#im so angsty

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[mayobell-may-i-take-ur-order]

OMG I FORGOT ABOUT THIS PLACE WHAAAAA SOWWY:<

[a-pastel-edgelord]

You are the closest thing Atsumu's ever had to a best friend, Osamu knows. His brother's faults were often so visible to other kids that it drove them away. Not you though. You simply laughed and called Atsumu a jerk. The rest is history.

Osamu watches from his place on the bench as Atsumu sets up for a spike serve, six steps, the toss, the jump and--

"Don't fuck it up!" Your voice jeers.

Atsumu misses, spectacularly. The ball ricochets off the back wall with a stellar thwump that rings a brief silence into the gym. Osamu sees his brother spin around, a vein in his neck throbbing as he starts to unload on you.

"YOU MOTHERF—"

"Imagine not getting the service ace because the opposite team heckles you!" You cut him off with a jovial smile. "How lame would that be?"

"YOU SCRUB! GET OVER HERE. I'LL KILL YA!"

And off the two of you go, shrieking insults at each other. Osamu makes no move to get out of his seat. Not for the first time, he considers how this strange game of tag could be its own spectator sport. Suna sits next to him, the middle blocker's eyes flitting to the current source of entertainment.

"Not gonna record this shit?"

"No, s'not nearly as entertaining as watching the two of you beat up on each other." Atsumu manages to trap you in a headlock, driving his knuckles into your scalp for a noogie as you kick at his legs. "How long have they been together anyhow?" The question is asked so flippantly, Osamu almost misses it.

"Hah? They're not datin', Suna." That's right. The two of you aren't dating. Not once had Atsumu ever expressed that kind of interest in you, and the same seems to be true in reverse. No longing stares. No pining.

"That so? Could have sworn they were." Suna glances over, his usual apathetic expression almost perfectly in place. However, Rintaro Suna is the closest thing Osamu has to a best friend.

Osamu's mouth goes dry. "Drop it, Sunarin."

Suna holds his stare for another beat before turning away. "You deserve to have what you want, Samu."

"I mean it."

"So do I."

Osamu fights to keep his face in check, fights to restrain himself like always. To hold back just enough so that he doesn't lose his temper. It should be easier by now, to suffer the pointed remarks Suna makes with grace. However, Suna had been the one to witness the smallest of exchanges between Osamu and you. And then, the motherfucker had managed to put two and two together. So here Osamu sits, watching his brother horseplay with you.

You. The one person he could trust Atsumu with, the one person who would be so good for him to fall for... is the same person who crashed through Osamu's walls and took a seat within the inner sanctum of his affections.

Osamu Miya is in love with his brother's best friend and Atsumu would never forgive him for it if he found out.

[hinamie]

all i have left

[sualne]

sleeping & chatting

[froopa-coopa]

fear of the water 🖤 tma animatic

[demigods-posts]

whatever you do. don't think about how percy and annabeth held the sky. and both of them earned grey streaks. that likely lasted for a couple of years. so during the year before the prophecy. when percy and annabeth weren't on speaking terms. one look in the mirror was enough to remind them what could be if they had time.

[genyasglockk]

stop bc I adore the moment in dinluke fics where din is like "i need to make a stop on tatooine" and luke is like "cool" and has a bunch of sad feelings about it bc he grew up there and it used to be home. and then luke goes "why are we going to jabba the hutt's place??" And din is like "oh my friend runs it now" and maybe luke will mention that leia killed that slimy fuck and din will go "oh em gee ur sister is THEE huttslayer???" and luke will be all smug like "yup" then din leads luke into the palace, very unaware of the shitshow he's about to unleash. before this man can even blink, luke and boba are hissing at each other with their weapons out and luke is like "i thought this fucker was dead??" And boba is like "u thought wrong bitch" and luke will feel betrayed for a bit and get on din's ass like "why the fuck didn't u tell me u were apparently besties with boba fucking fett??" and poor din is just like "i didn't even know u were famous why would i know y'all had beef??" then the plot moves forward.

[avephelis]

silly au where hunter can also see the other golden guards but all they do is annoy him

[sun-snatcher]

hello! i love ur work and i was wondering if u could do some live action zuko angst (that makes ur heart sink) and then it progresses to fluff (that makes ur heart swell) please? HAHA idk if it makes sense but i rlly love ur work!! hope ure doing well n no pressure!!!

