siskoamasirinkiz-blog

[autisticrosewilson]

Um if you write Jason having to get drugs for Catherine I want you dead btw. Not only does it tell me you assume the average drug dealer would give the hard shit to a very small child and then not supervise them at all (classist stereotype that all drug dealers are inherently evil + lazy writing with no grasp on reality) and you genuinely think that Catherine was CONSTANTLY high, as if that's even possible without overdosing far sooner than she did. That's without even getting into the bad mom Catherine propaganda.

[thebibutterflyao3]

The “baby-girlification” of cis male characters is an attempt to make the concept of masculinity palatable. Often the fan wants to relate to the character or is attracted to them.

But, sometimes it’s a trauma response. In creating a safe version of a male character, they find comfort in projecting their own trauma onto him rather than process the trauma within themself. Removing themself from the narrative is a protective/coping mechanism.

[skitskatdacat63]

Hey, do you remember that really homoerotic scene from Skyfall? No? That's okay, here's a Vettonso version of it :)

- explanation & w/o text:

Hi hello, finally my weird psychosexual relationship with Casino Royale has come to fruition. Yeah this is directly based off a scene from Skyfall, but I def envision the vibe as being more like Casino Royale hehe. I can't believe I made that inspo board for this AU almost 4 weeks ago, and then ended up drawing a four panel "comic" about it. Ahhhh proud of myself, a bit, a tad. I think this took 20+ hours across the span of a week? God. Anyways I digress! The AU!!

First of all, their Bond song would be "My Way of Life" by Frank Sinatra. It's so toxic, codependent and obsessive, I'm in love with it. And it really suits Fernando and his motivations and outlook in this AU. Basically, MI6(in the context of James Bond) in this AU is an analog for Ferrari. It picks theses guys up, tells them that they're Ferrari MI6's most special boy, chews them up, and then spits them out when they're finished extracting all their talent and skill and life force.

Much like with Ferrari, Seb in this AU replaces Fernando after Fernando loses favor and becomes undesirable. Now Seb is the new golden boy, and Fernando has turned to a life of crime! Fernando resents Seb for this of course, but also becomes obsessed with him and the idea of him , and how they are connected. It's weird to watch someone else basically go down your exact same path and unknowingly make all the same mistakes(buying into the mysticism of it all too much, being overly cocky, having naive beliefs and goals, etc.) He is caught between wanting to doom Seb even more but also wanting to "save" him, by corrupting him and convincing him to work together.

Basically: He's both a Bond girl and Bond villain.

Fernando is in such a weird place in this AU. I think he's just very dramatic. Seb is just casually living his best 007(005?) life, and Nando is watching him with binoculars, whispering to himself: "DOESN'T HE UNDERSTAND THAT WE ARE NARRATIVE FOILS!?" Yeah he hates Seb, but like the song lyrics say, their lives and dreams are inherently tied up together. He would feel lost without Seb, because Seb basically, unknowingly, destroyed and then took over his life. Maybe he'll feel satisifed if he manipulates Seb into going down the exact same path a bit better.

About the drawings themselves. Still can't believe this scene is a real thing that actually happened, insane to me. But in this AU, after the events of these drawings, Fernando definitely kicked all his henchman out of the room, and fucked Seb in the chair. And then against the wall. And then on the floor. Hey man, Seb is already looking mighty delicious with his unbuttoned attire and being tied up.

I think the general plot would be that Fernando keeps trying to seduce him to the dark side, and Seb keeps making him think it worked, only to escape at the end of the encounter. Leading Fernando to just come up with increasingly more violent and kinky traps. Seb goes along with it(read: enjoys it), leaving Fernando satisifed, only to somehow escape and wink and make kissy faces at Fernando in the process. (Fernando smoking cigarette in bed: "How do I make him stay. Sigh.")

I like to think though that Fernando does win in the end, by realizing, ah wait shit I do need to actually explain my motivations to Seb. And Seb is so worn down by his job, not Fernando, and how he's being treated, that he listens, really actually listens, and realizes Fernando does really have valid reasons. And then they become evil crime husbands yayyyy. Wow you thought this was a espionage AU? Well it is, but just not the outcome you'd expect.

