#it doesnt really make any sense plot wise

[rearranging-deck-chairs]

rewatching 13s era for me is not so much diminishing returns as it is something opposite and eviler...............increasing losses? increasing losses

[mythalism]

I was wondering (because I love your Solas and solavellan analyses) what do you think of s*lrook? It doesn’t work for me, not because I like solavellan, but because I just don’t like Rook and some other reasons that I’m having trouble articulating. Something along the lines of “Solas mirrors” and, as Rook, we can only ever really approach him as though he is a villain with little nuance and can never ask (the man that started out as spirit of wisdom) any questions. I think maybe it would have been more interesting to me if BioWare gave Rook more meaningful regrets and let us have more rpg elements. Anyway, feel free to disagree with me or not answer this if you think it may gain negative attention. I just like the way your brain works and was curious about your thoughts because you might have an interesting perspective!

i honestly dont think of s*lrook like ever. truly it does not occupy any space in my mind. i think its probably similar to what you are feeling, which is that rook is so nothing its like putting solas with a cardboard cut out. and maybe that is why the issue of solas mirroring rook comes in; there is nothing for him to reflect. rook is also so meaningless to solas that he has no incentive to meaningfully engage with them. with the inquisitor, solas was literally tied to them by the anchor and had no choice but to spend time with them to get his orb back. but that is a process that develops over an entire year. he gets sucked into the inquisition and cannot help himself but become part of it. even solas who hates the inquisitor is deeply involved in everything they do, every decision they make he becomes complacent in as part of their inner circle. even with an inquisitor he hates, he cannot help but develop attachments to the other members of the inquisition. he is actively carrying out the inquisition's purpose. if they do something he doesnt like, such as recruit the templars or keep the wardens or kill the sentinels, it makes sense for him to speak up, to challenge the inquisitior, to make his distaste known because he is directly involved. he is also directly responsible for corypheus gaining such power. all of this personal entanglement in the events of inquisition give him and even a low-approval inquisitor a dynamic that is interesting and complex. their erasure into a figurehead for the purpose of a cause is familiar to him at the very least. the way he reflects the inquisitor is entrenched in the plot and who they both are as characters. he reflects the inquisitor because the inquisitor is walking the same path he was forced to.

in veilguard, i think that him being trapped for so long was a mistake writing-wise. despite solas being literally integral to EVERYTHING HAPPENING, he feels completely separate. he only has a few things to say about each major plot point, we can barely ask him more than a few questions about anything throughout the entire game, we dont get to confront him on his memories, we dont get to see him react with anyone. he literally exists in a vacuum. there is nothing for him to reflect, nothing for him to engage with. he is literally in an empty room, talking to an empty character. what is there to work with in that? where is there a relationship to be had? they kept telling us that rook reminded solas of himself which is honestly hilarious in retrospect because what??? where??? how??????? because they did something rebellious one time??? but solas and rook never actually talk about that. they never actually talk about anything about rook's life. solas doesn't even pass judgement on their decisions. their conversations all have the same set end point. his goal from the beginning is always to shape them into taking his place in the prison (however the fuck that works) and all of their interactions are defined by that, and happen in the shadow of rook ruining his ritual and releasing the evanuris. compared to solas and the inquisitor, who at their core, is a manifestation of his mistakes as a victim of his underestimation of corypheus and the bearer of his anchor which will eventually destroy their body. there is an immediate thread of guilt and connection through those circumstances. for solas and rook, the opposite should actually be true; rook should feel guilt for getting solas trapped through their carelessness, but they clearly dont lol. its just so nothing. rook is so nothing. solas reflecting rook thus is also nothing. there is a reason the game picks up so much when we see him outside of the prison, talking to the companions, having a moment with emmrich, being eviscerated by harding, killing ogres in one hit, tearing into an archdemon... its pretty mutually agreed upon as the best part of the game? why would you make a character that, as a spirit, reflects his environment, and then put him in an empty room in the game named after him? and then why would you set him up with an empty protagonist who was clearly designed only to further the plot and not have a real story or arc of their own? flop.

[am-i-the-asshole-official]

WIBTA for leaving a DND campaign abruptly?

Some backstory: I had joined a DND game about 5 years ago right after breaking up with my toxic ex at the time. Me and my ex were both trying to be cordial at this time and ended up both joining a DND game run by a mutual friend.

In our first session, I had noticed my ex made her character be a parody of me that she made look like an awful person. She then kept dm-ing me during our sessions to tell me how to play my character better and other general backseat gaming stuff.

Very quickly, maybe about a month in, I contacted the DM about leaving the campaign due to wanting to distance myself from my ex. She was very upset I wanted to leave and offered to kick my ex from the group instead. I declined saying it would only cause more drama. The DM agreed to let my character go off at the end of the activity we were gonna do that session so it would make sense story-wise.

But this departure did not happen. after that conversation she vague-posted onling about how people dont want to be her friend. She then purposefully kept extending this part of the plot, just so I wouldnt leave the game and could realize it could still be fun. I told her outright I could not do this anymore after 3 more additional sessions and telling me she'll get to my character's exit soon. I always felt like an ass to the other players in the game for leaving them abruptly but I could not do it anymore.

Fast forward roughly 4 years, the DM tells me she is going to make a new campaign and would like for me to join since my ex was no longer in it. I agreed as I had missed playing DND a lot.

For the past year or so I have been in this campaign and it can be fun at times but I still feel out of place. This new session is a direct continuation of the previous campaign's storyline and regularly references it. Now, as far as I know my ex's character has not been referenced at all but I am constantly reminded of this situation whenever they mention a character's name I don't remember (because honestly I don't remember her characters name nor do I want to). I know I said to not bring her up around me but I don't quite trust this friend to keep her word. Simply because I don't think she ever remembers anything I tell her out of a place of... just not caring.

The DM and I just don't quite mesh that well. I don't really like her DM-ing style of making it up as the session happens. I don't like that she will constantly decide what my character is doing, even if I ask to do something, she tells me to roll to see if i can, i can get a nat20 and she will still decide what my character will do next based on what she thinks is funnier to her but makes my next action harder to accomplish.

I have dm'd her to talk about the progression of my character arc (after she constantly implys in session my character is the comedic relief and doesnt have any character development) and she'll go ooo and aaa (literally all she would say) but never actually implement anything I recommend.

I kept saying to myself it will get better in time. I have voiced my wants for my character, and they are ignored. In session, my character actions are essentially decided for me no matter how I roll the dice. It feels weird to be around half of the party bc they spent 4 years in a campaign with my ex who played a parody of me. esp hard after the DM keeps making me be the comedic relief even though I keep trying to play more seriously. other players constantly joke about how my character is gonna be the one that gets them all killed etc because of actions I dont necessarily decide.

Now as mentioned before, DM is also known to vague-blog about how "her friends secretly hate her" at any moment as well. This has happened before after I tried to "real talk" with her a handful of times over unrelated topics too (even if she initiates this conversation)

Given everything above, I want to leave this DND game after giving it a try for a year (really giving it an opportunity to improve). We left off with my character running off alone to get supplies for the party. I was thinking I could make a statement saying I had some personal things come up and I need to leave the game abruptly and leave it to the DM to decide what to do with my character.

