#im not including the others because they are not so relevant to the plot

[blarefordaglare]

Legend gets a haircut

Haha I HOPED MY TRICK WORKED FOR WHAT CHARACTER I WAS DOING  😂

No I need LEGEND angst but in crack style because I haven’t wrote it in a while and I just NEEEEEED it so here it is:

…

His hair was getting long again. 

The seasoned hero noticed it for some time now, yet the blade of the scissors never called out to him until now. Maybe he should give it a trim. Maybe he should fix it up. Maybe- just maybe he should heal. 

The memory of the last time he got his hair cut was still clear in his mind, ringing through his brain like a village’s bell. The love that he lost, along with the memories that he gained.

It was a bittersweet moment indeed.

“Seriously vet, quit sulking in your sadness, it’s getting boring.” One of his fellow fairies chimed, the youthful voice melting into the breeze, “And your hair is a mess, even I can see that.” 

“You’re right, it’s making my eyes bleed,“ and there’s the captain, the adventurer rolled his eyes as Warriors continued his monologue, “Listen, you need it fixed.” 

Legend wanted to agree, he really did, but part of him just couldn’t let go of the memory. What if he loses her in his heart as well? “No.” 

Well, Hylia clearly had other plans for the fairy, as he was quickly prompted onto the ground, hair washed through ice cold water and brushed to the best of his capabilities.

“So what are we thinking?” The traveler, much to Legend’s surprise, pulled out a pair of scissors, why did he have those on him?

“I’m sorry, but you are doing my hair?” 

“Cooking isn’t my only forte.” 

That was enough to make Legend quickly pass the scissors to the smith, “You work with blades, you do it.” 

He could hear the ‘rude’ that followed his demand, but if they wanted him to cut his hair, his brothers better deal with it. “Oh I would love to,” Four’s tone dripped with sarcasm, “but you haven’t even told me what you want.” 

The veteran crossed his arms, “I don’t care, just put it in a ponytail and chop it for all that it matters.”

“I’m not doing that,” Four rolled his eyes, hands reaching out to the hairbrush, “And plus, we need to properly brush it first.”

The brush combed through his hair.

“Ow.” 

It combed again, albeit lighter.

“Ow.”

It slightly grazed onto the locks.

“Ow.”

Four breathed.

“Ow-“

“Just shut up or I’m making you go bald.” The smith slightly shoved the other, “You’re lucky I’m even doing this.” 

“Okay, okay,” Legend bit back a bitter laugh, “Just don’t cut my wings by accident.”

“You know that’s impossible,” Four started to section off the hair, tying it in place with some elastic bands, “I’m giving you layers to add some volume onto that thinning hair of yours.”

“Hey! Are you saying I’m balding?”

The smith just grinned a very mischievous grin and chimed in confirmation. 

Two broken hair brushes, a pound of dead hair, and 5 ‘oops’-es later, the veteran was left with a nice short, organized head of hair. 

It was never the hair lost that would make him fear of forgetting, or perhaps it was, whether or not, one thing remained true,

It can’t fully grow without some of it being chopped off.

[godsfavoritescientist]

the unexpected aspec experience of opening up a word document to write more pages for an ~adult~ fic, happily writing a little bit, and then suddenly being completely uninterested in the subject material anymore. 0/10 very inconvenient, finishing this fic will take forever at this rate

[snekdood]

gonna be very annoyed if ppl insist on tryna turn all 5 of my dude characters into women when the majority of other characters in my comic already identify as women

[phantomantz]

some changes i would have made to the characters storylines in tua s4

disclaimer: i am no writer, it's just fun to think about the possibilities. btw anyone feel free to use any of these ideas for fics idc

lila doesn't cheat for starters. instead she and diego have both been secretly doing vigilante missions and keeping it from the other because they think they'll be mad. on one of these missions the two run into each other and rekindle their spark. basically the five and lila story but with diego and lila instead thanks. maybe one or both of them almost die or their kids are put in danger, and they decide to find a much less dangerous hobby, because while its thrilling in the moment they realize they wouldn't sacrifice their family for it

luther is shown to be much more depressed about sloanes absence (if there really is no way for her to come back) but he's trying to hold it together to be there for his family. would be nice if he bonded with characters like klaus, viktor or allison who have also lost their lovers. diego and lila shenanigans means they need luther to babysit a lot and luther finds happiness caring for his nieces and nephew. maybe he also finds a fulfilling job where he can meet a lot of people and help others.

five still finds the time subway but without lila. we get more time exploring the alternate timelines and seeing different ways the apocalypse has happened including ways the other sibs have ended the world. his PTSD and reliving his trauma is also explored. he eventually ends up in the five diner where he's told that they end the world every time but instead of excepting defeat and making everyone sacrifice themselves he finds another way (what exactly that is im not so sure) and becomes the first and only five to successfully prevent the apocalypse forever

allisons relationship with claire and ray are explored more heavily as well as everything she did in s3. i like the idea that she takes care of klaus because 1: hes the only sibling that will still talk to her and 2: because of the guilt she feels after getting him killed. i just wish her arc focused on something OTHER than saving klaus because thats basically all she did this season. would be nice if she spent more time with viktor and luther the two people she wronged most heavily in s3.

i would keep viktors confrontation with reggie but alternatively i would make this reginald umbrella reginald so it has much more weight to it. either that or have viktor express that even though he said his piece toward this reggie he will never actually get closure with their real father and nothing will remove the pain from his childhood. the rest i would keep pretty similar. reginald wants to kill ben and viktor wants to stop him at any cost. viktor knows what its like to be "the bomb" and doesn't want the same thing that happened to him to happen to ben. instead of working together to find ben however they're more in a race against eachother. maybe allison joins him and they make up on the way. i would have liked for ben and viktor to have had a heart to heart in the beginning of the season, maybe about how ben felt like a monster sometimes because of his powers, and viktor relating. idk how this would work with sparrow ben because he doesn't seem to hate his powers the same way brelly ben did but it would have been nice to show another reason why viktor is going through so much trouble to save him. and the ending where he trys to talk him down would be more impactful i think.

for klaus i would keep everything pretty much the same up until he runs into that quinn guy. instead i would have him travel to the subway with five in lilas place. five and klaus' powers are the most mind boggling out of the bunch not to mention time and death are inherently intertwined and this needed to be explored. also, you're telling me klaus literally has the power to talk to GOD and this never has any plot relevance???? klaus should have been involved in finding the solution to the apocalypse imo. also we needed klaus and ben interactions. idk how or when but it NEEDED to happen

ben and jennifer being the catalyst for the apocalypse is making it very hard for me to figure what to do with him tbh. i just wish he had more time with the other sibs and didn't turn into a horrific blob monster at the end 😭he felt less like a character this season and more like a plot device and he deserved to have some scenes that actually fleshed him out. it would have been cool if the reason he causes the apocalypse was actually because of his powers and not just because he happened to be the one to make skin contact with jennifer. i really thought that the twist was gonna be that the squid that jennifer was stuck in was the one that ben summons and that was why they were connected. not the fact that they both just had reactive magic particles in them that anyone could have set off. like what if jennifer being cut out of the squid was what killed ben?

