Idk who needs to hear this but time and time again isn't over!!!
Webtoon removed the "time and time again will return!!!" Banner and I don't know why, but it's not over!!! There's still another 1/3 of the comic to go! There's a lot more stuff that I'm working on and it'll be coming back soon!
Please be patient with me, I know it's been a long time... But the stuff I'm making is really good and there's a lot of reasons it's taken this long. I promise I want it back more than anyone.
I'm trying to come back around the end of October. I'm doing my best to get everything ready in time, so no promises, but I'm on track to do so! I'm just one person writing and drawing everything, and my editor was fired so I'm not even getting any notes anymore. It's literally just me. I'm doing my best I promise!
i needed more people to listen to this song i like so naturally i spent 20-30 hours making an animatic/pmv for a game i have been obsessed with for a year
(also i'd been wanting to make something like this for a while and im glad i finally had the time)
susahao's cafe date....on the clock?! 🙀 haori suddenly shows off her special talents...what's a girl to do🐰💦⁉️ hehe, i'm happy to finally draw a cute piece with these two!
Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.
I’m currently hyperfixated rereading Ftfo and can barely do any drawing but I’m trying!!! ‘^’ Designs are easier to draw for some reason so might see only those for a bit T-T
anyways have my version of Lord Lunar’s Gemini! They get fun new outfits!!!
Would you ever post a process video? :O I love your style and I'm so curious as to how you put together compositions! Especially the lil story doodles on Instagram! How long do the doodles take you compared to full pieces? THEY ALWAYS LOOK SO GOOD BUT YOU MAKE IT SEEMS LIKE YOU DO THEM SO FAST :OO I LOVE YOUR WORK AHHHHHHH
haha this is a total of 15 hours of drawing (2 days) in a minute. i was free so i had all the time in the world to draw this so don’t worry too much
for the doddles i always go with the most simple compositions where i quickly sketch out the pose and then fill it with colour. that way it’s much faster then any work i would put time into to hash out the details. i only had to google the reference for lumine&aether and for the cats, since it makes work much less stressful
listen its not that tamlin locking feyre in a manor is ‘not a big deal’. its that sjm parallels tamlin and rhysand way too much for rhysand to be a viable, healthy option for feyre.
rhys put a whole city under a lockdown so severe people forgot about its existence (and from what the wiki says, the city was kept hidden for centuries even before, for the safety of its citizens) but tamlin locking feyre in a manor, so she wouldn’t follow him into an unsafe situation was crossing a line?
if i may ask, is it difficult at all to re-edit/organize the comic pages from the webtoon format to fit the graphic novel format?
on another note, I'm so happy that your kickstarter was funded!!! I love time and time again, im so excited to see this all happen <3
I'll just turn this ask into something of a guide for the process! Because yes, it is difficult, but there are also many ways I have been preparing from the beginning for this very situation to make things easier for me!
I've worked in both print and scroll in the past, and have done this transition once before for a short story, so I already had familiarity both with my goals for print, and struggles with the transition!
How I prepared from the beginning for this transition:
1: My panels are 2500 pixels wide, so they can span my page (which is 8.3x5.8 inches) at 350 DPI (which is print quality)
2: My layers are organized: Text, FX, Foreground, Characters, Background
3: I draw one very large (twice as big as any panel would be, minimum) background for my major locations, as well as drawing furniture assets in isolation. This not only saves me time when making my actual episodes, but it also offers me INCREDIBLE flexibility when making this transition to print.
These 3 things let me pull the character art to the page by itself, scale it up or down to fit my panel, and then fill in the background behind the character.
So, I read the scroll version, decide how many and which panels I want on the page for the pacing (I also keep page spreads and page turns in mind while I am doing this), and then I pull those panels over from the scroll version to the page.
Then, I make the panel borders/page layout that I want, fit the character art into it, paste in the backgrounds, do any art editing that I need, add FX, and then re-do the text!
Sometimes I do need to draw parts that are missing (shoulders or elbows getting cut off is an extremely common one) and sometimes I need to adjust facial expressions, cut panels, or rearrange panels to make things read more clearly. Since it's my comic already, I know how to do these things while maintaining the original intent, but if I were working with someone else's comic I would need to work closely with them to know what can and can't be cut.
