#it genuinely depends on his story arc

[canonically-a-genloser]

You should stop me from possibly killing off Bear

THE FUCK I SHOULD HES TOO SWEET TO DIE

[the-gayest-sky-kid]

Tell me what u think dazai would be like with a pet (type of pet is your choice whatever u think he’d have 🫶)

i think realistically he'd probably not be the most responsible pet owner... HOWEVER annoying cat owner dazai is kind of dear to my heart. but i also feel like its funnier when the cat in question is atsushi

[inbarfink]

Oh glob, can you imagine what the Tragic Story of the Winterworld version of Marceline?

Because we know she and the Winter King has the same sort of Simon and Marcy backstory as their Mainworld counterparts. 

But in the ‘present day’ she’s nowhere to be found, but her beloved Axe-Bass is and it was given to an icy duplicate of her child self

So this Marceline must’ve gone through all of the same heartbreak with her version of Simon - watching him slowly lose himself to the Madness of the Crown, being abandoned by him, avoiding him because she couldn't bare to see him so sad and mad and such a shadow of the man who took care of her. 

And then suddenly Simon is back, and he seems so happy now and Marceline must’ve been so happy too. But it couldn’t have taken her that long to find out what he did. Who paid the price for the Winter King’s power and happiness. 

And if the Winterworld timeline has been identical to the Mainworld up until that divergence point, and since all of this happened a hundred years ago, that would’ve still been when Marceline and Peebles were going through their Breakup Arc. But clearly Marceline still had lingering feelings for Bubblegum. Seeing the man who raised you so kindly commit such a horrendously cruel act for his own personal benefit would be devastating enough. Seeing him do it to the woman you love is just an extra-cruel twist of the knife. 

Did Marceline feel responsible? Was she afraid that if she wasn’t constantly running away from Ice King’s attempts to reconnect she could’ve stopped him from stooping so low? Or maybe she felt like she should’ve just taken him out when she had the chance - if only she could’ve let go of her emotional attachment to him?

Since the Winter King says he’s a sane Simon who has freed himself from the mental effects of the Magic Crown - was Marceline afraid that he was always like that? That the sweet man who took care of her was just a front she couldn’t see past due to her young age?

And then, they must’ve had some sort of confrontation, right? The best case scenario is the Winter King defeating her, claiming her most praised possession as his own and banishing her beyond the borders of the Winter Kingdom. The worst case scenario is that the Winter King killed his own beloved daughter because she clashed with his new false frozen paradise.

And either way he replaced her with Ice Marcy - a false construct based on an idealized memory of Marceline as a child - happy and adorable and dependent on him. Someone he can dote over, living like a lil' princess in his winter wonderland

But also someone who will never defy his will again.

If Marceline is still alive, now that Bonnibel is finally free… I wanna hope that maybe hearing about that other Simon, our Simon, who expressed nothing but sympathy and a genuine desire to help towards the Candy Queen - maybe that would bring her some peace of mind. But maybe it would just make her feel even more Conflicted. 

[absolutebl]

This Week in BL - All's Quiet on the BL Front

Organized, in each category, with ones I'm enjoying most at the top.

May 2024 Wk 3

Ongoing Series - Thai

Wandee Godday (Sat YT) ep 3 of 12 - I love how were getting a solid depiction of two queers just genuinely enjoying sex with each other. That’s actually rare in BL. In this case, it manages to also be weirdly adorable and cute.

Dee is such a tease. I guess Y likes a brat? 

LOOK at those bedroom eyes!

Linguistics corner: when these two are being serious, sweet, or flirty with each other they use rao/nai which is kind of old fashioned and charming and not common in BL. They move pretty seamlessly into gu/mueng and back depending on the style of convo, tho. It's FUN to hear them talk.

Let the fake relationship commence!

My Stand-In (Thai Fri iQIYI) ep 4 of 12 eps - I HAVE THOUGHTS. I'm really enjoying the sinister backbone of this show. I hope they have the courage of their convictions in that regard and lean into a kind of sexy evil revenge narrative. It was a pleasure to watch the break up and I do not want a redemption arc for Ming or a romance for us. Fuck 'em, let’s just ride a revenge train, okay Joe baby?

