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gyuswhore · 2 months

Text

Grease (the tragedy)

“Careful, those marks on the floor aren’t just oil and paint.”

jeon wonwoo x reader

word count: 5.8k

warnings: smut [minors DNI], fluff, angst, mechanic!wonu, annoyances to lovers, blind date gone wrong but then gone right, kissing, clit stuff, oral (f. rec), thigh fucking (oop), this all happens at a desk LMAO, title is a what I thought was a funny spin on how people say "grease (the musical)"....has nothing to do with the musical though but lots to do with actual grease!!!

synopsis: In which you have to sit through one of the worst dates of your life, followed by the insistent tug of fate and compulsion that lead you straight back to where you'd sworn you'd never go.

[a/n]: HAPPY BIRTHDAY TO MY WIFE CAMOTHY @highvern everyone go say happy birthday to cam or ill appear in your room at night 🔫 anygays HAVE FUN READING THIS I hope this is all the sexy wonu content you wanted, I cant wait for your reaction hehehhehe

and also bigbigbigbig thank you to jessifer @the-boy-meets-evil for proofing this for me!!! ily heh

and and to everyone reading this who is not cam, I hope you enjoy reading mechanic!wonu as much as I liked writing him heheh PLS REMEMBER TO REBLOG AND TELL ME UR THOTS it could be in the tags, replies, an ask literally anything!!!! id love to hear what you guys think!!!!

masterlist

[You]: do you think he died on the way [Liv]: hes still not there??? [You]: what do you think????? [Liv]: let me ask Amelia [You]: dont bother [You]: he can show up whenever he wants im leaving in 5 [Liv]: you promised you’d sit thru this!! [You]: sit thru what? an empty seat across from me???

Liv doesn’t respond immediately, and you immediately know she’s buggered off to ask her cousin why your date still wasn’t here.

It’s not like you couldn’t have asked him yourself, the sparse textbox sitting just under Liv’s contact. You open it to inspect the contents.

[liv’s cousin’s something]: Amelia gave me your number [liv’s cousin’s something]: friday night at the sage&salt at 7 [liv’s cousin’s something]: is that okay [You]: uh hey [You]: yeah that’s fine

Today 7:20 PM

[You]: im here?

The first thread of texts were enough to make you feel like this was some cold business meeting instead of a date, knowing wherever this would lead would be either the city dump or off a cliff. Liv was hearing none of it, taking the guilt tripping route, saying she’d already committed and her cousin was irritating enough even without a scuffle.

So when Friday evening came around you’d pulled on the first dress your fingers could find, took all of ten minutes fighting with your makeup to make it look like you did something and left the house with zero expectations.

Despite that, as you see a man walk into the establishment dressed like he’d gotten into a fight with a squid and a paper shredder, you feel the stone in your chest tank into the abyss. Zero expectations, and he’s somehow managed to strike out anyway.

The jacket looks like he’s put it on as a weak cover for the grime stains on his shirt and trousers, a couple jet black splatters across the outfit to really pull the whole thing together. It’s not like he looked homeless or anything, his face surprisingly handsome with his hair pushed away from his forehead. Although he remains looking like he’d been playing football in some neighbourhood parking lot before remembering he had an adult appointment too.

You’d never seen the man in your life, but your gut told you this was the shit texter who’d kept you waiting for nearly an hour. He seems to notice too, eyes locking from across the restaurant as the waitress leads him to your table.

“Wonwoo,” you greet with a difficult smile, half sure it came out as a grimace. “Right?”

“Yeah,” he huffs as he practically slams back down on the chair, and you wonder for a moment how the legs didn’t give out. He says your name and you nod. “Sorry I’m late, I got a call in the parking lot.”

He’s been in the parking lot this entire time?!

It’s like you’ve been doused in gasoline and lit on fire, yet somehow needing to give him a shaky reply anyway.

“O–oh, I see.”

The waitress saves you from spitting in his face when she asks if you were ready to order.

Dinner was off the table, as you discussed with Liv who forwarded it to her cousin to her–whoever it was that set up this god awful date–and agreed on dessert and perhaps a drink.

“I’ll have the chocolate cake,” you request in an attempt to make this somewhat better. You consider for a moment before asking for a drink as well, “And a dry gin martini, please.”

“Um,” he staggers as he barely skims the menu, ultimately flipping it closed. “I’ll have the same, I guess.”

Deep voice. You might’ve liked that if you weren’t already so peeved.

The waitress disappears with the menus, leaving you two alone for the first time.

“So,” you start with an exhale. “How do you know Amelia?”

“Her husband.”

“I see.”

Silence.

“How do you know her husband?”

He sighs like this is all inconveniencing him, and it irks you to an irrespective degree. Like you wanted to be here either.

“He brings his car to the workshop alot, became friends somewhere along the line.”

“Workshop?”

He looks a little startled, cocking his head to the side. “I’m a mechanic? Did Olivia–was it–not tell you?”

“No, she didn’t.”

It’s silent yet again as the man across from you refuses to elaborate. You curse as you ask him a follow up question. If there was anything you hated more than shouldering a dead conversation, it was sitting through an awkward silence.

One hour. You’d sit through this for one more hour and then you’d leave.

“What kind of cars do you work on?”

“Expensive ones,” he answers. You might’ve kicked yourself if he’d ended it at that, but he continues with a purse of his lips. “Ones that rich people abuse to an inch of the machine’s life and wonder why the dealership gives up on it. Vintage pieces too.”

“Have I heard of it?”

“The cars?”

“No, I mean,” you let out a breath. “Your workshop.”

“Jeon Motors, just a couple streets down actually.”

You did know what he was talking about, not expecting to recognise it through the empty question, passing by it on multiple occasions in this part of the city.

“Oh, I’ve seen it a few times.”

“Yeah, we’ve been there for a while.”

“Family business?”

“Uh–sort of.”

“Okay,” you sigh in an irritated laugh. This was going to be a very difficult hour. “Keep that to yourself too.”

“Is there a problem?”

Just as you lift your eyes to lock with his, a ready yes, there is actually a problem on your tongue, there’s an intrusion.

“Here are your chocolate cakes,” the waitress places the cakes down, and then the drinks. “And your dry gin martinis. Do you guys need anything else?” By the time the waitress is gone you’ve somewhat forced yourself to put that sudden surge of flames out, to a degree at least.

“Okay,” he sighs, grabbing his glass and downing nearly half the contents. He emerges, wiping a bit of a spill from the corner of his mouth. “Let’s get this out of the way.”

“Hm?” He’s speaking to you with a very weird surge of intensity, and it confuses you.

“Neither of us wanna be here. You’re clearly trying to be hospitable but I’d really rather you not, especially when we’re both doing this to get our respective ticks off our hides.”

There isn’t much you can do but stare at him.

“Have I misjudged your advances?” he asks over his glass, sharp eyes piercing.

“No!” you yelp, reaching for your drink yourself, taking big sips only to emerge sputtering and heaving.

Your date looks like he’s rising out of his chair when you raise a hand to stop him.

“No,” you repeat, less jumpy this time. “I guess we could’ve cleared that out from before.”

Did he…snort?

“Sorry.” Dropping his chin to his chest, he composes himself.

“What?” you ask, remaining annoyed as ever.

“Nothing.”

That does it. You slam your now empty glass down on the table, slipping your fork out of the napkin a little forcefully, the metal glinting in the light of the restaurant. You dig into a corner of the cake and shove it in your mouth.

If he was gonna be rude, you could be too.

“I don’t know about hospitable.” You swallow. “But I assumed not being an ass was kind of an unwritten rule for any situation really. Including the ones you’d rather not be in.”

Wonwoo stares at you with a blank face, his cake untouched. “I’m being an ass. My laugh couldn’t have offended you that much.”

“So you did pick that up,” you comment. “With the way this conversation’s going I would’ve thought it flew right over your engine.”

“I’d argue your laugh was the least offensive thing you’ve done tonight.” You plunge your fork into your cake again. “But clearly we’re in different realms of etiquette.”

Your eyes meet the rough stains on his attire, and then his own that bore into yours like a challenge. The cake isn’t too sweet, rich just the right amount and texturally sound. Maybe something good did come out of this fiasco.

“Okay fine,” he announces, sitting up straighter. “I apologise.”

“For laughing?”

“And for being obscenely late.”

“And?”

“And…” he genuinely looks like he’s struggling to figure it out, but catches your eyes flickering to his tattered and stained outfit. “And for my entirely inappropriate dressing sense. You’ll have to forgive me for that one, oil and grime are my spoils of war.”

“Wear it like a badge, mister mechanic, but perhaps somewhere it’s appreciated.”

Wonwoo has already finished his drink, his cake remaining untouched. “You’re quite adamant on disliking me.”

“And you’re quite adamant on being a horrid conversationalist.”

The corners of his mouth lift the slightest bit. Opening his mouth to respond, you cut him off. “Cars don’t talk? Or perhaps, machines are easier to understand?”

