#if i wrote a book i'd include this

[p0l1ux]

I must picture myself as someone else

before I can even think of loving me

I've had to rip my heart out of my chest

before I could finally feel it beating

[bijoumikhawal]

hello! i hope it's alright to ask you this but i was wondering if you have any recommendations for books to read or media in general about the history of judaism and jewish communities in egypt, particularly in ottoman and modern egypt?

have a nice day!

it's fine to ask me this! Unfortunately I have to preface this with a disclaimer that a lot of books on Egyptian Jewish history have a Zionist bias. There are antizionist Egyptian Jews, and at the very least ones who have enough national pride that AFAIK they do not publicly hold Zionist beliefs, like those who spoke in the documentary the Jews of Egypt (avaliable on YouTube for free with English subtitles). Others have an anti Egyptian bias- there is a geopolitical tension with Egypt from Antiquity that unfortunately some Jewish people have carried through history even when it was completely irrelevant, so in trying to research interactions between "ancient" Egyptian Jews and Native Egyptians (from the Ptolemaic era into the proto-Coptic and fully Coptic eras) I've unfortunately come across stuff that for me, as an Egyptian, reads like anti miscegenationist ideology, and it is difficult to tell whether this is a view of history being pushed on the past or not. The phrase "Erev Rav" (meaning mixed multitude), which in part refers to Egyptians who left Egypt with Moses and converted to Judaism, is even used as an insult by some.

Since I mentioned that documentary, I'll start by going over more modern sources. Mapping Jewish San Francisco has a playlist of videos of interviews with Egyptian Jews, including both Karaites and Rabbinic Jews iirc (I reblogged some of these awhile ago in my "actually Egyptian tag" tag). This book, the Dispersion of Egyptian Jewry, is avaliable for free online, it promises to be a more indepth look at Egyptian Jews in the lead up to modern explusion. I have only read a few sections of it, so I cannot give a full judgment on it. There's this video I watched about preserving Karaite historical sites in Egypt that I remember being interesting. "On the Mediterranian and the Nile edited by Harvey E. Goldman and Matthis Lehmann" is a collection of memiors iirc, as is "the Man in the Sharkskin Suit" (which I've started but not completed), both moreso from a Rabbinic perspective. Karaites also have a few websites discussing themselves in their terms, such as this one.

For the pre-modern but post-Islamic era, the Cairo Geniza is a great resource but in my opinion as a hobby researcher, hard to navigate. It is a large cache of documents from a Cairo synagogue mostly from around the Fatimid era. A significant portion of it is digitized and they occasionally crowd source translation help on their Twitter, and a lot of books and papers use it as a primary source. "The Jews in Medieval Egypt, edited by: Miriam Frenkel" is one in my to read pile. "Benjamin H. Hary - Multiglossia in Judeio-Arabic. With an Edition, Translation, and Grammatical Study of the Cairene Purim Scroll" is a paper I've read discussing the Jewish record of the events commemorated by the Cairo Purim, I got it off either Anna's Archive or libgen. "Mamluks of Jewish Origin in the Mamluk Sultanate by Koby Yosef" is a paper in my to read pile. "Jewish pietism of the Sufi type A particular trend of mysticisme in Medieval Egypt by Mireille Loubet" and "Paul B Fenton- Judaism and Sufism" both discuss the medieval Egyptian Jewish pietist movement.

For "ancient" Egyptian Jews, I find the first chapter of "The Story of the Jews: Finding the Words 1000 BC-1492 AD” by Simon Schama, which covers Elephantine, very interesting (it also flies in the face of claims that Jews did not marry Native Egyptians, though it is from centuries before the era researchers often cover). If you'd like to read don't click this link to a Google doc, that would be VERY naughty. There's very little on the Therapeutae, but for the paper theorizing they may have been influenced by Buddhism (possibly making them an example of Judeo-Buddhist syncretism) look here (their Wikipedia page also has some sources that could be interesting but are not specifically about them). "Taylor, Joan E. - Jewish women philosophers of first-century Alexandria: Philo’s Therapeutae reconsidered" is also a to read.

I haven't found much on the temple of Onias/Tell el Yahudia/Leontopolis in depth, but I have the paper "Meron M. Piotrkowski - Priests in Exile: The History of the Temple of Onias and Its Community in the Hellenistic Period" in my to be read pile (which I got off Anna's Archive). I also have some supplemental info from a lecture I attended that I'm willing to privately share.

I also have a document compiling links about the Exodus of Jews from Egypt in the modern era, but I'm cautious about sharing it now because I made it in high school and I've realized it needs better fact checking, because it had some misinfo in it from Zionist publications (specifically about the names of Nazis who fled to Egypt- that did happen, but a bunch of names I saw reported had no evidence of that being the case, and one name was the name of a murdered resistance fighter???)

[unbearable-lightness-of-ink]

k babes reblog and tell me about the books on your nightstand (or wherever you stack books by your bed if you don't have a nightstand) what are they why are they there etc

[becausegoodheroesdeservekidneys]

The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.

Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.

It is not in English.

Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.

...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.

So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.

I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.

Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.

And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.

I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.

[shebsart]

Im sick with flu so naturally I picked up my newly bought copy of Howl's Moving Castle which includes DWJ interviews in the back.

And im in love with the way she tells these stories feels like a part of her books.

And my favorite:

The magic in the mundane :)

edit: I'm copying the ID by @princess-of-purple-prose below, thank you!

[ID: Excerpts of printed text which read:

I suppose there's also a biographical element in that Sophie is the eldest of three sisters, and so am I. The idea for Sophie grew out of the time I discovered I had a very severe milk allergy. I almost lost the use of my legs and had to walk with the aid of a stick. I was moderately young, but because of this I suddenly became old.

I had to wait until I knew what Wizard Howl was like. I began to discover Howl about the time when one of my sons took to spending several hours in the bathroom every morning and I got really, really, really annoyed with him.

Where were you when you wrote it? I wrote the book the way I write everything, stretched out on the big sofa in my sitting room, in everyone's way. This often annoys my husband rather a lot.

which made me burst out laughing. I laughed and laughed at the seven league boot, and when I came to the bit where Sophie accidentally makes Howl's suit twenty times too big for him, I laughed so much that I fell off the sofa. My husband was really irritated by this time. He snapped, "You can't be making yourself laugh!" And I gasped, "But I am, I am!" and rolled about on the floor.

Are any of your relatives or friends included in the book? Yes, well the thing that started me off writing the book was a friend of mine who never does her laundry. She has it around the place in huge bags for often as much as a year. When she does tip it all out and try to wash it, she discovers all sorts of clothes that she has forgotten she had.

Which is your favourite part of the book and why? I like the book all over, but I suppose if I had to choose a bit, I'd choose the place where Howl gets a cold. It so happened that when I was writing this bit, my husband caught a bad cold. He is the world's most histrionic cold catcher. He moans, he coughs, he piles on the pathos, he makes strange noises, he blows his nose exactly like a bassoon in a tunnel, he demands bacon sandwiches at all hours, and he is liable to appear (usually wrapped in someone else's dressing gown) at any time, announcing that he is dying of neglect and boredom. So all I had to do was write it down. End ID]

[fuchsiamae]

so you're new to portal (2007)/portal 2 (2011)

comics

required reading: lab rat and there are a couple of other, shorter official comics

turret lullaby

randolph the red-nosed turret (preserved on portalwiki)

videos

thinkwithportals.com has most of the ad shorts in one place, but not included there are

portal is free

aperture science romance safety compliance guide

perpetual testing initiative

audio

the portal 2 soundtrack is free online!

glados and cave johnson both have dota2 announcer packs

"don't say goodbye" is an unused glados song that ellen mclain WROTE

apocrypha

aperture desk job is free on steam

portal 2: the final hours is $2 and worth it

significant appearances in both poker night 2 and lego dimensions (including another glados song)

the portal ARG and potatofoolsday ARG

concept art!! (rip portal 2 art book, I will never be over you)

AND you can't forget the old aperturescience.com (archived by valve, thank god) you can look up commands to navigate it but I'd start by trying "help"

I KNOW this isn't everything, I haven't played the VR stuff and don't even know where to start with it, feel more than free to pile on

[sarahreesbrennan]

Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?

Genuine question.

Ohhh, my dear anon, I don't believe this is a genuine question.

But it does bring up something I've been meaning to talk about. So I'll take the bait.

Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.

Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.

… I have to say from my experience of women and men's writing, I haven't found that to be true.

I’m not in this to have an internet argument. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.

I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.

In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.

Depiction isn't endorsement. Depiction is discussion.

Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.

I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.

I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?

I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.

If the moral thing to do is shut people out and shut people up? Count me among the villains.

[neil-gaiman]

Hi Neil,

I was the person gabbling incoherently at you after the Muppet Movie at Tinker Theater the other night! Thank you again for your note and the selfie!

I wanted to tell you WHY your work meant so much to me, but I was so starstruck. I randomly picked up a copy of American Gods in an airport when I was ~17 ("Oh, that's the dude who wrote a book with Sir Terry! OK, I'm in!"). I grew up in a fairly oppressive Southern Baptist area with people who were militant about their religion. I was interested in all types of mythologies and other cultures, and was also the weird artsy smart chick, so of course I was horribly bullied.

