look out for her, than it is to have to face the earth-shattering disappointment that is having believed for a moment that someone would. 
These are the thoughts going through her head as Jimi slowly folded her daily copy of the Excelsior. 
Most women would be violently mad after having read what she just did, but it was almost a relief to finally have an answer to why he has really been so absent in her life these last few months. It’s not like it should be surprising to her really, this town having shown her for years what it thinks about women like her: Seductive, temptress, exotic, temperamental, alluring… disposable.
It’s a story told time and time again in Los Angeles. Orson Welles and Dolores Huerta, Gary Cooper and Lupe Velez, and now Elvis Presely and Jimena Perez can be added to those ranks of doomed romances. 
I’d rather kiss three black women than a single Mexican woman, those are the words that ring within Jimenas head as she sits at her little breakfast table, though for what it’s worth it is nothing less than a deliberate action. As masochistic as it sounds she truly believes it’s for the better should she ever get to thinking this situation is in any way fixable. 
But even still as she stares unblinkingly at the plain wall of her just recently occupied home, she is a little confused as to why her vision gets cloudy. It takes her a moment to comprehend that she’s crying, something that she so rarely does these days anymore. 
And to think this is all over some musician.
She’ll never forget the first time she met him in person, all the standard camera and makeup testing that comes from early production. She’s far from the most experienced makeup assistant at Paramount, but in their words she’s the only makeup girl they trust to “behave” around him. Having grown up in the business, Jimena’s all but lost her ability to be starstruck by anybody really, so they’re not too far off in this notion. 
As they were explaining the whole purpose of this to the relatively green actor, she looked at him with a critical eye, examining his features, comparing it to other actors she had already worked on in the past, and trying to recall how best to highlight them on screen. 
He catches her looking at him and he shoots her a wicked smile, but where other girls would’ve gotten embarrassed at being caught staring she only redoubles her efforts now that she’s got a better look at his face, arguably staring even harder at him. In a funny turn of events he’s the one that looks away bashfully as though she were the one that caught him looking. 
While her official production title is as the resident makeup artist, she’s personally worked almost every job there is to have on a set save for actually sitting in the big chair and directing. Lights, costuming, talent wrangling, she’s seen and done just about all of it. She had been working behind the scenes since she was 14, where with a little bit of makeup trickery, she was not only able to convince everybody that she was an adult, but that she was the new hire. This would eventually give way to getting actually hired, as they simply trusted the fact given she was already on the lot. 
And somewhere between watching Dorothy Gale throw up in her own purse and seeing Rhett Butler remove his own teeth, did the whole concept of Hollywood movie magic well and truly die in her mind. 
Drugs, drinks, boys, girls, and every other vice to be had, Jimena’s seen even the most clean cut of stars fall into at least one category or another. So when she got the news she was gonna be on a project with him of all people, she had thought she had well and truly prepared for anything this man could throw her way. 
But when she actually gets a good up-close look at him, she starts to get that sinking feeling in her stomach. Not for anything he did or how he looked, but the way he acted. She heard his stuttering words and felt his soft cheeks in her hands, and there was only one thought in her head throughout the whole process. 
Pobrecito they’re gonna eat you alive.
All her years in this business, she’s got a pretty good grasp when people are being genuine or not. And he’s perhaps the most genuine person she had ever encountered. Wide-eyed bumpkin from down south was hardly new, but there was just something about Elvis Presley that made it a tinge more tragic than it would be normally. 
She barely spoke that first meeting, the higher ups weren’t that interested in her words these days, nor did he really try to initiate anymore conversation with the way his mouth was gaping at her. Hardly a new experience, but admittedly a little less unwelcome coming from him. 
So it took her by surprise the first day of shooting when he said “I didn’t get the pleasure of catchin’ your name last time,” he said with a grin as she set down her make-up kit. 
She’s quick to recover with a “Because I didn’t give it.” 
He gives a short huff at that before insisting once again since after all, she’s gonna be around him for the next ten or so weeks. 
“You can call me Jimi,” she says, barely sparing him a glance in favor of looking over the notes of what today’s scene will call for. 
“That really your name sweetheart?” which is not unfair to ask. It wasn’t her first choice, but it is the one that distanced her the most from her old stage name. 
“White people can’t pronounce it,” she justified as she tied her hair up with her favorite red bandana. “So I don’t bother with it here.” It’s sort of the truth, and that’s usually enough to get even the more obnoxiously “nice” ones off her back. 
“Well I’m willing to give it a shot,” he says amiably, apparently up for the challenge that she presents. 
She takes his chin in her hands and with a soft smile on her lips, and while he’s blushing up a storm she looks down at him and says a simple “No.”
He’s taken aback both by her words and the sudden spray of water from the bottle in her hand. She could’ve given a cursory warning to him but she has to remind herself that this entire situation works best when actors are indifferent towards her. 
It’s for the best, she tells herself. The less you say about yourself, the better, she wants nothing more than to keep her Mena and Nena days far in the past. 
Though it soon became clear that it wasn’t meant to be. 
“Y’know…” he starts off as he’s looking at her in the mirror. “Ya kinda look like that one girl, uhh what’s her name.” He says snapping his fingers trying to force him to remember even though you know for a fact who he’s talking about. “Elena Somethin’.” 
“Elena Leon?” she sighs, knowing already where this is going.
“That’s the one,” he would say, snapping his fingers in recognition. “Though, ‘tween the two of ya’, I think you’re the prettier one.”
“Hmm…” she answers, pursing her lips and practically shutting down as he quickly changes the subject to how excited he is to be working on another movie set. She didn’t engage much after that outside of the occasional hum of acknowledgement, until he eventually gave-up and would forlornly read his script. 
That wouldn’t stop him the next day from telling her about how his dumbass cousin made him late this morning and all the antics they get up to back in Memphis.
Or the next when he asked if Pink’s was actually any good or if it’s all just hype.
So on and so forth for the next few days as he would try to get her to talk to him again. 
She had been determined to just treat him like any other actor she had worked with, and just do her job, but then she saw him getting really cozy with a certain girl on set. Now on-set flings are par for the course on any production, and literally anyone else she wouldn’t have batted an eye, but she knows for a fact that that one is known to be dangerous. Well she’s not so dangerous, but her husband is. 
“Stay away from her,” she would whisper to him one day as she applied some eyeshadow trying to imitate a black eye.
“So you do speak,” he says, cracking an eye open, a triumphant smile on his face as though he’s won some great victory over her. 
“Yes, so listen to me,” she counters, her eyes boring into his to show him how serious she is. 
“Why do you care so much darlin’?” he asks, quirking an eyebrow, a small smile on his lips, still apparently not taking her seriously.
“My job is to keep you pretty for the cameras,” she states, in as matter of fact as she can manage. “You’re going to make that a lot harder if you don’t listen to me, and her husband beats the shit out of you.” 
“She’s married?” he asked, astonished that he could miss such a thing. “M-my manager said she could get me some good roles, that her Daddy is some big-time producer” he argues back. 
“Yes,” Jimena clarifies. “Her husband, who she calls daddy, can get you one very high paying role, and that’s only if you let him watch. If your manager didn’t know this, he’s a dumbass.” 
“Let him watch what?” he asks, confused. Her pursed lips, refusal to meet his eyes, and following silence speaks volumes, as his own cobalt eyes go comically wide as to what she was implying. “Her husband?” he says, and she gives him a small affirmative nod. “And he watches?” A raise of her brows as her eyes slide away from him just reaffirms this unorthodox situation. “So… Wait a second… does he or does he not like it when she’s with other men?” 
“Both,” she states, adding the finishing touches to her work. “He likes to watch and after that he beats the shit out of the boy in question.” And even though she’s pretty secure in the fact that no one is listening in, she still gets close to him to whisper this last part into his ear. “It’s apparently the only way he can get it up anymore.”
The fact that she sees his ears go bright red from just that little tidbit of information just really goes to show how green he still is in regards to how things work in this town. 
“How d’ya know all this?” he asks, more than a little disturbed now.
Not to brag but she regards herself as a wealth of information on the comings and goings of the Hollywood elite. Close enough to the action to overhear everything but low enough in the pecking order that most assume she’s incapable of doing anything about it. 
But this is basic information that even the lowliest of extras were privy to, so you can’t fathom how a man with a near meteoric rise to stardom wouldn’t know this. 
“Are you kidding?” she would in turn ask him. “Everybody knows.”
“Wait if everybody knows then why doesn’t anyone put a stop to it?” he asks, trying to find logic in a city not exactly known for it. 
“Because the only thing more powerful than secrets in this town is money, and he’s got a lot to keep everyone quiet.” 
Besides it’s only a matter of time before something gives in that tragedy waiting to happen. From all the whisperings Jimena’s been hearing, the girl in question has been keeping some rendezvous’ secret from her husband and more or less bragging that there’s no prenup in place. While he in turn has turned his eyes to some pretty little barely legal extra, he’s also very Catholic, doesn’t believe in divorce, and has rumored connections to the mob. 
Not even a week later did she hear whisperings that the very same producer had quickly sold all his stock in Paramount and decided to retire to the French Riviera with his wife seemingly overnight though there are conflicting reports as to whether or not she was seen at the airport. Coincidentally no one has seen hide nor hair from the last lowly actor she was seen running around with. 
Usually she kept her mouth shut about the dirtier details of an incident of this magnitude, but she couldn't help herself when she let him know the full extent as to the bullet he had dodged. 
“That's why you don’t get involved with fixers wives,” she says simply as she grabs the spray bottle for his hair, a little more secure in the knowledge that he isn’t so green anymore.
“Fixers?” he asks, and she laughs initially thinking he’s pretending to not know as is the custom when somebody on the outside asks about them. But then she sees he’s not laughing along with her, and his confusion is genuine.
“You are not kidding are you?” she asks incredulously, truly hoping that this man is not so naive. 
“Can’t say that I am,” he replies.  
Now she has two options, mind her own business and let this boy sink or swim on his own, or enlighten him to the dark underbelly of what it takes to make it in this town. Jimena had spent the last few years keeping her ear to the ground and gathering as much information as she could to one day be able to leverage it to help one person specifically… but that person hasn’t wanted much to do with her lately. 
Still she finds herself leaning more into the staying in her lane option, that is until his wide ocean blue eyes turn towards her, and she feels like a monster for the thought. 
“Well everybody around here has a job, and it’s to make movies that make money. Your job is to make the studio look good on and off screen so people spend money to see these movies,” she says as she runs a comb through his hair. “And when you fuck that up, it’s the fixers job to cover it up.” 
“When?” he repeated, clearly a little offended. 
“Yes, when,” she clarified. “Get caught with a boy, get caught holding something you’re not supposed to, get a mistress pregnant, get a ‘social’ disease, or hell, even find yourself with a dead body on your hands, you just gotta call the right producer and they make it all disappear.” She knows she’s being pretty blunt with the subject but she has been in the business pretty much right out of the womb, so she’s seen some of the worst shit this town has to offer. 
Over the next few weeks she does her best to let him in on the need to know knowledge that is necessary to survive not just in Paramount, but in Hollywood as a whole. 
“If you work with John, he’ll call you a communist for stirring your coffee the wrong way so I would avoid him. Canter’s is actually the place you want to go to for great food, Pink’s is just okay. Gable’s breath smells like death, but he will bury you if you ever mention it. Umm…” she says trying to recall any other helpful advice, though stops when she sees his overwhelmed expression. “Am I going too fast?”
He quickly schools his expression, back into one a more affable look, “Nothin’ you gotta worry ‘bout darlin’”
She is not buying it though.
“What’s wrong?” she asked, unwilling to believe his dismissal. He clammed up even more and looked straight into the mirror until she sat herself right in front of him, crossed your arms, raised an eyebrow, and gave him a look telling him she wasn't about to drop this. 
It’s a bit of a standoff until he eventually lets out a long breath and looks out the window to the awaiting set outside of his trailer, “I don’t know Jimi…” he sighs. “Guess I’m just feelin’ some type a way doin’ all this.”
“Why?” she asks, not really thinking. 
“I don’t think I’m cut out for acting.”
She simply gives a sympathetic shrug of her shoulders, and simply states, “You could be better.” 
He blinks, apparently caught off guard by her bluntness. “You just get right to the point, don'tcha darlin’,” he says with a smile. 
“Hey if you want someone to kiss your ass, you would’ve been better off asking literally anyone else.”
He gives a snort but the tight smile tells her she’s hit the nail on the head. “Alright then sweetheart, what’dya think I’m doin’ wrong?” he asks genuinely. 
Part of her wants to give a very pithy “everything,” but the other part of her is a little thrown for the fact that he is not only listening but actively asking for her advice on the matter. Granted she’s far from an expert considering she hasn’t done it in years, but she’s worked with some of the “greats’ to be confident enough in her ability to know good acting from bad. Besides she’s already going out of her way to let him in on the secrets of this town, so what’s an acting lesson or two. 
“Well for one thing, it’s called acting,” she emphasizes, “Not Wording.” 
“I-I don’t follow.” 
“Look… anybody can simply say the lines, but it’s an actor that can bring a character to life. You gotta be able to get comfortable with the fact that you’re not only being heard, but you’re being seen.” 
“Sweetheart everybody sees me.” 
“Yeah and you’re in charge of how you want to be seen,” she says. “Do you know why I wear the same red bandana everyday?”
“I was thinkin’ cuz you were tryin’ ta hide a bald spot,” he answers, which earns him a swift punch to the nipple.
“I wear it because my options are to be known as the mexican girl or as the bandana girl,” 
“So right now they’re seeing you Elvis, not Deke,” she sighs. “Say what you want about Brando and his annoying refusal to learn his goddamn lines, but he makes you believe every word that comes out of his mouth, because he believes what he’s saying at that moment…Speaking of Brando,” she pivots hard before she gets too passionate about the topic of acting and gives herself away. “Never get into a pissing contest with him. That’s how Anthony Quinn lost out on being a leading man… and I do mean a pissing contest in the most literal sense.”
“I’ll take ya word for it Jimi, but you sure do know alot ‘bout bein’ an actor,” he says giving her a once over that she can’t quite read. “You eva try bein’ one before?”
“You could say that,” she remarks, silently praying he doesn’t ask why she does have these skills. He’d already noticed over the past few weeks how she would be roped into fixing problems that were well beyond the paygrade of the average make-up girl like jumpstarting golf cars or fixing light fixtures. His attention is a bit infuriating, considering she feels she does her best work unnoticed. “When you've been in the business as long as I have, you learn a thing or two.”
“So how long you been in the business?”
Without missing a beat. “50 years.”
He gives a double take at that, and she’s pretty sure he’s trying to discern whether she’s lying or not. She’s not helping whatsoever with her usual neutral demeanor, until for the first time in years she does crack a bit of a smile at him, as she snipes with a, “I’m a very good make-up girl.”
He laughs at that “So you’ll tell me you’re real age but not your real name darlin’?
“Never.”
He gives an amused snort at that but the nice moment is interrupted when one of the PA’s pulls her away so she can help restart Gleason’s heart after his partner apparently got a little too enthusiastic about choking him mid-orgasm. 
After that the relationship between the two seemed to ease up a bit. He no longer felt the need to posture in front of her and they developed something of a -dare she say it- friendship with one another. For her, it’s a pretty novel experience to actually be heard on set for once, and the closer they got she got the sense that he may understand that feeling more than he would like to let on. 
“Any news?” he would ask, knowing full well that she always has the best stories on set. She doesn’t really talk to any of the other actors on set, and they in turn don’t really notice her, so they are a lot freer with their words when they speak with one another in front of her. 
“So… you didn’t hear it from me,” you say as you begin to wet his hair. “But apparently a certain Superman is on his way out and was seen with a younger girl in New York, and Toni is not taking it well.”
“And Toni’s husband?” 
“Taking it worse,” she says simply as she readies the eyeliner. “This was always going to happen, but I don’t think it’s the end of it.” she promises, which would be proven right a few years down the line when George “mysteriously” ended up with a bullet in his head. 
“You’re the reason I don't even bother with them papers no more,” he remarks. 
“They’re not all trash,” you defend. “There’s almost always a little bit of truth in them.” 
“Speakin’ a rumors,” he continues. “I think I finally figured out why you look like Elena Leon so much?” he says, oh-so casually trying to maintain his innocence. 
She stops combing through his hair, knowing that the jig was up. 
“Who told you?” she asks, trying to mentally prepare herself for the same three things everyone said when they did find out. It’s always an awkward subject to bring up especially as it brings up some painful memories of long hours and relationships that have yet to recover. 
“Y’know me and my mama used to watch your movies,” he says with an annoyingly charming smile.
1, 
“I’m glad,” she says in the most neutral tone. 
“Lord I never could’ve expected to meet you here, workin’ behind the scenes. You ever think about actin’ again?” 
2. 
“Oh my sister is the actress now,” she said affably. Something well-rehearsed and practically scorched into her brain since Jimena started working on sets when she was fifteen was to always talk up Elena to anybody who would listen. 
“Well thas a cryin’ shame sweetheart,” he says with a rakish grin on his face. “You were always my favorite.”
That’s new, she thought. Usually they ask her to do the old catchphrase. That or men tend to get weird around the idea of women who look almost exactly the same. 
But the idea of being the favorite is… different. Like every other relationship, she has a complicated one with the idea of being seen. But the idea of Elvis being the one to look at her is somewhere between exciting and terrifying, and it has her heart beating just a little bit faster. 
“Why didn’tcha go back?” he continues. She kind of understands where his curiosity comes from, as someone who so desperately wanted to break into the Hollywood scene it would probably be hard to comprehend someone who knew it and rejected it. 
The Leon Twins were the biggest little things since Shirley Temple. With their indistinguishable looks and charming, if slightly demeaning, premise of one sister only able to speak Spanish with the other, only English, MGM was able to pump out over thirty various movies and shorts starring the adorable little Mena and Nena and their hijinx. 
How is she supposed to explain how her mother made the unilateral decision that her sister was the “good” one and thus the one she decided would have the solo career after Jimena had the gall to go into puberty first and become slightly more distinguishable than her younger sister. Or how she hasn't talked to her sister in months despite the fact they both still live with their mother, and neither of them have acknowledged this. Or how the reason she took this job in the first place was to better lookout for said sister who isn’t talking to her.
How she sees fame as a beast of madness and obsession that will consume her given half a chance as it did with her mother and now her sister. But movies are all she’s ever known and the idea of leaving seems scarier than it is to stay. 
How the thought of having so many eyes on her once again makes her practically want to claw her skin off and she’d rather die than ever willingly step back into that arena. 
She doesn't say any of that, instead she simply says, “Got tired of it,” as she puts the finishing touches on his hair. “I had my time in front of the camera,” and hated every second of it, she thought. “And I think I’m better suited behind it,” and you give a dramatic turn of his chair so that he could face the mirror. “As you can see.”
“Yeah,” he says, taking the hand you placed on his shoulder and looking back up at you. “I don’t know what’d I do without ya sweetheart.”
Seeing his cobalt blue eyes bore into her own, Jimena feels her face heat up, though mercifully it’s hidden under her darker complexion. If Elvis notices her change, he doesn't acknowledge it, and mercifully that is when one of the PA’s calls him to the sound stage. 
Once he’s out she sprays her own face with a bottle to get herself under control. 
In spite of her typically neutral regard for actors there’s just simply something about Elvis Presley that just made her want to throw that all away. 
She had sworn to herself to never get involved with actors, she had seen this song and dance play out many a times before. It comes in different flavors, but the final scene is always the same at the end of the day: the famous white man never chooses the latin girl to be his wife. Arm-candy? Definitely. Date? Yes. Long-time Girlfriend? Sure. Fiance with a wedding date never set? Maybe. Mistress? Obviously. But never the wife. 
Besides, it was the tail-end of shooting and it’s unlikely she was ever gonna work with him again so she decided to just stamp these feelings down and hope they went away. She was afterall an actress once, she can act like he doesn’t have an affect on her now. 
Though this was blown out of the water on the last day of shooting and he would not only pull her next to him for the cast wrap-up picture, but he would also slip an invitation to the wrap-party in her purse. She had gone home hoping to take a nap and forget about Elvis Presley, only for the next curveball of her day to occur. 
“Should we match for the party?” Elena would ask, holding up said invitation. 
“...did… did you look through my purse to find that?”
“We better start getting ready,” her sister would say, completely bypassing the question. “After all it’s not everyday that Hollywood gets a Leon Twins reunion.”
“...yeah, I-I don’t think going would be…” 
“Meeeennnnnaaaa…” she whines, completely abusing the fact that she is the only one allowed to use that name and not catch a fist to the face. “We need to go together, because why else would they just invite a makeup girl to a wrap party?”
Why else indeed? She thinks and she actively has to scrub the way he looked at her out of her mind lest she get any other ideas. 
“Besides,” she says, giving Jimena a light shove on the shoulder. “You still owe me for never introducing me to James Dean.”
“I barely knew him,” she argues back, which is the truth. He only vaguely knew her as “Snake girl” when she was working as a PA for one of his movies. The closest she ever got to him was after she managed to save him, Rock, and Liz from a snake that had trapped them in his trailer and their subsequent thank-you’s being signed photos of each of them that they had their assistants bring to her. There’s a certain irony in the fact that of the few movies to depict the plight of Mexican-Americans in the US, they had no problem giving her, one of the few Mexican crew members, the most dangerous task because everybody else was too valuable to lose.
Looking at her sister, her reflection in many ways, she feels her resolve begin to waiver a bit. Nena was her first job in a sense, as being the older sister it was Jimena’s responsibility to look out for her first and foremost. She took it so seriously that she’s still doing it to this day. 
They have always been so intrinsically entwined as an act. Their tiny hand prints immortalized in front of Grauman’s and the child-sized oscar with both of their names somewhere around here prove that much. But Elena now struggles to find that same level of fame as before, and secretly Jimena doubts that this will ever be possible. 
She couldn’t understand it but Jimena could see the reason as clear as day. 
There’s an unspoken rule about being a latin or black actress in Hollywood when you’re not the star of the show: Never outshine the white leading ladies, because it has to be believable that the white leading man chooses the leading lady. 
Joan Crawford was bad enough with actresses who had the gall to be simply younger than her, but she was especially vicious toward the ones who had skin tone darker than ivory. Jimena remembers one harrowing set where this one little Cuban extra had made the awful mistake of approaching Joan and saying how she wanted to be as big a star as her one day. 
They never did find her ear, and Jimena had made it a point to stop wearing hoop earrings on set altogether. The whole incident was swept under the rug after “someone” accused the poor girl of being a communist, and they did who knows what with her. But that just confirmed her and other girls like her are unlikely to be protected on set no matter how valuable you make yourself.  
Jimena told her sister this story, warning her to dull herself down a bit during auditions, if only to get her foot in the door and get more consistent work as secondary characters. And it was working for a time, but she wasn’t seeing the kind of work she wanted and she largely blamed Jimena for it because of her warnings to play it safe. 
In fact the source of their recent falling out was when Jimena had tried to convince her to try out cinema in Italy or Mexico or literally anywhere else in the world and use that as a branching off point to get an in in Hollywood. She flat out refused saying how she “doesn’t want to die in obscurity like you.” They didn’t talk for a solid month after that and since then it was only the barest of communication between them.  
“Imagine if I was seen with Elvis Presley,” she said now, with stars in her eyes. “The roles would come pouring in after that.”
For all that it left a sour taste in her mouth, Jimena could understand the logic of wanting to latch on to someone who's already getting up there in terms of fame. Fuck the studios themselves sometimes set up these types of arrangements, all for the sake of promoting up and comers. 
And the fact he invited her in the first place, probably means he had something else on his mind for the evening. Besides he’s apparently been a fan of theirs for a long time, it probably wouldn’t matter too much to him to which sister he was handed at the end of the day. 
So really everybody wins with this arrangement; Elena gets a bump to her star power, Elvis gets to fuck one of the Leon twins, Jimena gets to stay in her lane. And it’s with a heavy heart that she agrees to go. 
The evening was apparently so special that their mother decided to make one of her rare appearances before sunset. 
Once after finding out that not only was she one of the famous Leon Twins, but that her mother was THE Gloria Leon-Sanchez from the silent film days, he of course asked what it was like to grow up with a famous mother.
“You ever seen Sunset Boulevard?”
“Yeah?”
“You’ve met my mother.” 
Harsh as it may sound, that was the most generous interpretation of her mother that she could afford these days. What with her practically living in nightgowns and sheer robes, to her constant bemoaning of actresses that apparently stole her career trajectory the likes of which included practically everyone from Rita Hayworth to even her own daughters, the comparison wasn’t too far off.  
Though her mother had largely checked out once the twins had turned eighteen. Elena alone hadn’t been able to reach the same level of fame that the two of them once managed together as the “Firecracker twins.” 
It was a simple gimmick really but had just enough gas to make over 30 movies and short movies about. Adorable twin girls who get up to mischief due to their near indistinguishable looks, Mena the spanish-speaking, spitfire twin that always had a skip in her step to dance with her little, english-speaking, soft-spoken and shyer twin, Nena, who could occasionally be emboldened enough to sing. 
The two of them were a lightning rod for box office draw, having been likened to Shirley Temple levels of fame, but due to their background that hardly granted them Shirley Temple levels of treatment or pay for that matter. 
Her and her sister weren’t seen as people, they were moving props that could sing and dance, and on occasion say their famous “Ayy, No Bueno!” catchphrase. Props that didn’t need to rest, props that didn’t need to eat, props that the less scrupulous producers would occasionally try to lure into an empty room with them. 
Not to pat their mother too hard on the back, but she at the very least helped them avoid the most obvious pitfalls that come from childhood stardom, but made them arguably worse. Like refusing to let the doctor give them “vitamin shots” but would ask if they could just IV Line coffee to their veins. Or never letting either of them out of her sight on sets, but couldn’t really be bothered with them outside of it leaving them with nannies so she could go “audition” for them. Or how she never left either of them alone with any of the men, but did teach them how to mix drinks at the age of nine so they could charm them with their “maturity.” So on and so forth. All of these bad, but after encountering other mothers who wanted to make their kids stars regardless of the cost, it really put things into perspective as to the type of person she could’ve been. 
What happened to her as a kid may have been more palatable to Jimena, if it were a case of that being the only way to keep them afloat. But it wasn’t and the older she gets, the better she understands as to what was stolen from her in their childhood. Their “father” Victor, had the decency to slip into a coma after marrying the formerly famous silent film-actress, and 10 Months later out popped Jimena and her sister, so as to properly claim her cut of his fortune. 
No, it was never about the money for her mother. It was always the fame that she was seeking, even if she had to begrudgingly share it with her daughters. 
Back in those days the Coogan act was more of a suggestion in the studios, especially when they had her mothers implicit permission for whatever they wanted. The long hours, the uncomfortable costumes and the mean men were all things she had done your very best in the last few years to forget about. 
One thing she undoubtedly won’t forget was her mother’s favorite threat when she was a kid and acting up. “¿Quieres que consiga los fijadores?” Gloria would say with a sickly sweet smile on her face, knowing full well no one but her daughter understood her words. Where other Mexican kids were scared of El Cucuy, she was scared of Los Fijadores or the fixers who would take away bad little girls that didn’t listen to the directors, so that their mothers could go back to acting and not have to care for those ungrateful little girls. That would always shut her up for the day, and she would listen until the next time she got fed up and the cycle would repeat all over again. Little did she realize at the time that her mother didn’t have much in the way of influence in the business, not anymore at least, but she took full advantage over the influence she had over her daughters. 
Ironically enough it was rare that Jimena would ever get to that point, but because her sister was the “good one” she would never dare to kick up a fuss, so most of the time the older sister would do it for her. She took her role as a big sister very seriously back then and didn’t mind being the difficult one who held up production if it meant that her little sister got a break.
It was always the two of them against the world. It’s why she even stayed in the business. She couldn’t imagine where she’d be if it was just her alone, as for all the shit her mother put her through, she could at least take comfort knowing that she wasn’t alone. Even when they were angry at each other, even when they wouldn’t speak to each other for weeks, even when she felt like she just wanted to choke her, she could take comfort knowing that they would always be there for one another. 
For the occasion, her sister would choose a bold red dress that wouldn’t have looked out of place on Marilyn or Jayne. It felt a little too much for just a simple wrap party, but it was clear her intent was to draw as much attention as possible.
By the time Jimena made her way downstairs it was clear that it was already working, with the way their mother was cooing over her. 
“So you’re going with Elena to the party,” her mother would remark as Jimena stepped down the stairs.
“Actually she’s going with me.” 
“And you’re going to wear that?”
“Yes.”
“Are you sure?” she says in the way only a mother intent on cutting down her daughters self-esteem could.
Jimena would self-consciously look down at her own understated blue dress, “What’s wrong with it?” 
“It’s just…” she would say, fingering the fabric on her shoulder. “This is Elena’s big night, and we need to do everything in our power to help her stand out.” 
A distraction goes unsaid, something she used to be called for wearing any slightly flattering clothing onset. Even when she did start dressing down, she could hardly say it helped anything but this is an argument she’s heard a lot over the years, and she’s too tired to fight it tonight. “Of course mama,” Jimena would say dejectedly before going back to her room to change into something a little less flattering. A simple black dress, something that is both complementary to Elena’s red dress, but will also hopefully help her fade into the background so that all focus will be given to her sister. 