Now I feel like I may be the AH because: I am leaving the game abruptly for a second time technically. I would contact the DM on how to make it make sense for my character to depart, but I feel like she will do the same thing as before with the previous campaign and keep putting it off, especially after ignoring my character growth ideas for a year in this current campaign. I also feel like I may be the AH because in character my group does need those supplies, but there is nothing stopping the DM from controlling my character to deliver supplies within the first 5 minutes of the next session.

[dykensteinery]

What r ur oc stories about?

OMG HIHI I NEVER HAD SOMEONE OUTSIDE OF MY CURRENT FRIENDS ACTUALLY ASK BEFORE UMMMM OKAY SO. i have 3! main oc stories that i Really care about at the moment but im Deeply fixated on mainly 1 of them but im gonna start with the one ive been liek "promoting" the most in a sense!! under read more cuz im gonna try to exlain all three of them bless. sorry if i seem overly passionate oops i was TRYING to summarise im sorry its so long u rlly dont Have to read All of it

Forgotten Man's Symphony

his (louis manoir) character is basically a spin off from a character mentioned in the novel frankensetin exactly (1) time by name in elizabeth's letter shes like the most Normal narrative-wise i suppose so i'm not exactly sure on how to explain the plot of forgotten man's symphony it's just like??? him ruining his life in front of the reader and then #Healing?? i guess?? the story is an epistolary that starts with louis' Suicide Letter. so like. yeah. BUT!! i suppose i would say his story very much concerns the concept of like identity (including gender and such she would be considred either transfemme/bigender by the modern world but also idfk cuz i made her complicated and confusing on purpose) and also the lack thereof + the negative impact that comes with trying so hard to fit into the societal norms and what people Want you to be but you just Can't be, cutting away bits of yourself to fit through some sort of hole representing the perfect version of you until theres nothing left of Who You Are expect a palatable and small version yk?? and the the endless pursuit of wanting to be loved that leads yourself to changing and changing for people who just wont care or love you for realsies + @rosaniruby 's words "making it even like that so its not YOU who is loving and being loved but the dim visage of a version of you that fits the picture of what society loves; that it's not a love between individuals, it's the love for a society that cannot ever love anything because it was made to hate. and who believes that portrayal of love will not find it and forever be stuck. smth like society loves what it deems as perfect and hates the imperfect, since perfect doesn't exist it can only do the second one. and louis wanted to love perfect victor, hated his own imperfect self. but the perfect victor doesnt exists, and neither does any version of louis."

i like her he's great. sorry if that was less telling u WHAT his story is and more like Explaining the "themes" as theyre called of the story but idrk how to describe nromal stuff so TAKE WHAT U CAN GET!!! anyways,

Domus Carnis: The Transmutation of Guinevere Manor

idk if you're aware but i have a hyperfix on architectural horror and i DON'T MEAN SCARY GHOSTS AND SERIAL ILLERS IN AN ABANDONED HOUSE I MEAN HAUNTED HOUSES THAT ARE ALIVE THAT IS A METAPHOR FOR PTSD FROM CHILDHOOD TRAUMA ETC ETC!! this story By making it started my whole obsession with the House it's crazy... scary even.. (i recommend you watch jacob geller's video essay about houses) i really do like domus carnis but it's. Messy to say the least. i do feel as if i ought to change the time period it's set in to avoid talking about the wars going on in the time period i accidentally set it in without realising but im procrastinating on that rn. it was Suppose to be late 1800s to early 1900s..

in a few simple words: flesh-and-bone made lesbian sex house. does that get your attention yet. bless

domus carnis (which literally means flesh house in latin or something) will be written in the POV of a 40ish year old widowed woman by the name of harriet wren's diary entries, occasionally switching to the POV of her 20-something year old godson percival who is like old timey jake paul and hes like either a journalistt or a radio host depending if i choose to change the time period or not. we follow them after harriet's husband dies of whatever and they find out he has a large property in a foreign country of which they had not known of prior

somewhere in germany there is a house of ex-aristocrats that no longer live there that is Alive. the House becomes alive because it is in a sense "possesed" (not haunted) the ghost of kathryna von guinevere who was the last one to die in the house, who, in life, was incredibly obsessed with The House for reasons that i fear are too long to explain without boring you and going into info pre-story?? anyways, when she "posseses" the house, the materials of the house shift to flesh, blood and bone because it Materially becomes her body. now, it would be hard to accurately label what represents what body part, because it's all strangely jumbled up and isn't like really human anatomy either cuz kathryna Can in fact see inside herself?? anyways whatever. now, the house is now both her body AND her mind. i have taken the phrase "haunted by memories/trauma" and turned it literal. the house IS haunted, but most of the ghosts aren't ghosts, theyre mostly all manifestation of Memory from her life because she actively is replaying the speech and actions of other people IN her mind to process the (typically traumatic) events of which she's seen or experienced. the ghosts CANNOT do as they please because they only exist at all Due to kathryna remembering them in these specific scenes. the hauntings include scenes of people, sounds, and shadows. unless the "scene" has a mirror, you cannot see kathy directly because you are witnessin things through HER eyes, which makes memories from wee childhood interesting because im wondering if i should make the "people" seem wayy bigger than the viewer if stuff is replayed from childhood..

i really like the fact that a lot of this is based on memory because it opens a lot of doors to me when it comes to the appearance of hauntings. my friend showed me this video depicting neurons forgetting how a face looks like, and i feel as if i could use that in the story because well, realistically kathy isnt going to have a Pristine memory cuz she Was just a human before, not to mention the fact shes already suppose to have issues on facial recognition/rememberance (my friend with these sisues suggetsed htis). the alteration of the ghosts' bodies could be fucked with even more if i try to make use and research into the way that people (mostly children) can in fact like.... change the image of something traumatic in their brain and make it less scary bc the brain is trying to protect them? yeah. AND ALSO the fact that a lot of people forgets certain aspects of their trauma due to their brain trying to protect them as well but still have this feeling of Unease when it comes o specific things that they cant explain, i could incorporate this feeling in certain areas of the House, the strange uneasiness. i experience that myself so i hope ill portray it right!!

i Think that's it?? at least that should be the bare bones of the story... i have a pin board tho if u want to check it out!!

The Epinicium

THIS is the stupid fucking thnag thats ruining my entire life rn. i love it i hate it whagever man. THIS ONE ill keep short and simple because im too fucking mentally ill about it to explain in depth without being asked questions

so basically its fantasy world but not like. Completely new high fantasy i very loosely based the countries off of like real countries and stuff bc lazy as shite so its like mid fantasy maybe HOWEVER

basically its set in this world where theres a shit ton of religions and gods and shit and theres three categories of religions (the world is veyr uhnm. Categorical idk): earth, science and the arts. basically the arts religions are the majority and the gods of those religions are called the muses so thats what i'll be calling them from now on. the basic plot of epinicium is about the muses of the music religion declaring that humanity doesnt treat music as "holy enough" anymore and taking it away as a whole (songbirds go extinct as well which is importnat) which also fucks up the other arts religionsdue to the fact that artforms are very connected but they still exist yk and centuries later our main cast attempts to bring it back!!! we have this server with a channel that has the "summary" but its not a real summary its just an already outdated infodump but we are Trying to fill this doc but we're failing really hard but friendship is magic idk.

fin.

anyways thats. pretty much it i think im sorry its too long once again 😭😭 feel free to ask question esp on the epinicium!! id love to hear abt ur ocs btw ive yapped so much oops