“More like I don’t care to be personable.”

“That can’t be good for business.”

“The cars speak for themselves.”

He’s a weird one. Even more so when he offers to pay the entire bill, promising you he wasn’t lying when he said he was good at what he does, and to “make up for lost personality points.” You manage to pay your half anyway, considering the circumstances.

“Can you at least let me drive you home?” Wonwoo asks as you both step out of the establishment soon after.

“Depends.” You fix the strap of your bag. “Will it fall apart on the highway?”

The blaring white of the restaurant's outdoor lights backlight Wonwoo to make him look like some sad angel. He turns to you, the same slight smirk that seems to be plastered on his face. “Why don’t you find out?”

“What do you mean sell it? I got this thing a year ago!”

There isn’t much you can do but sigh loudly as you listen to Olivia talk about the state of her car, the one that cost too much to justify but she seemed to use and abuse like a very replaceable toy truck.

Leaning against the hood of the darn thing, you talk to her. “The dealership is giving you a shit deal to take it off your hands, you might as well try your luck.”

The look on her face is easy to read as she silences. Not convinced in the slightest, waiting for the conversation to end just so she could figure it out on her own. Sighing loudly, you look back to the dark beauty with a crate of issues that make it spit and sputter to a stop every few weeks.

“How much did you say the repairs cost again?”

“Enough to put me on food stamps,” she whines through her frustration, tears pricking against her eyes as they glisten under the neighbourhood streetlights. “Why are you smirking like that?!”

“It’s just,” you pause as you consider your next words, pressing your lips together. “This is a little bit your fault.”

Lies, it was entirely her fault.

Liv stares like you’ve just offended her, which you’re sure you have.

“Care to share how this possible bankruptcy could be my fault?"

“Because you drive the thing like you have a secret reserve buried somewhere in Tenerife.”

“My apologies for making a habit of not being a public nuisance and going forty on a national highway.”

“Your speed-o-metre is not the issue here.”

“Yes, of course, everything’s my fault.”

“Liv, please!” You groan loudly. “Just…let’s try putting up a listing tomorrow. Consider the prospects and you can decide from there.”

Sagging her shoulders and stretching her neck, Liv decides to simply trudge back indoors in silence. You take it as a begrudging yes, and follow her inside.

That very night, when you were at the very cusp of falling into the dark space of sleep, your brain re-awakens before your eyes do. A jolt as the memory comes back to you of the many months ago, sitting in that restaurant across from a man who was too handsome for the personality he seemed to sire.

“Expensive ones,” he had said. “Ones that rich people abuse to an inch of the machine’s life and wonder why the dealership gives up on it.”

How fitting.

“Are you going to explain or should I explode instead?”

You’d mentally prepared for the bombardment of accusations from Liv, her questioning perfectly right as you yourself cringed at the thought of showing your face here of all places. The one last one that’d officially banned her from ever setting you up with an individual of her choosing ever again.

Hearing only silence as her answer, she appeals; “I thought he was the worst date of your life.”

“Nothing to do with his skills as a mechanic,” you mumble, refusing to make eye contact.

“And everything to do with this being a horrible idea anyway!” Liv stares up at the sign on top of the garage. Jeon Motors. “What makes you think this guy can fix my car?”

What did make you think he could fix Liv’s car? If you’d known you might have given her an answer, but as you stare at the giant signboard that you’ve driven past for longer than you can remember, you can’t help but feel this place has been haunting you. Just a little.

You can’t help but feel the tingle of goosebumps rise on your skin, the hairs across the expanse standing up at the thought of walking inside. There was no way you could differentiate the reaction from plain nerves or from the cringing drills that sound all the way outside the establishment. Regardless, you make an attempt to look confident as you make your strides into the pungent of the workshop.

The first thing you note is how…clean everything is. Cleaner than any other workshop you’ve walked into anyway.

The interior is bigger than it looks from the outside, the ginormous hall hosting about a dozen cars within your eyeshot alone. One side of the great hall holds an array of parked cars in different stages of dismantled and deconstructed, while the other side is lined with contraptions that look like stripped and enlarged elevators.

Once you’ve inhaled a beyond recommended amount of smoke fumes and listened past all of the clanging, banging and sparks, you register the people that are elbow deep in the hoods of the vehicle they’re working on, enough to leave you and Liv standing at the entrance of an establishment that you can barely make sense of.

“Can I help you?” A man in stained beige overalls approaches your wide eyed pair, face half covered in his baseball hat and hands occupied with a rag.

To your slightest dismay, it isn’t the man you’re looking for.

“Uh– is Wonwoo here?” you ask.

“He’s in a meeting right now. Are you a friend?”

No, just a failed love interest.

“He,” you falter. If you weren’t a friend…then what were you? “He gave me his card.”

“Do you need help with your car?”

“Mine, actually,” Liv pipes. “It’s outside if you wanna take a look first.”

With one sweeping look across the warehouse, your eyes land on one of the few doors on the left. You register the plain look of it for barely a moment before joining Liv outside.

By the time her car has been rolled and parked inside for a more thorough inspection, it’s taken you every last grain of your willpower to not stalk back out and wait in your car. For whatever reason, you can’t help but feel a very familiar spasm of irritation spark through you. Here you are, left anxiously waiting for the same man for a second time, merely feet away but remaining occupied with more important things.

At the very least, the multiple hands prodding around the car’s engine were being somewhat of use, attempting to survey the same issues that had been looked at about a dozen times before. You silently promise to be a better person if this trip wouldn’t be for vain.

“Am I late for something again?”

Your throat is suddenly clogged as you open your mouth and no sound graces your presence. The face that meets you has his eyebrows raised as he stares at you in expectation, a ghost of a smile on his face.

“W–Wonwoo, hi, um.” You clear your throat loudly, heat cursing your cheeks. “No, of course not.”

“To what do I owe the pleasure after…four months?” he asks, hands on his hips and his back straightened.

“I…my friend’s car needed to be looked at so…”

“Ah, of course!” He turns to where you’ve motioned, looking at the popped hood of the car his employees are working on. “I’ll take a look at it myself, don’t worry about it.”

He’s already walking away, towards the car and leaving you a ways away from the action. You stare at his back; the overalls tied at the waist and the stained white T-shirt that clings to his form from the humidity.

Wonwoo remains a man of a few words, and you remain at wits end about it all.

A loud honk gives you something to do as you jump at the sound so up close, scrambling to move away from the smack centre as another car pulls into the garage.

“Careful, those marks on the floor aren’t just oil and paint.” Wonwoo snickers from his place hunched over the hood as he cranes his neck to look at you.

You walk over to where he is to get out of the way. “Was that meant to sound like an innuendo?”

“I was talking about the occasional running over someone’s foot,” he answers. “Not sure what you were thinking.”

Ignoring the jab, you note that it was now only you and him crowding the car, “Where’s Olivia?”

“Went to look at spare parts.” You watch him as his gloved hands reach further into the enclave and yank at something hard.

“So you can fix it?”

“The car? It’ll take a couple days but it’s not really an issue.”

Furrowing your brows, you press on, “But the dealership—”

“Dealerships are the spawn of the devil,” he grunts as he finally wrenches out a spare nut or bolt or something that’s covered in oil. “Let me guess, they wanted her to sell it back to them?”

It’s your turn to raise your brows. “Yes. They tried fixing it, but it'd just stop again.”

“Because they’ve been fixing the symptoms.” He raises his eyes to meet yours, hands occupied with rubbing the part in his hands relatively clean with a rag. “They haven’t bothered to do anything about the actual problem.”

“Because that’s gonna cost…?”

“Couple hundred, give or take,” he announces nonchalantly, turning his focus back to the engine.

“But—” That’s it?

“Fifty extra for every question I have to answer after this.” You briefly wonder if Wonwoo’s eyes were always this piercing, boring into your soul like he didn’t need words to know what was going on with you.

“Fine,” you huff, moving to drag a chair over, mostly just so you could have reason to break eye contact, and plop down as you watch him work.

The more you think about it, the more you can find yourself unbothered by his strange behaviour. He wasn’t bleak, but nowhere near one of the more interesting people you’ve met. Taking the opportunity to really scan the man head to toe, you can’t say you find anything truly concrete to be this put off by him.

Not much of a talker, but with the times you’ve prayed for a man that knew when to shut up sometimes, you wonder how much you can actually complain about this boon in particular.

Besides, he was a looker, and you were completely content shutting your trap if it meant you got to shamelessly ogle at him from this close.

“You know, this place looks bigger than it does from the outside.”

Wonwoo stares pointedly.

You raise a shoulder in nonchalance, “Wasn’t a question!”

He simply huffs as he mumbles, “More length than breadth I suppose.”

“What are those things called?” you ask as you watch a sedan get lifted into the on some platform on the other end of the row.

Glancing back, he answers, “Post lift, car lift, whatever you wanna call it.”