OH! what if jennifer was an eldritch horror from the same dimension that bens tentacles are from and for some reason she wants to kill the brellys/end the world and because bens powers are linked to her she can control his mind ???? c'mon i feel like i've got something here

a have a couple of other ideas but don't know where they would fit in rn so yeah.

[helioselene]

HOW TO: WRITEBLR;

so youve migrated from writing twt to writeblr -> what now?

the following is my masterpost on the ins and outs of navigating the writeblr landscape! while it can be scary to deep-dive into the world of writing on tumblr for the first time, there are a few actions you can take to make it a lot easier to interact and share your writing.

psa: this is neither an extensive nor complete list of writeblr tips! but i hope it can help :)

INTERACTION;

interacting with others is one of the most important aspects of writeblr. im going to be splitting this section into a number of sub-sections because there are several topics relevant to creating a system of communication with other writers on here.

likes and reblogs; unlike twitter or other social media sites, likes do not hold the same weight on tumblr. as well as liking a post, the most important step you can take is to REBLOG. reblogging will share a post to your blog and thus your feed. in doing this, your followers and anyone who checks out your blog are going to see the post, rather than if you just like or comment. reblogging allows more people to interact with a post. content creators (including writers) can be motivated to continue posting when their posts are reblogged because it shows there are enough people interested in their works. the same goes for you! the more you reblog other people's works, the more likely your own posts will be reblogged, thus gaining more traction for all your hard-earned efforts.

taglists; you might be asking: what is a taglist? a taglist is usually featured at the bottom of your post when you share your writing. it includes people who have shown interest in your works - all you do is simply @ them. it means that people who are keen won't miss out on seeing the things you post about your wips! it is essentially an opt-in type deal, where people can choose to be added or removed from being notified about updates, excerpts, and the like.

don't abuse your taglist. don't tag them for every little thing you post about your wips - try to keep it to major posts like excerpts or new art, etc.

**** A HANDY HINT: writeblr etiquette states that you should never just add people to your taglist. only add them if they specifically ask.

tumblr tagging system; the tumblr tagging system is going to be your best friend as a writer. tags allow you to manage your posts + can act as a navigation system for your blog.

when tagging, make sure to not replace characters if it's for a trigger warning. 'assault', for example, should never be replaced with '@ssault'.

if posting an excerpt from your wip, i would suggest the following tags as the bare minimum: 'WIP NAME', 'WIP NAME EXCERPT'. if you're posting it as part of an event, you may also wish to include 'EVENT NAME'. you can also have a specific tag for things your friends write, for resources you may find helpful, etc. the possibilities are endless. a hint: the first five tags are the only tracked tags. the most important tags you want to add should be your FIRST FIVE TAGS on a post. furthermore, only the first twenty will show up in the search function.

tags are a good way for you to interact with other writers! when you reblog a post, OP will be able to read your tags where you can add how much you loved their work, etc.

POST FORMATTING;

do; - add trigger warnings to your posts if they contain sensitive topics. - add a plot, characters, etc. other writeblrs want context for your wip beyond just a number of dot points about tropes. - put your post under a 'read more' if it is a long post. - tag any nsfw content. - add a transcript of any photos/images under a 'read more'.

don't; - use any sort of fonts beyond the regular when writing a general post. using the 'chat' font, for example, reduces accessibility to your posts and makes it difficult for people to read. - just post dot points of your wip. - plagiarise. - use other people's posts as a place to self promote.

PINTEREST IS NOT AN ART SOURCE;

this is one of the biggest differences between tumblr and other social media sites: pinterest is. not. an. art. source. the truth is that people aren't going to care if you post a moodboard with nothing beyond a few random photos of a castle and a knife, etc. sure, they may look pretty, but don't do it for a number of reasons.

first, you should always post art directly from a credited source (e.g. unsplash or picrew).

second, it doesn't show enough about your wip! people want context! not just random photos!

thirdly, most photos or art on pinterest do not CREDIT their sources. this is theft and this is bad. which leads me onto the next topic.

CREDIT YOUR ARTISTS;

CREDIT ALL ARTISTS. if you use any sort of artwork, i swear to all things holy, give credit to the ORIGINAL sources. pinterest, as mentioned, is not an art source. most artwork on that site is stolen or posted without credit, which, funnily enough, is a form of theft. if you're going to post any form of photo or art, please give credit. it doesn't matter what form it takes; link to the original artist or photographer in a way that is not hidden.

MOODBOARDS AND GRAPHICS, OH MY;

one sad truth about being on tumblr, as with a lot of social media sites, is that your posts will gain a lot more interaction if you use some form of graphic or photo along with your writing. graphic making may seem daunting but it doesn't have to be! they don't have to be complicated or anything more than a few photos - as long as they have relevance to your wip. moodboards are not necessarily a bad form to take when making graphics for your posts. however, if it just features a random collection of photos that tell your audience nothing about your work, they're not going to care. writeblr is all about actually imparting information about your wips, rather than just vibes. ****as mentioned, any form of artwork or photography needs to be credited to the original source. however, etiquette is also to not repost art without express permission from the artist. if you don't have permission to use someone's art, DO NOT put it in your moodboard or graphic.

BLOG AND BLOG THEMES;

tumblr is a really great site for expressing yourself through your blog, especially if you use custom themes! if (like me) you're terrible at javascript and any form of http coding, there are a number of blogs you can search for to find custom made themes that are easily adaptable for your needs.

but why use a theme beyond expression?

one of the best aspects of using themes is the navigation aspect. most writeblrs have some form of navigation page (beyond just simply using the tumblr tagging system) to allow their audience to find information about their wips, writing resources, and the like! it makes going through your blog easier for both you and others.

also: make sure to include information about yourself on the blog (but of course, not to the point of doxxing yourself). most tumblr users, especially those on writeblr, will think you're most likely a bot if you dont include at least some things about yourself. the most common things to add are name, age and pronouns! also a dni can be used.