“Ayy thank you Mija,” she would say, planting a kiss on her eldest’s cheek before they left. “You’ve always been so good at looking out for your sister.”
Jimena had long since accepted that between the two of them, she would always be the second choice. It happened with their mother, it happened with the studios, it happened with every single boy she had been interested in, hell she had even chosen her sister before herself most times. Why would Elvis be different?
That night when he did end up picking her, Jimena could hardly be blamed for indulging in the sensation of the first time in her life someone had chosen her over her sister. 
It was the worst mistake of her life that she would struggle to forgive herself for. Elvis would distract her almost the entire night, and as a result an awful man had sunken his claws into Elena when she hadn’t been looking. Those last few months of her sister's life would be fraught with anger, drugs, and heartache from one Tim Parsons. 
He had been claiming to be related to one of the studio big-wigs and could get her some higher profile auditions. What scared Jimi is that she could not find a goddamn thing about him in all of her little networks. Anywhere else this would mean that he’s a perfectly normal person with nothing so scandalous as to be worth talking about. In this town it meant that someone was just very good at hiding whatever the hell is wrong with them.  
Yet all the evidence that he was bad news came in the form of all the drastic changes she was seeing in her sister. Since puberty, Elena had always been slimmer than her (their mother made sure of that) as a result, she wasn’t quite as gifted in the chest and hips as Jimena. But it was impossible not to notice the fact that she dropped a few dress sizes in a matter of weeks. When Elena begged her sister to take in a few dresses for her, Jimena could practically see her ribcage. Not to mention the fact that she was unusually full of energy even late into the night when she would pace around the house only to make a call to him and then after a quick handoff from his car she would be dead asleep, until he would let himself in and the cycle would begin all over again.  
Jimena knows what these all mean. She’s seen the signs in hundreds of actors before, and she’s never bothered to intervene before. Now it feels like a karmic punishment for her previous inaction, as she can only watch helplessly as her sister goes down the same road. 
It all came to a head the day she finally heard the first thing about this man, and it was truly terrifying: that not only was he not a doctor, but that that wasn’t even his name. He had been forced to change it once his claim to fame in this town became how he was denied an apprenticeship under Dr. Feelgood because his concoctions were in the doctors words “unhinged.” The man who regularly shoots up his patients that have a blend of human placenta and ground up horse bones called another man’s “vitamin” mixture insane. 
She dropped everything the moment she heard that and begged Elena to stop seeing this man. But it was in one ear out the other, and it seems it was hard for her to believe Jimena when for a time she was actually getting her foot in the door for major roles she actually wanted all because of him. However these also came with a price as evidenced by the late nights and vacant looks in Elena’s eyes after coming back from these auditions. The more she did this the more she felt her sister slipping away.
Her mother is no help whatsoever seeing only the results of this shift, and not the consequences. 
“Mija,” she would say to her in one of her rare moments of lucidness. “This is what it really takes. I tried to protect you both from it when you were younger, but she understands now what has to be done to make it in this town.”
Jimena has to bite her tongue, when all she wants to do is scream at her mother and yell at her to look in a mirror and ask if that was the image of someone who made it.
It all came to a head when Elena would beg Jimena to help her “entertain” a casting producer who not only had a thing for latinas, but twins as well. She was practically on her knees pleading for her sister's help with this, promising her twin that this would be the break in her career that she needed. Jimena tried to reason with her that there is no role worth what they’re asking for her, especially since even sleeping with them wasn’t a guarantee for her roles.
Up until this point she’s tried to be gentle about this, but it becomes clear as day that that is no help.
“You watch!” She yelled. “He’s gonna suck you dry and spit you back out when there’s nothing left!”
“At least he’s getting me work! You’ve always done nothing but drag me down!” she sobs, angry tears streaming down her face. “The one time I ask you to do something for me-”
“The one time? Who’s the one that did all the stunts you were too afraid of? Who’s the one who dropped out of school so you wouldn’t be alone on sets? Who’s been talking you up to every producer she’s ever worked with?”
“The same bitch who ruined my life when she fucked Elvis Presley!” Her little sister would snapback. 
That has Jimena clamp her mouth shut, not wanting to own up to what she did that set her sister on this course. But that’s all the confirmation Elena needed before she turned her back on her. 
It was the ugliest fight they had ever had, and it resolved nothing, as they just stormed into their respective rooms. Those days were less Little Women and more Whatever Happened to Baby Jane? Jimi knew that if one didn’t get out soon there would be blood. So when she was offered a project that would be shooting mostly on location in New Orleans she practically jumped at the opportunity, hardly even registering the fact that Elvis was gonna be there as well.
It was only landing in Louisiana and seeing room assignments did she remember why exactly she hated On-location shoots, when “mysteriously” the other seven white women she was sharing a room with all unanimously decided that of all of them, Jimena would be the one that had to take the floor. 
But remembering who exactly was starring in this production, she decided to take a chance and made her way to his room. Though upon arriving at his door, she does hesitate for a moment remembering what her sister said and probably what he will expect if they do share a room. But then just thinking of her sister infuriates her and she finds herself finally knocking on his door. 
Being in New Orleans, all her problems back home would seem so far away, and she could focus on herself for a change. In an odd way it felt like he was the only one who understood her in those days. Of all the people on set, he is the only one who knows how to put on a brave face when it feels like everything you have is slipping through your fingers. 
Him also knowing who exactly she was came with the unexpected consequence of him constantly trying to finagle stories out of her. Really talking to him about her childhood did help put into perspective how wild her formative years were as not everybody can say they got in a fist fight with Wendy Darling or that Shirley Temple taught them how to roll a cigarette. 
He seemed to just understand what she needed in a way no one has ever. It was usually simple arguably unremarkable things really, like anticipating when she was hungry or tired, even before she would admit it to herself, or when she almost lost a finger or when he stepped so this would be the first time she wouldn’t be the one to have to chase rabid animals out after a small alligator somehow got onto the set. He took care of her in a way that nobody had ever done before. 
She wouldn’t define what they had as a full scale relationship, but whatever they had, it was nice just to have something private and out of the public eye. Only later would she realize he had his own reasons to keep everything as discreet as possible. 
They were together almost every night in New Orleans, as it was easy to fall into each other like that. They were both at an uncomfortable crossroad in their life and it felt like he understood her in a way nobody else had. 
She thought she understood him as well, but it was only when she read the article did she realize she never knew him at all. 
They were a week away from wrapping up production, when Jimena got the devastating news. In a newspaper somebody else had been reading on set that day of all things. 
That was the way she learned that her sister was dead. 
She remembers saying to no one in particular that she was gonna call it a day and simply wandered off set, into the unfamiliar city. She walked for hours just trying to wrap her head around the news.
It felt like the worst sort of betrayal to learn that her sister had been dead for days, and not only had no one contacted her, but that she didn’t automatically feel it. Aren’t other twins supposed to just know when the other is hurt? So why didn’t she? Elena came into this world with Jimena, why did she leave without her? 
As a kid her mother told her that she was not a pretty crier, so she’s done everything in her power to never cry, especially in front of other people. So walking around and being surrounded by strangers at the very least did prevent her from devolving into a blubbering mess. But as the day goes on she knows there is no outrunning the inevitable, and that as tempting as it may be to simply walk until she couldn't anymore, she would have to go home soon. 
She would eventually make her way back to the hotel room only to be met with Elvis worriedly pacing around his room. He would throw his arms around her the moment he saw her and start with the condolences, and even the tears. 
She didn’t really want any of that; she just wanted to lie down and sleep forever. But she lets him pull her close and she breaks for the first time in years in front of somebody else. True to her mothers words, it is not a pretty picture.
Full body wracking sobs, snot pouring out of her nose, her screaming and cursing until her voice goes hoarse, the works. Even still he holds her all the same. For all that she’s glad he was there she can’t help but feel so humiliated, but that’s simply one of the many emotions that run through her head along with guilt and anger and regret and just about every other awful feeling under the sun. 
But who else could she turn to that would know even a fraction of what she’s going through right now. Not just to lose a sister, but to lose a part of yourself. 
In a sick way she kind of blamed him. Maybe if she hadn’t been so wrapped up in him these last few weeks she would’ve known earlier, or maybe she wouldn’t have even taken this job, or hell, if she hadn’t even gone to that party, Elena wouldn’t have even met that man in the first place. 
“The same bitch who ruined my life when she fucked Elvis Presley!” Plays over and over again in her head. But it’s easier to be mad at him because he’s actually here to take that anger. 
Though she begins to feel no small amount of guilt for this when she wakes up the next morning to find that he’s cleared everything with the producers, and arranged for her trip back home all on his dime. 
He personally escorts her to the private train room he rented for her and leaves her with a kiss and a promise to see her in a few days. But by this point she’s numb to everything and she simply wants to close her eyes forever.
She barely registered coming home and only that was due to the fact that it’s now on her to arrange everything for the funeral, as it becomes apparent that her mother in her grief is off on another world.  The biggest clue being when her mother greets her at the front door with a hug and a kiss, and calls her Elena. 
“Mena’s still not back yet,” her mother would say with her arms still wrapped around her in the threshold of their home. “So it’s just gonna be us today.”
“Ama…” Jimena whispers, unwilling to believe what she’s hearing. 
“Let's get you to the kitchen,” she tugs at her now lone daughter's arm. “You look like a skeleton these days. They’re not going to hire you if you don’t have a little meat on your bones.” She’s quickly whisked away to the kitchen where she finds a veritable feast, and her mothers hired cook nowhere in sight. Her mother can’t cook, a fact known to both sisters, but between the two of them, Elena never had the heart to tell her. 
“You should listen to your sister more Nena,” she says brushing some hair out of her face after putting down a full plate of food in front of her. “I’ve put a lot of thought into this and I think she’s right on the money with the idea of trying to make it somewhere else and then coming back.” 
“Ama… please listen to me,” she pleads softly with the older woman, wanting to be gentle with her.
“You should really consider Italy,” she would say, not even acknowledging her daughter had said something. “Or France if you want to get a slightly better chance at 
It’s then she realizes that her mother is simply parroting back to her what she had been saying to her sister. All the rage and grief that’s been building up inside her bubbles over by that point. Now is when her mother decides to back her up, when it’s far too late to do anything about it?
“She’s gone!” she shouts. “She’s not here anymore, I’m Jimena!”
Her mother doesn’t look shocked, more resolved as she places her head in her hands. “Quiero estar con Elena,” she whispers through her tears. 
It occurred to Jimena that this was the first time she had heard her mother speak Spanish in years. Alot of her mother these days is very… performative. 
She’s seen it throughout the years how much her mother puts on a show, even simply for her daughters. It’s most apparent when she talks, as rather than using her natural voice, the one that made it impossible for her to break into the “talkies” as she still insists on calling them, she’s instead adopted the mid-atlantic, but the result sounds like if Katherine Hepburn was mocking someone with a Spanish accent. 
But hearing her now, Jimena realizes that this is the most honest her mother has been with her in years. The truth doesn’t make it sting any less. Her mother is gone, she just needs to resolve this one last piece of business to go in peace. 
Just like she played mother to her own sister for years, she could pretend to be the daughter that her mother needed at that moment. And so she unflinchingly took a bite out of ceviche that only tasted like raw non-marinated shrimp and talked about whether or not to go the Josephine Baker route and start off as a showgirl.
The rest of the day is spent trying to ease her mothers guilt, only to pile it onto Jimena. Her mother would not so subtly explain why Jimena has been right this whole time and why ELena should listen to her. She suspects this is some fucked up way for her mother to tell her it’s not her fault, but all Jimena can hear is how if she had pushed harder her sister would still be here.
At one point her mother would “subtly” hint that she called in a favor with an old friend to take “Tim” down to Mexico so that he can retire. Jimena can’t even find joy in the fact that he’s gone now, because what does that leave her with, if she can’t be the one to kill the man who killed a part of her? 
“One more thing Mija,” Gloria says as she runs her nails through Jimena’s hair while they were both laying down in her sister's bed. “Thank your sister for me.”
Jimena hesitates before she asks, that distinct sense of trouble churning her stomach, “For what?”
“For being the mother I could never be for you,” she says, planting a kiss on her forehead. “Mena’s the one I never had to worry about.” And with those final words, her mother settles in behind her and goes to sleep. 
The coroner would later say that the fact that she was able to sleep and not be disturbed by whatever took her, she at the very least went without pain. 
This is fundamentally untrue as she left all her pain to Jimena.
This event had taken the story from simply sad to a tragedy. A young, beautiful starlet dying of an accidental overdose, is one thing, but add in her bereaved former silent film star mother to the mix, and that’s front-page news worthy. And before Jimena knew it, her loss was now the hottest ticket in town, because all of the cameras were not gonna dare miss such an event, and no star was gonna dare miss the cameras. 
It felt that every relatively famous person who vaguely knew either her mother or sister came out of the woodwork to tell some sort of story about them at the funeral. Jimena doesn't really have much to say other than there were definitely some who pulled off the bereaved friend act better than others. 
When it finally comes time for her eulogy, she was not as prepared as she thought. In an odd way it would have been better to look out in a sea of strangers, because looking out and seeing a hoard of famous faces who don’t know a single goddamn thing about her, all blank as there is not a single camera trained on them at the moment is far worse than anything imaginable. 
She ends up bolting to a backroom before she could make a fool of herself and scream at them all for being here when they’re not. She gives a futile effort to calm herself down by looking at all the gifts from well-wishers.
It was almost funny as it seemed everyone's publicist went to the same gift basket guy as there were maybe a dozen of the same arrangements, and she briefly wondered if they were bought in bulk by the studio and sent in different stars names. But one name in particular gave her pause, and she ripped the card off of the basket, unwilling to believe her own eyes that he could be so callous. 
Sorry for your loss
It was hard to comprehend at that moment, and she stupidly turned the little card back and forth unwilling to believe that the man who claimed to care so much for her would only send her an assortment of fruits and cheeses and not even five words. 
It’s all too much at that point, her dress is too tight, she’s all alone, her head is spinning, she’s all alone, her tits hurt for some reason, she’s all alone, she wants to throw up, she’s all alone, she’s all alone, she’s all alone… 
Jimena’s next conscious thought is realizing she’s in a hospital bed, but not in a hospital. The sound stage she’s on does a good enough job of looking like an actual hospital, save for the fact that an entire wall is missing and what looks to be a couple dozen cameras trained on her prone form. She can’t move anything save for blinking but that simply seems to make her situation worse as the cameras proceed to multiply each and every time. 
What does eventually make her accept that this is in fact a dream is when her rotting and decaying mother and sister enter stage left and proceed to rip off the thin hospital blankets. Before she can make any move to protest, she’s quieted with a wave of pain in her lower belly as they both take one of her legs in hand and proceed to spread them wide open for the cameras, each flash searing into her skin like a brand.
She can feel the way her mother and sister dig their fingers into her limbs to keep her in place and helpless as wave after wave of agony seems to flow throughout her entire body. She’s begging for them to let her go, she’s begging the cameras to stop, most of all she’s begging for someone who's not there.
She came to, maybe a day later, this time in an actual hospital with a mild concussion, a baby in her belly, and a broken heart, though they can only officially diagnose the first two. 
She had options for this situation. Every woman, famous or not, in the business knew she had options, it was practically part of orientation that they got a list of ten approved doctors by the studio for this very sickness. It was almost treated as a rite of passage for the backstage girls to have to eventually visit a doctor, it’s simply that common.
Jimena’s never had any reason to utilize this option, having 1. Avoided anybody relatively important to necessitate this, and 2. She had always been careful when it came to something like this. And yet somehow Elvis proved to be an exception to these rules. She had admittedly gotten sloppy after the first time he spilled inside her in New Orleans, as after that first time she figured that if anything came from this she could always just visit one of the studio doctors when she got back to LA. 
But sitting in a hospital bed, that once hypothetical scenario now a reality, it no longer feels as simple as it once did. She’s near catatonic in her indecisiveness until one of the nurses idly asks if she would be open to visitors should anybody arrive. 
And just like that, the prospect of going through with any other option other than keeping the baby made her sick. Because if she did go through with it… then she would well and truly have no one.
It had always been her and Elena against their mother, against the studio, against the world even, but now… she’s gone and it feels like she took a part of Jimena with her. 
Jimena’s good at a lot of things, not great, simply good. Jack of all trades they would call her, able to make quick fixes to a golf cart in a pinch, mix the perfect hangover cure, fix a few busted stitches on a dress or person alike, and practically anything else the studio demanded of her. 
Maybe in another life her wide-ranging skill set would have made her the greatest actress of her generation, able to play whatever role thrown at her. But in this life it just made her feel hollow. As though she herself is empty and without a part to play save for caring for her sister. 
Perhaps it’s true and that’s why she latched onto Elvis for a time, desperately needing to care for someone if only to outrun those fears of inadequacy. But there’s no outrunning anything when half of her is gone. 
As for Elvis, she doesn’t exactly know what to do about him just yet. She knew that telling anyone but him first would result in it getting back to the studio and at best she would be “lightly” pressured to go see a doctor, at worst anybody who asks will be told she decided to “retire” in Mexico. So her best bet was to wait it out and hope he contacts her.
Then one fateful morning as she was contemplating how best to ask the studio for bereavement leave, did she get a copy of Excelsior and she read about an exclusive interview Federico de León got with the father of her child. 
I would rather kiss three black women than one Mexican. 
She thinks she stares at that sentence for a good ten minutes trying to convince herself that she’s somehow misinterpreting this. But the inner smartass has to creep in and force her to face her new reality.
Well… he did more than kiss, she thought spitefully looking down at her belly, now far more prominent than it had been at the funeral months ago. She burns with humiliation and shame as those words run over and over in her head. 
She knows personally that there is almost always a grain of truth to stories like these, having had the scoop on many of them months before they got to print. And the fact of the matter is that it’s hard to believe the studio would allow for these to stand if they weren’t true with the movie coming out soon. 
As far as she knows, the studio has no idea about the affair between her and Elvis, and she’s going to keep it that way. 
What burns her the most is how wrong she was about him, not just as a person but as an actor. That she could’ve ever believed all his sweet words about this grand connection they had and how they were destined to be together. He’s perhaps the best actor she’s ever encountered if he got her of all people to believe all of that shit.  
It’s better this way, she tries to tell herself. In a way it is, as this was always an inevitability because regardless of whether he said it or not, there is no world where they ended up together. That’s not how this town works.
Her job makes her the first one to see actors on a given day, and she’s been forced to think on her feet as to how best to make them not only look but be presentable in front of the camera. 
She’s had to quickly sober up hundreds of actors and she’s had to figure out just the right amount of drink for each of them that will make them functional but not incoherent. Had to cover up twice as many bruises on actresses' faces so no one will speculate what goes on behind closed doors of their producers husbands. She’s even been the one to diagnose more than a few “social” diseases on set and steer them to the right doctors, so as to prevent a veritable epidemic on set. As haughty as it may sound, productions would fall apart without her. 
Low-level she may be, she’s a fixer in this town. She’s not a problem that needs to be fixed. 
And she decides neither will her baby. 
She’s not gonna beg like a fucking dog to be acknowledged by him, nor will she allow for her child to be forced into the spotlight. It destroyed her sister, it ruined her mother, and it almost claimed her once more. 
Elvis may have taken her pride but he won’t have her and he sure as hell will never have her baby.
Now
Elvis will never be used to California weather with its ability to both be hot and dry in the tail end of winter. But he hopes it’ll do him some good of defrosting his bones from the near-year round cold of Germany. Once upon a time he never thought he would enjoy it as much as he does right now.
But he’s found a lot to love and miss about California since he’s been gone so long. 
Not to brag but he’s been with his fair share of women, between actual girlfriends, publicity girlfriends and all the girls he knew at best for only a few hours. None of them can claim to have instilled in him this sense of longing the way she did. 
Nor can any of them claim to have caused as much heartache as she did. 
Bittersweet as they may be, those days filming King Creole he missed the most. It was those days that kept him sane in the lead up to boot camp, and even then some. Though of all the things Hollywood had to offer him, there is only one thing he coveted these last few years.
“You see her over there Billy,” he said to his cousin one day on set as he took a breather from the lights while she fixed up Carolyn’s makeup. “That’s the girl that’s gonna be my wife.” No words have ever felt more right to him. 
It was all the more heartbreaking and humiliating when he had sent Billy to find her and figure out why none of the letters he’d been giving to the Colonel to give to her had been answered while he was in boot camp. Billy would return to Texas unable to meet his eyes as he sheepishly handed him a single note in her handwriting. 
Three black women huh?
That sinking feeling that settled in his stomach as he remembered those words are something he doesn’t think he’ll ever forget. He recognized those words, how could he not? Afterall those are supposedly the ones he said that got him and his movies banned from an entire goddamn country he ain’t ever been to. 
It would be one thing for her to be mad at him for something he did do, but it felt like the worst sort of injustice that Jimi may never want to see him again for words that he never said from a man he never met for some unforgivable slight he never committed. 
Worst of all was how he was surrounded by his entourage who gathered around and were now owlishly looking at him, expecting a certain reaction from him, and simply waiting for him so they could properly react. 
It’s near paralyzing in that moment that he recognizes that his closest friends aren’t expecting him to react, they’re expecting Elvis Presley to react. 
“Her loss,” he remembers saying, feeling every single eye on him in that moment, trying to literally shrug off that scratchy feeling in his throat. He’s supposed to be the biggest heartthrob of America, unfazed when a girl said no because there are no less than a hundred girls that would say yes. 
They all follow suit, and quickly take to promising him a night out and reassuring him that he’ll practically be drowning in pussy before midnight. Though with one look he does put an end to that little episode when their support for him turned into disparaging her. 
He knows that there is no use in even trying to reason with her over letters. Because what can he really say to her in writing if she’s not gonna even bother reading? 
If she already has it in his head that he’s the type of man to say something like that, then no amount of letters will make her believe otherwise. 
He would spend the next year trying unsuccessfully to fall out of love with her. Indulged -perhaps too much- in all that bachelorhood had to offer. All the girls he could pull, all the pills he could handle, but none of it could even match a fraction of the euphoric feeling of being complete when Jimena was around.
She loves him. Or at least she used to. She never said it but he certainly felt loved in a way he’s not used to anymore. It’s not the fanatical worship from his fans, nor the sycophantic adoration of his buddies. Her love is something purer, less selfish, something he doesn’t think he’s experienced outside of his mama since the fame started rolling in. 
He needs her in his life. Because nobody is going to look out for him or try to protect him the same way she would. 
He’s had nothing but time to figure out ways to get her to at the very least hear him out. From there he could start rebuilding the foundation of the relationship and work his way back to her good graces. 
His first obstacle to this plan comes in the form of finding out she is no longer doing makeup anymore, and is now in fact part of the wardrobe department. This is a wrench in his plans considering he attributes her fall for him due to the fact that she practically saw him everyday while shooting. But he tries to look at the bright side of this, knowing that it at least guarantees that Brando and Newman haven’t been getting the same treatment from her. 
The next obstacle to seeing her again is her initial refusal to be a part of the new production, as now with her new title as Costume designer she’s in a better position to pick and choose what she works on. But enough pressure on the director to push for her specifically does eventually have her signing on to the project. 
The final wrench in his plans came the day he had been anticipating for almost two years. 
He’s thought about her non-stop for the past two years, so he almost immediately notices the changes in her appearance. No less beautiful (arguably even more so with her bigger tits and rounder hips, and better fitting clothes), she’s different nonetheless, yet none of that prevents him from wanting to gather her in his arms and promise to never let go. 
But a single look from her his way, stops him in his tracks. And suddenly he’s brought back to the first time he ever met her, mistaking her for his would be co-star, and wondering how he’s gonna get through this shoot when he feels like he’s two inches tall under this gorgeous creature's gaze.
He was prepared for her hatred, he wasn’t prepared for her complete and utter indifference. She had that glazed over look in her eyes, like he wasn’t even there. It reminds him of one of the few times that he dared to question why she does that whenever he asked what it was like to grow up in Hollywood. 
In a rare instance of vulnerability, she would solemnly whisper “It makes it easier to pretend it happened to someone else.” Only minutes after that would she claim to urgently need to go back to her assigned room for the night, the only time she ever did so during production. Next day she would pretend as though nothing happened, and he would follow suit all too willing to indulge her so she wouldn't run off again.
He knows he’s hurt her beyond measure, but to be put in the same categories of things she would rather pretend never happened is gut-wrenching. 
If she hated him, he could’ve worked with that, because at the very least she still felt something when she looked at him. But as the whole session went on it became clear she at the very least wanted him to believe she felt nothing for him. 
He would’ve taken any sort of reaction by that point: an “accidental” pin prick from the needle, a passive-aggressive tightening of the measuring tape around his neck, hell he would’ve settled for so much as a hateful glare his way. But nothing, stone cold professional she is, she simply takes his measurements only to then give her only acknowledgment that he was even there by giving him a simple “all done.” She then moves on to his co-star with all the eagerness of someone about to brush their teeth, just so painfully indifferent to everything in this room.
Regret is a constant companion these days, always whispering in his ear about his shortcomings, but now it feels like it’s practically screaming in his ear what a failure he is to let a woman like this slip through his fingers. 
He’s practically kicking his younger and dumber self for being so cowardly as to miss the chance to tell her how he felt. Not a day has passed since they parted had he not thought about every touch he didn’t follow with I love you, every embrace he didn’t whisper how much she meant to him, every kiss he didn’t beg for her to always stay by his side. 
He had been gearing up to try to broach the subject of something more happening, ideally ending up with a courthouse wedding before he had to be sworn in, though he was willing to accept whatever form of a relationship she would offer him so long as she would still be in his life. 
But then just a week before wrap-up, when everything was as close to perfect as it could be, that is of course when things went to shit. 
Elena Perez, of the famous little firecracker twins, found dead, age 21
It hit him like a punch to the gut when he first saw that. Even though he had never met her, it was devastating all the same, knowing how affected Jimi was gonna be.  
The closest he ever did come to meeting her was when Jimi had brought her to the wrap party for Loving You. 
He was still pretty new to the art of schmoozing, so his night was almost entirely devoted to an ever present smirk that had begun to hurt his cheeks and laughing a little more than necessary at every joke the studio heads made. He was tired but he knew he would find no rest anywhere. But his tune quickly changed when he saw a familiar figure within the crowd. 
He felt his heart go all a flutter when he saw her from behind but then when she turned around there was just something about her that didn’t sit right with him. It was like looking at a funhouse mirror of Jimi, her posture almost ridiculously upright to further push her ample breasts out, her smile a little too tight, but most of all her eyes were a little too hungry, a little too eager to please. The features were nearly entirely the same but he was so used to the casual nature of his makeup girl, it felt so unnatural to see this. 
In another life he may have been all over her by this point, taken her home, maybe if he was feeling generous, been seen out in public with her a few times before ultimately moving on. There were beautiful and eager to please women everywhere he looked, there wasn’t really anything special about Elena Leon. 
But having met Jimi first, he can’t really fathom having much to do with her.
He spent the better part of two hours ducking and weaving her approach, practically sending out his boys as human shields, to keep her away, because he doesn’t exactly trust himself not to give in to her advances, if only for the consolation prize of getting to be with someone who looked liked the one he actually wanted. 
He eventually made his way upstairs after a while no longer wanting to be surrounded by people, as there was only one person he wanted to be with at the moment, and she had apparently decided not to come. 
It becomes apparent that he’s been rewarded for his self- restraint when he finds a backside he would know anywhere on the third floor balcony. Swathed in a pretty if non-descript black dress,  bottle of champagne in hand, she was looking down on the party like an ever-judging guardian angel. 
“Y’know I don’t think they wanted anyone up here,” he would say casually. 
He could see the way she practically lit up as she saw him, a soft smile on her gorgeous face and her eyes warm, probably the first person of the night that was genuinely glad to see him. It’s a novel experience for people to see him and not the star, and it’s something he never thought he would miss. 
“Well you better get outta here before they see you,” she snarked back. 
He laughs for the first time since he got there, and it feels so easy to just settle right next to her and look down on everyone else. He finds himself relaxing for the first time since he’s gotten there.
“So what’s a pretty girl like you doin’ up here all by your lonesome?”
Around a tight smile she says, “There’s already a pretty girl like me down at the party.” He can’t help that he flinches slightly as he thinks about her sister. “I see you met Elena,” she sighs, before plastering a tight-lipped sardonic grin on her face. “So what’d ya think?”
Elvis has the good sense to know a trap when he sees one with women, so rather than using words he just lets out a long breath. 
She gives a short mirthful huff. “Yeah that’s fair,” she taps the neck of the bottle trying to undoubtedly figure out a way to change the subject. “If you say some corny ass shit like ‘I think I’m seein’ double’,” she says in a piss poor impression of his own voice. “I will push you off this balcony.” 
“You sound like ya done it before sweetheart” he smirks, swiping the bottle from her hand, before taking a swig. 
“How else do you think I avoided becoming Charlie Chaplin’s 5th wife?” The simple statement catches him off guard that champagne threatens to come back up his nose. 