“What does it do?”

“Take a wild guess.”

“Touché.”

Glancing back at him, you catch sight of his stained shirt once again. “Is that the same thing you wore to our date?”

Chin to chest, he registers what he’s wearing, hands still working on pulling bolts and boxes out of the hood. “Have about twenty of the same shirt, I can never be too sure.”

“You’re impossible.”

He smirks, “Touché.”

You questioned if this was a mistake.

Olivia could pick up her car herself, so why did you insist to be the one that did it? As you pay the taxi driver, you feel your ankles lock for a moment as you move to slip out of the cab. Frozen, you hear the driver ask you if everything was alright, to which your legs seem to work again, finally foot to gravel in front of the dreaded workshop.

The Jeon Motors sign blares the same as it always has in the afternoon light, glinting as it encourages you to walk in and do one of the stupider things you’ve done in life. Other than the ridiculous outfit you’ve put on, of course.

But alas, as you hand over your slip to one of the many mechanics in the workshop, you find yourself praying he wasn’t here after all, that perhaps you could miss him as you leave and never have to see him again.

Somebody yells out his name, and the dream drifts away like smoke.

Finding the courage, you look up to where the man shouted for him, and immediately wish you hadn’t.

Wonwoo remains in his overalls, the same ones that he had tied to his waist the last time you saw him. His undershirt however…

The tank top is revealing too much for you to pretend you don’t care, his hair remaining pushed back and away from his forehead as he walks over to you in what feels like slow motion. He takes the slip that he does not need, smiling at you as he says his hellos.

“Car’s all fixed up, just need some papers that need signing and you’re all set.”

“Oh, but Liv isn’t here today.”

“That’s alright, you can sign them too,” he reassures, motioning for you to walk with him towards the car. “The car was alright in the test drives, revving hasn’t caused any problems either.”

He halts in front of the now (supposedly) fixed black sedan and pats the hood lightly, “If anything happens tell her to bring it straight here, although it shouldn’t have any more problems.”

“What’s your rate of return on customers?” you ask, a slight smirk on your face.

He thinks for a moment, “Pretty crap. But I guess that means I’m doing something right.”

You consider yourself something of a helicopter parent when it comes to your own car, but perhaps you’d change that if it meant you’d get to come here a little more often.

Goodness, what’s gotten into you.

Wonwoo’s smiling too, and for a brief moment the silence is nearly awkward. A pause before he proposes leaving.

“Shall we go to the office then?”

Nodding eagerly, you trail behind him as he leads you towards the other end of the workshop, passing by even more cars in all their stripped or constructed glory. Glancing in front, you catch sight of Wonwoo’s back, ensnared for a moment before you snap your head away, reciting every curse word you know like a mantra.

“It’s less hot in here too, keep the air on all the time.” Wonwoo stands in front of the plain doors, hands on the handle to wrench it open. You recognise it as the same door you had noted a few days ago. “Would you like anything? Coffee, tea?”

“Um, just water is fine, thanks.”

It’s quite plain, beige and leather against cream walls and unfittingly white lights. There’s a desk on one corner that’s beyond cluttered with more papers than you can register, pens and other office supplies mixed into the disorganised chaos of the large tabletop.

“Sorry about the mess, I can never find time to sort through it.” To your surprise, the light tinge of his cheeks suggest he might actually feel a little embarrassed.

Cute.

There’s cabinets that line on one of the far walls, and you watch him take his gloves off to open it and reach for a cup. The white porcelain emerges stained with an ashy grey as his fingers betray him. He looks flustered, glancing at his hands and back up to the cabinet.

You can’t help but laugh a little, moving forward to help. “It’s alright, let me.”

“Sorry,” he apologised again, with a sheepish look on his face. “I’ll, um, wash this off.”

“Go on, I’m here,” you reassure as you move towards the water dispenser in the corner to fill your clean cup.

He returns with significantly cleaner hands and apologises one last time. “Seems all I do around you is apologise.”

You have the good humour to chuckle, “So I’ve noticed.”

He does well to clear out most of the clutter that’s on his desk, leaving enough room to set down a few pieces of paper as you take a seat on the opposite side.

As you scan through the papers, he attempts to make sober conversation. “You should…bring your car around for inspections if you want.”

“Oh? Even if I ask a million questions?”

“I can make an exception or two,” he grins.

“And if you charge me double?”

“Might not charge you at all.”

“Might?” you question as you lift the pen he’d given you to sign the first space.

“Might.”

“And what’re the conditions for that?”

He doesn’t answer as he ponders and you fill in the second blank. “I’ll have to think about that.”

You snort before you can help it, your last signature coming out a little wonky as your hands shake. Turning the papers over to him, you continue, “Well then, let me know when you figure it out.”

He stares pointedly as he accepts the papers before dropping his eyes again, “Can I?”

“Hm?”

“Can I? Let you know?”

It’s like you’ve been frozen over, the typewriter in your mind jamming as it punches out the implications of what he’s saying.

“It seems, at least to me, that we may have gotten off on the wrong foot,” he continues.

You hesitate. “I think so too.”

“I…I don’t want to put anything like pressure on you but–”

“Would you like to try the new gelato place downtown this week?” you ask finally as you save him from his misery. “If…you’d like.”

He looks stunned for a moment before he’s scrambling, “Oh–of course! Yes, anytime is fine with me.”

“Great,” you smile, lifting from your seat. “It’s a date.”

“I’ll promise to wash my hands this time…and my shirt. And I won’t be late.”

“Let’s not make promises we can’t keep,” you tease.

You’re nearing the door as he follows behind, and just as you’re about to pull down on the handle, you hear him say your name.

Turning around, almost too eagerly, you look up at him in expectation. He’s close, almost right behind you as he looks like he’s debating whether opening his mouth is a good idea.

“Are you doing anything else today?”

“Um,” you stutter for a moment. “I don’t have to drop off the car till later tonight, that’s all really.”

He swallows. “Do you wanna stay? Just a little while. We can stay in here, nobody comes in anyway.”

You aren’t entirely sure why you said yes, because you did actually have dinner plans with Liv later tonight, but the teeny tiny voice in your mind egged you on anyway. Besides, Liv wouldn’t mind, not if you were cancelling for this.

This entailed the very friendly contact of Wonwoo’s tongue in your mouth, and the extremely cordial way it seemed to caress your insides. If somebody asked you how it led to this, you don’t think you’d have an answer. Not that you care, especially when his hands are grabbing your waist and hips like that.

He’s already locked the door, reassuring you that nobody would find their boss and client in the smack dab middle of the devil’s tango. You take his word for it, relishing in the way his hot breath hits your skin below your ears, his mouth sucking under your earlobes as you whimper ever so quietly.

Your hands are on his exposed biceps, feeling him up all to your heart's content. “Do you–Do you always wear stuff like this?”

He emerges, wet lipped and eyes trained. “So I wasn’t imagining it.”

“Imagining what?” you ask as you let him unbuckle your trousers.

“Please. Like you weren’t stripping me with your eyes.”

If you were warm before you, you're boiling up now. Were you being so obvious?

“It’s alright,” he reassures as you feel his fingers make contact with the crotch of your panties, pushing in to put pressure on your clit. “Wouldn’t be here if I hadn’t picked up on it.”

You feel his fingers push the dampening fabric away as his fingers make contact with your hole, coating his fingers in the arousal that’s made itself known. It’s hard to not hiss at the way he begins to circle it, thanking the universe that the loud noises of the workshop outside were masking whatever evidence of the heinous crime you were committing inside.

Back against the couch in his office, you settle into the cushions once you feel him rub at your clit, one hand spreading your lips apart as he continues to massage your own wetness onto your throbbing cunt.

When he retreats you almost cry out, but are smothered when he plunges two fingers into your hole instead, curling them almost immediately inside you. The consistent brush of the tips of his fingers on your walls are making it difficult to keep your eyes open, and absolutely impossible to keep your moans at bay.

“Wonwoo, that’s so good, fuck.”

Through your closed eyes, you don’t note when Wonwoo gets on his knees. But you do feel him yank your trousers off entirely, and you definitely feel him place his wet mouth flush on your lower lips, sucking at your clit as he continues to pump his fingers in and out of you mercilessly.

That’s all it takes for your noises to become increasingly high pitched, hands buried in his beautiful hair as he continues to pleasure you beyond imagination.

“I’m so close, keep going, please, it feels so–”

He somehow buries his face in deeper, sucking harder, licking faster, and it’s enough for you to finally feel yourself collapsing on the inside, your composure dissolving as you moan so loud you’re sure they can hear it outside, even through all the clanging and revs of cars.

There’s no way for you to know how long you lay there slumped against the couch cushions, but when you hear Wonwoo speak to you in your ear, you answer.

“Was that okay?”

“More than okay,” you say as you grab his face and pull his lips to yours, tasting the tang in his mouth from your arousal. “Do you have a condom?”

“I–fuck,” he thinks for a moment. “I don’t think I do.”

