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infizero · 10 months

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one day i will make a beautiful full rewrite of sonic forces like ive always dreamed of doing since i was a 14 year old girl

(ok so um. i started writing stuff in the tags and it accidentally got so long i went far beyond the tag limit. whoops. so this is just an actual post now. read more for my insane sonic forces rewrite ramblings)

i want to so fucking bad. every time i think about the wasted potential that is forces it makes me so depressed ToT i cant help but love forces despite it being garbage. the soundtrack is banging, the character customization is fun, i LOVE infinite, it attempted a darker story like the good ol days..... its so fucking bad but there were so many cool ideas and it drives me insane

also its one of the few sonic games i've actually played firsthand. purely because it was free on like the playstation game pass thing or whatever its called. and i did genuinely have fun with it even if it was pretty easy. also for the longest time of me being a sonic fan, forces was the latest mainline game. that era is when i got into sonic so idk. i cant help but look fondly on it even though its writing choices drive me fucking batty

while thinking about all this i came up with an interesting idea. so. there's something so fucking cool to me about infinite and the avatar's dynamic like. the way that infinite, despite his powers... him being a mobian and that scene of him flying right beside you and stuff..... idk its like he feels more on your level then some like ancient god villain or whatever.

that flying side-by-side scene esp inspired this but ANYWAY. what if, to make him AND the avatar character more interesting.... they were like. childhood friends or something. or just knew each other in the past in general. that would add SO much depth to their interactions within the game of like. infinite calling them weak. flying side by side. infinite's whole classic "character trying to reinvent themself" thing.

like infinite is using the power of the phantom ruby, trying to become strong because shadow called him weak and everything <- which btw this motivation has gotta change/be expanded upon cause this shit is still so silly. shadow called him gay and that's infinite's whole motive. cmon now we can do better than that

ANYWAYS. but that desperation from infinite to become an entirely new person - changing his name, wearing the mask, etc etc. that could become even more interesting if you add someone into the mix who knew infinite BEFORE his transformation.

and i know i know the avatar is supposed to be able to be projected on and stuff whatever whatever. but like idk man. plenty of protagonists have pasts that are part of the story even tho they're customizable. and besides it wouldnt be like a full backstory for the avatar. just the fact that they knew infinite once upon a time. and maybe something happened that split them apart or something. idk. but whatever happened between then and the events of the game wouldn't be elaborated upon, so you'd still be able to come up with your own story for your character if you want to.

and then the avatar's presence in the story could present a conflict for infinite. maybe despite him trying to act like he doesnt care, he like. hesitates. or lets the avatar go at some point. or something. and that gets him in trouble with eggman <- on that note. MORE CONFLICT BETWEEN EGGMAN AND INFINITE. im a little fuzzy on that aspect of the game but from what i can remember that never really goes anywhere. i want infinite being fickle about eggman's orders to MEAN SOMETHING!!!!!

also. i guess infinite could still ambiguously die at the end. but he'd definitely survive and show up in a later game, a la shadow. i need him to. my special boy.

anyways but going back to the avatar and infinite. i rlly think this could make both of them far more interesting than they are now. infinite rlly doesnt have like. an arc over the course of the story? hes just kinda. there. we get his backstory but in the present he kinda just. fights you a few times and then he dies. the end. this would actually give him something to do during the story, even if it was just like. brooding over why he let the avatar go or something.

and like..... i feel like forces SHOULD focus a lot on infinite? at least more so than the actual game did. like it doesnt have to be a shadow sa2 situation where like the whole game is centered around his story but i honestly... wouldnt be opposed to that either. like the war stuff is not that interesting im gonna be real.

also btw OBVIOUSLY the whole "sonic being imprisoned and tortured for 6 months with zero consequences" thing would be changed. that shit is so stupid and pointless. idk for sure if i'd just get rid of it outright or alter it, but probably the latter. cause like it IS actually an interesting scenario: how would these characters react to sonic being presumably dead? (long-term. 06 does not count LOL)

like that genuinely is a fascinating scenario to explore but i think one of the main things is that it would have to take place soon after it happened. none of this 6 months later amy wistfully going "sometimes i still dream sonic is with us....." shit, that is so dumb. WHAT is the point!!!

i'd want the story to start like fairly soon after sonic gets captured. and it wouldnt just be "sonic characters act as war generals" simulator. if we're doing this we are going ALL in. full focus on the characters' emotions and mental states which fluctuate over time. at the beginning they're hopeful but as more time passes with no sign of sonic and them losing more and more land to eggman, things start to crack. that could genuinely be so interesting to watch as long as it was treated with the actual seriousness it deserves instead of the cop-out edginess with no repercussions that the actual game has.

speaking of this part. TAILSSSSSSSS tails in forces was the wasted opportunity of the century. im gonna be real after having so much time to think about it, i really dont think that tails cowering after sonic was defeated was THAT egregious. i definitely think it could've been handled better, considering he had both beat chaos before and thought sonic had died before, BUT. tails is, at the end of the day, still a little kid. no matter how much hes grown and everything, thinking his big brother is fucking dead is probably still gonna fuck him up big time!!!

i also think that the idea of tails out on his own is SO fucking interesting and i am so mad every day that they barely did anything with that. maybe tails DID stay with everyone else at first. maybe after enough time everyone else presumed sonic to be dead and tails got upset because he knows sonic can't be dead, he always comes back, he did last time this happened right? and he left one day without telling anyone, attempting to try and find sonic himself.

and then he comes across omega all trashed up, and him fixing him, oh, idk, ACTUALLY MATTERS? (crazy i know) omega gets fully restored (plus some upgrades, of course) and it becomes the two of them against the world. throwing in a little craziness here but what if omega sticks with tails bcuz tails (who is definitely um. a lil more fucked up from everything) promises that hes directly interfering with eggman here, and that he'll actually allow omega to full on KILL eggman if/when they get the opportunity to. (tails is not fucking around) i just really need these two working together to be a thing.

rouge and shadow could also be MIA. i dont know if i'd want them as part of the larger resistance, they'd probably just be trying to help stuff on their own, but maybe at some point they'd realize that shit is really fucked this time and the only way they'll be able to stop eggman's reign of terror is by joining forces (lol) with the larger group. power of friendship and teamwork and all that, as is forces' main theme.

anyways. this is kind of all ive got swirling in my brain right now. i dont know how i'd tackle sonic's imprisonment itself. i definitely dont want to be in a position like the canon story where sonic should 100% be traumatized by what happened. bcuz i feel like thats probably a bit much lol... so maybe keep him imprisoned that whole time but get rid of the torture. idk, if we want to really get crazy with it we could throw in a whole thing where its like hey eggman why arent you just killing him? isnt that what you've wanted to do this whole time? funny how you're... keeping him alive like that. isnt easy bringing yourself to kill this kid you've basically watched grow up huh? even if he is your biggest enemy. idk that could result in way too much going on. but it could give a reason for sonic being kept alive + a reason why his imprisonment wasnt too crazy bad. just spitballing here.

ANYWAYS ANYWAYS. for real thats it I NEED TO GO TO BED. good god. maybe i'll rb this post at some point with more ideas if i have them. hell maybe i'll even write this whole thing someday..... regardless. GOOD NIGHT NEW YORK CITY!!!!!!!!!!

#serena.txt #it is almost 3am. ive been writing for like an hour straight i think. maybe even longer than that.#i am literally about to pass out so apologies for the probably numerous errors in this. this is pure serena ramble right here #but i would appreciate if you read it lol

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tumblezwei · 2 years

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And that's GX done!

Despite the negative tone this liveblog took for a minute there, I really did love this season. Maria, Kirika, and Shirabe really came into their own, and the powerups were really cool.

And I've really learned how to appreciate antagonists with consistent motivations and threat levels lmao. Carol and the Auto-scorers were excellent and such a step above the antagonists from last season.

I think that the biggest flaw in this season is pretty much the exact opposite of G. Where G felt like it had a good concept for like, 5 or so episodes, by the end I could tell they were desperately trying to stretch the plot to fit 12 episodes by making the characters do nonsense things and twist themselves into knots trying to justify why they still trusted Dr. Ver in any capacity. But for GX it felt more that they had so many ideas for character arcs and themes but didn't want to scrap any of them, so it all ended up mashed together without much set-up. I would have been much more on board with Hibiki and Tsubasa's dads being forgiven for their terrible behavior if maybe we got some more backstory and perspective from them. But as it stands I do not like either of them and will be filtering their canon depictions out of my brain for my own health.

Overall I still agree with my earlier assessment and the ranking is currently G > season 1 > GX

#rambling #tumble watches symphogeargx

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ectonurites · 3 years

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can anybody please explain the appeal of tim drake because ive been into the batfamily for a while now and tbh im really confused on why people like his character so much compared to the other robins. like they all have their own thing going on and he just... doesnt?

Have you read his Robin solo? Because if not and you want to try to like him but just don’t understand why people do, that’s what I’d recommend. That and like, Young Justice 1998.

Because Tim definitely... does have his own thing going on. Maybe not in the same way as the others, but like, there’s a reason he has a 183 issue long solo comic that ran for like 16 years: he was fun to read about!

But I will give some more specific thoughts on the subject as a Tim Drake Appreciator™ (this got long im sorry)

The appeal of Tim (especially early on Tim) is kinda the fact that he’s this more normal kid. For a while that is his ‘thing’. He was basically designed to be a self-insert (he definitely became more than that along the way, but from the start he was meant to be relatable) in a different way than how Dick and Jason had been before him.

Like the role of Robin from the start was this way to create a character young readers could identify with more, could see themselves in more. And Dick and Jason did that, but they still had this element to their lives and stories that was more... unattainable for the average reader. Dick was a circus prodigy, Jason was either also a circus prodigy if we remember pre-crisis or if we go with his post-crisis story he’s this street-wise orphaned kid who had a really tough life but still went on to be a hero anyways. Obviously those lives are relatable for some people, but those’re definitely not as broadly recognized as common upbringings especially not by DC trying to market to the ‘average’ kid/young teen.

But the creation of Tim changed the game a bit. Dick and Jason were these aspirations a kid could look to like ‘wow I want to be cool like that!’ but Tim was a Robin designed for kids to look at and go ‘wow, his problems and civilian life are just like mine AND he’s a hero, I want to be cool like that!’, ya know? Tim was... just a clever kid with an average life who managed to connect some dots and had enough drive to want to fix things he saw were a problem, he didn’t have the same kind of heightened drama backstory the others did. The Robins that came after Tim definitely didn’t have this idea of relatability in mind the same way either. Unfortunately Steph’s time as Robin was much more of a marketing ploy than an actual like... decision to make her Robin, so it’s hard to really fit her into this conversation. But Damian from the start was first of all initially created not to be Robin but just as the son of Talia and Bruce back in the 80’s, but when he was later reimagined into the character that would become Robin he had the whole ‘raised by and is the heir to the league of assassins and is the son of batman’ thing going on still. He just was not supposed to be relatable that same way, he was a character designed with different things in mind.

I really think it was more just DC’s 90′s era younger-audience comics in general that tried to push that relatability thing (like in YJ how Cissie even after quitting the team stays a major character as a civilian throughout, and the civilian aspect that’s super present in Bart’s 90s solo too, etc), but later in the 2000’s that idea was definitely pushed to the side in favor of... putting in even more dramatic superhero-y stuff.

And the other thing that’s... such a more normal thing but it actually made him unique here, was that Tim’s dad was still alive until like 2004 (so 15 years into Tim being around as a character). This gave Tim a lot more typical ‘family school girlfriends normal life etc’ problems on top of/in contrast with his superhero problems. These just manifested in very different ways than they could with the other Robins because of that unique situation with a living civilian parent who doesn’t know about hero stuff (until he did find out which lead to that whole Unmasked thing, but there was only the brief time around War Games & Identity Crisis where Jack knew Tim was actively Robin and he was... still alive) Tim also had his life at school expanded way more than most other Robins, like, he had such an extended supporting cast of civilian friends which is a really interesting thing to read about (and the fact that he hasn’t had that stuff since the New 52 I think really hurts his character)

And then related to that loss of his dad... Personally another thing about Tim that really interests me is how a lot of things were more... his choice. if that makes sense. A lot of characters in the Batfamily were struck with tragedy/extreme trauma before they became heroes and that’s what spurred them into this life of becoming heroes. Tim’s situation wasn’t like that at all! When he first got involved in everything during Lonely Place of Dying, the only tragedy he’d experienced was watching Dick’s tragedy happen. Which sure yes traumatic obviously, but that’s not the same as how pretty much all the other Bats had gone through these very personal losses or other sorts of very first-hand personal traumas that served as motivators. Tim didn’t start to experience those things until after he got involved in the hero life, and aside from his Mom’s death which was more of just an unrelated incident (that technically happened before he was officially Robin but it was during his time training to become Robin), pretty much all these other tragedies and things... would not have happened or been experienced by him had he not become Robin.

That’s not me placing blame on him or anything like that, because god no that’s not how that works, but it’s very interesting because from his point of view he definitely feels that guilt because he knows him being Robin played a role in a lot of it (Thinking specifically about in Adventure Comics #3 when Kon even says “I know what guilt does to you” to him like it’s... it’s a thing with him!). His dad was murdered because he was Robin. He only met Steph and started dating her through being Robin, and thus he would not have experienced the loss of his girlfriend dying like that had he not been Robin. Tim met both Conner and Bart through being Robin, and would not have had a personal connection to them when they died otherwise. The whole Bruce’s death thing after Final Crisis, like. I could go on honestly, that was only talking about losses not even his own experiences nearly getting killed, but yeah, all these personal tragedies were experienced by him specifically because he chose to bring himself into this life, which I think in turn plays into how throughout his comics you see him go from having this really optimistic view on things and being really hopeful to seeing him at that low point he reaches by the time of Red Robin. (thinking about that one post that points out how Tim started out in the 90′s as an optimist and Steph a cynic and by the time they were Red Robin and Batgirl in 2009 they had switched outlooks...)