“... ya serious?” He closes his eyes in relief when she snorts.
“No,” she chuckles, with a hand wave. “I pushed him off because of something else.” Her eyes slide away from him and zero in on one of the partygoers below, before he could dare ask for any further elaboration. “Oh hey… Brody’s here and… uh-oh so is Frank.” 
He follows her eyeline to find that she’s wearily looking at ol’ blue eyes himself who has decided to make an appearance. “Ya’ got a story ‘bout Frank?”
“I got a story about everyone here.” With a slight smirk, she would hold two fingers up and ask, “Wanna know how I got these scars?” 
She regales him with not just that story but others of what she’s been asked to do on set. Some were funny like having to fish a toupee out of an oscar winner's mouth to more harrowing ones of being asked to check the pulse of particularly heavy drinking stars. Anybody else, he doubts he would have humored such tales, but it’s when he started hearing other people tell even wilder stories of her that ranged from snake-wrangling to resetting famous stars' bones after some sexual misadventure, did he learn early on never to doubt her stories. 
“So you come to these things often?” he asks after her giggles had settled down.  
“Never,” you answer. “But Elena convinced me we had to come to this one especially,” a bit more solemnly as she looked down at the familiar figure down below at the party. “You know when we were little, we used to climb up onto the roof and watch the parties from up there to tell funny stories and avoid the adults, saying how we were never gonna be like them.” There’s warmth in her voice, but sadness in her eyes as she gazed down at her mirror image at the party below. 
Being a twin is not something Elvis liked to dwell on. His Mama had always talked about Jesse watching over him since he was little, but rarely if ever did he really contemplate what it meant to have a brother who wasn’t there with him. 
It feels as though he was supposed to have someone that was meant to always be with him and look out for him, but now they’re not here and now he’s doomed to a life of loneliness. This thought is only further reinforced by the way you look at your sister, and something almost akin to jealousy shoots through his being, that she can have you and not value you. 
Not like he could, a voice whispers in his head. 
“What’s it like being a twin?” he would ask before he could lose his nerve. Though he does immediately clamp up at not just the suddenness of the question but the ease he was able to ask it. He’s tried to broach the subject of Jesse a few times throughout his life only to chicken out at the last minute in fear of upsetting someone, namely his mama. 
Though the regret is instant as he watches her mood drop immediately and face him with a disgusted expression, that he can’t quite understand until she says with no amount of venom missing, “No I’m not gonna ask her if she’d be interested in a threesome,” she says, far too quick to have him not believe that this isn’t the first time she’s heard this. 
He feels his face immediately go up in flames as to how grossly his words have been misinterpreted. “N-no I-I didn’t mean it like that,” he says quickly trying to salvage the situation and gets a hold of her before she can fully turn around. 
“Mmhmm,” she hums dismissively, looking down at the hand that holds her wrist and looking down on him as though he’s the scum of the Earth. 
“Darlin’ I-I swear it ain’t nothin’ like that, I just… I…” he stutters out wondering if there’s anyway he can truly explain his interest in her status as a twin without coming off as creepy, but one look at the full moon shining behind you is all the signal he needs to be honest. “Ain’t too many people know this,” he starts, taking a steadying breath trying to find that courage of two men he’s supposed to have. “But I-I had a brother, and…” he swallows hard at this one, always a sensitive subject in the Presley household. “And he-he didn’t make it…” 
She looks at him with a critical eye, undoubtedly searching for any sign of falsehoods on his face, only for the hard look to melt when she realizes he spoke nothing but the truth. 
“Oh, umm…” she says. “I-I’m sorry to hear that,” her voice dripping with guilt at the assumption. 
“It’s fine,” he reassured you. “He was gone ‘fore I even got here.”
It’s hard to talk about Jesse with anyone, because what more can anyone say about him other than he should be here but he isn’t. He has no memories to reflect sadly on, just wishful thinking about who Jesse could’ve been or even who he would’ve been if had him in his life. 
“I really don’t know how to describe it,” she says, putting down the bottle she had in her hand. “Because she’s always just… been there, and I’ve always been the one to look out for her.” 
“You’re the older one?” he asks with a bit of a laugh.
“Yeah,” she affirmed. “I’ve been doing it my whole life. Stayed up and held her hand when she was too scared to sleep. Did all the stunts she was too afraid to do and broke a couple bones. Threw tantrums when we were filming so she could get a break that she was too nervous to ask for. Dropped out of school so I could get a job on set, so she wasn’t alone. Hell, the only reason I’m here at this stupid party is because she thought she could get in touch with someone who could help her career.” Each admission is met with a more resentful tone, only for her to then try to chase away the taste the words are leaving in your mouth, by taking back the bottle.
“O-oh,” is all he really has to say to that. 
“She’s awful,” she admits, but a sardonic smile begins to creep up on her face. “I love her so much.” 
“Really?” 
“Yes,” she asserts. “There’s no one else in the whole world I would’ve done those things for. I guess that’s what it’s like to be a twin, take care of the person who's been here since you were born. It’s like… having to take care of any other part of your body, but this one is just constantly away from you and you can do nothing but worry.”
Elvis is stunned into silence for a moment as he looks at her, because she is able to finally put into words that anxiousness that has been eating at him his whole life. Even with all the love and reassurance he felt as a kid, there’s always just been that missing part of him that no one has ever been able to understand. 
But there’s one part that eats at him still.
“And does she take care of you?” he asks, more curious than anything at this point. 
That question catches her off-guard as she rips her eyes away from him and furiously looks down at the party, before she smiles and looks back at him to ask “Wanna hear who Clark Gable had a secret child with?”
Another time he would’ve been very interested in the topic, but seeing her obvious panic as she tried to avoid the very subject keeps him focus. “Don’t do that,” he pleads softly, brushing a few errant curls out of her face. “Don’t shut me out.”
She leans into his hand a little bit and he feels her jaw clench as she tries to get a handle on herself. “I must sound like a crazy person to you,” she says. Granted anyone else, he might’ve thought that, but this is Jimi, the girl who is never bothered by anything. He was witness to how she nonchalantly filed her nails before putting out a camera fire. Watched as she hardly broke her stride when some yahoo tried to scare her with a halloween mask. Hell he’s seen her put out a match with just her fingertips, and only to stare him down to get back onto set. 
She’s seen the worst this town has to offer, and yet it’s her seemingly one-sided relationship with her sister that has her on the verge of collapse. 
Not if Elvis had any say about that.
He takes it as a good sign when the normally touch-averse Jimi doesn’t immediately pull away from the hand on her shoulder, so he decides to take a chance and fully envelope her in his arms. She stiffens somewhat but otherwise accepts it, and he feels his heartbreak over the unspoken truth that she looks out for Elena, but no one looks out for her.  
“I think it sounds like…” he says, taking her chin in his hands, “ya care a lot darlin’, and it don’t sound like she appreciates it as much as she should.” 
The ever present indifferent shell she had built over the years cracks with that simple statement of understanding. She has such beautiful doe eyes hidden behind a hard stare, and for only having known her for a few weeks Elvis can appreciate even the chance to see behind the mask. 
But he wants to know more. He wants to know all of her.
It feels almost magnetic, the sudden pull he felt towards her in that moment. Nothing could stop him as he leaned down to kiss her full lips. Everything else in the world seems to fall by the wayside, the party, the people, even the city itself no longer existed to him as he held her in his arms. 
Their first time with her was nothing short of magic. It felt like the first breath of air after being held underwater for so long. 
They just seemed to fit together so well, a fact that couldn’t be denied even as their first time was a quick and dirty session on a balcony under the light of the moon. Like they had been so desperate for each other years even before they met, and now it all culminates to this. 
They don’t even really remove their clothes, he just unbuckled his pants on the deck chair while she sat astride him, moving her skirt up her waist and move her panties to the side. Her moans as she slowly impaled herself on his length sound like music to his ears and he can’t help the low groans as he tries to prevent himself from closing his eyes too much wanting to burn the image of her taking his cock while the full moon gives her a truly angelic look behind her. 
He wants so badly to hold her but even now she denies him that as she puts a hand over his chest and rides him like she’s trying to tame a bucking stallion. He’s just as enthusiastic for this as he grips her thighs in his hands and 
The whole encounter is over and done within a matter of minutes after that, but he’s just glad that she came to and now he didn’t have to feel the shame of finishing before her. She collapses on top of him trying to hold herself upright while he holds her close to his chest as he gives a few lazy thrusts to ride out the rest of his orgasm. He’s never felt more connected to anybody than her in this moment and he wants to truly seal this perfect night when he raises her chin to try to capture her lips.
But she pulls away slightly at the motion, “... I… I should go…” she whispers, and he’s not too sure if she’s saying that more to him or herself. 
“...I-if that’s wh-whatcha want baby…” he says, not having the heart to deny her anything, no matter how much every single other part of him is screaming at him to make her stay. The inner conflict practically paralyzes him where he layed and he could only watch as she quickly fixed herself up. It’s mesmerizing to watch, as with only a few quick adjustments, Jimi looks good as new, save for the kiss-swollen lips and the slight uneasiness in her stance, it’s as though nothing had ever happened. 
That hurts in a way he can’t explain with words. The idea that the relationship they’ve built in the last few weeks will amount to a one time thing that they go their separate ways from. 
But what can he do to stop her if she doesn’t want to be here anymore?
So with all the boldness he’s learned to fake over the last few years, he grabs a hold of her wrist, and tries to give some type of meaning to this whole thing. “Wait darlin’.” He makes a conscious effort not to grip too tight lest he scare her off, but just enough to let her know he’s serious. “What’s your real name?”
Bathed in light of the full moon right behind her, a soft smile on her face as she looks at him though not without that twinge of sadness in her eyes. “Jimena Gabriella Perez.” she said as though it were a good bye.
And with the way she walks away without even a glance back, it’s clear that it was. 
He sits there for he doesn’t even know how long just in his head and staring up at the moon. He knows realistically he should be making his way back downstairs, but all desire to mingle with other people seemed to dissipate as he stared up at the full moon. Besides there’s only one person he really wanted to be with at the moment and she apparently could hardly wait to get outta there. 
He stared up at the night sky for the longest time trying to gather his thoughts about the situation, trying to figure out why it felt like every nerve in his body was screaming at him not to let her leave. It was all kinds of backwards yet somehow still fitting that he learned her name only after sleeping together. 
But try as he might, he can't justify keeping her here when she clearly wants to go. 
It felt as though he had known her for years rather than months. In a way it was sort of the truth due to having seen her movies as a kid, but never in his worst nightmares could he imagine the near debilitating feeling that rests in his chest at the prospect of never seeing her again. So he closes his eyes and tries to make peace with the fact he’ll never see Jimena Perez again.
Jimena Perez… JP… Elena Perez… EP… 
His eyes shot open at that realization, and as he hurried to make himself somewhat presentable, he berated himself for missing something like that. He has never believed in coincidences and this was far too specific to be anything other than some sort of sign. 
But to his chagrin, it’s as though she had dropped off the face of the Earth. 
The next day, all anybody could talk about was the scene that the Leon girl made of herself standing on tables and practically flashing the studio head with an impromptu can-can dance, until her sister pulled her off and quickly escorted her out. 
It would be another year before he would see her in person again, and that was only because he specifically requested to have her on-set for what he thought would potentially be his last movie. But even then he’s able to find a modicum of peace with that, if only that he will have her in the end, and this whole ride has been worth something. 
He doesn’t know what’s more terrifying, the idea that he’ll never be able to communicate how he feels about her or the prospect that he will and she’ll reject him all the same. He even at one point resorted to trying to write them down in order to sort them out. 
But each time he tried to put pen to paper it felt like his mind went blank, because how can he explain that it feels like she’s the piece that’s been missing his whole life. That the only time he’s felt whole were the few weeks they spent together. That it can be no coincidence that their names and family names match so perfectly, and it’s gotta be a sign that something else is at play here. 
But he realizes that he’s gotta put in the legwork to make fate happen too.
Requesting to have her be In New Orleans, and he planned on working his way to slowly form a friendship into something more permanent. Of course she did throw a wrench into that plan almost immediately the first night when she showed up at his hotel room and declared the couch for herself because she refuses to stay where she was assigned. He wouldn’t have her anyother way. 
It’s easy to fall into each other once more, as though it hadn’t been almost a year since they last saw one another. He hopes that maybe this time around he would be able to show her even a fraction of what he feels. In an ideal world they would already be on their way to a courthouse to make it all official so that no one would bat an eye when he brought her to Germany, but even he realizes what a tall order that would be. He’s not one to plan ahead, but he figures it’s gonna be a longer process than he anticipated with her, but Jimi’s worth every moment.  
But just like that it all seemed to fall apart.
As sad as it makes him to wake up without her, he’s used to it by this point, but what does worry him is why she wasn’t  in his trailer when he arrived on set. It ate at him that seemingly no one cared beyond the grumblings from the other makeup girls who were now having to work more because she’s missing in action. He knows he’s gonna get an earful for this alone from her considering how much she wants to keep their involvement a secret, he does blatantly ask about her by name. 
It becomes clear what exactly happened when he notices a discarded newspaper on the director's chair. He immediately calls for a halt to the production so he could go out and look for her, fearing the worst. But due to the already tight schedule practically everyone refuses to do so, even after hearing why exactly she was gone.
At that point he just walks off set and swiftly dispatches every one of his boys to go search the city. He even gets in on it and drives around for a few hours all in an effort to find her, but he returns to his suite so he can pray and pace and worry and hope she comes back before sunset. 
When she does get back, the faraway look in her eyes tells him she hasn’t been crying, but the way she’s all clenched up like she’s actively fighting herself from doing so in front of him. He’s having none of it and he brings her into his arms.
It’s only then that she seems to collapse in her grief, and he holds her still knowing that there’s nothing else he could do right now. He’s never seen her like this and immediately he recognizes that he will only ever know a fraction of what she’s going through in that moment. 
Elena was a real person whom she’s known all her life, Jimi had confided in him how she’s put her through the absolute wringer with their mama favoring her and her inability to recognize what her sister has been doing for her sake. Jesse has always just been gone, and Elvis could imagine him in whatever way he liked as an older brother. Jimi knew her through all of the ugliest bits of their lives and loved her all the same, even as she slowly spiraled downwards. 
“Jimi…” he whispers at a loss for words. He knows that nothing he says could possibly fix this situation and it makes him feel all new sorts of helplessness to the situation. 
“Why didn’t I feel it when it happened?” she asked out loud though he gets the sense she isn’t asking looking for an answer from him. 
He could hold her tighter so that she wouldn’t feel so alone right now. The rest of the night, and well into the next day, is a blur as he as he waivers between trying to comfort her and arranging for her return to California. He wants to go with her but despite the already tight schedule for filming and the looming date of his induction he’s hoping to be able to at least see her one last time before boot camp. 
He remembers finding her red bandana as she was packing everything up, and contemplating telling her. But he selfishly wants a small piece to hold onto until the next time he sees her so he slyly slips it under his pillow, and he promises to himself he would give it back once he saw her again.
But of course the lord himself seemed to laugh in his face as his stunt apparently cost a few extra days of filming and between everything else going on in the lead up to his induction, he couldn’t be there for her. The Colonel had a few of his own men physically hold him to prevent him from getting on the next train to LA after he heard about her mama passing, the only thing swaying him was the Colonel’s promise that it would only be one more day of shooting. One day turned into three and before he knew it he was whisked back home to wait out until his induction, with the only acknowledgement from the Colonel being that he made sure to send condolences to the surviving Leon daughter. 
He can only imagine what she went through losing her sister and mother so close together, difficult relationship and all. He would lose his mama only a few months later, and it felt as though every breath threatened to be his last one. Knowing she went through all of this alone, it’s little wonder why all of the letters and invitations he sent at Fort Hood went unanswered.
Sitting in his mothers closet, not wanting to have his grief turned into a photo-op for the press. He now understands why Jimi left the business in the first place. It was as though he was trapped in a fish bowl, drowning and everybody was fighting to be the one to witness his last breath. It makes him feel all the worse for letting her go through that alone.
His biggest regret is that she had to go through all of this alone. He had tried his hardest to try to head back West to see her only to be thwarted each and every time. No amount of Love was gonna thwart Uncle Sam from getting his dues. And before he knew it he was on a ship headed to Europe.
He almost had to relegate himself to the fact that the relationship is unsalvageable after all of it. Truly after experiencing loss himself, he can’t imagine any scenario where she could forgive him, as he could hardly forgive himself. 
But for the sake of making tomorrow seem even the minimum amount of bearable he forces himself to dream that things can be fixed and they would eventually be happier than ever. 
Because if they don’t… then what’s the point?
After all they had gone through separately he knew in his heart that there would never be anyone who could understand him like she could. A twin without a twin, and a child without a mother, a lonely soul surrounded by others, and most of all a person in desperate need of love beyond simple admiration. 
There had always been an ever-present hollow feeling in his life, something he never even recognized until she was no longer present to relieve him from that emptiness. She understands him more than anyone ever will, and the idea of letting her go without a fight is something he simply can’t do.
The almighty himself has tied them together unlike anything he’s ever seen before and to choose another path would be blasphemous at this point. 
All his thoughts on who Jesse would’ve been have been answered when he pointed Elvis in her direction. He has to believe that he wouldn’t do him dirty by bringing him to his soulmate only for fate to snatch her away all the same. He has to believe that things will get better, otherwise what’s the point of continuing on?
But he has to grin and bear the hell that will be trying to live without her in Germany. But if his time in Hollywood taught him anything, it’s how to pretend to be someone he’s not.
It’s easy to pretend to be the good Sergeant Preseley in Germany, charm the pants off a couple girls, do whatever he’s assigned to do by the higher-ups, take whatever the doctors give him so that he can do both, abstain from playing music, act like it’s not killing him, etc,. Behind the scenes he becomes needier than ever, truly fearing being alone now of all times, because he doubts he could keep this up without an audience presence. 
Everybody has seemed to become the audience regardless of how close they previously were to him, it’s hard to think of them as anything else considering that he’s playing a part for them all so they could believe that he’s fine. 
This all adds to his longing for Jimi, knowing that she saw through him easily and he never had to worry about being anything less than himself around her. 
But playing his role helps ease the ache that stems from every thought that she brings to his heart, as then it can be somebody else experiencing that devastation. So he bides his time and plays his part in Germany. Trying to fill that sinking feeling he got in his chest every time he thought about Jimi with more partying, more drugs, more women, just more everything. Even with all that, that sinkhole in his chest seemingly grew bigger and bigger every morning he woke up and she wasn't with him. 
His heart has been broken since the day he was born, and it has been a mad scramble for the pieces for everyone ever since. His brother took a piece with him when he left, as did his mama, and everybody else who had a piece had been doing jackshit to appreciate it. 
He had only one piece of it left really, and he had spent his entire life trying to find someone who he could trust to take care of it. And like a goddamn miracle his brother was able to answer for him, and pointed him in her direction. And finally he found the person he could give that final piece of his heart to. 
But she hurt him in a way that no one has ever been able to do so. She didn’t take advantage of his heart, or reject it, or even betray it. Worse yet, she couldn’t recognize what he was giving her. The life Jimi had been living had turned her cynical to his intentions for her. And every fear she may have ever had about him had been proven true with just that one little article. 
He can’t even blame her for being angry, as he doubts he would’ve been able to keep a lid on something like this in her shoes. But he can’t dwell on it, he can only move forward and try his best to fix this. 
It had truly felt like the world was conspiring against him in that year, as he had to watch as everything he loved slipped through his fingers, all for what. All for a dream that he wasn’t even sure was worth it anymore, nor something he could actually be a part of. 
Being enlisted and overseas already, there was always the lingering threat that if anything happens with the Reds, he’s already here to fight the good fight and all that. Be the good soldier, who would gladly lay down his life for his country. 
Really he just wants to lay down. 
Sometimes forever. 
In the worst days he was so sure he was gonna die there, whether by an enemy hand or by his own, he couldn’t decide. Really the only thing that kept him going was the slim chance that she would be willing to hear him out if he ever came back stateside. Those nights he would hold onto that small piece of her trying to convince himself of the illusion that she’s waiting for him, and dying here would only mean he would lose any chance of seeing her again. 
At one point it stopped smelling like her and he resorted to ordering a bottle of her perfume just to preserve the illusion that she was still waiting for him. He probably doused the cloth with a quarter of the bottle, and inhaled half of that all to maintain the illusion of her still willing to come back to him eventually. He’s sure if that hadn’t worked in easing his nerves he would’ve downed everything in his medicine cabinet and called it a night.
He’s put everything he is into this hope that he could possibly get a second chance, full well knowing he’s undeserving of one. 
So he’s not about to let her go so easily.
Jimi’s actually not that hard to find on the lot, especially now that she has a door with her name on it. She’s certainly made her way up, having turned her previous doodles in the margins of production notes and discarded scripts into a new position complete with a title and an office.  
He knocks at the door with her name on it, and waits a moment, what sounds like the dumbo soundtrack quickly being drowned out by the heart-pounding in his ears. She doesn’t keep him waiting long, as she opens up the door only to immediately close it just enough so that only her head is sticking out. “Fittings are next week,” she says neutrally before she then proceeds to try to close the door in his face. He is too fast though as he shoves his foot in the crack and pushes it open. 
“Jimi, please,” he pushes the door further, but stops once he sees the panicked look on her face. He holds his hands up in surrender but makes no move to remove the foot.
She closes her eyes and takes a deep breath in annoyance, before she opens her mouth again. “If I promise to talk, will you leave me alone after this?”
So sure of himself he nods, truly believing that he just needs to explain and then they can go back to the way they used to be. 
She puts a hand on his chest to motion him to step away from the door before she herself comes out. She does so in the oddest way possible, by sliding herself between the door and the frame, as though she was trying to prevent him from seeing inside her office. She looks back inside and tells who he presumes to be the others she shares the office with that she’s gonna get lunch, and to hold everything down. 
“So you want to talk? Talk then,” she states, breaking that line of thought as she leans against the bulletin board.
He figures she would have such a no nonsense reaction like this, and takes a steadying breath in order to deliver what 
“Jimi… I know why you’re mad,” he starts off slowly. “Believe me I would be hoppin’ mad if i read that…”
“I forgive you,” she cuts in. “We done here?”  
“Wh-what?”
“Are we done here?” She repeats slower this time to really emphasize her words. 
“N-no Jimi,” he begs. “The things the papers said are just lies. I ain’t ever said that”
She gives a short mirthful laugh when she hears that, “Elvis if I had a fucking dime everytime I heard that line,” she rolls her eyes. “But it’s fine. I don’t care anymore. I’m not in the business of telling the papers anything, so you don’t gotta worry about everyone figuring out you’re a hypocrite.” 
“But… I’m not…”
She pats his cheek and gives a thin smile as she pushes herself off the wall, and gives a dry, “Of course you’re not.”
“Jimi listen to me,” he begs, briefly wondering why Jesse had to pick the most stubborn woman alive for him. “I never said any of that.”
“Mhmm,” she hums, the thin line of her mouth and the way she’s checking her nails for dirt, telling him she has no faith in his words. 
“Jimi,” he pleads with her, taking her hand and placing it on his chest. “You gotta believe that I would never say somethin’ like that. I love you so goddamn much and I especially ain’t never wanted to hurt you.”
She may not be able to rely on her knowledge of him, but he knows her well enough to know that she recognizes good acting from bad acting. Watching as her eyes soften from their previous hard stare, he knows that she understands that this is far from an act. This is by far the most honest he’s been with anyone since his mama passed, and the doubt in her own assumptions of him shows all over her face.
He thinks he’s finally getting through to her, until she glances behind him and he watches as her dark eyes harden once more. “You don’t love me, and it doesn’t matter what I believe Elvis,” she snatches her hand out of his, and walks back towards her office before slamming the door.
He stands there for he doesn’t even know how long, trying to justify why he should even keep breathing at this point, his catatonic state only helping to prevent him from doing something stupid in the face of the worst rejection he’s ever had. This isn’t a girl laughing in his face over being asked to the school dance or a stuffy actress looking down her nose at his hillbilly ways, this is a part of his soul refusing to come back to him. 
This can’t be the end, a voice in his head whispers. He tries to repeat these words in his head if only to make the hope he has a little more real. He knew it wasn’t going to be as easy as him returning, and she would automatically throw herself into his arms. He already knew it was going to be an uphill battle for her love once again, but the flat-out rejections and refusal of his declaration just made everything so real in that moment.
When Jimi cares, she does so with all her being, and he knows at some point she cared enough about him to befriend him, and there’s no way that all disappeared in the last two years. To some extent she still cares about Elvis, and that’s why he refuses to give up on her so easily. 
But she’s not one to be swayed so easily. 
Gifts and letters and songs for her, are all met with the same stony indifference that has marked her status as near untouchable. Her schedule is next to unpredictable as it seems that everytime he does try to send someone over for her she’s conveniently out of the office. 
Each rejection further drove him closer and closer towards that edge he’d been resisting since he landed in Germany. He would toss and turn at night, not wanting to be alone but at the same time wanting no one but Jimi with him. It’s even worse than it was before considering the fact that she’s so close that he could almost touch her, but she’s like smoke, he can see her there but never truly grab a hold of her.
Something that only intensifies once shooting actually begins and he knows just how close she is day in and day out on the lot. It’s nothing short of torture to have all that he needs in life so close, yet just out of reach. 
Off camera and out of the studio he’s barely keeping it together, the years of pretending to be okay in front of people only barely enough to sustain the image he’s made for himself as well as doing the job he was tasked with. Everybody wants a piece of him now that he’s back, and he doesn’t know if he has any left to give anymore.
It all came to a head one day when he walks into the wardrobe building and sees one of the girls holding a small toddler girl. It strikes him how similar the little girl looked to Jimi back in her firecracker days, even down to the ribbon tying her hair back. He muses for half a second that that’s what their daughter would look like, and then it hits him like a ton of bricks that may never come to pass. 
He’s trying to make her not hate his guts, and with how little success he’s been having, he’ll be lucky if she even looks at him again before he’s Dodgers age. He’s closer to never having her love him again than he is to someday. 
He had come with the intention of showing her the bandana he had been holding onto all of these years, to show how devoted he’s been to her. Now holding it in his hands and remembering that initial promise to give it back to her, he realizes what a fool he’s been. He’s been selfishly holding onto something that’s not there anymore, because he was too much of a coward to actually do what he needed to get what he wanted. 
He didn’t want to believe it was too late for them, but seeing that little girl, he realized how much time he’s lost. Where he’s spent the last two years nurturing his love for her, she's been feeding her hatred for him. If he’s gonna be in love with her for the rest of his life, she’ll hate him for the rest of hers. 
She’s made it clear that she wants nothing to do with him anymore, and he can’t blame her for it. He should’ve been there for her, damn the consequences, but he wasn’t and now he has to live with what he did. 
Though once he gives it back, jury's out on how much longer he will live.
Resolved in his need to do right by her, he solemnly walks to the costume department with about the same enthusiasm as he would the gallows. Perhaps there is no coming back from this, and perhaps he wouldn’t deserve one either way. He was a coward who let what he wanted walk away time and time again, not having enough will to hold on to her. 
And he doesn’t have the strength to try to hold on any longer. 
Finally as he’s just about to turn the corner to where he knows her office is, only to stop in his tracks, and realize that once he gives it back… it’s all over. He’s strangely okay with that once he reconciles he won’t be feeling that way for much longer.
Turning the corner he sees a familiar figure looking at a bulletin board, and standing right beside her was a significantly smaller figure.
It takes him a moment to realize what he’s looking at, but the second he does it feels like all the air has been sucked out of his lungs. 
He’s tempted to look down at his own feet to reassure himself he's still on solid ground, and that the floor hadn’t been taken out from under him, but truly no force on Earth could make him look away from the little one at her feet. 
The boy is standing barely taller than her knee, wearing light green overalls with what looks to be a little yellow duck on the front pocket. His honey hair - a few shades darker than Elvis’ own natural locks- is slicked back on the sides allowing for some bronze curls to hang over his forehead but it’s really his face that comes like a punch to the gut to Elvis.
Vain as it may sound, Elvis knows his own face, even when it’s softened with baby fat and slightly darkened from the California sun, and that’s all he sees when he looks down at the brown-eyed little boy that’s clutching onto a woman’s skirt and idly sucking his thumb. 
It’s as he’s wondering what happened to his eye color when the eyes in question finally take notice of him, and the little boy rapidly tugs at the pencil skirt he’d had a tight grip on. In his head he’s still trying to justify any other way someone could have a little clone of himself that isn’t the most obvious answer, until he watches Jimi crouch down in her heels as she gently strokes the little boy's plump cheek. 
“¿Que paso Papi?” she asks, adoration in her voice as she brings him close to her face, before planting a kiss on his cheek. 
The boy, too shy or too young, to answer only points a chubby little finger his way, his dark eyes wide in wonder. As her eyes follow, Elvis sees her jaw clench and most of her previous warmth seemed to sap out of her at the very sight of him. It truly feels like the first time she’s actually looked at him in a long time without her eyes immediately sweeping over him dismissively, so he can’t help but welcome it. 