You try not to feel too disappointed, but you sigh into his mouth anyway.

“Can I fuck your thighs?” you hear him ask, and you might have just orgasmed again, untouched.

“Fuck, yes you can.”

With a yelp, you feel yourself lifted off the couch as you wrap your arms around Wonwoo’s neck, letting him guide you to his desk. “Wonwoo!”

You hear a loud crash of the desk being stripped of all its inhabitants, and your back hitting the cool of the table top.

Wonwoo unties the arms of his overalls around his waist, letting the legs pool to the floor before slipping his hard cock out of his boxers.

You don’t see it as you feel him lock your knees together and lift both your calves to rest on one of his shoulders. But you do feel it as he pushes the head into the seam of your thighs, watching the indent as the pink of his dick appears before you through the skin of your thighs.

Wonwoo’s face is contorted as he pulls back and pushes back through again, this time brushing against your still sensitive clit. You gasp at contact, and immediately feel him thrusting faster.

“Wonwoo,” you grunt. “Lower.”

He obliges, pushing his dick lower so it can rub flush against your clit as he begins to roughen up his pace.

You moan as you feel his free hand that isn’t holding your legs trail to the ends of your shirt, caressing over your stomach to pull it up and reveal your bra clad tits. He pushes his hands under the nearest cup and begins to grope you so wonderfully with his big, warm hands. Rolling the bud between his fingers, you can only grasp onto his wrists as a handheld to keep you down on earth.

The desk beneath you is rattling with noise, the full drawers making themselves known as Wonwoo pounds into your thighs like he would die if he stopped, mouth coming in contact with whatever skin of your legs he could reach, his breath fanning the side of your knees.

You’re close again, and you know he is too with the way his thrusts are beginning to grow sloppy.

“There,” he pants. “Almost.”

You orgasm for the second time, the throb your clit beyond comprehension as the rough of his dick slides across your clit mercilessly.

“Cum like this, Wonwoo please I need to see you cum.”

And he does, shooting the heft of his load to cover your already wet cunt and thighs, landing on your stomach as he continues to ride out his high between your legs.

The back of your head hits the table as you take in gulps of air through the aftermath of it all. Wonwoo is putting his weight on the back of your thighs, holding onto the table for support.

“Oh, Liv is never gonna let me live this down,” you pant, lolling your head to one side as you register him.

He peers up at you through his hair, the stupid smirk on his face, “Do you care?”

You’re smiling a little too when you answer, “Not really.”

And then your legs are off his shoulders as he nestles between them instead, diving in to lift your head and kiss you.

And you let him, although you wouldn’t really call it too much of a kiss—not when the both of you were smiling like idiots through the clash.

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adrienneleclerc · 2 months

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Slam the Door

Summary: Where Y/N slams the door on her boyfriend’s car to see how he would react.

Warning: Spelling and grammatical errors

A/N: this includes Charles Leclerc, Lando Norris, Lewis Hamilton, Oscar Piastri, Logan Sargeant, Max Verstappen, and Carlos Sainz Jr. since I am writing about them now

Charles Leclerc

Y/N and Charles were in the gas station. He filled up the car and got back in the car to get his wallet.

“Hey, I can go in pay for it, I kinda wanted some chips and a soda.” Y/N said.

“Yeah sure, Mon coeur, here’s my wallet.” Charles said, sitting fully in the car, handing his wallet to Y/N.

“Thanks, muñeco.” Y/N said, before slamming the door. Charles was startled, his face like when he hit the camera in Australia.

“What was that about.” Charles wondered out loud. “Did I do something? I don’t think I did anything, can’t be her period, she would have told me, can’t be her birthday, not our anniversary, what happened?” He could think about dome thing else since Y/N got in the car. “Why did you slam my door?” Charles asked

“What?” Y/N asked, opening her bag of chips.

“Why did you slam my door? Did I do something to upset you, or…?” Charles asked, starting his car.

“What? Of course not, it’s just a TikTok prank.” Y/N said.

“Oh, okay, but did you have to slam the door so hard, the car actually shook, Mon ange.” Charles said, Y/N laughed.

“Sorry, muñeco, I didn’t mean to. But the car is okay.” Y/N said.

Lando Norris

Y/N and Lando were leaving the restaurant, they got into his car, Y/N looked in her purse.

“La concha de su madre, I left my ID at the restaurant, I’ll be right back.” Y/N said.

“Of course, baby, be safe.” Lando said.

“I will.” Y/N said, getting out of the car and slamming the door. Lando was in shock, rolled down his window, honked his horn to make Y/N turn around, and yelled.

“You muppet! Were you trying to cause a mini earthquake?” Lando shouted and Y/N was bent over, laughing. “What are you laughing about? I’m pretty sure my phone fell in between the seats.”

“Sorry, fresita, it’s was a TikTok prank.” Y/N said, walking back to the car and showing him her ID.

“Why can’t you be one of those girls who pulls the penal where they walk in on their boyfriends naked? I’d really like that one.” Lando said, starting the car to go home:

“Because that’s not a prank, Lando, that’s your dream come true.” Y/N said and Lando laughed

“Well you’re not wrong.” Lando replied. “Can you help me look for my phone when we make it home?”

“Yeah, of course.”

Logan Sargeant

Y/N and Logan were going to leave the parking lot when.

“Shit, forgot my phone upstairs, I’ll be right back.” Y/N said.

“Alright.” Logan said. Y/N slammed the door and Logan started looking around the car and looked at Y/N through the windshield. “The fuck was that about.” Y/N walked back to the car with her phone in hand. She got into the car and Logan was staring at her.

“Why are you looking at me like that?” Y/N asked.

“Do you love me?” Logan asked.

“Of course I do.” Y/N said.

“Then why did you slam my door? It felt like that scene in Jurassic Park where the dinosaurs shook the whole ground.” Logan said and Y/N laughed.

“Don’t be dramatic, I barely slammed the door.” Y/N said.

“Im pretty sure there is a crack in window.” Logan said, pointing to the passenger side window.

“Haha, it was a TikTok prank, let’s go.” Y/N said.

Oscar Piastri

Oscar and Y/N were putting groceries in the trunk.

“Tiburóncin, can you start the car and turn on the A/C? I want the freezer meals to stay cool.” Y/N said.

“Sure, darling.” Oscar said, kissing Y/N before he enters the car and did as he was told. Y/N finished putting groceries away. Y/N opened the passenger door.

“Im gonna our the cart away, okay?” Y/N said before slamming the door to put the cart back. Oscar just blinked.

“That was weird.” Oscar said, Y/N got back into the car. “Is there any particular reason why you slammed my door? I told you, it’s not the store’s fault they don’t carry your pumpkin seeds.” Oscar said.

“First; they all carry pumpkin seeds, they just carry them raw or dry roasted and salted. Why the hell are there never pumpkin seeds dry roasted in their shells? Anyway, it was just a TikTok prank.” Y/N said.

“Babe, this is my company car, you can’t just slam the door.” Oscar said.

“Sorry, tiburóncin, let’s go home before our groceries start to melt.” Y/N said.

Lewis Hamilton

Lewis and Y/N were in the parking lot of the restaurant.

“Okay, loser has to pick it up.” Y/N said.

“No way, I picked up food last time, it’s your turn.” Lewis said.

“Fine, give me money to pay for the food.” Y/N said, holding out her hand. Lewis handed her over his wallet. “Thank you, cariño.” Y/N said and slammed the door when she left. Lewis rolled down his window and honked his horn, causing Y/N to turn. Lewis poked his head out the window.

“Did you seriously slam my door because I made you pick up the food?” Lewis asked. “I didn’t know you were so bratty!” Lewis shouted

“You can’t shout that shit out, sir Lewis!” Y/N shouted back

“Watch me! Pick up the food, the sooner we get it, the sooner I’ll fuck the best out of you!” Lewis yelled.

“Dude!” Y/N yelled before entering the restaurant, Lewis winked and blew her a kiss before pulling his head back in. Y/N came back. “I have the food and just for the record, I wasn’t being a brat.”

“Then why did you slam the door?” Lewis asked.

“TikTok prank, you know, it’s a Gen Z, think, you wouldn’t know since you’re a millennial.” Y/N teased.

“You’re trying to call me old?” Lewis asked

“Not trying, I am calling you old. Now I’m being a brat.” Y/N said.

“Oh you’re getting it when we get home.” Lewis said, pulling out of the parking lot.

Carlos Sainz Jr.

Y/N and Carlos were in the Walgreens parking lot.

“Are you sure you don’t want me to go in with you?” Carlos asked

“Alguien te ha dicho que preocupes mucho? It’s not like I’m in an episode of criminal minds, we’re in broad daylight, I’m fine, don’t worry. I’ll be back.” Y/N said, before kissing Carlos and slamming the door to enter Walgreens. Carlos jumped from the brute force. Carlos rolled down the window.

