#if you see one in the wild tag me

[kristoffs-lullaby]

Jealousy, Jealousy

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[yesokayiknow]

human au. some of these guys spend too much time on here and it shows

[muirmarie]

Me: I joke about writing the same McCoy centric story over and over again in different ways

Me: and like. I love doing it and imma keep doing it because it makes me happy.

Me: but also. I do sometimes wonder if it's like. A little Much.

Me: like maybe I should branch out or something

Me: [reads another fundamental and extremely insulting misread of McCoy's character by someone who is clearly making a Choice to cast McCoy as the villain, because they have to get him out of the way of spirk, because they're too???? idk immature??? to realize that even when you're in a relationship with one person, other ppl can and SHOULD still be important to you]

Me: lmao I hope I AM too much actually!!!! I hope it is 100% obnoxious how much I love that doctor!!!!! Time to write more versions of the same story of McCoy being forced to realize that he is loved and cared for!!!!!!

Me: I KNOW MY NICHE AND IMMA DIE IN THAT NICHE, THANKS

[ninja-knox-ur-sox-off]

Alright, I’ve been sitting on this for a while and I think i’ve managed to sort out my thoughts so it’s not just agonized internal screaming. Time to finally talk about Monkie Kid Season 5.

Quick Disclaimers before we get started: please keep in mind i’m probably gonna be a little negative here. I’m not going after the animators or the writers or anything of the sort, I just need to get this out and slapping it on my blog just makes sense so people have the option to ignore it. Yes, I’m still grateful we still have the show, yes I’m still happy we have the same VA’s, don’t come at me. I’m not gonna get too salty cause I’ve gotten most of that out methinks and too much salt is bad for ya health, but I still do wanna talk about it and I’m still gonna be at least a little salty. If you’re not interested in hearing anything negative about the future of season five please don’t feel obligated to read. And please DO NOT take this as an invitation to bash on the new studio or anyone else in the replies, I really don’t wanna see that, go make your own post if you want to do that. I’m going to keep it under the cut so it’s easy to scroll past.

Welp, if you’re here to read, buckle up and here we go!

To start off, let's get the big personal bias thing out of the way: I strongly dislike puppet animation.

I say ‘strongly dislike’ and not hate because, while I hate most puppet animation, there is Bluey which is the best puppet animation can offer. I didn’t even know it was puppet animation for a while because of how beautifully it’s animated, so, puppet animation does have potential, I’m not gonna deny that. However, I hate that it is always used to replace 2D animation. It’s the cheaper, faster option and I can’t even begin to count the amount of shows that have started off with the plans for being 2D before being ultimately scrapped in favor of either puppet animation or 3D. Monkie Kid was the outlier in all that for me. It was 2D and it felt right. It was gorgeous and good for my brain to look at, it made me excited for animation and for art. It really was so incredibly special to me in a way it just can’t be anymore without Flying Bark’s animation. I probably won’t stop watching but, because of my dislike of puppet animation, it might be a bit of a struggle to get my brain to focus on it the way it used to, (we’ll see.) Absolutely no shade to Wildbrain (the new animation studio) they have worked miracles in the short time that they’ve had, they’ve managed to very closely replicate the style of monkie kid, and they are excellent at what they do, but when things are rushed (LEGO, [derogatory]) it makes it very hard to maintain a high standard, especially when we have something like Flying Bark’s animation to compare it to. And listen, please don’t tell me it looks similar to Flying Bark’s animation, please don’t send me shots and tell me but look how close it is! This one’s gorgeous! Because, at least to me… it’s not.

I’m the kind of person who sits in a room and I see a picture is crooked while no one else in the room notices. It could be off by centimeters but I still notice. It hurts my brain to look at and I go a bit insane until I can get up and straighten it, which usually makes people laugh and honestly yeah it’s kinda funny, but I really can’t stand things looking off, and, despite Wildbrain’s valiant attempt and excellent replication of the style, everything in the trailer we got looks off to me. From the framing, to the animation, to the design of the new characters; from the perspective to the coloring, everything is off and my ‘PLEASE LET ME STRAIGHTEN THE PICTURE’ brain hurts looking at it. I’m not trying to rag on the animation, I know they’re doing their best. Off things just hurt my brain to look at.

That’s why I loved Flying Bark’s animation so much. From Rise of the Teenage Mutant Ninja Turtles to Monkie Kid to Moon Girl and Devil Dinosaur, Flying Bark’s animation has scratched that itch in my brain that has desperately wanted things to look right. Everything is just so shaped!!! AAA!!!