That’s said, I totally sniffled at the ending scene where Ming (for two years!) has been paying penance cooking for two and waiting alone. Excellent pathos. Now, I understand how they're gonna make this a full 12 eps. And I’m excited about it. Carry on!

We Are (Weds iQIYI) ep 7 of 16 - I wasn't a fan of Winny & Satang in My School President but I'm loving them in this. The thing with Q, Toey, and Chain had me hooting with laughter. I think I’m finally just easing into the relaxed absurdity of this show. The key is not to expect anything from it. Just them being tiny gay idiots.

Two Worlds (iQIYI) ep 10 fin - Someday I’d like to really enjoy a MaxNat show, but today was not that day. (I feel like ever since Between Us I’ve been generally disenchanted with established OG pairs and what they’re bringing to the table. Perhaps that’s a discussion for another day. Cherry Magic excepted, of course.) 

OK, so this final episode, they sure tried to fit a lot in. But that made the pacing better for me. So I kinda liked this weird cliff notes resolution to the story.

In conclusion:

MaxNat do a credible job with a messy script about parallel worlds, gangsters, and strange diseases cured by forest fruits. It sounds confusing because it is. The chemistry is excellent the side pair is entirely forgotten about, and one could drive a Tardis through the plot holes. Still, I found it modestly enjoyable if not at all rewatchable. 7/10 

Only Boo! (Sun YouTube) ep 6 of 12 - I do love how bold and brash Moo is. He’s truly a great character, such an utter outgoing sunshine puppy focused on his pursuit of his older boy. I'm charmed by his utter harmlessness. They gave us a sweet coming out scene, and an awesome supportive mom. Frankly GMMTV has a good track record with moms. (With a few noted exceptions, of course.)

That said, I do keep forgetting this is a GMMTV offering. It just doesn't FEEL GMMTV. Just me?

OMG Vampire (Thai Sun ????) ep 1 of 10 - Starts tomorrow, will report on sitch next week. LeeFrank are back - not unlike the undead. But how do we feel about it? Unsure given their track record.

Ongoing Series - Not Thai

At 25:00 in Akasaka AKA 25 Ji Akasaka de (Japan Thurs Gaga) ep 5 of 10 - I like it. I like our sulky 2nd lead. He’s pouty, adorable, brash, and adding some much-needed tension to this narrative. The blurring lines between show within a show is a lot of fun. Probably the best I've seen done in BL so far.

Living With Him AKA Kare no Iru Seikatsu (Japan Thurs Gaga) ep 6 of 10 - I like that we got backstory, but we also sort of already knew it. So this ep felt a bit like filler. They are wonderful when they’re on screen together but when they aren't it's a bit dull. I hope we just get them together for the next 4 eps. But this is Japan, so I doubt it.

Blossom Campus (Korea Thurs Gaga & iQIYI) ep 1 of 6 - The image resolution on this show (via Iqiyi ) is terrible. Meanwhile, awkward crush. Jock nerd pairing. Dorky. Maybe a bit too much awkward/dorky for me? I'm not sold on this one.

Meanwhile the ordering then not eating or drinking of food continues. Very upsetting.

Boys Be Brave (Korea Viki) eps 5-8fin - This show was just never sure what it wanted to be. Slacker sunshine KiSub moves in with nerd JinWoo, mostly because he knows JinWoo likes him but won't confess and that's never happened to him before. It reminded me of some earlier KBLs like Behind Cut, yes is had bones but not much flesh, so it only just hung together and progressed through not very much plot in a jerking rattling fashion like an animated skeleton. All the story and chemistry was with the side couple and none of the screen time. That just annoyed me. What did this BL want to BE? Who tf knows. I, for one, don’t care, and resolve to think no more on it. 6/10 

Blue Boys (Korea Sat YouTube) - This ended at 4 eps on a cliffhanger. Since this is a very small studio I don’t have a lot of faith in there being a part two. But they have bundled both this BL, and the GL, bingable chunks on YT. So if you want to binge it, it’s there. Just be aware that it ends on a cliffhanger.