[ganondoodle]

genuine genuine genuine question- wwwhy do you not like the zonai? (zonau? not sure if thats like. the worlds coolest plural or a translation difference) given your content with more monstery designs i would have thought they'd be up your alley!! however. i have also not played skyward sword (as much as id like to) and i know most of peoples upset with their existence and the totk storyline is because of its conflicts with that plot? i'm very excited to see what you do with your rewrite/botw2!! given their slight presence in faron in botw, it would be cool to see you repurpose the zonai in some way that doesn't conflict with the plot you're going for, something that makes more sense with the cryptic kinda bare minimum we had in botw? sorry if you've explained your stance on the zonai before <3

hhhhhhhh i had ranted alot about it but i hope you are prepared- (also "zonai" is sonau in german but im choosing to write it with a z so people recognize it at least, im pretty sure zonau is also the orignal japanese word for them)

i am fine with their design, in fact, i LIKE their character designs, however i dont like everything else about them.

and no its also not bc it affects skyward sword bc it doesnt affect ANYTHING in skyward sword, bc skyward sword is the VERY FIRST zelda game in the timeline and totk is nowhere near it, totk draws several paralels towards skysw bc its meant a sort of soft reset for this new era but its really just thematic overlap and references bc those are cool (i know alot of people are trying to convince the entire fandom that totk somehow is crammed into the old timeline but trust me its never anywhere near confirmed nor does it make any sense, heres the lil graphic i made last month to clarify how i think its meant to be understood .. quite obviously even -

i dont mean to sound .. mean, but some people read too much into little phrases or references to older titles (like first king of hyrule .. doesnt have to mean the literal firstest of the first ones in all of forgotten history ever, just the first of THIS hyrule for example), and while im not against theories i am very annoyed when people try to say its somehow canon when its NOT)

with that out of the way;

i dont like how they are 'integrated' into botws world, they feel unnatural and shoved in everywhere, they have been everywhere and did everythign better and cooler and no part of (this) hyrule was untouched by them their architecture feels not integrated well either and design wise its rather bland, while the sheikah shrines for example while obviously not natural and very 'techy' they still build a harmonizing contrast while the totk shrines are pretty laughably unfitting compared to them the basically complete disappearance of all sheikah tech related stuff bothers me immensely bc why would you just get rid of it istead of developing it further (i know about purahs towers and think they are just like a worse version of the previous ones; and before this argument comes up again, them destryoing it all -somehow- bc they were afraid of it being taken over again is a dumb excuse bc then they should be even more scared of zonau tech- even MORE unknown and advanced tech literally falling from the sky) you could have done SO MUCH with the ancient shiekah tech it drives me nuts

i also think it tipped the delicate balance of the kinda medival setting + high tech that botw had set up compeltely over, the zonau tech just .. is so painfully obviously only the way it is to give you little lego parts to glue together (i know its a focus of the game ... or at least the gamePLAY but it could have been done better, again i think they managed the balance perfectly with shiekah tech, its weird and isnt natural but doesnt endanger the believability of it ... the zonau tech just throws that out the window rly ... how cool would it have been if you could built lil guardian walk thingies djknhfkd )

in general they just feel like a complete replacement for the ancient shiekah and are so SO desperately trying to make the zonau the COOLER and BETTER versions of what the shiekah were (you COULD have connected them in a cool way, like there being ancient shiekah labs build in the old zonau mining facilities bc they used zonau tech as basis for their own tech etc)

like instead of building on the set up and potential botw had prepared, they just scrambled to make a 'better' version of botw, like oh no forget THAT ancient civilization we have an EVEN MORE ancient, and EVEN MORE highly developed peoples there that were also everywhere before you but also were never really hinted at- and then repeat botws structure .__.

having an old and forgotten civilization of whom only some withered ruins remain gave botw a much more real feeling, a world with a history that you will never know (you know, bc that makes it intriguing and is just .. a good choice of worldbuilding imo)- and then totk comes along and reveals everything and also nothing, we know too much of them to be intrigued by their mystery and also not enough to actually care about them (also them beign presented as the good perfectly perfectestest kingdom of light that can do no wrong other than underestimate the eeeevil guy while they also had their hands on every part of the land and made all other races be their face and nameless servants just ... thats weird man!! i know its a game, even if its only aimed at kids my god they arent stupid either!! you really present me with that and expect me to take it at face value what argh)

again i think they COULD have been integrated into it, but the way it was done completely threw me off, im not mad about them EXISTING but about how it was DONE in the game

the way they were done robs not just totk but also botw of mystery and intrigue, for example i much rather had them stay a mystery, only ever talked about in some text and some old and almost completely withered ruins left, you never get so see what happened there in the past, you can only guess, but you have to deal with the fallout anyway and thats just ONE possibility, there are so many and it feels like they chose the most boring one every single time

sometimes knowing less is better than knowing half

(maybe i can make it clearer when .. or if i can get to illustrate what could have worked -in my opinion- better .... sorry for ranting again ;__; )

[stuck-in-the-ghost-zone]

ALSO. HEYHEYHEY. probably u will have to wait until after i finish 39 to answer this but holy shit dude. how does this translate to new haven wards??? i KNOW youve thought about it man. oh my fucking god. what r we doing to wibby. wraith. <- i really like this for him btw. haven't they been through enough!!!!!! also is this related 2 the second trigger situation it HAS to be right??

OKAY!!!!! HI !!!! HERE IT IS MY THOUGHTS ON WIBBY SECOND TRIGGER !!!!!!!!

when i say thoughts i mean this is less going to be an essay like my other nhw posts and more just. me throwing spaghetti at the wall and then turning to you like :D!!!!!! WHAT DO YOU THINK etc etc. i havent rlly thought about this like... plot wise??? or tried to make it make sense yet. so dont be disappointed when this is sort of short in comparison

anyway. for the LONGEST time i thought we were going to make the "absorbing kemuri's soul" thing his trigger event so that he could have the smoke powers, but.... honestly in comparison to everything else that moment was not NEARLY traumatizing enough

the reason i like this specific event as his second trigger is like. its SO fucking similar to his first. in his first trigger event, he fell off the cliff. he was still alive at the bottom, but unable to move or speak or call for help. he was stuck there for [x amount of time] but never actually triggered until someone found him and took him back. in this.... he literally gets torn in fucking half. but hes still alive. he can feel it, he knows whats happening, its the most terrifying and painful and miserable thing hes ever been through. again, he cant move. he cant talk. he cant call for help. the others dont even realize hes still alive at first, so he can hear them screaming. he still doesnt trigger until.. dakota. dakota, who can Feel it. dakota, who rushes into the danger zone as soon as he's able to and knows hes alive and desperately tries to push him back together, the whole time crying about "its gonna be okay, we'll fix it, you're gonna be okay" and just. desperately trying to do anything. THATS when he triggers.

the thing is thoughhhh. i dont think the second trigger is what actually heals him. i think he triggers and every single one of the capes in that clearing goes down for the vision, INCLUDING muse. wraith is one of the first ones to come back to consciousness but. hes still fucking torn in half! he can feel this horrible new power but he cant do anything about it because hes still got his guts all over the forest floor! uhhhh for the way he gets healed theres maybe a couple options,,, either trickster also gets the vision and thinks its hilarious that he caused a trigger event and has muse stitch wibby up himself or likee... he has to stay like that until they beat trickster and get ashe back and then they have to keep ashe in his breaker state until he fixes william. or theres some sort of.. before they beat trickster or whatever they force him to control muse into fixing him. IDK. something along those lines.

