we want to resume our studying so. so so badly but the eating has to not just be good but consistent over a long period of time and i wish to scream. my brain is full of paywalls nobody warned me could happen. nobody warned me I could become too poor to think at all on a physical level because whilst my faMILY was abusive as shit growing up the conditions were still of a higher class so i developed a brain that had high demands and then started fueling it with not just poor but povertty resources . like im at high risk of being homeless in the next 6 months and i have a brain that puts me in saw traps and basically says "if you don't eat at an average of least 5 meals a day, approximately 3 hours apart, and keep this up for weeks at a time, you will not be awarded access to any of your incomplete but grandiose thought constructs, good fucking luck having a single useful thought because it's not built for your resources"
Nobody fucking warned me about how painful the class drop was. I suppose a lot of that was because they were completely inconsiderate about what the experience of children in higher classes might be. They'll remember that their daddy's are heartless monsters peddaling slavery, and then for some reasojn think that they'll give their riches to their kid no questions asked. What do you think happens when the money loving man has a child with undesireable identities and interests? they torture them and wipe them off the face of the fucking planet. you don't know about it because they don't fucking want you to know about it. have some godamned nuance.
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Rhiannon: *calling Ianto*
Ianto: Hi Rhiannon, are the kids ok?
Rhiannon: Yeah they're fine, I was just wondering-
*sounds of machinery in the background*
Rhiannon: ...what's going on? Is this a bad time?
Ianto: Oh that? No yeah its fine I'm just tossing my boyfriend off a cliff.
Rhiannon: You're...what? What's going on? Is everything alright?
Ianto: Oh yeah. It's just that he's currently fully encased in cement so I've gotta break him out.
Rhiannon: ...
Rhiannon: But wouldn't that kill him Ianto?? If this is a bad time I can-
Ianto: *laughs* Oh don't worry about him he'll be fine. So what's up?
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"Lie down baby, arch your back now- maybe you can help me get what I want." - Absolute Territory (PLEASE CHECK THE SONG OUT!)
Anyways the song reminds me of Outside In Joy so here ya go, also there's some diff versions so check it out if u want...
ahdxhzu (the last image is anxiety's color pallete)
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Just wanted to share a few thoughts on the BAFTAs today, now that I've had a bit of time to process the day's events (and am no longer running around cooking Mother's Day dinner)...
I feel like this was a sort of roller coaster of an event, as so many of us were hoping/expecting to see Michael on the red carpet, given David's nomination for playing Crowley in GO 2. In many ways, it was strange and even jarring to see David without Michael, especially while wearing such a gloriously Crowley-coded suit, but mainly because they are now truly a group of the two of them, a packaged set, peanut butter and chocolate.
And yet, seeing David talking about Good Omens and Michael (referring specifically to the Michelle Visage interview, which I adored just because of how they vibed together, in much the same way that Michael was vibing with Sir Ian McKellen on Graham Norton a few months ago), the way he teased the possibility of more kisses in S3 and so effortlessly ran with Michelle saying "Michael Sheen kisses" instead of "Aziraphale and Crowley kisses"...all of that made it feel like Michael was present. Like whatever mark he and David left on each other after the last six months was fully and completely visible without being visible.
I also loved seeing David so brimming over with confidence and self-assurance--something that wasn't there specifically because of Michael or Georgia or anyone else, but because of David himself. I feel like said qualities are most especially apparent in this gorgeous picture:
We talk so much about the suits and how Joshua Kane or Mithridate dress him so exquisitely, but I think something that gets overlooked sometimes is that what makes these suits look as beautiful as they do is David himself. The way he carries himself when he wears them, and how there seems to be such a perfect congruity between how he feels on the inside and how he looks on the outside. Again, this is not saying that David hasn't worn flamboyant or flashy suits in the past (the velvet ones of course come to mind), but there definitely seems to be something special about him wearing these suits, at this specific moment in time.
I also really loved one particular photo of him with the suit jacket off/sleeves rolled up. Again, it's not only the clothes themselves (and how gorgeously they hang on him), but also how it felt like a moment of just...letting go of something. It also immediately brought to mind the photo of Michael with his bow tie undone at the NTAs after party in 2021:
(Granted I'm fairly certain David is tipsy/a bit drunk in the photo on the left, but somehow that damn hint of a bare forearm felt as daring and racy as seeing an ankle in the Victorian era...)
As to what David was "letting go" of, we can't know for sure, but it looked like something was released, and that he was just so fully present and being himself on the red carpet. I'm so proud of him, so delighted by this new, carefree David that I don't think we've ever seen before, but that I absolutely do hope we will continue to see in the future.
Those are my thoughts on the 2024 TV BAFTAs, for whatever they may be worth. I'd love to know what you all thought of David on the red carpet, and if anyone else noticed some of these things, too...
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Following the chilling conclusion of All That's Left's first season, Mac and Layla and their friends find themselves scattered across a divided Los Angeles a year after their successful return to town. Matrix Corp has taken control— "With humanity's best interest in mind"— but with our protagonists' knowledge of Opportunity's destruction and Houston's unexpected fall, they know better than to trust the corporation and its near military-sized security force.
Closed district gates separate them from one another and a new threat lurks just outside the city's walls— but resistance is on the rise, and it is only a matter of time before truth comes out.
[SEASON ONE HERE]
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;
@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners
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Kurogiri: hey, kid, where’s your head at?
Toga: I think it’d be really cool to record my therapy sessions and go back and listen to them later from a more distanced perspective
Toga: But also, the thought of having my therapy sessions taped is exceptionally nerve racking and paranoia inducing, and I know myself well enough to know that it’d become an ocd obsession for checking to make sure I have them all and no one else has access to them
Kurogiri:
Kurogiri: hey, kid, where’s your head?
Toga: no, but listen-
Kurogiri: I am listening, I just don’t think you’re mentally sound
Toga: IT WOULD BE INTERESTING-
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