Everyone (including my parents) told me that my creative dreams were dumb and I'd never make money; my focus on fairy tales and myths were childish and no one but me cared about those things; and I was going to Hell, so stop reading things and repent.

Then I read American Gods right at the time when I most needed it. Here was someone who was hugely successful writing about the things I cared about--and lots of people wanted to read it! And it was GOOD writing! And then I read your journal, and it was written by a kind person telling people to make art, support your library, and be kind. It was the message I needed so badly at an important time in my life.

Your voice has been in my head so often when I doubted myself. What you do--not just your stories, but you just being YOU, publicly, and telling people to be them--is so important. I think you probably hear that daily. I just wanted to say it again, more coherently this time.

Truly, thank you--for so much more than a note and a selfie.

-Jenn Pocock

Thank you so much, Jenn! I'm so glad it helped.

[desperatelyseekingcannibals]

Telling Hugh Dancy about trans masc Will and more...

As some of you already know by now, I went to Boston Fanexpo this past weekend for another stop on the unofficial Hannibal 2024 Reunion Tour.

I had planned to do autographs on the Friday before the Hannibal panel and had brought some gifts for Hugh which included a copy of Adapt. Evolve. Become: The Genderqueer Fandom of NBC's Hannibal, which I compiled and edited last year. I also got him to sign my own copy (above).

It all moved quite quickly, but I did have the chance to explain that it's a volume by and about trans, non-binary, and genderqueer Fannibals that includes art, fics, essays, and personal pieces. He seemed intrigued and I said I hope he'd have the chance to read it and that the art isn't explicit/sexual but some of the fics are - he laughed and said he appreciated the warning.

It was all quite the whirlwind, especially after coming all the way from the UK, so I was absolutely mortified when I remembered the next morning that I had talked with a few trans Fannibals who had specifically asked me to let him know that he/Will is a trans icon. So I went back up to see him again on the Saturday morning when it wasn't too busy (and get more stuff signed) and this is what happened:

[I wrote notes down right after so this is as close an account I can get without having filmed it!].

Me: I saw you yesterday Hugh: I remember (smiley-friendly) Me: I gave you a book Hugh: I remember (smiley-friendly) Me: well, I forgot to tell you. A few trans Fannibals reached out to me to tell you that Will is a trans icon to them and we all love you for it. Hugh was surprised (in a nice way) and I was pretty much going to walk away then - job done and feeling like time for me to stop bothering Hugh lol. But before I could walk away he sort of held out his hand to stop me and said something along the lines of - I don't mean this in a disrespectful way, don't take it the wrong way... I'm genuinely curious- I get that it can be about identity- but what is the connection to Will and being trans? Luckily - my essay in the book is exactly about how Will can be read as trans, so I sort of gave him a summary of that. I explained that (obviously) both Will and Hannibal can be read as queer, and that - especially as both characters have dominant masculine and feminine traits, it's also easy to read them both as trans or in some way genderqueer. He was nodding and agreeing, so I further explained that with Hannibal, he is fully formed - he's already whatever he is - which Hugh also agreed with. But that Will is still becoming, still transitioning and therefore can be more relatable to trans fans who see that journey in themselves. So although it's not necessarily the same journey - there is enough to it that it resonates with trans people. I said that in the show there is also the added bonus of Will being seen and accepted for who he is, just as trans people wish to be. He was nodding along and agreeing with me and then he thanked me for explaining that. It was pretty quiet previously but I'd been there a few minutes so the queue was building up a little but he was so focused on me - so genuinely intent on hearing what I had to say and learning more. SO I CARRIED ON. (lols) I explained to him that it goes further than the show, that we have found a community in the fandom and that many trans people have a catalyst in their life that sparks their journey - like Will had in his friendship with Hannibal. For us it might be a person, an event, or even a TV show. I explained how the fandom are so supportive of trans people - that we are SEEN. That I for one wouldn't have been able to afford top surgery without the kind donations of Fannibals back when I was not in a good place (mentally or financially). That we all help each other and for some of us that has been life-saving. He did the hand on heart thing and said "wow" and was clearly moved. I said to him that so much of this is in the book, that I completely understand if he doesn't want to read the fanfic, but I really hope that he will at least read each of the personal pieces - that each of the fics and art also have a little write up from their creator about what the show and/or fandom has meant to them and their gender journey - how important this has been in our lives. He repeated a couple of times that he would definitely read it. I thanked him and he held out his hand and gave me the most genuine hand shake I've had in my life.

I want to really stress here how much this was instigated by Hugh. That he really wanted to know more and understand and didn't even look at the slowly growing queue but was instead intently focused on knowing more about the trans Fannibals and about why this show and the characters mean so much to us.

I then went off and spoke with a few Fannibal friends in the queue before getting around the corner to another Fannibal friend and having a bit of an emotional moment/breakdown. I can't even explain how grateful I am that he gave me the opportunity to explain all this to him. And I was especially glad I got to tell that Will is a trans icon because I'd have felt terrible if I'd have not done that after people had asked!! Thank you for trusting me to pass that message on for you!

💖

I know for many of you Adapt. Evolve. Become: The Genderqueer Fandom of NBC's Hannibal might have gone a little under the radar. So here is some more about that >>

It was compiled last year for Trans Hanni Day, edited by Max Turner of (and in conjunction with) A Coup of Owls Press - and published under Max's ACoO imprint.

It features essays, personal pieces, fanart and fanfic by and about trans, non-binary, genderqueer and otherwise non-cis Fannibals.

IT IS FREE TO DOWNLOAD, however we ask that if you do that, please consider donating to one of the linked trans orgs if you can afford to (or a similar organisation/charity of your choice).

It can be purchased on Amazon, however, as the proceeds go to charity, and Amazon only gives royalties, more is earned/given if bought directly via Max's shop.

Dearest trans Fannibals, please know that YOU ARE SEEN!

[marzipanandminutiae]

Dear marzi, for reasons of trying not to give period characters too modern fetishes in my smut, may I have some recs as to where I may find some of that olde fetish content you've previously seen?

On the Wikipedia page for the "corset controversy," unfortunately!

Historians have been taking obvious tightlacing fetish letters seriously for...way too long. And sometimes still are. Confirmation bias is a hell of a thing. Of course, there's no way to 100% tell which letters are fetish fuel and which are real, but generally any that use particularly heightened language or common erotic tropes- or that seem to fly in the face of evidence from extant garments, unedited videos, stock and advertisements from real corset companies, etc. -are to be viewed with suspicion.

(The same is true for letters used now to claim that nipple piercing was a real Victorian trend- for, indeed, the only source is anonymous magazine letters and many of them fall into the same obvious patterns as the tightlacing letters. One DOES describe the alleged process in detail...but it's basically the same as the process for ear-piercing, a service jewelers did commonly offer back then. Just applied to nipples. So whether it's real or not is still uncertain, but it's highly doubtful that large numbers of Victorian women were running around with nipple piercings given that no extant nipple rings have been found, such piercings are never mentioned in letters or diaries or other more concrete sources, etc.)

Besides that, I've seen glimpses of most modern fetishes in various sources:

the Psychopathia Sexualis, a medical manual of "sexual mental illness" (in heavy quotes because things like homosexuality and gender variance are mentioned under that heading), talks about everything from a fetish for tight boots and gloves on women, to bloodplay (initiated by a woman, actually, who wanted to drink her husband's blood), to force-femming, to some very elaborate femdom scenarios that I hope the sex workers in question were paid well for. Of course, since the cases are anonymous, these are also difficult to confirm- but clearly someone had THOUGHT of them, since they're written into the book.

And I've seen at least some of them in other sources, too, including some of the magazines that published the nipple piercing and tightlacing letters. The Englishwomen's Domestic Magazine was notorious for its letters on tightlacing, tight gloves, spanking, etc.

Photographic porn was definitely a thing almost as soon as photography came into being. A lot of it is pretty vanilla, but I could swear I'd seen piss kink photos (with urine painted in after development) before the blog where they were hosted went defunct

James Joyce's letters to his wife get into farting and scat fetish territory. Yes, really.

Speaking of letters, there was one man living here in Boston who, in the late 19th century, wrote letters to his wife describing erotic dreams of her as a giantess who pissed on him and then ate him. I cannot remember his name and it's going to drive me insane all day, but he was the head of Boston's censorship organization, the Watch and Ward society and these letters were first released by his own children for an unauthorized biography written five years after his death. Guess there was little love lost there.

BDSM is old. Like, really old. Old, to quote the sacred texts, as balls. I'm pretty sure there are sexual flagellation texts going back to the Renaissance, but don't quote me on that.

Basically, Rule 34 can be back-applied, too. If it existed, there was a fetish for it, probably. Of course, things that specifically involve modern technology or properties are out, but beyond that...the sky is the limit

[minhosimthings]

Prideful

Synopsis: You never thought that Lee Heeseung, the man who had proven you wrong in the subject you were best at, would be fucking you on the classroom floor, but here you were.