Now, there are episodes of monkie kid that I’m not as big of a fan of. Impossible Delivery is one of them. I’m not a fan of how some scenes are drawn in it, so I tend to avoid it a lot. And that was done by Flying Bark so, this new animation for Monkie Kid is really doing a number on me.

…that being said: I still aint’ about that ‘flying bark started out awkward too’

Once again, ABSOLUTELY NO SHADE TO WILDBRAIN, (or anyone who’s said this at any point, I ain’t coming for your kneecaps,) they have done a SPECTACULAR job replicating Flying Bark’s style in the time that they have and I’m sure LEGO has been putting them through the wringer and rushing them through stuff (which I’ll complain about in a minute) but that’s the thing… They replicated Flying Bark’s Style. Style and animation are two completely separate things. This same drama was used by critics to bash the crap out of ROTTMNT when it first came out; they kept saying the animation was ugly, but it wasn’t, the animation was gorgeous, it was the style that they disliked because, most shows right now start off clunky and a little ugly and that’s just how it is. (Also the promotional material for Rise dragged it through the mud. I will always be salty about that.)

The pilot of monkie kid’s style wasn't all the way there, I’m not gonna deny that. The crew at flying bark were still figuring things out how to draw lego, BUT. The perspective, the framing, and the animation were all on point and just as gorgeous as the rest of the series. When I hear the argument that Flying Bark wasn’t great at first either it makes me want to tear my hair out because it WAS great. IT WAS ABSOLUTELY GREAT, FROM THE BEGINNING, THEIR ANIMATION HAS BEEN GORGEOUS IN MONKIE KID SINCE DAY ONE. The style is what was off. With this new animation we have the opposite experience. Instead of an awkward style with a god tier animation, we have a pretty excellent replication of a good style with an animation form I personally am not a very big fan of. It’s jarring. And even though I’m sure wildbrain will indeed get into their own groove, it will likely never be as earth shattering as Flying Bark because Flying Bark is Flying Bark and what they did was possible because of 2D.

Onto yelling at lego here we go: 'Be grateful it wasn’t canceled'

I’ma be real, this one bugs me the most.

The animation industry right now sucks. There’s no denying it. We have incredible artists left and right being messed over by studios and companies, entirely completed series being deleted, artists being ripped off, overworked and underpaid, outsourcing in every way they can, the disrespect of A/I, and 2D animation especially being dragged through the mud, even with groundbreaking 2D+3D movies like Spider-Verse and award winning movies like The Boy and the Heron, proving 2D is far from dead. Shows are being canceled before their second or third seasons, ideas are being recycled, so many people have watched their favorite things end too soon, and I’m one of them. Bro I was into DRAGON BOOSTER as a kid. Do you know that show? Probably not. It was canceled after one season YEARS ago and ended on a cliffhanger that makes me hurt to this day and I was a kid back then. (Incredible show btw you should give it a watch.) This cancellation thing isn’t new. I got on board with Rise only to see it sniped because Nickelodeon is stupid. Legend of Korra got messed over by Nickelodeon too. I have experienced cancellation/rushed endings before and it sucks. And it fills me with rage to see the bar is so low, that we should all just be okay with what happened because ‘at least it wasn’t canceled.’ I’m not mad at the people saying this, I’m just upset that this is what the reality of animation is. Heck I'm allowed to be upset about it.

And, let’s be real for a second here… Monkie Kid is LEGO’s product for China. It’s making them money. Canceling monkie kid would be shooti ng themselves in the foot more than anything else. LEGO is not hurting for money. Ninjago ran for FIFTEEN seasons and is still running today in this soft-reboot with even better animation than before. LEGO has the means. They don’t need to rush animators to finish things or underpay people. Flying Bark is in big demand right now because more and more people are noticing how good their stuff is. I’m willing to bet their schedule is packed, (they’re working on the ATLA movie which I have mixed emotions about but at least the animation’s gonna be BANGER and last I heard a stranger things animated series??) and when you’re in that high of demand you have to raise your prices, that’s just how that works. But even with that, given enough patience, time, and proper pay, I have no doubt they could have done Monkie Kid as well. We know Lego was pushing them way too hard to animate Monkie Kid and that animation is INSANE and not cheap. LEGO can afford that. But they decided it wasn’t worth that.