WRITING TIPS AND TRICKS;

titling your wips by @crtalley

plot structure by @nouveauweird

how to blurb by @yvesdot

notion templates for writers by @atelierwriting

the tropes guide by yours truly

so you're missing a plot by @seasteading

novel length by @serpentarii

thank you to everyone who helped me in writing this post! love you all <3

[whumble-beeee]

hiiiiiii bee

im so fucling curious what the backstory is behind deeby and lana omg. meant to send a more coherent ask but post work braincel decrease is hitting me hard. also the dutch petname thing scared tge fuck out of me the first time.

ps this is also thw first time ive anon named myself

love - 🌿🚫 anon

God, mood about the post-work braincells. Also, I mean this with so much love, but it means so much to me that I managed to scare the shit out of you with that lol. He gets. Just so much worse. Let's just say everyone in my discord servers I introduce him to universally hate him with a passion. Get ready.

ALSO technically parts of Declan and Lana's backstory are giant spoilers, including what will be one of the bigger plot twists, so I can't tell you just yet. HOWEVER, what I can do is reiterate and highlight things I've already said in-story, plus what's gonna be revealed soon when I actually upload her character profile lol. All that under the cut.

So the first time you really first start hearing about Lana is in Chapter 7, where we also meet Vaughn for the first time. In that, we learn that 1. Declan and Lana are ex boyfriend and girlfriend. As in they actually used to date. 2. Lana is Declan's boss now in some capacity (and was the one to order Stan's kidnapping), and 3, Declan fkn hates Lana. So much more than he hates Vaughn.

In Chapter 8, we learn that 4. Vaughn and Lana are currently dating. That's not really too relevant, but it's really funny to me because their relationship is... something. I'm sure you can imagine. It's very mutually manipulative and they both know it, its awesome.

Anyway, then in Ch. 9, through Stan and Deeby's yelling match, you learn that Declan and Lana's relationship is complicated and he refuses to talk about it, but 5. he's kinda obligated to do whatever Lana says or face unspecified consequences.

Skip to Chapters 11 and 12, the ones with Marcus at the convenience store getting harassed, where we first meet Lana in person. We learn a lot about her, mainly that she 6. acts pretty bubbly and ditzy but is actually pretty smart, 7. is completely fine with SA, 8. is manipulative as hell, 9. feels safe enough to fuck with Declan's plans because despite how much we know Deeby to exert his will over others, he wont do shit to stop her. and 10. The big one: she was the one to give Declan his burn scars (with acid btw. everyone in the story has a weapon of choice, bc superhero lol. Lana is injectable poisons, gasses, acids, etc.). This is mostly just something you could assume, but when she gave him that burn scar, that was the turning point when Lana started manipulating Deeby.

Chapter 15, it's mostly just more of the same, Lana telling Deeby to keep Stan for longer, and Deeby can't argue back, he hates Lana but he has to do what she says, whatever.

So, to put it all together for you: Lana has Deeby under her thumb for some reason. She acts fake, she's manipulative, she's relatively smart, and she dated Declan which means she would get to know some of the more intimate details about him that she could blackmail him with. Also something happened between them where she literally burned him with acid, and now she is his boss (she's the CEO of Supramed Corp. actually, which would be revealed whenever I get around to posting her character profile lol) and makes him do bounty hunting jobs as well as basically whatever she wants. That's what we know so far.

You'll learn more about Lana as a person as well as the nature of their relationship as time goes on, and a lot of Declan's behavior has been partially shaped because of her. There's a lot more to her that hasn't been uncovered yet, although the context clues are all there in the story. I just pointed out the specific ones that relate to Deccy.

Also, one last thing to leave you with. I focus a lot on eye color in this story, it's always very important, it tells you a lot. Lana has bright blue, sky blue type eyes. Can you maybe think of another time I've described a character with eyes like that?

(also if you have any questions feel free to ask in another ask or the comments lol, idk if any of this is even comprehensible)

[annymation]

Hey! So, your Wish rewrite so far is really good!

And since your making Amaya a villain as well, I’m wondering if your including the cut cat that was suppose to be Magnifico and Amayas evil pet (I suppose it would have been a reference to some villains pets like Lucifer, Iago, Flotsam & Jetsam, etc).

I was actually struggling with fitting him into the story, because I was going in with the mindset that all characters should be relevant to the plot, and I just couldn’t think of any way to fit the cat in a way that felt meaningful other than just “it’s for the aesthetic~”

I was almost giving up on including him at all until… I found this:

DO YOU SEE THAT?!

THAT A LYNX! A FREAKING WILD CAT NATIVE OF CASTILLA-LA MANCHA IN CENTRAL SPAIN!!!

I loooove lynxes, I’m not even joking, I find them so beautiful and majestic, but also intimidating!

Sooooo yeah, with this new information, I decided they WILL have a pet lynx in my rewrite, and I do not care anymore if he’s not plot relevant, I’ll be keeping him just for the ✨aesthetic✨

Im so serious, his role in the story might literally just be sitting on Amaya’s lap, in the dark, as she caresses his back and is like “I’ve been expecting you, Asha” lmao

Also heck, having him as a lynx actually makes it easier to make him plot relevant, because unlike a little house cat that can scratch you but Asha could easily just throw it away like Coraline throwing the black cat A LYNX IS ACTUALLY A WILD ANIMAL THAT CAN SERIOUSLY HURT YOU! The king and queen just have a beast as their pet, how cool is that?? Tho lynxes are actually not aggressive to humans unless they feel threatened, but come on, Amaya could easily train him.

Anyway yeah, I’ll be including the cat, lynx in this case, not sure if I’ll keep his name Charo as it was in the concept art tho cause… I looked up the meaning of the word and I didn’t vibe with it, I’m considering naming him Bravo, that means both a way to congratulate a performance but also means “angry” in Spanish. I’m open to other name ideas tho.