In one fluid motion, she competently scoops up the small boy up in her arms and begins to make her way towards him, her heels clacking ominously as though she were an oncoming vengeful mother goddess set to rain down fire upon him. 
Elvis is usually quicker on his feet but it feels as though they had been replaced by cement as he’s frozen in place with no sign of escape. But he doesn’t think he really wants that anymore as it now gives him a better look at the boy.
“Can I help you?” she asks, painfully neutral, as though she’s simply asking what he wants for lunch and not in fact holding a mini version of himself in her arms. 
“Wh-” he starts but has to swallow before he can get too choked up. “What the hell is this?” 
“It looks like,” she answers and he perks up at that both eager and fearful of what she has to say. “My old bandana,” she states, much to his confusion, until he follows her dark eyes to the fabric still within his grasp. 
Her flippancy just enrages him, “You know damn well what I mean!” pointing a finger in the direction of the small boy in her arms. Guilt quickly eats at his belly as the boy turns from him and buries his face in her neck out of fear, as she continues to look at him with the disdain in her eyes only growing.
“Oh…” she says dryly as though she only now remembers the boy in her arms, even though she had been consistently rubbing soothing circles on his tiny back since he got scared. “This is my son.” A simple no-nonsense answer, but he doesn’t miss the way she neglects to mention a name. “You can go ahead and throw it away, I don’t need it anymore.” 
He wants to say something about that. He wants to be mad at her for being so goddamn stubborn about this as though his whole world isn’t being rocked right now. But he can’t muster any of that as he just finds himself just wanting to look at the boy in her arms some more. The little one looks back and forth between the two of them, but he does seem to settle after gauging that his mama is not in the least bit shaken by the man before them, and adopts her bored looking expression, though the boy does keep a wary eye on him even as his mother turns them both away from him.
“Wait,” he says as he quickly grabs her elbow. Her hackles rise at just that little bit of contact, like a rattlesnake coiled up and ready to strike, but he won’t be stopped from knowing the truth. “Is… is he-”
“No,” she cuts him off, before looking over his shoulder and closing her eyes- seemingly in annoyance- only to then plaster a wide phony smile on her face as she looks at him. “Thank you for bringing it to my attention.” saccharine sweet, as though she had been in a completely different conversation before ripping her arm out of his grasp and walking past him. “I’ll be sure to add those notes into the costume.” Without even a goodbye she rushes past him.
He turns around to see the second most gut-wrenching thing of the day as a woman approaches Jimi and hands over to her another child,and he realizes it’s that same little girl from earlier. The love of his life expertly balances the additional toddler on her other hip as she plants a swift kiss to her cheek before exchanging a few words with the woman in front of her and walks back down the hall, not even bothering to look back at him.
That woman quickly approaches and stands in front of him, obviously trying to run interference between the two of them. Trying to keep the two of them apart like everybody else has seemingly made their mission. 
He honestly hears nothing of it as he starts to tail Jimi down the hall, his entire focus is on the little girl, heart-breakingly sweet with her little cherubic face, her dark curls held at bay with the red ribbon, as she opens and closes her tiny hand at him as though to once again say good-bye. Meanwhile the little boy, whose face is still firmly in his mama’s collar, risks a quick peek back at him before quickly burying himself back in place as the echo of yherour heels on the linoleum floors lessens as she gets further and further away. 
He’s able to catch her before she can get out of the building, quickly blocking her from the exiting door. She still has that infuriating cool expression on her face, looking at him as though he were a mere inconvenience on her way out the door. 
“Jimi…” he pleads, taking her shoulders in his hands forcing her to look at him. “Jimi, look me in the eye, and tell me they ain’t mine.”
She gives him such a cold stare that he can feel a shiver travel down his spine, the dread of her words tying his stomach in knots, as he anticipates her answer. Somehow she’s able to make it all the crueler, even as her (his?) son starts to suckle on the collar of her blouse, while her (their?) daughter has managed to dislodge a chunk of her thick dark locks from her braid and begin to play with it. 
“Why would I want them to be yours?” 
A punch to the gut, a kick to his face, a knife to his heart, those are all the things he would have preferred she had done over saying that. For a second, even she seems taken aback by the cruelty of her own words, until that hard look returns to her eyes as the little boy begins to pat her cheek for attention. 
She looks down at him with a soft smile on her face before giving them both a kiss to the forehead and sidestepping him in order to get out the door, not even bothering to acknowledge him.
He doesn’t know how long he stays in that spot but by the time Joe (or was it Charlie?) finds him and he’s practically stiff as a board, and just about as responsive. Nobody fights him on it when he just declares that he has to call it for the day, so it’s not too long before he’s kicking off his shoes and crawling underneath the covers still fully clothed. His mind raced, doing its best to put together what the hell he had seen today. Trying to comprehend how much of himself he had left behind with her. 
When he started making waves he had to have the most awkward talk of his life with the Colonel to always wrap it or at least become proficient in never finishing inside of a woman, because the last thing he needed was a baby. And he was for it completely, nowhere ready to settle down yet, and with everything looking so vibrant and new to him, he saw no end in sight. 
He can think of one night in particular back in New Orleans, after almost twenty hours on set, Jimi had excused herself from any of the usual get-togethers and headed straight to his room. After she had declared that her room situation is unmanageable she had set up shop initially on his hotel room couch, though lately they hadn’t even been bothering with that pretext. So it wasn’t too shocking to find her in his bed, spread out on her front like a starfish in nothing but a simple slip. 
What was shocking was the wave of contentment that washes over him seeing her there, just the utter feeling of rightness that the image brings. The powdery blue slip gorgeous on her dark skin tone, and he has to hold back a groan when he sees how high it’s ridden in her sleep giving him a tantalizing view of the back of her thighs, just effortlessly sensual, even in her sleep. He can’t imagine anything better to come home to. What he found even more tempting was her defenseless pert nose, and remembering the way it would scrunch up when she smiled. He knows he’s either going to get that reaction or swift punch to the chest for what he does next.
She still manages to keep him on his toes when she simply does both after he peppers her face in kisses. He reels a bit from the blow, playing up the injury just a little as he sees her shoulders bounce a little in poorly held in laughter.
“They gotchu workin’ to the bone sweetheart,” he remarks, as he rubs the spot between her shoulder blades that has her giving a euphoric groan. He is genuinely offended that the studio would make her have to work like a dog, all for a single line in the credits. 
“This whole production would fall apart without me,” she sighs, while he lets out a laugh in agreement. 
“You ever think about quittin’?” He asks a bit off the cuff, but he can’t help it seeing the woman he loves running herself ragged for people who sure as hell don’t care for her. 
“Maybe,” she answers through her drowsy state, turning to face him directly. “I don’t think I would leave, but maybe if I get married I would probably do something with less hours, like costumes.” 
He felt his heart speed up a little when she mentioned the word “married” but not in the way it used to do when other girls brought up the idea. No, rather than having that sour feeling in his belly, he’s practically giddy over the prospect with her. “So I guess ya just waitin’ for the right actor to sweep you off ya feet darlin’?” he brings her close, smiling into her hair and absentmindedly stoking the hand she lays on his chest. 
But this happiness is ripped away by a simple snort from her, only to then be further crushed into dust as she has a full-on laughing fit at the mere prospect.
“No,” she says, wiping the tears from her eyes, trying to get a hold of her laughter, unknowing of how soul-crushing her words are. “I’d never marry an actor.”
It feels like every ounce of hope for the future saps out of him at that moment. 
“O-oh wh-why’s that?” fighting to keep his face from showing the devastation he feels inside. A knife in his heart would have been preferable at that point, because then she would have at least acknowledged he had one to break. 
She gives a mere shrug, of her shoulders, “I don’t really know how to explain it other than it wouldn't work.”
If he were a braver man, he would have had the balls to ask her “If that’s true… then what’s all this been about?” But he's a goddamn coward and this question dies on the tip of his tongue, far too afraid of what she may answer. 
As these nights usually talking leads to kissing and while she is willing she offers first to use her mouth, and while he doesn’t hold back the groan when he hears this, he knows that that won’t be enough for him even if he can’t pinpoint why. 
“Okay,” she yawns, as she lifts her hips up, presenting her ass in the air while she wraps her arms around a pillow and sleepily buries her face in it. “But you gotta do all the work.” 
She’s done this before, tried to feign indifference toward the act, and tried to play it off that she didn’t absolutely enjoy it each and every time. This is a game that Elvis has yet to lose. 
He knows her well enough to know how to get her going even when she insists she’s not in the mood. How a light touch up her spine as her perk her ass up, while a nibble to her ear has her making the most adorable little noises. And still it feels like he learns something new about her everyday, with today’s new lesson that she loses all of her carefully crafted composure when he sits on his knees and raises her thighs over his shoulders.
She lets out a surprised gasp as she barely catches herself on her hands, only for it to turn into a low moan when he takes a long lick up her slit. Nothing tastes sweeter on his tongue than the evidence that she wasn’t as disinterested as she claims, and with her so nicely open for him now he plunges his tongue as deep as he could go. 
Any semblance of composure is gone the moment he had almost entirely upside down, her arms shaking with the effort to try to keep herself up. 
“You like that sweetheart?” he whispers, only slightly muffled by her flesh. 
“Yes,” she moans enthusiastically as he feels her small hand palm at his still clothed length, and he gives a little chaste kiss of appreciation on her clit that has her gasping for air. While any other night he would’ve gladly indulged her need to taste him, he did promise to do all of the work. So as he delves his tongue as deep as it could go he knows she’s good and ready as he feels her slick drip down to his wrist as he rubs that button of hers. 
She lets out a devastating sob as she comes, and before she’s had a chance to recover barely had time to recover before he’s flipping her over and pressing her knees to her chest as he thrusts inside all in one motion. Her back arches and her mouth opens and closes repeatedly, gasping for air as though she could feel him all the way in her throat. 
Entering her is always such an indescribable feeling, somewhere between euphoric and comforting. And there have even been days when the only thing on his mind on set was how best to get her alone so that he could get her like this once again. As he crams his cock at a steady rhythm, he imagines it’s the same way everyone else who goes to work on a regular job pictures being home at the end of the day. 
If he was a little rougher that night, it was only so that she could feel a fraction of his anguish that she caused. He both envies and resents her ability to be able to picture a life without him, when no future of his would be complete without her. 
He had spilled in her before that point, but it had always been an accident as something about her made him slower on the draw than he was with anybody else. But in that moment before he knew he was gonna cum, seeing her thrash and arch her back and push even further into him, time seemed to slow for a second and there was a moment where he saw quick as lightning just the image of her heavy and glowing with a baby.
His baby.
He can’t remember a time he came so hard, and with the way she collapsed back in the pillow he knew she was just as affected by it too. The way she’s quaking with every breath before peaking out at him through the curtain of her hair is something he doubts he’ll ever forget as places light kisses on her shoulders to add some tenderness to the rough act. 
With great reluctance and curiosity getting the better of him he pulls out his softened member, and he’s treated to the most erotic thing he’s ever seen in his life as he watches his seed slowly drip out of her folds. If he wasn’t absolutely sure that that last one had taken everything out of him he would be ready to go again from the sight of this alone. 
Something in the back of his head whispers to find something to plug her up to really make sure it takes this time. But before he can act on this he sees her get her bearings on her, and she reaches between her legs. She gives a soft curse as she sees his spend on her fingers, before making a move to roll out of bed towards the bathroom. But he was quick to snatch her back and tell her to just lay with him until he fell asleep. She would only give an annoyed little huff, and give sleepy demands for beignets for breakfast in return for this favor.
He slept easier that night with his hand on her belly, believing that he would be able to find a way to keep her with him. 
This would be far from the last time he would spill in her during production, but it would be the last time he could call it an accident. If he’s being honest with himself he thinks he fully intended to get her pregnant in some sort of convoluted plot to get her to settle down with him. That once she had a baby in her, she would have no choice but to marry him and leave it all behind. No more ungrateful sister or disparaging mother, Jimi could finally focus all of her attention on a family that would take care of her back. 
But then everything happened all at once, and suddenly she was beyond his reach, and soon she took with her all of his hopes of having a life worth living. 
Since his career had taken off, more than a few women had already accused him of fathering their babies. Of the few of them that weren’t talking outta their ass, he had seen a few of the kids, and while there were some that may have had a few features similar to him, none had come close to the little clone boy he had seen of himself in Jimi’s arms. 
Others woulda chalked it up to just him getting older and wanting to settle down and any baby with a passing resemblance woulda done this to him. But there was something even beyond longing, it was that sense of rightness that has been missing from his life for a long time, something he wouldn’t’ve gotten with just any baby. 
On the day they were shooting with the babies he tried to test this theory. But even holding a few of the kids, not a single one of them was able to stir anything close to that fatherly warmth that just looking or even thinking about the two little ones she held that day. 
It’s not like he felt nothing holding these babies, like he wished them any harm, but he more or less cared about them the same way he would care about a random puppy: fun to play with in the moment, but didn’t really mean he cared enough for the hard or messy parts of taking care of it. 
As he’s holding probably the biggest one of the lot, he realized this one is still smaller than either of his babies. Someone off-handedly asked how old this one was, he feels his throat close up at the answer. 
A Year, he thinks to himself as he hands the slobbering infant back to its mother. How much did I miss? Can they walk? Can they talk? 
Even as their mamas were packing them up to leave for the day, all of them would wave goodbye to him, but none of it compared to the heart-wrenching feeling remembering those two little ones she held in her arms. 
In his heart he knew they were his, he didn't care what she had to say about it. 
Two people, both from a set of twins, get together and create the two most beautiful and perfect babies he’s ever seen, and she thinks that means nothing? That she can just step away from him and deny him his rights as a father?
What did he miss all this time away? The boy was standing on his own, so did he already take his first shaky steps? The little girl was babbling nonsense to him, has she been able to actually make words?
Lord, he doesn't even know their names. He has so many questions and next to no answers.
But even for all the anguish it’s causing him, he can feel it in his chest how their existence has reinvigorated him beyond what he thought he was capable of anymore. He had been on the cusp of hopelessness, fully believing that without he wouldn’t be long for this world without Jimi. 
But seeing them was like seeing a light at the end of the tunnel, now knowing that Jimi couldn’t get rid of a piece of him, proves it’s not too late for them.
So he went about getting answers the same way she taught him to: ask the crew. To his luck everybody seemed to know something or another about what Jimi had been up to the last few years. Through the various tidbits here and there he was slowly able to piece together a story. 
How some asshole had taken advantage of her grief after losing her entire family with promises to take care of her in her time of need, and how he didn’t even wait till the ink was dry on the marriage certificate before scurrying his ass back to Mexico leaving her with less than half of her inheritance and a couple of babies in her belly. She came back to Paramount as a costume designer a couple months back after calling in a few favors with some of the higher-ups, and has been flagrantly breaking the rules by bringing the babies on to set. 
Jimi wasn’t lying when she said that make-up girls hear everything there is to know in this town. Unfortunately he finds out the hard way that that goes for all of them, even those that now work in the costume department. 
“I hear you’ve been asking about me,” a familiar voice would coldly say as she wrapped the cape around his neck. 
He doesn’t have to look up to know who it is, but he does look around to make sure the other make-up girl was gone. This at the very least confirms that she’s keeping her cards as close to her chest as possible, and trying to prevent anybody from figuring it out. 
“I had a right to know Jimi,” he answers, not looking directly at her face but through the mirror. A trick he learned when he first met her when he wanted to get her genuine reaction on something, he could only do so when she thought she wasn’t being looked at directly. It still proves to be true when he sees her jaw clench the slightest bit at his comment. 
 “I don’t know what you’re talking about,” she says apathetically but immediately contradicts herself when she gives a firm yank to his hair so that he’s looking right up at her. 
He gives a small grunt, though he does smile a bit at finally being able to get a reaction out of her. “Well now, last time I saw you like this-”
“Elvis,” she cuts off sharply before she grits out, “Leave. It. Alone.”
Now it’s his turn to react as his jaw clenches in frustration at the audacity. “Why should I?”
“Elvis…” she says slowly like he’s a child. “What do you think is going to happen if you are the father?”
He opens his mouth to argue with her, only to come up short. He hadn’t really thought farther ahead other than being able to have them all in his life. But what would that mean for them?  How would people react to him not only having kids now, but having them this whole time and only now stepping up? 
“That’s what I thought,” she says, placing down the comb. “Don’t worry,” she pats his cheek, maybe a little harder than necessary, “Nobody’s gonna believe they’re yours after what you said.”
He explodes hearing this, “How many times do I gotta tell ya?! I didn’t say that shit!” He stands to his full height to tower over her.
“It doesn’t matter Elvis!” she says, raising her voice for the first time since he’s known her, not in the least bit intimidated by him. “Do you really think they’re gonna just accept that you had two kids out of wedlock, and especially with a Mexican woman? Especially now that they’re trying to sell you off as this wholesome family act, do you think the studio is gonna stand for that shit.” Her eyes begin to go a bit glassy as she says the next part. “Your career might be in danger, but my literal life is at stake if they even think I could be a threat to the comeback they’re trying so hard to make happen for you.” 
She squeezes her eyes shut at this point like she’s trying to will the tears back into her eyes, and her chest seems just a step away from being considered heaving, making it clear to Elvis she is trying so hard to keep the image she’s crafted for herself intact. Elvis can appreciate how yet again he’s the only one able to look past the curtain and see her for who she is. 
Finally after taking a deep breath her bloodshot eyes open and she gives a somber, “Do you know how my last movie ended?” Her voice severe and distant, her hands placed on the hinges of the trailer door. 
He’s a little stumped by the heel-turn of this conversation, but he plays along if only to convince himself he still has a chance to convince her otherwise. “You got your folks back together didn’tcha?
“No,” she says bitterly. “That last movie ended with the worst box office turnout of the year, because it was banned in most southern states -including yours- because the white man ended up with the mexican mother,” there the sardonic smirk on her face tells him she finds little humor in what she’s saying. “The studios forced us to tell that story and blamed us when nobody wanted to see it…” 
“Jimi,” he starts placing a hand on her shoulder before she rips it away. “Baby, it’s a different time now,” though even he realizes how hollow those words are. 
“Let me finish!” she shouts, tears trailing down her face as she looks back at him. “This isn’t a movie,” she declares. “There is no happy ending for anybody if you keep digging. Not for you, not for me, and especially not for my babies.” 
Our babies, is on the tip of his tongue, but he holds back.
“I’m not gonna have my babies a part of that life Elvis,” she glares at him. “They don’t need you. I don’t need you.” She turns her head and he can see the tears that threaten to fall in the corners of her eyes. “So just… leave it.”
And with seemingly the final word, she walks out of his trailer and he falls back heavy into his chair, utterly exhausted by the encounter. His chest feels tight, the shallow breathes he’s able to take doing little to remedy the feeling, his hands shaking out of fury and grief for the life that’s been stolen from him. On top of all of that his vision starts to blur with the tears clouding them, but that doesn’t stop him from noticing the movement in the mirror. 
He quickly gathers himself as best he could and turns to face whoever just entered his trailer, but he finds himself alone. That is until he looks at the mirror again.
He knows he must look a mess right now, but the mirror doesn’t reflect that whatsoever with the stony features he sees looking back at him. Elvis knows his face, and he knows when he’s not looking at his face. But Elvis knows who this is even before he opens his mouth with the only words he’ll speak to him.
“Go getcha girl,” Jesse whispers. 
And just like that he’s gone, and Elvis looks at his own reflection once again. With that little bit of brotherly guidance, Elvis comes to one startling realization: She’s right.
She’s right, this isn’t a movie.
So that means he doesn't gotta be nice about getting her back. 
He’s spent the last nearly two years planning how he was going to apologize to her over something he didn’t even do. Where is the justice in that? It’s as though she’s only capable of seeing him in the worst possible light. 
If she want’s a villain so goddamn bad then he’ll give her one. 
What a cruel power did God give to women. To take a piece of man, to mold and create something so wonderful and joyful, only to be able to deny him that if she felt so inclined. Usually the duplicitous ones will take from one man and claim it to be from another, all for gain, but Jimi is far more sadistic with this power, to hold two little mirrors in her arms and deny him his very own image. 
It’s enough to drive a lesser man insane.
No.
She’s not gonna deny him this. 
Jesse may have gotten him started on this path, but he can no longer just rely on fate to bring them together. He will take matters into his own hands, and they will be together. 
He remembers the first time he had seen one of her films as a kid. It was his 8th birthday and he had begged his Mama to let him go to the movies to see literally anything that day, and it so happened to be that one where the two sisters unintentionally thwarted some robbers in their house. 
He remembers laughing as Nena was sent into one room only for Mena to rip down the hallways as soon as the door was closed much to the confusion of the would-be criminals. He remembers the fear he felt when Mena seemingly fell out a window with the next shot being one of them lying on their stomach on the ground only for the next scene to reveal they had pulled the old switcheroo. He remembers the end when their parents finally came home and were glad that them burglars didn’t get their most precious treasures- their daughters. 
Most of all he remembers glancing over at the empty seat next to him and wondering if these were the sort of antics him and Jesse were meant to get up to. His mama never kept his brother a secret from him, always telling him how he’d have the strength of two, but he always knew on some level she would have preferred two regularly strong boys rather than just one really strong one. 
That feeling he got when looking at the vacant seat next to him is the same feeling he gets everytime he looks at his Hillcrest home now. The realization as to how fundamentally empty a home is without a family to fill it. 
Fate denied him his brother before he even entered the world. Death had snatched his mother out from under him. And that horrible Stanley woman was working double time to take his daddy away from him too. He’s not about to let Jimi keep him away from any more of his family, just because she wants to be stubborn.
Now, knowing of their existence he knows he needs them in his life. He needs her in his life. 
The PI didn’t disappoint, when you got enough money and notoriety in this town, they tend not to. He hardly batted an eye when Elvis had mentioned that there were kids out there that were potentially his, though he did give a funny look when Elvis told him he actually wanted him to dig up proof that he was the father, which is apparently rather novel in this town. 
Though what the PI brings back is painful in its own way. He mostly focused on what could be dug up through paper records both legally and illegally obtained: house deeds, birth certificates, medical records, wills etc.
That’s how he finally learns the names of his children.
Alejandro and Mireya.
Big names for babies that are so little, he thinks to himself. Only to realize that they will one day grow into them, and he’s wasting time not being with them. 
By all accounts, Jimi’s doing just fine: house is paid off, bills get paid on time, food is plenty, and she’s apparently in the market for a nanny. But a deeper look revealed that she’s pissing through her savings right now and with the way things are going she’ll be out of money in maybe another ten years, something she must have realized if she came back to work at all. Elvis finds himself exasperated that her stubbornness will cause her and the little ones to sink before she ever thinks to ask for help.
But it's the few and far between snapshots of the little family that threaten to do Elvis in. He has to fight the urge to frame them as they are all so wonderfully domestic. Strolls through the park, trips to ice cream shop, stops at the grocery store, and everything else that would paint the perfect family portrait of a young, beautiful mother and her two adorable babies. 
Everything except for a father. 
Though some of the most painful ones to look at were the ones from her day at the beach with them. He can almost pretend that he is the one behind the camera, that he took these pictures of her and the little ones on a family outing and not in fact a shameless voyeur of the life that should by all rights be his. In one of them, they were facing the camera as they looked out to the vast ocean before them, Jimi crouched down by the shore line as she held their little hands so they could properly get their feet wet. She wears a wrap around her one piece bathing suit in a facsimile of modesty and he already knows she turned a few heads that day. Little Alejandro is wearing a swim ring and practically wrapped around Jimi’s leg while Mireya’s wearing little floaties and pulling on her mama’s hand to try to go deeper.
So wholesome and idyllic, he can practically picture the entire day in his head. 
How he would come up behind her and swing them back and forth on the shore line as though he were about to toss them in while they squealed in delight.
How he would play with them in the sand until she insisted on them taking a nap under the umbrella while their parents could have a breather to have lunch. 
How she would lay beside them and from his position he could shamelessly leer at their mothers figure. 
How the day would knock them out on the car ride home and they would both quietly bring the little ones in the house and place them in their cribs and how she would wrap herself around his arm as they both gazed down at the two little miracles before them.
How he would bend her over right outside the hallway and fuck her raw so that they would never have a day at the beach without babies. 
If that wasn't what Norman Rockwell pictured for the ideal family life, he doesn’t know what is.
Those last few weeks of shooting, he could hardly function knowing they were all out there, the few who knew what he was going through were unsure how to approach him. Some learned quickly that he wasn’t about to be questioned on this, others had to learn the hard way. 
After the last day of shooting, Elvis would only idly register the fact that he had been sitting on a lounge chair staring vacantly at the pool. He hadn’t meant to, he just remembers after breakfast wondering how he’ll probably teach them how to swim there, and then all of a sudden the sun had already set for the day. 
His buddies had apparently gotten so worried, they had ended up calling in reinforcements. 
“Now my boy,” a familiar voice would say behind him. “I hear we been losin’ focus lately.”
As though on reflex Elvis feels his jaw clench in distaste. In a way the colonel was the best and worst choice to be the one to come talk to him. The worst because after learning what he knows, he wants little to do with the man anymore and the best because he needs someone to take out all this anger on before he can see the mother of his children again.
So Elvis really has to put all of his acting abilities to work at this moment, as he plasters on a phony grin and grits the teeth he’s liable to start gnashing at any moment. “I reckon I been more focused now than I been in a long time, Colonel.”
Bypassing what he just said, the man sits down on the lounge chair right next to him. “That’s not what I been hearin’ ‘from your buddies.” Elvis can see he has the clown head cane, which he adds to the list of things he’s finding infuriating about the man. 
“And what they been sayin’?” 
“How an old flame reared her head recently and has been getting in your head with some foolish notions of slowing down now of all times,” he says. “My boy, I warned you ‘bout women like this before. They can’t appreciate the hard work we been doin’ to make this life here, and simply will take from men ike us.”
As sour of a taste as that statement leaves in his mouth, that at the very least confirms that Parker doesn’t know dogshit about the sitation. He’s reminded of that time how she complained she never has time to take a cigarette break or something will catch on fire. Something that was proven true only moments after she put one in her mouth and then ten men were screaming fire. She would casually stroll up to it, extinguisher in hand, and use the inferno from the stagelight to light her cigarette before putting it out. 
“You don’t gotta worry no more, my boy,” he starts patting around his jacket, only to pull out two cigars and a set of matches. This and the story gives him an idea as to how to prove his own convictions.
“Why’s that Colonel?” Suspecting what he’s getting at, but willing to give him the benefit of the doubt. 
“I had a word with the young lady you were so fond of back in New Orleans,” he started, every word of his making Elvis want to scratch his own skin off. “And rest assured we came to an agreement after a few words from yours truly,” he says as though that will somehow placate him. “She wants nothing more than for us to leave her and her little ones alone, and of course we can accommodate that,” he lights up a celebratory cigar and hands his client one as well as though they were in some anti stork club.  
He once made the mistake of calling the Colonel something of a father figure to him, and he’s never been more disgusted with himself than right now. But he stays silent as he lets the “Colonel” before him dig his own grave. 
“Trust me son, I get the urge to want to settle down,” he reassures him. “But you’re young and it ain’t like you don’t got all the options in the world. Next time ‘round you can have some babies with a proper American girl”
The Colonel doesn’t know it yet, but this statement truly solidifies his fate. 
He doesn’t get it. None of these assholes get it. How can they? They ain’t ever lost someone like he did, like she did. They can’t see the value of family because they think that he can just make more of them with someone else? As though forces of a higher power hadn’t gone out of their way to bring them together. 
Elvis can do nothing more than kiss his teeth at the older man’s ignorance, as he slowly but deliberately grabs the cigar from his mouth and looks him dead in the eye as he slowly stamps out the cigar on the unvarnished wooden side table. 
Jimi was right. Words are nothing at the end of the day and it’ll be actions that will show them all how fucking serious he is about this.
“Those are my babies, and she’s my girl. And I ain’t gonna hear nothin’ more ‘bout it.” Elvis gets the pleasure of watching the Colonel gape like a fish only to then go red in the face as he goes back and forth between him and the small flames that are now beginning to dance on the table. He cuts him off before he can get another word in edgewise. “‘Sides I think marryin’ her would do wonders for my reputation down south.”
The portly man is surprised by his clients words and tries to quickly recover from the shock. “Son, I-I don’t think there’s notin’ down there we need to worry ‘bout,” he scolds as though Elvis were a child, trying desperately to reign him in.
“I used to think the same thing, ‘till I hired that PI to look into Jimi…” Elvis starts as he cuts the cigar, not even bothering to acknowledge the man’s concerns, “... and a few other things.”
“...what other things?”
“Funny you mention that Colonel. I had him look into where the hell those quotes came from. Y’know the ones that got me banned from Mexico. And boy did he have a story to tell,” his words are comically gleeful as he brings the cigar to his mouth. “One with high up there politicians, birthday parties, and blank checks. A story… my manager apparently knew all too well, but ain’t ever bothered to tell me.”
The only thing that could be heard in the moment was the light crackling from the flames between the two of them, and from it’s light Elvis can see the way that the sweat seems to pour off of the man in front of him. They both know that it has nothing to do with the fire.