I also think that him having had such a great team book with the original Young Justice can help contribute to people liking him. His friendships with the rest of the core four and that team in general are really compelling. (and that’s something like again when looking at the other Robins, while Dick had the Titans ofc, Jason never really found footing with a team outside of like one mission with the Titans and then We All Know How Damian’s Teen Titans Stuff Went. Steph also only ever really worked with a team outside the batfam on very brief occasions) and even though I’m not as big of a fan of the 2003 Teen Titans run that came after YJ, people who read Young Justice and also that could follow and be attached to those same characters over a pretty decently long period of time.

Idk man, I don’t really have an ultimate point here i’m just rambling. I can definitely understand not seeing the appeal to him right away (honestly i’ve been into Batfam since like 2013/2014 and Tim did not become one of my faves until 2020) especially if like... idk when you say ‘into the batfamily’ that can mean a lot of different things. If you’re reading more like the bigger events with the batfam sure Tim can kinda fade into the bg a bit, if you’re more talking about fanon the fanon version of him is prettyyyyy uhhhhh not really the same as how he was in pre New 52 canon, if you’re mainly reading New 52 era Batfam stuff then that Tim I also don’t understand the appeal of bc thats Not My Boy, if you’re interested in a different member primarily and only familiar with Tim when he shows up in things focused on that other character then it’s easy to not really understand the appeal right away bc he’s more there to support that character rather than shine in his own right.

I think it’s also worth mentioning he’s just not everybody’s cup of tea, and that’s totally fine. Like, these are fictional characters and sometimes you just will vibe with a character and sometimes you won’t! idk if this helped at all or even made sense. but yeah. I just think he’s neat 😌

#Anonymous

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wickedpact · 3 years

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A ranking of all the TTT stories in order of how much I liked them.

(Oh god this is so long)

1 My Mother's Axe

BABY ANDYYYYYYYYYYYY. Honestly this one had the trifecta of developing a character's motivations, developing a character's backstory, & developing their personality. The story starting out with Andy teaching Nile to use the axe was so charming and fun, and you could feel that chemistry they had in Opening Fire, the way they teased and bickered with each other so naturally. I loved the wedge between them on the subject of the axe, how Nile was perhaps a little too young to understand Andy's feelings about whether or not its the 'same' axe. I also love how the axe is obviously the symbol of the franchise and hugely important, but you never get a sense of exactly how important it is to Andy until you read the story.

I love the entire Ship of Theseus theme, and how it feels so natural that for Andy she has to get attached to the idea of things rather than the things themselves because she'll always outlive the things themselves-- the axe is symbolically her mom's axe, even if physically it isn't. And I love how she clearly clings to that concept so tightly. "This is the labrys she held in her hands...." IT GETS ME.

And the fact that this sense of BELONGING, of FAMILY, of CULTURE is so important to Andy that she clings to it (figuratively and literally) with both hands. And of course it's important to her, she spent so long alone that the woman doesn't even remember her birth name. That axe (or the idea of that axe) is all she has left of her mother and that family/culture she was born into.

PLUS on that note I love how Andy doesn't remember if her mom was her actual biological mother, but it doesn't matter to her. This woman was her mother in all the ways that counted. And how her mom BETRAYED AND KILLED Andy but Andy loved her so much that she avenged her and carried her axe for thousands of years. THOUSANDS OF YEARS!!!!!!

I also loved how the story transcends the timeline of the whole franchise and seeing Andy through the years. Loved seeing her with the varying squads and with varying axes. Also baby Andy was so cute. It was cool seeing her so young. like holy fuck. Andromache The Scythian, Immortal Warrior (but smol). Love that.

Also I think this one is one of the few ttt stories that doesn't suffer from length problems.

tldr: goddammit greg you've done it again.

2 Zanzibar and Other Harbors

Zanzibar my beloved. I've said before, but it's downright comedic how little regard there was for Joe and Nicky's character designs in this story. The same person who does the colors for the regular comic did the colors for this one too, and you can tell, every panel of this story was Beautiful.

Ik there was A Lot of criticism of this one (lmao @ how the fandom had no idea what was to come) but I thought a lot of The Discourse was a bit dramatic. I did think Nicky came off as a little oblivious to Joe's feelings in this story, but I've said before, I honestly think that was a 'tone not translating' thing. It felt like Nicky was nagging Joe for [checks notes] saving innocent people, but Joe was so amused by Nicky's complaints I really do think it was supposed to come off as teasing.

Plus I know the 'Joe running off into danger and Nicky reluctantly following' dynamic wasn't popular (I'm a pretty meh on it meself) but I did love how Joe's impulsiveness (if you want to call it that) was interpreted as heroism and not hot-hotheadedness. All of the examples Nicky and Joe talked about included Joe explicitly saving people. (and it also took A Lot for the nazi to actually provoke Joe).

I also feel like their characterization here was closest to the movie canon-- the bit where they hear the woman scream and Joe goes running in to save her while Nicky swoops in on Joe's heels to comfort her while Joe and the nazi were fighting reminds me of the train car scene. Joe had suggested First that they go find Nile because she needed to be protected, and Nicky later added that Nile probably also needed emotional support. Similar reactions.

But it was So Good, the themes of queer community and the enduring nature of queer culture are Not themes you see in media that often and it was such a delight how it was done. Also it's one of the few more modern TTT stories that has a completely valid excuse for taking place when it did. Chef's kiss.

3 Passchendaele

I love the Duality between seeing baby Andy and then seeing Mama Andy in the very next issue. This story doesn't have a ton of meat to it, but the entire concept of Andy adopting a war orphan straight off the battlefield PLUCKS MY TENDER LITTLE HEARTSTRINGS, and I think it's especially poignant for comic!Andy. I think most people wouldn't think twice about movie!Andy doing something like that but comic Andy is so hardened and almost cruel sometimes, and seeing that even for her the world hasn't beaten all of the compassion from her yet is SO!!!!!!! this woman contains MULTITUDES okay, she's violent and angry and tired and Done but she's also so kind and compassionate and THE STRENGTH OF HER!!!!! Also the idea of her and Yitzhak co-raising a kid together is so damn cute. It was #mysterious pre-Yitzhak-story but now it's cute. holy fuck. It's cute.

& the headbonk panel of her and Zeus lives in my heart. anyways.

4 Many Happy Returns

I Know people weren't thrilled about Booker being in this one, but I've developed a pet-peeve about that: this story was *not* booker-centric. Booker only exists in this story to the extent required to explain the importance of the gesture Nile makes towards him. If there was a story about Booker making some grand gesture of kindness to Nile no one would be saying it was Nile-centric. bc it wouldn't be! Booker exists in this story to explore Nile's kindness, its not about him. I saw that a couple times and it bothered me. anyways.

AAAAAAAAAA I loved this one, the art was beautiful, I loved how Andy Nile and Booker were drawn (like their comic selves but.. more looking like actual people). I loved Andy and Nile's Bants, how Andy wanted to jump right in and Do Violence but Nile was basically telling her to hold her horses.

I feel like I'm just repeating the post I made on this story a few days ago, but I LOVED how Nile's plan revolves not around violence or Cool Mercenary Skills but on Nile's own life skills (as she canonly did a lot of minimum wage job-hopping before the marines in comics canon). Her plan used her skills, not the skills of an immortal warrior, and HER SKILLS were in fact more useful for the situation! lov to see Nile's resourcefulness and planning skills.

AND HOW NILE WAS PROBABLY WATCHING BOOKER??? it's so Much bc 1.) nile knew booker A SINGLE DAY and yet he made such an impression on her emotionally that she had to keep an eye on him and 2.) she said in the movie she wanted Booker to get off free with an apology. Yes she's a member of the team but that doesn't mean she's necessarily going to follow orders like a good little soldier. I also love how she convinced Andy to go along with it. her HEART, her KINDNESS, her THOUGHTFULNESS, UGH.

5 The Bear

Honestly I have like no negative things to say about this one other than a.) character design issues which is less about the story itself and is more of a 'tog comic in general' criticism and b.) too short, but it was supposed to be a tease, so.

But I loved Yitzhak, I wasn't expecting to really like him at all but like I said in my other post, he tickled me. I love characters who are Kind™, especially if they have little reason to be so given their backgrounds. Chef's kiss. Lov him.

6 Bonsai Shokunin

I know this one was a little controversial bc of the outsider POV but whenever I see people upset about that they never point out that the Outsider Guy (the samurai) existed as a reflection on Noriko. His ideas are explained in the text to develop hers. The whole story follows how she gave mercy to a scared young man and in response he murdered Noriko, repeatedly! Who gave him the right to inflict such pain and suffering on the world? In his opinion, the lack of response from the gods was his permission. And for Noriko-- over and over again she dies and suffers because she gave mercy, which lines up with her ideas in FM about how it's their fate to rule mortals and if they don't align with that plan/fate/whatever then they suffer. It shows some background to those ideas and how they developed in her mind outside of Ocean Madness™. Additionally, his idea of 'the Gods have done nothing to strike me down so it's fine if I do these things' kind of explains how Noriko may justify her own morally corrupt actions-- she's died so many times and it's never stuck. Maybe if she did die any of those times, or while she was in the water, maybe that would've been a sign she was doing something right, or at least doing something normal. But she hasn't died. Fate isn't done with Noriko yet. And maybe there's a reason for that. In her mind, it's just not a very pleasant reason, is all.

There were things I was kind of meh about tho. I did kind of wish we saw something of Noriko and the team, or smth explaining the way she was before her dip in the pool-- personality, likes dislikes, etc. but it wasn't bad or anything. It was super vague tho, I had to read it a few times before I got what it was going for. Liked the art. Liked the bonsai metaphor. And of course I Respect the decision to use the 1300s (1200s? I don't remember off the top of my head) rather than using the last 200 years.

7 Strong Medicine

Honestly looking back, this one made me kind of sad because both this one and Bonsai Shokunin explored character's ideas on Fate and The Divine and how that intersects with immortality and I totally thought that theme would be continued, especially with Love Letters. But Then It Wasn't™.

Admittedly.... I had to re-read this one to remember most of it. I liked Booker's ideas on God, 'The conductor of the symphony just may not be very good at his trade' but the plot itself was kind of forgettable. Some fuckin cowboys try to kill a doctor (their second) because he couldn't save their sickly brother. Book tries to stop them, gets killed, and then comes back and kills them all before they get the doctor. Alright. I liked the artstyle because the characters were ugly in a similar way that leandro's are, but way more bearable.

I love the Irony of Booker concluding that there is no such thing as fate or destiny and nothing has meaning, AS HE UNKNOWINGLY SAVES MERRICK'S GRANDFATHER FROM BEING KILLED. Booker getting fucked over by life/god/destiny yet again. It also kind of explains about where the fuck hell Merrick's interest in immortal mercenaries even came from.

I originally had this one a lot higher and then I thought about it and moved it down like two spots.

8 Never Gets Old

I liked seeing Booker interact with his kid. And we got a name for the kid! Philippe was a little bitch though, he was a little obnoxious. I liked how Booker was so thrilled to experience a restaurant with his kid (and since we know he was there before, it can be assumed he went with all of his kids and yet he was so charmed each time). It fits with his line to Nicky in the moon landing story about how you don't appreciate beautiful things 'unless you have someone to share them with'. It was charming to see Booker interact with his kid, and to see him so happy. Also lmao @ Booker's big fat Ye Olde Crush on Andy.

However at the same time it was like.. of all the things to write about,,, I guess? Booker's Night Out...... alright. Especially since Book had so many stories.

I don't know, it was alright. The old man killing him really came out of nowhere, (but the 'Salut, asshole!' panel was funny tho).

9 How To Make a Ghost Town

I've hit a point where talking about these stories has gotten less fun. I liked this one but I felt like Achilles getting lynched was not really necessary for a story that was already tragic (a story that already involved Achilles doing a lot of suffering at the hand of bigots). When we first got the blurb for this story I thought it would be about Andy returning to the squad and making friends with Booker after losing Achilles and them butting heads on the idea of family and when to cut off ties. So a little bit of my underwhelmedness about this one might be just my expectations being different.

Honestly I was pretty interested in Andy and Achilles' relationship and I would've liked to see more of them-- like, what was their dynamic like? What did they love about each other?

But anyways Andy leaving and Achilles getting killed anyways feels so pointlessly tragic (which I suppose is the point..... I don't like tragedies) she left to save him and yet people killed him anyway. Meh.

I did love the bits about Andy wanting to have a domestic life (Andy and her multitudes again) and the little detail about how she buried her axe near the road but he buried his guns under his bed-- he was an escaped slave, he never had the luxury of assuredness like Andy did. It was a sad story.

10 Lacus Solitudinis

'You put this one above love letters crim??? how could you???' easy, lmao.

There was stuff in this one I liked. But to talk about stuff I didn't like: (I'll keep it brief, I know ragging on this story has been done time and time again)

UH, setting aside the 6 year cold shoulder between Joe and Nicky, I thought their chosen method of conflict resolution was... bad at best. Nicky's inability to talk about his feelings was also annoying, especially since the entire point of this story is a fight Joe and Nicky had, and yet we don't get both sides to the story, which is...... important? That fact is especially annoying bc in the absence of Nicky explaining his side of the story, it's absolutely a possible (and admittedly probably unintentional) interpretation of the text that we do get that Joe routinely resolves conflict between him and Nicky by simply cutting Nicky out of his life entirely until Nicky just. caves? Even if it takes years?

