#intro: phelan
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no way is that Phelan Frost. they’re a 23-year-old HUMAN notoriously known for being Impulsive & Untrusting but there are some people who have seen them being Loyal & Observant. if you ask me, they remind me a lot of worn out converse sneakers, punched walls, and the raw instinct to survive, but that could just be because they’re considered The Unfavorite around town. just keep an eye on them & see if their true colors shine through.
Name: Phelan Frost
Nickname(s): Phe (prounnced like 'Fay') Finn, Little Wolf (Aiden and Knightley only)
Age: 23 / July 18
FC: Mark McKenna
Height: 5'5
Pronouns: she/they/he
Orientation: aromantic *aroflux* / pansexual
Occupation: assistant at Moggadeet Medical Clinic
District: lower (formerly upper)
Relationship Status: Single (closed)
loyal ⟩ observant ⟩ staightforward
impulsive ⟩ untrusting ⟩ aggressive
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I'm shattered porcelain Glued back together again Invincible like I've never been
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tw: child abuse, murder, dehumanization
Phelan started their life as an unwanted surprise. Born on the floor of one of the spare rooms his mother hadn't even known she was pregnant with a second child til she was already well into labor.
Not wanting to seem like the kind of people that just gave up a child when they more than had the means to care for them, they opted to just keep Phelan a secret instead. They had an image to uphold, after all.
They didn't give him a proper name, and was only ever referred to as 'It.' "Did you remember to feed It?" "It needs a bath"
He was taken care of just enough that they wouldn't die, the last thing they needed wasn't someone discovering another kid it was someone discovering a dead one.
Starting at the age of 5 she basically became nothing more than a guinea pig for her older brother. Anytime he expressed wanting an enhancement their parents would sneak her out at night to go to the lower district and pay some doctor off to give her whatever enhancement their son wanted. That way he could see what it would do, and whether or not he still wanted it after a couple of weeks. They would then take the older son to get the best version of it in the upper district.
The years of doing as much as they could to dehumanize them made their decision to use her as their own personal test subject for their spoiled brat of a son even easier.
There were plenty of times where after a few days the brother just decided he no longer had interest in a certain enhancement, leaving Phelan to just have to live with another faulty cybernetic anyways.
By the time Phelan was 14 she already had more enhancements, including prosthetics for body parts that didn't actually need them, than most people would have in their entire lives. Many of these being faulty in one way or another such as cybernetic eyes that often short out, leaving her blind. Sometimes for just seconds, other times for days.
At 17 she was found by Aiden and Knightley Frost in an abandoned building, going through one of those large dumpsters trying to find things that maybe she could use to repair some of the faulty cybernetics that she had been unwilling forced to have and that his parents didn't want to do any maintenance for
Outside of the doctors that had performed all of the enhancements over the years, Aiden and Knightley were the first people not in the family that Phelan ever met.
The two came across Phelan again, having gone to check on her after being concerned about how she behaved during that first interaction. This time finding her in the family home, sitting on the couch completely covered in blood. The bodies of her parents and older brother completely unrecognizable
She's never spoken about what exactly happened
Aiden and Knightley took them in, cleaning up the place and taking care of everything. Covering up what really happened.
Has been living under the care of the two ever since.
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Aiden and Knightley are the ones that gave Phelan their name
Never got any sort of education growing up, so the past couple of years has been learning basic skills.
doesn't mind what pronoun you use out of they/she/he because all of them make her feel human, something she'd never felt like growing up. (something she has a hard time feeling even now)
While they've made progress over the past couple years they still struggle with verbal communication, especially with people they don't really know, not having gotten much of it for most of their life
full list of enhancements/cybernetics/prosthetics to be posted at a later date.
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things i read last month (february 2023)
poetry
my mother would be a falconress - robert duncan
kink - imani davis
words for the sri lanka tourist office - indran amirthanayagam
substitution - anne spencer
ice - gail mazur
when the dawn comes to the city - claude mckay
the lammegerier daughter - pascale petit
canopy - arlene keizer
regarding the rottgen piete - elle emerson
missed time - ha jin
february 11th 1990 - wanda coleman
the venus of milo - henrietta cordelia ray
there are no boring people in this world - yevgent yevtushenko
we have not long to love - tennessee williams
eating together - kim addonizio
i have just said - mary oliver
challenge - sterling a. brown
on a train - wendy cope
books
detransition, baby - torrey peters
closer baby closer - savannah brown (poetry collection)
university readings
‘literary criticism’ in lesbian and gay studies: an introduction, vincent quinn, 1987 (intro to queer studies)
‘the greyhound bus station in the evolution of lesbian popular culture’ in new lesbian criticism, angela weir and elizabeth wilson, 1992 (intro to queer studies)
extract from ‘beebo brinker’, ann bannon, (intro to queer studies)
‘modernism, post modernism and art education’, in art education vol 39, patricia clahassey, 1989 (modernism and after)
‘modernity and modernism’ chapter 2 from the condition of postmodernity, david harvey, 1990 (modernism and after)
‘the bauhaus and studio art education’ in art education vol 34, andrew phelan, 1981 (modernism and after)
‘johannes itten and the background of modern art education’ in art journal vol 27, henry p raleigh, 1968 (modernism and after)
substack
evil female: on sensitivitiy, sadness and noticing things
evil female: everyone is grotesque and no one is turned on
grace rother: warmth
evil female: personal style is dead and the algorithm killed it
maybe baby: #135 anti anti social social club
joshua citarella's newsletter: there is no alternative
joshua citarella's newsletter: tag yourself
grace rother: into march
patti smith: milan in three segments
evil female: the tragedy of work shakespear
articles
‘raw eggs, pink pills and embodied identity: online communities creates their own proof in a vaccum of truth’, joshua citarella, document journal, 2023
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WIP INTRO ✵ THE EMIPRE’S THIEVES
KINGDOMS WITHOUT LIGHT. GODS WITHOUT FREEDOM. HEROES WITHOUT HOPE.