“So-son, this is… it’s-it’s more complicated than you think,” Parker stutters, trying to desperately wrench back control of the situation. But Elvis already knows that the next chance he gets, he’s gonna cut ties with him… but Parker certainly doesn’t. And so for the time being he still has a role to play in this production. 
“Now there’s two ways to take this,” Elvis says leaning back on the wicker chair as the flames begin to get higher and higher, attracting the attention of his boys outside, and they rush to try to do something about it. One single hand gesture from him has them all frozen in place, awaiting his command. 
Good, these motherfuckers needed to be reminded who exactly is in charge here, even if he had to burn this whole place to the ground. 
“One, a simple mistake that my manager made and will now do anythin’ to fix if he wants even a chance at his contract bein’ renewed pretty soon… or two…” he brings the still unlit cigar to the now three foot flames on the table beside him, the closest thing he’s done to acknowledge them. He even briefly blows out the flame on his cigar, really trying to draw it out, enjoying the way it makes the older man squirm in his seat. It’s only right considering how much grief he caused trying to hide his secret so long. But if Jimi had taught him anything about Hollywood, is that shit like this don’t stay buried forever. “My manager for some reason can’t leave the country and didn’t want me leavin’ it neither.” 
It's an interesting experience to watch a man go from red in the face to completely white in horror. He opens and closes his mouth in disbelief more than a few times as though god himself will put the words in his mouth to smooth over this misstep. Any doubts Elvis had about the PI’s story melted away with each little tick the man before him made. 
Jimi had taught him what makes for a good and bad actor, and boy oh boy did Parker make for a shitty one: the shifty beady eyes, the nervous tapping on his cane, the constant swallowing and clearing of his throat. 
“So Colonel,” he states with a smoky breath, and no amount of venom missing from his voice for the man that- albeit unintentionally- cost him so much time with his family. “What’s it gonna be?”
The flames are by now as tall as a full grown man, and the fire has now fully engulfed the low table that was once there. All the boys are nervously shifting and shuffling about, wanting to put it out before it can get out of hand, but the hand that Elvis holds toward them keeps them in place, not a single one of them willing to go against him. 
The message is clear to everyone though: give him what he wants or he will burn them all, and not just metaphorically. 
“I-I,” the old man stutters looking down at his feet undoubtedly looking for help even from Hades himself, only to see as an ember finds a new home on his lone client’s pant leg. 
Elvis does not acknowledge this. 
Parker looks back up at him, only now comprehending who the hell he is dealing with. 
“I’ll see what I can do my boy,” he finally answers breathlessly.
“Now that’s what I like to hear, Parker,” he gives an amiable clap to his shoulder before gesturing to the rest to take care of the inferno before them. They’re all in a dead sprint to deal with the fire and Elvis gives his foot a cursory dip in the pool to extinguish the flames creeping up his ankle, before walking away without another word to any of them. 
With the Colonel and everyone else willing to do anything to get back in his good graces, things seem to run a lot smoother now. 
Finding a lawyer willing to handle paternity suits is easy enough in this town, finding one that is willing to fight to establish his status as their father however… practically every lawyer that was consulted said it was near impossible for them to do so without the mother’s consent. Without even knowing who exactly they were meant to be representing they said the whole thing would be a wash if at the end of the day the mother remains obstinate against it, and regardless of any blood tests, no judge would believe that a woman would willingly say no to the support a man like Elvis could offer if it wasn’t the absolute truth that he wasn’t the father. 
Needless to say that Elvis could only rely on the legal route so much. Though he did learn a few interesting things as to what would happen to children if the mother is deemed unfit.
And from there, he begins to cook up a truly awful and perhaps downright evil plan but he knows that the prize is worth the risk.
It’s gonna rely on all of his skills as an actor, and she’s been in the business too long to not know an act when she sees one. But he has one major advantage over Jimi in this department: She already expects the worst from him, so him doing this wouldn’t be a stretch in her eyes.  
Even threatening to dig a little deeper into whether or not they were his, made her pull back even more, she’s not gonna make this easy for him, and part of him doubts he would want it to be so. He knows he’s not without options, and that women would practically tear down the door to be the one to give him babies.
But how can he just let her go? 
Jesse couldn’t be here with him, that’s why he sent her his way. Elvis needed someone who would look out for him no matter what. And with Elena gone, Jimi needed someone to look out for. The two of them fit together like puzzle pieces really.
So he has to be smart about this. Nothing gradual because she will bolt the second she even gets a hint as to what he’s planning. So he takes a step back and allows the PI to learn all he can about her new schedule and what she’s got in the works. 
She’s still working for Paramount, though only barely, as she now apparently only comes in once a week to talk with directors and drop off designs. Though it’s clear this is not for much longer as she’s apparently been tapped by some production company down in Mexico to come work for their wardrobe department. 
It becomes apparent that he needs to work quickly if he wants to pull off his plan, when his request to have her work on his next movie is denied for the simple fact that she is apparently only sticking around Paramount long enough to finish off a few other productions. He’s honestly a little glad for this change, it just means he can put his plan to action a little earlier and they can be together sooner. 
So it’s not even a week after the end of production does he find himself standing in front of her small, new house in East LA. 
Elvis knows his influence on women, and despite what the papers say, he’s tried to use this for good. So when he walks up to Jimi’s door and knock, he does admittedly ham it up with the hand to lean on the door frame and the slightly unkempt hair falling over his forehead, a look he knows would make any woman weak in the knees. Especially a 13 year old babysitter.
The girl (Letty, he’s pretty sure the PI said), seems to be confused more than anything else, uncomprehending as to who stands before her. She’s far from the first or last to have this reaction but it shows that Jimi is playing her cards far too close to her chest that she wouldn’t know why he’s here.  
“This here’s Jimena’s place?” He asks though he already knows the answer from the PI that’s getting paid hourly. 
“Ye-yes,” she stutters, reaching a hand out only to quickly snatch it back as she confirmed he was really here. 
“Perfect,” he grins, and he sees her look down bashfully. “I’m here to pick up the babies.”
This confuses the poor girl even more. “She… didn’t mention that.” Elvis has to hold himself back from telling her she couldn’t keep a father away from his children, but honeys and flies and all that. 
“It’s a bit of a surprise for her.” He answers.
She’s still apparently unsure of herself, as she gives a weak point back inside the house as she says,“I-I think I sh-should ma-maybe call her.”
“How much you gettin’ paid by her?” he asks affably, though a little annoyed at the girl continuing to keep him from his babies.
“Five dollars a day and an autographed picture of Marlon Brando,” she answers, though she looks back down at her feet, as though embarrassed to be talking about another star she preferred in front of him. He doesn’t take it to heart, remembering Jimi complaining how she had more autographs than she knew what to do with.
“How ‘bout this,” he pulls out his wallet. “I’ll give you 50 and get you a personal meeting with Marlon, if you get the lil’ ones ready to come with me for the day and don’t say nothin’ to no one ‘bout whatcha saw today.” 
The teen gapes like a fish at the offer and though Elvis knows it’s good for his plan that she didn’t automatically refuse his proposition, it is nonetheless disheartening that this is the girl Jimi had entrusted his babies to. 
“I-I-I,” she looks at her feet, as though they’ll have the answers for the dilemma. “I don’t think I can let them g-go with a stranger.” she puts a bit more of her weight onto the door fully intending to close it. 
“That’s the best part kid,” he pressed a palm to the door. “I ain’t a stranger to her.” The girl has no idea what kind of danger she’s in, and Elvis attributes that almost solely to Jimi’s influence. What’s a few lies when he knows he would do far worse if she dares to keep him away from his children any longer. 
“Don’t let them papers know this,” he says in a conspiratorial whisper, full well-knowing that’s exactly who she’s gonna go straight to the moment she gets the chance to do so. “Y’see their mama and I… well we been seein’ each other for awhile, and now stubborn women she is, she don’t wanna go no further ‘til I can prove I’m ‘father material’ so I came down here to prove her wrong.” 
She furrows her brow in confusion until her eyes go wide. “Wait… go further? As in…” 
He takes a page out of Jimi’s book and gives a pursed grin while his eyes slide away from her, not even trying to deny her assumptions. Seeing her hold a hand to her mouth to cover her dramatic gasp, Elvis would like to think Jimi would be proud as to see how far his acting abilities have come. 
The girl is apparently all too eager to play cupid as she quickly invites him in with a big grin on her face and ushers him towards a sitting room. Despite how cool he’s playing it he’s a nervous wreck on the inside, feeling like he’s about to walk into a test he knew he didn’t study well enough for. 
But that all disappears the moment he lays eyes on them. 
They can already do so much, he thinks as he watches them play though they don’t notice him,  Mireya holding a whole baby conversation with her stuffed animals in between trying to feed them dry cheerios while Alejandro is making little humming noises around the pacifier in his mouth as he crawls to drive his little fire truck around. Eventually the tiny boy drove the toy straight into Elvis’ foot. 
The small boy looks up at the new figure, and with the way he looks at him, Elvis doubts he remembers him. So he tries not to take it too personally when the boy silently gets up and scrambles behind one of the couches, only to then peek over the corner, as though to make sure he’s still there. 
“Ale, Mimi, come say hi,” the young teen says in a soft voice before she turns around and leaves him alone with them. Those names feel much more fitting of the small babies he’s pictured in his head, and even more fitting as he leans against the door frame of the little sitting room.
Mimi almost immediately begins to toddle over to him with a little stuffed doggy tucked underneath her arm. She looks at him and again there is not an ounce of recognition in her eyes as she merely approaches him wraps her arms around one of his shins before immediately going back to her toys. 
So much for the instant connection he was hoping to have with them, but he tries not to get too discouraged with this as he approaches. He crouches down next to his daughter and picks up a stuffed monkey and uses it to tickle her neck a little, and that has her shrieking in delight.
This does seem to settle Ale somewhat as he slowly comes from behind the couch to watch the two of them. Though he plops down right between them with his engine in tow and gives a wary look toward Elvis as though he means to act as her protector. He didn’t know it was possible to have a skeptical look while sucking on a pacifier, but his son somehow manages to do just that.
Elvis notices something in the boy's front overall pocket and when he reaches a hand to investigate it, his son is quick to react with an overhead swat to the intruding hand. Elvis can’t help but laugh at how very Jimi that reaction is. 
Before he knows it the bags are all packed and it’s time to go. Ale looks more confused than scared as Elvis picks him up with his wide brown eyes, while Mimi on the other hand is in awe of being so high up and she immediately starts trying to reach for things that he thinks would usually be out of reach when held by her mama. 
In the last few days he’s had ample time to imagine what exactly it would feel like to hold them in his arms, but all of it pales in comparison to the phenomena of the experience. Elvis is a man that has dabbled in many pleasures over the years yet all of that pales in comparison to just the utter rightness of this moment. 
It’s an indescribable, euphoric feeling that makes him never want to let go of either of them, even if one is seeming indifferent to him while the other tries to squirm out of his grasp.
He had been prepared to sneak out the back with them or pass them out the window to Jerry before sneaking to the car, hell he contemplated that he would even have to simply grab them and run. He never in a million years would’ve imagined it was as easy as scooping them both up in his arms and taking a brisk walk out the front door to the car while the babysitter hands over a baby bag to him. 
The fact that it was so easy was just further proof that he needed to get them out of there. What if it had been some crazy man that came in today and not him that took them? 
“E.P. What the fuck?” Jerry asks, more tired than confused. 
“Let’s get goin’ already.” 
The car ride gives him some time to truly appreciate how beautiful his babies are.  
Mimi has Jimi’s thick dark hair and her pouty lips, and those coupled with the cornflower blue gaze that came from him, he can already hear the heart's (and the kneecaps, Elvis will personally see to it) breaking across the country. And where Ale seems almost his exact copy, he can see Jimena’s touches here and there with the way his hair curls or the slight upturn of his nose. Truly it would be a crime to deprive the world of more pretty children like these two. 
Mimi in turn seems to also be fascinated by his face, and he takes a few playful nibbles that has her squealing in delight. Though she does lose a bit of interest in him as the car starts and she gets to see the world around her rush past her. She makes sure to point out every animal she sees whether it be a dog, a cat, or even a squirrel, and Elvis finds himself enjoying every moment of it as it feels like he’s looking at this whole city through a new lens.
“Mida, mida,” she squeals in her tiny voice as she points to a bird. “pajado!”
Ale on the other hand is just looking up at him owl-eyed, too in shock as to what’s going on around to look at anything but at his father. He clutches on to his little firetruck like a shield still unsure of this whole thing but Elvis takes it as a small victory that he isn’t balling his eyes out. Elvis resorts to trying to make faces at him to get him to crack even a little though it becomes apparent that what this kid lacks in looks from his mother, he more than makes up for by having her personality, as he barely twitches at any face. Granted it is hard to tell around the pacifier he refuses to part with. 
Jerry remains blessedly quiet for the rest of the car trip though Elvis doesn’t miss the occasional stolen glance from his young friend. The man -boy, really- had initially been on the side of letting sleeping dogs lie, and now Elvis pushes down the petty urge to hold up his own son to his face and have him try to deny his own image. 
Elvis’ living room could honestly give Santa's workshop a run for his money with the sheer amount of toys and playthings that occupy it now. All his boys had apparently been working overtime trying to make Elvis forget how skeptical they had been in his beliefs, and trying to worm their way back into his good graces. 
His daughter practically dives headfirst into the large pile of stuffed animals to be had, meanwhile his son stands in the middle of a treasure trove of toys, his red engine hanging limply from his hand, practically overwhelmed by choice. He eventually does settle on a set of blocks that he takes to stacking up only to ram his truck into the makeshift tower. Elvis can’t help the chest swelling contentment he feels in that moment seeing his babies love their new home so much.
He hardly sees anybody else all day, and he’s glad for it. He didn’t want any of them sticking around too long, as this was his chance to bond with his babies properly, and he didn’t need any of them to distract them. Aside from the occasional maid coming in to bring snacks or to change a dirty diaper, he gets an entire uninterrupted afternoon with the two. 
Mimi was so eager to play with him and show him all of her little toys, with her favorites being the little stuffed dog she hadn’t let go of, it’s neck floppy as she clutched it in her tiny baby hand. 
Ale thinks he’s subtle as he eyeballs Elvis most of the afternoon. He is not. He all but gapes at him when he thinks he’s not looking, only to turn around and try his darndest to look very busy with his blocks or cars when Elvis looks over to him. 
He tries to approach the toddler, only for the boy to rebuff him each and every time by shuffling to the opposite end of the room, and setting up shop there. Elvis has to remind himself to be patient, knowing that his son is handling being in a new strange place with a man he only barely knows better than most kids would so he has to let the boy approach him first. 
He could tell just by the way he watched Mimi like a hawk, that he was the older of the two, the same way Jimi always said she was with her sister. His weary attitude towards him only began to thaw out when Mimi stumbled over a block, somewhat able to catch herself on her hands but that doesn’t prevent her from still hitting her little forehead on the carpeted floor. Immediately father and son are at her side to comfort the wailing girl, Elvis crouching down to pick her up and rubbing her back, trying to imitate the few times he’d seen mothers do this, while Ale not fully understanding what’s wrong with her, only to tries to climb his father to try to take the girl in his own little arms and rest his head on her back. 
After a few more tears and she had been allowed to thoroughly ruin his shirt, Mimi was able to calm down and go back to playing as usual. Ale seems to only then realize that he had gotten close to his father, and nothing bad had happened, so blessedly he doesn’t seem entirely too opposed to his presence anymore. 
The only major hiccup of the entire evening was when Ale had entrusted Elvis with his most treasured toy. Elvis almost burst into tears when his son had reached into the front pocket of his overalls to pull out a small matchbox car, one that appeared to have been red at one point but had since faded into a light pink. 
This coupled with Mimi’s favorite stuffed toy being a stuffed beagle… Elvis is not one to just name anything as signs from God, but those two together had to mean something.
And it’s frustrating to say the least that Jimi refuses to see this. 
The twins begin to wind down around the evening, with full bellies and comfy pajamas on it’s not too long before Mimi practically falls asleep where she was playing, her little bottom in the air as she drooled all over her little blue doggy that now acts as a pillow.
Ale is far more stubborn about the whole thing, refusing to sleep even as he jealously looks over to his sister before stubbornly rubbing at his dark eyes and continuing to play with his toy cars. 
“Don’t go down so easy now do ya’ son?” Elvis says as though he’s actually commiserating over his miserable sleep with a friend and not his toddler son. “You get that from me,” The boy at the very least now tolerates him being so close, but Elvis isn’t going to try to push it by picking him up. Instead he would gently pick up his daughter and hold her in one arm, while offering the other to his son, a clear invitation to the boy.
In spite of all his mulishness, Ale does eventually give in and makes little grabby hands signaling he wants to be picked up, and Elvis does admittedly melt a little at the sight. He’s quick to accept the invitation and picks the little boy up and takes them upstairs. 
The nursery room as of right now is pretty barebones, having had to rearrange many things in the house, so as to make it a home for his family. But he thinks his boys managed to at least get the essentials with a crib and a rocking chair, and he figures that they can build from there. 
The experience of not just holding his children at the same time but of actually getting to do the fatherly thing of singing them to sleep is incomparable to anything he’s ever had the chance to experience. Something so new, yet at the same time feeling like his whole life was leading up to this point. Mimi’s already asleep and he knows better than to wake a sleeping baby, so he sets her down in the crib first before sitting down in the rocking chair with his son in tow. Elvis admittedly doesn’t have a wide knowledge of lullabies, and he briefly panics for a moment until remembering the one he’s performed maybe a dozen times in the last few months.
They call your daddy Big Boots
And Big Boots is his name
It takes a big man to wear big boots
That's your daddy's claim to fame
It feels only appropriate to sing this to his own son, and in a way he’s glad that he performed this before meeting either of them. He doubted he would’ve been able to keep it together singing this to any other child now, knowing they were out there. Much to his relief, Ale eases up a little on his chest, resting his chin on his arms to better look at his father, not so defensive anymore. 
Gonna tell you a little secret
You won't believe it's true
Did you know your daddy, Big Boots
Once wore little boots like you
Ale for the first time today removes his pacifier from his mouth and presses his tiny hand to Elvis mouth, seemingly entranced by the music leaving it and unbelieving that this is coming from a man and not a radio. 
But where he was barely keeping it together while singing, Elvis can’t help his reaction when Ale lets out a soft little “daaa…” 
His throat seems to close up and he has to blink away a few tears, but that doesn’t lessen the grin on his face. “Th-that’s right son,” he breathes, through quivering lips, pressing a kiss to his forehead. “I’m your daddy.”
Something about that statement seems to settle something in the boy, as he finally puts his head on his chest and his breathing seems to even out. It’s as though he had been the ever vigilant man of the house. But now knowing that his daddy was home, he can finally lay his head down and rest. 
Eventually he has to put him down once he sees Mimi start to fuss in her sleep, waving an arm around and grasping for something, but she quickly relaxes once her brother is within her grasp. 
Elvis sits to watch them for a time, they’re simply so hypnotic to observe. The way they breathe in tandem and seem to gravitate toward each other, in a world of their own right now. It makes him wistful for the brother he never got to know. But wherever his brother may be right now, he feels joy that he can carry out his will and finally have a whole family once more.  
One look out at the sun setting and the clouds rolling outside his windows, he knows it won’t be too long before she arrives. He wants to be able to relax but he knows he won’t be able to until all of his family is under his roof. But he knows her well enough, to know she’ll be home soon. 
Finally he sees an unfamiliar pair of headlights shine behind the gates, before coming to a screeching halt and a familiar silhouette stands in front of the lights, to give a futile shake at the front gate. He can imagine she’s yelling to be let in, even muffled through the patter of the rain starting to really come down and the thunder rolling in the distance, he can just barely make out her voice. 
He sees Lamar unlock the gate for her, but the moment his guard is let down she takes off running towards the front, which is when Elvis takes this as his cue to start heading down to meet her. 
She was in no way prepared for this weather if her near see-through white blouse was anything to go by. Her makeup is running slightly, streaking down her cheeks making it impossible to figure out if it was rain or tears running down her face. All fury and passion, just like he loves her. 
She angrily stomps past him, still trying to ignore him only for him to block her with his full body.
“How many times?” she grits out. “How many times must I turn you away?”
“I don’t know darlin’,” he whispers in a just as low voice. “As many times as it takes ‘til you figure out I ain’t goin’ nowhere.”
“Cut the crap Elvis!” she shouts. “Where are they!?”
He responds with a single finger to his smirking lips. “If you wake ‘em, you gotta put ‘em down again.”
This immediately has her try to run past him towards the bedrooms, but he catches her in one arm over her waist and he sits her on the dining room table, sure to plant his hands on her knees so she doesn’t get any ideas. 
“That’s enough Elvis,” she tries to rip his hands away from her. The way she’s all clenched up, lets him know that she would scream at him if it were an option. “You’ve had your fun, now just let us go.” 
He just further smirks. “Y’know after all the things I learned ‘bout the last two years for you, I kept askin’ myself one thang,” he says pushing himself off the table to stalk towards her. “‘Why the hell is she still here?’”
Her jaw clenches tight at this, unwilling to meet his eyes. “I had to do what I had to do to support My babies.”
“Considerin’ what my guy dug up,” he starts making his way towards the table that has had her whole life laid out upon it. “You coulda worked anywhere else and left Hollywood behind a long time ago.” The heavy clench of her jaw and the daggers in her eyes tell him he’s getting close to the bullseye. “No,” he says, holding her chin between his fingers. “You stayed cuz you was waitin’ for me to get back.”
This infuriates her and she gives him a good shove, but he’s no longer in the mood to indulge her little tantrum so he stays put. 
“Is that what you wanna fucking hear Elvis, then fine! They’re yours!” she shouts, a bit of a tremble in her voice. “Are you happy now? Will it help you sleep better at night knowing they’re yours? ”
“I’ll sleep better knowin’ they’re under my roof.”
She freezes at this admission. “What the hell are you talking about?”
“I’m talkin’ ‘bout the fact that you and the little ones are gonna be movin’ in with me.”
The silence that passes is near deafening and he gets the pleasure of seeing the reality of the situation set in in her face. She gives a short mirthless but undoubtedly forced laugh but there’s no denying the fear in her eyes. 
Good.
After all, she was the one that wanted this when she wanted so badly to make him a villain in this. He’s not, he’s a father. 
“All this time, I thought you were stupid,” she says, that sardonic, slightly scared, laugh still laced in her tone. “Turns out you’re just fucking crazy.” Anybody else he would’ve been offended, but he lets her barbs slide right off his back, because truly words are all that she has left anymore. He’ll let her have them. “In what world do you think this is gonna play out like you want it?”
He gives a soft smile and raises a hand to take her chin, only for her to quickly smack it away. 
“The world the studio pays for.” 
She gives a derisive snort, “And you think they’re gonna pay for you to ruin your image.”
He simply smirks at her, finding her ignorance cute. For all that she knows how to work the system, he understands how the system works. More importantly he understands that the system works for him. His only direct response is to slide her the papers his people drafted up for him.
“What the fuck are these?” she asks, her voice lower, trying to mask her genuine confusion.
“That there is the copy of the marriage license ‘you’” he uses air quotes, “signed six hours ago, and an officiant from the studio officially signed off on these.”
“I-I don’t understand,” she says, her voice smaller than he’s ever heard from her.
“Now Jimi let me tell you two stories, only one of ‘em’s gonna be in tomorrow’s paper,” he says, gently rubbing her cheek that she quickly slaps away. He retaliates just as swiftly with his hand splayed across her collarbone to lay her back on to the large dining table, just below the neck, not enough to choke her, but just enough to remind her who the fucking man of this house is. “One is how I went and got married to a single-mother of twins and I adopted them as my own.”
“I would neve-”
“Or…” he cuts in as he puts a little more pressure on her neck. “And this one is the one the studio prefers… I marry some random girl they pick out for me and we end up adopting two poor little orphans, ‘cause their mama decided to run off to Mexico in the middle of the night.”
Almost like he planned it, he can hear the thunder roll in the distance as the threat hangs in the air. In his heart he knows he would never go through with this, but Jimi doesn’t have to know. 
All the anger drops from her face at that moment, in its place he sees something he’s never seen in her eyes: bold-faced fear. She showed her hand the other day when she told him why she wanted to keep the secret. He didn’t want to have to do this to her, but if it’s between having her fear him and staying with him vs not and her walking away, he will pick fear every single time. 
He needs them in his life.
He needs her in his life. 
“So you choose darlin’, which ones it gonna be,” he takes her chin between his fingers. She flinches slightly but knows she’s in no position to turn away from him now. “Either way… they’re comin’ with me.” 
Elvis is not a gambling man, and he wouldn’t do this unless he knew what her answer was gonna be. She’s just as crazy for family as he is, she wouldn’t be able to handle not being able to have them. She’s probably the only one who is capable of understanding what he would do for those two as he has no doubt that she wouldn’t do the same in his shoes. 
But between the two of them, only one of them had an entire studio willing to do whatever it takes to protect his image, no matter the expense. 
And for all her worldliness and experience, she knows full well what happens when you get on the wrong side of the studios. She spent the better part of two years trying to prevent them from learning this, because making her disappear and having her babies get lost in the system would have been nothing to them. 
He’s proud of her ability to successfully keep her and their babies alive in his absence, but he’s over her needlessly defiant nature to insist that they’ll never need him again.
He wouldn’t say he’s proud to see that defeated look in her eyes, but he does get the sense of relief knowing that he’s not going to lose anymore family today. 
“Let me see them,” she whispers, barely audible over the rainfall just outside the window. He wraps an arm around her shoulders and he’s practically giddy that she didn’t try to stop him. 
He finds them just where he left them, sleeping soundly knowing that their father is here to protect them, even from their mothers stubbornness. Ale is spread out like a starfish, one foot continually nudging his sister, while one hand is tightly balled up and a thumb in his mouth. Mimi on the other hand is squirming a bit, her little sock covered feet restlessly kicking at the blanket and her brow furrowed in her sleep. On pure instinct alone Elvis rubs a soothing hand on her belly until she’s calmed down enough and he quickly tucks her back in. 
The look of surprise on her face wasn’t part of the plan but is welcome nonetheless. “Y’see how important a daddy is sweetheart?” he whispers into her ear. 
He doesn’t exactly love the tears now freely falling out of her eyes, but he 
“I’ll stay,” she whispers, through her tears. “I’m staying for them.” She asserts but the words feel so hollow now. Even still he rewards her acquiescence with a kiss, more for himself and having been so patient for her. 
Even with her promises to stay now he knows that this is far from over. He knows that the next time she has them both in her arms is gonna be the next time she makes a break for it. He’s already let everybody know to never leave her alone with them, and he’s got some things in the works to make sure to make her face as recognizable as his own so she doesn’t get any ideas of trying to disappear. He’s even got a hail mary plan in his back pocket to deal with that doctor just in case he ever needs something big to keep her at his side.
But one thing he can absolutely do right now is work to get another baby in her so running won’t be so easy next time. A message she gets loud and clear the moment he works the zipper of her skirt down the mouth-watering curve of her ass. 
“Elvis please,” she half-heartedly bats away his hands. “Not tonight…” 
He’s been on a winning streak of getting exactly what he wants lately, and he’s not about to let her break that. He backs her against the wall of the hallway only to then nestle himself between her legs.
“C’mon baby,” he whispers in her ear, and he’s glad he can still get that same shuddering reaction from her, he remembers all too well. “It’s our weddin’ night and we gotta get to work makin’ it all official. ‘Sides you owe me more babies for keepin’ ‘em away so long.” 
He can’t help but be reminded of that beach fantasy he had not too long ago and while he would love to make that into a reality, he figures that he at the very least owes her more than a dirty quickie in the hallway for their wedding night. 
Besides, they'll have all the time for that in Hawaii.
So instead he opts for the classic groom move of lifting her up in his arms and carrying her into his -now their- bedroom. He doesn’t care none to be gentle with her clothes, she’ll be lucky if he cares to be gentle with her tonight after all the shit she’s put him through. 
Ever the contrarian, she obstinately looks out the window and looks as though she wishes to be anywhere else right now as he peels the wet clothes off of her body. He’s been half-hard since she walked through his door, but little Elvis stands at full attention now that he can behold his wife fully. He finds the cosmetic differences that having his children has caused her body, with the near invisible stripes he feels on her belly and her temptingly darker nipples, but what he sees first and foremost in her body is his future. 
That world-shattering knowledge that she will be where all of his seed is planted and he will never have to suffer being alone again. He has to push these thoughts aside lest he spill all over her belly like a green boy, and he has to remind himself that there’s no need to rush anymore now that he has her beneath him. 
He has to temper himself before he gets ahead of himself so he spreads her legs to dive head first for her pussy. 
He knows he has her when a simple kiss to her clit has her clenching her thighs over his ears. While it’s with reluctant acceptance does he acknowledge he wasn’t her first, he takes great pleasure knowing that he’ll be her last. It was frankly insane to believe that no one had ever done this to her before, as after he had gotten his first taste of her there was little else he wanted to do more than this. 