[lacewise]

Logically, I understand that prepwork and setup take time and are distinct skills from crafting

Emotionally, I don’t understand how I have so many projects in different stages that never seem to get finished and always seem to expand

[sdv-confessions]

I would be so so so happy if people stopped pushing bigoted headcanons onto my favorite characters just for funsies. It's not cute and there's a million different ways to create internal conflicts within a character. I'm so sick of it. If you can't think of any way to add depth to a character beyond "what if they where HOMOPHOBIC 🤯🤯🤯" then maybe idk grow up?

.

[tytonnidaie]

i love to read meta of knives as an abuser and nod my head thoughtfully at all great points and then once the post ends i go back to considering him as my darling son who never did anything wrong ever

[nickisnecromancy]

Untitled Self Portrait

(+ some close-ups)

ink splatter, ink wash, and pen on paper

[stergeon]

for the writer ask

💭🚦💛 💌

💭 What inspires you and your writing?

this is a real marketing major-ass answer (from your local marketing major), but i love sharing knowledge and telling stories. writing’s one of those things that’s a bit of a compulsion for me—i’m always writing something. i took a five-year break from fiction writing before i stumbled ass-first into fanfic last year, but even in those years when i was focusing on my career, i was writing guides and trainings and a ton of other stuff—just not anything fun, lol.

writing is also so cathartic. sometimes i set out to tell a specific story, but at other times, a particular emotion gets me in a vice grip and i have to put it to words before it’ll go away. my stories tend to wind up as emotional dumping grounds as a result.

i don’t write things pulled directly from my own life, but there are bits and pieces of myself and things that have happened to me scattered throughout stuff i’ve written, and usually when i’m about 75% of the way through a piece, i’ll realize it’s absolutely related to something i’m currently going through. funny how art works that way, even when you don’t intend for it to.

and occasionally i just have a fire lit under my ass about an issue and i get so hot about it that i gotta compile my thoughts. looking at you, silver snow

🚦 What sort of endings do you prefer to write: ambiguous, bad, happily ever after, etc.?

look, i would love nothing more for them girls (pick whichever girls you please) to have a happy ending where they kiss and are stupid in love for the rest of forever. i love reading those kinds of stories. but in my heart of hearts, i love an ambiguous ending. i like when there are still questions after the story ends. i like thinking about where things could go or how the characters will go on after the events of the story. like, shared space could be read as having a happy ending, but i don’t really think it is. and with the victors; the vestiges, well. you’ll see :0)

come to think of it, i’m not sure i’ve ever written a happily-ever-after, but i don’t think i’ve ever written a 100% bad ending, either. i read too many bury-your-gays stories and watched too many sad european queer coming-of-age films in my youth to ever be happy putting that kinda thing out into the world. i want to write about love with all its ugliness, but not despair or hopelessness. i think what most appeals to me about an ambiguous ending is that lingering feeling of hope. it’s not the same as the kind you get from a happily-ever-after, and something about it speaks to me.

💛 What is the most impactful lesson you’ve learned about writing?

honestly? how to take criticism. i took a creative writing class in high school where we had to read our work out loud and then receive feedback on it from the other writers in the class, and that did a lot for me. going into that class, i’d already been writing for forever and had won some little local writing contests and such, so i was a wee bit of a pretentious douche. but i’d never gotten real critique before beyond, essentially, spelling and grammar checks. it humbled me lol. it made me grow so much as a writer, and i could see where i needed to improve or where my head was wedged way too far up my own ass for others to follow. it also helped me recognize strengths i didn’t know i had, and that was huge. it’s easy to get into a self-doubt spiral when making creative work, and good, constructive criticism can do so much to help avoid that.