(original panel vs an expanded version)
Another common issue is that VERY tall panels will inevitably lose a lot of information when they’re turned to pages. Identify the purpose of the panel (pacing, showing a lot of detail, etc) and then replicate that with your page layout.
examples (in order) are: scene transition, being overwhelmed, suspense, and establishing shot. All of these were a single panel in the scroll version!
Another issue when converting pages is that panel order is a lot less straightforward than when starting from print format. Conversational back and forth that's fine in scroll often messes up the flow of reading in a page (characters facing out, not looking at eachother from panel to panel, etc) and so some creative solutions are necessary to keeping the reading order.
For the first page I had to delete and rearrange some panels, and in the second the dialogue bubbles guide us to read this page in a circle. (dialogue guides through a lot of my pages lol)
And the last really common issue that pops up is that height differences can be really difficult. Usually in print this is solved with clever angles, but I’ve already drawn everything. So, I’ll either resort to vertical shaped panels, panel pop-outs, or editing a character up or down to fit into the panel.
(examples in order)
So, yes, it is difficult! But I have a lot of experience with both formats, and having prepared for this from the beginning I've been able to make the transition a LOT more smoothly than I otherwise could have.
I hope this helps!
And, thank you about the kickstarter! I'm extremely excited I'll be able to print these, the proofs I've received so far look just absolutely stunning and I'm so so so excited to get to send them to people!!!
Obligatory self promo, if you want to see the kickstarter page and get these four books for yourself, then you can check it out here ^^ It's been funded, so at this point we're just reaching stretch goals and placing orders!
somehow managed to reach wano and after missing zoro for 50+ chapters I'm so happy these two are back to their single braincell sharing shenanigans.
like. the way luffy was so happy to see zoro again (mind you, this wasn't nearly as long as the 2 year timeskip) that he momentarily forgot the poor sick tama to launch himself straight into zoro's arms?
the matching wide happy grins? the hug? the fact that zoro's the first of the straw hats luffy sees after separating from zoro's group in zou, kinda like how zoro was the first to arrive at sabaody after 2 years? they're crazy (affectionate)
and of course, it's time for the tomfoolery to unfold as soon as they're reunited again
I think the contrast between opla luffy not only remembering wado's name (albeit uh kinda botched) but also caring for wado ichimonji while zoro was injured vs manga luffy not remembering why nidai kitetsu's name sounded familiar and nearly giving zoro an aneurysm by mishandling the sword on top of that is genuinely, hysterically funny btw. different zolu flavors and all of them tasty
I love their interactions with tama so far too! zoro protecting and shielding them both from hawkins with quite literally his own body was really good
and it will never not get to me how easy it is for luffy to leave his back open for zoro to protect when facing enemies, ever since they met, simply bc he has that much faith in zoro's strength and willingness to keep him (and others, when it occurs) safe. plus, to go back to zou for a bit - it's just sweet that luffy knows zoro more than well enough to look beyond all the layers of grumpiness and ostensibly harsh words at times. zoro didn't seem exactly eager to bring sanji back at first but one look at him after noticing zoro had been listening in to the group's conversation abt what happened to sanji and luffy immediately pointed out that he bet zoro was actually worried abt him.
on different occasions, zoro's straightforward or too-rational approach mixed up with his lack of tact tends to understandably annoy other characters but if there's someone who knows how much zoro genuinely cares for his crew (and others sometimes) regardless of what he says, luffy's definitely right there. it's been that way since they interacted for the first time and is why the riceballs incident was so significant to luffy back then. it's such a compelling aspect of their relationship, as usual
anyway just look at them!!!! they're so cute!!!!!
also, zoro going from -> unwillingly flung around arlong park by luffy -> stoically letting luffy manhandle him around in dressrosa -> actively asking luffy to bring him along and hanging onto him of his own volition? character development
and to finish this post, my condolences to law 🙏🏼 knowing those two are on the loose without any sane supervision around must be a nightmare (zoro himself is already on wano's shit list after cutting down that magistrate) and worse if they're together