In the Mortal Realms, the sky has been dark and cold for as long as anyone can remember, cursed by an eternal winter that smothers the earth beneath shadow and ice. Fire is a scarce luxury only few can afford, and it is beginning to die out, snuffed by the hands of the gods ─ fast.
But hope is not lost. Five demigods roam the cities, bleeding and scavenging in the name of survival, killing and thieving without mercy, without hope. When they are called upon to do the unthinkable, to steal fire from the gods themselves, to restore light to Evaria, they will walk between realms, through hell, from death. They will blacken their hands with gore and smoke and ash. It has been a long time since heroes have walked the earth, but they are not heroes: they are thieves.
And together, this could mean the beginning.
Or perhaps, this means the end.
✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧
GENRE ✵ dark fantasy, young adult
NARRATION ✵ past tense, third person, multiple perspectives
MAIN CHARACTERS ✵ a firewalker named zara nightingale, known as the manticore for her vicious blades. a warseeker named phelan reithwulf, an arsonist lit by the fury of vengeance. a dreamseeker named vex winthyros, prince of assassins, crown of the court. and two nightwalkers named nox and koi zheisu, separated and imprisoned, bled of agency and memory.
✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧
TAGLIST ✵ @ladywithalamp @cawolters @gothemark @emdrabbles @allegrief @waterfallofinkandpages
#wip#work in progress#wip introduction#wip intro#wip intros#dark fantasy#high fantasy#young adult fantasy#thieves#writeblr#writeblrs#so excited to be introducing my baby!#it's been ongoing for like 4 years LMAO#hope you all enjoy ♥#PLEASE feel free to send me asks abt this book and these characters !!#i'd be happy to provide more info#but for now i think this is good :)
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[Intro] Think I’m from space My soul fell down I found the Earth Not leaving now I know your face Think you fell too And ain’t no place now, if I got you
[Verse 1] Anywhere, anywhere Anywhere you go Anywhere you go Round the universe I’ll be there, I’ll be there Wherever you go, wherever you go, babe
[Chorus] Think I’m from space My soul fell down I found the Earth Not leaving now I know your face Think you fell too And it’s my place now, if I got you If I got you, baby You, baby You, baby
[Verse 2] I don’t care, I don’t care Wherever you been ‘Cause now you’re with me Floating through the night Feels like we’re dancing Is this the feeling The feeling of falling in love? ‘Cause I know that we met before, babe
[Chorus] Think I’m from space My soul fell down I found the earth Not leaving now I know your face Think you fell too And it’s my place now, if I got you If I got you, baby You, baby You, baby You, baby You, baby Think I’m from space My soul fell down I found the earth Not leaving now I know your face Think you fell too And it’s my place now, if I got you If I got you, baby You, baby You, baby You, baby You, baby
Produced By: Saltwives Written By: ZAYN, David Phelan, James Norton & Alex Oriet
Download/Stream Icarus Falls: iTunes • Apple Music • Spotify • Deezer • Tidal • Google Play • Amazon
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youtube
ZAYN - If I Got You
[Intro] Think I'm from space Space soul fell down I found the Earth Not leaving now I know your face Think you fell too And ain't no place now, if I got you [Verse 1] Anywhere, anywhere Anywhere you go Anywhere you go Round the universe I'll be there, I'll be there Wherever you go, wherever you go, babe [Chorus] Think I'm from space My soul fell down I found the Earth Not leaving now I know your face Think you fell too And it's my place now, if I got you If I got you, baby You, baby You, baby [Verse 2] I don't care, I don't care Wherever you been 'Cause now you're with me Floating through the night Feels like we're dancing Is this the feeling The feeling of falling in love? 'Cause I know that we met before, babe [Chorus] Think I'm from space My soul fell down I found the earth Not leaving now I know your face Think you fell too And it's my place now, if I got you If I got you, baby You, baby You, baby You, baby You, baby Think I'm from space My soul fell down I found the earth Not leaving now I know your face Think you fell too And it's my place now, if I got you If I got you, baby You, baby You, baby You, baby You, baby
Produced By: Saltwives
Written By: Alex Oriet, David Phelan, James Norton & ZAYN
Download/Stream Icarus Falls: iTunes/Apple Music • Spotify • Deezer • Tidal • Google Play •Amazon
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Week 23- Weekly Summary
Day 1- Character design
Today I was introduced to a Maya sculpting workshop using both Maya and Mudbox. This initial workshop was to get used to using the tools and methods to sculpt and create a character from cubes and rectangles. As I have grown accustomed to Maya sculpting through the radio task I welcomed this new challenge with open arms. The first task was to create three cubes for each part of the body and morph them using the various cutting and extruding tools to create shoulder and legs as well as a neck. This then became the base of the character. I found that using these tools where quite challenging especially with the multi cut tool as this would. Highlight other areas I did not want to cut. In addition , I did not want to create my character I am basing my maquette and drawings on until I fully understand the software. So I was mainly focusing on creating a character which utilised all aspects of the software.