AS FOR HIS POWERS...... IDK. i dont know what they would be. i want them to be sort of like. functionally similar to the smoke powers i guess???? but maybe not explicitly the same. i still want him to be able to give xavier and david fucking awful horrible nightmare visions. i think that would probably fall under either master or shaker category????? IDK help me out with this one. also like u said before we're gonna have to fuck with the timeline and have at least the belltech part of greyscale happen after the muse final battle. which. ohhh my god i have a lot of feelings about that for the freedom city wards especially. oaugh.

I THINK THATS IT FOR NOW... IDK GIVE ME YOUR THOUGHTS I KNOW EVERYTHING IS SO FRESH IN UR MIND BUT IF U HAVE ANY IDEAS I WOULD LOOOOOVE TO HEAR THEM

[yeahiwasintheshit]

I watched and I really loved the new Suspiria movie from 2018, Luca guadagnino who directed the movie says he sees it less as a remake of the classic movie, and more like when a band covers a song. Which is one of the things I appreciated most about the newer film. It has only the loosest of character and plot similarities with the classic Dario Argento film from the 70s.

Style wise the new movie is very much on its own. It’s quite beautiful in its sort of earthy 70s color palette, and naturalistic lighting. It kinda looks and feels more 70s than the original movie made in the 70s. Lol the Argento film has such a distinctive use of bright vibrant colorful lighting that sometimes make sense sometimes don’t, where Luca deliberately did not even attempt anything close to that, and it’s to the movies benefit. It really feels like a completely different movie, and any comparison is ALMOST not fair, cause both movies are not trying to do the same thing. The Argento film is an almost stylistic exercise in horror... a waking nightmare of exaggerated color, exaggerated gore and exaggerated acting, in a movie with a plot that is very thin, and used to hang gory colorful scenes on. which i also love. Its great, and I like the original for the abstract weirdness it is, but the new one is so completely not that at all. its a slow burn, punctuated with intense graphic violence, told nationalistically, that is building fear, building tension, building a deeply complex plot that is not only about witches, but about power and how it corrupts. how it changes those in power into monsters who do terrible things. it kinda reminds me of dune and the messiah that is birthed into a world that needs to be cleansed. i dont know if any of that is spoilers, or not. or if im gonna spoil anything more, soooo....

the first real violent scene, is done so perfectly. what i really liked about this movie, is that the witches in the movie cast their spells thru dance. which makes sense why they have a dance academy. so we see theres a dancer named olga, who has previously slighted the witches, and is now caught in another room by them. shes alone and scared and she cant get out. so then cut to dakota johnson, shes starting to perform this dance, which was apparently originally choreographed by tildas character. it is this really sharp, rigid, animalistic almost tribal like dance. and as dakota does these wild "modern" dance moves, its edited wonderfully, so that this other woman, olga, is almost being punched and kicked and thrown around the room in sync with the dancing. dakota does these harsh twisting movements with her hands and the girls arm breaks, then another move and her leg gets twisted up behind her head. shes contorted like a pretzel by the end of the dance, but not dead. its horrific! the witches then show up later as shes a pathetic lump on the floor, and use these meat hooks to lift her up. shes later used in the ceremony at the end. its insane and creative and disturbingly wild!

the movies not perfect tho, and tilda swinton in old man makeup was kind of a distraction for me a little bit. i dont really understand why they chose to do that. like for me whenever i see someone in old age makeup it says to me that you are going to see that actor later, in like a flashback or some scene when the character is younger. i was waiting for it and it doesnt come. theres gotta be a reason for it, cause why bother. but we get thru the whole movie and there seems to be no reason... no flashback or tilda ripping her old age makeup off. so it was a little confusing. but it also actually makes me think, maybe there was a reason for it??? idk

for me when i figured out it was tilda in the old man makeup, i was wondering why? and as the movie went on i assumed that we were to infer that yes josef was a vessel for the witches to spy on chloe moritzs character, from the beginning. even before the beginning of the movie. to know all her secrets. to know who she was talking to. when we met josefs wife later in the movie, i thought maybe she was a witch too, and that was how they controlled josef and got information about the girls, maybe? josef also is important because he becomes a witness at the end to mother superiorums ascension. it made me think he has a deeper connection with the witches, maybe thru his wife. so by the end when none of that happened or at least none of that was spelled out, i was a little confused, cause i thought that would have made sense? but none of it happened so maybe it wasnt any of that? and they just wanted tilda to play the old man? idk. you cant make a movie more than what is on screen, but these were the thoughts i was having as i was watching it. it may be deeper or may not... maybe its left vague for a reason. i dont really know.

but that was pretty much my biggest question mark about the whole movie, besides that i was completely invested thru the whole 2.5 hr movie. it didnt feel like it dragged at all. the pacing, while some people may think is slow, i was really into. it made me pay attention to all the scenes. i wanted to know what was happening. i didnt want to miss any piece, so i was focused. didnt pick up my phone once lol

the performances also were really great! dakota johnson as susie bannion, was so good. in my opinion she knows who she is right from the get go. ive seen people say that they think susie comes into the dance academy as an "innocent" someone who is "corrupted" by the witches and is "overtaken" by the spirit or soul of mother superiorum, but i think susie is mother superiorum from the beginning and she comes into the dance academy as almost a spy, someone powerful enough to block the other witches knowing who she is, so she can observe the witches without them knowing. and when she see how they are following the corrupt and power hungry mother markos, she springs into action, in the final scene, to kill mother markos and her followers. which is so creepy and gory and insane! but for us, the audience, we are like the witches, we dont know the extent of susies power at the beginning, we find out what shes capable of as the movie goes on, like the witches do. i didnt see that twist coming, but when it did, i thought that susie has been mother superiorum from the beginning, which apparently some didnt think. so again, i dont know, and the movie doesnt explicitly state. which i do kinda admire that they keep it vague and open to interpretation.

tilda swinton is also amazing. playing 3 roles, as madame blanc, josef, and mother markos. the old man makeup is really good, but its clearly old man makeup, and they didnt really disguise tildas voice, so it sounds like tilda swinton doing a frail old man voice lol she does really do a great job physically as an old man. its a great performance. mother markos is all grotesque makeup and a gross weird fat suit and weird voice, that i suspected it might be her under all that, but i wasnt sure until after the movie. lol her best performance for me, was as madame blanc. her scenes with dakota johnson were great. you sorta get this feeling like blanc is falling in love with susie, but its played like shes afraid of it a little, and almost a little scared of susie. like blanc knows more than the other witches do. idk. i like they kept a lot of it vague. like there might be another chapter in the story possibly? who knows. id love to see a sequel.

its also worth mentioning, that the josef character has a bigger role than it would seem, and is in more of the movie than youd think. i appreciated the sweeter ending, especially considering the orgy of blood and naked bodies in that red cave scene, athe end, before the very ending of the movie. i thought that that ending scene of mother superiorum at the bed with josef, as he finally got the news he wanted, really worked. cause it doesnt end with the cynicism sometimes in horror movies. the real villains were killed in the movie, and now they can start over. like maybe the message is that when people in power become too bloated and disgusting with power, like markos, its time to get rid of them and start with a new one.

anyway, really loved the movie. i saw it last night and im still thinking of it, so that a good sign, when it sticks with you so long, and theres parts that are vague enough to build your own story to, which i like, & its kind of exciting. def worth watching.