[quitefair]

alright time to gripe about inquisition again (what’s new)

dyou know i barely understood what the fuck was going on in orlais politically from just playing the game? i’m basic, i never read the masked empire, also by the time we hit like wewh i am absolutely not reading all the codex entries because im distracted with how pretty orlais looks VISUALLY and also mentally scarred from all the warden nonsense

but in doing research i found out a bunch of COMPLETELY WILD THINGS that the game does that they don’t??? talk about???

okay so here’s the deal:

Vivienne’s lover is this guy called Duke Bastien of Ghislain. A dude you have to help kinda save as part of Vivienne’s personal quest (I have even more gripes about how Vivienne’s character and arc was so poorly handled but that’s a post of its own)

So yeah this dude

Crusty old guy you kinda only see as some random B plot side quest with no relevance. But okay okay I went in and read up about him right? 

He’s the head of the College of Heralds. Yknow what they do? They literally handle any and all problems to do with titles and lineage related to them among the Orlesian nobility. They were called in when Emperor Florian died in 9:20 Dragon without an heir. They were the ones that chose Celene over Gaspard as the new ruler of Orlais.

They’re technically the reason the entire Civil War happens in the first place!!!! The Fuck!!!!!!! I may be stupid but I don’t think anybody stressed on this in the game???

Also wait, there’s more yeah!!!

This dude had a wife (who died or something idek the details sorry) and had two kids - Calienne and Laurent

Calienne, mind you, went on to fuckin MARRY??? GASPARD DE CHALONS??? Duke Gaspard was this DUDE’S SON IN LAW???? A dude that he (as part of the College of Heralds) chose to snub as they chose his cousin as the Empress instead of him????

This is fucking wild you guys.

Calienne supports Gaspards claim to the throne despite what her father did, plays a part in the assassination of Celene’s mother, and eventually was murdered by Celene’s father and cousin (another thing I had to read with my own eyes was that Duke Motherfucking Prosper of Mark of the Assassin infamy was Celene’s relative. Oh also that his son Cyril is also on the Council of Heralds and is also the Orlesian representative at the Exalted Council??? What the Motherfucking Shit???)

On the other hand, we have his other child Laurent.

On first pass I seriously got him confused with the dude that tries to get the Inquisition to pay taxes to him cause he owns the land around Haven?? THEYRE WEARING THE SAME OUTFIT???

But apparently they’re not the same guy. And the only time you interact with him in person is in Skyhold after Vivienne’s personal quest where he thanks you for helping his dad or something. You barely see the guy, and he’s apparently the heir to all his father’s lands and titles, including the seat at the Council of Heralds?? While his BROTHER IN LAW is MOTHERFUCKING GASPARD DE CHALONS????

And despite all of this, the only more you can learn about him is through this absolutely random war table mission where you help him out and they give the Inquisition some insignificant strip of land in Orlais??

Dude what the fuuuuuck.........

[the-holy-ghosted]

*putting on a moustache and sunglasses*

So like what’s the deal with ghosted what’s that about

now see the deal with Ghosted is that it's not what happens within the events of the film that captivates me so much, though don't get me wrong i love this film to bits, but rather, it's the idea of what happens after the whole thing that makes me FUCKING NUTS

because the whole thing is relatively cut and dry in the sense that we don't have to guess about what happened before and we don't have to guess about how everybody is feeling in the present. we know (MOST) important characters backgrounds and what they're doing at Falkhill and slowly revealing Paul's context was pretty interesting if not a little abrupt at the end there but its the very last scene of this film down to the very frame that flips the whole hour and a half you just watched over on its head and prevents me from getting a good night's sleep because i can't stop thinking about it

ELABORATING WITH A LOT OF SPOILERS UNDER THIS

explaining the plot of this movie is hard without sounding like im writing a pretentious review and not just talking out of my ass on tumblr but for my followers who haven't watched this movie and dont care enough to: Ghosted (2011) is set in a british prison in which Jack (John Lynch) is a long time prisoner who's wife just dumped him apparently on the anniversary of their sons death (tough break) and is being advised by his friend and cellmate Ahmed (Art Malik) (who does NOT get HALF as much screen-time or plot relevance as he DESERVES,) to find something to put his mind to and be proud of outside of his failures Paul (Martin Compston) is a prisoner who was just transferred out of a Young Offenders prison AS FAR AS WE'RE TOLD... though its noticeable from the beginning that hes not a very good liar and his story is suspicious at best Clay (Craig Parkinson) is kindof The Guy of their prison wing whos dealing drugs to other prisoners and assumes the position of authority over everybody else, though compared to other inmates with bigger cliques, his foundations are shaky. the description of this film on letterboxd calls him "the wing beast" and i have never cried laughing so hard reading something in my life

Clay and Jack both hone in on Paul immediately for different reasons. Jack, after his pep talk with Ahmed, sees Paul as a source of "a little self belief, something to be proud of", but Clay scoops him under his wing for being relatively young and impressionable. This puts Jack and Clay at odds with each other. after some plot, Paul gets into very big trouble with Clay and after An Incident is promptly plopped into Jacks hands, who had requested Paul move into his cell earlier but didn't have a good enough excuse for it. Well You've Got A Bloody Good Reason Now ect ect

Jack and Paul buddy up immediately and its noticable that Paul is sort of filling in the empty space where a son would be for Jack, however we discover that Paul has been lying about his past to everybody, including Jack. he lied about his family and he lied about having only just been transferred from Y.O. and hadn't been telling the whole truth about his sentence. what the truth ends up being, in a nutshell, is that Paul is accidentally responsible for the death of Jack's son, having been the one who started the house fire he died in (we were never even told that Jack's son died in a house fire before this, we are only told this in Paul's flashback at the end of the movie and are supposed to act, like, surprised?? whatever). consequentially, Jack flips his lid and prompts my personal favorite scene in this film in which he beats the living shit out of Paul with his bare hands and immediately regrets it the second the adrenaline wears off, hitting an alarm button within the cell that alerts the guards.

the guards whisk him away and he is put in solitary confinement, which we find out was actually the first sequence of the film where hes shown with an absurdly long beard, and considering every other fucking scene he's in is of him shaving his face, i assume this is to show just how long he's been kept in solitary confinement, which quite honestly was kindof exciting to realize at the end of the film.

and then. the end scene.

after solitary, Jack is put in cuffs and brought to see Paul who looked Extremely Dead after Jack had him, but hes not dead! just almost dead. Jack is sat next to him and tries to apologize but starts to cry, reaching out a hand to hold Paul's but retracting it regretfully. Paul, having looked unconscious not five seconds before, moves his hand to place it over Jack's...

and then the movie ends. and i am left writhing on my floor in anguish BUT NOT BEFORE I EXPLAIN TO YOU THAT THIS

