How Marilyn Monroe changed Ella Fitzgerald’s life
If asked “Who played an important role in the musical career of Ella Fitzgerald?” you might respond with names like Chick Webb, Louis Armstrong, Norman Granz, and Dizzy Gillespie.
The name Marilyn Monroe (who passed away 50 years ago this August), however, might not come to mind.
While touring in the ’50s under the management of Norman Granz, Ella, like many African-American musicians at the time, faced significant adversity because of her race, especially in the Jim Crow states. Granz was a huge proponent of civil rights, and insisted that all of his musicians be treated equally at hotels and venues, regardless of race.
Despite his efforts, there were many roadblocks and hurdles put in to place, especially for some of the more popular African-American artists. Here is one story of Ella’s struggles (as written in chicagojazz.com):
Once, while in Dallas touring for the Philharmonic, a police squad irritated by Norman’s principles barged backstage to hassle the performers. They came into Ella’s dressing room, where band members Dizzy Gillespie and Illinois Jacquet were shooting dice, and arrested everyone. “They took us down,” Ella later recalled, “and then when we got there, they had the nerve to ask for an autograph.”
Across the country, black musicians, regardless of popularity, were often limited to small nightclubs, having to enter through the back of the house. Similar treatment was common at restaurants and hotels.
Enter Marilyn Monroe
During the ’50s, one of the most popular venues was Mocambo in Hollywood. Frank Sinatra made his Los Angeles debut at Mocambo in 1943, and it was frequented by the likes of Clark Gable, Charlie Chaplin, Humphrey Bogart, Lauren Bacall and Lana Turner.
Ella Fitzgerald was not allowed to play at Mocambo because of her race. Then, one of Ella’s biggest fans made a telephone call that quite possibly changed the path of her career for good. Here, Ella tells the story of how Marilyn Monroe changed her life:
“I owe Marilyn Monroe a real debt … she personally called the owner of the Mocambo, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard. After that, I never had to play a small jazz club again. She was an unusual woman – a little ahead of her times. And she didn’t know it.”
Learning from Ella
Ella had an influence on Marilyn as well. Monroe’s singing had a tendency to be overshadowed by dress-lifting gusts of wind and the flirtatious “Happy Birthday, Mr. President,” not to mentions her movies and marriage to Joe DiMaggio. But years prior to the Mocambo phone call, Monroe was studying the recordings of Ella.
In fact, it was rumored that a vocal coach of Monroe instructed her to purchase Fitzgerald’s recordings of Gershwin music, and listen to it 100 times in a row.
Continued study of Ella actually turned Marilyn into a relatively solid singer for about a decade, but again became overlooked as her famous birthday tribute song to JFK in 1962 ends up being the vocal performance that is widely remembered.
Source: How Marilyn Monroe changed Ella Fitzgerald’s life – Groove Notes by KNKX
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Hello! I’m curious to know if you listen to Hozier? Since his music also gives literary and it’d be interesting to know what you think!
Hello! Thanks for the ask
Hozier is wonderful! I love him!
I think he's incredibly creative, and he clearly knows how to write! He also clearly knows so much about the history of music, art, international politics, and so much more. There's nothing I admire more in an artist than some real intelligence. It shows in his command of the language. I've been listening since "Take Me to Church" went viral. I was absolutely in tears listening to that for the first time.
One point I've been thinking about lately is the way he wrote "Nina Cried Power" and how it's different from the way someone like Taylor Swift name-drops in her music.
The point here is that Hozier has immense respect for the people he mentions in the song, his obvious knowledge and respect for these people is ever-present. He thematically connects them from the perspective of their own lives into the message of the song. Meaning that it is the type of song they would co-sign. It's so moving for this very reason, it's like the people in his song are singing with him. In "Nina Cried Power" he's clearly using southern-inspired gospel-esque blues to sings about the way in which civil rights activists, and those musicians who broke the chains away, sang their activism into life. It's so lovely for him to use musicality stemming from Afro-American culture to sing about the major civil rights activist and artists from the era. He's literally brilliant, and I love his perspective on how the US civil rights movement impacted Irelands own civil rights movement. He's fucking brilliant.
And this line brings me to tears, "And I could cry power/ power has been cried by those stronger than me/ straight into the face that tells you to rattle your chains." He's so compelling both in storytelling and in intercultural dialogue. Beautiful. And how beautiful it is to remind us that no matter the location, your words and actions matter- activism matters. Power is with the people.
What a writer- what a message to send. Especially these days, when so many major public figures are refusing to speak on current events. How important it is to remind the public that there is no real reason to not speak up in times of injustice.
As opposed to Swift who can only name-drop people like Dylan Thomas in relation to being able to self-deprecate. Her impulse towards self-obsession shows in how she even represents the lives of others as ultimately being about her. It shows an immense disrespect and obvious distain for the people she writes about. She clearly only thinks about others when considering some hierarchal form of self-adulation. People are either better or worse than her- however, it is always about her. Dylan Thomas was an incredibly vocal activist and revolutionary spirit in his day, and Swift puts him in a cheap shot about herself? Painful, stupid, gag. Thomas was an avowed anti-fascist during the rise of the most horrific fascist regimes we've ever seen; as such he would be horrified at being eulogized by someone like Swift who lives and breathes money and power. I wish I could back in time and unhear her besmirching his name.