My thoughts?

Promising reunion romances full of class and coming out struggles but I grade with what we got, not on expectations, and you know I HATE a cliffhanger. So yeah, it HAD promise but as of now it gets a 4/10 - fatally flawed. I reserve the right to change my mind if they amend for damages.

It's airing but...

You Made My Day (Thai YT) ep 1 of 5 - mini series staring the I Will Knock You couple Tar & Bom, started but I couldn't find it. I also didn't try very hard.

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.

A Balloon's Landing (Taiwan movie) trailer - A frustrated Hong Kong writer, Tian Yu, meets a Taipei street gangster, Xiang (Fandy Fan from HIStory2: Crossing the Line), and the two of them embark on a journey to find the Bay of Vanishing Whales. Along the way, they discover unexpected twists and turns and close bonds, which brings out the message that "there is always someone like you in this world who is waiting for you. This released to cinemas in Taiwan, no word on international release.

In case you missed it

A really really thorough and fascinating article on 2 Moons 2 and what happened.

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

May Releases

VBL (Taiwan) is releasing 4 'Special Episode' epilogues to their 4 2023 shows every Friday this month on Gagaoolala, Viki & Viu. Not sure on search terms or how to find these. (Or, frankly, if we need them.)

5/10 – You Are Mine

5/17 – VIP Only

5/24 – Stay By My Side

5/31 – Anti Reset

5/25 The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer - HoTae & DongHee are back but unfortunately not in a cinema near me. Side couple from Unintentional Love Story, same actors, same character names. I love them. I NEED TO SEE THIS.

5/28 My Biker 2 (Thai movie YT?) - trailer

5/30 Knock Knock Boys (Thai Thurs WeTV) - I'm hoping I can get it elsewhere since my WeTV account is inactive, but I do love Best and I'm interested in seeing him in a new pairing. That said, I'm not wild about Seng... so I won't be too cut up if I can't get hold of this. More here.

5/31 The Time of Huannan (Taiwan movie) - May not be BL

THIS WEEK’S BEST MOMENTS

I'm a sucker for this king of casual claiming. (Only Boo)

It me! (Wandee Goodday)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @sunflower-positiiivity @mestizashinrin @bl-bam-beyond @small-dark-and-delicious

If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.

[lurkingshan]

Love Sea Final Thoughts

I have been trying to wrap my head around my overall feelings about Love Sea, a show that is undeniably flawed but somehow charming anyway, that drops so many threads but does such a good job with a few of its core points that it's hard to be mad. I can't really say that this is a great drama, but I can say that I enjoyed it a lot and I think it's a good watch if you go in understanding some caveats.

Let's start with a few things I really loved about this show:

Mahasamut. A great character, he will be going on my shortlist of Thai bl favorites. He's smart, honest, patient, giving and forgiving but he also knows himself, his limits, and his worth. On top of all that, he actually looks like a normal person, with a healthy body weight and beautiful imperfect skin. So rare in dramas.

Smart class dynamics. I appreciated how much this show grounded Mut and Rak's relationship in their class disparity, how wealth and lack of same was a constant issue between them that was never forgotten, and how its effect on their power dynamic shifted over time as their relationship grew.

Very well-executed sex scenes. The sex in this show is tied to character development and relationship arcs, and every sex scene mattered to the story. We watched the shifting power dynamics between Mut and Rak play out via the sex they had together and by watching their intimacy we learned more about them.

Ridiculous chemistry. The main love story was supported by truly excellent emotional and sexual chemistry. I always believed in the attraction and the feelings between these two, and that helped a lot when the story didn't quite take me where it needed to.

Rak and Vie's friendship. I really loved that we spent time with these two as besties, and that they were genuinely so supportive of each other. Vie was a real MVP in kicking Rak's ass when he needed it.

Meena, the best child ever. What a delightful character who brought a lot of fun and lightness to the story. Her scenes with Mut were a true highlight.