[yuudamari]

🔥

the legend of zelda. 🥸

While i love both botw gameplay wise and i still think it was an outstanding game, the plot writting of it was an asbolute mess.

Its full of cliches, it hangs on you caring for characters youre already fully aware are dead and the game kind of doesnt care to helo you get attached to, the way its told while i understand they did it bc it was open world absolutely ruins what little writting the game does have since you can just accidentally watch stuff comoletely out of order (this is more of a probkem with totk, which i also have problems with writting wise but it was better than botw)

Both botw and totk treat link like some sort of Outsider to the entire plot, like hes there and things happen to him but he doesnt have the autonomy or well. The character. To react to any of it in a way that would make sense. He isnt Part of anything happening more like things hapoen and he has to fix it but at this point it could also not be link and be anyone else

Both of these games i really love but its amazing how the writting went dowbhill so hard when both twilight princeds and skyward sword which are the games before them have incredible plit and character writting.

Also let zelda do stuff for gods sake. No doing stuff i only get to see through flashbacks or people tell me she did does Not count

[pickypickypeak]

I've read the artbook too, and from what I've seen it's pretty inaccurate in terms of explaining the history of Disney animation and all the teams that collaborated over the years. If you want a more accurate description of Disney's animation history rather than a book that uses flowery language to describe the most basic film terminology the movie doesnt even follow, and throws in "wish" every few lines, I'd recommend The Illusion of Life, written by actual Disney animators. In terms of representation, that's another thing, but a lot of the details and supposed research they put into it left us with nothing. Every Spanish and Amazigh person I've met had no idea the movie was focused on these cultures

First of all thank you for recommending the book, I’ll check it out!

I’m not sure where you’re coming from, but I don’t think the point of the Wish art book was explaining the history of WDAS, nor I think I stated it? There was just a basic timeline for that in the final pages, aside from that, it’s just an art book about Wish. Since they make one for every Disney movie, I think it kinda makes sense that this one focused on Wish and not on generic Disney history…?

However, there are paragraphs about old Disney artists and how their work influenced Wish, with pictures to show it. That’s not HUGE of course, but it’s not bad either…? I strongly doubt that there was any disrespect for these legendary artists when their work was such a source of inspiration for the Wish animators. The again, there’ll be surely books where their history is explained better, since this is about Wish specifically.

About representation, I’m sorry it didn’t get to everyone, but reading the art book you can’t deny there was an effort. I think it was more subtle, since the movie doesn’t really focus on race or diversity plot-wise, but it does feature a lot of ethnical and culturally different characters and they’re all portrayed with details related to their origins, which is nice to see. Also I have definitely seen some appreciation for Asha being mixed or Dahlia being a disabled character, or even Amaya calling Magnifico “mi rey” (again, it’s subtle, but it’s nice details that keep count of the characters’ cultural background).

[gayleviticus]

assorted thoughts on the two new doctor who episodes (spoilers below)

space babies

Weird concept but I think it worked. i dont think the token political allegory had a ton of depth but the stuff about stories is interesting enough i feel like i need to think abt it a little bit

my biggest issue is it feels like the doctor and ruby do a very jarring 180 on sparing the bogeyman at the end. like, i think in some ways it was predictable, but it happens so abruptly after they show zero concern for the bogeyman even knowing the truth of its origins I was super confused. like, i was just content to dismiss it as literally a pile of snot and not a living being.

ironically given the pro-choice vibes in the episode, this actually reminded me a little of kill the moon, where the episode doesn't spend any time actually fleshing out what the Bogeyman is, whether it has consciousness, its degree of sentience etc, the characters just decide killing is bad.

since this episode doesnt try to make a moral dilemma of it it feels less bad than kill the moon (altho I think unfair moral dilemma is a very deliberate choice on KtM's part to make you empathise w Clara aginst the Doctor) but I think it makes the 180 more baffling given the episode seems so uninterested in the Bogeyman as an actual being? if that makes sense?

the devil's chord

to be honest, while it was a fun watch at the time, this felt like an episode that ran out of ideas midway and the more I think about it the more I sour on it. at least scripting wise - i do think this was a very strong episode presentation wise!

Based on this and the Giggle I genuinely don't think RTD knows how to write godlike adversary; both these stories generally collapse into just 'godlike enemy hams it up and does goofy things while the doctor tries random stufff to save the day.' Like, as soon as Maestro turned up it felt as if the thread of narrative logic snapped and it just became a random events plot. And I felt the same with the Toymaker.

I think the issue is that these episodes overplay the power differential so much the Doctor doesn't have any kind of plan - but because these godlike entities like to toy w their victims it means neither the protagonist or antagonist are really driving the plot? i think the fact Maestro read as hammy rather than threatening also didn't help.

I also think these episodes don't set up clear enough rules. If you're going to have godlike aliens with gimmicks confronting the Doctor, the obvious appeal is that it's a story about manipulating the rules of the game to come out on top. It's like dealing with the Fey - or even Weeping Angels; the tension is in figuring out how to rules lawyer the godlike alien out of existence. But instead too much is made of the Doctor not knowing the rules and not attempting to discover the rules and it becomes boring. And if you take that aspect away what actually is the appeal of Doctor vs godlike alien?

They should have played devil went down to georgia during the music battle smh

The Beatles saving the day felt cheap, but it would have been incredibly cheap if they weren't real life people. Like can you imagine any other Doctor Who episode where one-off characters dismissed in the first 10 minutes save the day?

ngl while the ending song was fun and not lyrically terrible... it did feel like the lyrics were ironically the same kind of thing as the bad songs they were lampooning at the start of like, just perfunctorily rhyming random things together? idk. i guess it wasn't as pedestrian but i found it a bit funny

both

i feel like these episodes had a bit more of a return to a kind of procedural investigation format of Doctor Who - characters turn up to a new location and slowly have to piece together what's going on, the rules. which we also had previously in Wild Blue Yonder tbf, but i think it's interesting.

I like how there were moments where Ruby takes charge and says something a bit Doctorly - like when they enter the recording studio in devil's chord she says something like "Right, let's go!" and leads the way. It's a small touch but it just subtly chips away at the dynamic where the Doctor is always In Charge yknow?

Space Babies riffing on End of the World and Devil's Chord riffing on Pyramids of Mars for exposition scenes is perfectly justifiable (esp in the latter case given Pyramids of Mars is like 50 years old now), but I did definitely feel w those scenes that I'd seen it all before? Like, it's one thing to reuse a tropey scene because it's an efficient way of moving the story along, but I felt w both those scenes as soon as I knew what was going on I'd seen it all before. Nothing new. I could go to the toilet for a couple minutes

The magical realism is interesting (the handling of godlike beings aside) but i especially like the ideas of memories, songs hidden in Ruby's soul, and the snow appearing - that's very cool!