THIS is what the deal is with Ghosted

the pathetic gestures of "im sorry" and "its okay" are what kill me. sorry is nowhere near enough to justify anything that EITHER of them did, NOR should they be forgiven. AND YET.

and what gets my gears going is the thought of what everything looks like AFTER this scene. after they've bonded so close and after Jack already thought that Paul stopped lying to him, thinking that he could protect Paul from Clay now... after they started to fill the spaces for people they were missing in their lives... and after they've RUINED each others lives. They Have Ruined Each Others Lives and yet Paul probably would have had to DELIBERATELY ASK for them to bring Jack to see him because he just BEAT Paul within an INCH of his life and would NOT !! have brought Jack to see him upon Jack's own request!! Paul would have wanted to see him too!! after all this what does their relationship look like now... the image of father and son has been all but shattered in each other's eyes, one can assume, but are they still close... does the guilt and responsibility drift them apart or does it pull them inseparably together? Ahmed tells Jack that "there is no such thing as coincidence, only fate" but what does their fate look like... does it end here or does it mean that they're together indefinitely? the end of this film swings the door wide open and i think about it. way too often. unacceptably often, even.

all in all theres no reason that this should be my favorite film but it is. if nothing else it's made me look into the other actors involved and branch out with a to-watch list as long as my arm that will only get longer once i branch out from there. is it the perfect movie? no this film is mediocre at best. have i made a number of my friends sit down and watch it and listen to me yell incoherently about it? of course i have.

[darkdemeter]

Dem Hi! I'm back with a bit of an unhinged ask here:

Im sure this doodle gives you an idea where this is going. I was just making myself some tea, and I was thinking about Lovers In Eden (i was going to listen to a song called Eastward of Eden by Amelia Day,hence the association). And Since I am a film student, a writer and i took script classes as my subject las trimester, i offer you this unhinged recap of my conspiracy theory. So LIE (Lover in Eden) introduces us to the idea that Strife killed Y/N after a bloodlust outburst,right? Well, at first i didnt think too much of it, but then the chapter ends with the four on earth, which felt a little disembodied from the prologue. Which brings me to the hipothesis which is: Strife's lover is on earth,reborn without their memories. My proof for this theory is this: 1) We know that in the darksiders universe there is such thing as a well of souls, we know they go through the kingdom of the dead to repent and then be reborn through the well. 2) you wouldntve put the line "Love slayer" if it wasnt relevant to the plot. (Writing often times includes phrasing things a certain way to hint at other things). 3) Why would you close the chapter where you did? What relevance does the fact that the four are now on earth have? Simple, Strife will find a reborn,survivor Y/N and will fall in love with them (and have a crisis once he realizes its a whole like soulmates finding eachother again situation) 4) and last (which came to me as i wrote this) if you were to center the story only on Strife and the reader without the reader being reborn, you wouldve just started it from the medieval age/wherever strife met the reader and not end with the four on earth. Of course dont gotta tell me if im right,dont want to spoil the whole fic anyways. But I felt the need to share this with you. (I genuienly felt like the pepe silvia meme). And yeah, one offshoot of all this is that maybe the reader isnt a reborn soulmate, and that the prologue could just set up this inherit guilt and fear towards love that Strife has. Until we get the next chapter, i lay in wait...scheming/lhj/hj Have a nice rest of your day and i hope you've enjoyed my unhinged ramble. -Jer. PD: i feel so silly for sending this whole thing but as a fellow writer i know theres nothing we love more than ppl theorizing about our stuff. So here you go. I hope it doest read as overbearing,i just genuienly love your stuff.

First off, I love your pepe doodle! It’s so perfect. In fact I find it so funny that I made this a little bit ago myself... (As much as I'd love to rant and such about my AUs' lore and headcanons, I made this for shits and gigs)

I absolutely adore hearing theories readers have about my fics. (Sorry this has taken FOR-EV-ER to respond to, I'm terrible with replying at times)

I also fucking LOVE that you're a film student, I think that makes this whole theory situation even better because I do tend to have a very movie-esque thought process when writing. (Blooper reel and BTS footage rent free in my head)

And I think I've got the mind stewing a bit with that recent post, Flowers From My Lover. Without hopefully giving away anything, you do have some valid and interesting points in your theories and has me going, "Oh Jer is good little detective." You get a cookie for your theory skills!

There are indeed certain key details and clues I put in on purpose and it's so interesting to see what readers pick up on. And yes, the well of souls is involved to some extent in this plotline, but not in the way you might think...

I also find your choice of the word "reborn" interesting. Very obviously and right out the gates, I will say that yes, reader is alive in this story. But it's the manner in which reader's alive and again, the reborn theory is interesting and again, possibly not in a way you're expecting. Though it seems rather simple, I will tease that there is... quite a bit more to it than what's at face value.

And I wanna tease this little clue too because it is one of my favourites: It's interesting how the fic's title has a double meaning in plain sight...

[nuzipilled]

I have to say, I don't know if it's because you have a sixth sense for this kind of stuff or because you're super-talented at drawings yourself or because the "Murder Drones" fandom has a lot of talented people inside it, like a REALLY BIG lot.

But, uh... I'm a noob to that show and, still, I managed to have my heart stolen and broken by the two dumbasses. Two times.

It's fantastic, I love it, I love your art, I love the art of others that you reblog, I get this ship, it's so great, thank you.

awww haha thank *you*!!! the MD fandom has been so welcoming and its a goldmine of stupidly talented people.

if im being honest i think the reason behind the good character representation/lore understanding within this fandom in particular is due to the fact that you need to do your homework (and rewatch the show several times) to pick out frame by frame and background (plot relevant) details if you want to completely understand what’s going on and that weeds out alot of the more noncommittal folks that might not care so much for that stuff.

unfortunately that doesnt do well for fandom size because you had alot of people knocking the show after the first episode (myself included) because it’s surface level “cringey” and super convoluted. its such a good show if you give it the chance it deserves.