And here are some things that didn't quite work for me:

Uneven focus for the main characters. Once we left the island to go to Bangkok, the entire show was about Rak, his backstory, his issues, his ongoing problems, and his needs, and Mut was kind of subsumed in his story instead of having one of his own. I was glad we got back to Mut's life at the end, but they really should have kept it present throughout so everything didn't feel so one-sided.

Shallow engagement with family trauma. And despite the fact that the story was so much about Rak's issues, the story never actually went deep on them. I still don't really understand a lot about his family dynamics. The show used his dad and cousin as villains and then his mom as an easy out to solve everything at the end, but we never dug into how all these people ended up this way in the first place. It was a real missed opportunity.

Rak's emotional journey. I was on board for much of it, but other parts felt a bit haphazard and all over the place. Sometimes it felt like he was suddenly progressing out of nowhere, and others it felt like he was backsliding just because the plot demanded it. I liked where the story took him a lot but the path to get there was pretty bumpy.

The side couple. WOOF. I have no idea what happened here, but that was a fail on just about every front. Mook was a hard character to love from the start, Vie felt like a completely different person with Mook than in all her other scenes, there was so much lying and manipulation for no good reason, and in the end they were left completely unresolved. If you are on the lookout for great gl pairings, you will not find that here.

So there you have it. This show is absolutely a mixed bag on its execution, so how much you end up liking it will probably depend on how strongly you connect with what it did well and where it dropped the ball. For me, it was a good experience and one I'll remember fondly. I'll definitely be watching the special when it's released and I hope to see this cast again.

[echo-and-dust]

now that my brain has somewhat unscrambled itself i have gotten most of my thoughts in order about season 3.

and the first thing i will say is: i loved it.

while it was gutwrenching and polarizing in some ways and i feel that i am entitled to financial compensation for what its done to my mental health, i loved this season for pretty much almost everything it did.

i cannot fault people for having issues with much of the characterization and plot choices made—that’s been the trend during the entire run of the show after all, and imo it’s a testament to the phenomenal way it generates nuance—but i wanted to share my feelings on the recurring opinions i’ve seen about some of these things.

first, i do not blame simon at all for the things he said in the final scene. he’s a child who has been receiving endless verbal and physical harassment on top of all the trauma he is still trying to heal from. he just watched his boyfriend lash out in anger and hurt—while not at him, but it must’ve been a close resemblance of how he might’ve seen micke act. at least, that's what i thought, though i've seen others say otherwise.

and yes, wille is not micke, but just because wille’s source of outbursts is different from micke’s doesn’t mean simon is wrong in drawing similarities. at least he's finally getting a true glimpse into what wille has had to deal with. i've honestly grown to like that they didn't have simon immediately comfort him though; wille's mental illness is not his fault, but it is his responsibility, and instead of pushing a message of unhealthy co-dependence, the show has simon be honest: "but i see that everything hurts you and that hurts me too." and to me, that's so important.

plus, it doesn't make their love any less genuine. wille is a victim of the circumstances; he is not evil, and he is not undeserving of simon. he just has a lot of growing and healing to do, a lot of unlearning and exposure therapy because he's still blinded by privilege even when he tries not to be.

speaking of, i have so many thoughts about wille that i feel like i need to save for its own separate post, but to sum them up: i'll still defend him with my life, and he needs to get the fuck away from that institution.

also, the fact that the responsibility of controlling simon's media decisions was placed solely on wille confused me at first like—why wouldn't they get a professional to give him proper media training?

then i realized, this could be the royal court's way of sabotaging their relationship. they knew that making wille the one to tell simon what he can and cannot say or post would create distance and animosity between them. despite the ramifications of simon's behavior on social media, it seems they still thought it best to have his boyfriend be the one to try to mold him into the system. because they knew that's how they could get rid of him. in conclusion, fuck the royal court (we been knew but still).

one of the standouts this season was their transparency regarding the show's politics. it not only works well with the show's arc (wilmon is public, everything's out in the open now and there's nothing to hide), but also it felt necessary at a time where censorship has been rapidly gaining momentum. it felt so refreshing for these characters to talk so openly about racial discrimination and queerphobia and class disparities, forcing both character and viewer to acknowledge that they exist and you should feel uncomfortable about it.

i don't think i can add much more to what was already said about it—most of the fandom is more eloquent and observant than i am anyway—i just wanted to reinforce how important this season is to myself and the story even with how controversial it is to fans right now. a lot of people may disagree with me and that's fine.