“Hija de tu madre, por qué haces eso?” Carlos asked laughing.

“Let me get my shit, okay!” Y/N went in and got out quickly, getting into the car. “Ahora sí, whats up?”

“Why did you slam my door? My car has done nothing to you.” Carlos asked laughing.

“Sorry, amor, it was a prank.” Y/N said.

“My poor car.” Carlos said.

“No seas payaso, let’s go home, I got your dog a treat.” Y/N said.

Max Verstappen

Max and Y/N were sitting in a parking lot.

“Hey, I’m gonna get ice cream, I’ll be right back, okay.” Y/N said.

“Okay, darling.” Max said. Y/N slammed the door when she left and Max just stared at Y/N walking away. He blinks and went back on his phone. “Wonder what’s that about.” Y/N came back.

“So I bought you ice cream, you can eat it now or just put it in the freezer.” Y/N said, showing him the cup with the to-go lid., Max stared at him. “What?”

“You slammed my door, why?” Max asked.

“It’s a TikTok prank.” Y/N responded.

“Okay.” Max said.

“That’s it?” Y/N asked.

“Yeah, I know you’re addicted to the app.” Max said.

“I am not addicted, you take that back.” Y/N said.

“You slammed my door because of TikTok, you’re addicted.” Max said.

“Fine, it’s my ice cream now.” Y/N said.

“Okay, okay, you’re not addicted, let’s go, I gotta see my cats.” Max said.

“Ugh, I gotta take my allergy pills.” Y/N said, continuing to eat her ice cream as Max drives off.

Hope y’all liked it! I tried something different, should I do more posts like this?

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bobzora · 2 years

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i dont think i ever shared pic...? old from a month(+?) ago and well its unlikely that i will ever get far with this but despite (or maybe because of) that...i thought id share lol

#bobtalk #ignore the demo text. i needed it to say something #streamlined commonevents for the messages done (i still need to do a ton of portrait art >.<)#also got a core gameplay feature added properly (need to do snappy graphic for it but the system is there #might need to work it some more for at-scale use but its good to know i can do what i wanted in rm2k3)#biggest barriers rn (besides my depression and the fact im working on a different game at the same time) are the tons of assets igotta make #tilesets mostly. portraits too but i know how to draw people atleast. ive always been bad at tilesets lol. doesnt help this is my first 2k3 #when i get past that im gonna have to deal with the part where i cant write for shit but we'll get there when we get there!#also. um. puzzles. this game is supposed to have puzzles. in theory.#this is the kind of thing where ideally i wouldnt be doing it solo.and technically im not bc my brother did the charsets.but. shrug #at least my other vnproject has like 2 charactergraphics per character! meanwhile for this id actually need expressions -_-#idk if ive mentioned it here b4 but this is my walmart thing. um. yeah. this always happens to me.#>_< yeah...........#also rm2k3 is so dated and it shows LOL...i like a lot about it better than the newer makers so far but also the engine's ui bugs out alot #OKBYE.at least i go on break soon...

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thebibliosphere · 10 months

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In case you were wondering how deep down the Batfam fixation hole I am, it's something I've actually been talking about in therapy a lot.

Not like, in a worried way, more just when my therapist asks me what I'm doing in my downtime, my answer always used to be either "sleeping" or "I don't have downtime. I have too much work to do."

Now my answer is "playing my Batman game" or "watching Batman show/reading comics/writing unhinged Batman x Muppet fanfic."

And my therapist is delighted. She's fucking ecstatic. She's like, "You have interests again!" and I'm like !!!! Because here's the thing.

Almost dying in 2019 kinda irrevocably fucked up my brain, like, a lot. Like a lot, a lot. And I've been grieving over that for the last few years as well as recovering from the physical aspects of it. And to cope with it, I threw myself into work even though I wasn't physically or mentally well enough, and that made everything worse, and well, if you've been here, you know.

My brain has not been kind to me for a long time. It still isn't. But I do the work. I do multiple types of therapy a week. I piece myself back together on the daily and try to remember what it means to be human and not just this numb static void that sometimes sounds like shrieking if you listen too closely.

And then randomly, a few months ago a friend bought me Gotham Knights on Steam, and it was like a light turned back on. The engine that'd been refusing to turn over for years suddenly sputtered back to life, and something in my brain went, "Hey, I remember this... this is fun?"

And then I started tentatively searching the tags here on Tumblr, and yeah, actually. I remember this. I remember enjoying this. I can dip my toes into this. This is safe. This is a childhood interest from Before the almost-dying-trauma. And besides, it won't get in the way of my work. This isn't going to consume me. Nothing consumes me like it used to. I'm too broken for that.

Except, haha, jokes on me because, for some fucking reason, Brucie fucking Wayne and his gaggle of chaotic crime-fighting children is what reached into my brain, picked up my trauma, and started shaking it loose like a category 7 earthquake.

I actually laughed about that with my therapist a few weeks ago. Of all characters, of all pieces of media, it's Batman that's helping me process a significant chunk of my emotional trauma in a healthy way.

The most emotionally constipated vigilante in superhero existence, and I'm weeping like a child every time I get an achievement in Gotham Knights, and it says some bullshit like this:

ID: a purple steam achievement icon that says: He'd Be So Proud Of You. Reach the maximum level as any member of the Batman Family. 6.3% of players have this achievement. /end ID.

(for context, Batman is dead in this game, and you are playing as his emotionally devastated children trying to keep it together. Wailing, gnashing, crying, throwing up etc, etc.)

And my therapist, who has sat with me through EMDR sessions and a multitude of other shit designed to rewire your brain, just shrugs and says, "Sometimes we need to externalize our emotions through safe media. For you, right now, that safety is Batman having a relationship with the Muppets."

And like... okay, yeah. I'll take the win on that one.

#personal #batfam #emotional trauma #death mention #emotional damage #batmuppet

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soularsss · 2 months

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Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

#can you tell im nervous #i’ve never done anything like this BEFORE SPARE ME PLEASE #star wars #star wars fanart #digital art #my art <3 #digital aritst #the clone wars #clone trooper #temuera morrison #tutorial #soulars yaps #soulars tutorial

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cy-cyborg · 6 months

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Toph Beifong doesn’t hold up as disability representation - Disability in the Media

[ID: A screenshot of Toph, a twelve-year-old girl with black hair in a loose, green and tan short-sleeve shirt and shorts, cheering in an arena. Next to text written in a rough, blocky font: "Disability in Media - Toph Beifong Doesn't hold up as disability representation" /End ID]

Avatar the Last Airbender is one of my all-time favourite TV-shows, and Toph is still easily one of my favourite members of Team Avatar. I was a few years younger than Toph when the show first started airing, and being a disabled kid who was into martial arts, constantly being dismissed by my able-bodied opponents and teachers, meant that I connected very strongly with her right from the get-go.

But upon my last couple of rewatches of the series, I began to come to the realisation that my opinions on Toph as a shining example of good disability representation were... well, pretty heavily influenced by my nostalgia for the show and that many aspects of Toph's character just don't hold up today. Which, honestly is fair, the show is nearly 19 years old (if it were a person in my country, it would be old enough to drink) and I think it's pretty ridiculous to expect every part of every character from an 19 year old show to age well. So today I wanted to talk about the things I think Avatar the original Last Airbender did right with Toph, where I think they missed the mark, and what changes I think would need to be made to Toph to make her work for a modern audience.

So let's start with why I think Toph doesn't really hold up as "good disability representation" today, and the elements of her character that just haven't aged as well.

For me, one of the biggest issues I noticed upon rewatching the show, is how often we are told (often by Toph herself) that she is blind, but how infrequently we are actually shown it's impact on her life beyond her bending or outside of jokey contexts. Outside of her bending, we only ever see her blindness impacting her ability to do things like read or write, otherwise, she functionally has full vision -so far as the audience is informed - with the only exceptions being when she's in the air or water (e.g. on Appa or in the submarines) or in loose soil (e.g. the desert). Having places and circumstances where she doesn't have access to her power that allows her to "see" was a step in the right direction, but I do think it would have been better if her seismic sense wasn't quite as accurate, even in the most ideal of circumstances.

But why? Well, I think Suki explains it really well, long before Toph is even introduced. when Sokka says "I should have seen you as a warrior instead of a girl" Suki stops him and says "I am a warrior, but I'm also a girl". Being a warrior and a woman are both important parts of Suki's character, and only recognising her as one or the other means ignoring a big part of who she is, and the same is true for Toph. Being blind is a big part of toph's character that has informed a lot of her life, but so is being a warrior and bending master. Many people see Toph as a warrior or fighter, but ignore her disability, but both are important. She's disabled, and a warrior, and those things don't cancel each other out, the same way being a warrior doesn't diminish Suki's status as a woman.