He remembers joking with her that he now understood where her womanly sweetness went given the lack of it in her personality. It’s true nonetheless, arguably she tastes even better than he remembers. Though he imagines it’s the same way a man dying of thirst calling his first sip of water the sweetest taste, considering how much he’s pined for her. 
Now that he’s been able to ensure she’s sufficiently wet enough he lets her hips fall back on to the bed, as he unbuckles himself, unwilling to waste another moment to undress himself, so that he can once more feel that connection he almost lost.  
Finally being able to slip into her feels like finally coming home, there’s truly no other way to describe it. He didn’t even get this feeling when he walked through the threshold of Graceland. 
“Elvis,” she sobs into his shoulder. For all the love she claims to have lost for him, her body has certainly not forgotten as he feels her thighs clench tightly around his hips, trying to keep him as close as possible. 
He quickly grabs a hold of the back of her knees and he forces them all the way back practically to her ribs. Her pleasured and shocked cries ring out though the room as her new position gives him a new angle to work with. He’s a man on a mission to ensure that he leaves a mark so deep that she’ll never be able to leave again. 
Forever, and just that thought alone has him frantically bucking into her over and over ripping her away from one orgasm to yet another as he chases his peak. One of the many he would have in that night alone, to try to make up for all the lost time. 
Once it’s all said and done and he’s sufficiently satisfied that her sleepiness isn’t being feigned, he carries her back to the bed properly so that she can rest and be ready to be the perfect mother for their two (hopefully more) little ones tomorrow. He wraps an arm around her, knowing how slippery she can be, and he rests easy knowing she’ll be there come morning.
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hyperfixatedfandomer · 9 months
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Been seeing some Neytiri defender takes flying around recently and the sentiment I don’t get is the way people will outright ignore a factor called the passage of time.
One specific person said that the reason Neytiri accepted Jake is because she personally taught him the Na’vi values and watched him change. Do I agree with that? Yes! Totally! What I don’t get is why the fact that Spider is literally adopted by her four kids and learned the Na’vi culture since diapers gets so often ignored. The post I’m referencing went a completely left direction afterwards so it doesn’t seem like they really get the line of Spider defender thinking here.
Neytiri doesn’t need to teach Spider, because he has already learned all there is to be about living by Eywa’s teachings as far as we were told, that is kind of his whole schtick. Even Jake mentions that in some ways Spider is more Na’vi than he’ll ever be, as he got naturally integrated into the culture by his siblings from a very young age and was never influenced by different views. He literally sees the world the way Na’vi do, and although it’s subtle (since we don’t get to see Spider preach about it how Neytiri did in A1), we can see it in the way he gets terrified when the barrel of a gun is pointed to Tau’nui Tsahik’s head, or the way he screams his lungs out when an innocent ilu is murdered, or the way he sheds tears for a mother tulkun, and how put off he is by the fact that so much of her meat is wasted instead of being put to good use. (which is a core Na’vi belief by the way, a belief that nothing should be wasted. A belief that there can be no empty kill.)
The reason Spider defenders (myself included) get mad at her is because he spent his entire life on Pandora, only ever participated in the Na’vi culture (since humans couldn’t give less of a shit and the kids just kinda took him in), yet despite it being 15 years after the catastrophe, she can’t muster enough sympathy to let him be.
No one is asking her to sweep the boy off his feet and carry him into the sunset, but after one and a half decade she had got to at least come to an understanding with him.
I do believe that Spider has a special responsibility as the descendant of a war criminal, and that is to honour the fallen of who he considers as his people, and live his life among Na’vi in a way that pays said fallen respect, which he does through fierce loyalty, taking traditions as seriously as he can without a neural whip and gathering all knowledge he can on the flora/fauna, which seems to be his special interest. What he isn’t responsible for, is making himself small or invisible because a full-grown adult can’t cope with their trauma. NOT MOVE ON OR GET OVER IT, but at least cope with it to a level where she can handle the idea of Spider staying permanently and not be on edge whenever he’s around. She is 35, she should be able to separate Spider from his ancestry, see him as his own person and judge him based off of his actions and his actions only. All she did in the comics so far was blow things out of proportion and blame him for everything because blood-thirst in humans is genetic apparently. 😐
She could accept Jake, who wasn’t Na’vi until 22, while the kid has been around for a whole 15 years yet when his shitty, neglected foster guardian tries forcing him to go back to Earth she thinks it totally logical for Spider to disappear into a completely alien (to him) world, with values that he could never in his life align with.
She is in the wrong. She is flawed for it. But, as that referenced post mentioned she is going to develop as the movies go, and I hope she will. Subsequently, I how we get to see Spider interact with the culture more because so far, as I said, it has been extremely subtle, which led many viewers to believe that the either doesn’t care or doesn’t know about them.
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mortal-kombat-1 · 3 months
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what is your opinion on johnny cage's character?
Oh boy, this took me a good bit to think on and type out, lmao. Like, would have it all ready to post then think of something else to add. Thank you draft option 🙏
Overall, I think he's more complex than a lot of folks make him out to be. Yeah, its really easy to just think he's the comedic relief only when the game(s) kinda lead you to believe that. You can't really judge him based on one timeline since the plots/stories keep changing with each game (even if you add in the comics and movies). There's no connecting the dots when it comes to MK lore, lol. You gotta be fairly new to the franchise to think otherwise if I'm being very honest.
But given this blog is primarily MK1 Johnny, that's the timeline/version I'll jot my thoughts out for.
He's obviously not a parent in this timeline unlike 10 and 11, so we can scratch even mentioning that. But, he's once again married, not to Sonya but to Cris. Even so, his ego, money spending and his need to be the prime center of attention gets the better of him causing things to sour in his marriage. Of course ending in divorce. I won't stick up for him, he has his flaws, Cris was definitely in the right to divorce 'em. She deserved to be treated better. I'm not saying the man didn't care for her, it was pretty damn obvious that he did. He's very protective and regrets how he's done her -- he made that clear in a couple of intro's. I really felt like he got into the movie business not only because it was something he always wanted to do, but to make a better life for the both of them at some point, but I think he kinda let it all get to his head and let slip away the reason he was initially doing it all for. So in short: He's gotta take responsibility for his own actions. Nobody else is to blame but himself. But even with that being said, he struggled, obviously an alcoholic -- he's mentioned recovery to Ashrah in one of their intro's; though I'm really convinced he started drinking to forget about certain details of his past... and maybe stress because Hollywood. We don't really get enough information on his childhood other than whats mentioned in intro's with other characters. And even then, they never really seem good nor happy. So I like to think his need to be a people pleaser really stems from his parents. That is in no way me trying to make an excuse for his character, though. The man isn't a child/teen, and I've seen people on here and elsewhere, thinking he's in his 20's or early 30's. And after going through some of the files in the game, a lot of the things he's won or collected were from the 90's -- awards being more specific. So I tend to say he's in his early 40's at the youngest. Also, he's mentioned getting someone younger to take on his role so yeah.
I like how even though others might find his tactics and odd sense of humor (which happens 99% at the wrong time) annoying, they still want him there. And he knows that, the damn smirking gives it away. Does he mature in any way in this timeline -- eventually, but I wouldn't say he's changed completely or he wouldn't be Johnny Cage. I'd say he finally realized there's more to life than money and fame when you got the right people surrounding you, and he gets that by the time the game ends.
Also, that damn boopable nose... they ever change that I'm gonna riot.
I could keep going on about this idiot, but I gotta stop there or I will never shut up sdfghjkl;. It's one of those "I see so much of myself in this character and I'm gonna glue myself to them" type of thing.
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writermai05 · 26 days
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Arsonist's Lullabye
Chapter 5: Life’s distractions 
Summary: The gang gets together to watch Toph's power disc game!
Pairing: Zuko x fem! reader (Live Action or Animated) 
A/N: Not gonna lie, I only skimmed over this to review. We die like men. Anyways, I wonder what will happen next! (Not actually though, as I already have it planned out LOL) As always feel free to leave comments or constructive feedback, as it helps me grow. 
Word Count: 1,692
Disclaimer: I do not own the rights to Avatar: The Last Airbender, I am merely a nerd who hyperfixates a lot. Lots of divergence from the canon story lol. 
Warnings !: None I think. 
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The excitement in the atmosphere sent a buzz down your spine. 
The bus to the power disc arena was pretty short, 10 minutes at the most. Katara had insisted on doing your makeup for the festivities. Aang and Sokka had gotten custom varsity jackets with Toph’s jersey number, 1. You remembered the day at lunch, a mere matter of days ago, in which Sokka had tried guessing Toph’s number, without any success. 
“It’s 1! Man, you suck at guessing.” Toph exclaimed. 
“What!? That’s not reserved for like, the captain of the team, or whatever?”
“No, Sokka. Jersey numbers are so that the announcers can know who’s playing. They’re not based on who’s the best. I chose my own number.”
“So why did you pick one?” Aang asked. 
Toph shrugged, lifting her chin. “Because I’m the best, obviously.” 
You and Katara had packed bags full, just in case anything happened. You didn’t really need half of the things, (in what world would you need sunscreen in fall?), but you never were the type to come unprepared, even for fun school events like this one. You chose a spot under the shaded area of the bleachers, saving seats for the others who would join shortly. Sokka said that Suki and a couple of her friends would be joining them after the band and color guard performed, and Aang had mentioned something in passing about another one of his friends sitting with the group as well. 
You sat on the end, bag saving a little extra space, Aang and Katara on your left. Sokka sat in the row below, legs on the metal seats as well. You basked in the warmth while you could, as the cool autumn air was sure to take over eventually. The band was warming up on the other side of the arena, and if you looked closely enough, you could see Suki in the Kyoshi warrior garb. 
“When is your friend coming, Aang?” you had asked inquisitively. 
The look on Aang’s face was almost unreadable. He looked apprehensive, maybe a little bashful?
“He’s almost here…” Weird, vague, answer. But hey, who were you to judge?
“Alright…Well, I wanted to get some snacks. Anyone want to come?”
Katara shot up, placing her bag down. “I’ll go! We need to get the good stuff, because Sokka always insists on getting cotton candy, and I would much rather get some seaweed cookies.” 
“Cotton candy is good!” You grimaced at the thought. Wind and some overpriced sugar on a stick was not a great pairing. 
“I’m gonna have to agree with Katara on this one.” 
“Y/n, You always agree with Katara-”
“As she should!” Katara responded, taking your arm in hers, and dragging you down the stairs of the bleachers to the food stalls. 
The pair of you giggled as you waited for your food. There was something about Katara that had such a magnetic pull. Like as if she herself was a force of nature, and not in a water bending master kind of way. Katara’s kindness was like the gentle spray of salt water, refreshing, and uplifting to the one’s around her. With the dichotomy of this passionate, sassy, woman, combined with the kind and motherly girl, you had become quite fond of her in the short amount of time. 
Grabbing your seaweed cookies, you made your way back to your spot, but not before Katara halted in her tracks. 
“What is he doing here?” She had asked, but not before storming off, straight where you guys sat. It took you a second to see what she had seen. Squinting in the direction of your spots, you saw Aang, Sokka, and a familiar boy with jet black hair, in a black bomber jacket, red sweater, and black jeans. Zuko.
~
Zuko called it. This was indeed a bad idea. 
“What are you doing here?” Sokka had asked, standing up straight.
“Sokka it’s okay-”
“No Aang! It’s not okay. Why are you here?”
“Sokka, I invited him here!” 
“You what?” Sokka cried out. 
Zuko turned to face Aang. “You didn’t tell anyone I’d be coming?” He asked, exasperated. 
Zuko felt a hand grab his shoulder, turning his body away from the other boys. 
“Why are you talking to us?” asked Katara. 
“I Invited him!” 
“Why??” She seethed. 
In the distance, he watched as Y/n ran, seemingly carrying a bag of what he assumed were snacks. 
“Maybe I should just go-”
“Yes!” “No!” Aang and Katara exclaimed at the same time. 
Y/n finally made it back to the bleachers. Out of breath, and still holding the snacks. 
“Hey guys! Maybe we should work this out a little quieter, preferably before the band plays.” She huffed out. Zuko almost smiled at the sight of her, all red in the face. 
Katara puffed out a breath of annoyance, taking her seat beside Aang once again. Sokka followed suit, sitting down and turning his body to face them. Y/n handed the cookies off to Aang, sitting down. Like she had done before in class, Y/n moved her bag away from next to her, instead placing it on the ground in front of her, patting the now empty spot and signaling for him to take a seat next to her.  Zuko breathed in, in an attempt to calm himself down. 
“I know I was a dick in the past. And I know saying sorry won’t fix it all. But, I wanted to let you all know how sorry I am…start somewhere small.” He looked down, rubbing his rough hands together anxiously. 
The silence was palpable. 
“He already apologized to me. I invited him so that we could hopefully move past everything.” Aang said. 
Sokka sighed. “Look, if Aang is cool with you, then I guess it’s fine. That doesn’t mean I’m going to just, like you right away.”
“I understand.” 
Katara stayed silent, staring at Zuko with a cold gaze. She turned away, facing the field. 
“The band is about to perform.” She muttered. 
Immediately, all attention was off of Zuko and onto the field. The music of the band blasting through the air. The way that the color guard spun and threw their fans was hypnotizing. Zuko’s mind was elsewhere, drifting away. The far away look in his eyes coming back as he dissociated. Before he knew it the band was done, and the crowd was cheering, roaring in approval of their show.
Suddenly Zuko felt the warmth of someone’s touch in his left hand. He looked down as you squeezed his hand, a silent questioning of “Are you okay?” Your eyes were locked on the retreating members of the university band. He squeezed back twice. “I’m okay.” He had meant in reply. While he kept his gaze downcast, you looked out of the corner of your eye to check on him. The scars on his hand that you had felt before were like sunshine warming your palms with its embrace. You let go shortly after, not in any rush. 
As the band and color guard members came into the stands you spotted Suki, still in uniform, but all makeup wiped off. Behind her stood a shorter girl with long hair put up in a braided ponytail, and a girl who was not in uniform with jet black hair in space buns, and a normal black sweater and jeans
“Suki! That was amazing!” You called out to her. Sokka immediately jumped up from his seat, wrapping his arms around his girlfriend in a giddy, almost childlike way. He littered her face with many pecks, making Suki smile. She gently grabbed his face, kissing his cheek. 
“Thank you, Y/n. These are my friends, Ty Lee and Mai. Ty Lee and I are both in the colorguard but Mai plays clarinet in the marching band.” 
Zuko’s reverie came to an end at the familiar names. He looked up to face the two girls in which he once knew. 
“Zuko? Is that you?” Ty Lee asked, eyes widening in excitement. Mai simply raised her eyebrows. 
The gang turned to look at the three of them.
This was going to be a long game. 
~
It was kind of funny how you all know nothing about sports. Especially power disc, as nobody was aware of the fact that only two people at a time would be playing. As you all waited for Toph’s turn to play, the gang took turns asking questions and genuinely getting 
“So how do you guys know each other?” Suki asked curiously.
“We all grew up in Imperial City. Mai’s father and Zuko’s father worked together, and I went to school with Mai and Zuko’s sister.” Ty Lee responded. 
Zuko perked up when he heard the name of his little sister. 
“How is Azula?” He asked. 
Azula? As in Azula from your sociology lectures Azula? Maybe it was just a coincidence. 
“Yeah..She’s-”
“We haven’t spoken to her since senior year.” Mai interrupted. 
“Oh. Why?’ Zuko asked. He was confused, considering the three of them were attached at the hip when he was still living in the fire nation. 
“Well, you know, she can be a little abrasive-”
“She was being a bad friend. Constantly berating Ty Lee, and I had enough of her stuck-up bullshit.”
Okay, so perhaps it was indeed the Azula from your class. But why would Zuko not know details about his own sister? Why wouldn’t he know that they literally go to the same university?
“Next up on the field we have player number 1, Toph Beifong from the University of Ba Sing Se!” 
“Wait, everyone Shut up! It’s Toph’s turn to play now!” Katara exclaimed. Everyone quickly hushed up, waiting excitedly for Toph to come out. 
Although they were excited to watch Toph play, questions filled you and Zuko’s heads. Where is Azula? Is she okay now? If Zuko Mai, and Ty Lee grew up together then do they know what happened to him? Why did he move away? How did he get that damn scar?
As Toph absolutely dominated her opponent in the round of power disc, You and Zuko were left with more questions unanswered. 
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About you last post, I think a reason why the show took such a weird and concerning direction of Adrien having this therapy role, I don‘t really believe that the writers take Marinette‘s PTSD serious (at least outside of derision). The whole show her „weirdness“ was played off as comedy (TA said so himself in a tweet a while back) and the phone call scene you were describing also had vibes of making Mari look quirky like „haha look she still can‘t be normal about her bf“.
The worst part is that I feel like the writers could actually write good mental health representation but only when the plot demands it. Adrien being visibly depressed in s4? Makes for good drama. Adrien forgetting all his problems after he gets with Mari? Well duh love solves everything. Marinette having a panic attack? Makes the scene where she looses the miraculous more intense. Almost every other instant of her panicking? Hehe funny.
The whole show her "weirdness“ was played off as comedy (TA said so himself in a tweet a while back)
Oh, her weirdness was absolutely supposed to be read as comedic pre-Derision. I never consider those jokes funny, but they were very clearly jokes. In fact, it always weirded me out when people took her actions seriously because those people never applied that logic to the other absurdist humor used in the show.
My go-to example is Party Crasher. If you're up in arms about Marinette being a "stalker", but aren't equally or even more concerned by a bunch of adult men just randomly showing up to hang out with a group of 14-year-olds, then maybe you're holding the teenage girl to an unreasonable standard and ignoring the fact that she's written by a bunch of adult men who clearly think that teenage girls act like fangirls around their real-life crushes.
Marinette is not a real person. She's a character in an absurdist romantic comedy aimed at kids. Her actions have to be judged in that light if you want to make any sort of good-faith analysis.
The problem is Derision and the choice to make all of Marinette's Adrien-based-behavior a PTSD response. Once you go that route, the absurdist humor excuse is dead in the water.
Absurdist humor is all about making things so ridiculous that you can't take them seriously. For example, Marinette having Adrien's schedule for the next week isn't absurd because that schedule exists. She could absolutely get her hands on it! Her having his schedule for the next 3 years? That's absurd. You can't take it seriously because it's impossible for her to have a schedule that goes that far into the future. It would have, at most, a handful of events because you just don't schedule most things that far in advance.
But if you have Marinette do a big, dramatic confession where she shows Adrien the schedule and apologizes for it? Then none of that matters. the absurdist nature of it goes away because you have treated it seriously and absurdist humor is all about not treating the absurd too seriously. Derision was the equivalent of that big dramatic confession. You can no longer use absurdist humor to justify anything Marinette does and, notably, they don't. She's massively toned down post Derision and things are being taken more seriously with her and Adrien actively working on her behavior, which is a problem because this is also true:
I don‘t really believe that the writers take Marinette‘s PTSD serious
They've given her a serious issue, they're taking it seriously enough to have Adrien and Marinette address it, but they're not being serious about how you'd treat PTSD and that is the worst possible way to approach this issue. I'd be happier if they just flat out ignored it or used magic love to heal it with a kiss and never addressed it again.
When writing comedy aimed at kids, there's a thing that I like to call The Seat Belt Principle. If you've ever seen a show where a kid character was about to launch themself off in a rocket, only to fasten their seat belt first, then you've seen this principle in action. It's the idea that, in a kids show, you can have wild things happen so long as it's something that a kid can't emulate. If a kid can emulate it, then you have to take it more seriously. This is why kid characters always fasten their seat belts even if it's pointless because the child audience needs to see seat belts as cool and a thing that you always use.
The Seat Belt Principle applies to more than physically dangerous situations. If you are portraying any serious, real-life issue in a kids show, then you need to handle it differently than something that a kid will never face. To put it another way, Ladybug can have ignorant parents, Marinette cannot. Sabine and Tom not knowing that their daughter is a superhero? Not a problem, superheroes aren't real. Sabine and Tom not knowing that their daughter is experiencing horrific bullying or even straight up ignoring it? Big problem, bullies are very real.
This is where we get to the mental health stuff. A lot of media treats mental health issues as something that can be solved via romance and nothing could be further from the truth. Romantic partners can make the fight easier, but they shouldn't be your whole army if you can help it. The show doesn't seem to get this.
As you pointed out, the show keeps giving the characters metal health issues for drama and then hand waving those issues away via romantic relationships and that's a big yikes for me. You don't have to introduce mental health issues into your romantic comedy, but once you do, you have a responsibility to portray them accurately. They clearly don't want to do that and that's why season five's love square romance is a hard pass for me. There's a world of difference between bad jokes and bad mental health rep. I can overlook one, the other is a personal pet peeve and I've seen the negative consequences in action first hand. I think we all have! Who isn't familiar with the concept of a person being confused that "X is still depressed? But they got that new job/have a new SO/got engaged/etc."
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gemini-sensei · 10 months
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New Hire | Sensei!Hawk x Sensei!Reader
Chubby!Badass!Reader
Contents: fluff and some NSFW, nothing too serious (unedited)
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When Daniel told him that he was going to be bringing in a new sensei, Hawk didn't know what to think at first. His mind went back to the trials and tribulations Daniel went through trying to work with Johnny, the ups and downs, the good and bad. However, he was assured that this new sensei wasn't like Johnny at all and that she was going to be professional. She was actually a children's educator and knew how to work best with kids and young teens, so there should be no problems.
Upon hearing they were a female sensei, Hawk was intrigued. He'd seen and met so few women in the same position as him, and only at tournaments. So to say he was a little excited to meet her would be an understatement.
He was getting ready for a class when the gate opened, but it was still to early for kids to start showing up. Thinking it was Daniel, he turned around to greet him, only to be met with a voluptuous woman smiling at him.
"You must be Sensei Hawk," she said, grinning at him. She walked up and extanded her hand to him. "I'm Reader."
He shook it with a smile of his own. "It's nice to finally meet you. Have you been shown around?"
"No, a tour would be great though," she laughed.
After a brief walk around the yard and showing her where they keep their equipment, Hawk sat down with Reader to get to know her better. They talked about how long they've been doing karate, how long they've been working with kids, what other hobbies they have, and other life things. He learns she just moved to the Valley for some peace and quiet, recently single thanks to a cheating ex, and just looking to start anew even though she's young.
"Never too early to start fresh," he told her.
She laughed. "Never."
When kids started trickling in, he introduced her to some parents and gaurdians. She said hi to the kids and made them laugh if they're a little shy at first. Everyone warmed to her pretty quickly. She made herself very approachable for the young children and once all of the students were there, Hawk told them that they'd have a little Q+A so that everyone can get to know their new Sensei better.
She told them about herself so warmly and answered their questions without hesitation. Yes, she has a pet. No, she's not married. Yes, she went to college. Maybe she likes pineapple of pizza. She made the kids giggle a lot and got them excited to have a new sensei at the dojo.
When it was time for the lesson, Hawk saw how great she is with the kids; how dedicated she is to teaching them and working with them. She's a natural with them and he admired her for it; how gentle she was when teaching them, how much care and attention she gave everyone. He knew that they were going to work together greatly.
It wasn't until after class that he learned how badass she was.
The whole time, she gave en off this soft and sweet nature, and maybe that has a lot to do with him kind of judging her based off her her soft, curvy body mixed with her attitude toward the kids. Once everyone has left, he asks her how good her karate is.
"Why don't I show you instead?" she challenged, then nodded toward the sparring deck. "That thing ever see any action or is it just for show?"
"Oh, it's not just for show," he told her, prideful of the design he made for it. "You wanna hop up there?"
"After you."
So they stepped up and faced each other, taking their positions. Hawk saw er as being on his level since they're both senseis, so he didn't plan on holding back. However, as soon as they start, there's little back and forth, and in a matter of two minutes, he's been taken to the floor. She pinned him down with her knees and landed a blow to his chest, which would mean she'd earn a point if they were really competing.
"I was a three time champion back home in the under 18 tournament," she told him before getting up. She extended her hand to him and he took it, letting her pull him up. "I was the one everyone strive to beat."
"And no one could?"
"Nope," she said with a grin. "I aged out of the tournament a champion and I still hold the record for most consecutive wins in the tournament."
"Reigning champion. Nice."
"Don't I know it." She laughed and it was something harmonious to Hawk. "They said if anyone came close to beating that, they'd call me back to present the trophy."
"What an honor," he laughed, smiling wide.
"Right?"
They finish cleaning up the dojo before their next class arrives. The time is spent talking about life, swapping stories, and just getting to know one another. It's a refreshment to the routine that had built up over the last few months. He thinks it's going to be great having Reader around.
As time goes on, he finds himself sitting down with her more, enjoying her company. He enjoys making lesson plans with her and little field trips for their students. Sometimes he has to stop himself from staring st her, wondering what he's doing when he catches himself.
He can't help it though. He's grown a little crush on her. Watching her work with the kids is heartwarming and when they're practicing on their own, he thinks she's hot as Hell. She's focused, determined, and totally badass. She also makes the kids feel confident and as if they can do anything. It's amazing, she's awesome.
At the end of everyday, he bids her goodbye, just to go home alone. He sits down and relaxes, maybe plays some online games to unwind, order some dinner. With each passing day, he finds himself wishing she were with him; sitting on the sofa as they relax, eating take out at his little dining table, winding down with a shower and crawling into bed. He wants to hold her at night, run his hands over her curves. Pull her close and kiss her neck.
Instead, he rolls onto his back and shoves his hand in his pants to the thought of her. He groans her name as he rubs one out, eventually coming all over his hand. He pants into the night air, thinking about kissing her after stuffing her full. It gets out of hand sometimes, especially after he thinks about getting her pregnant with their own little karate student... it's after that thought, he realizes he needs to ask her out. Soon.
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anewstartrekfan · 1 year
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Alright I’m now convinced this was intentional
Guys buckle in cuz it’s time for another installment of Kirk judges someone for doing something morally questionable for possibly good reasons and then finds himself doing something similar/faced with the same dilemma several episodes later.
First round it was the Menagerie and Conscience of the King
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Kirk was mad at Spock for lying and hiding why he took the ship off course with Pike and then literally the next episode Kirk hides his intentions with Kodos as he takes the shop off course until he is confronted. Another fun contrast between the two is everyone except Kirk thinks Spock is acting weird in the Menagire before he explains himself, while in conscience of the king, only Spock notices Kirk is acting off and has to do digging on his own to figure out what is going on because Kirk refuses to explain.
Second round was a taste of Armageddon and the Errand of Mercy.
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In the former, Kirk was pissed at the locals for fighting this war on computers, condemning 3 million to die every year, instead of going to the negotiation table and working this out. So he destroys the computer (their weapon of war) to force them to negotiate.
And then in the latter story, the locals of a planet take away Kirk and the Klingons’ ability to fight via disabling all their weapons across the entire galaxy in order to force a negotiation that both sides are hesitant to start.
And round three is Tomorrow is Yesterday and The City at the Edge of Forever.
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In the former, after the enterprise accidentally time travels, Kirk kidnaps some pilot b/c said pilot has seen their spaceship and could change the future. The pilot tries to escape several times to get back to his country and wife, not caring about the consequences, much to Kirk’s annoyance. And the episode ends with them erasing everything, even the events themselves so the timeline is restored.
And of course, in the latter story, Kirk is faced with the dilemma letting the woman he fell in love with die in order to restore the future, or saving her and condemning millions to die in a changed future. He chooses the former, and is so wrecked by this he curses for the first and last time in the whole tv series. And the episode ends not on a shot of the enterprise sailing away to its next location, but lingers on the time portal.
Edit: This one really gets me cuz that pilot was willing to break the timeline to be with his family, something extremely selfish, while Jim was able to let Edith die, sacrificing his personal happiness, saving the timeline.
Big picture is we can watch Kirk both see these dilemmas or actions from an outsiders perspective, and then later he either does the same thing or faced with the same situation personally. In short, it humanizes Kirk in a way that doesn’t make him an asshole.
I love this so much and I hope it continues.
Edit: so it didn’t really continue but I still really like this. You learn what kind of a person Jim Kirk is based on how he interacts with each given episode plot and how he deals with said plots in comparison to other people rather than him just monologuing about himself.
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engrossedindulgence · 4 months
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Crushed Olive Branch Typology Post
For those who don't know, Crushed Olive Branch is a story by @calronhunt which you can read here @crushedolivebranch ! I'm gonna be making a typology post about it, specifically finding their MBTI (using cognitive functions), enneagram/tritype (not instinctual variants cuz I'm not very good with them LoL), Alignment, Big 5, Psychosophy, and Temperament. I will only be going in depth for MBTI, Enneagram, Alignment, and Psychosophy since Temperament in big 5 and kinda easy to figure out the reasoning for yourself
Starting off with MBTI, originally I was gonna put them all in one text post but after seeing how long Theron's got I'm gonna break them up LMAO
STARTING WITH
Theron:
First off, I would say he's an I//J. Being an introvert is kind of obvious, he internalizes everything and keeps his thoughts to himself, preferring to retreat into his mind to come to conclusions. He only blurts his opinions out when he feels forced to (eg the confession scene) and highly prefers to think than take action (not including when it comes to actual fights or action scenes, but we don't get his thought process during those, so it's hard to take those into account :P)
Now what's NOT as obvious is the fact he's irrational, I think he's more irrational because he percieves first. An introverted percieving type is someone who sees and thinks before making sense of it logically or moralizing it, while an introverted judging functions would see things through a lense of logic or morality before percieiving the real meaning. I think this shows in Theron, since he doesn't really have a concrete set of morals, he listens to others and doesn't really think for himself, preferring to listen to others and internalize that to be the "correct" thing.