The next task was to smooth the character and change the amount of planes available. The mother the amount of planes the easier it was o sculpt with the sculpting tools on maya. I found this difficult at first as I had made my character too small for the actually brushes. SO I increased the size of the character and began to try and work out how the tools work. I decided to create a visor like head which resembled a hammerhead shark. While also adding a shell on the characters back. I found that I should have extruded these aspects of the character before morphing the planes as this would have gave me better control and precision when creating. As I had just morphed the plane this would detract from the overall animation of the character later in the pipeline.
The next aspect of the workshop was to import the character into mud box . Mud box is a sculpting software that aids character and prop creation . I found this software quite easy to use as I imported a low resolution version of my character into the software and began extruding the same aspects that I had in Maya. I am looking forward to creating my sloth in both these softwares and I will continue to watch tutorials on how to improve my modelling techniques and processes within software like Maya, Mud box and z brush.
Day 1 - Character design maquette
Today I finalised sculpting my sloth Maquette and it is now ready to be baked to set. I found the sculpting process really rewarding as I could see the shape of the character show through with each addition of super sculpt. I found that the refinement process was the best part of the experience due to the level of detail I could achieve. I used a knife to create the fur for the sloth cutting into the clay to give texture . I then decided that I would do this all over the sloth instead of smoothing the clay . I found smoothing the clay difficult as it was too thin and it would reveal some of the tinfoil from the skeleton. I used smaller pieces of clay to add further detail to the face including the eyes and snout for the face. I also added little detail like the bandana and extra pieces of hair onto of the head. Overall I am happy with how the maquette turned out and I cannot wait to paint the finished product.
Day 1 - Mystery box
Today I began to finalise the ending of the mystery box project. I am happy with how this project is turning out as I feel I have correctly created a sneaking walk with the right sense of balance and timing as well as a jump that shows a shocked reaction . The ending of the mystery box cycle is that the character will hold his hands up and drop to the floor much like a suspect would when getting caught by the police. I tried to emphasise the timing and emotion of this by having the character place his hands to his head in disbelief at first before resuming to place them behind his head. I feel this works well as it complements the piece showing that he was incapable of achieving his goal of stealing what was inside the mystery box. To improve this I want to achieve a crying emotion like his hands and head are shaking as he is distraught at being caught. For this I could add more key frames moving the shoulder up and down swell as the body back and forth this could give the emotion I want.
Next I decided to fix the key frames around the waist of the walk as there was too many and the character didn’t have a flow to the sneak. With advice from John I decided to distinguish a clear up , down a passing with the waist. This then allowed me to elaborate and add more key frames to smooth out the animation. With the adjusted waist this added more weight to the overall walk of the character this then played emphasis on the sneak.
Furthermore , I also started to look at the lighting for the full scene. I moved the previous lights backwards as their intensity was to strong when rendered. I found that having this three light setup gave the best angles to show the characters movement and emotion. To further improve this I am going to research how to add a moving light into the animation itself. This spotlight will follow the character to the box and be placed directly on him when he is caught this creates the illusion that someone is chasing him.
Day 2 - Showreel project brief
Project overview
The showreel will be 75 to 90 seconds long and is an introduction to the post production process. Using adobe premier to edit your showreel together. For the research aspect of the project I will research three successful and three unsuccessful professional industry standards animation showreels.
Intro and Outro cards
Name
Title Nua first year showcase/Showreel 2019
Logo: Optional
Animator
Showreel examples
Jez pennington Showreel
Ameal Isnard
Hilde Buiter
Bianca Ansems
Stephen Anderson
Richard Phelan
Samuel Mclean
Neerachar sophol
Gustaf Lindstrum- Not a great showreel
Possibly the best ever showreel
Music- only use music that you have permission to use . Be aware of copyright
Cut to the beat
Choose music that fits style- check lyrics
Fade out
Can include
-Life drawing
-Concept art
-Character design
-Storyboards
l
Day 2 - Media in industries
Helen Schroeder Lecture/Talk on careers- Pre-production work
Introduction
Has tried multiple disciplines. Helen explained how competitive character animation is and that if that is what you want to do you have to be completely driven and focused on that goal. This is instead of jumping between roles and jobs. She also explained that jumping and changing job roles can also help establish a career as it helps find what you want to specialise in.