🐉・ HEARTBURN

summ.  Fresh from his banishment, Zuko faces the aftermath of his punishment in both his dreams and his waking hours. pairing. Zuko x f!reader (established relationship) w.count.  1k.  a/n.  A bit abstract on this one, but just typical dream logic. A glimpse at Zuko’s descent into madness, almost? Sorry anon if this is mostly angst than fluff! 🧎🏻‍♀️

Zuko’s dreams manifest at the scent of burnt flesh and the sound of his own screaming.

He feels the molten sting of a melting crown upon his skin and the fantastical beast that is his father; something monstrous— something scaled, fanged, clawed, and too large an appetite, with a touch and breath of fire that lights the skies in a blaze.

( He wakes up with his voice hoarse from screaming. The 41st Division will eventually learn early on not to mention it. They just leave a hot pot of tea ready for him come the mornings, by General Iroh's orders. )

Sometimes, it transgresses. Sometimes, it’s his mother who burns while he watches from the sidelines of the Agni Kai; Or Azula. Their shrieks mix with his when he wakes. 

Sometimes, it’s Iroh who scalds him. Great Dragon of the West, jasmine-white with razor teeth and a flame that burns as hot as the sun; serpent eyes a shining gold and a sharper tongue that spoke of his disappointment for his nephew. 

Sometimes, it begins with you.

Please, you beg, at the foot of a winged beast. It speaks in the voice of his father; damning, all-encompassing. It warns the Prince the price of compassion, of mercies, and of weaknesses. Eliminate her, or I will. 

Rarely does Zuko ever move. He’d plead in your name, to spare your life. It never happens; he just wakes to the smell of smoke and the sound of your screaming.

( There are dreams he doesn’t speak at all to defend you. The shame devours him whole. )

“I’ve killed you over a hundred times, in my sleep.”

In the aftermath of another nightmare, you turn to face Zuko. You’re not quite sure what to say. 

“Other nights, it’s the 41st, or Uncle,” he says, quietly. “Even mom, or Azula.”

You turn back to the small medical chest on the desk. The infirmary is quieter at times like these; the soldiers of the 41st know not to visit the usual haunts of their Prince. Tonight, Zuko will have to replace the bandages of his scar, and there are only two people on this ship he’d ever trust in his life to lay a hand on it.

You’re shifting towards where he’s sitting on one of the cots. “May I?”

( You ask. You always ask. Even when you’ve done this nearly fifty times, you ask. Zuko is glad; there’s a comfort in agency, especially when he’s gotten so used to losing it every time he sleeps.  )

He nods, and you make quick work to unravel the bandages. When the layers come away, you observe the way his left eye shuts and opens as he blinks, remaining half-closed into a permanent expression of pain. He looks away, downcast. 

The skin around is stretched taut, some areas rawer than others, marred with growing scar tissue that knots in twisting valleys. ( Zuko has only seen the scar once. He’s covered the mirrors in his room ever since; avoids glancing at his own passing reflections. )

The wound is still fresh; the memories fresher.

You don’t flinch at the sight or recoil like the other soldiers or dignitaries. 

He finds… solace in that.

( Something roils in his mind. It uncurls and hisses and growls. )

“Tilt your head for me,” you say, ready to replace the cotton on his eye with a new one. 

He stops your wrist just as you do. 

Your heart jumps at the contact. His hands are warm.

“Why?” he blurts.

You blink in confusion.

“Why’d you come with me?”

The reply is instant, and unintentionally drowned in affection. “Where else would I have belonged?”

Zuko almost answers instinctively: With me. By my side. He shakes his head.

“You should have never come,” he says, instead. He’d grown fond of you over the years. Too fond; over some Firenation colonel’s daughter, a force to be reckoned with and yet a childhood friend who he’d played and studied and fought with countless times. Fond enough that he’d been foolish to let you step foot into the ship of the 41st Division the day he’d been banished; fond enough to be foolish enough to allow you to put yourself in harm’s way. “You could’ve had a better future back home.”

“But a miserable one,” you counter. 