WHICH i could get into that interpretation and how fucked up i find it. but im not going to. out of restraint.

I don't know, I think there are a lot of interesting ways to go about this conflict but 'Nicky wants to kill a guy and Joe refuses to acknowledge his existence until he stops because he thinks Nicky is too much of a Good Boy to get his hands dirty like that' ('I wont watch as the world turns his (...) compassion into something ugly'. ) wasn't.. how I would've done it. (I mean you know Joe doesn't give a shit about what Nicky is doing in a moral way, because Joe doesn't even care or mention that Booker is killing those cops too. Joe only cares because he doesn't like the idea of Nicky changing in a way he finds undesirable.)

admittedly I've said before, I do like the emphasis Joe's reaction puts on Nicky's kindness. Joe has a complete inability to cope with Nicky simply Not Being Kind. It speaks to the steadiness of Nicky's compassion all those years. but still that fact doesn't make it the conflict feel worth it

hm. I said I would be brief and I wasn't.

oh well. basically I thought there was interesting conflict potential there but it wasn't done the way I would've liked, and the way it was done leaves a lot of disturbing (and again probably unintended) interpretations to lie.

What I did like? Andy and Joe having that pessimist/optimist dynamic. Joe nerding out about science. Andy not being impressed by The Achievements Of Man. I loved Booker needling at Nicky about his outdated slang and also trying to give him Older Brother advice practically in the same breath. I loved Booker giving The Worst relationship advice ever and Nicky being like 'I Will Not Do That, Ever, Thanks.' the family vibes were so good. The Joenicky vibes left a lot to be desired tho.

11 Love Letters

I talked about my problems with Nicky in this story (and Lacus Solitudinis). I don't know, the story isn't bad but I do hold a little bit of a grudge towards it because its very existence begs the existence of a solo Joe story and we didn't get one. If we never got this story, then we could happily count Lacus Solitudinis and Zanzibar as The Joenicky Stories™ and move on with our lives. sigh.

I remember when we first got the blurb for this story I was really curious about why Nicky specifically + the setting, and the answer kind of feels like 'the author had an idea for a story like this and saw ttt as a good enough place to utilize that idea'. Plus I was really underwhelmed by the Romantic Sentiment in the letter. If you look at it line-by-line, the majority of the letter is actually Nicky talking about how lonely and disturbed he is, rather than actual,, yknow,,, Romantic Sentiment. I mean, compare the van speech and this letter and this letter is just kind of meh in comparison. I liked nicky calling joe wise! and I liked the brief sun/moon metaphor! and otherwise it was eh. It didn't even have cute squad banter, which is why Lacus Solitudinis is above this one.

12 An Old Soul

Nun orgy. Nun orgy?????? Nun orgy.......

The whole story felt like a setup to have a nun orgy. Why did Booker have abs? Why did they do that to Andy's nose? ?????? the art was good at least.

nun orgy.

#tales through time spoilers #obviously #long post #seriously dont open that read more unless youre committed to scrolling past all these Words

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anne-with-an-evangelion · 4 years

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When it comes to talking about DBH characters who get character growth/a redemption arc, Hank is the obvious person to bring up, and there’s the obvious fandom fixation on Gavin, but what about Adam Chapman? He has an arc in the game that sort of disappears in the fray when compared to other characters but he has the literal journey that everyone wants Gavin to have. But even in comparison to others I feel like Adam completely stands on his own as a good character with so much potential as far as his past, future and motivations.

When Kara, Luther and Alice first show up at Rose’s house, Adam is outside chopping wood and literally turns them away, saying his mom isn’t just too busy to talk to them - she doesn’t WANT to. Of course this isn’t the case and Rose invites everyone inside. And Adam is PISSED.

Also he’s wearing a shirt that says Average Casual Guy which is so funny

Adam is young, probably around twenty, he doesn’t seem to be away at college or anything, rather Rose says they just farm their own food to sell at the market and that’s how they scrape by. Sounds stressful, especially with a bunch of Androids living in their house. It’s obvious Adam doesn’t want them around and definitely doesn’t want any new deviants showing up, after the call for revolution that occurred with Markus’s Stratford Tower speech.

As the scene goes on, you get more information about the Chapman’s and the things they’ve been through. Rose is obviously an incredibly strong and compassionate person to be helping the Androids to this extent, but there’s no denying it’s putting her and Adam in danger. When Kara walks in on their right in the kitchen, Adam is telling Rose they need to stop getting involved, that it’s not safe, and he’s not going to back down about this issue anymore.

His outburst over this is pretty understandable, in the context of the game - even when Kara first shows up asking for Rose, Adam’s first question is, “What do you want with her?” Which I feel like isn’t just about whether Kara is an Android or not, but whether she’s someone there to bust them for having Androids in the house. And of course he’s right, because the cops come by like five minutes later to search the house. They are putting themselves in danger, and even though they’re doing the right thing, it must still be a strain on their family... and it’s clear they’ve fought about this many, many times.

So, yeah, his rejection of his mother’s desire to help the Androids comes from a place of fear for their safety, which is understandable to an extent. But he isn’t just afraid of deviants and doesn’t want to help them - he really seems to hate them, which shouldn’t be an understandable view to hold within the context of the game and the allegory of the Civil Rights Movement, and then the language he uses is like, yikes...

It’s not, I understand they’re in trouble but I’m upset you’re putting us in danger, it’s something else - and of course Adam is really mad, and maybe saying something he doesn’t necessarily mean, but this does seem to reflect his view of the Androids as a whole. At this time, Adam honestly doesn’t see them as being people, which probably makes it even harder for him to understand why Rose goes so far out of her way to help them.

I mean, she sets up trips across the river which have been obviously successful, she drives them to Jericho, she has some kind of contact with or understanding of the revolution leaders because she’s able to direct Kara on where to go, and though not much is explained, her brother (and Adam’s uncle) is obviously totally cool with Androids because he’s willing to help them too. She’s clearly been doing this for a while, or at least is proactive enough to take action and do whatever she has to. She’s even willing to take care of Alice once they get across the border. Literally the hero of DBH but I digress. Adam doesn’t think Androids are worthy of the rights they’re asking for, especially when compared to humans.

What follows this is one of the most intriguing lines in the scene (to me)

What does this mean?? We know his father passed away, and Rose says that ever since then, Adam just boils over sometimes. Maybe it happened suddenly, an accident possibly - or did he get sick? Were Androids involved somehow, like what happened with Cole? What was Rose’s husband’s opinion on Androids? Things have changed since he passed, for sure, but still. Did he hold that same “Androids aren’t alive” opinion that Adam is now expressing? Or is it just that Adam thinks if his dad were still here, he’d be able to solve this issue somehow? Maybe his dad was a politician who ran on pro-Android laws and after he died Adam has become disillusioned with his parents’ worldview ??? Maybe his father died helping Androids too and that’s why Adam rejects them so much. Or maybe his dad hated Androids so much he would have never allowed Rose to help them, and so they wouldn’t have gotten involved in the first place, in Adam’s mind. (Edited to say that apparently it’s canon that Adam’s father died of cancer though I can’t recall it specifically being said in the game, so that is definitely a sad addition to things☹️)

I’m literally just making shit up lol but I really do personally hesitate to give Adam some kind of super traumatic backstory or make him bigoted against Androids because the Black characters are already treated poorly enough in the game when it comes to those things. I’m inclined to think this is just a general outburst of missing his dad and wanting him to be there to ‘fix’ things or at least, maybe, mediate the conversation between Adam and Rose. Idk, it’s cool to speculate on, especially when other characters are given super deep dives into their literally nonexistent canon backstory, it definitely feels like there’s so much that’s unsaid here.

Obviously there’s a couple of different ways the gameplay can go after this - but one other thing I wanted to bring up was what happens if you end up with Kara at the border crossing and run into Rose and Adam there. After talking to Rose in the bathroom and making a plan to all go to her brother’s house, Kara talks to Adam outside-

He says he doesn’t agree with Markus’s methods (which is like.. ok.. a whole other conversation in itself)(EDIT: so apparently the answer is different if you choose the ‘pacifist’ route for Markus- Adam says that ‘seeing what Markus is doing made me realize you’re alive’ !!! Which is cool that it changes and def reflects something different about his character than if his response is always the same!) So anyway he now believes in Androids’ right to freedom and happiness. What made this come about?? Was it after interacting with Alice and Kara and Luther?? I have a theory that Rose knew Alice was an Android as soon as they showed up but just played along - maybe when Adam realized there were Android children mixed up in this too, he began to change his view on things, maybe see himself in them, or see things through his father’s eyes, wanting to protect his family and child. Maybe that’s the lens through which Adam begins to see it. It could be the peaceful pacifist revolution Markus is leading, if he is- but even if not, Adam still changes his mind.

Or, maybe after everything that’s happened, he just realizes he was being kind of an asshole about the whole thing and when it came down to it, a government that was literally going door to door searching for Androids and the people who might help them? That’s probably not the type of place Adam wants to live in. It’s definitely interesting to think about his motivations and what brought him to this point.

And even though it’s sad for Kara and Luther, I find the ending where Alice ends up with the Chapman’s really.. bittersweet-ly satisfying in a narrative way. Found family .... though of course it sounds like they were all planning on meeting at Rose’s brother’s house so they would have all been together anyway☹️

🥲I feel like I had so much more to say but yeah!! I think he’s such a cool interesting character and I love that he ends up on the side of the Androids in the end. And what happens after they escape safely??? Does he start helping deviants too like Rose does? Are they going to settle down and form a commune of sorts with the other Androids who escaped? I love the idea of that loss in Adam’s life being filled up with the addition of new people who care about him, and a little sister in Alice, since he seems to be an only child. The possibilities of it all...

Adam has a sad sort of story to his past, he dislikes Androids and then comes around, he has so much potential for what happens after the revolution - and he’s not the only one!!! There are so many characters in the game that deserve a closer look but I just love Adam..

#dbh #adam chapman #he’s just really compelling guys #like. he actually has an Android friendly redemption arc. in canon !!!#Gavin whomst????

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warm-like-autumn · 3 years

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Little Witch academia theories

Since now there's the possibility of an upcoming Lwa season I thought it was the perfect time to share this theory I've had for a long time, along with what I think the upcoming season could be about, possible episode ideas and… maybe future villains. And as I’m rewatching this show , I developed this theory that I had for a long time and even came up with ideas for the new season and what it could be about.Let's speculate!!

My main theory is about Croix Meridies and how she could possibly be related to the Hanbridge family.

This might be me over analysing things, but after seeing someone on Tumblr point out to how similar Andrew and Croix's eyes are, I believe they are connected in some way, but the creators didn't have time to develop on that. Especially in how in ep 24, there was put a strong emphasis on both of their eyes. In a scene that was supposed to parallel their reactions.Especially in a show like Lwa, where all the important characters have unique eye shapes that match their personality, having two important characters have the same eye shape and the same eye color raises some questions.

And this is not the only evidence I have to Croix being related to the Hanbridge family. In episode 19, Andrew even states that him and Diana are sort of related. And now on to the Paul Hanbridge part, it would be weird for a man who claims to dislike magic so much to be related to witches. So, what if his wife was a witch, because I think there's a reason we never saw Andrew's mother, and even though we don't see all of the characters parents and flashback moments in this show, Andrew's backstory seems to be pretty important and his father is always present throughout the story.

And for a father that is so strict it raises some questions that his mother is absent. So what if his mother is… dead, and what if her death had to do something with witchcraft, possibly being a reason why Paul hates witchcraft and forced his son to have the same opinions , thinking magic is a dead practice, and his hatred seems too personal to be political in the first place.

Another interesting factor is how Paul's hatred for witches seems to be different from Blackwell's hatred for witches. Whereas Paul's reasons are more justified since he hates the art, not the artist and thinks magic and witches are outdated and have no place in the modern age, Blackwell holds this opinion out of pure bigotry.

And as much as he hates witches, Paul still tries to keep a good relation with them, even if trying to "keep his enemies in debt"

as he says in ep 6 and he seems to have had a good relation with witches and Luna Nova for a long time. So something must have happened along the way for him to hate witches and that something may involve… his wife. What if witches or witchcraft were involved in his wife's death.

And this gets us to the important part of the theory, Croix and how she could possibly be Paul's daughter. What if Andrew isn't the only child Paul has, and this theory is plausible since Croix is around 28 years old,(she graduated in 2007, the anime takes place somewhere around 2017)

and Paul seems to be around his middle or late 50s, basically old enough to be her father. Another piece of evidence I have to that is how there not anything known about Croix's past before she joined Luna Nova, and despite her achievements and the fact that she was described as a "magic prodigy" she was also described as timid and reserved during high-school days, and back then she wasn't as confident and over the top villainous as she is today, her stance being much more distant and reserved, compared to Chariot, who was much more extroverted, even a bit of a show of, always surrounded by people.

She seemed as if she was hiding from something… or someone. What if Croix ran away from home in order to pursue witchcraft, since Paul could have been just as strict about witchcraft to her as he is to Andrew.

And it would make Andrew and Paul's connection to the Chariot and Croix storyline deeper and better, since even the magic shop owner was more relevant to the plot than those two at this point, and they acted as spectators in the second half of the story. Another interesting factor is how Paul constantly says that magic is dead ,obsolete and not necessarily in modern times, while Croix's main motivation is to prove that this exact thing is wrong and that magic is still useful by fusing it with science. And think about it for a second, the damage Croix's monsters did, how Croix fueling the protests for her experiments almost sparked into ww3, all of these things affect the government, which Paul is a part of. Her villain plan might have also been a revenge plan at her father, for being an awful parental figure.