Developing career
At the start of her studies she focused heavily on stop motion animation. So in her work at university she focused heavily in the stop motion genre. She then through her final third year film got an internship in model making. She then became an animation intern on Dragon in 2007.This helped her become recommissioned as a freelance animator and model maker. As she was working for the same company she decided to focus heavily on the animation aspect instead of becoming a model maker splitting and letting go of the opportunities that this created to pursue stop motion animation.
Aardman storyboarding course
This was a professional course and a foot in the door to a major studio. This allowed her to work on the storyboards for Arthur Christmas. This helped her get the job in animating Arthur in cg but she took a stocktake and because of her family did not pursue a future in La where she could work on the larger films.
Teaching and freelance
Helen then decided to teach at NUA and worked freelance doing storyboarding for Tv and freelance.Helen worked for Hurst animation and was paid per scene.She also storyboarded for a Flora campaign. She then got back to storyboarding for Aardman on early man but was cut from the project because of travelling and working remotely. She then worked on Watership Down and worked remotely and continues to do that to this day.
Key skills and take ways from talk:
Be adaptable
Be profesional
Don’t be arrogant limits further opportunities
Keep to deadlines and promises
Be reliable
Have a collaborative attitude
Be positive
If able select jobs carefully and value yourself
Helen also mentioned Annecy animation festival in France which allows opportunities forms he major studios for work.
Day 3 - Mystery box
Today I fixed the lighting on my mystery box project. I wanted to ensure that the lighting would cover the entire screen highlighting the shadows and shapes of the character so I used four lights. These four lights acted as a base to light the character from all angles. I kept the intensity of these lights low as I wanted to give the impression that the character is trying to steal something from the mystery box. I also introduced a spotlight that would be mobile. This movement established a sense of urgency in the characters walk as he is clearly not trying to be caught or seen. I like the way the light pans around the scene before fixing on the box when the character is caught. This helps present the sense of shock and anguish on the characters face.
Furthermore, I also fixed the initial issues on the first few steps of the sneak cycle. I found that by removing key frames gave a more fluid sense of music instead of having fixed positions for the up and downward poses in the animation. I found the most issue in the second step as the waist had failed to move as the step progressed . To fix this I moved the waist upwards on the passing pose as this would add continuity to the up pose. I then fixed the positioning of the legs and removed the keyframes I no longer needed. This left me with 3 main key frames which I could clearly distinguish each pose. In addition on the first two steps especially the legs of the character began to pop when the animation was changed to spline. To combat this I moved the waist of the character down on the keyframes where this happened. This helps to contribute to a realistic and smooth sneak cycle.
Finally, I rendered out my mystery box animation in Maya to see what the character would look like when lit. This gave me a great sense of what could be improved with the animation as a whole as I could see an almost finished article. This was a long process to render but I found that the outcome was rewarding and I am looking forward to completing more CG animation in the future.
Day 4 - Lip-sync workshop and brief introduction
Today I was introduced to the lip-sync brief. I have to create a 10 second lip synced animation over a given clip. I chose the swan clip out of the two as I felt this would give me the best range of facial expression for animation. There is a distinct change in tone as the character goes from explaining what the animal looked like to the sarcastic explanation that it is a swan.
To start I added the audio file into tv paint and began to write in the notes section the sounds I could hear when scrubbing through the timeline. I then decided to roughly draw each of the mouth shapes from reference to give me a wide range of structures and shapes to display the sounds. I then selected all the mouth types and created a brush so I could easily stamp the varying shapes to fully portray the sounds on the key frames. Next I drew out the head of the character as well as the nose and eyes. I will later begin to animate the eyes but for the first iteration I decided that they will be in a fixed position for the scenes entirety. I began to stamp the mouths on in relation to my notes and adjusted their size so they can fit within the face.
To improve this iteration I need to focusing on moving the chin of the character as it is fixed throughout the animation. I also want to emphasis the emotion of the character through the eyes so in the next pass begin to move the eyes and the eyebrows to fully convey a sense of the character talking. In addition with the shift in tone I will develop new mouth types to show the change in expression with the character. This will help shift the message of the character to sarcasm and draw the eye of the viewer.
Day 5 - Maya lighting and rendering induction
Today I had an introduction and workshop to lighting and rendering in Maya . This workshop showed how to optimise render time through the amount of lights and shadows cast in the scene. To do this we used a totem poll as an object to light. We added Arnold lights as this was the rendering software. There was a range of lights from area lights to larger lights for skies and oceans.I also learned how to import lights from photos around the scene. This allowed for still images to be placed in the background. This also gave the option of removing the image but keeping the light source and setting on the object. I think this would be useful when importing a character into a scene or sequence as it would give realistic lighting.
