Honestly, I'm all for sephiroth and jenova being practically the same thing bc the repeated use of the word puppet by sephiroth himself feels very ironic and bitter. Telling cloud that he doesn't have emotions, that he was created in a lab and that his memories are fake, all of them. That he didn't have a childhood. Never was a child. And yeah, sephiroth being 100% in control and just very unwell also fits in this, in his projection over cloud being his puppet just like he was Shinra's, even though he would never acknowledge it. But I just like the idea that he believes himself freed from everyone's strings, finally in control of his own life for once, just to be too blind to realize that not even those choices were his own bc following orders is still the only thing he knows
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yea i very much agree with ur take on sollux in his relation to older technology, u get it
please id love if youd share some more of ur analysis on his character (as well as ur art bc that shit is 👌👌👌)
either way, thanks for feeding my brain worms
im glad it resonated!! :') always happy to explore his character, he contains multitudes!!!
i think i may be out of sollux analysis for now, in the sense where i don't have anything new to add that hasn't already been covered in these posts? (please add if there's more...)
why i like sollux (lackadaisicallexicon, 2014)
comprehensive sollux status guide (syblatortue, 2016)
bioware machine (lime-bloods, 2016)
fridgestuck (LaureledEevees, 2017)
mary sue (3d-gla22e2, 2019)
favorite sollux trait (3d-gla22e2, 2020)
doom-bound static (gendertrickster, 2023)
however i will say there's another thing i really like abt him:
his Range!
he has a v flexible face.. even with his neutral expression, you cant help but read a tinge of melancholy/pensiveness to it.
he deters people from getting too comfortable with him by acting crude, but no matter how unapproachable he looks you can't help but wonder if he's ok. seems like he's never content with himself.
just like karkat, anger gives him purpose = something to care about & react to. without it he can appear aimless/uncertain.
it's especially interesting when you compare him to aradia, who despite having endured a lot of shit, ends up enjoying the freedom of expanding her worldview, riding the unpredictable tide of the narrative and observing the changes. sollux... doesn't.
he doesn't like watching major things progress in a way he can't predict. the lack of certainty actually overwhelms him.
and it's pretty clear why; imagine the only reassurance you get after unknowingly killing ur gf is that "it needed to happen". the only way to appease that sort of emotional turmoil is by intellectualizing those events as inevitable and out of your control.
(hs, A6I5)
when you’re just a tool for the author, trying to sit out is just feeble self-preservation until you’re needed again. if you’re not called on stage to help/assist in some way, it feels like your presence spells doom (either you or someone else will get hurt). so you avoid Events as best you can.
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So, about how I see Link Click's Lu Guang and Cheng Xiaoshi relationship:
As it stands in canon? Queerplatonic partners. And it's convenient for the plot that they're like this.
Because of Chinese censorship it can't be explicitly romantic, yes I know it. Let me tell why it's queerplatonic for me. The way these two have intertwined their lives and futures together?!
Owning a business and living together, that hint in ep2 (comparing them to the subtextually older lesbian couple who also came across as queerplatonic bc censure) where Xiaoshi wonders/fears if years down the line he and Lu Guang will separate/break up implying their partnership is for life as far as he's concerned (the parallel can be taken as a subtext romance too but follow me we're talking text), the way they were already going also on vacancies together three years prev in canon, etc...
Without entering on their complimentary powers and the way the dives need both of them if they want security in not screwing the past, and the inmense trust and vulnerability the dives themselves require?
They're not simply best friends either.
Those aren't the actions of normal, totally not queer friends. Cheng Xiaoshi checks out women on the dives, sure, (and men too when the host is feeling it which I love bc they can't address it directly bc censorship and then it comes across as Xiaoshi being super confident in his own relationship to sexuality/gender) but I don't think he would ever date bc Lu Guang is already there, filling that place in his life minus sex and romance but all that same companionship and intensity of feeling.
These two meet in what, the last year/s of High School and then proceeded to latch onto each other with a commitment reserved for romantic partners.
And I know you want to say, "it's the censorship! they'd be romantic and canon if not for the censorship!"
Are you sure? Are you sure the story would work if there were explicit romance in it? (I mean, if they could I'm pretty sure they would have nailed it anyways but allow me my a-spec delusions) Cheng Xiaoshi and Lu Guang feel so much like an already established pair, they work like one, and Link Click is not about them coming together like many other stories. Are you sure this would work as BL?
There's a distinct difference on the way they start the show already like six years at least since they're best friends and three or two since they live together. That's not usually how it goes. I'm talking not just romances but every buddy or nakama anime/show, where the protag has to learn to work with who will be his best friend or rival. These stories usually have the same kind of plot progression as a romance which is why they work so well when you make the subtext text.
But a story where the main romance is already established and we're following a plot that has nothing to do with it? Much more rare, even stranger to find them well done although there are some very good ones and with the friendships instead of romo they're more common. For example, Soul Eater, which is all about the trials of it and how they hace to truly come to understand each other. That's Link Click a bit, but not even then.
Link Click juggling a budding romance between Lu Guang and Cheng Xiaoshi with all the other stuff is going on?? Messier for sure. I don't know if people would have liked it as much or if the donghua would have been as well done.
As it is, Link Click has the exact level of emotional connection between our protags it needs to have incredibly high stakes emotionally and at the same time not need a detour by romantic scenes/fanservice that would derail the plot or the other charas importance. That it happens to be pretty queer anyways in a platonic way?
Nice for the aroace-spec folks watching the show xD
Btw, I'm pretty sure in season 3 we're going to get more of Lu Guang's PoV, the origins of their powers and the past between him and Xiaoshi. It'll probably dig more into the aspect of "testing their bond and coming stronger bc of it" which is were the romantic subtext usually comes through...