On top of that, neither Andrew or Paul ever directly interacted with Croix or even saw her, and all of the important characters saw Croix and interacted with her, except those two. And at the end of episode 25, right after Croix was arrested and left the scene, Andrew appeared, almost as if the creators didn't want the two characters to interact just yet.

And knowing that Andrew and Diana are cousins, this would also make Croix be part of the Cavendish family, Meridies being possibly a fake name she took to distance herself from both of the well known powerful families. Andrew and Diana often parallel each other in the show, and Croix and her relationship to Chariot is also supposed to be a foil to Akko and her relationship with Diana. Therefore Andrew and Croix were supposed to be a foil to each other, Croix kind of showing Andrew what can happen if he quietly held a grudge against his father and not standing up to him at the right time for two long until he eventually could snap and do the same thing as Croix. Her story of being misunderstood,missguided, filled with jealousy could serve as a cautionary tail.

And Croix being Paul’s daughter would also make sense given her overambitious personality and her constant need of validation from others , including Profesor Woodward and desire to be on top.All of these factors could have easily shaped her into the sort of person that despite having good intentions doesn't have the best ways of achieving them , often putting others in danger to do so.Her being Paul’s daughter would also make sense of why she is jealous of Chariot , since Chariot not only has the shiny rod , but also support from others and appreciation .

A reason my theory could work is how Andrew was originally supposed to be Akko’s love interest , but the creator of the show , Yoh Yoshinari scrapped that sconcept at the request of staff and voice actor , he ended up making Akko a “girl who’s not interested in boys” , so Andrew needed a new purpose in the story , and maybe him discovering Croix is his sister and potentially also becoming a wizard could be those purposes , since they already been kinda set up.

But this theory also raises some questions .How did Andrew’s mother die?Is Andrew a wizard?Did he know he had an older sister? These could be interesting themes to explore in the potential upcoming season .Other things that would be cool to see in this potential season what happened after the missile, Croix redemption arc, my theory becoming cannon and Croix and Chariot having to deal with the mistakes they made, how Akko feels about all of these, and more stuff with the nine new witches, are they considered like superheroes, are they famous now??

Now , onto what the upcoming season could potentially be about :

- As I stated in my theory , Croix and Andrew having to deal with the fact that they are siblings

-Croix redemption arc , maybe more development with her relationship with Ursula/Chariot

-Maybe another episode focused on nightfall , maybe Akko using a spell to make the Nightfall characters real for Lotte’s birthday.

-More flashbacks about Chariot and Croix’s years as Luna Nova students

-Lore behind the golden age of magic and the nine new witches

-New villains

-Return of the shiny rod , but in a unique way

-Maybe the stories could deal with Arthurian Mythos via Appleton Academy

-Male Wizards , maybe more episodes with Andrew and Frank

-More action scenes and serious moments

-The preparation for the spring festival mentioned at the end of episode 25

-More references to other pieces of media (maybe more kingsman , marvel and star wars references as well…)

I should go in depth with some of these aspects :

1.For example , even after episode 25 showed everyone cheering for the 7 witches,they were happy and cheering because otherwise the missile would have killed everyone.They now are happy that they are saved by the witches , and possibly entering a new age of magic , but what if somehow , it is discover that it was because of Croix’s magic that the missile attack almost happened in the first place.How would they react knowing a single witch was capable of such a feast.Especially how would the politicians react.Because at the end of episode 25,Paul was willing to learn more about Andrew’s opinions about witchcraft and even be open to it .But maybe after he finds out the truth about the missile attack,his hatred for witchcraft is even more reinforced , maybe ruining all the progress Andrew has been trying to make in teaching his father about magic ,for him to hate it even more now.Maybe it would even push him to become a villain in the show.

2.Another idea for a villain in the upcoming season I theorize about is Daryl , Diana’s aunt , even though she was kinda redeemed by the end of the season , she is a strange figure , possibly using dark magic , maybe after Diana became head of the Cavendish family , Daryl does not agree with some of Diana’s ways of improving the Cavendish family title and returns to villany , maybe serving as a possible introduction to dark magic (Like she literally can go through walls and has a snake as a pet AND HER EYES GLOW RED)

3.After rewatching episode 17 (Amanda O’Neill and the holy grail) I came up with this silly idea for a plotline , what if that episode wasn't just about an epic fight scene and showing us Croix’s first experiment test , but set up something even more interesting.Even if the title of the episode is a reference to “Monty Python and the Holy Grail” , in the Arturian legend of the holy grail it is Galahad the knight who is chosen to find the Holy Grail. Galahad, in both the Lancelot-Grail cycle and in Malory's retelling, is exalted above all the other knights: he is the one worthy enough to have the Holy Grail revealed to him and to be taken into Heaven , so Galahad is the one to have found the holy grail.And for a first test , Croix’s monster worked quite well , and we also know in Lwa , spirits and ghosts exist and they tend to attach themselves to objects.And if Croix’s pixels were in the grail before Louis broke it , why didn't they start working yet.My theory is that Galahad’s ghost was attached to the Holy Grail and the cubes only powered the ghost up , making it able to separate form the grail ,but decided to stay still until Louis broke the grail , pissing the ghost of Galahad off and thus punishing Louis by possessing a nearby knight armor along with Blackwell himself, combining both into a violent berserker.After Amanda destroyed the armor she could’ve weakened the ghost of Galahad , thus everything instantly went back to normal , but what if the ghost started regaining strength , adjusting to life not being attached to the grail , but planning to stroke again , to punish Louis and the other students of Appleton for ruining the reputation of the school with their hatred for witches .Appleton academy could possibly have lore connected to Arthurian legend to it , with how much they hold the importance of tradition , duels , and gentleman like behaviour , almost knight-like.Maybe the next season could have a plotline that involves stopping the Ghost of Galahad.

4.Last but not least , even after the shiny rod vanished in episode 25 , i think there is a way for it to return without ruining the impact it had in the show. There are seven words of arcturus , and seven of the Luna Nova students are part of the nine new witches , right ?So since the rod became a constellation at the end of the show , seven of those stars could be the seven words , so what if each of the seven words materializes as weapon of their own on earth and each of the seven witches(Akko ,Diana, Lotte,Sucy, Amanda , Constanze , Jasminka) get one of the seven words that became weapons .Because even if the rod disappeared , it came to Akko’s help in a different way , since even if the quest to bringing a new age of magic is far from complete.

#little witch academia #andrew hanbridge #Akko Kagari #Diana Cavendish #Croix Meredis #Chariot du Nord #Ursula Calistis #Little witch academia theory #Anime Theory #Anime headcanons #Lwa #Lwa theory

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alethiometry · 3 years

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Edward Kenway for character asks!

ooooooo okay i should open this with a disclaimer: i have not finished black flag yet (about 2/3 of the way through i think? i need to level up my ship so i can beat the next story mission lol) so everything i'm saying here is based on the game up to thatch's death, and everything we know about edward in ac 3: forsaken and the comics that came out a couple years ago.

First impression

oh boy... to be honest, one of the reasons it took me such a long time to get around to playing black flag (it was one of the first ps4 games i bought when i got my console in 2016, and i didn't start until about a month ago) was because i didn't really feel particularly strongly about edward's character design. i was vaguely interested in That One Pirate Assassin Game after having watched (and loved) black sails, but was afraid i would be let down; to me edward just looked like Some Dude, and i was still hung up on the black sails gang. to me, black sails and its characters were so genre/time period-defining that any other piece of pirate media just seemed lackluster in comparison.

i'd also heard a lot of praise for edward and for ac4 in general so i was aware that it was a very popular and well-received game. but since i mostly heard that from reddit (didn't join tumblr ac fandom until odyssey in 2018) i kind of discounted it, bc gamer reddit tastes are... questionable at best.

Impression now

I LOVE HIM!!! i always think i want stories about virtuous characters who believe in goodness and kindness and aren't motivated by gold or glory but aren't afraid to do what needs to be done to help others who can't help themselves. and sometimes that's true (coughratonhnhake:toncough). other times i end up clowning on myself because i realize that it's so much fun when said good/kind character has a rough and rugged exterior, and is motivated by personal gain (i think edward and kassandra are kinda kindred spirits across time and space in that regard, but maybe that's another rant for another time). sometimes you just want someone to be a little bit of an opportunistic bastard, and boy does edward fit that to a T. he's an incredibly complex man, and i think what really got me was that even as he was impersonating assassins and then templars and then assassins again, all for personal gain (pickpocketing the templars in havana while he gains their trust and agrees to do their dirty work lmfao my beloved <3), his primary motivation for doing so was to prove to caroline and her family that he is someone worth a damn, that he is capable of great things and that he is worthy of their love and acceptance. and i know from ac forsaken that the marriage with caroline doesn't last (though i haven't played ac4 far enough to see if that happens on screen, or if it occurs between the game and the novel) which makes his backstory in the game all the more heartbreaking. but his optimism and perseverance and determination to prove himself are all what make me love him.

so that's edward the romantic. now let's talk about the way edward is with adewale, his crew, and his friends. and let's also put the rest of this behind a readmore bc girl i am RANTINGGGGGG

he has several lines that he says to adewale that make me physically cringe (namely: "many of [these men] wouldn't accept you as captain" or "what was it like being enslaved?" like i get that someone like edward would be asking that question in good faith and genuine curiosity but also JESUS CHRIST UBISOFT). but on the flip side - cringey as those questions are, he also takes the time to actually listen and learn, and i think he genuinely values the perspective that he gets from adewale allowing him to open these lines of trust and communication. there's a patience and mutual respect there that i adore.

i also love how much edward loves his crew and his other pirate friends. those scenes of him + kidd + thatch + adewale + hornigold (lol) drinking on the beach and having a grand old time and talking about establishing - to borrow one of my favorite chills-down-my-spine phrases from black sails - a nation of thieves, for people like them to live and prosper, free from the chokehold of civilization. and i know he's not as outwardly invested in counterculture/independence/anticolonialism as thatch and vane and kidd are, but the fact that he so wholeheartedly supports his friends' goals, lofty and impossible as they are, speaks volumes about his love for his friends.

Favorite moment

every scene he has with kidd when kidd casually and softly reminds him that they see that he is a good person beneath his opportunistic and rambunctious exterior. i especially love when they discover julien du casse's mansion containing orders for templars to go out and hunt down assassins: the way kidd immediately knows that edward wants to help the assassins as a way to make up for the damage he did while masquerading as a templar, even if he hasn't voiced it aloud himself. the way that they don't force edward to admit anything about himself before he is ready, but still constantly remind him that he has a good heart. they give him space to come to terms with his compassionate side in a world/environment that more often than sees compassion as something to be stamped out or cast aside. i don’t love when characters are forced to be the Moral Compass for a main dude character, but i think it works for edward and kidd.

Idea for a story

not an edward story per se, but there are 2 povs into edward's life that i would cut off (someone else's) limbs for:

jenny's pov growing up in the kenway household. from haytham's pov it seems that she knows way more about his past than haytham ever did (it was hinted at that there are rumors about edward’s past as haytham was growing up that he wasn’t privy to, but i don’t think at any point in the novel does haytham ever find out definitively that his father was a pirate) and i want to know how she knew so much, and more into what her life was like - through her eyes rather than haytham, who is like 10 years younger and by his own admission barely understands her and barely has a functional relationship with her. i'll expand further on edward and jenny in the next question/prompt/bullet point, actually, bc i have a LOT more to say.

connor's pov learning about his grandfather from... idk? who's around to tell him? what's so goddamn sad is that by the time connor rebuilds the colonial brotherhood he's kinda the only one left. sure there's aveline down in louisiana, but as far as we know everyone who was around in edward's generation is dead now, and i'm not sure how much of the kenway saga is preserved for connor to discover, or if all this information about their family line was discovered in the modern-day, by your abstergo employee character, and later by osto berg in the comics. which is why i so badly want a revelations-style game where connor traces his assassin heritage back to the caribbean, relives some of edward's memories, and then makes the trip to london to see his aunt jenny. it would have been such a cool way to round out the kenway saga.

Unpopular opinion

idk how popular or unpopular this is bc i rarely see other in-depth posts about it on my dash, but edward was a terrible father to jenny. he was every bit the wonderful and loving father to haytham for the 10 years that haytham had a father, but i wish we'd seen more of jenny's perspective than just a few lines of dialogue in haytham's diary: i hate the way edward sidelined her and raised her in the same manner that any other wealthy person of the time would have raised their daughter - that is, for the sole purpose of sitting pretty and marrying her off in an arrangement that would benefit the family. it's especially hard to reconcile because in ac4 there are female assassins in the americas, and there are female pirates in the caribbean, so it's not like edward isn't aware that women have as much right as any man to live life on their own terms. it just seems like by the time he returns to england and settles down with his family, he's reverted back to the societal norms and gender roles that the pirates fought (and lost) against, and it's hard not to be deeply disappointed by that.

to be clear, i don't begrudge edward settling down and becoming a Rich Society Man. dude deserves to live comfortably with his loving family. he has every right to dote on his wife and children, and leave behind the hardships of being a pirate. but i think "fightning against deeply-ingrained cultural norms/expectations is a long and bloody struggle, and after losing so many people he cared so deeply about, i think it's understandable that edward wouldn't want to continue that fight alone (and also adewale is still fighting the good fight) (do NOT @ me about ac rogue I Pretend I Do Not See It)" and "i don't love the way edward sidelined his daughter into societally-expected gender roles she did not want; it makes me think that he did not continue drinking his Respect Women Juice as much as i thought he did/wanted him to" are two opinions that can coexist.