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’Potter Heresy!’ List of References:
The Abridged Guide to Intelligent Characters: Thoughtful Responses and Intelligent Mistakes – Eliezer Yudkowsky, 2014
J. K. Rowling: A Year in the Life – James Runcie, 2007
Dr. Oz and Nutritional Supplements: Last Week Tonight with John Oliver – HBO, 2014
Creating the Show Open: Game of Thrones: Season One – HBO, 2011
The Imp of the Perverse – Benjamin Cook, 2015
6 Ways the Harry Potter Movies Are Different From the Books – Dorkly, 2016
Star Wars: Episode III – Revenge of the Sith – George Lucas, 2005
Ron and Hermione’s Kiss – Harry Potter: Wizards’ Collection, Bonus Features, 2012
Maximum Movie Mode: Harry Potter and the Deathly Hallows: Part 1 – Warner Home Video, 2011
A Conversation with J. K. Rowling and Daniel Radcliffe – Harry Potter: Wizards’ Collection, Bonus Features, 2012
Emma Watson Interviewed for NOAH, Berlin – Parviz Khosrawi, 2014
Emma Watson interviews J. K. Rowling – Wonderland, 2014
Looney Tunes – Warner Bros, 1930-1969
Rupert Grint, Harry Potter cast discuss character’s dark future… and if they’d join Star Wars – Aaron Sagers for Huffington Post, 2016
Harry Potter cast and producers remember their favourite lines – Digital Spy, 2011
A Challenge for the Actor – Uta Hagen, 1991
Are the young stars of Harry Potter anything like their characters? BBC Newsround, 2000
B-Roll Selects – Harry Potter and the Deathly Hallows: Part 2 – Warner Bros, 2011
Emma Watson talks about kissing Rupert Grint – Paul Byrne for Movies Ireland, 2009
Daniel Radcliffe on Kissing Emma Watson: “I Quite Liked It” – Gina DeNunno for TV Guide, 2010,
Behind the Magic: Half-Blood Prince – Harry Potter: Wizards’ Collection, Bonus Features, 2012
Behind the Magic: Deathly Hallows, Part 1 – Harry Potter: Wizards’ Collection, Bonus Features, 2012
Behind the Magic: Deathly Hallows, Part 2 – Harry Potter: Wizards’ Collection, Bonus Features, 2012
Preparing for the Yule Ball: Goblet of Fire – Harry Potter: Wizards’ Collection, Bonus Features, 2012
Creating the World of Harry Potter – Part 5: Evolution – Harry Potter: Wizards’ Collection, Bonus Features, 2012
Impressive music collection – photo by Tracy Thomas on Unsplash, 2016
Various designs inspired by the choice points in Black Mirror: Bandersnatch, 2018
Thor: Ragnarok – Eric Pearson, Craig Kyle, Christopher L. Yost & Taika Waititi, 2017
Taika Waititi Speaks On Thor: Ragnarok – BUILD Series, 2017
Funny Behind The Scenes Moments with Taika Waititi – Marvel Entertainment, 2017
Creating the World of Harry Potter – Part 7: Story – Harry Potter: Wizards’ Collection, Bonus Features, 2012
Thor: Official Trailer – Marvel Entertainment, 2010
Fantastic Beasts: The Crimes of Grindelwald: Official Comic-Con Trailer – Warner Bros. Pictures, 2018
David Brent: Life on the Road: Official Trailer – Entertainment One UK, 2016
Iron Man – Mark Fergus, Hawk Ostby, Art Marcum, Matt Holloway & Jon Favreau, 2008
Pirates of the Caribbean: The Curse of the Black Pearl – Ted Elliott, Terry Rossio & Gore Verbinski, 2003
Pirates of the Caribbean: At World’s End – Ted Elliott, Terry Rossio & Gore Verbinski, 2007
‘Just friends?’, ‘per k bis’ and ‘Attesa’ – pencil drawings by Stefania on Flickr
Nicomachean Ethics – Aristotle, translated by W.D. Ross, 1925
Deleted Scenes from Goblet of Fire – Harry Potter: Wizards’ Collection, Bonus Features, 2012
Star Wars: The Last Jedi – Rian Johnson, 2017
Loki as Captain America: Deleted Scene from Thor: The Dark World – Marvel Entertainment, 2014
Various works in the Hermione Granger/Draco Malfoy sub-category on the Archive of Our Own, 2018
Twilight: Official Trailer – Summit Entertainment, 2008
Draco in Leather Pants – TV Tropes
The Leaky Cauldron and MuggleNet interview J. K. Rowling: Part Three – Melissa Anelli and Emerson Spartz, 2005
Girl, Interrupted – James Mangold, Lisa Loomer, Anna Hamilton Phelan & James Mangold
Twilight – Melissa Rosenberg & Catherine Hardwicke, 2008
Arizona Bay – Bill Hicks, 1997
FRIENDS: Season 2 Intro “B” – NBC, 1995
Harry Potter | Opening Credits (F.R.I.E.N.D.S Style) – SunnyVids, 2018
Alfred Hitchcock On Mastering Cinematic Tension – American Film Institute, 2008
11 Dimensions – Mandelbrot Fractal Zoom – Maths Town, 2017
Into the Woods – John Yorke, 2014
The 50 Greatest Harry Potter Moments (Definitive Version) – Harry Potter: Wizards’ Collection, Bonus Features, 2012
Deleted Scenes from Deathly Hallows: Part 1 – Harry Potter: Wizards’ Collection, Bonus Features, 2012
The Twilight Saga: New Moon – Melissa Rosenberg & Chris Weitz, 2009
Deleted Scenes from Half-Blood Prince – Harry Potter: Wizards’ Collection, Bonus Features, 2012