[the-pea-and-the-sun]

ok so i talk a lot abt how i find inverted detective stories/howcatchems more compelling than whodunnits but i feel like knives out v glass onion shows like. the fundamental difference between a rly good howcatchem an a rly good whodunnit and why i will always ultimately prefer howcatchems. (the howcatchems im mostly thinking of here besides knives out include columbo, hannibal [the book series and nbc hannibal], and death note)

obviously knives out subverts the distinction between those genres in the first place, but like fundamentally knives out is about showing us the perspective of the person trying to evade the detective while glass onion is showing us the detective's perspective. if we are seeing the story primarily from the perspective of the person trying to avoid detection, that type of story if more compelling to me even if, like in knives out, they don't actually end up being "the killer" or a villain protagonist.

people often think of the killer's perspective as the less relatable one, but being positioned as having motives directly contrary to the motives of the figure of authority, while being forced to cooperate with them anyway, is a position that a lot more people have been in and can relate to i think (besides it being the overall more difficult and sympathetic position to be in). and the person who's eyes we're seeing through has committed the most unforgivable sin possible. so a good howcatchem allows the audience to feel that sick fear of being the most hated, the most evil and irredeemable person possible. even if we're rooting for the detective, it allows us to empathize with someone who's committed the worst possible crime, and imagine what we would do under similar circumstances. (in knives out, this is taken to its most extreme, where even the victim is rooting for the apparent killer)

in a whodunnit sympathy for the killer is not necessary, and can even detract from the plot since the story needs to spend an equal amount of time focusing on several potential killers for the payoff of the reveal at the end. the killer can be completely unlikable and impossible to sympathize with, like in "glass onion", and the story can still work. their perspective can be safely dismissed except when its relevant to the mystery.

in a howcatchem on the other hand, "the killer" is not just one of many potential answers to a riddle. the killer is the single person that the detective has to understand and empathize with completely in order to solve the case. hannibal and death note are of course all about blurring the line between the killer and the detective, implying that to truly understand the killer the detective has to have a sort of super-empathy, and be able to understand the way the killer thinks by "getting into their head", often losing parts of themselves in the process (i think this is true of all dn adaptations but is basically explicitly stated in the musical). the killer and the detective have apparently opposite goals, but because of the level of empathy required to catch and evade one another, they become one in the same. even in columbo and knives out where the blurring between the detective and the killer is less of a central theme than it is in the other examples i mentioned, the detective is still unusually kind to the killer, even friendly, and the killer struggles not to be charmed by the detective, struggles to stay away from them despite the eminent danger that the detective represents. even if the detective's goal is still ultimately to find the truth, their kindness toward the person who they know to be a killer is genuine. unlike in a whodunnit, in a howcatchem the relationship between the detective and the killer is the heart of the story.

when we are seeing from the perspective of a watson in a whodunnit, we want the truth to be revealed, we want the killer to be seen. we watch the detective uncover the truth while they explain to us as outsiders how he got there. but in a howcatchem the killer and the watson become one in the same. we are the killer, but we still want what the watson wants. we want to be seen, wholly and completely, by the detective. we want to purge ourselves of what we've done wrong and be seen for what we tried to do right. only the singular "greatest detective", uniquely better than all other detectives, uniquely capable of divine retribution, could possibly see us. we cannot allow anyone else to judge us, anyone else would see only the crime and the criminal and not the person behind it.

we, as both the killer and the audience, love the detective. the detective is charming and clever and impressive, strange, mysterious and aloof. the detective knows what we did and is kind to us anyway. we are the killer and we want to be made to confess. we want to lose to someone better than us, smarter than us, kinder than us. only the detective can reveal our sin, only the detective can see all and still forgive us. in both types of detective stories the detective represents divine punishment, but only in howcatchems does the detective also represent divine forgiveness. the detectives singular goal may be to reveal and punish sin but the detective will always love the sinner. we as the killer will confess to nobody but a god.

so yeah 👍 knives out is rly good i enjoyed it

[thrandilf]

while i fully agree with the thesis of your gay best friend mei post (she is often pushed aside in fanworks and her friendship with red son is undersold) but i think you might have gone too far in the opposite direction regarding mk and red sons dynamic?

obviously they dont have as much plot-relevant screentime as mei and red but mk is still important to red son. even disregarding their s1 nemesis dynamic, red son still regularly brings up mk in his conversations with mei during the s3 special, announces his entrance to mk in the mech, and asks about him on meis stream in 401, all of these feel like intentional writing choices to imply he cares about mk (and mei, but thats more implicit with him saying her name and such) more than he lets on

that is to say, i dont think shipping mk and red means someone doesnt value mei and reds dynamic or think its unimportant, just like shipping red and mei doesnt mean disregarding mei and mks bond

i hope this doesnt seem like im trying to pick a fight or anything, i just wanted to put in my 2 cents :v (also tumblr is being shit so sorry if this sent twice)

MK and Red Son are definitely friends, not denying that, but the show doesn't have an interest in developing their specific relationship further past like... halfway through Revenge of the Spider Queen. MK says they should trust him, and from there on out the two banter or work together sometimes, but nothing between them really gets going or more intense

Because after that the majority of the time is spent developing Mei and Red Son's dynamic (which was already starting in S1, 1x08 in particular I'd argue, but it was still minor then).

Her and Red Son constantly get paired up onscreen together in RotSQ, both on the main quest and then in like... every shot possible. The piggyback ride thing is actually a romance trope as well, btw. 3x06 involves everyone, but it's Mei who Red Son touches and has the Samadhi Fire connection with, and even then it's Mei who interacts with Red Son before they leave and she leaves her plushie, and then -insert the special here-. MK comes up in their conversations, as Mei comes up in MK's conversations with Red Son, so that segment's even to me, but then the Samadhi Fire ending is kinda like. Man. That's unique to Mei and Red Son and it got build up. That's something intimate and between just them

Don't get me wrong, I don't think shipping Has to be about who a character values most, because my arospec ass doesn't think that there has to be a One person put above all else. But it often comes across that way in shipping. I guess a fic doesn't have to include people who aren't in the pairing, but it does feel like it skews Mei's importance to MK and Red Son.

TBH, entertaining my own idea of a Most important person, even liking Red Son and Mei together, I think think that MK is more important to Mei than Red Son is, if she had to choose. Frankly I also think both of the boys would pick Mei before each other if they were in a situation where they had to choose, MK as Mei's best friend and Red Son, to me, having Mei as his anchor to the group considering how S3 went. They all matter to each other, but in different ways.