—unless you're very very good at writing like Arakawa in FMA, who nailed the brotherly relationship without tipping into incest subtext which I've seen more than a few writers fumble. or the latest D&D film for the platonic childrearing and partnership for a no familial example between a man and a woman also very very difficult to get right for writers dunno why—
... but until then, for now I'm incredibly satisfied by the canon.
The other read of course it that they're already a couple since well before the start of season 1, and to mentally edit what we saw in canon with that lens (it wouldn't be very difficult honestly) but reading only the text? Queerplatonic partners!
There also how Xiaoshi and Lu Guang don't have that anxiety/insecurity of their bond that makes it so easy to read the want for something, like a romance for shipping purposes. Despite the disagreements on the Dives or the trials of season 2 or Lu Guang keeping secret Cheng Xiaoshi future/past death they read very steady which is fun. I love some good established relationship, you can go to deeper places when the base is already secure and the risk is higher for the characters. Plus I love domesticity! Yes, I do my angsty/Gothic leanings notwithstanding. Don't you know you need a home for the Gothic to be effective?
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[ID: a drawing of Clark Kent and Bruce Wayne in their respective costumes. They're both shown from the neck up and it appears like Clark is leaning his head into Bruce with a slightly pensive expression. He side-eyes a glance up at Bruce, who has his head tilted so he can rest it against his—his bare cheek nuzzled into Clark's hair and his eyes closed with a quiet contentment. END ID]
[ID: the first photo is a screenshot showing the above drawing was originally published on October 12th, 2015 by professional comic book artist Matthew Clark (@/emceeartist on Instagram). He captioned it, “The original bromance.”
The second photo shows the comment section, where @/iambradwalker commented, “Superman seems bummed out by their relationship. Who would think Batman would be the one more into ANY relationship?!” Matthew replied, “as the top, Batman seems to have found his bliss. Which may bum Superman out.” END ID]
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rewatching s1 of broadchurch even tho im halfway through my first watch of s3 because i have an obsession with rewatching things and DAMN there are way more hints at who ended up being the killer than i originally thought, and a bunch of moments that are really ironic in hindsight
spoilers under the cut (yes it came out like 10 years ago but im still putting a spoiler warning)
ep1 - joe and ellie talk in the kitchen after hardy makes the statement to the media
joe: do you know what happened? i mean should we be worried for other kids?
on first watch, his tone of voice and body language here just seem like confused and worried parent, but on second, there's definitely a hint of panic in his voice
ep2 - joe, tom and fred in the cafe
joe: this is a terrible, unspeakable thing thats happened. but nothing like it will ever happen again here
tom: you cant know that though can you? you cant be sure
then after this joe's facial expression looks SO guilty like he can't think how to respond
ep3 - hardy questioning tom with joe in the room
hardy: can you think of anyone who would want to hurt danny?
THEN THE CAMERA IMMEDIATELY CUTS TO JOE. ik near the end joe swears he never wanted to hurt him but this is still a rly clever piece of editing, i love when shows do this. also the fact that in every scene where he's questioning tom, joe's in the room and occasionally talks but he's never in the frame of the camera hardys using to record it. he was literally right under their noses the entire time and they never suspected because they were focused on other people too much
ep4 hardy goes to the millers" for dinner
this scene hits so much different on second viewing holy shit. at one point they're talking about marriage and work and how hardy's divorce was partially work-related and:
hardy: this job, it does it to you
ellie: well, not to us
ellie actually makes me sob she loves her life so much then it all just comes crashing down on her
joe: do you think you're gonna solve this case?
hardy: certain.
joe: good :)
joe's reply itself here makes sense but there's a few seconds before he says it where his face is just blank and mildly panicked. he's genuinely worrying about being caught at this point.
now this one isn't a direct hint or anything but just if you think about the dialogue in a different context...yeah it fits
hardy: you bloody liar
joe: ive said nothing
hardy: and yet-
joe said nothing to the police or ellie and yet was lying the WHOLE time.
ep5 - brian asks ellie out
ellie: sorry, im married
brian: and thats an issue is it?
ellie: happily married, brian
brian: oh. okay, fair enough. only lots of people aren't though, are they?
ellie: i am.
THE IRONY OH ELLIE LET ME GIVE YOU A HUG PLEASE
ep6 - jack's wake
ellie spends the whole scene looking around to see if anyone looks worried, at one point she looks into a room (seemingly at nige but joe is stood nearby having a different conversation) and she makes eye contact with joe RIGHT as the camera cuts away
ep 6 - joe takes tom to the skate park and ellie arrives
ellie: i was just looking round that bar at the wake thinking "its someone here, why cant i see it?" the longer this goes on, im starting to suspect everyone
joe: when you say everyone...
ellie: well, nearly everyone
this is probably the most obvious hint that i can't believe i didn't catch on to. of COURSE they're gonna make a point for the killer to be the ONE person ellie LITERALLY SAYS she isn't suspicious of.
ep7 - ellie lets susan leave the police station
ellie (about susan's past with her husband and daughters): in your own house, how could you not know?
just ow. the irony of it all. fucking ow.
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THIS IS IMPORTANT HAVE YOU READ DOTH OR LL(dawning of the hour, lemonade leak)
Okay Okay So I read the first part in the series of DOTH, and im gearing up to read the second.
(i need to read fics all at once and that is a lot of angst right there so im saving up my energy. also it is a LONG fic (which is hella impressive and the world building ive seen so far is AMAZING) so i know if i start it again i will literally do nothing else but read it)
Same with Lemonade Leak honestly. I must conserve my power to be able to read it. I can smell the angst just emanating from that fic, also i saw some fanart and it looks amazing!!
(Also I may write a lot of angst, but i cant really take what I dish out, which is sad because i wanna read them so bad!!!!!)
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