This also explains his Fe, his morals are completely divorced from the internal, his morals come externally. This is shown ESPECIALLY during the backstory parts, where he first starts thinking for himself and learning about himself, but then ends up in the same hole as before with his biggest mentor going from his father to Dominic, who forces the idea that societal norms are more important.
Ti is less shown, but it's still there just...weaker. He has his own set of logic, though those tie in with his morals more than not. Specifically shown afte he starts learning to think for himself, he comes to impartial, logical conclusions based off of external morals (eg him wanting to ask Dominic out, he heard from one person that he should go for it, so he internalizes that fact, and logically comes to the conclusion "I should just go for it")
Now for his percieving functions, I think Si-dom makes the most sense. He's always living in the past, and I know that that isn't specifically what Si is about, but Ni does NOT fit him at all. He doesn't live in the future, he doesn't look underneath the surface, he doesn't necessarily take things at face value but he has a hard time looking under words and realizing the predjudice behind them. This leads to Si>Ni, meaning he uses Si/Ne
This leads to the conclusion that he's ISFJ! ISFJs are stereotyped as being gentle people, selfless and kind. They're seen as paternal and gentle, wanting the best for the people they care about. Notable ISFJs (that I just took from PDB) include:
Fluttershy (MLP)
Rory Gilmore (GIlmore Girls)
Captain America (Marvel)
Willow Park (The Owl House)
Luigi (Mario)
Now onto Dominic:
At first I thought he was surely going to be an extroverted rational, but after thinking about it, extroverted irrational fits him WAY more. He doesn't use morals or logic whatsoever, he percieves first (eg he hears the name Olive and without a second thought is like "THAT MUST BE MY MOM!")
Whether he's Ne or Se is kind of tricky, he's not a person who craves stimuli (either mental or physical), so we have to go off of whether he's more of a future or present oriented person, and (in my opinion) he's ALWAYS focused on the present. He doesn't once think about why Theron is acting the way he is, he doesn't even think about how his words would affect the ones around him. He's always doing things right as he thinks about them, without any forethought (showing low Ni)
So we know he's an ES/P, and I think it's pretty obvious he's an Fi/Te user. His logic comes externally, this is inherently different from morals coming internally (like Theron) because he doesn't base his morals off of them, eg he doesn't want people knowing that he has sex with Theron because LOGICALLY he's seen people act homophobic around him, not because he MORALLY thinks that being gay is bad (I hope this doesn't sound like I'm excusing his actions, he's still a homophobe LMAO I'm just explaing how he uses logic to justify it instead of morals)
His Fi shows up in like. Every little thing he does. He's ALWAYS doing stuff his own way, he doesn't care about others opinions, I know this sounds like the old "Fi are selfish" but he clearly uses his functions unhealthily, and unhealthy Fi usually shows up as selfishness.
This means he's ESFP! ESFPs are stereotypes as party animals and socially oriented. Examples of ESFPs off of PDB include:
Jesse Pinkman (Breaking Bad)
Goku (Dragon Ball)
Korra (Legend of Korra)
Undyne (Undertale)
Beast Boy (Teen Titans)
Every single shounen anime protagonist ever /j
Mattais:
Mattias is the DEFINITION of Fi-user, he's moralistic and doesn't take the general consensus at face value. Also very indivisualistic when it comes to showing off his personality, he doesn't mind being different and often, but he's healthier than Dom. He still cares about people (often too much) and takes into consideration their needs.
I think it's kind of obvious he's Fi-Dominant, but less obvious is being an introverted rational. At first I thought he was definitely irrational because of his constant need to put others before himself, but I think that actually points more towards rationality? His morals tell him to care for others, not his perception of the world, which points to morality/logic>percieving/judging
Next, is whether he's Se or Ne, and this is very tough....I think he has a preference for Ne, though. He's seen with kinda shitty Se, he's always in his head, thinking about what could go wrong that he never lives in the present.
This means he's INFP :3 INFPs are stereotyped as anxious, but individualistic and artistic people! Examples of INFPs off of PDB include:
Shinji Ikari (Neon Genesis Evangelion)
Belle (Beauty and the Beast)
Peter Parker (Marvel)
Mob (Mob Psycho 100)
Doofenshmirtz (Phineas and Ferb)
Nerissa:
Nerissa is hard to pin down, at first I thought she was surely introverted rational, but after thinking about it I think she's an extroverted rational. She's focused on what's real, and doesn't care for digesting what she sees internally, instead she uses what she sees to act logically, trying to become the best ShadowHunter she can be.
She's also logically focused, point to Te instead of Fe. She doesn't exactly care about morals, instead (like Dom) she views her logic through what she sees. She sees people are conservative, so she hides the fact that she's a lesbian, ignoring her own feelings on the subject.
She also has REALLY good use of Se, almost to the point where I wanna say she's Te/Se/Ni/Fi...but I'll stick with E/I/E/I function stacking LoL, so this makes her Ni-Aux. I think her Ni can be seen in how she is someone who sees behind the words. She's attentive, yes, but this stems to the real world and words as well, she's able to look behind what people are saying and clearly is thinking about the future first and foremost.
This leaves her being an ENTJ. ENTJs are stereotyped as serious and no-nonsense business people. They are also stereotypes as evil as all hell LoL. Examples of ENTJs on PDB include:
Asuka (Evangelion)
Light Yagami (Death Note)
Griffith (Berserk)
Princess Bubblegum (Adventure Time)
Princess Caroline (Bojack)
Here's some more characters that I won't go as in depth for, mainly typed by vibes LMAO:
Ava: ISTP? Still unsure, I think she's introverted rational due to...not much evidence, but she doesn't seem to be extroverted and she doesn't seem like someone who percieves internally, preferring to look at things though impersona logic. She could also be ISFP, but I see Fe>Fi, specifically the way she encourages Mattias in his crush on Theron and just having a general fondness for gossip. She also seems Ti>Te, she does show internal logic (eg thinking it's unfair to have her and Dom go out right after getting lunch-yes I know this was a joke but that's all I got folks)
Examples of ISTPs from PDB: Black Widow-Marvel, Toph Beifong-Avatar, Sherlock Holmes
Cicero: ENFJ, BARELY shows up, but seems like an Fe-dom. He cares about people, often to the point of hurting himself (example: when his parabatai dies, he's so taken over by grief that he needs someone else to fill the voice even somewhat). Ni because he seems to be more future oriented. Could also be INFJ, ESFJ, or ISFJ
Examples of ENFJs from PDB: Iroh-Avatar, Princess Celestia-MLP, Mufasa-The Lion King
Roman: ESTP, I'mma be real this is a "kin" vote. Sorry not sorry, I need to collect Transhet ESTPs LMAO. But for realsies, he's DEFINITELY Pe dominant, he acts before thinking and is very present oriented. Ti because he chooses what's logical internally, this leads to him thinking that Kiera isn't a good leader with basically no proof and also just making shit up (eg that Kiera isn't doing shit when he is doing shit. Kiera is doing shit.) Could also be an ESFP
Examples of ESTPs from PDB: Thor-Marvel, Sonic the Hedgehog-Sonic, Zeus-Mythology
Trevor: ENFP, I see signs of extroverted percieiving just a healthier one since he's literally 100+ years old so he's learned how to use his lesser functions by now LMAO. I DEFINITELY see Fi/Te access, he's not exactly no-nonsense but he knows how to get things done. As for Fi, he's individualistic, proudly saying his opinions no matter what. Could also be an INFP
Examples of ENFPs from PDB: Naruto, Luz-The Owl House, Aang-Avatar
Kiera: ESTJ, Kiera is SO HARD TO TYPE TBH, originally I was thinking ESTP, but he seems to think before doing anything, which leads me to thinking ENTJ....I honestly could see either Ni/Si aux, but I chose Si due to the fact he seems to be worried more about the past than the future, and doesn't seem to have the best skills when it comes to looking behind the surface. He could also be ENTJ, INTJ, ISTJ, ESTP, ENTP, ESFP, ENFP
Examples of ESTJs from PDB: Sokka-Avatar, Vegeta-Dragon Ball, Blossom-Power Puff Girls
OK THAT'S IT sorry for the dissertation I promise I tried to keep it short JLKRWJLKKJWRL
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maborobaku · 1 year
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My thoughts for the characters after all of the promo drops thus far:
Axel: She's definitely got this whole Action Girl thing going on and that is a yes. Her design is pretty nice too.
Bowie: Yeah I just can't hate his design. Confirmed/Hinted as one of the LGBTQ+ characters. I'm just hoping he isn't too much of a stereotype. Also Bowie and Emma friendship?
Caleb: There are 2 things I noticed about him since promotional material came out. First off: He has a similar archetype like Justin (and Alejandro) which is attracting most people in their cast, however I don't see him being a villain/antagonist like those 2 (Bowie fawning over him led to speculation on them being one of the predicted LGBTQ+ couples). Another thing being that he was only seen in 2/3 of the Italian trailers and was AWOL in both Boomerang trailers, leading to many early boot predictions.
Chase: Just based on looks alone he gives off the "normal, nice guy that'll likely get involved in a romantic plot" vibe and there has been a few predictions that he and Priya might be a couple. Also, not a comparison but I cannot help but notice that their signature colors are similar to Mike and Zoey.
Damien: Out of all the male characters he's got the best design in my opinion. I also took notice he seems to have a mustache (not something usually seen on contestants). Also if I can assume that he spoke in the 30 second trailer (The "WHY?!") ... man sounds just like Ryan and I'm fine with that since Ryan was funny.
Emma: She looks a bit like Bridgette and Carrie fused together but with a more preppy sense of fashion (Which is so funny since I don't think Kristin will voice her). Although I've seen theories that she could be a "Bitch in Sheep's Clothing" type villain could be interesting.
Julia: Initially I didn't really have any strong feelings but I can thank the promos for changing my mind and I'm excited. Also her voice sounds just like how I imagined (She sounds kinda like a valley girl). Could be an influencer.
Millie: I wish I had something to say on her because her design is adorable but it looks like her and Priya could be close.
MK: I like how casual her own design is. Now I've been seeing 2 predictions on her and that's between a main character type or an early boot just judging by the 30 second promo. Also her scream reminded me of Amy/Sammy/Taylor.
Nichelle: She looks like a queen (her hair is top tier), my favorite by far. She's clearly a top prediction for a villain but I've also seen predictions for her to be an early if not a pre-merge boot. Now I'm really excited to see her dynamic with Julia.
Priya: I know many predicted she'd be a shy and reserved nice girl but her interaction with Chase says otherwise (and was funny).
Raj and Wayne: Putting these 2 together since the flyer did as well and they are adorable. They're another prediction for a likely LGBTQ+ ship (Not something I'd rule out).
Ripper: I've seen many predictions on whether his character will be a Noah type (snarky asshole type) or Owen (comic relief type) and I'm definitely seeing it lean towards the latter.
Scary Girl: I love her and her energy (from what's been seen so far)! Her color palette is definitely a top 10. Her voice is cute too and seems to suit her from what was heard from her.
Zee: You know I actually like his design, he gives off a laidback vibe. I remember seeing that there would be an amputee character and I did take notice of his leg in the trailer (He wasn't someone I guessed).
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devil-doll13 · 1 year
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Crystallized
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Tw: Referenced Child Death, Blood, Drowning, Mentions of Bullying, Swearing (pretty much everything you expect from the Friday the 13th franchise) Religious Themes
So… This is a bit of a weird introduction for these two but the idea just stuck in my mind and refused to leave. I’m not sure when I will write a followup yet, but I just had to get this out.
Summary: Jude remembers a person from her past as it comes back to haunt her, as it always does. However, nothing can prepare her for the task she is about to undertake…
Dividers by delishlydelightfuldividers
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‘Camp Crystal Lake’ was aptly named, for during the Summer the pure, clear waters glittered brilliantly under the bright midday sun.
She stood at the base of the pier and watched as he was pushed in. Good Christian boys and girls had seen fit to cast stones and jeer cruelly at the poor outcasted creature. Jason Voorhees was tormented daily by the same children whom Mrs Voorhees kept fed and cared for. The very woman he cried out for as he helplessly drowned.
She stood at the base of the pier and watched, as his large, bulbous head, streaked with blood, was swallowed by deep, endless blue. For a while he desperately splashed around in an effort to fight the undertow, but Jason couldn’t swim. He had never been taught. Eventually he disappeared completely.
She stood idly by the pier, and did nothing.
(I could swim. I could’ve saved him.)
Jude had always tried to push the blame on someone else. It was always the easy way out; as humans loathe to be at fault for their actions. If she admitted responsibility, she might be as guilty as his judges and executioners.
She had always thought herself better than that; above them somehow. Though she knew deep down she was not. She still turned the away other cheek.
(Why did no one come to save him? Where were the adults? Where were they?)
Ever since the ringleader, Evan, had snuck a snake under her pillow, terrifying her to panicked tears, Jude had been wary of drawing his ire. Her fear of the slithering reptiles, to this day, can still be traced back to that prank. Going against him wasn’t worth it.
So was that not enough of a reason? Why should she suffer for his sake? Why should she care at all about that ‘little freak’ Jason Voorhees?
(Did his life have so little meaning?)
It occurred to her only years after the fact that it had been the first time she had watched someone die.
It would not be the last time, of course. Her fate was as intertwined with tragedy as her cousin’s was. It took a lifetime to understand that the inevitable had been set in motion long before she was born, by her mother and her mother’s mother. Their trauma had echoed into her blood; bled into her very soul.
Then, Jude momentarily held the power in her hands to change his fate, but squandered it. She did not send him a passing glance, nor offer a kind word, or even reassure him that she did not find him repulsive; as all the others claimed he was. Because the truth of the matter was that she did. She did.
Her mother instilled within her the holy values of Christ, but she failed to act as he surely would have. Though she dutifully obeyed and assimilated as one with the faithful flock, as meek as the lamb, in her lion’s heart she was a coward.
The hypocrisy is all too real. If only she could atone for those sins, to be forged in fire; if she only could become a woman worthy to wield the sword of God.
But your failures can stay with you for a long time.
Camp Crystal Lake was closed the following day.
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“…Y’know, we really do pick the days with the absolute worst fuckin’ mojo to go and risk our lives.”
Zach cast Jude a sly glance from behind the wheel. A stubby cigarette hung lazily from his lips as he puffed fumes of white smoke out the open window.
“I mean, on the 13th? I dunno, Judie…”
She snorted, gladly taking the bait.
“You’re so superstitious.”
Although she knew her partner was only having a bit of a laugh, she would be damned if she didn’t take the opportunity to make fun of him.
“Me? Superstitious?” Zach laughed heartily.
“You’re the one who thinks a bunch of rocks can create force fields, and that being an ‘Aries’ or whatever makes me all hot-headed and impulsive.”
“But you are impulsive!” She argued back, grinning wildly.
“All I’m saying is no amount of, of…” He gesticulated vaguely with his free hand. “… Troglodytes or whatever are gonna save you from getting possessed, get off it!”
She scoffed indignantly, acting mortally offended.
“First of all, they’re called Turquoises and they absolutely do give you great spiritual protection and they ward off negative energy!” Jude scolded him. “And besides, with what we’ve seen in our lifetimes, is it really so hard to believe?”
Zach began to amusedly shake his head.
“You read too many funky internet articles.” He turned the curve on the road, forcing Jude to lean to the right. “They’re gonna rot your brain.”
Jude flipped her hair nonchalantly.
“That’s a pity, yours is already gone.”
“Ha, ha,” Zach deadpanned, rolling his one remaining eye playfully.
“If only your pretty crystals were able stop a rampaging werewolf, huh? I mean, I could certainly do without all these ugly scars.” He rubbed his chin, thumbing the bumpy mark by his lip. He glanced subtly at the rear view mirror, and something dimmed in his expression.
For a moment she was at a loss for words.
“They’re not ugly, Z…” It was all she could think to reassure him, softening her gaze considerably.
He chuckled. “Thanks, but I can still see, y’know?”
Jude watched sombrely as he traced the dark leather of his eyepatch. She wondered if it got any easier to be missing a part of you, or more depressing.
“Anyway!” Zach cleared his throat, putting an end to that little conversation. “You’ve got the map. Are we on the right path or what?”
Sensing an urge to ignore the previous topic, Jude unfolded the laminated material and observed a criss-cross of beige and blue lines and dashes illustrating the New Jersey roads and highways. It was disturbingly familiar, and somehow it was only then that she was reminded where they both were headed, and the significance of that place to her.
“Yeah, we are…” She murmured.
Zach tapped some stray ashes out the window. She felt a sort of regretful prick at the back of her neck; sharp and insidious.
He pondered out loud, none the wiser: “A whole bunch of kids turning up missing, and all they’ve got in common is sex, drugs and Camp Crystal Lake…”
She almost flinched at hearing that name again.
“Makes you wonder why they’re stupid enough to keep going back…” He shook his head in disbelief.
“It’s definitely the work of a malevolent spirit… a vengeful type, probably, I mean,” Jude hastily cut in, fumbling with the map.
“Why, what makes you so sure?” Zach turned to stare at her inquisitively, furrowing his brows.
She swallowed thickly, enduring the telltale drop in her gut that always accompanied confessions like this; it seemed Zach was always receiving them.
“…I think I knew him when he was alive.” Was all she could manage.
“…Ah.” A grimace of sympathy dawned on his face. The mood abruptly soured into grim silence. The car rattled as it hit a bump in the road.
Zach sucked in a breath. “…You wanna talk about it?”
Jude felt something inside her steadily deflate.
“No, not really…” She admitted, tossing the map haphazardly onto the dashboard where it shined in the afternoon sun.
“Okay.”
He nodded, seemingly having expected this reply. Jude focused numbly on the sizzle of his cigarette as blew smoke rather forcefully out of his mouth.
“Well, Ollie’s more or less just kickin’ down the road next to us. Give or take a couple hundred miles…” He sent her a cheeky grin that she knew, even without looking, was masking his genuine concern. “We could always just pawn it off on them, you know.”
She scrunched her face up in distaste at the idea. Zach was not the kind of man to push responsibility on others, so the fact he was actually willing to do so for her sake was embarrassing. She didn’t like the thought of being so sensitive that she couldn’t deal with her past; it made her feel like she was just being a liability.
“…No. I need to do this.” She insisted with finality.
Jude had begun to realise she’d never properly confronted her guilt about what had happened to Jason Voorhees. She liked to believe that she’d changed; that she wasn’t the same weak-willed, easily swayed lamb from her childhood, or the same confused adolescent. That maybe she could make up for all the years that she had been.
But it felt like a piece of her had died five years ago, and with that her cowardly heart. If only that meant she could be strong and resolute now.
“It just feels like…” Jude stared at her pale, shaking hands as she tried to crystallise her emotions in words. “…I can never escape this feeling. Like, like all this stuff just follows me everywhere and I can’t ever do anything about it.”
“…Yeah, I get it.” He squashed his cigarette in the holder before continuing: “I guess some people are just bound by destiny…”
Jude knit her brows in thought for a moment before sending him an incredulous look: “Bound by destiny? And you tell me not to read ‘funky internet articles’”
“Hey now, that was from my favourite book series as a kid!” Zach raised a hand in mock defence. “If you’re gonna accuse me of plagiarism, at least get your sources right.”
“Honestly, that sounds like a pretty lame book series to me, and I used to be a sucker for that YA craze.”
“Oh really?”
His distracting banter lightened the atmosphere considerably, and by the time Jude saw the bright and familiar ‘Camp Crystal Lake’ painted on a welcome sign, she no longer felt that strange, heavy pressure weighing on her chest.
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Zach whistled as he took in the dilapidated cabins. They had certainly seen better days; though this was made somewhat more palatable by the bountiful Summer vegetation and good weather. The titular lake lay beyond the woodland, and shone pure and bright just as it did all those years ago.
“Wow… Empty. Nice view, though.” He lightly pushed the car door shut, his signature trench coat hoisted over his shoulder.
“…Yeah, it’s always been great here.” Jude said airily, pointing toward the flash of blue obscured by trees. “See the lake? We used to go swimming in the mornings, it was that temperate.”
Zach’s eyebrows arched in surprise. “And it didn’t freeze your bones the second you jumped in?”
“No, actually, but it was always really refreshing! Woke you up straight away.”
“Damn! I bet it did.”
Her smile faltered as that happy memory was soured by another, more arresting one.
“For those of us who c-could swim, at least…”
Zach had fortunately fixed his attention on their trunk, so he did not see her grimace. He licked his lips as his calloused hands found the cold, humming surface of his prize. Jude turned back around only to click her tongue at the sight.
“Really? You’re gonna take the whole damn cooler of whiskey in there with you?”
“Hey, I don’t wanna be thirsty!”
“Or sober.” She finished for him, shaking her head disapprovingly. Zach gave a flippant shrug and lifted the icebox into his arms. He returned afterward for his razor and toothbrush, which he had apparently deemed as comparatively less important.
To be entirely honest, Jude wasn’t too worried. If there was one special skill Zach could brag about, it was the ability to still manage to hit perfect bullseyes while completely sloshed; not to mention his obvious lack of depth perception. She noticed, too, that he was wearing all his fighting equipment today. Only a fool would think him unprepared.
None of the cabins left behind by the mass exodus had been particularly appealing, but they chose the biggest one that had all the different bedrooms - albeit they were in various stages of disrepair - because it was both the most defensible and most protected from the outside elements. It may have been Summer, but that wasn’t accounting for the late night chill.
Jude felt a pang of recognition hit her as she entered, realising far too late that this had been where the old staff members would usually stay. Her focus was drawn irresistibly to a picture frame resting crookedly on a wall, some kind of relic of the distant past. Behind the ever-so-slightly cracked glass were the previous camp councillors, their joyful faces forever frozen in time.
She tried to look elsewhere, but all of it turned up a new, fresher scar in the landscape. The entire house reeked sickeningly of death, something she’d become far too accustomed to. She already regretted coming here at all, even though she was the one who’d convinced her partner to do so.
“Looks like this is about the only place I’d feel good about staying in.” Zach huffed as he tossed his coat onto a dusty hanger. “I’m sure you feel the same.”
“Now, we’re both gonna have to do a bit of investigating, it seems. I don’t think this is gonna be an Albuquerque situation on our hands here.”
Jude watched him light up another cigarette, floorboards creaking as she approached. “I don’t think so either, but I don’t think we should get too comfortable here too quickly…”
His cheek twitched, thin grey smoke curling out of his nose.
“It’s only temporary until we take out the target.”
“I know, but… I mean, look at this place.”
“Well, it’s the best we got, Judie.” He retorted. “I get you might not wanna linger too long in a place that reminds you-“ He wisely stopped that sentence before it continued, busying himself with unpacking instead. Jude found herself inexplicably fascinated with the frayed rug on the floor.
I need to get away. It’s too stifling in here…
“How about…” She started, letting a bag of spare clothes drop onto the floor. “You go chum it up with the locals, and I go inspect the camp grounds?”
Zach, who had been in the middle of extracting several pairs of black socks from his suitcase, studied her carefully for a moment. She caught a momentary flash of concern in his eye, a sight not so rare.
“…You sure?” He questioned her gently.
“Mhm.” Jude nodded. She briskly zipped open a duffle bag and began to empty out the contents onto the sofa. It contained all of her usual ghost-hunting equipment, medical supplies and ammunition, spilling out in a sort of jumbled mess.
“Well… Alright.” He said finally, with a hint of reluctance, gesturing to her weapons pack. “Go prepared, though.”
She bit back a sigh, unable to help feeling agitated at his cautious tone. “I’ll just secure the perimeter, there’ll be no need to drag around a big heavy axe…”
“But you’ll be sure to take your dagger with you, yeah?”
“Yeah, yeah… I’ll be fine. I’m not a newbie anymore, remember?” Jude reassured him, sending him a chastising glare. “You worry too much.”
At this Zach backed off, holding his hands up in defeat. Between his fraternal ribbing and casual teaching style, he often felt like more of an older brother to her than a mentor, but she still was distantly aware of his seniority and felt a tinge if remorse for her short responses…
“See, I know your aim is shit…” He teased her with a rising smirk, single brown eye gleaming with mirth.
“Oh, shut up!”
An hour later, Jude found herself standing once again at the wooden pier leading out to the lake. The crystal clear waters lay still and serene, almost mirror-like in form. She saw herself reflected back in those glassy depths; once a girl, now a woman.
It’s been 12 full years since Jason Voorhees died, she thought. 12 years since I've been here… Standing in this exact spot.
At first she wondered if it would feel different now that she was older and had time to reflect on the past, but nothing had prepared her for such a disturbingly familiar sight. Now it seemed her guilt gnawed at her anew; though she knew she had no right to feel sorry for herself in the wake of that poor boy’s death.
Still, Jude watched herself frown, It’s quite haunting.
It had been strange for her to come back and walk the same paths she had so often tread as a child. The camp might’ve undergone a brief revival once or twice, but now it was neglected and overgrown, and she passed by many an abandoned communal building and overturned canoe on her way here. That had instilled a sort of nostalgic sorrow in her heart, despite it all. Her Summers here were typically enjoyable and fun, particularly Mrs Voorhees’ wonderful cooking…
The smile that tugged at her lips was bittersweet. In her childhood memories, Camp Crystal Lake had been filled with smiling, laughing children and friendly camp counsellors who all wore happy faces and played guitar. Seeing it so deserted now was strikingly eerie. There was something so intrinsically wrong about the barren silence, only punctuated by chirping birdsong and warm, gentle breeze rustling the leaves.
Unexpectedly, a shocking pinprick on the back raised her finer hairs and made her shiver despite the heat. Jude whirled around, startling a flock of nearby birds. She backed away slowly from the pier - mindful that the ghost of a boy who had drowned would most likely reside there - and scanned the forest treeline with a steadily rising heart rate.
Zach? No, he can’t have come back so quickly… And he wouldn’t scare me like that, not in this place.
Suspecting the other possiblity, Jude clicked through various frequencies on the spirit box that had been clipped onto her belt. In her experience it was rare to actually hear any tangible voices through it, but with enough practice radio static and spikes of activity had become a sort of code to be cracked and translated into human tongue.
But…
Nothing. Nothing at all. Not even a hint of a ghost.
Jude kept a ready hand at her gun holster as she hiked up the somewhat overgrown brush, searching further for any signs of supernatural activity on the box. Still, after half an hour of blindly searching, no signals. She actually doubted if there was any Wi-Fi or radio waves that could reach this far away into the wilderness since the area wasn’t exactly very populated, but it was still discouraging nevertheless.
And creepy, she noted. Jude was consequently no longer in the sightseeing mood, and began to wearily trudge her way back to the cabins. It seemed her gun burnt a hole through her jeans as she walked, just like she itched from nervous tension.
It would be too easy to write that off, but she wasn’t stupid. Her sharp instincts had been honed by years of hunting and being hunted by monsters.
Someone, or something, had been watching her from behind in those supposedly uninhabited woods, and she had just felt it.
Jude bit her lip anxiously. She was absolutely certain the revenant they were searching for was Jason. It almost felt like all this investigation was pointless, she now realised was most likely the very entity that had been lurking by the lake.
And maybe, she thought, he recognises me…
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Her uneasy mood stayed with her as she watched the skies and the sun begin to sink below the horizon, coating the world in blazing orange hues. Jude watched from the cabin window as their shared car pulled up again in the mounting darkness, left headlight still busted from their last battle.
“It’s Jason, I…” She began as he wedged the door open, stopping at his flabbergasted look.
“I… Got takeout.” He presented a plastic bag wafting aromatic spices from across the room.
“Oh. Right.” She uncrossed her arms, and it was as if the smell of food reminded her stomach it had been empty almost the whole day.
Oh my god, It’s McDonalds… Did he just drive like five miles for that? You know what, who cares…
“By all means, continue.” He offered, striding over to the couch to unwrap the steaming package. Jude felt all will to do anything but eat completely leave her body as she impatiently took her share from him.
“No, actually…” She reconsidered it. Would she really even be telling him something he didn’t already know? “You go first.”
“Well…” He began, the old leather couch sagging under him as he sat down. “I’ll tell you this: just about everybody I spoke to told me this was a bad idea.”
She raised an inquisitive eyebrow at this, munching on some chunky chips.
“I mean, it really seems like the locals believe this place is under a curse… Pretty standard, but I’ve rarely seen people as spooked as this.”
He shook his head at the memory.
“But that’s good, right? Means the locals at least aren’t foolish enough to poke the bear.” Jude offered, licking her greasy fingers.
He paused to eat, first digging heartily into his burger. Their lack of electricity meant they were forced to use an emergency supply of candles and lanterns to provide light, casting an eerie glow over Zach’s face as his expression grew more grim.