Favorite relationship

i don't know that i ship edward romantically with anyone, actually. i thought he and caroline were cute in the beginning, but it's hard to want to ship them knowing that she leaves him eventually. and ofc there'd edward/tessa in ac forsaken, and we know they were very happy together and that he loved her so so much. but we don't see that relationship except through haytham's eyes.

as for non-romantic relationships, i already talked at length above about his relationships with adewale and the other pirates and kidd, and i'll just leave it at that. i'm also vaguely aware that edward's got some upcoming scenes with anne bonny, but i'm not at that point in the game yet so i don't have much to say about the two of them. so far i've only seen them say a few lines to each other at the nassau tavern.

Favorite headcanon

kassandra absolutely rubbed shoulders with edward at some point during his time in the caribbean; i like to think that she needed to lie low for some reason (maybe she was with the assassins idk) and joined his crew. i just need my best stabby gal and my second-favorite stabby dude to be pals!

finally, this isn't a headcanon per se but it is obligatory that any time i talk about kenways i yell for a bit about the fact that EDWARD WOULD HAVE LOVED CONNOR SO SO SO MUCH AND I'M FOREVER DEVASTATED THAT HE NEVER GOT TO MEET HIM. at the same time, if edward hadn't been murdered and haytham not been indoctrinated into the templars the way he had, i'm not sure connor would even have existed. and in a way i'm glad that edward wasn't around to see how broken and cynical and depressed haytham became, because i think that would have absolutely broken his heart.

send me a character!

#KEN👏WAY👏BRAIN👏ROT👏#assassin's creed #ac black flag #edward kenway #ask games #reiverreturns #THANK YOU FOR ASKING i hope you expected and wanted this can of worms #finally wrangled that stupid ask box bug - saved this in my drafts and edited it from there #and lo and behold i can type W E and L!

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lots-of-little-pink-clouds · 3 years

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So I finished my first playthrough of VTM: Out for Blood and I gotta say that I enjoyed Night Road better. It wasn’t bad, I had a lot of fun with it, but I didn’t feel as connected to the characters or the world as I did with Night Road.

A part of it was how short the whole thing was. While it did a great job of building up tension at the beginning, the story kept throwing thing after thing at me so fast that it got to be a bit overwhelming. Then it ended and I was left with just a feeling of “that’s it?” I felt like there was supposed to be more to it. And I know there’s DLC coming, but idk if that’ll fix the issues it already has.

There were a few other things (clunky and repetitive dialogue, some spelling errors, characters who are more caricatures rather than fully developed, etc.) but aside from that, the whole thing was just okay. I’ll definitely be playing it again since I wanna try getting some of the other endings though.

Last minute thoughts below in no particular order (including spoilers!):

I wanna romance Perry. He tried to kill me on three separate occasions, but I still wanna romance him.

I mentioned this before in another post, but I really wish the character portraits were included in the Character Info and Relationships page. I really liked that about Night Road and was a bit sad that they weren't there.

Compared to Lettow and Julian, Chastain as a villain was disappointing. And when I took the opportunity to learn more about her (and I played a character that prioritized learning everything I could about vampires), there wasn't much. I seriously considered just leaving her be, because aside from feeding on the town's residents, she was just living her unlife relatively peacefully until Monroe and her gang showed up to take her down.

About Monroe and her gang, I really wished they had more development. Monroe has decent motivations for wanting to kill Chastain, but I never really interacted with her that much to learn if there was anything more to her than that. The others were more like window-dressing and I wish they had more screentime.

In fact, I wish all of the characters had more development. Everybody just seemed really flat and ironically, kinda lifeless. Like, they all have pretty compelling backstories but they don't do anything with it.

Then there's the stress mechanic that doesn't seem to impact anything. I wanna see a high-stress Salem break down at a critical moment and it causes bad things to happen, I wanna see Marcus' alchohol addiction get worse because of the stress he's under, that sort of thing. It was a pretty cool idea, but it didn't seem to have any payoff. Idk if it was because of how safe I was playing that I didn't see any of that though.

I really enjoyed the atmosphere in the beginning. Everything was appropriately spooky, especially because the MC didn't know what was going on. It created a pretty cool mystery to unravel. Then Makayla came in and just blurted out the answer, which. Is understandable, but I was kinda looking forward to figuring it out myself. Maybe if they kept going like that, with MC discovering clues to Chastain's true nature, then upon learning the truth, gathering allies to take her down, the story would've had a more satisfying conclusion.

In trying to figure out what Gabriel was up to, I had the unfortunate pleasure of eavesdropping on him when he and his mistress, who looks a hell of a lot like Chastain, started doing the do. If I have to suffer this, then so do you.

Probably a glitch, but when Chastain first showed up, I didn't see her character portrait. I also don't remember seeing Monroe's either.

On that note, I hope to eventually see all 17 portraits. But the amount of characters that show up in the Character Info and Relationships page doesn't help me narrow down who gets one and who doesn't.

I heard that an occult-focused MC can see ghosts. I might try this out on my next go-around, since I went with an Intelligence/Science build for my first run.

#choice of games #vampire the masquerade #vtm #vtm out for blood #vtm out for blood spoilers

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edge-lorde · 4 years

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the religion of the galactic horde

“You seem reluctant to help me. But I only wish to use your weapon to bring peace to the darkest corners of the universe. (Glimmer: Peace? If you activate the Heart of Etheria, there will be no one left.) Yes. No war, no pain. Old worlds swept aside, a new beginning for the universe.” --Horde Prime explaining his motivations to Glimmer

the horde in shera was definitely inspired by Christianity and uses a lot of its imagery, the most iconic being the baptism scene. it certainly gives off the vibes of a christian or christian adjacent cult, but what is its actual doctrine? i have some thoughts about that.

first here are what i consider to be the 3 main differences between real christianity and the horde:

Their jesus didn't ascend to heaven. He's still with them.

They don't have a larger creator god. They worship horde prime like he is a living god but they don't believe that he created the universe.

They have no focus on the afterlife

this is going to be long.

before i begin heres the sparknotes version of christianity for anyone not familiar. I am not evangelizing this, just think of it as LORE.

Once upon a time there was a guy named Jesus. He was the son of the one true god, who both created everything in the universe, is everywhere and knows everything, and controls the afterlife. Jesus is god born as a mortal person, sent by god to teach all of humanity the errors of their evil ways so they can repent and go to the good afterlife when they die. There're two afterlives, a good one and a bad one, heaven is the good one and its run by god and his army of angels, which are divine beings that god can send to earth to do things. The bad one is called hell.

Anyway, in his time on earth jesus was the only person ever to never do anything bad ever (called sin). He tried to teach people how to be good but was Too Good for this Cruel World and was killed. 3 days later he came back from the dead, proving his divinity. Some time after that however, he ascended into heaven without dying, telling his followers to spread the word because hes going to be coming back. Christians today are still awaiting his return. In the meantime, christians follow his teachings left behind in holy texts.

The crux of christianity is to get to heaven when you die, and this can only be done by following the teachings of jesus christ, believing in god, and believing that jesus was the son of god. Its a given that everyone will do bad things at some point in their lives so you're supposed to pray to god and ask for forgiveness regularly and if you really mean it then god will forgive you.

thats the basics.

to my first main point from above, if we posit that horde prime is the jesus equivalent of the horde religion, because hes treated as a living god, his goal is to spread his philosophy throughout the universe, then in the horde religions jesus never ascended into heaven. this would be like if jesus in our world rose from the dead and just picked up where he left off, and never died after that and was alive today. that would be pretty good proof of divinity.

to my 2nd point, theres nothing in the show that suggests that horde prime thinks that he created the universe. this means that he did not get his divinity from anywhere but inside himself, hes not claiming that hes the rightful ruler of the known universe for any other reason besides his ideas are the best.

the 3rd point is that the show does show horde prime or the horde caring one bit about the afterlife, save for one line from wrong hordak.

"Brother, I hope you, too, are full of only love for Horde Prime and have no crippling doubt eating at your soul."

meaning that they have the concept of the soul. which is very interesting and ill get to it, but on the whole the hordes focus seems to be on the here and now. this is a huge departure from christianity because chrisitanity is all about getting to the afterlife. that is the reason that christians are supposed to follow christ and recruit as many people as possible to do the same, because if they dont, they or other people will supposedly go to hell when they die. i say supposedly because at funerals, even if the person who died wasnt a believer, in my experience no christian would ever ever ever insinuate that someone went to hell.

but the difference still stands. following real christian ideology is supposed to have benefits for the individual in the afterlife, while in the horde religion salvation seems to only be found by submitting to prime in this life and being either a tool that he can use to further his goal of purifying the universe or by letting him remove you from it.

on top of all that, horde prime has the hive mind, which he uses to control the thoughts of all his followers. this means that theres no room for a bible study, no need of a holy text at all in fact, and no room for interpretation. horde prime delivers orders to your brain directly and can tell if you think anything out of line. real Christianity does have the idea that a sin that you just think about doing is as bad as actually doing it, but in the horde these thoughts can be easily discovered and punished.

the horde religion seems to me to be a strangely secular version of christianity with only the bad parts remaining; the control, the blind faith, the certainty that you are right and everyone else is wrong, the not questioning authority. with none of the good aspects like community, and good deeds. it is a cult in the truest sense of the word, a religion that begins and ends with one person only, that person being horde prime.

so, if you take horde prime out of the equation, what, if anything, would be left?

i find the plight of the horde clones here to be the most interesting. we know that they do have thoughts about their religion, as it was hordaks belief that he could earn his way back into horde primes god graces that kept him going all those years in despondos, and wrong hordak is distraught when he discovers that horde prime lied about krytis.

unlike both the chipped people we see in the show and real religious converts, the clones were born into this cult that values blind obedience only, and have no prior ideology or cultural identity to fall back on when they are taken out of it.

so to answer this question, i must add some conjecture to horde primes backstory and how the clones see themselves in horde primes universe. I already wrote up a brief backstory idea for horde prime/the clones and have it posted on here somewhere. I'm not going to dig it up but you could probably find it in the #horde prime tag on my blog if you dig hard enough.

To summarize it though, I have it as horde prime was once a regular (bad) dude who became a cult leader under the premise of preaching peace --> he becomes disillusioned with people and even his own followers because he doesn't actually like people, he likes manipulating them. --> this and the power of being a cult leader go to his head and he starts to think that he is the only person in existence capable of living a moral life and everyone else needs to be saved from themselves, the world would be a better place if he could just make everyone's decisions for them. --> he somehow gets a hold of the technology needed to set up the hive mind, be it by inventing it himself, stealing it, finding it, or being gifted it.

I'll pause here to address the theory that horde prime was originally an eldritch being that simply possessed a dude who would become the template for the clones. I think there's enough stuff in the show that this is a valid read and might even be canon but i don't really care for it. For me, what makes horde prime a compelling villain is that he's a very human evil, so having him actually be an evil demon thing instead of a really bad but believable dude who got near ultimate power weakens his character. BUT, i’m not going to address it in my comic so i'll leave it open as to whether he's got that going on or not. If he is, the clones don’t know about it and neither they nor the other characters have any way of discovering it. IF he is though, it would happen here. I could see it being a cool idea for him to get the hive mind from the eldritch being that would then possess him and haunt his lineage for time immemorial as a deal with the devil sort of thing, but he has to be a bad person before that.

Anyway he gets the hive mind--> he gets all of his followers to chip themselves --> gets those people to chip everyone else on his home planet --> use his planet wide army to harvest all resources on the planet and build his first space fleet and take to the skies and start his conquest--> realize that if he is to succeed hes going to need to both become immortal and find a steady source of new followers because chipped people die eventually and he doesnt care about people enough to figure out a way to keep a self sufficient population of followers alive, he just wants people around to adore him and do his bidding--> invents his cloning system-->

and heres the big one,

his original body has to die so he can upload his consciousness into a new clone.

and THAT, to the clones, would be the moment that horde prime becomes a god.

his reliance on the hive mind and vast network of followers are what give him his godly abilities, but just as the horde clones could not exist without being cloned from horde prime, so too could horde prime not exist as he does in the show without them.

i see it as both a christlike sacrifice and a cyclical system of debt and sacrifice. horde prime dies for our sins, so that he might continue to purify the universe so that there will be no more death and more clones will be born, while the clone hes possessing has to essentially die by giving himself up entirely to become the new prime so all this can happen too, and to repay primes death. not all clones can become the next prime however, but all must be ready to die for him, hence horde prime having clone infantries despite also having robots he could send instead.

i dont have clear thoughts about what the green goo is, but horde primes words about his brothers lending him their life force go along with this idea. the clones give him theyre life force, so he can give it back to them.

another interesting aspect of this is that prime always portrays himself as a brother to his followers, never a father as christ is portrayed as in christianity. i know this is from hordak and horde prime being actual brothers in the 80s show but ive seen this trope come up a few times in media before, where a man raises a kid but has them call him their brother instead of dad. it seems so deliberate. because a parents job is to take care of you, but a sibling, might take care of you sure, but thats not their job. its like hes deliberately trying to place himself on the same level as his ‘sibling’ so he can demand the same amount of respect you would give to a parent without taking on the responsibility to not... ya know... screw them over in the head? idk it seems very slimy to me. but that says more about prime as a character than how the clones see him.

and we still have the concept of the soul to fit in here somehow, and do they have an afterlife? im going to say no to the afterlife. theres just not enough in the show to go off of and everything that we do know about horde prime points to him only caring about himself in life. HOWEVER, there is nothing more quintessentially christian than the concept of hell and i think that will be of use here.

since the creation of the clones is tied with the creation of their religion, this would put the clones themselves less as allegories of people who need to be saved and more as the horde version of angels. in my telling here, horde prime views all people who do not submit to his will as net negatives to the universe who have to be removed for peace to exist, so by this view the chipped people are the saved, the people that horde prime kills are the sinners, and his military campaign is one long apocalypse slowly working its way through the universe, with the clones carrying out his righteous judgement. but the afterlife isnt involved in this, so even if some chipped people are left alive, eventually they will all die out, and then it will be just horde prime and is clones in a perfect, peaceful starless sky, and thats what heaven is.

getting to heaven is the main goal of real christianity and it is the same in horde religion, but heaven isnt a place in the horde cosmology, its a physical goal that has to be created. not all clones will make it to heaven of course, because most will die before they reach total destruction of the universe but the clones arent supposed to think of themselves as individuals anyway. they have to be willing to die for horde prime and die for the cause or be cast out and thats hell.

i dont see prime as someone who would kill his own followers outright too often even though he could. plus they arent supposed to value their individual lives the same way normal people do anyway it doesnt seem like a real punishment, they need something worse than simple death to fear. so by my view hell for the clones is separation from prime. it can be in life or death. no matter how bad it is in the horde being on the outside of it has to seem worse, and thats where the concept of the soul comes in. when one is a part of the hive mine, their soul is with prime. they are not supposed to have a will or any thoughts beyond love for prime, its essentially the same as not having a soul but they think of it as being at peace. being cast out is to be never at peace and would be told to them as being the worst possible thing that could ever happen to someone because it corrupts the soul.