Okay don’t quote me on that last bit. I really didn’t want to start going off about conspiracy theories but I admit I get really frustrated when I hear the ‘at least it wasn’t canceled’ thing because I know there’s more going on behind the scenes, people just aren’t transparent about it. Studios and companies right now don’t really care about the quality of things, it’s the artists and the writers and the creators that care about the quality. There are other 2D studios out there but LEGO chose to go with puppet animation because it's faster and cheaper. I am always going to be upset about that. Am I grateful Monkie Kid wasn’t canceled? Sure. But at the same time I don’t want to feel grateful for the bare minimum. I’m angry at the state of the animation industry that no one in the higher-ups of these industries seem to respect 2D animators or 2D animation in general, that no one seems to understand how much skill it takes to animate and how worth investing in it is. And seeing people tell others upset by this that they should be grateful they have anything at all just rubs me the wrong way.

And the audacity to change the animation is ridiculous to me because a huge part of the audience for LMK is here because of the animation. It’s not like Ninjago, which started off with low budget 3D and slowly got better and better over time with a few dips here and there. We started off with one of the best 2D animated shows of all time, (in my monkey obsessed opinion,) animated the way it was to draw in an audience, and suddenly for no reason at all and no prior warning we’ve dropped down to what every pilot of every puppet animation children show looks like these days. It feels like a crummy thing to do. Yes, I’m aware we’re lucky we still have a show, yes I’m grateful we still have the same VA’s and the same writers. But this is a big and abrupt change and I’d be lying if I said it didn’t suck.

Okay, onto my biggest concern: how the writing of the show will pair with this new animation.

With all due respect and love to the writers, Monkie Kid is awful when it comes to biased narration in their storytelling. It has relied so so heavily on visual storytelling to fill in the gaps and tell us what’s actually going on while the dialogue is lying to our face. If you’re not looking, it can lead you to woefully misunderstand the characters and what is happening. It’s a style of writing that I’m not a super big fan of, BUT I, for the most part (aside from fandom craziness,) enjoyed it! Because the animation helped it hold up. What made the storytelling work was the nuance and incredible detail in Flying Bark’s animation. You could analyze every expression, every style difference in flashbacks, and it would tell you so much; I am a SUCKER for that kind of stuff--drawing expressions and emotions is something I love so much--and Flying Bark served it to me on a silver platter with a golden spoon and crystal clear mountain water. The scope of what Flying Bark was able to do… I just don’t know if it can be replicated in puppet animation and that scares me a bit storytelling wise. Because I don’t want to be stressed out by Monkie Kid and unreliable narrators have a habit of stressing me out. It’s not to bad as long as it’s resolved later, but Monkie Kid has a habit of blowing over things, especially in regards to the lies told about Wukong and the only thing that tells us something different happened are the visuals, which stresses me out cause it results in INTENSE fandom bashing my favorite monkey and it’s really hard to avoid. (This is why I stepped back so far from interacting with the fandom.) I don’t want something that brought me comfort in my darkest times to be twisted into something I no longer want to see.

Is this the worst possible thing to have happened? No, of course not. It’s definitely not all that awesome either. For me it’s like eating at a gourmet restaurant having their insane mac n cheese every day for years and then suddenly you’re served KD from the dollar store and told you should be grateful because it could be worse, all the while the restaurant keeps its gourmet title. There’s nothing wrong with KD but bro I want my mac n cheese--

The fact that there was no prior warning is what really makes all this feel so sucky. I know this isn’t the end of monkie kid, but the animation is one of the biggest things that made the show unique, it’s what drew so many incredible artists in, it’s what inspired me to create and make friends and keep living. The animation provided nuance to the characters when the writing sometimes fell flat. It gave insights and information that worked well with the face-paced storytelling and brought the incredible voice acting to life. It’s not really going to be the same without it.

There is ofc more than just the animation that made monkie kid great. The voice actors, the SOUNDTRACK, the sound effects are all off the charts insanely high quality but man. It’s not complete without it. There’s a big ol’ gaping hole in the show and in my heart and as much as I love the show, that’s really rough. Because it’s not as though this makes things better. The quality didn’t drop because people wanted it to be easier for animators to animate, Wildbrain I’m sure is having a time meeting LEGO’s crazy deadlines right now, just like Flying Bark did. There was so much reused animation in season 4 because of how hard LEGO was riding animators' tails and pushing them to get things out faster and faster and I was more than alright with the reused animation so the animators could catch a break. But instead of backing off and being respectful of the time it takes to animate, LEGO dropped Flying Bark like a hot potato and immediately went to the cheaper, faster puppet animation. (JUST A THEORY/VENT DON’T QUOTE ME.) It’s not like there aren’t other 2D animation studios out there but they picked the puppet. And that SUCKS. I would have been okay waiting another year for monkie kid easy because Flying Bark is WORTH IT. I understand how long things take and that if I want a high quality product its going to take skill and time. It hurts me to watch animators having it rough because no one else seems to get that.