to this day i love critique. i like knowing what worked or didn’t work so that i can continue to improve as a writer and do better next time. did my themes land? did something really work, but another part fall flat? i’d love to know!! i try to treat everything i write as practice for the next thing, and frankly that’s helped take some of the pressure off so i don’t go into total Perfectionist Mode.

i know critique is kind of a sensitive topic in fan spaces, but i think that’s because a lot of people have gotten unsolicited criticism that is purely critical and isn’t constructive. but getting good, constructive criticism will do so much to help a person grow as a writer. it’s scary, and sometimes it hurts! writing is very personal for most people, and it stings when things aren’t received the way you think they will be. but i know i’ve grown more from having my failures pointed out (and, very importantly, having the good things about those efforts acknowledged) than anything else.

💌 Is there a favorite trope you like to write?

actually Just answered this in another ask!

[citrus-sours]

did i post these? oh well too bad you can live a little and see them again

[merlinmerlot]

haven't finished the game yet so I feel bad making an opinion on it already but im a little Annoyed that in bg3 it appears that each companion has two endings, and they're either the 'morally good' ending or the 'morally bad' ending, and it's very obvious the writers want you to chose the good one. that's boring.

obviously there are limitations to scope for this game but 🤷‍♂️ hopefully im proven wrong once I get closer to the end

[llycaons]

i think you might just need to go outside

you're the one who sent three anonymous messages to a stranger on the internet about a reddit sub full of ao3 fans about something she posted two years ago anon so idk maybe I'm not the one who needs to log off

[tailung]

havent watched the episode that supposedly addresses starscreams trauma yet but apparently mae catt wrote it and now im actively dreading completing this show 😭

[parsleymusic]

the urge to respond to critique about portrayal of unpolitically correct attitudes or phrases or actions or whatever in regards to mental illness with "what if I told you that it's not my job to tell my readers that when my character says stuff like 'my binge eating disorder is not as bad as my brother's bipolar + PTSD combination; he has to win at something' that it's Bad and the Wrong Attitude to have when it's largely a tongue in cheek joke about living with mental illness and watching the people you love experience a different flavor that is also worse

[udurghsigil]

can't stress enough that you guys don't have to answer every single ask you get. in fact you can just delete them. especially if they are causing you psychic damage.

[crybaby-bkg]

I know Miguel would be so sick of my ass bc the way I would call him mean every time he’d try to even SLIGHTLY reprimand me,…..,,

[jjammy-skies]

I will not live past 40.

(A poem, by me, about accepting being sick.)

I will not live past 40.

I say these words with love

Cause I know you need it.

You need to feel reassured

My mortality isn't a vendetta.

Because I love you,

And I love your attempts

To try to make me feel better.

I hate hurting your feelings when I say

"There is no getting better"

Because you try and try to find

A solution; A goal; Something;

Anything for me to look forward to.

And I say them with grief

Knowing I will spend years

Helping others grieve a body not yet dead,

Because I have already laid it to rest;

In that coffin of a hospital bed,

In the spaces between my books,

And figures and toys,

That all take up space on my shelves;

What I can piece together of my personality,

So I can lay myself bare before you.

I say this with malice

As you try to convince yourself

you played no part in the rot consuming me.

Like there was an attempt to save

This body built of your mistakes.

You refuse to look me in the eye.

It’s enough of an admittance

for me to feel powerful between us for once.

Using my condition as a weapon

Against those who claimed weaponization

When I could not even move.

I say them with understanding

As I understand you don't know yet

What it means to die.

I hate to be the first;

I don't want to be the reason

You must learn about death.

I don't want to feel

Your small hands in mine as I try to explain

What it will mean when I'm gone.

Milestones and birthdays and graduations,

All missed and forgotten.

Anniversaries spent recounting your childhood,

You can't seem to remember a time I wasn't sick.

I say it with acceptance;

As I know who I am,

And all I've loved,

And all I'll leave behind.

In that grief and malice and love;

In those shelves and toys and little hands in mine.

I accept this rotting corpse.

I will show it love.

I will show it grief.

I will show it malice.

I will show it understanding.

I will show it acceptance.