So sure, I don't think shipping automatically means that a dynamic is skewed to exclude or devalue a character, but it sure comes across that way when paired with seemingly ignoring all Red Son and Mei do get together, as well as how often I see people trying to give the Samadhi Fire to anyone but Mei. This is also a fandom where it seems like Lady Bone Demon's nameless male sidekick gets the same amount of content she does, which makes me scratch my head

Like, if Drag-onfruit was m/m, would Red Son and Mei be the rarer pair? Would ppl keep trying to give the fire to anyone else? For me it does read as fandom sexism with a gay hat slapped on. At the very least it's MK/main character bias, even though Mei is the female lead

No one Has to ship anything to be clear, Drag-onfruit isn't canon, but maybe it's because I watched the series all in one go that hitting the end of S3 and imagining going, "Who do I think Red Son is most likely in love with/has the most compelling relationship with? -insert anyone but Mei-" baffles me

I certainly prefer Drag-onfruit where MK is deeply important to both of them, even as a sort of platonic third (1x05 shot down MK and Mei or chimera faster and harder than any other ship known to man for me lmao) and to be fair I rarely engage with Red Son and MK shipping because it isn't my thing for multiple reasons, so maybe there is a lot of stuff out there where she's really given the love and place in their lives that she canonly has and I just don't know it, but the Mei treatment that I see in fandom does seem to be a side effect of said fanon favorite ship which is how I landed on the original post I made about her getting shoved aside to be the sassy bff who's conveniently fanonly a lesbian (for reasons I don't get) so people don't have to consider that she could have a relationship MK doesn't get to have

Maybe I'm a pessimist but this is how I've perceived it. TLDR they're a delightful trio regardless

Thank you for being polite btw, I know this got long winded but I appreciate being able to discuss!

[sarka-stically]

im mad enough to make 2nd post and I barely post ever. this show was never high tv but this ep rly spat in the face of everything i liked about it. usually i try to be positive but here you got random list of all things terrible in no particular order (vaguelly chronologic who knows)

ALSO I dont take them probably assuming they would have more eps and then scrambling to fit the story in one episode as decent excuse... the stakes they set up in ep7 werent impossible to fix with one ep, they just wrote terrible episode

ed's entire character arc of 2 seasons being rolled into tiny ball and thrown in the trash. and no he isnt slipping or spiralling again, it isnt him being hot protective husband, this is him, character who spent 2 seasons trying and failing to be better and finally decided that the healthiest thing to do is to just drop the lifestyle that brings out the worst in him and pursue simple life THROWING IT OUT after finding out its not as easy as he assumed and he would have to work for it??? incredible fucking message david jenkins, if being better version of yourself is just lil bit inconvenient its not worth it go back to your crappy ways.

and NO its not him slipping, the tone of this whole thing is very distinctly victorious. and also NO the path he took now is not in any way different or better than the one he left. there is even fun triumphant vibe to him KILLING PEOPLE which was always treated as sth BAD for him??? literally absolute nonsense

what the fuck was that plot?? why are all pirates arrested?? when all they did was sink those ships?? i know this show tends to be cooky and silly and cartoony, but this was just absolutely random unexplained jump of stakes.

WHERE THE FUCK are all the other husbands of jackie. this is barely valid complaint but this stupid ep rly makes it look like swede is her only husband and I dont appreciate it

why the unholly hell did they spend entire season actually setting up crew as important, give them their own opinions and relationships to their captains, have izzy even mention that THE CREW is what its all about.... and then have them barely have any speaking roles in this episode and 0 plot relevance

that fucking PLAN??? WHAT THE FUCK WAS THAT??? im sorry why the fuck did their plan include walking through the biggest swarm of brits while having mr noseless richie UNSECURED amongst them??? why even BRING HIM other than to have him there specifically so he can be the one to shoot izzy for future drama???

izzy. death.

i genuinely could be FINE with izzy dying if they wrote it decently. and id even be fine with it in this episode. if they made it fucking meaningful... but they had my man, mr famously skilled pirate catch random bullet because he is incompetent actually... bullet into the side of the body that ofmd physics say is survivable easily??? and then give 0 attention to it??

ed being there while he dies??? this truly makes me just feel like they killed him only so in hypoteticky s3 they can woobify poor ed some more... or even give him excuse to be narrativelly clean of any atrocities he does in name of revenge

but it makes no. fucking. sense. ed shluldnt be there saying ur my only family, ed has not treated izzy as family ONCE in this entire show, ed barely talked to izzy after first 3 episodes, he is NOT the person on that ship who cares about izzy the most of all. if anyone should be there while he fucking DIES its the crew. who has shown constantly through this season that they care about him, who he made whole speech about in THIS SAME EPISODE. im sorry frenchie did NOT carry izzy back on the ship to drop him on the floor and have ed who I REPEAT HAS NOT SHOWN HE CARES ABOUT HIM AS MORE THAN AQUITANCE SINCE LIKE EARLY S1 be the one to be there in his last moment.

I get izzy wanting to make amends but BOTH OF THEM SHOULD BE APOLOGISING, HE SHOULDNT VE BEGGING FOR FORGIVENESS and ed shouldnt be framed as blameless in their relationship in izzy's last moment.

and what made me genuinely laugh was izzy saying that the crew is ed's family. they are literally NOT. everyone who was aboard the revenge either hates him or is scared of him, and I dont think they had enough reason to change their minds as ed hasnt rly spent any time with the crew and shown only care for stede. they are NOT ed's found family and this payoff and this found family line is so ridiculously not set up and not narrativelly deserved it makes me laugh.

overall absolutely ridiculizs episode it made me laugh and it made me angry and it also made me angry how quickly we move past that

[butterscotch-goat]

Your oc lore, please give it to me, I arrived very late and am rather confused but also incredibly intrigued! (Also side not idk how to explain it but your art is very comforting! Says the man who has seen 2 drawings. But my point still stands lol)

This means so much to me 🥹🥹 Im glad ur interested!!! I'll give u some quick summaries (quick as I can be bc once I start talking about my silly little blorbos it's hard for me to stop-)

IF YOU EVER HAVE QUESTIONS PLS ASK IM DYING TO TALK ABOUT MY GUYS

SO! First group of OCs is a project I'm currently calling "Escapism" which takes place in 1890s England. (Check the #buttersketch-escapism tag for content of em)

Okay so I started typing and realized I included WAYYY TOO MUCH info but I worked hard on it so I'll still include it, bUT

TLDR: Aster (tired, anxious, hopeful) is magic (plant magic) and is being used for experiments and tests by Charles(friendly guy, stubborn, cheery) and Beatrice(joyful, caring, passionate) until Beatrice herself becomes and experiment when Charles wants to find out what would happen if you attached wings to a human being. Also aster and Beatrice are girlfriends. Charles accidentally kidnaps Martha (extroverted, curious, peppy) because her magical(healing magic) girlfriend Grace died and Martha has info about her magic. Eventually Aster kills Charles and is haunted by her guilt, which is manifested in a character I call Ghost!Charles (self-explanatory)

Here's uhhh escapism for ya!! Sorry,, you don't have to read it there's a lot of text I know-

Second story which I haven't posted about as much as one I'm calling "Dawn" which takes place in the modern day, and is about demons & angels, heaven & hell & earth type stuff. Simpler than escapism, thank God- (check the #buttersketch-dawn tag for some content of dawn!!!!!)