Alright in conclusion: We’ve only seen a few seconds of the trailer.

It’s hard to judge what the entire show will look like based off of that little. It could be incomplete, Wildbrain could get better, they could find their groove, I ain’t gonna rag on the animation because it’s giving you exactly the quality--maybe even higher--expected of what it is. It’s puppet animation. I dunno what to tell you man. But it’s not about that for me. For me it’s about 2D. It’s about some of the greatest animation I’ve ever seen being replaced when it didn’t need to be and that sucks. Flying Bark gave us the world and we didn’t lose that for any reason other than money and greed and impatience. That is so discouraging and upsetting. It is something else to go from every frame leaving me breathless and staring and in awe over the quality of the animation to Puppet Animation. The change hurts. Honestly, I never thought I would be as devastated as I am. I’ve processed a bit but I think it’s always going to suck because of how important monkie kid has become to me. I miss flying bark so much already. I’m still going to try and watch the show, but we’ll see how my brain does with the puppet animation. Don’t go ragging on the animators, guys, they’re doing their best and I gotta respect em.

I do wish we’d gotten more time to mourn flying bark’s absence. I wish people had gotten a heads up when season 4 had ended so they could have time to adjust and then get ready for the new style, because watching everyone hype themselves up for flying barks’ animation only to be told they're gone by a trailer kiiiinda sucks. But I digress.

I do find it funny it took changing animation studios for us to finally get a trailer and poster on time before the eps drop. So in a way, I appreciate that much of a warning at least. Better than nothing! And we’ve always wanted a trailer out first lol HGLKJSDF

I ain’t even gonna pretend I ain’t spoiled as HECK by flying bark’s animation. Honestly without it, I don’t know if I’d be as attached to the characters as I am. Real talk, I don’t know if I ever would have even watched Monkie Kid without it. I’m gonna miss flying bark with all I have in me and it's going to make rewatching and enjoying the show hard because of all this. I’m going to miss the time when every part of this show was a comfort to my brain and soul. Flying Bark's energy is unmatched, they bring a life to things that I haven’t seen anywhere else and I’m always gonna be grateful for the time I had with them animating Monkie Kid.

This is it. No more more Flying Bark monkie kid. The end. And that’s going to sting for a while. And probably keep stinging throughout the new season because… well… I love monkie kid. So seeing it become something else is going to hurt, especially if you hold it so close to your heart.

These new animators are doing their best and we can’t fault em for that. It ain’t their fault the animation industry is what it is. It’s great we still have the show going when so many other things have gotten canceled but the fact the bar is so low can hurt like heck too.

We’re gonna miss flying bark for a long time. It’s so goofy that something as simple as animation could have burrowed so deep into our hearts but it has and that’s truly wondrous and the magic of storytelling. I love shows. I love movies. I love what monkie kid was, and I hope I can learn to be okay with what it will be now. (Even with my ‘STRAIGHTEN THE PICTURE’ brain screaming at me lol.) Wishing you all the best, don’t make fun of the animation needlessly or go after the animators, be kind to them and to each other. If you wanna be salty don't send it to me just make ur own post thanks ima drop this and then go try some positivity lol. Until next time! I’ll see you in Monkie Kid season 5

Knox out

[andhumanslovedstories]

Also today I got a nursing award! This is how we’ve decided to display it.

[ardentpoop]

you know.

[shalom-iamcominghome]

I'm pretty aromantic but I know how people in love feel because I haven't gone to shul and I won't be going to my class this week and I'm feeling like this

[deepfriedpaddymayne]

girls when they remember that wilfred owen was killed in action A WEEK before the armistice was signed

[kazieka]

like, logically I am aware that honeysuckle is invasive in my area and that I should be glad it doesn’t grow in my backyard, But. on the other hand. tasty nectar treat :(

[iwanttorundirectlyintothesun]

okay i need to know if anyone else has been devastated by a creature having different defining features in dungeon meshi than like childhood stories

bc i adore this series (i am showing So Much restraint not reading the manga and watching it with my family as it comes out) but the kelpie my beloved

her hooves were not backwards and its killing me (kelpies were the closest i got to being a horse girl as a kid)

the seaweed is very nice and accurate (i say this as if ive seen a kelpie (not the dog) in real life) relating to the stories where the kelpie is made of seaweed or the shifter stories where it becomes a handsome young man with an unsettling amount of seaweed or sand in his hair

and the tail is a very cool nod towards it being a sea (limnistic? is that a word? relating to rivers and lakes) creature but the defining traits are that shes got backwards hooves and shes probably sticky when you pat her

like ik itd probably be hard to animate backwards hooves but aaaaa (expression of misapplied and disproportionate injustice and disappointment)

look at how fancy they are (((right picture from ben-the-hyena here on tumblr they did a whole series of drawings of mythological horses as carousels and its so pretty))) (image on the left is described as a nykur which to my knowledge is a similar icelandic water spirit )