Pairings: Heeseung × fem!reader, sort of enemies hate sex, includes Sunoo from Enha, and Soojin

Warnings: Smut with plot in the beginning, MINORS DNI, fluffy in the beginning, mention of food, degradation, praise, fingering, oral (f receiving), sex on the floor, unprotected sex (not for you bubs), rough sex, overstimulation, swearing, Heeseung calls reader princess and doll, open ending my babies have fun with that

A/N: idea came into my brain and I thought I'd forget about it and just added it to my wip list but then I was like NOPE IMMA WRITE THIS SHIT. So this makes my third smut for Heeseung (idk why I'm writing only smut for him) enjoy it y'all

Jane Austen once wrote an entire fanfic about enemies to lovers, slow burn, and she thought no one would notice. Well almost no one. Nothing ever gets out of the eyes and pens of literature majors does it? Especially not out of hardcore Jane Austen fans like yourself.

You must have analysed that godforsaken piece of literature atleast a thousand times since you recieved it as a gift for your birthday. And every single time, you failed to understand how such a love could be possible. I mean come on, a man and woman who hate each other, falling in love with each other? Either Jane Austen must have been a reincarnation of Aphrodite, or a madwoman who still kept faith in love.

Your heart nearly exploded when your professor had assigned a full fledged essay-presentation, costing half your grade on Pride and Prejudice. "Explore your opinion!" She had called out cheerfully, "Tell me what your heart truly feels about this beautiful piece and I'll give you a full half grade and no assignments for the rest of the semester." The class gasped in excitement at her words as you pretended to be interested. Internally, you were groaning. Wasting half of your night to make a presentation about a book you hold no love for? The universe really was against you. You picked your books up dejectedly and walked towards the entrance, shoulders hunched and music at a higher level of noise than it should have been at.

"Oh shit!" You cursed, dropping your books at the sudden interruption. A flurry of blue wool flooded in your face, as you leaned down quickly to pick up your fallen books and phone. "I'm so sorry." You apologised not looking up at whoever you crashed into. "It's alright." A voice responded back, and you looked up to see him. Lee Heeseung. You had seen him a few times in class, heard him actually. With his pristine glasses, and his woolen sweaters, he was the definition of a movie nerd. He was actually smart, you had to admit, always quick to respond to the questions that you had no idea about. Best in the class after you, according to your professor. Although his choice of literature slightly weirded you out. You often spotted him sprawled out under a tree, holding Pride and Prejudice to his nose, deeply engrossed in taking in each word.

"Is that The Neighborhood you're listening to?" Heeseung asked, as he handed you your phone, which he had picked up before you had the chance to. "Do you have an ear for them?" You asked, taking the phone from him. His hands felt soft, like the first snow when you were eight. Heeseung shook his and chuckled. "I'm more of a Arctic Monkeys person." You smiled awkwardly and shuffled your feet. "To each his own then."

"Macbeth." Heeseung said, before you could escape from the conversation. "I'm sorry?" You questioned, confused at his sudden outburst. "That line's from Macbeth." Heeseung sent another smile your way, pushing his glasses up from his nose, "Polonius says it, 'To each his own'." You felt a pang of jealousy hit your chest. You didn't know where that line was from. Of course, what normal person would know the origin of a common idiom?

"Cool." Your laugh was not without a tint of awkwardness. "Well-" Heeseung shifted his weight from one foot to the other, "Bye then." "Bye." You bid each other goodbye and rushed off in opposite directions, not wanting to be stuck in another neverending loop of conversation.

"Don't tell me you actually talked with The Lee Heeseung." Your roommate Soojin laughed, accidentally smearing some turquoise nail polish onto your thigh. You quickly wiped it off with a tissue before frowning at Soojin. "It's not a big deal." You scoffed, having another slice of pizza, "I mean he's just a guy. Kinda nerdy actually"

Soojin burst out laughing again, this time shutting her nail polish close. She gasped for air as she pulled out her phone and showed you a picture of a what looked like a frat party. "Girl-" she got up from her leaning position, "Nerdy is the worst way to describe Lee Heeseung. I'm telling you-" she picked up the last slice of pizza, "-he's the playboy representative of this college."

"Oh come on." You scoffed again, getting up to go to the bathroom, "Stop joking around." Soojin shrugged her shoulders as you disappeared into the bathroom. "Whatever you say."

The next day, you strolled into your favourite cafe with your laptop, headphones, a copy of Pride and Prejudice, money in your pocket, a sketchbook, and a positive mindset. Always need one to write an essay right? You were thankful that it wasn't raining today like it had been for the past few weeks.

The cafe was mostly empty, with a few medical students drinking coffee to their death, as they always did. You walked up to the counter, where you saw your friend Sunoo, working his shift.

"Y/N hey!" He flashed his bright smile at you, putting down the glass he had been cleaning. "Hey sun." You clapped back, leaning in front of the counter, "The usual please." Sunoo nodded his head and started to prepare your drink. "So I've heard something." He put on his mischievous smile, one that he often wore when he had gossip on his fingers. "Please tell me it's not about that girl from Chem again." You sighed, as he put a coffee cup down in front of you. "No it's about you dumbass." Sunoo scoffed, taking the money you handed him, "I heard you bumped into Lee Heeseung." You let out a groan at his words, and quickly grabbed your drink, going off to sit in the corner. "Yah take your change!" Sunoo shouted after you to which you shouted back, "Keep it! Your broke ass needs it anyway!"

You didn't get the chance to see Sunoo giving you the stink eye, as you plopped down on the comfortable couch and opened up your laptop. You had prepared a few opening lines the night before, since you had learnt that doing half of an assignment on the day of the announcement is better than starting the next day. Whoever wrote that theory needs to clarify it to you, but hey never pass up a good study tip right?

Immersed by the clacking of the keyboard keys and the pretty syllables decorating your page, you were completely absent from the world around you. Until, you heard a familiar voice, which broke you out of your hypoxia.

Heeseung.

What was he doing here?, You thought, not realising that you were basically staring at him. He was dressed in full black today, a leather jacket adorning his broad shoulders. A single earing dangled from his right ear. He still had his glasses on, which were fogged up completely, courtesy to the weather outside. Chatting away sonderly to Sunoo, as Sunoo prepared his drink in a way familiar to you, Heeseung caught your eye. He waved joyfully to you, akin to a child waving to their best friend. You waved back, not aware of the face you were currently making.

"Hey!" Heeseung said, sitting down in the chair next to you, with his drink in hand, "Working up on the Pride and Prejudice thing?" There were atleast a million other seats empty in the cafe. Why did he have to sit next to you? You didn't really realise how handsome he was, until he was sitting face to face with you. The mere sunlight coming in from the windows seemed to illuminate his face well. "Oh yeah I am." You replied, shooting him a smile, "Same thing?" You asked, wanting to keep the conversation going. Heeseung smiled jovially at you and propped his laptop open. "Yep." He replied and glued his eyes to the screen as you went back to your own work. "The Neighborhood again?" He raised an eyebrow, peeking at your open Spotify. You smiled gently and replied, "Arctic Monkeys?" As if ticking a correct answer, Heeseung laughed and showed you his phone where 'Arabella' was playing. A pretty album cover, you thought, subtle and sleek. "To each his own then?" Heeseung said. You nodded and smiled in response, before dropping your head back down to your laptop.

An hour must have passed like this, both of you hypnotised in writing and editing, and downing the refills of coffee Sunoo was providing you with. You stole tiny glances at Heeseung from time to time. Concentration was a good face on him, his eyebrows furrowed, his hands typing away furiously at the keyboard. He didn't talk to you at all, except for the initial hey and hello. But something about the way he spoke to you in the beginning, about the way he asked if you had a pen, and about the way he said 'Hey you have an eyelash on your nose' made your stomach erupt into butterflies.

Heeseung left before you did and before leaving he had extended a hand out to you. "May the best essay win." He spoke, shaking your hand and showing you his smile. God he never stopped smiling did he? His hand was soft, as was his grip on yours. It felt like how your father would hold your hand when you were little on the crosswalk.

"Girl just ask him out." Sunoo called after you as you were about to leave, "The tension between both of you back there was almost poetic." Even though you laughed at Sunoo's quip, and denied the offer, a part of your mind lingered on Sunoo's words and the way Heeseung spoke to you that afternoon.

The days leading upto the hour of the presentation went fast. Too fast almost. Your mind went over your short conversation with Heeseung atleast a million times, sometimes distracting you from typing. You didn't know where all the red bull cans littered across your room came from, but you remember where you threw every single one of them and why. The presentation was perfect. It must have been checked by your eyes atleast a hundred times. Finally, a time was coming when you would be able to express your true feeling about it. Despise and Trouble ran through your veins as you walked up to the board as your professor called on you to present. The class seemed to hold a tight breath to themselves. Everyone knew you, teacher's pet, best at English, known for using the most difficult metaphores in her essays yet having a straightforward point.