His nostrils flare as he sighs. You watch the way his brows weave to a frown, the way they always did whenever he’s tamping down his frustration. "Nothing is more miserable than being banished from home. Yet here you are walking away from it.”

“You and I both know the palace was never a home for me,” you say. “I’ve been by your side my entire life. I’m not about to break that streak over some punishment. You matter to me.”

Zuko’s heart stifles. 

( Compassion, he hears the wings of the blood-red dragon in his dreams unfurl. Compassion is a sign of weakness. )

“It was a stupid move,” he blurts, letting go of you. He had wanted it to be emotionless, but it comes out as distinctively bitter: “Sooner or later you’ll come to regret your decision. Then, you’ll see I was right all along.”

“Maybe,” you say, just to appease him. “But I doubt it.”

( Lies, jeers the serpent. You have only yourself to rely on in this world, Zuko. )

For the sake of conversation, you don’t provoke him further. You continue, instead, with replacing the dressings around his eye. He’s angry enough as is with the world— with you. For being stubborn. And strong. And steadfast. And loyal. And—

Zuko glances at your face in focus, your hands so careful in binding the gauze it’s nearly featherlight. “Tell me if it hurts,” you say, with gentle authority. 

The ire leaves his body. Zuko’s gaze softens at a realisation:

“Not once have you ever hurt me. Not even in my dreams.”

It’s a statement so frighteningly vulnerable that it has you stilling. Your breath staggers. Something swells in your chest. You let your hand rest on his cheek, thumb below his scar. The touch is reassuring. Zuko wants to lean into it.

“I don’t think I ever could,” you answer, honestly. 

( She can, sings the beast. She will. And once she does, know that it will burn tenfold than what I've done. )

Zuko's hand settles on top of yours. 

“You can hurt me,” he concedes, solemn, voice barely above a whisper. “You can if you must. I command it.”

( The dragon in his head hisses. For now, it retreats. )

[viaviv124]

Ok i have a small scene in mind

Eurylochus asking why Odysseus cares so much for a child that isnt even his to begin with, he gets goodwill but this kind of attachment to another's son? Odysseus smiles as he replies:

"he may not be my son by blood but he is and always will be my son by heart. I wouldn't trade him for anything, regardless of all the frustrations and pains raising a child brings."

And all this was as Odysseus sat next to sleeping Astyanax, gently petting the baby with a finger before this little hand grabbed his finger tightly, holding it close.

And that's when Eurylochus understood that Odysseus was a father first and a warrior second.

[mmmairon]

Please. I don’t want to hurt you.

Inspired by @wyvernne ’s vampluc

[vampiresbloodx]

Seeing your childhood!best friend!Natasha Romanoff for the first time in so long the day you arrived at your home town to see your mom again, you weren't all that surprised to see Natasha already there, apparently, she just likes to hang around and chat with your mom every now and then, checking in on her which you find sweet, but you know the real reason why she sticks around.

She's hoping to see you again, hear your voice, your laughter, smiles, how carefree the two of you once were, it seems everything has changed, for the better or for the worse she doesn't know. The day you left town was the worst day of her life, she dreaded that moment, where she'd watch you drive away, she feared she'll never see you again, but luck just might be on her side when you show up again on your old childhood homes doorstep, she's already there, waiting.

"Natasha?" You said, in slight shock and confusion, almost didn't recognise her at first.

"wow, so formal are we now? That you don't call me Nat anymore?" She teased, you rolled your eyes at her playfully.

God you're still so pretty, she thinks.

"Nat" you say with a grin, "it's good to see you're still alive."

"thanks, same goes for you" she said with a smile.

"I'd honestly thought you would have died in some accident by now" you joked, she scoffed, chuckling.

"oh yeah? I thought college would have killed you instead" she snickered, the old banter you two used to have still there, she likes that.

But there's something about you that seems different to Nat, she doesn't know what exactly, you've changed.

The flutter in her heart still hasn't gone away when she sees you smile at her.

"well, what are you doing just standing there? Come on in, Yelena's missed you a lot! So have I, of course."

[alilyhn]

King's mistress

[nullyisgoinginsane]

A shot in the head doesn't make it un-break.

[lumilamp]

sogma.

Edit: this is finished now :D