“…It would be, except for the fact this place’s reputation has somehow made it into a weirdly popular tourist trap.” He shook his head, pursing his lips. “Must be the danger of it. I could think of a more obvious reason why they might be lured here though…”
“I don’t think that’s the case.” Jude cut in.
“Oh?”
“See, what I was about to tell you was… It’s Jason. I’m absolutely certain it’s him. I was at the lake earlier, and… He was definitely watching me.”
It all sort of spilled out in a hurry, and she gave a nervous little laugh, skin prickling in discomfort.
“But how can you be sure?” Zach, ever the contrarian, set down his half-eaten burger. “You’re not just basing this off ‘vibes,’ right?”
“No, no.” She reassured him.
The sinking feeling in her gut started again.
“It’s just… What happened with Jason, well…”
Jude suddenly felt as if something was caught in her throat, and took a sip of her soda.
“…Jason drowned.”
“…He-“
BANG
In an instant Zach had his revolver in hands, aiming it directly at the source of the mysterious noise. Jude’s heart jumped right out of her chest as she drew her own pistol, following his lead. He abandoned his food, cautiously moving over to peer out the dusted cabin window…
Outside, their car’s hood had been caved in.
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(Taglist: @rottent33th, @slaasherslut, @the-pinstriped-hood, @goldrose-star, @soupbabe, @bluecoolr, @flower-crowned-lady, @vincent-sinclair-deserved-better, @solmints-messyocdiary)
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Text
CTA: Lou
Personality: Architect - INTJ-T
66% Introverted
70% Intuitive
78% Thinking
99% Judging
63% Turbulent
Introduction | Architect (INTJ) Personality | 16Personalities
So, I've done this with a few characters from my "A Bug's Life" blog. And it's essentially where I go to the website 16Personalities and answer the questions according to how I best believe the characters would. I base my responses off of how they are portrayed in the movie. Responses do vary as I do have to take some creative liberty with questions that don't have an apparent answer in the movie.
Now, this isn't a bullet-point list of Lou's traits. The link above will direct you to the website with the results and further information about this archetype. Do with it what you will. What I'll be doing for this post (and others like it) is explaining why Lou received the answers he did. I'll be using contextual evidence from the movie to defend my reasonings and will give fair warning on parts where I took creative liberty.
Because let's be honest, the movie doesn't exactly do good with character development. I don't think any of the characters actually changed in a self-reflective way throughout the movie.
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Introverted
Okay, I somewhat feel like this one is self-explanatory. But, Lou does seem to have this self-destructive mindset that leads him to be only 66% introverted.
We obviously see in the movie that Lou is almost always seen with other dolls. Aside from when everyone goes home at the end of the day. The "alone" part is more of a mentality than anything else. The fact that he doesn't confide in the other dolls or feels unsafe to disclose information with them.
-> He doesn't previously tell the Spy Girls his relationship with Ox. They are surprised to find that the bunny already knows Lou after they've kidnapped him.
-> This one's no surprise: He has kept the secret of him being a prototype for God knows how many years
There's a destructive path he stays on throughout his life and during the movie where he craves attention and being around people, but at the same time, he's constantly lying and pretending to be this other person. It's like, so badly wanting people to like you enough to be around you (or in Lou's case, stay) but also so terrified that they won't like the real you.
Coupled with that is Lou's tendency to keep dolls longer than he knows is allowed. They'll leave at some point. Based on the movie, it seems like dolls usually stay for maybe three or four months before the Gauntlet takes place. Still, Lou forms groups with some of them. The Spy Girls, are my main example for this. He knows that they'll leave, but it's almost like he's trying to eventually gaslight them or persuade them into staying. He's this line in the latter portion of the movie when he reaches his downfall.
"Are you really going to let them take over? After everything I've done for you?"
It doesn't work, obviously, but I can't help but wonder if he would have said similar words when the time came for them to leave through the portal. If his actions toward them were merely a compilation of reasons for them to feel obligated to stay.
Intuitive
This is a fun one that kind of veers away from the depressing backstory of our little blond. It involves imagination and thinking beyond just the present time.
Despite the fact that Lou is in the position he's in, it seems like he learns to make the most of it during times. I think back mainly to his training and when classes are held. The factory doesn't have any reign over him as far as how he specifically teaches.
He jumps into figment possibilities and theoretical situations. He has fireworks shooting off into the sky. The man has whole songs that he's most likely written and orchestrated himself. There are flames shooting up from the catwalk and at the top of the stairs. The platform glows with multicolored squares.
There's no doubt that he's creative. If he were to give Uglyville and its inhabitants a chance, he would surely flourish. Because Lou is essentially doing the same thing that the Uglies do at the end of the movie. He's bringing color and life into such a drab Institute. All the greyscale buildings and scenery are dull. But Lou is trying to spice things up with everything he adds to it.
And, regardless if this is another tactic of his to get dolls to stay, I think he enjoys it himself and still has to have a lot of imagination to pull this stuff off.
A counterargument to this would be: "But what about how he doesn't like the Uglies playing with the glue? Or when UglyDog dances to distract the metal dog? Or when they use their own imagination to get past all the hurdles he puts up for them?"
My answer: He really has to shut them down.
Like, the factory is still there. There's an invisible line that Lou can't cross that's between what he can do to make things his own and what he can't do because the factory still has rules in place for him.
A note right quick: Anytime I mention the factory's control over Lou, it should be noted that I'm taking creative liberty with the statements. Because the movie never specifies how much influence (if any) the factory has with the dolls or Lou.
Thinking
I love this one. I love it mainly because it seems like this is a forced trait Lou has trained himself to have. I was earnestly surprised when he got "thinking" over "feeling" because it would make more sense if he was guided more by his emotions, right? I mean, so many of his mistakes have been traced to his lack of control to hide or quickly amend his emotions.
But that's where thinking comes in.
A creative liberty I've taken on the movie is that Lou sent Ox to the recycling pipes in a blinded heat of emotion. In my prequel (it's not finished so don't get excited) I have it leading to the point where the two brothers eventually split. Ox and Lou have this whole plan that if Ox can prove he's perfect enough then the robots and the factory will allow him to stay with Lou. However, Ox can't quite shake the desire to go to the Big World.
To make things short: Ox runs Gauntlet, Ox almost goes through portal, Lou is devastated by the potential betrayal and abandonment, Lou's emotions take over.
I say all that to say this: Lou has conditioned himself to push his emotions back for the sake of not getting too attached or losing control again.
Maybe he feels remorse for leading Ox to his potential death. Maybe he doesn't want to seem sporadic to the other dolls by the influx of different emotions.
As I and my best friend Natalie also theorize, Lou was not made with emotions. Therefore, he has limited to no knowledge of how to handle them and thus finds it easier to simply push them away altogether.
I came back from a coffee break in the library and forgot my previous thoughts for this section SO I'M MOVING ON.
Judging
Now, I should probably explain that judging in this sense is not the "wow, you're ugly" kind of judging. This is the opposite of prospecting. Essentially, it deals with how people prefer to tackle goals.
People with the Judging trait prefer to have backup plans, strict deadlines, and explicit ideas for how to execute their plans. So on and so forth. This is the opposite of people with prospecting who prefer to "cross that bridge when they get there."
Lou shows this a lot with the fact that he teaches. Teachers have to plan out their lessons and are working with a timeline. Lou also seems to have this plan set in place early on in the movie on how to deal with the Uglies. I believe the only time he changes plans is when he meets the Spy Girls in the pipe after Mandy and Moxy's abduction. As well as when he (most likely) made the minute decision to run the Gauntlet with them.
Not much needs to be said for this one, so I'm jumping on to our last point.
Turbulent
Ya'll are gonna be surprised by this one. The two options Lou could have gotten for this one are turbulent and assertive. Assertive is self-explanatory, but to add more depth, it regards their self-reflections.
Turbulent essentially means that Lou lacks self-confidence. That may come as a surprise because the movie portrays him as an arrogant, self-righteous person. On the contrary, most people that are like that are actually insecure.
Let's be reminded of the fact that Lou keeps his true nature of being a prototype a secret. It's kind of the main thing about him that isn't revealed. He also says this during the scene in the pipes:
"Everyone says: Oh Lou, you're so nice! You're the best! Do you know how long I've worked for that adulation?"
How long he worked for the adulation. He had essentially been trying to improve his reputation with the other dolls. He's tried proving himself to them. Now, the movie sets it up where the other dolls are working on their appearances and behavior to gain rapport with Lou.
So, why would Lou feel the need to have a good reputation with them? He's the leader.
This is also taking creative liberty, but maybe it's to convince himself that he can be a prototype and still be loved. He was so insecure -- and still is -- about his true nature that he was doing everything in his power to gain their love and adoration in case there came a day when they found out he was a prototype.
Now, this begs the question as to what he's been told about himself to believe that being a prototype is a bad thing and that others believe the same. But I won't dive into that for this post.
And imagine his surprise (which is scene during the scene where they toss around his fate with different options) when all that work he put toward gaining their adoration was still for nothing. The fact that despite all he did to show himself as a nice, genuine person (regardless if it turned fake, it had to be real at some point) was in vain. And the only thing they cared about was the fact that he wasn't a real doll.
But there's my long rant on that. Again, if you'd like to read more on this personality type, which includes: romantic relationships, friendships, workplace habits, and more then feel free to click the link at the beginning of this post.
And here's the tentative list for the next CTA's I'll be doing, unless I get an ask for a character prior to me writing it.
Mandy
Ox
Moxy
Nolan
LuckyBat
Wage
Babo
Tuesday
Kitty
UglyDog
Some characters that are given some limelight (like Lydia) are being excluded from this list because they are not given enough screentime/dialogue in order to fill out the personality test accurately.
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moonchild-05 · 5 months
Text
heya alex
i’m gonna start this by saying that you are a bit of a coward for not addressing me directly and by silently hoping that i will find the post eventually. i contemplated not responding exactly because of this, but decided against it.
your message, intentionally posted on an app i do not check regularly, did find me well. i thank you for the birthday wishes and would like to apologise for not writing to you as well. it didn’t feel as i was still allowed to. after all, you did cut all ties with everything and everyone that still reminded you of this place and at that time, i admit, i could not care less whether you wanted to keep in touch with me or not (i was mad i blended in with the masses and maybe you needed this, leaving everything behind, more than i needed the occasional ‘i’m alive’ text from you).
overall, this is not an invitation to further contact. i feel that the part of my life in which you played a big role ended a long time ago. to satisfy your curiosity, i did consider you a friend for the better part of middle school and perhaps the start of high school. i remember being asked, in a class i think, i can’t remember which, to describe my best friend in three words. the first person i thought about was you. i can’t even describe the feeling to you. it was as natural as it would get, you just popped into my head and i started to write some of your qualities. i also remember considering, for a brief moment, telling you about this, but then thought ‘why should tell you when it’s this obvious - if i know it, then you already know, have probably known it for longer than me’. i really cared about you, but i’m not the sort of person to seek friendship where it’s not reciprocated.
the fault is not entirely yours. yes, you were an idiot, but somewhere down the line i realized that your actions were not the only ones ill-intended. after you admitted you liked me, more than a friend is supposed to, the line between what i should have kept to myself and what i told you was blurry, to the point that sometimes i forgot it existed in the first place. for that i need to apologize. i liked to pretend that you were over me, even though deep down i never took a moment to consider how you felt, because i could not take not having you as a friend. back then, i thought that talking to you like nothing happened was the best thing i could do. the spiraling, the overly-detailed fantasies i would delude myself into, you know, the ones i used to gush about with you, were exaggerated, unnecessary and slightly uncalled for. you were one of the few people i trusted and represented a pillar of advice, the column of carefully picked words and sensible phrases crafted in such a way that i did not feel, not even once, judged.
i fail to agree with your statement regarding the way we both wrote poetry. i never felt as if i wrote better than you, quite the opposite, actually. i recently had a conversation with a friend, debating whether a poem is better than the other and how unfair it would be for the author, it he were still alive. i always had mixed feelings about measuring talent, often asking myself how can one piece of literature be better than the other, when there was not any criteria on which i could base an analysis on. i do not think you could compare the way we wrote because we are different people with varying degrees of understanding people and the phenomena surrounding us. i wrote more about people and the way i felt about them because that was the aspect of life that was consuming my very being at that time, whereas you wrote about the things surrounding you, events that marked your life. i did not know how to express it any other way back then and i am certain i don’t know how to express it now, either. i thought you were better than me because of the way you expressed yourself, graceful in a way i could never replicate, sensible, in such a manner that i could only dream of, but i did not realize your poems lacked substance. i don’t mean to insult you, but i think that maybe that was the whole point, being impressive by language and texture, to cover the lack of movement in the gray area of knowing the inner working of a human being. where you lacked substance, i lacked in expressionism, the inspiration was there, but the words were missing the thrill of having to uncover the dualism, the hidden meaning of an otherwise normal looking, double edged sword. i did not know it then, for i was an angsty, depressed 14 year-old that could not take not being naturally the best at everything i did (and because i also refused to read, although i used to love doing it).
i must say i really enjoyed your description of me. i always liked to think about myself as an unreadable person with easily misunderstood intentions, incomprehensible, unknown, unseen. i thrived on that, justifying my insatiable greed of learning human behaviors by remaining an empty canvas, waiting to be painted on by the few remarkable characters that made an impact on my otherwise colorless life. i later realized that this way of thinking, of living, only brought me further emptiness. i could not relate to anyone anymore and the once beautiful, living beings that contributed with youthful, pastel pink, were slowly turning the whole painting in a vicious shade of red, blood sputtering from every crevice of the canvas. it was destroyed by the very person i let it paint the most.
needless to say, after some time, i learned to trust again. i learned that being known is worth it, because, in the grand scheme of things, nothing is forever and the people i once knew like the layout of my own home started to fade into the background, soundless as they came. they are alive only in memories and dreams, perhaps a little too vivid, for there is not a moment of my life in which i will not glorify what once was. the same could be the said about you.
to conclude this, i do not hate you, i simply do not care about you anymore. i thank you again for the birthday wish, although i saw this a bit too late to still be relevant, but at the same time, i wish for the same things for you. i hope you get anything you ever hoped for and i don’t hear a word about it.
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chloe-skywalker · 2 years
Text
Short Notice - Natasha Romanoff & Bucky Barnes
Nat x daughter reader
Bucky x daughter reader
Warnings: none
Word count: 1,505
Summary: Nat has to go on an emergency mission and there's only one person to watch over her daughter. Her daughter's father.
Authors Note: mentions of what the red room does to women. Also, I really wanted it to be known that Bucky wants to spend time with their daughter, I have a family member that considers watching his own daughter as babysitting and that’s just wrong. Its not babysitting if it’s your kid.
Masterlist
Avengers Masterlist
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“Do you have to go?” Y/n whined sadly sitting on her mom’s bed, watching her pack a duffle bag full of essentials.
“I can’t stay this time sweetheart. I’m sorry.” Natasha apologized to her daughter. They had planned some mother and daughter time but this mission had to do with someone Natasha put away years ago. She hate’s when missions like this one come up, where she has to just leave immediately with no warning.
“Who will I be staying with this time?” Y/n asked swinging her legs off the side of the bed.
Nat sighed knowing that this was going to be not an easy one. Normally Wanda would watch over Y/n, but she had left yesterday on her own emergency mission. “I’ll tell you when I finish packing, ok?”
“Ok.” Y/n smiled up at her mom. 
Y/n is the child of Natasha Romanoff in an interesting way. The RedRoom decided that since Natasha was one of their best why waste the genes, so they froze her eggs before completing the “graduation” process. They kept it a secret, the RedRoom used their secret plan and put it into action not long after the battle of New York. That’s when they created y/n. Steve and Nat were on a mission a couple of years back when they had found out about the RedRooms little side project. All the Avengers helped and searched till they found Nat’s baby. All of them understanding that Nat couldn’t have more kids so they needed to help her get the only one she has back to her. It didn’t take more than a month or two before they found out where they were hiding her. After taking out everyone in the base, searching the rooms Natasha found a little 3 year old. Locked in a room with just a mattress and a blanket. Natasha immediately walked into the room squatting down to seem more friendly toward the little toddler, but as if on instinct the little girl just ran (as best she could) over to the redhead. Leaping into her arms, Nat wrapped her up tight holding her baby into her chest. Sadly for the first time. Ever since then, Y/n became part of the avengers little family, and Nat finally got to have her own little family. A child. A daughter.
“Be safe mommy.” Y/n added like she always does before her mom went on any mission.
“I will.” Natasha smiled at her daughter’s words. With that Nat lead Y/n out into the living room to eat lunch, once Y/n was happily eating and watching tv Nat left off in search of someone who could watch her while she’s gone. And she had the perfect person in mind.
Nat knocked on the door waiting for it to open, and once it opened she took a deep breath. “Hey, Bucky.”
Bucky was shocked to open his bedroom door and see Natasha there. He thought she had already left on her mission. And judging by the look on her face something wasn’t right. “Hey, Nat. What’s wrong?”
Nat shook her head. “Nothing wrong.”
Bucky laughed a small laugh letting out a huff of air. He knows her better than she thinks. Bucky leaned forward looking her right in the eyes. “That’s not what your eyes are saying.”
“I have to leave on an emergency mission, and I have no one to watch Y/n.” She knew Bucky knows her well but not that well. She’s a spy for goodness sake. “Look normally Wanda, Tony, or Clint would do it. But Clints not here, Tony’s at a fundraiser thing that Pepper wouldn’t let him out of, and Wanda had to leave on her own mission.”
Bucky reached out holding into Nat’s shoulders with an amused smile. “Nat, you can breathe. I’d love to watch her. I’m just shocked that you would ask me.”
“Why wouldn���t I?” Natasha asked with confusion. “Bucky, you’re her father.”
“Yeah, but Nat we’ve been introducing me slowly to her.” Bucky pointed out.
“She loves you Bucky.” Nat stated as fact to him. She could see how he was slightly nervous about watching their daughter. It’s not like has any reason to be nervous though. Y/n loves spending time with Bucky.
Bucky nodded. “Yeah but I’m still basically a stranger to her.”
“Well, it’s a good step. A bonding moment if you will.” Nat smiled at him. It seemed that her words helped Bucky relax some but not enough. “Relax Bucky. y/n already adores you. She’s going to love staying and hanging out with you for a couple of days.”
Bucky tilted his head, letting out a nervous laugh but he is relaxing a tiny bit. “Is it weird that I’m nervous and excited? I mean I don’t really know her as much as I should. But I’m also excited cause I do want to be in her life 24/7 and spend time with her.”
The time that Bucky has spent with their daughter he had enjoyed immensely. He wants to spend a lot more time with her, he just doesn’t want to mess it up.
Natasha could see it. In another life, her and Bucky together raising a kid together. Their kid.
It’s obvious to everyone how much Bucky cares about y/n and Natasha. How bad he feels that it all happened while he was the Winter Solider. Everyone could see how much effort he puts into making sure he doesn’t mess it up. The RedRoom had combined forces with HYDRA to create Y/n. The RedRoom’s best mixed with HYDRA’s best, the perfect spy and weapon. Thankfully for Y/n’s sake that never got to happen. Does she have the serum in her veins? Yes. Does she have Natasha’s abilities as well? Yes. But she didn’t have to go through either organization training methods or torture.
Not that either one has admitted it to the other and probably never will but both Natasha and Bucky could have seen this happening without the help of their ex-employers guess you could say. Bucky had helped train Nat, hell she could take him down easy. Both had somewhat of a fling with eachother around that time. Bucky was kept out of cyro long enough with training her that he had started to remember things, and with the help of Natasha, it was working. Sadly Natasha had already had her “graduation” ceremony in the RedRoom, so she couldn’t get pregnant but both like to believe that if it hadn’t already happened then that’s how Y/n would have been made. Granted she’d be older but still. It was a possibility.
Nat took a step closer to Bucky and placed a reassuring hand on his shoulder, giving him an appreciative smile. “You’ll do great, and thank you. I know it’s short notice.”
“Don’t need to thank me, Nat. Y/n/’s my baby girl too.” he shook his head, dismissing Natasha’s thanks. Bucky didn’t need to be thanked for watching over his own daughter. Y/n’s his little girl, spending time with her isn’t babysitting. He should be the one thanking Nat.
^      ^      ^
“So I’ll be with Bucky while you’re gone?” y/n asked to clarify her mom’s words. The two had sat their daughter down on the couch in the living room to talk to her about staying with Bucky while her mom was away. Y/n has never stayed with Bucky before, so the two adults were nervous about her reaction. Bucky more than Nat since Natasha knows how much y/n adores Bucky, and loves spending time with him.
“Yeah.” Nat nodded as she and Bucky sat down across from her on the coffee table.
“As long as that’s ok with you.” Bucky said, wanting to make sure this would be ok with her. That she was comfortable with their plan. If it wasn’t then they could work something else out. Even if that would break Bucky on the inside.
“YES!” Y/n jumped up onto the couch, jumping up and down chanting “YES”.
Natasha and Bucky watched her in shock for a second before both started to smile and laugh at her reaction.
“I take it you like this arrangement?” Nat asked her daughter through a laugh.
“YES! I LOVE Bucky!” Y/n stated, giving them a look that screamed ‘duh’ and excitement.
Nat looked over at Bucky with a raised eyebrow and a smile that said ‘I told you so’. While Bucky’s face lit up at their little girls statement. “I love you too y/n/n.” Buck stated, catching y/n as she jumped into Bucky’s arms.
Nat couldn’t help it as Bucky looked over at her, an she gave him the ‘I told you, you had nothing to worry about’. Natasha loved the view of Bucky and Y/n together. Father and daughter. One thing is for sure, that Natasha could leave on the mission and not worry about a thing.
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clusterfuck-dom · 2 years
Note
Connor?? From DBH?? Tied up and blindfolded by a male reader? Perhaps? Maybe some...cop/criminal role play? Maybe??? 👀
THE COP AND THE CRIMINAL
Sub Connor x Dom Reader
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You had my attention at “Connor.” This could’ve been more… steamy… but I got a bit carried away with how cute Connor is. Whoops.
18+ / NSFW CONTENT
Reader is male.
Contains: blindfolds, ropes, cop/criminal roleplay, slight breath play, usage of “good boy.”
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What a sight to behold.
Connor, the deviant hunter made by CyberLife, restrained to a support beam with a simple white cloth over his eyes.
You could barely believe you had the privilege to see this, really. Never in a million years would you even muster the thought of the RK800 model being tied up and blindfolded in front of you, his hair messed up and his uniform shirt slightly unbuttoned from your previous antics. Sure, it was a small fantasy you had locked away in your head, but for it to be actually happening — his chest palpitating quickly while his thighs trembled from anticipation — god, it was almost too much to bare.
“Look at that,” you whistled, taking a few steps towards him. “Mr. Officer’s found himself in a tight situation.”
The android bit the inside of his cheek, hesitating for a few moments as he pulled against the rope. “I… I’m not going to tell you anything…!”
Fucking adorable…
If you weren’t so good at staying in character, you would’ve cooed at him.
You see, Connor was never really good at “staying in character.” It’s the main reason why he’s usually the good guy in your little escapades; Connor’s good at being the good guy, after all. But it doesn’t take long for him to forget his role when he gets a little too hot and bothered.
And, judging by the heat rising to his plastic face and the heavy pants spilling from his lips, you can tell that he’s not too far from that point.
Taking his soft face in one of your hands (and reveling in the way he let out a choked squeak from this action), you began to stroke his flustered cheek with your thumb. “Don’t act so tough, darling. You’re not in any position to be tight lipped.”
A whimper left Conner’s throat as he bit his lip.
Your hand traveled from his face to his throat, applying minimal pressure to elicit a breathless gasp from him. “Don’t you think, Mr. Officer?”
The ropes creaked in protest as the android pulled against them once more. He stumbled over his words, stuttering and stammering in a weak tone of voice. It never ceased to amaze you how quickly you can reduce him to a hot and flustered mess. Who would’ve guessed that the deviant hunter himself could be easily riled up?
After a few moments of incoherent sentences from the poor android, you slowly began to trail your hand down to his chest. Connor immediately let out a small moan and bucked his hips when he felt your hands undo more of his shirt buttons. You were barely halfway done when his high pitched whines rang out.
“(Y/N)—!! I… I need you—!”
His desperate pleas were cut short when you grabbed a handful of his tousled hair and slammed your lips onto his.
It only took a second for him to melt into the kiss, your skillful hand making quick work of his buttons. The rough kiss lasted long enough for you to unbutton his shirt fully and you let your hand run up his abdomen all the way back up to the base of his neck (you made sure to apply that small pressure once again because, god, the sound he made was just heavenly). You broke apart from his lips after another moan spilled from his mouth, savoring the way he seemed to chased your lips as heavy pants filled the room.
“I need you,” he repeated again in that same needy tone that caused your cock to twitch with interest. “Please, I need you so bad!!”
Despite the blindfold, you could tell that his chocolate eyes were hazy and filled with desperation. God, CyberLife really did wonders with the RK800 model. From his pretty pink lips to his angelic voice box, Connor was the most perfect thing in the world to you.
“Alright,” you complied (it wasn’t exactly a tough decision; your pants were getting uncomfortably tighter by the second). “Since you’ve been such a good boy.”
His hips bucked again at the pet name, his thighs flexing as his throat released a grateful sob.
“Th… thank you!!”
He might’ve been bad at staying in character, but at least he made up for it in how adorable he was.
Besides, who could say no to a sight like that?
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hellofa-ride · 2 years
Text
Soldier Headcanons:
-Loves committing food crimes.
-Will wear anything you give him, dresses, skirts, bikinis, with no shame at all.
-The team is the only thing holding him back from death.
-Is extremely resistant to extreme temperatures, mentally of course.
-Will collapse from the heat but then will wake up ten minutes later, not even knowing that he ever fainted.
-Will get mad if you do that pulling-a-quarter-out-of-your-ear trick. 
-”THAT’S MY EAR MONEY, GIVE IT BACK!”
-Vents to his raccoons because they “Don’t judge him” and don’t “Look down on him.”
-Has severe memory loss and will often have trouble recalling things, but for some reason he has never had issues remembering things about the other mercs.
-Is practically deaf, and gets really stressed whenever there are no loud noises because he is worried that he finally lost his hearing.
-Is really good at climbing things, specifically trees.
-Almost never gets sick, at least that’s what he says.
-In reality he gets sick almost every other day, and all the mercs have to get Medic to help.
-Easily gets upset when he sees other people are upset.
-Really sloppy eater, also his mouth is like a trash chute. He will eat anything you give to him, no matter how expired or burnt it is.
-Any holidays that are considered “American” are HUGE deals to him.
-Him and Demo are not allowed to be left alone on fourth of July.
-Last time people left them alone together on that day, they blew up the entire base with fireworks.
-Has a plushie eagle that one day he saw in the store and BEGGED Spy to buy it for him.
-Spy refused, but when he saw how upset Soldier was because he couldn’t get it, he secretly bought it along with a mini american flag.
-Then he gave the eagle a little bow tie with some ribbon, and then stuck the flag on it.
-He then secretly left it at his door, not even saying it was from him.
-Spy thinks nobody knows, but Soldier saw it all and quickly thanked him after.
-Spy still refuses to admit he bought it.
-He usually cannot cook for SHIT, but he anything that is usually associated with America, he can make it perfectly.
-He also makes really good homemade bread.
-But he HATES the smell of yeast.
-One time fought an army of bees while trying to steal honey from them.
-It was a tie.
-Will wake everyone up really early in the morning.
-AWFUL at reading and spelling, so Medic, Heavy, and Engie took it upon themselves to teach them.
-He picked it up REALLY quickly, but he refuses to learn any other languages.
-Had an under bite that Medic fixed without braces somehow.
-Calls any restaurant or store that doesn’t sell burgers “Unamerican.”
-Digs trenches for fun.
-Whenever he gets mad, he tries to suck it up until he explodes, similar to Sniper.
-When he does explode, he goes into a blind rage where he destroys anything and everything.
-Almost never takes off his helmet.
-His helmet was from his veteran father who died in action.
-Will often grind his teeth, bang on his helmet, crack his knuckles whenever he is stressed.
-One time he lost his helmet and he went into a blind rage.
-By the end of it his whole entire head was swollen and bruised because he banged on it out of stress MANY times without the protection of his helmet.
-When he was younger he used to wear a pot over his head instead.
-Will often listen to army training tapes on a tape player that Heavy bought for him.
-Will often say fake facts about the area he is in if it is America, usually relating to this being the area of some sort of huge war.
-Is supportive in a very aggressive way.
-Very easily forms crushes, and surprisingly is very mushy about it.
-Doesn’t use utensils, only eats with his hands. 
-Has ASD, severe memory loss, separation anxiety disorder, (after his mother left him and his father died) and bipolar-1.
-Every one of the mercs realize how he has abandonment issues, and how easily he attaches onto people. 
-Has trouble realizing how taboo certain things are.
-Has plenty of trouble with social cues.
-Transmasc, which is how he got the name Jane.
-Just didn’t have the heart to change the name his american parents gave to their american “daughter.”
-Is bi, poly, and he/him.
-Usually is very intense, but the team helps him calm down, especially when it comes to him being angry.
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