Dylan Thomas would love Hozier though :) And so do I!
But anyway, I could totally write some literary criticism on Hozier, and you know what- it would be amazing because he is rich texture to dive into. His command of metaphor and mimetic technique is honestly so impressive! That actually sounds really fun and is totally on my to-do list now :)
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Fantasy High Characters and the song I think they'd listen to the most off the new Taylor Swift album
Kristen: okay early Trackerbees Kristen would listen to But Daddy I Love Him SO much and probably post lyrics on instagram. Judgemental small town with religious overtones opposed to a relationship? Just like her fr. Post-breakup Kristen blasts So Long London SO LOUD that the rest of Mordred Manor starts to have weird pavlovian responses to any song with the same chords.
Sandra Lynn: Sandra Lynn would not make it past Fortnight on the album I fear she would hear one song about an affair and turn off her phone. Sorry Sandra Lynn I love you queen but she would not have a good emotional time with this ablum
Jawbone: Jawbone WOULD love Fortnight but he doesn't pay attention to anything but the chorus and sort of assumes it's about the game. Occupational hazard of working with youths.
Riz: I truly beleive Riz was a Dateline kid and he'd like a cool song about going to Florida because you murdered someone. It's got burying bodies in swamps and stuff! Florence + The Machine is there! Great song for murder-obsessed teens.
Fig: I Can Do It With a Broken Heart because, she claims, "it's got a great beat!" (she misses Ayda)
Sklonda: Just pick whatever song you think people would listen to during sex and put it here. We know next to nothing about Sklonda/Gorthalax but I assume the sex is good so fill in the blank.
Kipperlilly: Kipperlilly was actually listening to Who's Afraid of Little Old Me on airpods when she stabbed Buddy Dawn and Brennan just didn't mention it. She's like 'oh an angry song for a short person that people don't want at parties? that's me.' Yes good question she WOULD sing the asylum lyric without any irony
Rueben: Rueben HATES Taylor Swift he DETESTS her no one can bring her up around him or he will go on a RANT but catch him crying to loml and thinking about Wanda Childa
Tracker: Nara walks on in her listening to How Did It End? and is like "oh why are you crying???" and Tracker has to lie REAL FAST and say she's thinking about Gallicea (sorry Nara)
Gorgug: All of the Bad Kids band together to keep him from hearing a single song off this album so that he doesn't think about Zelda and start crying.
Aelwyn: imgonnagetyouback because she loves to sing about violence
Adaine: Adaine listens to the first eight seconds of The Prophecy over and over against her will because Aelwyn keeps sending it to her under various guises being like "did this happen? did you see this? is this what the old elven people want?" it's like Elven Oracle rickrolling. To be clear - Adaine hates this song.
Fabian: I think Fabian would hear ONE sad song, think about the immense loneliness he feels every day, and throw his special edition vinyl out the window like a frisbee.
Gilear: Gilear accidentally downloaded an Enya album
Arthur Aguefort: this one is hard to explain but I think Aguefort would choose Clara Bow as a karaoke song despite it being one of the worst potential karaoke songs on the album. This is deliberate on his part. Also I think he'd be a real Stevie Nicks girlie.
Feel free to comment/argue/tell me your thoughts!
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“Oh, there was Heaven in your eyes
I was not baptized
Everything's alright when
She calls me back, she calls me back
Lost for a long time
Two parallel lines”
“I could be an old tattoo
To remind me when I get bad news
That I do not exist to die”
“The radio is taunting me
Every song, a minor key
And I don't get much sleep most nights
I'm seeing you in every dream”
“If only I could wake you up
If only I could fall asleep
I'll love you when the oceans dry
I'll love you when the rivers freeze”
“All the pain I should have saved
Oh, I was too afraid of livin' life in your footsteps
In your heart or in your way
Oh, I was too afraid of livin' life in your footsteps”
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Name one favorite band from each decade
mmmmm this is hard for me bc 98% of everything i like is 60s/70s/a little 80s with a few other random things sprinkled throughout. there is like, nothing at all that i like that originated in the 90s for example ddkkdkdgksl
also full disclosure when i get to 2000s im not doing bands but rather solo artists bc 2000s is almost as barren as 90s for me, no offense beloved y2k aesthetic. i’m sure there is plenty of good music from those decades buuuuut i haven’t found much that i like yet
60s: bee gees <3
70s: elo!!!!!!!!!!
80s: maybe the proclaimers? i’m a little undecided here
the 90s aren’t real
2000s: vanessa carlton and regina spektor
2010s: i want to say gin wigmore although i think she got started a bit earlier than that? but i’m not sure what else i would choose dhfkskfns
idk about 2020s…….i will have a response on january 1st 2030
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