[strawberryjamsara]

Okay I’m chewing glass again. But it’s so fucking insane how Sara didn’t actually trust Keiji at first. How she found him suspicious from the word “go.” Like she was smart enough to tell that Keiji was manipulating her. And throughout the entire time they grow close, the entire time they’re developing this father daughter bond, Sara keeps finding ways to poke holes in his stories. She sees him as her rock, the last thing in this wretched place keeping her from truly going off the deep end, but she also knows that he’s shifty.

And even in 3B, at the point where she’s willing to sign away her life for Keiji, it’s ultimately the fact that she can’t trust Keiji that leads her to fall into Ranmaru’s trap. Keiji for once is speaking fully genuinely at her to get out. That this isn’t safe. That she’s in danger. But she keeps going forward. And yes, it’s partly because she’s been panicking over his safety but…

She’s also questioning him! And from her perspective, his warnings probably just sound like him dodging questions again! It’s at this point where they’re both at the height of their care for one another, and Sara still can’t quite trust him enough, and that’s what allows Ranmaru the opportunity to taze both of them! And I don’t think the fact that after this scene, Keiji essentially fully completes his arc and fully embraces supporting Sara and being dependable in the next scene he appears.

[sarasade]

It's been pretty interesting to follow the

"Why Didn't Viren Get Redeemed vs Viren Got What Was Coming To Him"

discussion after The Dragon Prince's 6th season got released.

Hot Take

I think Viren got redeemed.

Because to me Viren humbling himself and acknowledging the hurt he has caused was redeeming. His conversation with Soren was the main event. His rather heroic death was only the cherry on top of the character development cake that has been baking since s4.

I think Viren dying wasn't as significant as what he did before that and how he tried to provide Soren with some kind of comfort and closure, you know, as a parent should, before going. Viren's redemption wasn't just him dying for Katolis but acknowledging his wrongdoings and trying to salvage what he could.

That was pretty redeeming for me at least. Viren did the right thing even when he knew there wouldn't be any reward for it. Even if he couldn't stop Aaravos from destroying Katolis or manipulating Claudia even after his death. Like, man, I kinda feel for the guy.

I think it has always pretty easy to feel sympathy for Viren. Viren wants to matter and wants to be important. However, his grandiosity, as psychologists would call it, keeps him from creating genuine connections with others. His friends, wife and children are only there to prop up his ego or get rejected if they fail to live up to his expectations. It's also pretty damn tragic that Viren opens up about his deep insecurities to Aaravos of all people. Someone who was the most likely person in the world to exploit these insecurities for his own gain.

Viren had to taste his own medicide but I don't think TDP says that's an objectively good thing per se or that we should enjoy this sort of revenge fantasy uncritically. Viren is still portrayed rather sympathetically and of course there is the part about his actions affecting others and the world in unpredictable ways. It's still a tragedy because Viren's actions and personal problems have caused so much collateral damage. The Why behind Aaravos exploiting Viren and Claudia is part of that tragedy, too. There are no winners here. In a way Viren is a victim of his own narcissistic tendencies, too.

This isn't just about the final episodes of Viren's arc. To me it's essential to ask What was Viren's biggest sin he should be redeemed or punished for? Depending on your answer you may have a relatively different reading of s6 story development compared to mine.

To me it's not a specific action he took but his whole worldview. Viren is a fictional character (duh!) so his story isn't exactly literal but metaphorical, a representation of certain values and morals real people and society holds. In s3 TDP draws a pretty straightforward, though brief, comparison between Viren and reactionary right-wing ideologues. It's not exactly subtle.

It's just one way TDP goes to show how toxic and abusive Viren's core values are. that gets reflected both in Viren's personal life aka how he treated Lissa, Soren and even Harrow and Claudia (last two more indirectly). Since he also had a ton of political power as a high mage and briefly as a king we see what he did with that power. It's a pretty clear take on people who dehumanise others, fetishise power and see all living things as something to exploit. TDP explores that both philosophically and psychologically through Viren. Dark magic encapsulates this philosophy well since using magical creatures like tools or objects is essential for it to work.