[detektyv]

finished hibiki.... erm my thots..

its definitely deeply flawed. but i cant lie i enjoyed all of it (yes including the second half) im not gonna really speak much about the negatives that i feel like everyone always mentions with this show..(asumus and akiras plotlines) id just be repeating the same things other people say. THO i need to say ill just ignore most of kiriyas existence..like this is probably the most insufferable character i have ever come across and this is coming from a guy who LOVES annoying guys. he doesnt have like any redeeming things about him so why are we rewarding him at the end there with how things turn out.. it literally makes no sense. personally i think he could have been introduced just to add some drama to asumus school life but thats it speaking of drama.. the first half definitely lacks it and thats one of my personal issues with it. everyones super nice and gets along perfectly well and if theres a few small issues they all get over it within the same episode because they all have amazing communication skills. MAYBE YOU COULD WRITE A SHOW WHERE EVERYONES NICE.. but i just found it incredibly suprising in a rider show and like..idk ig it just didnt really work for me personally? because everyone was so nice i felt like none of the characters really stood out ? sorry for loving drama and miscommunication plotlines tbh.. and honestly it was only really in the second half i really started to like ibuki a lot more. and todoroki definitely grew on me more as well and it was all because of the comedy. i do wish ibuki got more focus in general. i loooved zanki and todorokis relationship and just wish inoue didnt always have to push the female characters away in favor of his yaoi. but he got me invested in them..im sorry women.. clearly asumu and hibikis relationship was meant to be the highlight and unfortunetly things dont reallyyy go that way (but they were super cute in the first half and i loved them a lot) general storyline wise did i know what the fuck was going on? absolutely not. none of the writers made it clear what the hell was up with the douji and hime so that ending was just..whatever. erm but yeah even through all my complaining and all my confusion ..somehow i still really enjoyed the show like i would still put this in the middle-ish -higher end(?) of my kr ranking lol..like idk i ended up really enjoying the cast and just spending time with them, i really liked the three main riders and i defintely didnt find all the plots plain bad. the suits are sexy and i love the general concept and theme so.. and hibiki himself is kinda my goat being an older rider and all that ..we need more riders aged 30+

[the-s1lly-corner]

I wish to hear about the knd oc

>:3c

Give us the lore Silly!!!!

Sososo sorry for taking so long to get to this! Admittedly I was putting this off simply because theres so much lore! I'll be adding a cut to this because with me summarizing stuff, it's still a lot! I'll try to break it up in sections, since there are different.. chapters... for lack of a better word.. this ocs entire life is plotted out! From early childhood to present day when the show takes place! That's a lot of lore considering the character is well into adulthood by the time the main series happens!

Apologies if it's all over the place and some points are.. whack.. this is my first time putting everything into writing! I'll also need to talk about other ocs so this main one can make sense, mostly it'll be talking about their sector, in regards to other ocs! Also its 3am at the time of writing this + my stomach is being MEAN

With all that said, let's hope this doesnt turn into a novel!

Also also** lore may contradict what's in canon, maybe.. I'm not sure! I'm still not done reading the comics and I havent touched anything GKND so I'm unsure if theres any extra info that in unaware of that would complicate things

Feel free to send any questions about the oc!! Lore stuff, interactions with canon characters, ect!

cws: mentions of controlling/toxic parents but i dont go too in depth about it but just know that this is a part of her story. mentions of sexism as well, obligatory its there because "admin uses his ocs to process his experience with his gender as well as being afab and other stuff" but i dont go toooooo deep into it

Name; Rose Wood

Pronouns; she/her

Age; obviously since we're sliding around all over her time line I'll let you know based in the section... but shes in the same age group as Benedict and Monty

Appearance, present day; short, rocking a chubby mom bod! Red hair that's a little faded with a prominent streak of grey. Green eyes. Very curly and fluffy hair! Not sold on a length, but currently it's just last her shoulders! Often wears cardigans or sweaters, though I'm yet to make an "official" outfit for her... her default outfit! Short :( she stopped growing in her early/mid teens height wise, about 5'5

Appearance, KND era; assuming this is in the later half of her time as a KND operative shes tall by kid standards (assuming like. 4'6 is the average for girls as google is telling me). Lanky!! Very long hair, hair is more vibrant but that's really just a design choice rather than an in universe thing. Hair changes length, it starts at mid back but she cuts it to her jaw a few months before shes decommissioned. No default outfit but she swaps between her school uniform and baseball uniform (sports kid before her dad made her stop!!)

Personality; very sweet and kind, patient.. however shes no nonsense, though that develops slowly over time and really roots and shows itself in her young adult years. Lots of internalized feelings, as a child and teen, she feels she had to suck it up and put on a happy face because to do anything else would be "unbecoming", at least according to her parents. As an adult shes oblivious to the whole child vs adult war and doesnt realize how serious it is, shes just vibing

Occupations, past and current; knd operative (decommissioned), teacher (current)

Family; she doesnt talk to her parents all that much however she keeps in touch with her grandfather (very old, think 80s, rose was an oops baby + so was her dad LMAO), and 2 younger sisters. She does have other family members however they're not very fleshed out currently. She does have a son who is a teen by the time the main series takes place! Maybe I'll make a short follow up post on him!

Former Sector teammates, numbers and names; Numbuh 246 (Rose Wood), Numbuh 165 (Jamie Robinson), Numbuh 162 (Kimberly "Kimmy" Wilson), Numbuh 527 ("Sammy" Jones), Numbuh 129 (Davis Peterson) (the leader of the sector)

i'll probably make a separate post for her teammates, this post is already pretty long LMAO

KND days;

she joined within the very early days of the KND, after monty started it. i would go further and say shes a "first generation" knd operative, being there when they fought and overthrew grandfather. she didnt actually join a sector until the last year or two of her time as an operative, working solo prior on missions and helping built up the operation. thanks to her experience, she was sent to go basically work and "pass off her knowledge" before shes decommissioned.

a actually wrote in parallels between her sector and sector v for thematic reasons but i wont get into that here; but if i had to make a comparison shes like the numbuh 5 of the group. fairly level headed and in tune with whats going on as well as being able to step up when it counts to push through on a mission

"if she was sent to basically pass her experience, why wasnt she made the leader?". tight schedule on her part, parents cared a lot about keeping up appearances and they worked rose like a horse by having her sign up to a bunch of extra curriculars + her having her share of chores as well as her parents being strict. she just did not have a lot of time to spare. a lot of her ark is her slowly becoming more and more independent as time passes, but as of now shes pulling herself between being this model student to appease her parents and fighting for the knd's cause. ironic given the whole fighting against adult tyranny thing

there was some friction in the beginning when she first joined the sector, shes the second newest member the newest being 527 (Sammy). a lot of coming from 165 (Jamie), actually throws her failures in her face if they ever fumble a mission because of her whole history. they do eventually become buddies though, but its a slow burn!

she does get what she was sent to do done before she turns 13, her decommissioning is your standard decommissioning albeit with some pizzazz; she was a first gen operative but she was one of the last remaining ones at that time so its like. a whole chapter ending in their history with only a handful of others remaining. she doesnt get to be a secret operative

Teenager;

probably the most underdeveloped part of her story, i mostly focused on her childhood as well as the present day.. so this section and early adulthood is a little under baked. a lot of the themes as before are still here, overbearing and controlling strict parents completely dominate her time so she doesnt have much time to just. be. she does end up reconnecting with some of her old teammates, but theyre all of course decommissioned at this point in time. the only one who is still an operative is sammy, but thats due to them being so young in comparison to the rest of the sector and even then theyre at the end of their time as an operative. due to the whole "operatives arent to mess with the lives of ex operatives" rule thats mentioned, sammy doesnt interact much with rose or the others unless they approach them first.