A Very Potter Musical – Team StarKid, 2009
A Very Potter Sequel – Team StarKid, 2010
Harry: A History – Melissa Anelli, 2008
Harry Potter and the Goblet of Fire – J. K. Rowling, 2000
Harry Potter and the Half-Blood Prince – J. K. Rowling, 2005
Harry Potter and the Deathly Hallows – J. K. Rowling, 2007
Harry Potter and the Goblet of Fire (audiobook) – J.K. Rowling, read by Stephen Fry, 2000
Harry Potter and the Deathly Hallows (audiobook) – J.K. Rowling, read by Stephen Fry, 2007
Harry Potter and the Philosopher’s Stone – Steve Kloves & Chris Columbus, 2001
Harry Potter and the Chamber of Secrets – Steve Kloves & Chris Columbus, 2002
Harry Potter and the Prisoner of Azkaban – Steve Kloves & Alfonso Cuarón, 2004
Harry Potter and the Goblet of Fire – Steve Kloves & Mike Newell, 2005
Harry Potter and the Order of the Phoenix – Michael Goldenberg & David Yates, 2007
Harry Potter and the Half-Blood Prince – Steve Kloves & David Yates, 2009
Harry Potter and the Deathly Hallows: Part 1 – Steve Kloves & David Yates, 2010
Harry Potter and the Deathly Hallows: Part 2 – Steve Kloves & David Yates, 2011
bilousby – VJ loop by beeple (Mike Winkelmann), 2013
Various graphic designs inspired by the work of MinaLima on the Harry Potter film series, 2001-2011
MUSIC:
12 – The 1975, The 1975, 2013
Bluebird of Happiness – Mojave 3, Spoon and Rafter, 2003
Cho and Harry – James Hannigan, Harry Potter and the Order of the Phoenix: The Video Game, 2007
Dark Wandering – James Hannigan, Harry Potter and the Order of the Phoenix: The Video Game, 2007
Day – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Endings – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Exploration to Combat: Transition One – James Hannigan, Harry Potter and the Deathly Hallows: Part 1: The Video Game, 2010
Fred and George: Alternate – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Friendship Theme – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Get to Potions, Alternate – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Get to Quidditch – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Good Girls Go To Heaven (Bad Girls Go Everywhere) – Pandora’s Box, Original Sin, 1989
HNSCC – The 1975, Music for Cars, 2013
Hogwarts by Night – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
I’ll Be There For You – The Rembrandts, LP, 1995
Immigrant Song – Led Zeppelin, Led Zeppelin III, 1970
Immigrant Song – Manny Charlton (Nazareth), Guitar Heroes – Led Zeppelin, Instrumental Renditions, 2008
Immigrant Song (Instrumental) – The Professionals, Rock Backing Tracks for Professionals, 2017
John Yorke: “Into The Woods” – Talks at Google, 2014
Loss at Hogwarts – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Neville’s Waltz – Patrick Doyle, Harry Potter and the Goblet of Fire – Original Motion Picture Soundtrack, 2005
O Children – Nick Cave and the Bad Seeds, Abattoir Blues/The Lyre of Orpheus, 2004
Orange Sky – Alexi Murdoch, 2011
Quidditch Tryouts – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Race Ginny – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Return to Hogwarts – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Sadness at Hogwarts – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
The Boathouse at Night – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
The Room of Requirement – James Hannigan, Harry Potter and the Order of the Phoenix: The Video Game, 2007
To Catch an Owl – James Hannigan, Harry Potter and the Order of the Phoenix: The Video Game, 2007
Wandering – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Wandering, Part 4: Serenity – James Hannigan, Harry Potter and the Deathly Hallows: Part 2: The Video Game, 2011
Wandering: Day 4 – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
Wandering: Day 5 – James Hannigan, Harry Potter and the Half-Blood Prince: The Video Game, 2009
*
All works used remain the property of their respective owners; their use in a video essay of this kind constitutes a transformative remix of copyrighted material for the purposes of criticism and review, as described in section 30(1) of the UK Copyright, Designs and Patents Act 1988. In addition, the transformative use of these works in a work of criticism and commentary constitutes fair use of copyrighted material, as described in section 17 U.S.C. § 107 of US copyright law.
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James Phelan – Experiencing Fiction
Click through to view the intro to Phelan's book that describes his theses on literary judgments and progressions. It's we'll worth reading as it gives vocabulary and framework for talking about how we expierence fiction.