Also also- I don't really get why people see redemption or atonement as something black and white. It's not bad or anything but Redeeming Yourself For Your Sins is a very Christian concept and Christianity isn't the only way to understand villain story arcs. Like I wish there could be more discussion about WHY redemption is the main analytical framework we impose on villains when villainous characters have a ton of variety anyway.

I don't really have anything to complain about Viren's death itself and I'm not surprised that he ended up dying (for real this time). Aaravos seemed like someone who'd turn against Viren the moment he stopped being useful to him so Viren's life has been hanging by a thread since s4. Viren was the best part of TDP and every scene he's been in had been a delight, well expect the s5 dream sequence because it was too long-winded and obvious, anyway, I'm sorry to see him go and I look forward writing AU fix-it fics where he and Aaravos are married and run a hot brown morning potion shop with all their four totally not dead children. RIP Viren. You lived like a messy bitch and died like a messy bitch. Iconic.

[gumbaigumbai]

Grievances regarding the VIZ 310 translation

Obviously 310 spoilers ahead This is the VIZ translation from the physical copy of Volume 31

For comparison, here is the fan translation (by EverydayHeroes) that I read my first time around

To preface this, I have absolutely zero knowledge when it comes to reading Japanese, so I have no idea which translation would be "more correct," but this is a rant on my own opinion over why I think the EHscans translation is better suited for this scene.

One of the glaring differences is the exact word Ogata uses to describe himself with; a "fuckup" vs someone "defective." I believe depending on which is used, a vastly different meaning could be perceived for this moment. A fuckup implies someone who has made a mistake, and it provides a sense of depreciation. When Ogata uses it here, it means that he took the actions he believed were that of a failure. That he unconsciously thought, "this is how someone incompetent would act," and tried to imitate it. The issue with this is that, as we know, Ogata is not incompetent, and he is not a failure. Throughout the manga he consistently shows off his adequacy, and his issues never, not even once, stem from a lack of skill. His entire downfall is purely based on his mental and emotional struggle. This is why using the word "fuckup" seems inappropriate by definition. It also adds a passage of time to its meaning, a "fuckup" is someone who might have been born as a completely competent person, but has along the way made a mistake which labeled them as such. Again, this doesn't make sense when inserted into Ogata's beliefs, whose primary goal was to show how the environment and circumstances by which he was born held no effect to his psyche. Lastly, a minor issue I have is the tone; this is an extremely vital part of Ogata's arc, it's his finale, and he's going through this intense introspection, yet despite all that when choosing to describe himself he picks this lackadaisical word "fuckup," and not something more meaningful. It feels like the translators relied more on the expressive quality of an expletive than the definition itself. Now, looking at the fan translation, defective sets a much different tone, along with the wordage used around it. It implies something is flawed, or not working correctly. Similarly to "fuckup," it describes imperfection, but here it can be seen as inherent. Here, Ogata talks about how he chose to act like someone who was born lacking, how he believed he was missing something since birth (love), and therefore made decisions he thought reflected this implied lack of love. It perfectly ties into his inability to see that Yuusaku genuinely loved him, and sets the focus on what the issue is, which is his mentality. I can't stress enough how this would be impossible to derive from a word such as "fuckup," and how important that distinction is. Another issue is that "fuckup," as I've mentioned, reads as someone who has made a mistake, whereas a "defective" individual is not at fault for their impairment. When placed into the context of the story, why would Ogata consciously choose to act as someone who "fucked up", instead of someone who just wasn't born correctly. Sorry if this rant is a bit jumbled, I just needed to express my thoughts on the matter since I seriously do not like how VIZ executed this scene. Hope you enjoyed the read though, if you made it to the end! ^_^

[papastarion]

I know everyone has their different takes on Astarion’s character, and what they think his story should look like/what he would or wouldn’t do with his life after the events of the game, and I think they’re all valid. And not everyone is going to like your read or what you want him to pursue or be like after all is said and done. And there’s nothing wrong with that! Could you imagine how boring things would be if we all agreed? I personally love seeing the diversity of takes.

