Corporate Greed
I nearly threw out my printer in a fit of rage when after an update it suddenly announced it no longer recognized the 3rd party ink I have in it, the ink that's half-used. I have spares too, I got a good deal on a box of cartridges, and now they're useless. You know what else is useless? The scanner. The scanner that doesn't use the ink.
I CAN'T SCAN ANYTHING BECAUSE I DON'T HAVE BRAND NAME INK CARTRIDGES
For a new set of cartridges, it will cost me 75$.
The printer is 10 years old.
It was around 130$ brand new.
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I’m just—they did do some great storytelling over the last few years even with the fact that they were going in circles (understandably), but the arcs we could have seen if Buck and Eddie had been together or explicitly working towards getting together…
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Imagine being 14 years old suddenly grieving the lost of an uncle, one of the two people who raised you, and discovering he was a spy and murdered by a billionaire tech company your government blackmailed you to infiltrate with only eleven days of spy training but NO weapons training because they will sacrifice a child’s life for the Greater Good, going through vivid near-death experiences, sleep in the same bed their uncle slept on before dying, watch several people die grotesquely but god forbid they let a kid use a gun.
Then all you earn is a lackluster backhanded compliment and a doctor’s note to excuse all your absences. Be told to get back to school and wait for a possible next mission while acutely aware MI6 holds your house, entire inheritance, your nanny’s visa, and your choice of ever saying no.
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rant time
This is so disappointing, and the worst part is I have no one to blame but myself. I've always sorta seen the writing on the wall. Hori has always had a really weird track record with his writing; dropping plot points, being purposefully cagy and noncommittal to certain themes etc. However I do think there is a difference between something being an objectively poorly written story and just a story that, while well done, might no be something I personally enjoy (or even a overall fine story with a few flaws). For awhile I thought, like many people that mha was going to be a scathing critique on hero society and Deku & Co. would have to reccon with their places in it: how the hero-villain dichotomy does not help anyone, scapegoats those deemed undesirable, allows heroes to get aways with murder, and perpetuates the complicity of the masses leading them bring about some sort of systemic change with the help of the antagonists . When I realized it wouldn't be that I thought "OK" then it is a story about saving the have-nots and proving why they are going about things the wrong way and offering another solutions while working within society–a bit sanctimonious but sure–they become the greatest heroes because of their compassion and willingness to save. And then when the villains bring up their issues with society their continuously told to shut up or that their wrong with no further elaboration, better yet that they just dealt with what happened to them the wrong way as if was somehow their fault for reacting badly to being treated badly and given no real recourse. And then the All For One reveal happened. And god. the last minute reveal (right before he's 'killed') that all of Shigaraki's family issues and quirk were the direct result of AFO? It's a really nice way to further invalidate all the criticisms he's ever made now that nearly everything bad that's ever happened in his life was because of some really bad guy, doubling down on making everything an individual problem rather then a social one–because that way you don't have to challenge your characters core ideologies right? or think of actual solutions? And that's where I feel like MHA crosses into being an objectively poorly written story overall; to establish all these issues and themes and back out on them at the last minute for a simple solution.
I have to ask: What the fuck is going to change? Stories set in a fantastical world usually have something to actually fucking comment on in that world. We are shown explicit issues in the world of mha What has been deconstructed about the world of MHA? After all of this, what have any of these so called greatest heroes done to make an actual, tangible difference in the world they live in? The end of MHA is shaping up to be just a continuation of the same cycle it the begins with, all of it's issues going unaddressed or swept under the rug. People want to say that MHA doesn't need to address those things, that it's just a story about hope and redemption, where is the hope and redemption in killing off the people shown to be the most victimized by society? If it is a story about true heroism being intrinsically linked to saving then what does it say that some people just can't be saved, that are 'too far gone' that have to be fucking mercy killed.
In conclusion, the LOV deserved to be in a story which actually lived up to what it promised.