"Shall I begin?" You asked your professor who gave a curt nod and leaned back in her chair, an expectant smile plastered on her face. You returned the smile and turned to your classmates, who seemed most interested in your essay.

"Well to begin with, as one does-" humor was always the best way to start off speeches, which was shown by the subtle laughter of the students, "-I would like to say that Pride and Prejudice may be one of the most despised books I have sitting in my bookcase." You heard gasps around the room as everyone started murmerring. Your professor leaned forward in her chair, her mouth pressed tightly to form a thin line. That's good, you thought, a good way to break into their corneas.

"While most people would disagree with me upon this apparent piece of art, I truly believe that this sort of a romance is highly impossible. And no-dont tell me that this is fiction and in the fictious worlds you can quote unquote 'do whatever you want'." The audience held their breaths back as you continued with your rant. Your professor was watching it all with a smile on her face, knowing that she couldn't disagree with you. After all, you had to present your own opinions no matter how opposite they were to everyone else's.

"Well-" you professor stood up from her chair, as you finished your presentation. It had been a 25 minute rant about the book and by now everyone seemed to be meekly looking at their own essays. "That was brilliant Y/N. Truly brilliant." You professor clapped you on the back, "I must say, you have a flair for arguing in a way no one can find counter-attacks. I wonder why you did not choose law as your major?"

"Because there is another argument to be discussed here."

A cold voice rang through the room, as you were about to laugh at the professor's quip. You spun around on your shoes to face the culprit.

Lee Heeseung.

"Heeseung!" Your professor delightfully responded clapping her hands together, "Well why don't you tell us your opinion then? And we'll see if Y/N can fire back." She sat in her chair again, looking positively delighted at the forthcoming, "A battle of the best wits perhaps!"

Heeseung smiled widely and stepped forward to where you were sitting, plopping down on the opposite chair. Your professor had always kept two chairs facing each other in front of her class, for debates, her reason sounded. And now, as you sat in front of Heeseung and his stupidly handsome smirk, you swore you were going to bring him down.

"First of firsts-" Heeseung began, as everyone's attention caught on you. "-your opinion is speaking from a highly biased perspective." "How so?" You fired back, before he could even breathe, "I had already stated in the beginning, about how this cannot be on a biased perspective, since fiction based in actual words cannot be this animated." Heeseung smiled again, which threw you off track a bit. God he's handsome, you thought, too handsome....

"Of course but must I remind you, that this book was perhaps the first out of many to start with the trope of enemies to lovers?" Why were his eyes like galaxies?, "Jane Austen invented an entire trope, which still remains a genius scan of literature to this day. How could you say it's too animated?"

"Yes but-"

"Furthermore-" Heeseung continued, not giving you the chance to breathe, "inventing new tropes does not break this 'law of literature' as you say. Since there was no law of literature to begin with. So please Miss Y/N-" he leaned forward, looking at you with dangerous eyes, "-don't you dare say that Pride and Prejudice is a worthless piece of literature just because it does not have proof of poetry."

The class let out a breath as you sat frozen in your seat. Someone actually breaking your argument was a first for you.

God, his hair. His pretty curly hair.

You didn't realise how long you'd been staring at Heeseung with widened eyes until your professor clapped her hands together again.

"Well then!" She said cheerfully, effectively breaking you out of your stupor, "I believe this goes for grading both of you an A+. Half of your grade is filled you two! Congratulations!" The class broke out into applause as you thanked her and awkwardly shook hands with Heeseung as the bell rang loudly. "Well class I'll be seeing you next time!" Your professor announced, as everyone started filing out. "Oh Y/N, Heeseung a moment please?"

You stopped your feet from stepping out the door and immediately spun around, marching off towards your professor, seeing Heeseung doing the same. "Yes Professor Kim?" Heeseung responded with those stupid puppy eyes of his before you could. Professor Kim smiled gently at both of you, before pulling out her tablet.

"I need a bit of help from both of you. It'll be sort of a favour to you too." She handed you the tablet, which had a sort of letter open on it. Heeseung leaned from behind you, and put his chin on your shoulder, making your stomach feel clammy. He smelled good too, you thought, like fresh paper.

"An event is being hosted by our Dean for all majors." Professor Kim smiled, "Sort of a career booster you could say. We were instructed to pick two students from our classes to have the assignment of checking essays, and documentations and whatnot pertaining to their majors."

"And you chose to pick us Ma'am? I'm flattered." Heeseung chuckled, as Professor Kim laughed to his quip. "Well you two are my best students." She drawled, "So the assignment I'm giving you is-" she pulled out a huge stack of papers from beneath her desk. It shocked you how quickly they appeared out of nowhere, like magic. "-these are all essays collected by last year's class. I want you to go through them, give them a good critic, and grade them according to you. You will personally grade each one, taking each other's help of course,since it's a group project. And it will lend you a helping hand since you'll be getting a certificate which you can use to get into any company you'd like!"

You and Heeseung glanced at each other and we're relieved to see the same excited expression face back at them. This was a rare opportunity, a diamond of the first water you'd say. And you had to grab it, even If that meant it was with a person you despised with your entire being.

"I'll do it Professor!" You replied positively to which Heeseung also nodded frantically as if to say the same thing. "Great!" Professor Kim clapped her hands together again, "Oh and one rule is you two have to work together in this classroom. Since the Dean wants to provide you with an opportunity to see how workplace relationships doon out."

Your heart dropped to your stomach as you heard her words. You, working with Heeseung in an empty classroom? You would rather have praised Pride and Prejudice.

"Here, the keys." Professor Kim handed you and Heeseung a pair of keys, "You can work in the evening if you want. But make sure to complete it as soon as you can alright? Oh and you can skip classes if you want to do this first, since the Dean is prioritising this before anything else." You nodded in response to her instructions and bowed her goodbye as you and Heeseung walked out.

"So-" Heeseung stuffed his hands in his pockets, "You wanna work on this shit tonight?" "Unless you have any other appointments, sure we can work on it tonight." You responded, coldly, not looking at him in the eye. "Alright then." Heeseung scoffed, "Meet you here at 8?" "Alright." The end of your conversation came a little too fast, you thought, but you couldn't stand looking into his pretty little eyes and talking to him, as if he didn't just embarrass you infront of your entire class a few minutes ago. "Y/N wait!" Heeseung called, running up to you, as you were about to exit the building. "What?" You spun around to face him. "Shouldn't we exchange numbers first?" Heeseung handed you his phone, which had his contact list open. "Why? So you can take me out on a date later?" You shot at him. A smirk tugged on the corner of Heeseung lips, but he resisted, not wanting to anger you more. You looked cute when you were angry in his opinion. "No. Maybe incase you were murdered by someone on the way here, I can call you and scold you on why tardiness is a childish thing to do." Heeseung joked. You smiled sarcastically at him as you handed him his phone back, having typed in your number. "Eight o'clock princess don't you forget now."

Tick tock tick. The clock's quiet sons echoed through the empty class. 'Don't forget.' you scoffed, 'And he's the one who's late.' The time on your watch sounded 8:30 and yet Heeseung wasn't here. You had given up waiting for him, and started on the assignment yourself, already finishing two of the army of papers. You were a hard critic, and it clearly showed in the way you were seeping your eyes through the ink.

"Soojin he's late! I can't come back now!" Your roommate had called you, in the midst of your third paper, complaining about a cockroach in the room. "Just call your boyfriend, and don't be such a pussy it won't hurt you." You scoffed at Soojin, whose scared whimpers were heard clearly through the phone.

"How's the checking going?" Soojin asked, having seemingly calmed down. You groaned and leaned back in your chair, wincing at the crack of your backbone. Your back must have become stiff from the amount of time you had been sitting in that chair. You felt pity for your professors for the first time, having finally been in their shoes.

"Heeseung's not here yet and I'm literally so fed up right now." You complained to Soojin, "That handsome bastard told me not to be late, and now look where I am! Asshole seriously." "He'll turn up, cool down Y/N." Soojin soothed you. You heard a sound of crashing in the background and stifled a laugh, assuming that Soojin must have miraculously jumped from one bed to the other. "I told you he's a playboy." Soojin panted through the phone, "Maybe he's busy fucking some poor girl in his frat house." You rolled your eyes at her statement.

"Please." You scoffed, "He couldn't fuck a girl if he wanted to, with the tiny ass cock he has." Soojin let out a raucous laugh from the other side of the phone. "How the fuck do you know he has a tiny cock?" She chuckled. "Intuition baby." You responded, "And my intuition is never wrong."

"Like how it was on the day of our debate?"

A familiar voice again. But this time, the warmth in it wasn't present. You whipped your head around to the door, where Heeseung stood, leaning against the door and smirking. "Soojin I'll call you back." You cut the call, before Soojin could respond.

"Hey." You called out to Heeseung. "Hey." Heeseung shot back, sitting down on the chair in front of you, spreading his legs wide. An involuntary gulp went through your throat. "What were you saying princess?" He leaned forward, his shirt dropping down slightly, "I have a tiny what now?" The dim lighting of the room, made his eyes look dark, and the leather of his black jacket, gleam more. "I- I wasn't saying anything Heeseung." You responded, turning your chair back to the desk, warmth coming up on your cheeks. Heeseung cocked his head to the side and smirked at your flustered state.