Here's the cast!! Refs are somewhat outdated but do the job. (Sorry for the last image I don't have a ref for him yet)

I'll keep this short, for real this time!!

In 2019, Chigs accidentally falls off the edge of heaven and misses earth so they fall straight to hell. They didn't have any evil intent so are still an angel, but they need to find a way back to heaven. They stumble into Dawn's office and Dawn reluctantly agrees to help them. Frappe also barges into Dawn's office to hide, as she's on the run from the police. Gene comes around to check on Dawn and finds an outlaw and an angel. Dawn, Chigs, and Frappe run away to earth. Gene recruits Ronnette to help him track down the trio. The trio accidentally gets separated on their way to earth; Frappe and Chigs find each other but Dawn is left to navigate a modern day earth on her own. HIJINKS ENSUE!

time for some lore that's BARELY plot relevant!

Gene and Lucy used to be boyfriends but Gene broke up with Lucy in the 1920s because Lucy was so drowned in his work and wouldn't care about anything else. They get back together eventually tho :3 I make a lot of Lucy & Abigail content even tho he only shows up in like one flashback scene maybe??? Sorry about that.

Anyway THANK YOU FOR ASKING ABOUT MY GUYSSS I tried to keep it short, also bc it is getting late and I have school tomorrow OFBSHHDHFHDHSJ.

my inbox is ALWAYS open for questions of any kind so hmu if you ever have any!! Sorry again for all the info!!

[insufferableprotagonistpoll]

Round 2

Propaganda why Kirito is insufferable:

He’s Kirito

Absolute nothing of a protagonist. Just plain annoying and unlike most shounens there never seems to be any challenge for him. He's just always the best at everything.

“Yeah, i was a beta tester. Yeah im better than you. This is something that is normal to assume because of the first fact” theres more but that shit is so wild to me it instantly made me hate his ass

Propaganda why Alex Eagleston is insufferable:

literally causes the end of the world by being The Absolute Worst and has done so multiple times including his alternate selves. he technically has three (and a half) love interests (cause theyre the only characters he can/attempt to kiss or express any attraction to) and he treats them all poorly first three vella sammy and essentia 2000 are cause hes a misogynist but they all get different flavors of it sammy gets fridged for the plot of the game and is basically never relevant again outside of a secret(?) ending. shes also based off of a real life dead person for no fucking reason. vella is subjected to weird speculation about her age in her introduction scene with alex saying something along the lines of she cant be older than him cause shes too pretty (alex is like 24 and vella 27 from what i recall its been a few years since ive thought about yiik) and has a weird internal monologue about his feminist ex girlfriend prompted by vella just existing. theres a weird scene when alex asks her if shes korean n says she looks vaguely ethnic making her uncomfortable. One Of His Alternate Selves Literally Caused Her To Leave Her Home Dimension Cause Of How Poorly He Treated Her and the context behind that is that to leave the world/timeline/dimension/whatever you're originally from you basically have to be super suicidal and he pushed her to that point by ghosting her for a while and next time vella saw him he was hooking up with a girl noticably younger than her (<- remember this) and immediately after being told this he can attempt to kiss her which has no actual repercussions. essentia 2000 is like technically supposed to be evil i guess but her goal is supposed to be killing alex so i cant fault her on that. the in game day after they first meet alex has like a monologue about how special and attractive she is ""she was like water filling all my cracks"" or some shit. all three girls are alternates of eachother and are on a sliding scale of how objectified they are by alex with who got it the worst depending on which aspect you're focusing on. other sort of love interest is rory (diversity loss!) who alex can attempt to kiss after he confides in him about something when rory is like 18-19 (hes meant to be about the same age as michael whos recently graduated high school) and depending on how alex treats him can literally kill himself and alex's reaction to learning this is to only focus on how terrible he feels before moving on n rory's death never being mentioned again. the whole point of the game is that alex is a piece of shit who cant even buy groceries for his mom without throwing a hissy fit about it but it undermines itself constantly by having characters forgive or just stop being mad at alex on a dime after hes been exceedingly shitty towards them in various ways and any sort of charm or endearing traits he had quickly wearing off due to him never shutting the fuck up. near the end of the game all the other party members are killed off in quick succession leaving alex by himself and all he can do is sulk in self pity before going on a space adventure or whatever to stop an alternate him thats linked to an alternate essentia and enlisting the player as a different alternate him to help fight various superficial flaws of himself (which arent even like the actual things that make him insufferable n a bad person) n then finish the job for him. i need to punt him into the sun

He constantly goes on annoying monologues about things that nobody cares about. In game he is meant to be kind of an asshole, but they never give him the necessary character development to make him feel like a proper flawed protagonist, yet the narrative makes him out to be a character who is ""deep down a good guy"". Also he doesn't seem to care about any of his friends/party members.

"""YIIK"" is a poorly written, irony-poisoned RPG using a real life actual unsolved murder as the basis for an inciting event, altered so that what happened to the victim was some ~scary supernatural stuff~ and also Alex was there being vaguely misogynistic the whole time and monologuing to no-one in a way no real human person thinks uncritically.

The game intends to paint Alex as a bad person, but this is implemented in such a snide and uninteresting manner which has nothing to actually say about him being this way, nor is it at all fun or entertaining to experience.

He has no idea what's going on, blindly following the plot with the vague motivation of being suddenly stricken with affection for a girl he basically called a freak as soon as he met her five minutes ago. He is self-absorbed, lazy and overconfident, constantly bemoaning and ignoring the needs and feelings of others. He is the only character given enough breathing space to have something to him, and yet manages to not even feel any sort of dimensional.

Also his shirt is an ad for the dev's last game.

An incel who always screams about everything and yet is overly pretentious about everything.ing manner which has nothing to actually say about him being this way, nor is it at all fun or entertaining to experience.