#im not going to tag any character names

[cozylittleartblog]

you guys know the 1920s and 30s existed before v*vziepop right

[good-beans]

Prisoner @gunsli-01, here and ready for Trial 1!

Crimes: Drawing in unsuspecting victims with elaborate analyses and meta, and then slamming them with Es and Kazui emotions, T1 guilties angst, and Kotoko’s attacks!! Also, putting a round of ocs through brand new milgram horrors at @milgrammaintenance (Think of the children!) So, wardens, what will it be?

[throwawayasoiafaccount]

When I see stuff like this I kinda want to bash my head into a wall:

To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.

(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)

Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.

Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)

And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.

Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.

But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!

So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!

And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.

And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.

On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!

But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.

To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.

[wuffgang-ameowdeus-moozart]

I think one of the reasons that kaladin can deal with actively killing as a soldier but not with accidentally (passively) letting someone die as a surgeon is the sense of failure (plus of course the obvious protection aspect and the whole me-vs-them mentality he only really starts to question when Shin joins bridge four, and he starts interacting fairly regularly with a light-eyes he can genuinely respect). dalinar himself said that he "love(s) taking responsibility for things", which is especially clear in the way he still can't quite blame amaram for tien's demise (because he feels like this is his failure, too).

like we can see in the first book that the deaths of the people he swore to protect weigh on him not only because of the dying people per se, but also (and I would argue: especially) because of his FAILURE to keep them alive. he always makes this connection to himself, thinks of their demise in relation to HIS own person and HIS role and HIS failure (cue the whole "stormfather cursed me specifically" thing). like, besides tien and the bridgemen (who we know because they are active current characters), can we truly say much of anything about the people he failed to protect in the past? the only thing we really know is how HE feels about it and how it messed HIM up. but the people themselves??

kaladin just has insane main character syndrome, and everything happening to him (first dark-eyed to have the rank of a light-eyed, one of the only surgebinders, guy able to survive multiple fights with actual shardbearers, etc etc) do the opposite of helping him dissuade the notion. I feel like I lost the plot of my own post. Kal is honorable and a good guy and everything but he is also pretty self-centered? which I actually find really cool because many times people who do objectively good actions are still kind of demonized if they don't do it for the "right" reasons (aka purely 1000% selflessness), but Kal explicitly starts helping the bridgemen not because he actually cares about them but because he needs a reason to not commit suicide. and when he loses bridgemen (especially in the beginning where he barely knows them) he always immediately thinks back to the other people he FAILED to save. he isn't devastated because that person in particular died, he is upset because he is very bad at dealing with his own failures and also terrified that the wretch will use this to lure him back onto the ledge. i mean, he loathes failure so much he was resigned to never see his parents again (who he clearly loves a lot and who he knows would welcome him back with open arms; it's his own shame that he can't confront)

he helps people primarily to try to make up for the failures of the past, an attempt to dissuade the guilt and shame eating him alive 24/7 (which of course never works because guilt is a very unreasonable emotion and as long as he doesn't change his mindset and confronts his own beliefs about himself and the world it will never go away.)

"do the fire sprin create the flames or are they attracted by them?" of course syl was compelled to follow kaladin around. dude keeps actively (even if semi-unconsciously) putting himself into the same role and situation over and over again in the hopes that if he can only succeed one time it will somehow redeem him for his past failures. literally every single thing Kal does and thinks and believes is rooted in the fact that he blames himself for tien's demise. he needs to somehow redeem himself in order to be able to live with himself but at the same time he can never be redeemed because letting tien die is an unforgivable crime and yet he needs to make it up somehow because the wretch is always in the back of his mind and he's actually terrified of it but he is equally scared of actually somehow managing to get over this sense of guilt and failure because wouldn't forgiving himself mean he thinks tien is less important than his own stupid (and, in his mind, deserved) feelings?

that guy is so not over his brother's death it actually isn't funny anymore 💀 please get that dude some fucking therapy 😭😭

[wybienova]

who cares about art fight i have to draw my new favorite characters 5000 times

[racmune]

@tf2shipswag

propaganda for the sniper/spy/sniper versus scout/fried chicken lady/pauling war!!!!!!!!!!!!!!!! THEYRE A CRACK SHIP TO *YOU*. TO ME THEYRE SO MUCH MORE. ALLOW ME TO INDULGE MYSELF. THIS IS HEADCANON HEAVY BC THE FRIED CHICKEN LADY LITERALLY ONLY SAID ONE THING IN THE ENTIREITY OF CANON BUT WHO GIVES A RATS ASS!

theyre such a qpr no one even understands. beyond scout n the fried chicken lady's initial sexual encounter i like to imagine theyve become good friends. perhaps she was from boston as well and her and scout bonded over that, along with a shared sense of humor and laid back attitude. they hang out together and watch tv, get pizza and make out, talk about their childhoods etc. I JUST THINK ITD BE FUN OK.

her and miss pauling have their meetcute at a barbeque during the fourth of july. the fried chicken lady was invited to come along by scout and is just chilling and grabbing some extra meatballs for her plate. miss pauling initially notices her for being a pretty woman but as they talk and the night goes on they bond from both believing in keeping things practical. shes also a lot less uptight than miss pauling however, which leads to a lot of playful teasing (from scout too LOL)

i think scout and the fried chicken lady enable a lot of each other's worse habits and so miss pauling has to deal with two different messy bitches LMAO. also another headcanon i have for their dynamic as an entire unit is that miss pauling will be up late doing paperwork in her home office and they'll be sleeping on her bed, and when she's finally done she goes in and snuggles with them.

im just gonna leave out my thoughts about scout n miss paulings dynamic for the time being cause if i did id be here forever but i did already make a post on my headcanons which you can find here.