When the show was still airing though (and even still today) it was very common to see non-disabled fans of the show exclaiming that they honestly forget that Toph is even blind sometimes, with many people going so far as to say that she's not even disabled (and that this was a good thing). While I do think some of that comes from the fact they weren't used to seeing a disabled character as both disabled and an active participant in these kinds of stories, I do think this mostly happened because of the show's lack of, well, showing the impact of her blindness on her daily life and allowing her earthbending and seismic sense to erase the effects of her disability to some extent. It's much harder to forget a character is blind when it impacts their daily life in ways that are shown to the audience. This doesn't have to be in big, showy ways mind you, showing things subtly but consistently works way better than one "very special episode" type setup.

In the show as it is though, the seismic sense functionally gives Toph a perfect image of her surroundings until it's just not available anymore for *plot reasons*.

[ID: A black and white shot of Toph and how she sees the oponent she's fighting, with shockwaves radiating from him towards her to indicate how she's interpreting the scene. Her foe has jumped into the air and now has his hand dug into the ground of an arena, about to launch rocks towards her. /End ID]

In many ways, her picture of the world is better and clearer than what the non-disabled characters can see, leading to this feeling of her disability being erased. It may have been better though if the seismic sense could give her a general idea of big things in her immediate vicinity but she still missed the finer details, functioning at least a little bit more like a tactile/earthy-vibration version of the limited sight some legally-blind people have in real life. Things like a person's position, movement and overall pose would still be "visible" to her in a general sense, as well as big things in the environment (including things underground, since there are a few plot-points that require that), but smaller things like details about objects and creatures, people's facial expressions or what they're doing with parts of their body that have no direct contact with the ground (like their hands) is less clear. On top of this, she may struggle to detect smaller, lighter objects or creatures that realistically wouldn't cause much of a vibration at all. creatures as small and as light as Momo and Hawky for example might be detectable, but "fuzzy" to her, and anything smaller might make enough of a vibration to tell her it's there when it moves, but not enough for her to be able to tell what specifically it is without some other cue (such as sound). There are a few moments in the show that seem to imply this is what they were initially going for, but it's not really consistent, and is directly contradicted in her debut episode, "the blind bandit" when she explains that she can even "see" something as small as the ants off in the distance.

[ID: A shot of Aang, a twelve-year-old bald boy with an arrow tattoo on his head, dressed in a yellow and orange outfit, standing with Toph at night. In the foreground is an anthill will a trail of ants, which Aang is looking for. /End ID]

With an adjustment like what I'm suggesting though, she still serves her narrative purpose of teaching Aang the importance of being able to wait and listen - possibly even more so, as her needing to wait and collect more information in order to get a clearer image before striking, would back-up what Bumi tells Aang that he needs in an earth bending master. It would also still help to illustrate the connectedness of the world, a theme Toph continues to embody heavily in The Legend of Korra, while still showing the ways her disability impacts her more frequently.

When I talked about the "super-crip" trope a while back, I mentioned that one way to avoid the more harmful elements of the trope (where the character's disability is erased by their powers) is to use the ability in question more like a mobility or disability aid than a straight-up cure. The power should help them, but shouldn't make their disability redundant. People are creative and we would find ways to use a superpower or magic to help with our disabilities if it were available in real life, but what's the point of including a disabled character if you're just going to functionally erase their disability? For a character like Toph, I think this is the kind of approach that should be taken with her. Her seismic sense still helps her, but it's not a perfect replacement. (Ironically, I did use Toph as a "good" example of that trope, but I do think after this last rewatch, for the reasons I'm discussing here, I might have to backtrack that a bit).

I considered giving an alternative approach here, to keep the sensitivity of toph's seismic sense as it is in the show as is, but giving it draw-backs such as making her susceptible to sensory overload similar to what autistic people experience. However, while replacing one disability with another can work for some characters and stories, I don't think it's the best adjustment to make for Toph or any blind character, largely thanks to this also being a trope. The "blind (or d/Deaf) person who's other senses become super-human to make up for it" trope is very common in fantasy, sci-fi as well as older martial arts films, and while I'm not really the best person to cover it, I do know that members of both the blind and deaf communities have expressed a lot of frustration with it. Toph already falls into this trope quite a bit, and any suggestions I could make would have just dialled that element up to 11, and fixing one problem with another is never a good idea.

Another thing that actually did bug me for a while, even before my most recent rewatch of the show, is how Toph is treated on the rare occasions she does point out something won't working for her. There are a number of times where Toph advocates for herself and points out that something The Gaang is doing isn't accessible to her or sets a boundary to do with her disability, and she's either left behind, her concerns are brushed off or she's ignored entirely. The three most noticeable examples of this are in the Episodes "The Ember Island Players," "The Library," and Toph and Katara's segment of "Tales of Ba Sing Se."

In the Ember Island Players, Toph complains that the seats they have for the play are too high up and too far away, and she's unable to "see" what's happening on stage. Her friends don't really take any notice of her though except for Katara who tells her not to worry, "I'll tell your feet what's happening."

[ID: A shot of Katara, a fourteen-year-old girl with long brown hair and blue eyes, sitting with Toph, who is sitting with her arms crossed, annoying in a theatre seat. Both Toph and Katara are wearing red and gold, fire-themed outfits. Katara is looking at something off-screen. /End ID]

My problem here is that this particular kind of situation is something that is familiar to a lot of disabled people. Even the least independent disabled people I know get annoyed when their access needs or requests for accommodations, even among friends, are ignored and their pushback is brushed off with "don't worry, I'll just help you!" It's one of the first things that many disabled people tell non-disabled folks wishing to be better allies to us: you offering help instead of actually accommodating us isn't a good thing. We don't want to rely on others if we can avoid it, because honestly, non-disabled people often aren't very good at actually helping or in this case, relaying information to us without training and more often than not, it just results in us being left out. I find it very hard to believe a character as independent as Toph would accept that without any protest, especially considering that is pretty much exactly what ends up happening (even if the show didn't really acknowledge it). Katara never actually conveys anything about the play to Toph, except when she's attempting to throw Toph's words back in her face when she asks for clarification about the actor playing her - which ends up backfiring on her.

[ID: A shot from the same location as before, this time Toph has a huge smile on her face and is leaning on the balcony excitedly while Katara is leaning towards her, annoyed by her reaction. /End ID]

While it would have been better if Toph was actually listened to, it would have been…fine? if a justification was given for why they had to sit there (e.g. to avoid being recognised), if Katara had actually described the play for her. This wouldn't have been ideal, but it would have been better at least. In real life, many movies, TV shows (including this show's sequel series, The Legend of Korra) and other forms of visual media have an Audio Description track that does exactly that. If they weren't going to move for Toph to be able to see better, having Katara describe the play could have introduced kids to the fact this is an option. but instead it's brushed off, and I'll admit, it left a bit of a bad taste in my mouth, even back in 2006.

The Library is a bit more forgivable in my opinion, since Toph is still new to the group, but in this episode, she states that she doesn't want to go inside the spirit library because she isn't able to read and therefor there wouldn't be anything for her to do. However, it still would have been nice to see her friends consider this at all before they actually arrived. They could have (and should have) still gone, but some acknowledgement that they at least thought about the inclusion of their disabled friend would have been nice.

[ID: A shot of Aang, Katara, Sokka and another man are talking while looking down at a map on the table. Meanwhile, Toph is sitting on the other side of the table, completely disinterested as she sips from a large ice cup with her feet up on another chair. /End ID]

Alternatively, I do feel like Wan Shi Tong, a self-proclaimed all-knowing-spirit or his assistants would have been able to point her in the direction of something to interest her, since he does imply books aren't the only form of knowledge he collects.

The reason I mention this though is two-fold. In real life, disabled people are very often left out of "fun" group activities, whether that be in formal settings or in casual ones, like hanging out with friends. If the episode had been framed as "the Gaang learns about the library and decides to track it down," I might have been less critical, but it's specifically framed as something that at least starts out as a kind of break for the team where they all take turns picking out fun things to do so they can rest, and Toph's access needs not being considered at all until they're already there hits a bit close to home, especially since they just end up leaving her outside. Secondly, there's also a stereotype that disabled people (and especially blind people) don't belong in academia and places of learning, such as in this case, libraries. This stereotype is about as old as the concept of organised institutions of learning, and definitely isn't unique to AtLA, but the assumption is often that disabled people wouldn't be interested in more formal methods of learning, so it's not worth accommodating us. With blind people in particular, when I've seen this in media, the premise is often "well I can't read anyway so why bother?" which Toph definitely falls into here with no push-back against the trope.