“a lot of unpleasant things happen in the horde so just imagine how terrible it must be outside of it! you cant because i protect you from that. now get in the goo, this is for your own good” - horde prime probably

this is why outsiders are so resistant to submitting to primes light and also why its ok to kill them, in the hordes view.

so, to start wrapping thigs up, there is no horde without horde prime. the religion starts and ends with him. because he is supposed to be the only person ever to be able to make true moral and just decisions, without him is followers cant take any actions without worrying that they are going against primes will. since they have no holy text they cant extrapolate and try to figure it out either. its up in the air whether or not they are going to find a way to get the horde to make the jump from cult to regular religion.

its late i got to go to bed now

#shera #spop #the horde #the galactic horde #horde prime #horde clones #horde #rambling #Thoughts #this is really long and rambly but i think most of my thoughts got in there #im falling asleep as i type this #might redo this if i can think of a more concise way to say it

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aforrestofstuff · 4 years

Note

What’s your favorite and least favorite thing about three of your favorite characters?

Hey thanks for asking! This is a fun question! I’m assuming this is for OPM characters but if not, you can send this again and specify otherwise. I have a lot of characters I like, not just from OPM!

1. Y’all know who it is (it’s Zombieman)

Favorite thing: His aesthetic! I’m a big fan of the noir/detective feel he’s got going on, and that’s just reinforced by how Murata draws him in covers. Specifically this one:

He feels a lot different compared to the rest of the heroes. You can tell Murata and ONE spent a lot of time figuring out his character design, and it really paid off. I fucking love his vintage vampire hunter outfit, his dramatic covers, the fact that he apparently wears leather pants in this one, and his mysterious backstory. So many things done right with this guy.

Least favorite thing(s): his fucking hair. It’s hell to draw. If he wore it slicked back or even just had it hanging over his forehead like Genos, I wouldn’t even be bitching about it right now. But NOOOOOoooo, Murata just HAD to make this motherfucker wear a hedgehog wig like it ain’t the most excruciating thing to draw. Will never forgive that fucker for flexing his artistic ability. How DARE he be good at drawing....

Also, I don’t like Zombieman’s lack of eyebrows. But we ain’t even gonna talk about that because I’d rather not expose y’all to 27 new curse words.

2: Genos

Favorite thing: the fact that he’s 99% ass-kicking robot machine. And I also love how his design changes drastically with each upgrade. Fan artists can choose which design they like best and Murata can flex all of his cool ideas without even straying from canon, it’s a win-win baby! His character is cool, too. It would’ve been really easy to make Genos a static side character with 100% plot relevance and 0 motivation, but ONE decided not to because idk, I guess his dick is big or some shit.

Genos has his own fucking story with his own fucking drive to succeed. I love this motherfucker. He’s inspiring, he’s cool, he’s badass, and he’s also a walking testament to how stupid it is being 19 years of age.

Least favorite thing: okay I know I just said I really like his design and I love cool robots but dammit dude, robots are hard to draw. Also, I think he’s really unpredictable with his dialogue and that makes him really difficult to write in fanfiction. Like, he has a few constants: being Saitama’s bitch, protecting Kuseno, and finding out what he can about the Mad Cyborg. But sometimes he just reacts to things differently than I would expect him to. For example: I never really thought he would be one to gloat about his victories but he surprisingly does it pretty often? I digress.

He also smiles a lot more often than I’d expect him to as well. I just don’t know what the fuck he’s gonna do or say next.

3: Atomic Samurai

Favorite thing: I don’t really know. He’s a samurai (which is cool), he’s hot, and he’s the loving crack father to a small gang of hooligans. I can’t choose just one thing because he’s like 27 of my favorite tropes rolled up into one shithead.

His character design is really neat too! I thought the capes would’ve been super annoying to draw but the practice really helped me figure out how to do flowing fabric folds and shit! Thanks for giving fan artists hell, Murata. It all worked out in the end.

Least favorite thing: his pride is so annoying. He’s gotten a lot better in recent chapters but when he first got introduced (you know, the time he didn’t wanna shake Saitama’s hand because he thought Saitama was a weakling or some shit), I wanted to fucking kill him. He came off as a real stone-cold bastard and I’m glad he’s warmed up a bit because if he stayed a bitch the entire fucking manga then I think I would’ve stopped reading by now. He’s too important a character to have such a shit personality. Amai is the exception.

It was really hard choosing between Atomic Samurai, Metal Bat, and Garou for option #3 but the crack dad won me over. If you ask me this question again in about 2 days time, I’ll probably have a different set of answers. Inconsistency makes things spicy! I have ADHD.

#one punch man #opm #zombieman #atomic samurai #Genos #Saitama #asks #meta

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winxlava · 4 years

Text

Where Fate: the Winx saga fails

As a winx fan of 14 years (in and out), this fate thing is really scandolous. I’ve seen lots of ups and downs the winx fandom. As I’ve watched all of the development that fate had, I've had some thoughts, but I’ve waited until I watched everything.

This is going to be a reaction to all 6 episodes of Fate the Winx saga. This is coming from a fan of the og show so expect lots of comparisons.

If this bothers you, please don't keep reading. A lot of this is only my opinion. If you like it and think its great, that’s good! I’m not here to ruin it.

There is a list of what I liked most near the bottom of this post. Spoilers Ahead!!

Anyway, back to the post.

What made the Winx work

Lets start with the basic idea of Winx. Bloom, a normal girl, finds out that she has magic powers and is from another dimension. Seems like a simple concept? Well, Seasons 1-3 (and 4?) expanded this idea to the max.

Likeable characters galore and lots of fun, fashion, and magic.

For a lot of us that’s what sold the show.

So lets talk about tone and why its so important

The idea that teenage girls were exploring a world we could never see or experience. And the darkness that came with it.

Remember when Daphne, bloom’s dead sister, clung to life to help bloom figure her life out? When bloom became evil and nearly killed all of her friends? When Flora drowned to save her sister, only to get enchantix? (Actually all of enchantix was like this). When Musa gave up seeing her dead mom to save the world? When nabu died?

The show was full of these small, intense, dark moments. That’s what made winx special. The light came with dark.

By making the show dark and “eDgy” it takes away the impact of the dark moments. I’ve been saying this since the beginning.

Point of view and how Stella is affected

Stella was very misunderstood in the remake and it shows. The thing is, Stella was the first entry point into the magical world in the original show. She carried Bloom and her parents to Alfea. She was the transfer point to a whole world for the audience.

Her spunk and optimism and snark made her a fan favorite, but that’s not what made her character work.

She was Bloom’s first friend, and because of the that, we saw her in a good lens. She was reckless, but a pure heart nonetheless. She was confident, cunning, and powerful.

It was because we saw the good in her first that made us like her. She was good before she was bad in our eyes.

The remake takes all of that away. She’s just a generic mean rich girl now. To be honest, Stella is accurate, but the way she was introduced put her in a whole new light. In this version, she is annoying and trifling, seemingly taking the place of Diaspro in her liking for sky.

Also she hates her mother? Stella would never! She loved both of her parents dearly and was mad simply because she felt they never loved her as a result of their divorce; they never talked to each other and she felt split between the two of them. (See Stella’s nightmares sequence season 1 :https://youtu.be/wuvyw0OHA6A?t=129). She was lonely and her father, though he loved her, spoiled her with gifts instead of the love she desired.

You see this side of her when Chimera comes in and tries to take her place in season 3. Her worth is tied to what she has and looks like. Her title as a princess rules her.

Not only that, Stella learns about “commoners” through her friends. She was spoiled and never saw people who couldn’t afford things; it was new and she was a bit rude about it, but can you blame her, she was always put above everything else in her home country.

https://www.youtube.com/post/UgzCfOQ696rvwa51Z_J4AaABCQ?lc=UgzCDSxfcNaP9XogBSB4AaABAg

https://www.youtube.com/post/UgzCfOQ696rvwa51Z_J4AaABCQ?lc=Ugxl_sOsUSGBXEwagxJ4AaABAg

^^ These are comments of people saying similar things.

Stella also vents to Sky a lot in the remake. She seems like she is chasing him pitifully, something og Stella would never do.

Edit: Check the “liked” section; she has been upgraded to sort of like in episodes 5 and 6.

Aisha

They did Aisha dirty as well. (Just like Bonnie from Vampire Diaries, why am I surprised?) I would write a lot here, but someone else summarized it well:

https://rainbow-whitewashing-jar.tumblr.com/post/639787632624369664/its-just-there-is-so-much-background-on-aisha.

https://www.youtube.com/post/Ugx4WL5rIPTS1suGOed4AaABCQ

Tldr: Aisha was a very lonely princess of Andros. She only had one friend growing up but then they moved away and she was lonely all over again. She copes with her princess duties by being great at sports and even beating some of the men! She stood up to her parents when they wanted her to be arranged married, until she fell in love with Nabu HERSELF. She decided her own future from that point on.

Also, her relevance to the plot has been dwindled to being Bloom's right hand man; the black best friend sterotype! What a let down for one of the PRINCESSES of the original!

She had her own goals, drive, and motivations in the original! She did things for all of her friends; she definitely wasn't only driven by one person!

And she was closer to Musa than Bloom that's for sure!

Bloom

The fact that bloom transforms before everyone else gives bad vibes, considering that one of the reasons she was insecure about magic was because everyone of her friends was better than her and could transform. Why would she feel insecure when they are all around the same level?

The theme of sisterhood

Ever notice that none of the girls had the same taste in guys?

Bloom liked goody guys like Sky and Andy. Stella liked guys who were fun and flirty like Brandon.

In fact, none of the girls ever fought over a guy, they fought over things that actually mattered like someone being rude or a mission gone wrong.

That's what made them relatable. They weren't petty about guys and they mostly respected each other's relationships.

https://www.youtube.com/post/Ugz6TEOmGRV2Cfqy12F4AaABCQ?lc=UgwhLsToVbhLDYpFphB4AaABAg

^^ Look at highlighted comment

Not only that, but the winx represented a positive sisterhood. They stood by each other and respected each other; they never let men come between them and shared their power with each other.

Only the trix, the bad sisterhood, fought over men and power. The trix were foils to the winx and what they stood for! That's what made them some of the best villains in the series!

Instead of that, we get useless relationship drama! 😒

And that brings me to...

Stella/Sky/Bloom & Riven/Dane/Terra

What was the point of Dane? I'm still asking myself that question. He doesn't really do anything except act as relationship fuel for a love triangle.

Don't get me wrong, the representation is needed. But he adds nothing to the real plot at all except that Terra thinks he likes her, and he has a crush on Riven.

In terms of the Stella and Bloom love triangle with Sky, apparently she BLINDED someone because they flirted with sky. What?!? Stella isn't that cruel at all. The show clearly flanderized her to a cruel mean girl so....

Edit: Check the “liked” section; she has been upgraded to sort of like in episodes 5 and 6.

Lets not forget about “diversity”

Male fairies did exist before Fate:

https://www.youtube.com/post/UgziTWMf44kv0fkDt8x4AaABCQ

https://www.youtube.com/post/UgxWAFZRmqt_k3iBMhZ4AaABCQ

Flora/Terra, Musa, and Whitewashing

Terra and Musa are wonderful! Their actress' do a great job; their personalities are so similar to the original (except for musa's mind abilities and Terra's talkative personality)! Whenever one of them interacts with the other main cast, you feel actual friendship chemistry between them!!

But there is an elephant in the room: the whitewashing. If these characters were the correct race, they wouldn't be in this critical review.

Terra isn't flora, but her character was clearly based on her! Also, she has a cousin named Flora, so Flora is clearly in this universe.

Why change her race and swap her out! The personalities are spot on, which makes it even more disheartening to know that they would rather replace two POC characters with white characters who essentially are the same people and have the same plot importance.

What a shame and low blow that is! Especially since I am a black woman myself!

Sky and Riven

Them being bros make no sense really. Before they were more like enemies who were forced to work together.

Why are they friends?? What's the backstory?

Other than that, sky is pretty spot on. He's the pretty boy with good intentions. Not interesting but not very boring either.

Riven is cringy like I feared. He was also sort of cringe in the og but because of the darker setting in the remake he just feels even more so.

Other Criticisms:

- we gets some pretty cringy dialogue (mostly from riven). Some of the clingy dialogue (not from riven) ironically could have worked in a lighter setting and become "campy".

- The fact that there are no wings for 5 whole episodes, just makes the entire thing feel like Witches or something...

- why does everyone have the dead parent trope??