ANYWAY THEYRE SO FWB CODED. THEYRE SO QPR CODED. IM SO DELULU COCO BANANAS CODED. IM SO EXTRAPOLATING A CHARACTER FROM A 4 SECOND CUTAWAY GAG CODED. K THANKS FOR READING BYE.

oh also miss pauling and the fried chicken lady's ship name is "lady and the tramp" i dont make the rules

[chrswlls]

Personal headcanon that I think is implied a little bit in the game is that you, Alex Winston, have some sort of beef with Patrick Bannon

Like we already know for one Patrick would be anything but kind to other staff, let alone the janitor turned broadcaster out of nowhere

And you know how the Lockdown being Alex's dream kind of reflects their own experiences right?

A lyric from Mr Bear implies that they might've wanted to be a news anchor before being forced to settle as Channel 1's janitor

Perhaps someone like that could be jealous of the fact that someone like Patrick made it on the big screen because nepotism

Also Patrick literally dies in your dream followed with a quote from Jeremy implying spite. "Thank you Patrick for that report! Showing the nation, and more importantly management, just where you belong!" Like damn we really want this guy dead

My personal favorite part of this headcanon though: this challenge room reward

Is this yours? Is this the entirety of Channel 1's? Who knows! But it just happens to be in your room for stress relief

There's also Live and Spooky where canonically, you don't follow the instructions and derrail the show (or else you'd all die). How could you have known the Costume Room was the perfect last stop? Maybe you just wanted to shit on the show and by extension shit on Patrick Bannon

Anyways not to say it's canon because Alex is you and you're whatever you wanna be but you being Patrick's No. 1 Hater isn't super far from canon is all I'm saying

[subsequentibis]

i think part of what Gets me abt metalocalypse is how clearly the people making it really love metal music, like i've mostly seen it in extras and non-show material (skwisgaar guitar lessons, charles on the phone talking abt vintage guitars, defense of speed guitar in the comics) but then of course like. all the music for the show whips ass as genuine metal songs of their own accord, they put the effort in on music videos & visuals, it all just rings true with this genuine passionate love of the genre and i truly don't think i'd be half as interested without that beating heart at the core of it.

[azaisya]

I was doodling some of the side characters from my novel project instead of writing which. I should get back to actually writing it

anyway here’s Siovern, whom rumors claim to be the true heir to House Roselorre despite her mysterious and violent death decades ago; Relletta, the heir to Vale House Nethtyn and one of House Roselorre’s most vocal detractors; and Imeli, a sweet young lord of little importance

[cyberscratch]

A new ref for Lemmy, and an official design and introduction of Limmy in This Universe Has Lemons In It! Limmy was created by the Guardian of the Lemonverse (any pronouns) as an attempt to stop Lemmy from what they are doing, which is creating portals to travel through various universes and dimensions to have fun. Not only is that a risk for the balance of the universe, but GotL just dislikes this kid having fun and wants to see them stopped.

Not wanting to do it in it's own hands, it created Limmy, an angel dog meant to be an direct opposite to Lemmy. Limmy, however, doesn't do much to stop Lemmy, other than following them and bickering. Their relationship is very Tom and Jerry rivalry-esk.

(Names color coded for myself to read easier due to the similar names!)

Fun fact, Limmy was originally going to be based on limes (Lime Angel), but I kept that concept for GotL - and made them more angel-like instead.

[desire-mona]

can someone please come over and braid my hair and talk about fnaf like im 9 again thanks. can someone please come over and pretend like its all ok thanks.

[mistakes-have-been-made]

When I say "I need them to be thrown at a wall" I mean in the most violent way possible, like I need that thing to be incinerate. I NEED to have them be stomped on. I need to kiss them like there's no tomorrow but at the same time I need to fucking upper cut that bitch. I need to romance them but also throw that asshole into therapy. When I say I hate them, I love them but I hate them even more. I need to bite that thing like a chew toy. Do you see, do you see how much I need them to be real?

[cyanide-sippy-cup]

Just now realizing that 'Inevitable' is the apotheosis straight up toying with Emma, bragging that it won. The chorus stating "it's inevitable" and the song literally starting with "Emma I'm sorry, you lost."

[wienners]

its funny that the entire tag of habit/vinny is like "this is an abusive basically proship why do people like it :/" when 1. theyre both unrelated adults and 2. their dynamics just this

(art by @punkitt-is-here )

[get-more-bald]

the biggest thing about X6 is not that he doesn't think of himself as human (though he doesn't, and according to some it's correct) BUT that he doesn't see himself as a Person

[starfall-calamity]

Not posting on main but im crying

Mfer just ">: ]c" i can't