main thing to note is that rose and davis have a short fling that quickly burns out due to teens being dumb: short explanation davis was insecure and jealous and rose did not want to deal with that on top of everything else going on with her. good for her for looking out for her health

she was not an evil teen, though, far too deep in her studies to really do anything rebellious as well as being afraid of falling behind and disappointing her parents

around this time, not long after her and davis break up her and her family moves out of town

Young adult;

she went NC with her parents not long after she turned 18, moving out soon after. she does keep in touch with her younger siblings, though. the breaking point was really her parents confirming that theyre disappointed with her existence. literally all but saying they wish they had a son instead of a daughter as a first born, lots of old values/views there that finally pushes rose over the edge. noting now that rose did have some feelings about her gender but never really explored it due to feeling the need to conform + this takes place pre 2000s so... but moving forward she does start to embrace herself and slowly take the time to get to know herself now that shes got the time and space to do so. i do like the idea of her experimenting between now and present day, and while she does eventually lean more towards presenting feminine there are instances where shes presenting more masc/feels more masc

while at college she meets someone, obligatory "i havent given him a name yet", they get together. everythings good, they have a kid. they break up. im still cooking up a reasoning for why they split but for now its just "they changed because they got married young, and now theyre older"

Present day;

a few years before the events of the show she moves back to town, i was going to say she moves in during the current events but i decided to be nice and give her a chance to get accustomed to being back in her hometown. i havent decided how it happens but she ends up getting in with the villains but like. not in the way that shes a villain too, in the "shes like the nice lady from down the street who makes some killer brownies so we all vibe with her". kind of just started as a joke that i turned into the canon for her because i can... kind of see that happening... this leads to her meeting benedict, blah blah she vaguely remembers him, they catch up and it leads to them getting together

i actually didnt originally ship them because "ooooooooouuugh father kinda...." actually it was because "the delightfuls need a decent parent figure because GOD!! i love father and my take on him does soften him a bit with time but GOOD LORD" and then it mixed with that and the "ooooooough hes kinda..." LMAO

not much to say other than shes the cool mom at the PTA meetings and just gets along with everyone, probably thinks the delightfuls and sector v are friends. which drives both of them up the wall they HATE it LMAO

Post series finale;

Dead/j

Okay well, that's just a concept. Admittedly I dont know what to do with her after the series finale takes place. Logically one can assume she just continues on with her day to day because shes not really involved in the fight against children, shes quite literally. Vibing and staying in her own lane asides from when she gets dragged into things by the people around her; even then shes still.. oblivious.. not much different than how Monty reacts to the knd stuff, when hes not recommissioned. Simply thinking it's this elaborate game of sorts, ESPECIALLY if she were to get dragged in through the delightfuls (who are. You know, effectively her step children thanks to her relationship with father)

[mushtoons]

Completely understandable if you don't want to get into a debate but can I ask what exactly you disliked abt the fnaf movie?? I found it an incredibly enjoyable personally. Like I have guesses as to the most common issues people might have with the plot but. I am admittedly. a little baffled by the idea of a fellow tmnt enjoyer taking issue with creative liberties when someone is making a fresh take on a franchise that is meant to have its own separate canon to the previous installments..

nah we don't mind, people can have their own opinion just like we can have ours, and we dont have any issue with them taking creative liberties? we never even gave any indication that did we? /genuine it just sucked to us and we liked the plot it was silly and fun but lacked yknow, spoilers ahead:

it emphasize waaaay to many times about his brother, like understandably yes we get it and we understand WHY they'd want to, but they did it too much, it sucked the meaning and emotion out of such a heartbreaking scene to the point our friends and i groaned every time he brought it up

literally the first 3 nights of FIVE NIGHTS AT FREDDY'S!!!!! all he did was sleep...like yeah we get ur trying to remember stuff about ur brother okay...do that in a different scene or something

the funniest part about fnaf games were the hidden easter eggs and there was almost none in that movie, our brother and i were extremely disappointed because we spent years hyperfixating on the lore and hunting for easter eggs in the games

THERE WAS NO FUCKIN PHONE GUY LIKE AT ALL NOT EVEN A TEASE OF HIM HIS STUPID LIL HELLO HELLO MADE US SO ANGRY /affectionate WE WERE SO DISAPPOINTED HE WASN'T EVEN IN THERE

you dont even see the animatronics do anything besides foxy briefly until the fourth MORNING... though that scene was AMAZING

they didn't even ATTEMPT to have them hunt down or lurk like they do in the games, like okay plot wise ig i see why not but...its fnaf its literally built around that at least a small attempt could have been made other than the foxy and abby scene

we were really confused as to why the intro scene it showed mike running and hiding and even something trying to break into his office when, when the scene finally lined up thats not even how it went down, he was apparently asleep the whole time talking to the dead kids....

they really didnt have to get all scientific and stuff to explain possession and stuff ...the fun of possession is that it doesnt have to make sense its creepy and horrifying and thats all that matters not...that whole explanation vanessa gave

we could go on but our foods done 👀

[winderlylandchime]

(Lets all say a silent thank you to my cousin who suggested that I record him at major moments last week) 2/3And Brian said there’s nothing noble about being poor. (And my brother lost his mind. Im glad you gave me a heads up that you guys were wondering about this scene so i could film him) ‘Wait!!!!! hold up!!! Pause it! I’ve had thoughts about brian and money and *waves his hands while fast walking* stuff but I need my laptop! (he has over 20 google tabs opened with research about colleges in Pittsburgh that could do marketing degrees, how much it would cost and shit like that. One tab was also ‘how to learn to play violin in less than a week’ he said he wanted to see if its really that hard) Okay so! I’ve been thinking A LOT about this. So Mike said they were in the same school, remember? But Mike dropped out or something like that from college which to be fair, so did I and I think I’m doing fantastic, haters that go by the name mom and dad may disagree but I’m here for a fun time not to cure cancer, anyway back to Brian. Brian has this big fancy wearing suit type of job and he’s a partner remember? So that unfortunately demands a resume with big words on it like “college”. So Brian definitely went to college and he obviously worked his ass off since clearly him and Mike are nowhere near each other cash wise. I mean a loft like that? That he probably owns? At 30? Plus the suit wearing job? Yeah, he did a lot of work and probably even had straight As. Probably even in high school so he could get into college AND like how he keeps going at Justin for school? Remember him being impressed by his SATs and how he would make him study like crazy. Shit I wouldn’t be surprised if he even quizzed him during sex. Poor Justin for sure got a boner while taking a test. Wait im getting distracted! Anyway his *gags* dad also took money for him AND HE HAD IT FUCKING READY! He went to see him and he already had it ready! And just before his nephew said Brians sister says he doesnt give them any money which clearly not true to some level but clearly they saw him make money and they took it. And we both know that house was on fire! It was burning every day! This dude made it out alive but he most definitely got 3rd degree burns. So he for sure knew the only way out was to turn 18 and get into college far away and then never come back unless it’s for a funeral to make 100% sure that they are in in that box. So him saying there’s nothing noble about being poor is coming from a different place than what Justin is dealing with with that fucker. That dude is just a broke college student who got offered a deal that kinda sucks BUT he said it himself to Jen, his parents payed for shit, they supported him. Meanwhile Brian? Every single thing he has down to his drugs was bought by him. And i doubt he’d ever take anything from anyone because you know how shitty abusive parents are? They buy you a box of cereal once and then throw it in your face for 3 years straight. So he probably never got anything from his parents and if he did it came with a price *looks at paused Brian on tv and takes a deep breath* and probably some bruises too. So him saying and thinking that, is coming from a place of survival and “look what i did for myself” when everyone probably told him he’s never gonna be anything except maybe dead. And sure he clearly loves money and power since he’s even willing to work with that fucker but in some way can you blame him? He was powerless all his life. But if that would be Ethan who would say that? Now that’s different. It’s not exactly survival in the same sense *looks at me in worry* i fear, i lost the plot of the point..i will make it back but i need to think. *plays the episode again* ‘WHY WOULD THEY MAKE HIM JERK OFF TO RAGE?! No matter what he’s always gonna be obsessed with Brian. HE IS RUNNING WITH SPERM IN HIS CUP! RUN FORREST RUN. Is that really how this was done?’