- no tecna

Things I do like:

- bloom missing her parents and feeling left out

- Musa and Sam before Musa and Riven (hopefully)

- Terra in general

- Terra’s dad and brother

- Musa in general

- Stella funny quips

- the scenery is gorgeous

- Stella's clothes are so fashionable! She has great outfits!

- Sky and Bloom taking during the party and/or being friendly with each other

- the magic cgi looks good 👍

- the rooms of the girls dorms and the castle looks great on the inside

- Aisha's personality

- Farrah Dowling is good as well

- Bloom is pretty spot on

- Stella's mom's powers are awesome

- imagine the genocide plot but with the happy fun show vibe and with the trix. The trix want to get revenge on faragonda for killing their cult, who wanted to revive the ancestral witches or something💥💥💥

- Stella in episodes 5 and 6 is cool

- the inclusion of the witches of aster dell (Beatrix said she was born there = witch)

- the inclusion of musa’s mother’s death

-Her transformation was lackluster to me, but I appreciated the effort to include it.

Conclusion

The pacing was all over the place to me; it felt like some episodes lasted forever and all of them seemed to have the vague theme of : be careful who you trust.

By trying to separate the winx from the og and have them have "their own lives" (which they already had), they ruined the intriguing backstories the characters already had in the og. Some were somewhat kept, but others were kind of left in the dust *cough*Aisha*cough*.

They took away with made them special: the teamwork, love, and friendship that brought them together and made them stronger. *They try it in episodes 5 and 6, but to me it just falls sort of flat.*

That said it isn't completely bad, it's mediocre at best, but it isn't Winx and that's that.

Edit: I know that it’s not supposed to be winx per say, but it has characters from the og and even the “winx” name in the title!

Credits: WCD channel on youtube, rainbow whitewashing jar on tumblr, and Youtube videos by the official winx club youtube channel.

#fate the winx club saga #fate the winx saga #winx club #netwinx

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furubabes · 4 years

Text

Okay. Somebody Asked. @shoujobell and @cryptidaicat, y’all encouraged this. I’m gonna tag this #long post if you wanna filter.

So here. I got the urge to write and so I ranked the Fruits Basket couples from my favorite to least favorite. These aren’t my complete thoughts because I could honestly do multiple full meta posts on each pairing, but I tried to justify and explain all my choices. Standard disclaimer, this is subjective and we can agree to disagree.

Part 1: Just the reasonably popular ones

1. Kyoru: Someone’s gonna call me unoriginal for this but it’s fine. Kyoru is the main romance of Fruits Basket! They bring out the best in each other and build each other up as characters. Kyoru is basically my gold standard take on Sunshine Girl x Grouchy Dude, and I’m not even usually into that trope otherwise. Their romance is one of the few that feels so genuinely necessary to the story. They love each other and like each other. Kyo understands Tohru in a way no one else in the narrative does, and vice versa. They’re in love like soulmates and also like awkward teenagers. Kyoru invented romance. If it’s boring to like healthy romances with realistic development, I’ll be boring.

2. Tohrin: If Tohru didn’t end up with Kyo I would only want her to be with Rin. I guess they have some of the same appeal as Kyoru for me - Rin reads Tohru in a way a lot of people don’t. I also like how honest and raw they are with each other. They yell! They fight! Rin is down to just straight up knock Tohru over to keep her from rushing off. Also, they’re both absolute fashion icons. Goth x Prep rights. I firmly believe Tohru Honda is bisexual.

3. Yukeru: This is my favorite Yuki pairing. I followed @yunsoh way back when the reboot first started and her blog has got me absolutely hooked on Yukeru. I think Yuki’s arc would have just made a ridiculous amount of sense if he was gay. It screams comphet. Kakeru is an excellent complement to Yuki, and their bond feels incredibly natural. Honestly I feel like it’s the most organic romantic development outside of Kyoru. I think realistically they wouldn’t have gotten together until post-canon and frankly Yuki shines in his friendships much more than romances, so I’m not absolutely dying for them to be together, but if Yuki’s going to date anyone Kakeru is my pick.

4. Arisaki: Man... I just like them. They strike me as less of an epic love and more of a comfortable partnership. I also read them both as lesbians anyway lol. Honestly I think they both had feelings for Tohru at one point and bonded over it. The way I picture them happening is honestly just Arisa at 25 frantically googling “is it gay to hold hands with my girl roommate who I spend all my time with and also we never date men“ because Saki bought them rings that look like wedding bands but they could just be super close friendship rings and oh god she’s in too deep. They’re dating for four years before they notice.

5. AyaMine: But Jessie! You literally never post about this pairing! Yeah, you’re right. I never think about them actively. But when ranking the canon ships I realized that I like the two of them together because they’re chill and understated. They’re huge loud personalities on their own but as a couple, they just feel like two people who are happy together and like spending time with one another. No drama, no mess, very understated. No plot contrivances driving their relationship. Good for them.

6. YukiKyo: Okay, so I can be convinced to put on my YukiKyo goggles more often than not. It feels iffy because there’s debate about how closely related all the Sohmas are and these two are called “cousins” a lot in school, but since half of the Sohmas are dating each other anyway, I err on the side of them being more of a clan than a proper blood family. Anyway, YukiKyo is my designated angst fuel. I think it would realistically be pretty one-sided from Yuki’s side, since we see him wanting Kyo’s approval from a very young age, but I like exploring the what-ifs of their lives if they’d been friends instead of rivals. In canon, I like to think that after high school they’re not best friends in the traditional sense, but either one could show up with a dead body and the other would help them bury it, no questions asked.

7. Yuchi: Really? Yuki’s wife is my third favorite pairing for him? Look, I adore Machi, and I still like Yuchi. But as I’ve been watching the reboot and reading others’ metas, I think I agree that their relationship could have been very powerful as a platonic one, sort of running parallel to Yuki and Tohru. I like them together but I think there wasn’t quite time for a complete character arc for Machi and her growth sort of begins and ends with Yuki. I don’t object to them being a couple in canon and I think they’re genuinely very sweet, but once again, I think Yuki stands out in his friendships more than anything. I would have liked to see Machi strike out on her own a little more.

8. Haru x Yuki: I don’t have any particular feelings towards them but I love their dynamic already and I think as a couple they’d both be really easygoing and comfortable with each other. I think a childhood crush turned close friendship is honestly the narrative that works best for them so I have no need for the two to date canonically, but every time they interact in the anime it gets a laugh out of me. They’re cool. They’d make a very pretty pair.

9. Mayutori: I’m Mayutori-neutral. I think they suffer from Fruits Basket’s pair the spare syndrome, but out of the side pairings that don’t have too much impact, they’re one I enjoy. Mayu’s fun as a character, and painfully relatable, and I like that Hatori’s eventual romance isn’t with someone who reminds him of Kana or something like that. I also want good things for Hatori. Mayutori has serious heterosexual energy though. I’m not saying this as a pro or con, they’re just very straight.

10. Hatsuzu: Okay, Haru and Rin aren’t this far down because I hate them. I’m perfectly fine with them being together in canon. But I think their romance almost... functions better as individual motivation for their character arcs than it does as an actual relationship, if that makes sense? Rin’s backstory episode is heartbreaking and her motivation to protect Haru is compelling and sympathetic, but their actual scenes together just don’t move me that much. Their romance is the least interesting part of either character for me.

11. Hiro x Kisa: Yeah I never got into it that much. It’s cute, it’s a sweet depiction of childhood crushes, but I’m not a fan of the idea of them ending up together. Kisa’s a cutie and Hiro is entertaining but the two of them together don’t actually do much for me. The dynamic between them is almost like if someone did Kyoru with none of the nuance. Ultimately though, they’re kids. I don’t expect them to have a deep and complex romance.

12. Yukiru: I think it would be a disservice to their characters if they were a couple. People far more eloquent than me have already written plenty of meta on why Yuki and Tohru aren’t what the other needs romantically, so I won’t get into it, but basically I just think their canon friendship is so beautiful and meaningful that I wouldn’t want to change it. Yuki and Tohru support my thesis that not all soulmates are romantic.

13. Tohru x Momiji: Welcome to the subjective dislike corner! This pairing is reasonably popular among people theorizing who Tohru would be with if not Kyo, but for some reason it just sits poorly with me. I can’t rank it any lower because there’s nothing evil or morally wrong about it! I just really don’t like it. I’ve quit a few fics because this pairing came up and I just can’t enjoy it.

14. Kakeru x Komaki: Idk, I just think Kakeru latching onto the one girl who was nice to him and put up with his bullshit and then being with her forever isn’t compelling. Komaki’s also probably his beard. She’s likable as an individual though.

15. Akigure: There’s plenty to say about the age gap, Shigure being in love with Akito since she was a fetus because of The Dream, the implications of a 15-18 year old knowing he’d one day want to be with a then-10-year-old... yeah, you get it. But even if I was able to put all that aside because Soulmate Destiny Logic, I still don’t think I’d like Akigure. I think they’re interesting as bitter, codependent exes, but I don’t like the idea of Akito ending up with anyone who she abused or who abused her. I think she has so much growing to do as a character and staying in a relationship within the Sohma family to do it can’t be healthy for her. I can’t see them living happily ever after, nor do I really want to.

16. Kurisa: I think what frustrates me the most here is that I want to like Kureno and everything about this romance is written to dull his most interesting traits. First of all, the age gap. Yeah, it’s gross, I don’t like it. But even past that, the love at first sight, instant fixation with each other, and lack of actual chemistry just kills me. Arisa’s stated reason to like Kureno is that he reminds her of Tohru, basically piggybacking off the chemistry she and Tohru already have, and his total lack of agency means the plot just sort of carries him along. It frustrates me that Takaya could have done something pretty cool by making them simply friends who have a chance encounter and then build a friendship from there that parallels Kureno’s abusive dynamic with Akito. It would be neat if a stranger’s kindness was the push Kureno needed to get himself out of the Sohmas’ grasp, without all the nonsensical drama about them being in love. It would also be less of a disservice to Arisa, who basically just spends the whole series pining for Kureno after they meet and I hate it. I could write a whole post about this. Maybe I will sometime.

17. Kyoko x Katsuya: I don’t think their story is romantic. I think it’s tragic for Kyoko, and if it were framed that way within the narrative, I wouldn’t object so much to its existence. But... Takaya just really likes age gaps with a younger woman and an older man, so the narrative romanticizes this man marrying his student. Katsuya can be depicted as well-meaning as you want, but he’s still got a ridiculous amount of power over Kyoko. She was also still pretty young when she had Tohru, which doesn’t make things any better because it’s clear that the relationship turned physical when Kyoko was a teen, thus dashing the idea of Katsuya legally marrying her to save her but not actually doing anything creepy. I wish Fruits Basket framed this as a story of Kyoko escaping one dangerous situation by entering a relationship with a huge power imbalance, because that happens to girls all the time and it’s tragic and compelling. The events of the story could stay the exact same and if the framing changed I would be fine with it. But this is not that. This is just a really romanticized teacher/student age gap. I’m not into it.

Part 2: Rarepairs, weird shit, and others (oh my!)

1. Yuki x Kakeru x Kimi: OT3. I’m enamored with the idea of this hot mess polycule.

2. Momiji x Kimi: Chaos meets chaos. This couple would say uwu without any irony and also steal your car keys. They’re both perceptive and smart hidden under a layer of cute and I’d wanna watch them play 4D chess with each other.

3. Kazuma x Kunimitsu: Idk how old Kunimitsu is so if he’s like 20, strike this one from the record. But I saw one post once that was like Kyo slowly realizing Kazuma and Kunimitsu were gay and had been dating for years and it was funny as hell.

4. AyaTori: It’s cute. Opposites attract, black and white hair, and Aya only listens to Hatori anyway. It’s just fun to think about.

5. Megumi x Hiro: They don’t interact in canon I just think Goth x Punk-Ass Bitch is a great concept.

6. Motoko x Nao: They’re both loud as hell and Nao having a gf that towers over him is funny. Maybe Yuki would finally get some peace.

7. Machi x Kimi: I don’t see them actually being compatible in canon but I think they could have a really homoerotic college friendship.

8. Hajime x Mutsuki: This is just YukiKyo, the non angst version.

9. Akito x Hanajima: I’m so wary of shipping Akito with anyone but this is kind of fun. The two are friends in canon and Hana isn’t remotely afraid of Akito. Plus Akito never abused Hana. I can sort of see it.

10. Hiroshi x Yusuke: Makes no sense, wouldn’t be relevant, but if those two just never spent any time apart and continued being a pair for life it would be a really good bit.

11. Akitohru: I don’t think it’s healthy to date anyone who’s previously stabbed you.

12. Kazuma x Hanajima: Stop. Go to jail. Hana’s one-sided crush is funny though.

#fruits basket #fruits basket spoilers #long post #my posts.txt

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taiblogcomics · 3 years

Text

All Out of Outlaws

Hey there, that live service you paid for but only used once. I hope you liked last week's anniversary review as much as I liked writing it. Now we're back to the usual stack. We're on a streak with Red Hood junk, so let's get back into it~

Here's the cover:

Since it's an anniversary issue of its own, the cover is way glossier and higher quality than usual. I don't object to homaging most of Jason's old teammates in the sky, but why the fuck is Crux there? Like, why would you remind us of Crux? Nobody liked Crux, nobody even remembers Crux. At least he's partially covered by the logo, but not nearly enough. Like, Isabel's worth way more of a cover appearance than Crux. Anyway, other than Crux, this cover's pretty good. Very movie poster-esque.

So this book takes place "one month ago". That somehow means it takes place after issue 48, AKA the unnecessary tie-in issue, and that other story arc that ended last issue. You got that? One month ago is after the tie-in story, but before the story that just ended. You can tell all this because Bizarro is still here instead of trapped in hell, and Jason Todd's narrating to himself about how Punchline tricked him regarding Duela Dent. Yeah, there's no moment showing how he realised this, even though that'd make good story in itself. No, he's just here because he's already pissed at the Duela deception.