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algernon ensley / 28 / 5'11 (he/him) / synth / intro
antosha kučera / 25 / 5'10 (he/they) / synth / intro
argus farrell / 33 / 5'9 (he/him) / human / intro
aspen hollingsworth / 24 / 5'6 (she/they) / synth / intro
capra belnades / 25 / 5'6 (he/they) ) / synth / intro
corbett grazer / 21 / 5'6 (they/them) / human android / intro
cory brightman / 35 / 5'9 (she/her) human (enhanced) / intro
gadwall mayses / 43 / 6'0 (he/him) / human (enhanced) / intro
gavriil pashkevic / 24 / 5'11 (he/him) human / intro
giovanni barbieri / 24 / 5'10 (he/him) / synth / intro
glitch / 25 / 5'10 (he/him) / synth / intro
harrington caldwell / 28 / 5'10 (he/him) / synth / intro
haven emerson / 31 / 5'7 (she/her) / human / intro
indigo bulsara / 28 / 5'7 (she/they) / human / intro
jaron di marco / 21 / 5'8 (he/her) / human (enhanced) / intro
jupiter / 27 / 5'2 (she/her) / synth / intro
kelly bok / 24 / 5'9 (he/him) / human / intro
kipton bowen / 21 / 5'11 (he/him) / synth / intro
lake wainwright / 27 / 5'1 (she/her) / human (enhanced) / intro
lark davies / 21 / 5'3 (she/her) / human / intro
leland porter / 21 / 6'0 (he/they) / human / intro
marcus matano / 37 / 5'7 (he/him) / human / intro
obsidian rose / 26 / 6'1 (they/them) / synth / intro
phelan frost / 23 / 5'5 (she/they/he) / human (enhanced) / intro
rowan romero / 49 / 5'11 (he/him) / human / intro
ruben basir / 36 / 6'0 (he/him) / intro
rudyard belmont / 47 / 6'1 (he/him) / human / intro
sylvan bradbury / 27 / 5'9 (he/they) / synth / intro
venus dimanzio / 43 / 5'8 (she/her) synth / intro
whitmore wainwright / 36 / 5'10 (he/him) / synth / intro
xander everett / 30 / 5'10 (he/him) / human / intro
xenith vanderberg / 30 / 6'0 (he/him) / human (enhanced) / intro
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CORONATION STREET'S SIMON BARLOW STAR EXPECTING FIRST CHILD AGED 16
Crowning ordinance Street star Alex Bain, 16, is expecting a youngster with his high school sweetheart, who is 12 weeks pregnant.
coronation street david, coronation street 25th may 2018, coronation street 2018, coronation street josh, coronation street march 2018, coronation street kate, coronation street rana, coronation street sophie, coronation street carla, coronation street billy, coronation street april 2018, coronation street adam, coronation street ali, coronation street anna, coronation street amy, coronation street alex, coronation street andy, coronation street abuse, coronation street august 1984, coronation street ali neeson, coronation street births, coronation street baby, coronation street becky, coronation street bethany gets bullied, coronation street bully, coronation street bethany, coronation street bethany and lauren, coronation street bethany platt, coronation street bethany is bullied, coronation street candice, coronation street caz, coronation street carla 2018, coronation street craig, coronation street carla 2015, coronation street crash, coronation street cast, coronation street carla and rob, coronation street cbc, coronation street eva, coronation street death, coronation street david tells shona, coronation street david and max, coronation street david 2018, coronation street david wakes up, coronation street december 1988, coronation street december 1982, coronation street dies, coronation street december 1989, coronation street eva 2018, coronation street emma, coronation street episode, coronation street ending, coronation street episodes march 2018, coronation street episode 2, coronation street eva baby, coronation street emily, coronation street eva birth, coronation street february 2018, coronation street full movie, coronation street fire, coronation street fight, coronation street full episodes 2018 march, coronation street fiz, coronation street full episodes april 2018, coronation street faye, coronation street full episodes 2016, coronation street feb 2018, coronation street gary, coronation street gail, coronation street gemma, coronation street grace, coronation street game, coronation street gail and eileen, coronation street grease, coronation street gary hurt, coronation street gary gets hurt, coronation street gym, coronation street hot, coronation street hope, coronation street hospital, coronation street harry, coronation street hayley, coronation street hilda, coronation street history, coronation street hiv, coronation street humour, coronation street henry, coronation street intro, coronation street izzy, coronation street itv, coronation street imran, coronation street injuries, coronation street ivy, coronation street izzy gives birth, coronation street intro 1960, coronation street in africa, coronation street in whitehaven, coronation street josh david, coronation street jack, coronation street january 1986
simon barlow, simon barlow 2008, simon barlow 2018, simon barlow coronation street, simon barlow drunk, simon barlow step brothers, simon barlow christmas, simon barlow birth, simon barlow gang, simon barlow arrested, simon barlow 2009, simon barlow audrey, simon barlow age, simon barlow artist, simon barlow born, simon barlow bullied, simon barlow coronation street 2018, simon barlow corrie, simon barlow first appearance, simon barlow football, simon barlow gets arrested, simon barlow hits leanne, simon barlow mum, simon barlow mugging, simon barlow mother, simon barlow rice krispies, simon barlow real mum, simon barlow real parents, simon barlow rustenberg, simon barlow will ferrell, simon barlow young, simon barlow 2012, simon barlow 2017, alex bain, alex bainbridge, alex bain interview, alex bain cereal advert, alex bain coronation street, alex bain rice krispies, alex bain soap awards, alex bain rice krispies advert, alex bains instagram, alex bain coco pops, alex bain coco pops advert, alex bain advert
#Coronation #Streets #CoronationStreet #Simon #Barlow #SimonBarlow #star #expecting #first #child #firstchild #aged16 #uk #unitedkingdom #britsh #uknews #britshnews #breakingnews
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Новости 2018
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celebridad 2018
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570 On writing inclusive fiction with Kevin Patterson and Alana Phelan
Kevin Patterson and Alana Phelan, coauthors of For Hire: Operator and the soon-to-be-released For Hire: Audition, talk about why they write a queer poly superhero universe.