WOW the character analysis from your brother… I personally think he’s spot on (I’ve given a lot of thought to Brian’s SES background and where he is financially and professionally at the start of the show… too much thought? Nah.) (Btw tell your brother some day that the fandom thinks Brian went to Carnegie Mellon - I love all his open tabs) And this is happening in parallel to Stockwell - Brian is clearly a take the money and who tf cares where it’s from because he had to be, he didn’t have any alternative. His advice makes perfect sense for him to have survived.

Cosign your brother’s analysis.

[lavenite]

okay the characters i really really want dolls of would be from ‘time and again’ cause thats what im mostly focusing on PLUS its modern so i wont have to make too many clothes except for like karina but shes a dirty little crustie so ill have fun with that ANYWAY MAIN PROBELM ! actually under the cut let me rant

okay so the main characters ARE :

KARINA ROMERO : white / scary bright blue eyes / long black hair but Might be dyed…shes an ooglepunk so her fashion sense is easy BUT i could also go like rabbittail abigail type of way…

MATTHIAS O’RILEY : basically adam from priscilla queen of the desert / twink but def muscular < hes a stripper lol that shits hard WORK / keeps hair super short but not quite buzzed / kinda blends into the crowd a bit

MIMI : YAYYAYYAY MIMI !!!!!!! sorry i love her a lot shes so fun. / shortest of the group / fat / black / also a stripper ! probably the most fun fashion wise and loves constantly changing her hair and doing braids and adding beads and just its great / is def one to go with the trends tho

JACK ALVEREZ : im so sorry jack i dont have a clearly defined um idea ? hes mexican. his weight fluxuates a lot as he gets older and through diff periods of his life. has a mullet at some point. maybe he dresses like a nondescript 90s white rock musician SORRY hes kind of boring but we support him ❤️

anyway thats not even getting into lulu or julia or isiah or god forbid any of their parents or fucking matthias’ FOUR BROTHERS ! tho alan is really the only important one currently OR IRENE ! OR KARINAS LITTLE UNNAMED CRUSTIE HOOKUP / TRAVELLING PARTNER …. or lulus son. and im sure theres more characters im not thinking of or havent added yet basically massive cast and i like to say its pretty diverse which pretty much only like. barbie at this current point fits what im looking for but also for older characters like lulu or isiah or i mena fuck like the whole cast is mid twenties but they also timetravel to their teen selves so ummmm yea idk

anyway i have to find dolls for them but ANNOTHER PROBLEM !!!!!! i hate hate hate male barbie dolls. ken i am killing you with my mind. i have to reconcile with the fact that matthias is very obviously a ken stereotype and he himself would put himself as ken to oh god would karina be barbie? thats horrific i mean hes gay and karinas a dyke but yhey kind of have this weird love triangle thing with mimi (who hates karina with all her heart (they literally never interact shes just like that)) also they arwnt even friends. matthias doesnt really like karina���.um anyway lost the plot TRAIN BACK TO THE STATION !!!

i need dolls for them but theyre so specific. i might have to order specific barbies online that i think would look like them….anyway ill stop ranting nowwwww i just love my characters ❤️

[thebuckleyhans]

I decided I wasn't done with this actually.

"Actors and show runners lie in interviews all the time when it comes to future plot points"

Sure I'll give you that. Especially since most of the "important" plots we were told were going to be given time and have be 'some of the best acting' and its wrapped up in half an episode and not given any breathing room.

The Eddie confession scene? Felt like it was left on the cutting room floor for a blink and you miss it necrophiliac joke. Why do that? Why not let Guzman spill his guts for longer and get a better sense of where his mind is at?

Is it for tiktok to have a quippy little snippet to get more new viewers?

What about Shannon being at the crux of Eddie's trauma, or never being good enough for Christopher to the point of becoming like his own father? What about Eddie's issues with his mom? Yeah we have two episodes til the mid season but do you think they can cover all that then? Or do you think the one convo fixed him?

What about the theme about old queer vs new queer experiences? Did that not deserve a seperate episode to breathe? To bring out the incompatibilities between Buck and Tommy. Maybe explain why Tommy wants to run even though they're falling for one another. Instead of making it look like a breakup->makeup plot, show (in a way that is irrefutable to the GA)that the feelings they have for one another isn't enough to take that risk.

And thats not even touching on my girl maddie throwing that gross "turning men gay" line about Abby. OOC and doesnt belong in 2024.

So: What if they are lying in interviews and Eddie is gay. Are you prepared for the possibility of them fucking Buddie up?

Or only hinting at them?

Or breaking up because Buck can't be Eddie's first and last?

Or what if they get Eddie out but he specifically says that Buck is a brother to him and has a LI long term like Tommy was supposed to be(as said in interviews remember)?

Hell what if they get Eddie out and they bring Tommy back to date him?

What if Buck NEVER says he's bi, has a slut phase of mostly women and his interest in men is never mentioned again even if Eddie gets out?

Are you prepared for Christopher's reaction as a character separate from Eddie? I know the Buddie fandom have a hard time thinking of Chris outside of encouraging their ship. So what if Chris is actually against Buddie? Not in a temporary way either? What if thats a risk he can't handle?

What about Buck and Eddie not being allowed to work the same shift and thier dynamics change for the worse or one gets the LI treatment writing wise (Buck is the darling so it would be Eddie)?

What if they are lying and what you want means the end of the aspect you love about the show?

So many Buddie fans who are anti tommy and decided to be MEAN are going to do the same thing to other Buddies when the fandom splits again about it.

Also: you better hope they're not lying about Tommy not coming back to makeup with Buck because when that happened with Madney they solidified as End Game and then you lot will really be pissy won't you?

Just throwing this out here and you don’t have to believe me or believe in buddie or whatever but they are not going to spoil major plot points before it’s revealed in the show. They just arent so if they get asked direct questions about it they have to deny it. They also didn’t let the world know before bi buck was confirmed and buck was straight up until then too. Actors and show runners lie in interviews all the time when it comes to future plot points because they simply have no other choice or they would spoil the show. Same thing with Andrew Garfield lying about being in that spider man movie and one of the abbot elementary actors lied in an interview and said he wanted him and the love interest that everyone wanted to be together to stay friends and later on admitted he lied

Anyways I'm not sharing it to be like "lol stop shipping it".

Its because the writing has been rushed since s7 and this to me is another indication that either the show is ending or they've got their own story in mind that isn't anything any part of the fandom wants or sees. And that includes Buddie.