After the flashback, we return to the present. This is after issue 49, just so you know where we stand. It's pretty clear Artemis and Jason have just slept together. That... seems odd to me. It's odd to them as well, so that's forgivable. Jason acknowledges that really he just needed some human contact. Because, like, Roy is dead, Bizarro is in hell, and Starfire is in space. Thankfully, he mentions Crux not at all. Jason thinking Crux is a friend worth missing would be more disbelief than I can willingly suspend. Anyways, they're interrupted by a welcome sight.

The loud yelling returns us to seeing Monsieur Mallah yell like a drill sergeant at the Outlaws of Tomorrow, or whatever those kids were called. You remember them: Devour, Doomed, Cloud 9, DNA, Babe in Arms and Mombie (which I swear I came up with before it was ever written in an issue), and Vessel. Anyways, they were my favourite part of the last dozen issues or whenever they first appeared. Jason points a gun at Mallah to try and get him to stop yelling at the kids, and Ma Gunn calls him out on it. Basically, she's hired Mallah and the Brain to train these kids, since Jason keeps skipping out on it. If he disapproves of her methods, then he should train them himself. He concedes the point, and opts to leave the kids in her care.

Jason leaves, heading up to Dr. Veritas' lab. This is where Duela's ended up after they rescued her from the flashback. She's alive, but part of her recovery has been reconstructive surgery. Her repaired face has basically left her non-verbal and mostly unresponsive. Jason has a plan, though. It's probably supposed to be his pocket, but I swear it looks like he's taking this out of the fly of his jeans. That's extremely worrying, almost as worrying as what actually happens: Jason hands her a rubber Joker mask, and she puts it on. With her "face" restored, she starts laughing--and doesn't stop. Jason wonders if this was a good idea after all. I'm gonna go ahead and venture "no"~

Following that, we advance three weeks, where Duela has been doing physical therapy in Suzie Su's private gym. She's been struggling, and is still mostly non-verbal, but at least communicates in laughs and animal noises. Jason decides the best way to get her to improve is to taunt her. Surprisingly, it works: when he dumps enough insults, she's able to stagger to her feet well enough to attack him. He says he knew she could do it with the right motivation, and she's pleased with herself. Pleased enough that when the time skips ahead again, she's perfectly verbal once more.

This scene takes place in a graveyard. Not just any, but the very grave that Jason once upon a time clawed his way out of. Naturally, she thinks that's cool. This is Jason's "don't make the same mistakes I did" lecture, but Duela doesn't want to hear it. She's too mad at Punchline and Joker for treating her like shit. Jason understands, but he says he'll be there for her when she decides to change her mind about being a crazy psychopath. They both return home to Ma Gunn's, but while Jason laments some thoughts to Artemis, Duela decides to escape. Just like the teen she is.

Partway off the grounds, she actually encounters Pup-Pup. Yeah, the talking Superman plush doll is still somehow hanging around. I might pick on this series a bit, and rightly so sometimes, but how many other comics do you know where a sapient talking plush toy of one of the world's greatest heroes is a recurring character? That's fantastic. That's exactly why I read comic books. Anyway, she stops to chat with Pup-Pup, because when life throws that much weirdness at you, you stop and interact. She relays an exaggerated version of her backstory to him, talking about how her father beat her while her mother laughed, and she killed them both in the end. Pup-Pup sees right through it, and the pair of them end up hanging out all night until Jason finds them both asleep in the yard the next morning.

So it's a bit later, and they're in New York. A bank's been broken into by... Agent Smith from The Matrix?? It's a group of guys in shades and suits who are all identical and refer to themselves as sharing a single collective mind. I don't care that they call themselves "The Chairmen", that sounds like Agent Smith to me. Fortunately, the Outlaws are here to beat them up. Joker's Daughter and her pal Pup-Pup have joined as the pre-requisite third member(s), but partway through the fight, the strain of the fight causes Duela to have some sort of mental break.

Very suddenly, it's no longer funny for Duela. She's not into the violence or death. She is just a teen, after all, and I guess it built up over time. The rest of the Agent Smiths are dealt with while Jason comforts Duela and removes the Joker mask from her. No doubt he's going to store it back in his trousers. And so, after the fight, Duela gets cleaned up, dresses like a normal person, and returns home to her parents. Artemis imparts the wisdom that it doesn't matter how you live, as long as you're living the way you want, it's the greatest act of defiance there is. Jason also allows Pup-Pup to stow away in her backpack, just to keep an eye on her.

After returning Duela to her home, Jason and Artemis ride on for a while. Then, abruptly, Artemis pulls over. It's as far as she's going, at least with Jason. But they both agree: he doesn't need her around anymore. He's a capable guy who can stand on his own two feet. And so Artemis also departs, she taking one road, and Jason driving down the other. And that road Jason's on? Why, it's the road home. The road back to Gotham. Jason muses that he was an okay sidekick, a crap supervillain, and a great outlaw. But what he was most of all... was a good friend.

I’m gonna say to start out with that I think this is a good issue. Heck, I think this is a great issue. It’s very character-driven, which is kind of what I always want in these things. Would much rather read something that develops the characters than just another fight scene.

I guess the issue, then, is A) does the character development make sense, and 2) do we care? And honestly... I don’t really care that Joker’s Daughter got a happy ending. Nor do I really feel it was earned. We’ve followed the character’s entire history on this blog, after all. Honestly, it probably would have made a lot more sense if she’d stayed on as part of Generation Outlaw. I just don’t think there was any build-up to her sudden realisation that “oh crap, everything I do sucks”, and thus her sudden retirement/redemption doesn’t feel earned.

But hey, at least Crux wasn’t in it~

Next issue, Jason finally goes solo!

#comics #reviews #red hood and the outlaws #red hood: outlaw #Taiblog #Joker's Daughter

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mst3kproject · 4 years

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The Face of Marble

This movie has a zombie dog. It’s also got John Carradine from The Unearthly and Robert Shayne from Teenage Caveman, and was directed by William Beaudine, who brought us Design for Dreaming. But honestly, who cares about that when there’s a zombie dog?

On a storm-wracked cliff somewhere live mad scientists Dr. Randolph and Dr. Cochrane, who are trying to raise the dead but aren’t very good at it. Their first experimental subject, a drowned sailor, promptly dies all over again when lightning strikes the Frankenstein equipment. This was probably a lucky escape, because subject two, Mrs. Randolph’s dog Brutus, comes back to life as a bulletproof zombie with a thirst for blood and the ability to walk through walls! They get back to work on improving their technique, and when Mrs. Randolph herself later dies in a tragic matchmaking accident, the two scientists figure she may as well be subject three. It kinda works, and kinda doesn’t… but not in the way anyone expected, especially me.

I guess I have to explain ‘tragic matchmaking accident’. Elaine Randolph’s ethnic stereotype maid, Maria, wants out of this place and has decided that the best way to bring it about is to have her mistress and Dr. Cochrane fall in love and run off together, taking her with them. A combination of voodoo and persuasion seems to be on the verge of bringing this about when Dr. Cochrane’s pre-existing fiancée Linda shows up to surprise him on his birthday. Maria therefore sets out to murder Linda by releasing toxic smoke into her bedroom, but doesn’t know that Linda and Elaine have switched rooms because Linda freaked out when the ghostly Brutus wandered through hers in the middle of the night. It was much shorter to just say ‘tragic matchmaking accident’.

That probably gave you a pretty good idea of just what a dumb and contrived movie this is. The print is also pretty terrible, old and scratchy and with poor sound – and yet it’s actually kind of fun to watch. The Face of Marble is a bit slower than it should be despite being only an hour and a quarter long, and the ending unfortunately makes no sense, but the plot twists managed to surprise me a couple of times. Nobody here is a great actor but nobody’s really terrible, either. You can tell who’s who and what’s going on. For something I would watch, it’s a decent film

What I really liked about it, though, was the treatment of the characters. For all I’ve called them mad scientists, Randolph and Cochrane don’t really fall into that ‘type’. They’re not trying to create an indestructible army or Show Those Fools or anything, they want to save lives: Randolph talks about people who’ve drowned or asphyxiated, people for whom rescue came just a few minutes too late. Nor do they display the mad scientist’s typical lack of conscience. Randolph gets so caught up in his work that he euthanizes Brutus the dog, but he’s absolutely sure his process will bring the animal back as good as new. When this doesn’t work, he feels terrible about it and hides it from Elaine, partly so she won’t be angry but partly because he’s deeply ashamed of himself.

The incident also destroys his confidence in the project. When Elaine dies, it’s Cochrane who talks him into trying to resurrect her, since he has been working on the formula and he now believes it will work. Randolph almost refuses, saying he’d rather see Elaine actually dead than become some monster like the dog, and Cochrane has to do quite a bit of convincing. What we see in these two men is a folie à deux – each would be quite reasonable on his own, but when they can play off and encourage each other they end up doing unbelievably awful things. That’s kind of neat, and makes it more believable that they would try the experiment on Elaine even after their previous failures.

The two men’s relationships with the women in their lives also have some complexity. The backstory tells us that Randolph saved Elaine’s life by removing a brain tumor, and subsequently fell in love with and married her. Despite this, he doesn’t seem to spend much time with her, and she appears to be downright intimidated by him. Elaine is shown to prefer confiding in Cochrane rather than confronting Randolph about her fears, despite the fact that Cochrane’s reaction is invariably condescending. On the other hand, Cochrane is very tender with his own fiancée, Linda, and actually listens to her when she tells him she doesn’t like Randolph and thinks they both need to get away from this place!

Elaine and Linda are set up, both by the writers and by Maria the sorceress, as romantic rivals for Cochrane. You’d think this would lead to a lot of petty hostility between them, but the movie avoids that, too. They are fairly cool towards each other at first meeting, but quickly make peace after Linda’s sighting of the zombie dog. By the time they’re about to part they’re still not best friends, but they clearly don’t dislike each other. Linda has figured out that Elaine has a crush on Cochrane but as long as Cochrane isn’t going to act on it she won’t let it worry her. She could have been a villain in this story, as could Randolph and Cochrane themselves, but the writers avoid taking the easy way out.

Instead, the villain of this story is Maria. The situation would never have arisen if she hadn’t attempted to murder Linda, and later we see her use both the police and the zombies trying to get herself out of the mess she’s gotten into. Unfortunately, this is where the movie starts to fall apart.

A few days after the undead Brutus leaves the lab by leaping right through the wall, a detective shows up at the house to ask Dr. Randolph about a series of attacks on local livestock. Randolph identifies the culprit as an animal suffering from ‘hemomania’, or a need to drink blood. When Elaine comes back from the dead, then, we expect her to do so as a vampire. Everything we’ve seen so far seems to be leading up to that idea. When she comes to and appears to be tired, but all right, we assume the condition will set in eventually.

It never does. Instead, Maria is suddenly able to control the undead Elaine and Brutus! Dr. Randolph soon figures out that it was Maria who killed Elaine, and in his anger and grief he considers stabbing her to death until Cochrane talks him out of it. In order to save herself, Maria has Elaine stab Randolph, then go back to bed and forget it happened.

Where did that come from? We have never seen the slightest indication that Maria can do this. Whenever she has been working magic, such as leaving effigies under people’s pillows or preparing potions, we’ve never seen any evidence that she actually has supernatural powers. The love charms were suggestion and the poison was simple chemistry! The film-makers had ample opportunity to set something up here, by having her take control of the zombiefied Brutus through similar actual magic, but they didn’t do that. We just see Maria sitting in front of a fire waving her arms… then Brutus comes into Elaine’s room, Elaine rises in a trance, and Maria just hands her a knife and orders her to stab away, as if she has the woman under hypnosis. Did I miss something?

At the end, the cops get the real story from another servant (I’m tempted to insert a quip about how you can tell it’s fiction because the police listen to a black man, but we’re way beyond that being funny) and show up to arrest Maria, but she’s already committed suicide, and footprints in the sand show that Elaine and Brutus have just wandered off into the ocean. Okay. Does that mean anything? Are they gonna drown or just wander around on the bottom and fight sharks like in Zombie 2? Did Maria make her do it or not? Is Elaine even aware that there’s anything wrong with her? Earlier she didn’t seem to be, and nobody told her what happened… she seems to think she was merely ‘taken ill’.

The feeling I get from all this is that the writers didn’t know what to do with Zombie-Elaine. They were too chicken to have her go around tearing throats out because then she wouldn’t be attractive anymore. They can’t kill her because they’ve already established that the zombies are bulletproof and they can’t think of any other way to do it. So they just have her leave, mysteriously and unsatisfyingly, and completely squander several opportunities they’ve set up for themselves.

Elaine wondering what’s wrong with her, unable to help herself even as she’s horrified by her own actions, would easily have been the scariest thing in the movie. Randolph and Cochrane realizing that what came back isn’t quite Elaine, and having to deal with what they’ve done, would have been the most heart-wrenching. They could even have had the two of them, formerly unbelievers, go to Maria for magical help – only to have Maria refuse to do anything because she, as previously established in dialogue, really does love her mistress. The ending could have been really cool, but they just ran out of ideas.

I did enjoy about the first two thirds of The Face of Marble. By the time Elaine finally dies I was getting a little impatient to see some actual zombies, but the film then went in a totally different direction, in a bad way. The ending doesn’t feel like a plot twist, because a plot twist should be something that makes sense of things we’ve already seen. It’s doubly disappointing, because the attention paid to the characters and their motivations and relationships really made it look like writers knew what they were doing.

#mst3k #reviews #episodes that never were #the face of marble #poor john carradine #40s #everybody do the zombie stomp

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