0:00 Introduction and host chat
Thanks to Anita Wagner for introducing me to the term “petamour”
1:30 Poly in the news
Vice has a great new article about poly families and poly parenting
3:05 Contact us
Questions? Comments? Feedback? Email [email protected] and attach an audio comment or call the listener comment line at 802-505-POLY. If you want us to teach a class at your event, want us to coach you, or want to appear on the podcast, email [email protected].
3:35 Interview: Kevin Patterson and Alana Phelan on writing inclusive fiction
Kevin Patterson and Alana Phelan join us to talk about their next soon-to-be-released queer superhero book, For Hire: Audition. You may remember their last interview with us on episode 563 around For Hire: Operator or Kevin’s interview around his book, Love’s Not Color Blind.
Harlequin is putting out a queer line of romance novels. Submit using Harlequin’s Romance Includes You mentorship (scroll down the page) runs until October 15, 2019.
The Broken Earth Triology by N. K. Jenisin
If It Makes You Happy by Claire Kann
Find Kevin A. Patterson on his website, Twitter, Facebook, and Instagram. Find Alana Phelan on her website, Twitter, or Facebook.
For Hire Audition’s IndieGoGo
Gail Simone’s Twitter
26:30 Join the conversation
To join the online conversation around this and other episodes, follow us on Twitter or Facebook. We love when you review us on Apple Podcasts or your favorite podcatcher (including Spotify!) and when you share us with your friends directly.
27:00 Thank you to our subscribers and contributors
Thanks to Pacemaker Jane for letting us use their song Good Suspicions as our intro and outro music and to you for listening and sharing.
Check out this episode!
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563 A queer, poly superhero novel centering people of color? Yes, please!
Kevin Patterson and Alana Phelan have come out with a new superhero novel in which queerness, polyamory, and people of color are normalized.
0:00 Introduction and host chat
Under 18? Stop listening now and visit http://www.scarleteen.com
1:00 Host chat and announcements
Poly Big Fun, an annual workshop and retreat for people who identify as polyamorous, will take place virtually on November 10th, 2018. Franklin Veaux will be presenting “My abuser is Woke: Recognizing abuse when an abuser is skilled in the language of social justice.” Joreth Innkeeper will be presenting “Breaking up in the poly community.” Visit www.polybigfun.com to register and find out more.
3:00 Interview: a poly superhero fiction work
Kevin Patterson and Alana Phelan give us a taste of their new book, a superhero novel in centered on queer, poly people of color. Finally, a love triangle in which the existence of the triangle isn’t the source of conflict! In this world, “operators” are the dirtier, heroes-for-hire in a world where law-abiding superheroes get all the press. What happens when a superhero and an operator are in a relationship?
Release is October 12, 2018 on Amazon; release party is October 24 at 6:00 in Philadelphia at Amalgam Comics and Coffee House. Alana is The Polyamorous Librarian online, on Facebook, and Patreon. Find Kevin as Poly Role Models on Tumblr, Facebook, Instagram, Twitter, and Patreon.
Follow For Hire on Facebook and Twitter.
27:30 Thanks
Thanks to Miryam for becoming our latest PW Playmate!
27:45 How to make this podcast better
Questions? Comments? Feedback? Email [email protected] and attach an audio comment or call the listener comment line at 802-505-POLY. If you want us to teach a class at your event, want us to coach you, or want to appear on the podcast, email [email protected].
Friend us on Twitter or Facebook, leave a comment here. Check out Poly Weekly podcasts at polyweekly.libsyn.com. Share this with a friend or write a review on Apple Podcasts! Our intro and outro music is courtesy of Pacemaker Jane, “Good Suspicions.”
Check out this episode!
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Showreel Project Brief
Project overview
The showreel will be 75 to 90 seconds long and is an introduction to the post production process. Using adobe premier to edit your showreel together. For the research aspect of the project I will research three successful and three unsuccessful professional industry standards animation showreels.
Intro and Outro cards
Name
Title Nua first year showcase/Showreel 2019
Logo: Optional
Animator
Showreel examples
Jez pennington Showreel
Ameal Isnard
Hilde Buiter
Bianca Ansems
Stephen Anderson
Richard Phelan
Samuel Mclean
Neerachar sophol
Gustaf Lindstrum- Not a great showreel
Possibly the best ever showreel
Music- only use music that you have permission to use . Be aware of copyright
Cut to the beat
Choose music that fits style- check lyrics
Fade out
Can include
-Life drawing
-Concept art
-Character design
-Storyboards
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