"Really princess?" He smirked, edging closer to you. The smell of his cologne filled your nostrils again. His glasses dropped on his nose, and he hadn't even bother to push them back up. "Heeseung just get to work." You sternly responded, trying to keep your cool. How could you though? When he was so close to you, lips almost touching your ear. "For you information-" Heeseung spoke, turning your attention away from the paper you were working on, "-I had a friend who needed a lift to his dorm, so I ran a little late. But you couldn't wait for me could you princess?" He smirked, laying his hand on top of yours, "Just couldn't wait to critique all those papers like the good girl you are." "He-Heeseung." "Shh don't." Heeseung shushed you, "You want to see how tiny of a cock I really have then hmm?"

"Heeseung we shouldn't." You hesitated, feeling your legs warm up. "No one's gonna know, as long as you don't make a noise alright?" He kissed your neck gently, turning your figure to his, still sitting in the chair. "Oh princess, already wet for me?" He chuckled, toying with the button of your shirt. "Heeseung-" you moaned out, quickly unbuttoning your shirt, as Heeseung took off his jacket and threw it on the desk. You pulled back slightly as your mind came to its proper senses. "Where are you going doll?" Heeseung questioned, hands resting on your thigh, squeezing it from time to time, "Don't worry princess, no one's gonna know."

Heeseung brings his lips down to yours in an instant, wasting no time. You gasp at his sudden actions and he takes advantage of that by entering his tongue into your mouth. You grab at his shoulders while he cups your jaw with both of his hands. Your hands reach his hair, softly tugging at the root and you hear him whine. Heeseung sucks on your bottom lip, catching it between his teeth and pulling it back to look at you. You look up at him and he takes your face in his hands.

“You wanna see my cock baby?” Heeseung asks in a teasing tone as he looks down at you. You could feel the throb in his pants press against your legs as you whimper. “Hee please.” You whine, squirming as he places a kiss between your breasts. Heeseung runs his hands up and down the sides of your body. If he was going to fuck you on the classroom floor right there and then, you were going to let him.

“Oh, you're feeling extra polite today huh? Please, Heeseung.” Heeseung mocks you with a tiny laugh. You groan in embarrassment and hide your face with your hands. Heeseung just lets out another laugh and wraps his hands around your wrists, prying them away from your face. He transfers both of your wrists to one hand, holding them over your head as he uses his other hand to trail his fingers down your body.

“Don’t hide your pretty face now, princess.” Heeseung says nonchalantly as he dips a hand inside your leggings and panties to feel your dripping cunt. His glasses were beginning to fog up slightly as he whipped them off of his face, setting them down on the desk. You clench around nothing when you feel his middle finger dip into your wetness and bring it up to your clit, rubbing slow circles around it. You moan softly as Heeseung teases your clit, never taking his eyes off of your face.

Heeseung begins to rub your clit faster, and you buck your hips up into his fingers. You hear him laugh at your eagerness and he presses soft kisses into your neck. Heeseung takes his fingers off of your clit and he snaps the waistband of your trousers against your pelvis.

“Dirty girl. Never thought you'd be like this.” Heeseung says with a smirk and you dumbly nod your head. The sounds of your heavy breathing and your pussy squelching around his fingers make your legs begin to shake.

Heeseung spits on your cunt to lubricate it even more, and that's what makes you come undone. Your cunt clenches around his fingers, sucking them in as he fingers you through your orgasm.

Heeseung takes his time kissing down your body, letting your need and desperation build by the second. He tugs one nipple and then the other into his mouth, suckling at the perky nubs and massaging your areola between his lips. Your hips are trembling with anticipation, the space between your legs aching to feel Heeseung's kiss.

Stars hover over you, or at least, that’s how it feels. Your eyes are closed, awareness cut off to the world around you except the place Heeseung's face is buried. He devours your cunt like a man starved, swallowing you whole. Heeseung doesn’t come up for air; he doesn’t need to, because all he breathes is you. Your back is arched and arms stretched forward, fingers clutching Heeseung’s hair in fistfuls.

Your thighs are shaking, reflexively clamping around Heeseung's’s face. He keeps forcing them open, demanding full access to your cunt, even as you buck and claw and convulse. Your mouth hangs open in a stupor; a thin line of drool trickles down your cheek and connects to the cold floor beneath you.

Heeseung laps at your slit like he’s never tasted you before, like he never will again. His tongue pads between your lips, upward strokes that end with the tip of his tongue flicking your clit with a firm intensity that has you reeling. Tugging at his hair, trying not to scream his name incoherently, you ride out the longest orgasm you’ve ever had. Tears burn the corners of your eyes, stars bursting in the black sky of your vision. Heeseung doesn’t stop licking your cunt till you release his hair.

“M’gonna fuck you now, okay?” Heeseung says sweetly and you nod your head. He runs his hard cock through your folds, and he catches your clit, making you jerk a little. Heeseung slowly begins to push himself into you and you throw your head back against the hard material of the desk.

“Fuck, knew you’d be tight when I felt you around my fingers.” Heeseung grits out, and he continues to push himself into you until he bottoms out. He starts to move at a slow pace, and he whines when you beg him to move faster. “Fucking whore. Bet you think about me fucking you in class don't you?” Heeseung spits out as he pushes himself harder and deeper into your sloppy cunt. You moan at his words, and you try to reply but all that comes out is a pathetic whimper.

“Hee, I’m gonna cum.” You cry out, and you clench around Heeseung's fat cock.

“ Cum for me princess.” Heeseung. moans out, fucking into you so deep, a ring of your cum and his has formed at the base of his cock. You run your fingers through his hair, harshly tugging on it as you come undone at his expense. Heeseung buries his face into your neck as he cums, sucking at your pulse point. You feel his cum shoot into you and it only prolongs your own orgasm.

After a couple minutes of you two catching your breath, Heeseung takes his face out of your neck and plops down in the chair, pulling you onto his lap. You sit there, dazed for a few seconds, burrowing your head in his chest, his heartbeat reminding you where you were.

"Well that was a whirlwind of emotions." He says at last, when you start to stir from your hypnosis, "You good doll?" You nod slightly and feel Heeseung's arms wrap around you, putting you safely down on the chair, as he put his clothes back on, slowly picking up yours as well.

"Heeseung the assignments." You panic, as he puts your shirt back on you. "It's alright princess." He coos at you, wrapping an arm around your waist, "We can do that in the morning. Let's get you home." He guides you slowly out the door. "So-" he smirks, locking the classroom with his key "Same time, same place tomorrow?"

[copperbadge]

So the ADHD Handbook post struck a chord with a lot of people...

I don't think I have it in me to write the book I suggested, mainly because most of what I want to write about is variable by situation. I can't actually offer a magic formula for getting a good assessment, all I would be able to do is say "Here are the warning signs, here's my personal story, shit's just rough". Which I could do but it'd be basically an entire book of "shrug emoji". The best possible way would probably be to offer it as a workbook, like "Here is a page for you to record every communication with the clinic doing your testing. Here is a page for you to write down possible other approaches to getting your medication if the pharmacy is out." etc.

I do think I might write it as a novel of some kind. Possibly even a novel about someone writing a handbook, I haven't decided. I had a dream last night about the book, in which I saw a woman watching a revolution taking place in the distance, thinking, "This is not what I intended when I set out to write a self-help book." Baller way to start a novel, honestly.

Anyway there were several suggestions for books in the notes, so I thought I'd compile those here. I have read none of these, so I can't vouch for their contents, but I'm including what my readers said about them.

@blogquantumreality linked to How To ADHD by Jessica McCabe, who is a well-known ADHD youtuber (I haven't found her videos super helpful but they're also not aimed at me). @knitsinweirdplaces added "The last section of the How to ADHD book is literally called 'how to change the world' and exactly points out we can advocate for a more disability friendly world that traumatizes ADHDer less in the first place. It's the only book I've read that hits the balance of 'your brain has immutable challenges' and 'these strats may help' right. Bonus, it is inclusive of people who use adhd meds and those who don't/can't."

@theindefinitearticle mentioned "I read how to keep house while drowning recently and it's been much more practical for me in terms of actual usable advice." This book has also come up numerous times during National Clean Your Home Month as a helpful guide to cleaning.

@buginateacup said "The year I met my brain is the only one I've read that actually felt like it was making useful suggestions for living with ADHD."

@cabloom said "iampayingattention on Instagram wrote How Not To Fit In."

@grison-in-space said "Do you have any idea how over the top excited I was when I found I Overcame My Autism and All I Got Was This Lousy Anxiety Disorder?"

@doubleminorforroughing wrote "Please read Devon Price. He wants to tear it all down and I love it." I will add that I don't think I've read Laziness Does Not Exist but I have read Price's shortform work extensively and I think he's been very influential in rethinking how we frame laziness and productivity in relation to both work and neurodivergence, so I can second the recommendation.