((also vaguely disappointed she didnt try to get the others on her back to show off her cool elongation abilities for maximum snack collection but thats not the point i was trying to focus on here))

[absolutely-not-my-main-blog]

I sincerely think if Dennis Reynolds and Jeff Winger were to makeout, it would benefit them both immensely, in fact, it’d be good for their health

[sisterdivinium]

Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.

Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.

Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.

And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.

An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.

Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.

The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".

Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.

But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.

Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.

However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.

What's more is that this lurking "optimism" matches really well with our own protagonist's personality.

And it makes perfect sense that Ava would do the best she could with whatever she is given.

Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.

Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.

Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?

True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.

And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.

Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.

Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.

It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.

[coriander-candlesticks]

I'm sick so I'm sorry if this doesn't make sense, but I've been thinking about the nature of myths recently as I've been exploring hellenic polytheism.

For context: I'm ex-Mormon. I was raised in the church and, because of that, was taught biblical literalism but in, like, a more subtle way than most? I was raised believing that Adam & Eve and Noah's Ark, etc., were literally true, but that the story of Job specifically was not; I also always knew evolution and the Big Bang to be correct, despite there being a verse in the Doctrine & Covenants (a Mormon-specific religious book) where God apparently told Joseph Smith that the world is 6,000 years old- a passage I didn't know existed until my senior year of high school. I didn't realize I had believed in biblical literalism until I'd left the church, actually.

Now that I'm aware of it, it's a mindset I'm actively trying to combat while I explore Hellenic polytheism. It's definitely been a task to separate the nature of the Gods from their myths, as brutal as they often are. And it's something I've noticed within the community, too, which I think is interesting. It makes sense: Christianity, at least, has had a chokehold on much of the world for a long time, and so many of us have experienced literalism as our first interaction with any sort of holy text (though, of course, Greek myths as a whole aren't that) alongside our first experience with divinity as a wrathful God whose flaws are waved away, or ignored, or twisted into positive attributes. This also means that I'm trying to re-approach several deities with an open mind (Zeus, Hera, and Ares in particular, but many of them to some extent) while also trying to un-condition myself. I was already in the process of doing this, of course, but trying to figure out how to interact with a completely different pantheon has made that especially clear.

It extends to things like prayer and offerings, too. Prayers were very formulaic growing up, even though most of the time there wasn't a strict script to follow. There was always something you ask as part of the prayer, even if it's just 'please help me do better tomorrow' (alongside giving thanks, of course), so trying to craft a prayer without adding *everything* I'm used to including in makes it feel incomplete and, therefore, disrespectful. And daily prayer is something I'm resistant to because of prior experiences with it. I don't want to offend any of the gods by asking for something or asking for too much, especially so early on, and there's always a promised offering the few times I *have* asked. Add worries about exact obedience on top of that and it's proving to be a difficult thing to untangle. And I know that the gods are difficult to offend, figuring out how to do this takes trial & error and that's okay, it'll get better the more I do it, etc., etc.; this is more an issue with my own overthinking than anything else (hooray for ✨ mental health issues ✨). I'm not really asking for advice here, necessarily, just thinking out loud because I'm not comfortable talking to people in meat space about it yet.

[wildflowercryptid]

kieran seems to unfortunately be joining my collection of faves that get treated real fuckin weird by parts of their fandoms for being ppl who exhibit their struggles with mental illness in less than appealing ways.

[claudiajcregg]

what are you most excited for this summer?? xx

Hi anon! Uh, unexpected question but it was fun to answer! My current answer is “not having this migraine” but I assume it'll be gone soon. Do love it ruined my afternoon of finishing comments that are taking me way too long. The other almost serious answer is my eternal time sink. Prayer circle I pass in July.

The first answer that actually came to mind is going to Eras with my awesome bestie @wavesoutbeingtossed! I'm so excited about seeing her again and having that experience together. We've known each other for over a decade now (literally where did time go!!!) and I love we're still in each other's lives after all this time 🥺😭💜

The other part of the serious answer is just being on vacation, be it the travel portions of it (both London or [redacted]) or just chilling and doing nothing. I've been slowly burning out at work since January, but the last month only made it worse, so I need a break, stat.