[ID: A close up of Toph and the rest of the group, Katara, Sokka and Aang standing in a desert. Toph shrugs, looking bored, while the others looks confused and surprised with the exception of Katara, who looks mildly annoyed, standing with her hands on her hips. /End ID]

It does make sense that she would have been resistant to going in, and I'm not saying this episode should have turned Toph into a bookwork akin to Wings of Fire's Starflight (another blind character) or anything. But there was a chance in this episode to push back against some of these assumptions, and I think it's a shame they missed it. How cool would it have been if Toph had mentioned not feeling welcomed in more formal learning spaces because of her disability, which was just reinforced by the way her old earthbending instructor and her parents treated her. She decides to go inside the library anyway as "backup" in case something goes wrong, grumbling about it the whole way down. Wan She Tong starts his introduction mostly the same way, saying humans aren't welcome and Toph makes a snarky comment about it. Wan She Tong, equally offended that this human thinks he, the all-knowing-spirit, wouldn't have considered something, shoots back with an annoyed comment about humans being so self-centred. He explains that spirits come in all shapes and sizes, and not all of them have eyes, but they can still access his library. She's not the first sightless being in his study, and he-who-knows-ten-thousand-things knows this too. Once everyone is permitted entry, one of the knowledge seekers shows her to a series of slates about a lost earthbending form that she can actually read (or at least, "see" the pictures on) because it's carved. Or instead of a slate, it's a series of statues outlining the form, similar to what Aang and Zuko find in the episode "The Firebending Masters". Perhaps this form is something that helps her develop metal bending later on, and lays the groundwork for Toph becoming interested in teaching in the comics.

And finally, Toph and Katara's segment of Tales of Ba Sing Se. Katara convinces Toph to go get a makeover with her as part of a girl's day. Overall, this segment of the episode is pretty nice, and I liked that they showed that a person's gender expression (in this case, being a tom-boy) doesn't mean they can't like things outside of what we usually associate with that. Tom-boys can like girly things on occasion, and vice-versa, and I think this is an example of an episode that would seem a bit ham-fisted today, but honestly, was needed in 2006. However, there's a throw away joke where Toph says "as long as they don't touch my feet," and it immediately cuts to show spa workers filing down the calluses on her feet in a way so painful several staff are required to hold her down.

[ID: An image of Toph in a bath robe being held down in a chair by two spa workers while a third scrubs at her feet so hard that she is sweating. Meanwhile Toph is fighting against the two holding her down and has a facial expression like she is in a great deal of pain. /End ID]

this might be a minor thing in the grand scheme of the show, but it's still another example of Toph's boundaries about her disability and her access needs being disrespected by her friends, which the show just doesn't acknowledge it at all. People ignoring Toph's wishes about a part of her body she depends on in a much more direct way that others do is played off like a joke in a montage of otherwise enjoyable and goofy activities and this is a very, very common experience in disability circles.

There are a number of other, much more minor issues that show up with Toph as well, such as the fact she's the only one of the main cast who never has an on-screen (or on-page) relationship. not in the original show, not in any of the comics and not in The Legend of Korra. Again, it's not a big issue on it's own, especially because in AtLA, she's young enough where it's possible that she was just not interested yet, and she does have kids in The Legend of Korra where she mentions a relationship with a man named Kanto (Lin's father). So it is implied she does have some form of relationship eventually, but the issue is that it's never shown on screen or on the page. This feeds into a wider pattern in media of disabled characters being the only ones in their respective cast not given on-screen romantic relationships in stories, and so I still think it's worth pointing out, especially since the creators have had a lot of opportunities to correct that by now.

Toph is also portrayed, pretty much undeniably, as the best earthbener in a way that, at times, comes across almost like the creators felt like they need to compensate for her being on the team "despite" her being blind. This trope is one that I think Toph, at least partially, helped to popularise with the current generation of story tellers: The Disabled Savant. In this trope, disabled characters aren't really given the same room for growth as other characters; they aren't permitted to be average or still learning, they start good and get better. If they do progress, they often become the best, which is the case for Toph. To be fair, everyone in the The Gaang is the best at their respective skill by the end of the first series, which is why I say this is a minor point. She dose, however, have the least amount of on-screen growth in skill out of the whole team. Katara starts out barely able to lift any water at all, let alone actually bend it. Sokka is skilled with weapons from the start but does get his butt handed to him a number of times by others with more experience than him whom he learns from throughout his story arc. Zuko spends most of the early-to-middle of the show having things "blow up in his face" (to use his own words) and being belittled by his family of prodigies. While Aang is an airbending and, to a lesser extent, waterbending prodigy, he fails at pretty much everything else for a while before he starts to find his confidence - especially earth and firebending, not to mention the entire situation with locking himself out of the Avatar state. Toph is the only one who doesn't seem to fail or struggle all that much from a combat perspective. She does grow and improve in her bending (she invents metal bending after all) but she never has any moments where she really messes up or even struggles in combat all that much compared to the others.

All of these points and criticisms I've mentioned are not necessarily big in and of themselves, but when looked at together, they build up to create some issues with how Toph is depicted and how the people around her treat her disability

So that's it then? Toph is bad disability rep and Avatar should be "cancelled"?

God no. Like I said at the start, I still adore Toph and Avatar as a whole, but the show is a year away from being two decades old, it's bound to have some elements that don't hold up and I think it's worthwhile discussing them, specifically because I love the show and it's characters. Despite all the negativity I've brought up, I do think there are a lot of things AtLA did well with Toph too.

I've mentioned a few times that we rarely see how Toph's blindness impacts her life outside of her bending and combat abilities, and there's a reason I made that specification. Unsurprisingly, if you know much about the show's development, the ways in which Toph’s blindness and seismic sense impacts her bending and fighting style is one area where the show really does shine, and I still think that is worth a mention. The various types of bending are based on different styles of martial arts, specifically, different types of Kung Fu. Most earthbending in the show takes heavy inspiration specifically from Hung Ga, but Toph is different. Her bending heavily references Southern Praying Mantis Kung Fu, something unique to her within this world.

The reason for this (outside of simply wanting her to be visually distinct) was because the show’s creators made sure to consider what limitations Toph might have and what parts of the more common earthbending styles wouldn't work for her. Since her connection to the earth was critical in order for her seismic sense to work, they decided on a style that would keep her feet on the ground more, prioritised strong stances with minimal jumping and put more focus on attacking with her upper body. While not an intentional choice, the style they went with for Toph, according to the show's head martial arts consultant, Sifu Kisu, was supposedly developed by a blind woman in real life, at least according to legend. The creators also made further adjustments to the style with the help of martial arts consultants and just watching Toph fight is evident that a lot of love and care was put into the decisions made on that front.

I also appreciate that Toph's disability wasn't off-limits to joke about.

[ID: A picture of Toph waving her hand in front of her face with an exaggerated smile to remind the others she's blind. /End ID]

As I already mentioned, they didn't land 100% of the time, but lot of shows are afraid to use disability as a source of jokes, which would have felt weird and out of place in a show like Avatar. I see this hesitance in real-life too; people get extremely uncomfortable when I joke about my own disabilities and I've heard several people and even disabled comedians talk about the same observation. My last video on Tik Tok that got outside my usual audience was a joke about my prosthetic leg, and every single stictch and duet I received was people saying some variation of "I'm such a bad person for laughing!" "I'm going to hell!" or just straight up asking if they're aloud to laugh. If I didn't want you to laugh, I wouldn't have posted the joke! But joking about disability does make it more approachable. Despite how often Toph and the others made blind jokes though, outside of the one instance I mentioned earlier, they never felt mean-spirited or like they were punching down. Even when a very sleep-deprived Katara was intentionally trying to be.

I think it's also worth keeping in mind the context of the media landscape when Avatar The Last Airbender was airing. Today, characters like Toph are very common, so much so there's a whole trope about them (super-crips) but at the time, having a character with a major disability be a main character in an action-orientated kids show like Avatar was really rare. She wasn't the first of course, but a lot of the time, if they were included, they were almost certainly sad and depressed, wishing for a cure or they were designated to the roles of "Guy in the chair" (which is a character, usually a tech person, who helps from the background), inspiration, scary villain fake-out (or other variations of "creepy" character) or the actual villain. Having a character that was not only comfortable in her skin as a disabled person, who didn't want or need to be "fixed" or "cured" to be directly involved in the story, and who's main obstacle (at least in season 2) were how the people around her treated her, was pretty ground-breaking at the time (pun not intended) and went against the most prevalent stereotypes of it's day.

And I really want to emphasise that. For many Millennials and older Gen Zers, myself included, Toph was the first character that didn't tell us we were broken and needed to be fixed in order to be part of the group (even if they slipped up with that messaging occasionally). Prior to seeing Avatar, I honestly thought there was something deeply wrong with me for being happy with my life (a reminder, I was 10 years old when this show first started airing), because every other disabled person in the media only ever talked about how much worse their life was because of their disability, how much they hated it and how much they hated themselves. Many outright said that they wished they had died rather than become like me. Toph wasn't the first to go against those tropes, but she was the first example of a disabled character who wasn't like that many people my age saw. Did she do it perfectly? Hell no, but personally, back then, I was happy to have a character who maybe over-corrected and took things a bit too far than another sad character talking about how lives like mine weren't worth living.