[yeoldecorprusarium]

Crashcraft's vintage sets in Cluedo colors

✿ This is for the sims 2 ✿

Here are recolors I made of various Cashcraft sets for use in Éclaire. I recolored only the objects I thought I'd like to use in my game, so not all of the sets are present in full.

Please also note that I wrote cluedo colors, and not woods. No way in hell I was going to handpaint all that to change the wood grain, sorry.

What's included?

✿ 6 objects from the Magnolia Hill Dining set (buffet, china cabinet, curio, hutch, mirror and sideboard);

✿ 6 objects from the Regency set (tea set, dining chair, cabinet, sideboard, china cabinet and armchair);

✿ 30 objects from the Vanity Fair sets (armchair, canopy, cash register (req. OFB), chaise, coffee table, curtain, desk chair, end table, footstool, handbag, hat, 3 lamps, mirror, parlor chair, perfume tray, round table, sewing basket, sewing clutter, cutting board, desk, screen, sewing shelf, worktable, sofa, tall cabinet and vanity);

✿ 7 objects from the Victorian set (chafing dish, chair, painting, sideboards, hutch and table);

✿ 5 objects from the Vintage Charm set (alarm clock, bed, books and 2 lamps).

DOWNLOAD (SFS)

Meshes, swatches and previews included, files compressed and clearly named.

✿ I renamed the meshes to remove any special characters, so check your download folder for duplicates manually if you already have Cashcraft's sets in your game.

Credits: Cashcraft, @cluedosims.

[mishafletcher]

you know how people are always like, 'someone should write a cookbook that's actually easy'? i wrote it (amazon us link). i actually did it a while ago, but i finally got my shit together enough that it's widely available as both an ebook and a paperback, so i figured i'd mention it again.

you can buy the ebook almost literally anywhere, including on amazon, kobo, indigo, thalia, booktopia, gumroad, and pretty much anywhere else you care to buy ebooks.

you can also buy a print book almost literally anywhere, including amazon, indigo, powells, waterstones, and basically any other bookseller.

this is a book for everybody, anywhere, who has limited, time, energy, or resources to make food. here's what i assumed:

you don't want to spend a bunch of time and energy cooking

you can't afford to eat nothing but takeout

you probably don't have access to Brands, because Brands are expensive and region locked.

you probably don't have a bunch of gadgets—there's no slow cookers or instant pots in this book

that's about it. there are vanishingly few measurements, and when there are, they're both imperial and metric. i'm from the us, but live in australia, and you can purchase 99% of the ingredients mentioned at the nearest supermarket in either country. when i was formatting this for print distribution, i also checked tesco and used my terribly bad german to check rewe to make sure this was as broadly accessible as possible, and they have basically everything, as well.

i wrote it for you. if you have more questions, you can see a couple sample recipes here and the answers to frequently asked questions here. If that's not enough, my ask box is open.

[genericpuff]

The Elephant in the Room - Queer Erasure and Westernization in Lore Olympus (and all its horrid stepchildren)

This is one people have been asking me for a while now, and I've been waiting for the right inspiration to hit, as is required for my ADHD hyperfixation-fueled rants. After recently watching a video that did an objective review of Cait Corrain's Crown of Starlight, I felt now was the time, because Crown of Starlight effectively proves exactly what Lore Olympus - and other Greek myth interpretations like it - has issues with.

And I want to preface this post with one question - why do we keep getting these Greek myth adaptations written by queer women that still wind up perpetuating toxic heteronormative culture?

Buckle up, because this one's HEFTY.

In that aforementioned review of A Crown of Starlight, there were a lot of points that came up about how Cait wrote the female protagonist - Ariadne, wife of Dionysus - where I immediately stopped and went, "Wait, this sounds awfully familiar."

It should be mentioned briefly for anyone who's unaware - Cait Corrain is an author who was recently (and still) under fire for using sock puppet accounts on GoodReads to intentionally sabotage the ratings of other debut authors, many of whom were her own peers or from the same publishing imprint as her (Del Rey), and most of whom were POC. I mentioned in that previous essay that I just linked that Cait Corrain is a fan of Lore Olympus and decided to give it 5 star ratings from these alt accounts, not just de-legitimizing the reputation of the books she bombed, but also the ones that she praised (including her own book, because of course she had to leave an obvious calling card LMAO). I felt it necessary to tie Cait into my discussion of white feminism in LO and its fanbase because people like Cait are exactly who we're talking about when we dissect the intent and consequences of LO's writing - much of its brand of "feminism" seems to only be catered to a specific kind of woman (i.e. white women who fetishize queer people/relationships) and seem to encourage/embrace violence towards women if those women aren't "behaving correctly" or just aren't fortunate enough to be white and rich - and so Cait choosing to give Lore Olympus 5 stars in her hate-raiding and even have it visibly in the background of her headshot photos was... not exactly disproving my argument that these are the types of people LO caters to and encourages, to say the least.

But then I watched Read with Rachel's "Did It Deserve 1 Star" review of Crown of Starlight and it cemented my assumptions and concerns regarding Cait's intentions and influences even more.

As a brief tangent, I've read A Touch of Darkness by Scarlett St. Claire. It very obviously is using Lore Olympus as its blueprints, but it's not super obvious that if you didn't read Lore Olympus or weren't aware of it, you probably wouldn't notice. It's still not a great book on its own, it's riddled with writing problems, but at least it can call itself its own thing to some degree.

Crown of Starlight is just blatant Lore Olympus fanfiction pretending to be original, even down to its marketing (which I'll get to shortly) but swapping out Hades and Persephone with Dionysus and Ariadne, and setting the entire story in space. Why is it in space? There doesn't seem to be any actual necessary reason for this, it just is, go with it. I'd be willing to accept this because changing up the setting of pre-existing stories can be fun (god knows I loved the premise enough of Lore Olympus being a modern day Greek myth retelling that I had to go and make my own version of it that's still in that modern setting) but as RWR says in her review:

"... we're told that it's the 'island' of Crete, but then we talk about commbands, airlocks, [holo-shields] and it wasn't really written in a way that I felt meshed 'Greek retelling' and 'sci-fi' in a cohesive way."

Needless to say, Crown of Starlight unsurprisingly suffers from the same problems Lore Olympus does, where it will try to "subvert" the original myths by changing their setting and characters and then doing absolutely nothing interesting with them to justify those changes.

To really drive my point home that Crown of Starlight is undoubtedly Lore Olympus fanfiction, Lore Olympus was literally used as a comparison point in Crown of Starlight's marketing which is a fair tactic to use to advertise to a specific niche or demographic, and while some have argued that Cait isn't technically the one to come up with that marketing jargon, it's made much more clear that she used that comparison herself when writing and pitching the book because it is quite literally just Lore Olympus with a different couple in space, right down to the main female protagonist being part of a purity cult. And of course it wouldn't be a bad Wattpad romance if it didn't have our main female protagonist Ariadne talking about how inconvenient her MASSIVE BREASTS are and of COURSE Ariadne is a poor innocent uwu babygirl who needs a man to come in and rescue her from the evil purity cult and of COURSE it hints at them eventually having raunchy sex just for it to wind up being milquetoast bondage and of COURSE it all just winds up taking traditionally queer characters and stories and turning them into this sanitized Disney-esque plotline where the boy and girl were always meant to be together and nothing else matters except their love-

And that, at its core, really just screams "this is bad LO fanfiction". From the stylization of the book's writing which never outgrew its "adorkable fanfiction writing" phase-

"Realizing that I'm being gaslit by my entire world doesn't make it easier to deal with, but hey, at least I still have some part of my soul!" - an excerpt from Crown of Starlight quoted from RWR's review timestamp 13:03

-to the "creative" choices made to turn Ariadne into a chastity cult girl whose resolution is obviously going to be to have what's implied to be dirty raunchy sex just for it to be like... the most tame level one bondage stuff;

-to the classic "she breasted boobily down the stairs" focus on Ariadne's body and breasts and sex appeal that's being kept in check by that pesky purity club.

And that's really disappointing because I had seen people say, "Yeah, Cait did an awful thing and deserves to be removed from her publishing schedule, but it's a shame that that book was written by Cait because it's actually a really good book!" because now it's just making me even more sus of people's Greek myth adaption recommendations (I'm still mad at BookTok for convincing me that A Touch of Darkness was worth reading). All I could think while listening to some of the excerpts quoted by RWR was that if I didn't know about Cait Corrain and read Crown of Starlight blind, I'd undoubtedly assume it was being written by a heterocis guy... but it's in fact being written by a queer woman.

And this is where I segue into talking about the root of this problem, where the calls are really coming from - Lore Olympus and its erasure of queer identities and relationships, despite also being written by a queer woman who should know better.

I could think of no better character to help carry this essay than Eros.

Unlike many of the characters in LO that Rachel has managed to straightwash by changing their motives entirely or straight up changing their identity from the source material (ex. Zeus, Apollo, Crocus who was turned into a flower nymph, Dionysus and Achilles because they're both literally babies, the list goes on), Eros has largely remained the same on paper who had zero reason to not be queer within the story.