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There’s just something about stories that allow teenage girls to feel their anger without prettying it up. Rachel from Animorphs. KJ from Paper Girls (honestly, ALL the Paper Girls in different ways). Ellie from The Last of Us. So often, narratives find ways to sand the edges off a teen girl’s fury, make her sweet or overly verbal instead of violent. Stories that allow young girls to be angry, to be bloody, to bite back at the world with sharpened teeth—those are always my jam.
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Disclaimer: I'm speaking as a person who's only been in the Megamind fandom for almost 8 years, so I'm not, like, an OG 2010-2011 fan. HOWEVER... I find it interesting that from what I've been seeing, the people loudly complaining about the sequel content are mostly newer fans. People who've been fans for at least 6+ years are hyping this UP and being optimistic despite the flaws. I'm just like "u haven't been here that long, can we stop shitting all over it before it's even PREMIERED?? GOD"
It really is funny that the vast majority of people who are screaming like Dreamworks shot their dog are, yeah, people whose names I've never heard. Not on Tumblr, not on Twitter, not in AO3 or ffnet comments. Don't get me wrong, I've seen a couple of the old Livejournal crew who are unhappy, but even they haven't been spewing vitriol (that I've seen). For the most part, those of us who are actually active in this fandom are ecstatic! And it's not a length of time thing, either - there's new folks kicking around who are just as excited as the rest of us!
I'd say I hate to say it, but I'd be lying - the people who are the angriest about Megamind Rules are the people who wouldn't care if it existed or not in the first place. They're people who watched Megamind and enjoyed it, but didn't enjoy it enough to be excited for more unless it meets their personal standards. They didn't enjoy it enough to look for fanworks, they didn't enjoy it enough to say anything. I'll buy that they do care...but they don't care enough to try to see any joy in this.
They don't care enough to look anything up before sneering at the Doom Syndicate for being a "retcon" despite the massive amount of material out there supporting both the Doom Syndicate's existence and this plot (big "thank you" to some chucklefuck YouTuber in particular for that one). They don't care enough to stop and consider if there might be budget concerns for an IP Dreamworks was totally radio silence on for more than a decade. They don't care about who's writing it, or who's on the production or voice acting teams. They only care about jumping on the hate train, and I am FURIOUS about it, because I am scared to death that Dreamworks is gonna shitcan this before it even gets released. If that happens, I will be a level of angry that defies description. Because the people who did not fucking care one way or the other will have killed it, and the people who loved this story enough to be excited to see more will have nothing. Again. Newer people in this fandom who are bitching might not have the background to realize this, but if this is killed right out of the gate, THERE WILL BE. NOTHING. ELSE. When I say "radio silence" I mean Dreamworks all but refused to even LOOK at Megamind, for more than a decade.
That's not even getting into how much of a slap in the face it would be to the team who worked so hard on this. If anything could gut me hard enough to kill my desire to write anymore, it'd be that; I can't even imagine how the writers and voice actors and animators might feel in that event. I hope we never find out.
But yeah, uh, tldr: can we not fucking shit on something that literally has not even premiered, seriously. Can these joyless shitbirds PLEASE do something that sparks joy for them instead of shitting on something that sparks joy for others, goddamn. The animation looks fine, y'all are just mean.
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I am imagining Vos talking to Qui-Gon or the Council and finding out that 'Anakin Skywalker's ongoing obsession with Obi-Wan Kenobi" is, like, a quarterly status update on the Council's agenda. Trouble with the Hutts, Senate complaining about the budget, Anakin's shouting fit when Qui-Gon didn't get Obi-Wan every single optional vaccination before taking him off-world, yes, yes.
the council: well turns out it wasn’t quite possible to root out skywalker’s attachment to obi-wan kenobi just by telling him no to training him so somehow kenobi now has one (1) laid back master and one (1) part-time but very involved master who insists on going to all of Kenobi’s pta meetings even though he isn’t his master and everyone else was looking forward to qui-gon’s brownies but don’t worry we have this situation under control and are monitoring it closely
obi-wan: in the halls of healing
Anakin: beheaded a sith
The council: we are going to take a moment to reassess
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