I also deeply appreciated that Toph did struggle with her independence, at least initially, and where to draw the line with accepting help. Because of how much she'd been coddled and overprotected as a little kid, she saw any attempt at people being helpful and working as a team as them trying to baby her. It was very on the nose, but I liked that the show gave her an episode just dedicated to realising that it's ok to accept help. Again, this is a bit of a story telling trope today, but having the disabled character realise that it's ok to accept help, and to do it without talking down to them or saying that them wanting independence was bad, was a refreshing change compared to what was around at the time.

[ID: a zoomed out image of Toph, standing before her parents with Aang, Katara and Sokka standing behind her. /End ID]

While I think the show's creators could have benefited from consulting with disabled people and specifically blind people the same way they brought in consultants for the martial arts featured in the show, it's very clear to me that the intention behind Toph's character was good, and that actual effort was put in to make sure they depicted her well, even if some of it was a bit misplaced. It's also worth noting that the groundwork for a lot of my suggestions is already in place, they just didn't follow it all the way through. Overall, I'd say Toph was good for her time, and she's what was needed in the 2000's, even if she doesn't hold up as well today. I also think it speaks to how far we've come in terms of disability representation. When I first started engaging with the online fandom directly, almost no one, even other disabled people, argued that Toph wasn't good representation, because honestly, the bar was on the floor and we were just happy to have something different. But now there are options, and the standards are higher, and that's so, so good. It means that people, even in the media, are starting to listen and be more thoughtful about their depictions of disability than we were in 2006.

And finally, I want to really quickly mention The Netflix adaptation of Avatar. A few people have asked me now what I think they should do with Toph when they get to her, and what my predictions about the show are. I'm not going to talk about my predictions here, because this post is already way too long and that's not what this is about, but I don't think the suggestions I made today would necessarily work in this particular remake, primarily because of the tonal differences. Some adjustments definitely could, such the other characters doing a better job at listening to Toph when she points out inaccessibility and them actually considering her in the first place, but others might be harder to balance. The original show could get quite dark and serious at times, but it was primarily a light-hearted adventure story for kids. From what I've seen of the live action remake though, they're more heavily leaning into those serious elements - for better or for worse, and as such, trying to tone Toph down in the specific ways I mentioned might not balance out as well as it would in the original show. At the very least, the specifics would need to be different. To be honest, I'm not entirely sure what approach they should take, that's not really the point of this post, but I did want to quickly address it to avoid confusion. My suggestions today were specifically on how to approach the cartoon version of Toph for a modern audience, and were not meant to be read as suggestions on how her live-action counterpart should be depicted.

#writing disability with cy cyborg #Wow I had a lot more to say about this than I thought (I think this is my longest post to date lol)#writing disability #disability representation #writeblr #writing #Avatar #avatar the last airbender #atla #Long Post #toph #toph beifong #the gaang #Animated Avatar #disability in media #fantasy

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vesppperoro · 5 months

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hii uhh, i had a little idea that id like to share if thats ok, it might be quite triggering tho so be warned ‼️

a sinner demon reader thats based on a teddy bear, because theyre too soft and mushy personality-wise, and they ended up in hell due to being suicidal. like their whole body is covered in stitches thats supposed to be a metaphor for sh scars

do whatever u want with that info, u can even ignore it if u like, have a nice day ❤️

Hazbin Hotel Cast with a Teddy Bear!Sinner Reader

Includes: Charlie, Vaggie, Angel Dust, Husk, Niffty, Sir. Pentious, Cherri Bomb, Alastor.

A/N: this is such an interesting idea! I’m going based on my own experiences as someone like this, along with research. I appreciate you for trusting me with this <3 I definitely WILL make a p2!! Might write for this sinner more tbh I loved writing them!! I thought you meant a child and I wrote that I’m so sorry 😭

Charlie Morningstar

She truly didn’t understand why you were in hell.

You are such a sweetheart! She adores you.

When you showed up to the hotel one day, without clothes and covered in stitches, she was immediately worried.

She took you in and washed you up as best as she could.

You were like a child! Why were you even here?

She was happy that you wanted to be redeemed, however.

She became a mother figure to you.

You go to her when you’re sad and you hug her frequently.

She traces your scars sometimes and you two share a silent moment together.

A silent moment of understanding.

She loves picking you up and holding you!

She hugs you like you’re an actual teddy bear.

She’s the one you go to for emotional things.

She’s good at comforting you. She somehow knows what you wanna hear at all times.

Vaggie

She became a secondary mother figure to you.

She was Charlie’s girlfriend, so of course she was.

She understood your situation and was pissed heaven casted a sweetie like you because of your lowest point.

She’s the more levelheaded one.

She’s the one who gives you advice and stuff like that. While Charlie is the more emotionally supportive one, Vaggie is the more mature and steady one.

She also traces your scars. Even if you don’t like them, she tells you you’re beautiful no matter what.

When you told her more of your story, she almost cried.

A child feeling this way broke her to pieces. Especially since you were so soft.

Other than the sad stuff, she loves cuddling you.

You, her, and Charlie sometimes have cuddle sessions with you in the middle because you’re so warm + soft + squishy.

She would kill anyone for you. You’re just so adorable!

She tries to teach you to fight but gives up when you don’t want to hurt anyone.

Angel Dust

Honestly, he saw himself in you.

A lost, scared, and lonely child. You didn’t know the cruelties of the world, aside from those cruelties in your mind.

He tries his best to comfort you. He’s not the best with words, but he’s always there for you.

He calls you sugar bear! He loves you to death.

He would go to the ends of hell for you.

He treats you like he wished to be when he was the same way.

You two share a lot of similarities, so you bond well.

He nearly cried when you told him your stitches were scars from sh.

He embraces you any time he can.

He tries to be the parental figure he needed so you can have a better life, somewhere no one would judge you.

Husk

He’s stubborn, like a dad. He acts like one too.

A hardheaded, yet sweet dad.

He’s like the father you never had. Or did have. Whichever.

He’s the bartender, so he knew how to comfort.

But when you told him your story, he almost broke.

You two definitely sing some sort of song together. Maybe Angel or Vaggie joins.

He cuddles you and hides you with his wings.

If you give him baby doe eyes, he might just take you on a flight.

Husk is SUPER protective over you. He’s very similar to Vaggie in a way when it comes to protection.

He gives you good advice but he still hides behind his tough guy exterior.

He doesn’t understand why you’re down here, even if you tell him. You’re so sweet!

Either way, he adores you.

He loves patting your head and messing with your fuzzy ears.

Might even boop your nose once or twice.

Late night talks.

He probably talked you down from trying to commit again.

Niffty

Another tiny person! Yay!

You’re not a bad boy. She may be a psycho, but she would never call you bad.

Actually, she did once and felt bad once you cried.

She likes to hang out with you since you’re both tiny!

She cuddles and hugs you like you’re her stuffed animal.

Bug killers! Even if you don’t wanna kill bugs, she’s dragging you along anyways.

She tries to hide her needle from you since Husk told her what your stitches meant.

Alastor has to babysit both of you basically.

You and her do almost everything together! You’re best friends!

She sneaks into the kitchen and grabs you both snacks so you can watch a movie.

She makes you sleep in her bed sometimes so she can cuddle you.

Sir. Pentious

He’s a dad. Or, he was.

He treats you like he wishes he treated his son before he passed.

He acts like your father. An awkward father, but he still tries.

He also protects you.

Expect him to curl his tail around you and cuddle you when you’re sad.

He literally cried when you told him your story.

He tells you anytime he can that it’s not your fault. Your stitches are still beautiful.

Best girl dad ever.

Buys you anything he wants, even if he’s broke. (Except sharp things)

He teaches you some things about inventing!

You made him a little metal flower and he was so overjoyed. He took it with him everywhere.

He still remembers you, even if he’s in Heaven now.

Cherri Bomb

Chaotic auntie energy.

She would do ANYTHING for you.

She picks you up and places you on her hip like a baby.

She loves your ears! She also adores how sweet you are.

She wouldn’t admit it, but you’re the cutest thing she’s ever seen.

Even if you tell her your story, she wouldn’t see you differently. You’re a child, a child who went through so much.

Hangouts with her and Angel are a MUST.

They try to avoid doing the normal around you and focus on fun time.

She took you with her when she had a territorial fight one time and you almost cried.

She felt so bad that she bought you anything you wanted for a week.

She did anything you wanted to do, even if Husk or someone else said no to you.

Basically, if you wanted something, you went to her.

Alastor

He’s not one to like kids, really.

He was, however, kinder to you.

He did anything to protect you.

He was like your insane uncle.

He was the one who taught you how to use your abilities. Maybe to help you, or to manipulate you when you grow.

He made you jambalaya once and it became your favorite dish to share with him!

He introduced you to radio and he was happy that you loved it.

He started bringing you to his studio whenever he did a radio show.

He took you to an overlord meeting once. That’s how you met Rosie.

He pats your head like a dog lol.

Don’t expect him to be emotionally available. But he will be there to have fun sometimes.

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