Eros is still the god of love in this, he's still a guy and presumed to be an adult, but we NEVER see or explore him having relationships with anyone other than Psyche, aside from a brief mention of organizing orgies in the beginning that's used as a quick joke and then promptly never mentioned again.

Just like with Crown of Starlight and A Touch of Darkness and all these other "dark romance" stories, it's that brand of "pretends to be sexually liberating but isn't actually" writing, where they'll briefly mention orgies or sex-related things and then beat around the bush or avoid involving them entirely like a kid at Sunday school who doesn't want to say the word "penis".

(fr out of all the corny and awful slang for genitals I've seen used in stories like this, "a certain part of my anatomy" is definitely one of the most boring and stupid, like for god's sakes Hades you're both adults and at the beginning of this comic you thought she wanted to bang in the kitchen, why are you suddenly talking like a 7 year old boy LOL)

All that aside, while Eros might still be hinted at being queer and sex-positive, it's only as vaguely as possible so that the story can quickly move on to focus on him and Psyche or, better yet, Hades and Persephone. When Eros isn't deadset on finding Psyche, he's being the gay best friend for Persephone, who he has NO right having a friendship with when he introduced himself by intentionally getting her as drunk as possible with the intent of dumping her in Hades' car as per his mom's command. It's brushed off later as "well Aphrodite maaade him do it, for Psycheee!" but Eros still agreed to potentially put Persephone in danger over a relationship that had NOTHING to do with her and was also mostly his fault in its fallout (which Artemis calls him out for, but of course, like all the other times characters have called out the actual issues in the story they're inhabiting, they get brushed aside so that Persephone can talk about Hades):

Now, the Eros and Psyche plotline is one I've talked about before here and not the focus of this essay so I'll keep this tangent brief, but it's absolutely wild to me that Rachel took a story about a woman going to the ends of the earth to prove her love for someone whose trust she broke (a common theme in a lot of Greek myth stories, such as the myth of Orpheus and Eurydice) and turned it into... woman of color gets turned into a nymph slave for Aphrodite to 'test' Eros, a test that isn't clear at all in what it's trying to achieve, and wait hold up, didn't Eros actually fail that test by kissing Ampelus while completely unaware that it was Psyche-

This is just that episode of Family Guy where Peter justifies emotionally cheating and eventually physically cheating on Lois because "well you were the phone sex lady the whole time so no harm done!", isn't it? (×﹏×)

Anyways. It's all very convenient that the comic will hint at queer rep just to either have it be a constant question of whether or not they're actually queer (ex. Morpheus) OR to have it be promptly swept under the rug to make way for other characters/plot points. It's like when mongie tried to be "inclusive" by writing a stereotypical vaguely Asian character with no specific ethnicity just to get angry at her fanbase for calling her out on this that you can't just call a vaguely Asian character "representation" of anything (because Asia is MASSIVE and covers so many different ethnicities and languages and cultures).

Eros is only as gay as he needs to be to fill the role of "gay best friend" for Persephone.

Krokos is no longer a male lover of Hermes but a flower nymph created by Persephone because... apparently we can't dare imply that Hermes would be into anyone besides his unrequited childhood love, Persephone.

Achilles is introduced as a baby even though it makes no sense in the comic's own timeline where Odysseus is presumably already a well-known hero in Olympus, so much so that he was invited to the Panathenea.

Apollo is turned into a flat-out rapist who's only concerned with getting Persephone at all costs and when that doesn't work, he tries to get ANOTHER flower nymph (Daphne) who's actually genuinely interested in him (contrary to the original myth, there's that "swap it subversion" Rachel is known for) to cut her hair so she'll resemble Persephone more because we can't have a single plot point not resolve around Persephone.

Despite there being loads of genderbent characters already, Morpheus is supposedly the only one we're supposed to assume is specifically trans and not just a gender-flipped version of a Greek myth character. Why? Not because Rachel stated so explicitly, not because the comic has actually explored her identity as a trans woman, but because the readers just assumed it in good faith and Rachel was clearly fine with taking credit for trans representation that's only there via assumption (and only confirmed via her mods in Discord, which is... not how you establish canon information in your comic, Rachel.)

Hestia and Athena are part of a chastity club, until uh oh how convenient that they're secretly in a relationship with each other even though it further vilifies them and their morals, particularly Hestia who was promptly called out for being a hypocrite for taking Persephone's coat gifted to her from Hades while secretly being in a relationship the whole time. Not only does the Hestia and Athena relationship manage to commit queer erasure - of two gods who are considered icons in the aroace communities - but it also makes the only two lesbians in the story come across as assholes AND ON TOP OF THAT ALSO manages to somehow invalidate queer sex and relationships as being legitimate due to the even deeper implication that breaking their chastity vows "doesn't count" because it's not a male x female relationship. It's the 'ole poophole loophole all over again.

And then there's Artemis, who has MORE REASON THAN EVER TO BE IN THE PLOT but keeps being conveniently ignored. Her finding out about Hestia and Athena doesn't get any more screentime than her going "oh you're in a relationship, okay" , we never see her question the true intentions of TGOEM or what it means to her, we never see her have any opportunity to carve out her identity beyond just being Apollo's twin sister (it tries to at times, but then immediately goes nowhere with it, amounting to just poetic word salad), and she really just comes across as what a lot of people assume aroace people to be - alone and standoffish, because obviously someone who's nice and a good person would be in a relationship, there has to be a reason they don't want to have sex or fall in love, and that reason obviously has to be that they just hate everyone and want to be alone forever (￢_￢;) Then again, like many of the queer characters in LO, I don't know if I can definitively call her aroace because it's kept as vague as possible, and - going by Rachel's answers to these questions way back in her Tumblr era - apparently people can't be gay and ace at the same time-

There are undoubtedly loads more examples that I could cover here but that goes for practically any essay I write about LO - the more you peel it apart, the more you start unearthing some really questionable and frankly mean-spirited stuff. Queer people feel largely ignored in LO, alongside many of its derivative offspring such as A Touch of Darkness and Crown of Starlight, and it really speaks to how so many people - queer women, no less - have somehow managed to bastardize and sanitize what were traditionally very queer stories with queer characters. It's like these people think "olden times" and can only get as far as "women were slaves and men were rich assholes". Like, yeah, okay, that was the case for many cultures, but not all of them, and for some of them it wasn't as clear cut as that, many had misogynist power struggles in them while also still celebrating women and queer people in their own way. Greek myth is full of stories of women being forced into marriage or being made the victims of assault, but many of them are supportive of women and their struggles, unlike works like LO that somehow manage to be less feminist and sympathetic to women and queer people than these works from thousands of years ago.

This is another topic that's surely meant for another post, but it really speaks not only to the straightwashing and whitewashing of Greek myth, but also the Westernizing of it. That's not to say Rachel Smythe and Cait Corrain and Scarlett St. Claire are intentionally trying to whitewash another culture's works here, but if you're raised predominantly on Western media, you're undoubtedly going to absentmindedly adopt ideas about society that are primarily molded around Western beliefs .

And this is apparent in LO, while Rachel is from New Zealand, you can tell she grew up on a lot of Western media and its influences are sorely showing through LO's worldbuilding, character designs, and narrative choices. That "modern setting" that I mentioned before is much less Greek and a lot more adjacent to The Kardashians which lends to the theories that most of the media that Rachel consumes is American. Rather than actually going to the effort of doing her research on Greek culture, she seems to just prefer defaulting to the easiest assumption of how modern society is across the board - a generic Los Angeles clone with big glass skyscrapers and pavement walkways. She rarely ever draws food or clothing from those time periods; despite this story being about gods she's spent so little time on the people who passed on the stories about those gods, the mortals, and the gods themselves rarely feel like gods, rather just like Hollywood celebrities covered in body paint. The clothing feels very generic and uninspired with often very little Greek influence, even though Greek clothing is designed around Mediterranean living which you could do a lot with, to such an egregiously Western degree that Hades and Persephone's wedding was Christian-coded. The food... well, there ISN'T any because as we've seen, like the stereotypical American child, Persephone apparently only wants chicken nuggies and Skittles for dinner, so we never see her eat; and not only do we not see Persephone eat, but Rachel weirdly tries to use Persephone's vegetarianism as some kind of anti-capitalist characterization when much of the Greek diet is predominantly vegetarian. It's NOT HARD or uncommon to be a vegetarian in Greece!

(it looks like they're literally all eating the same thing so IDK what Hera is referring to here, it looks like they're all eating toast and lettuce LMAO)

All that's to say, much of LO - and the books like it that I've gone over here - are written with this idea that every culture - including the one that it's trying to adapt - was subject to the same ideas that Western culture lives by in the modern day - that being a vegetarian is "counterculture" in every culture, that the notion of sexual purity is enforced in the same way it's enforced in the Western education system (cough Christianity cough), that queer or otherwise "unconventional" relationships should stay inside the bedroom and not be seen. As much as Rachel claims she wants to "fight the patriarchy" and "deconstruct purity culture", all she winds up doing is reinforcing it through a Westernized lens, which is, as I've talked about before, very indicative of right-leaning white feminism and what it embraces and promotes - being a "good woman" who follows the rules and willingly becomes part of the system that's oppressing them because that's what "good women" do. Women who are confidant in their sexuality are evil and should be shunned for being "sluts". Women who are in relationships with other women "don't count" as real relationships the same way heteronormative relationships do, and cannot be trusted because they're likely trying to spread an agenda that's designed to brainwash heterocis women. Women should only aim to achieve marriage and their entire personality has to be built around their true love. Women are allowed to be kinky, but only as kinky as roleplaying the exact same gender structures that puts the man in a position to dominate a woman, and it should always and only ever be with her first love who she marries immediately, no one else.

This is exactly what the critics are getting at when they hold LO - and its creator - accountable for the messages it's been sending for five years to its audience of middle aged women and young girls. Having a demographic is fine, if this were just a comic for girls it would be fine, but it becomes a lot more problematic when that demographic is being fed toxic power fantasy stories based on a culture that's being gentrified and sanitized of all its original messaging and characterization right before our eyes. It feels blatantly misinformed from the very beginning in its intention to be a "feminist retelling" of Greek myth, because somehow Lore Olympus manages to be less feminist than these stories drafted and written by men from 2000+ years ago.

I opened this essay with a question: why do we keep getting these Greek myth adaptations written by queer women that still wind up perpetuating toxic heteronormative culture?

I think cases like these really highlight how deep the heteronormative brainwashing from childhood onward goes. That, despite these writers being queer or women, still manage to reinforce the same ideas and tropes and harmful predisposed notions that were designed to be used explicitly against queer people and women. These are things that we can't ever stop challenging, and asking, and truly deconstructing, because it runs deep in many of us who grew up on popular media even as innocent as Disney. Learning about more complex social concepts like sexism and misogyny and queerphobia doesn't automatically absolve us of those very same biases that have been both blatantly and subtly ingrained into us since childhood. All that said, Rachel being bisexual does not mean she's not capable of straightwashing; Cait Corrain being a queer debut author with a POC main character didn't stop them from targeting other POC debut authors at their own imprint; being part of any minority group or identifier does not automatically protect you from perpetuating the cycle that you, too, likely had enforced upon you at some point or another in your life. The fact that these creators and writers are still perpetuating that cycle to begin with is indicative of why it's a cycle at all - it takes work to break on a subconscious level because those cycles are specifically designed to target and hijack the subconscious.

At its worst, do you really think Lore Olympus can claim to be a feminist retelling that's "deconstructing purity culture" when the creator herself admittedly never fully identified or understood sexism until her mid-30's and has the audacity to say her audience is "harsh" on the female characters that she constantly vilifies through her own narrative?

"I feel like female characters in general, people will be a little harsher on them and sometimes way harsher on them, and I used to be like.. before I started writing the story and like making a story I was like yeah, sexism is not that bad, and [now] I was like oh it's bad. It's quite bad [laughs], so like, I don't know, I feel like the female characters in the story don't get so much of a pass. But this isn't consistent across the board, it's not all the time" - Rachel Smythe, in an interview with Girl Wonder Webtoon Podcast

If Lore Olympus truly was just a series meant to be for fun "no thoughts head empty" drama and spice, that would be fine. I've said it time and time before on this blog and I'll say it again: I wouldn't have an issue if Rachel was just writing a story exclusively revolving around heterocis men and women. I'm just frustrated and tired and annoyed that she keeps lying about it, and doubly so that this comic and its creator who claim to be "feminist" have inspired other people in the same headspace to continue to perpetuate that cycle through works that are clearly inspired by LO and never challenged the things LO promoted - violence towards "unconventional" women, violence towards POC, and erasure of queer people. And worst of all, for writers like Cait Corrain, it's more than just writing a really bad book with really bad messaging, it's going so far as intentionally targeting those same groups of people that are regularly vilified in works like LO - people who are just existing, who don't pose a threat to anyone, but had the misfortune of becoming the target of a white woman's insecurity.

I don't know what the answer to this problem is. I don't know what form the solution will come in, if any, to address the ongoing issues with Greek myth adaptions that are being sorely written through an "America as the default" point of view and praised for "rewriting the script of Greek mythology", quite literally cultural appropriation happening live right before our eyes all for the sake of cheap entertainment. Maybe it'll take the failings of works like Crown of Starlight to really get people talking about it. But so long as the roots of these works - such as Lore Olympus - are still being protected and marketed en masse by the same kinds of people who don't see the issue in Americanizing other cultures and their stories, then Lore Olympus and Crown of Starlight will not be the last ones to cause harm to the source material - and the cultures that source material is born from and a part of - they're taking from.

I opened this post with a question, and I'm going to close it with another to really leave it as food for thought. That question comes from another video that I'll link here for you to watch at your convenience that spends even more time diving into and discussing the nature of works like this that have seemingly attempted to "deconstruct" the very dogmas that they still wind up reinforcing all the same.

Does the romance genre have a white supremacy problem?

(yes. yes, it does.)

[animasola86]

NSFW Hogwarts in the 1890s Headcanons

Convenient Plot Devices (to make my smut more believable)

(aka Nurse Blainey is a very supportive and progressive witch doctor!)

Every girl over the age of 15 (sometimes earlier) is required to take contraceptive potions as per request by Nurse Blainey who had to deal with horny teenagers and their lack of mind for consequences for too long.

Boys don't have to take them, but can if they are so inclined.

Very reluctantly, the recipe for that potion is taught by Professor Sharp in the Sixth-years' Potions class.

There are potions for every ailment (usually provided by Nurse Blainey), including aftermath soreness or the "potion after" if a witch/wizard forgot to take their contraceptive potion.

There were indeed condoms*, but not every wizard carried them, so the potions and/or a quick disappearing spell had to be used to prevent pregnancies.

*Condoms were usually distributed in barbershops in the late 19th/early 20th century (according to Wikipedia) so I imagine Madam Snelling selling them under the counter in her hair salon.

There is no sex-ed class in Hogwarts, but again, Nurse Blainey is the first to hand out informative literature* or reading recommendations.

The Restricted Section of the library has an entire room filled with erotic fiction, anatomical books and various guides to help out the eager witch or wizard.

*Informative literature included tips and guides for the uterus-bearing population on how to deal with bleeding. As early as 1890, probably even earlier, there was the "invention" of pad-belts/sanitary belts in Victorian England, those were re-usable and I can imagine even easier to use for witches because instead of cleaning them the old-fashioned way, they could just clean them with a swish of their wand. (Read more on the history of menstrual pads here if you're interested.)

Ignatia Wildsmith has seen more horny teenagers making out in front of her Floo flames than people actually using that way of travel.

Ghosts see a lot of things and mostly they don't care about it, unless they are Richard Jackdaw* who likes to stalk those horny teenagers more often than is appropriate.

*Shameless plug: I wrote a smut piece about our favorite horny ghost called The Horny Ghost (how creative).

"Silencio" is the most used spell in the dormitories, boys' and girls' alike.

Hufflepuffs are the only ones who don't have curtains around their beds! But I bet they can think of other devices to get some privacy. Maybe they're masters of the Disillusionment charm!

On that note: only Ravenclaws have their own in-house bathrooms - with actual bathtubs! Slytherins have to leave their common room, and Gryffindors and Hufflepuffs have to walk quite a while to find the nearest bathroom. [Correction: there are bathrooms, one with stalls, one with stalls and bathtubs, in the Gryffindor common room, but only on the girls' side! (Thanks to @mianeryh for pointing that out!)]

But this is a post about HCs, not actual fact/pointing out lazy game design, so I'd like to imagine that all houses have at least one communal bath/bathroom area very close to their dormitories.

*By the way: In the Slytherin, Gryffindor and Hufflepuff common rooms, the girls' dormitories are upstairs, so they have the stairs turning into slides whenever a boy tries to access them, whereas in the Ravenclaw common room, the girls have to go down the stairs and are "only" protected by two suits of armor guarding the way, which in turn makes it easier to sneak past!

Popular make-out places are: the boat-house, the underground harbor, the loft above the Great Hall, the kitchens (poor house-elves), the Prefects' bathroom, the Restricted Section of the library, any dark empty hallway, any empty classroom/storage room, the Undercroft and the Room of Requirement (if they know of them), ...

*Honestly: anywhere is possible in the large castle that is Hogwarts!

Let's talk fashion: we've all seen the HL undergarments of girls and boys, right? Here is an amazing guide by @tamayula-hl about period accurate clothing and their uses in smut writing, very informative!

So based on that I also believe that horny teenagers got tired of all those buttons and layers very quickly and learned spells to make the undressing easier, and/or used "Evanesco" to get rid of clothes entirely (and conjured them back afterwards) - though tbh, I, as a smut writer, don't care too much about how they get naked. They're wizards/witches, they have their ways!

My most used clothing device apart from simple spells: the convenient flap at the front of boys' breeches.

FANFICTION MASTERLIST - KINKTOBER - AO3