That being said, I am very much a fan of the idea of non-Ascended Astarion starting a family after everything, just me personally. Now, I know that’s a whole can of worms for people who don’t like that concept or who don’t like the idea of kids/pregnancy in their fiction. That’s completely fine. Funnily enough, I have no desire to have my own kids, but I love exploring that sort of lifestyle and the dynamic it creates when it comes to my characters in my own writing.

And I do think he wants kids, in my world state (to borrow a Dragon Age term), anyway.

I always go back to Astarion’s confession, when he says he wants “something real.” All those years where sex and love were nothing but a performance to seduce people and lure them to what he thought was their death. And now, with Tav/Durge, he wants the real thing. He wants to love and be loved.

He says he doesn’t know what “real” looks like anymore, which means he’s got to figure it out. And we know he isn’t much for plans, so that means a lot of what he learns is learned as he goes. That must extend to learning what he wants, too.

“I Want to Live” is the song that is consistently played in relation to his character development (despite being the players song.) Want. For all of those years, he was told by Cazador that he and his fellow spawn were a family. If he doesn’t ascend, then what he desires, and discovering what he wants, and taking what was false for so long and learning what the real version of it looks like to him all come together to make it easy for me to see him enjoying fatherhood.

He wouldn’t be Astarion without that prickly personality of his, but as his relationship with Tav/Durge progresses, you get to see the softness and sweetness he has in him, too. And I believe he really does mean it when he says he wants to protect them. He does genuinely care, as sarcastic and standoffish as he can be. That’s part of his personality and his character arc.

Now, do I think he likes all kids? Not at all. I think he likes certain kids, and for certain reasons. He may not encourage taking in Yenna, but he does insist on saving her from Orin. He seems to have a high opinion of Arabella. It depends on the kid. In a strange way, I think his own personhood being taken from him has made him view kids as more individual than most people tend to.

And I think he would adore his own kids because of who they are. They’re proof of how far he’s come, they’re proof that he’s alive and he’s living and that Cazador didn’t win in the end. He’s here. He won. He’s growing past everything.

And, most importantly: they’re his kid(s.)

Do I think he’s ever considered having children prior to having one, even before he was turned? I doubt it, honestly. But especially prior to his vampirism, I don’t think it matters whether he did or not. He can’t remember what color his eyes were, let alone what he wanted or who he was. And it doesn’t matter, he makes that much clear. He isn’t that person anymore, and he won’t ever get to be them again. So whether he had thought about children specifically or not, whether he wanted them or not, I don’t think that matters to him anymore.

He never saw himself as a hero, either, but he’s a Hero of Baldur’s Gate now. He cares. In his own way. And he defines and does things his own way in his life now. He’s still not your stereotypical hero, but he’s also no longer your stereotypical vampire. He wouldn’t be Astarion if he was easy to define. And after everything, he is still Astarion. He’s complex, and he can be quite contradictory and inconsistent. That’s both part of his personality and a result of the 200 years of trauma he survived, I think.

And again, he’s also not one for plans. I don’t think he considers being a father until Tav/Durge is telling him that he’s going to be one. And that kind of life-changing news can rattle even the people who have planned for it and wanted it their whole lives. Sure, I think it takes some getting used to, and I’m sure there are complex feelings that come with it. Rediscovering yourself and building a life are never easy. Living isn’t easy.

But this is another part of the life he’s living—really living. This isn’t the mockery Cazador forced the spawn to play pretend in, it’s a real family, his family. And I think that means everything to the person he chooses to be now.

[bakasara]

Trying to parse my thoughts on Izzy's death and why I had a different reaction to it than I thought I would. To summarize: I thought I wouldn't like it, but also that they wouldn't do it; the opposite happened– they did it but I'm ok with it.

I'm also feeling like talking through some mourning for an amazing character, so follow along if that's you, too 😌

(I should probably clarify the following thoughts are coming from someone who deeply enjoyed this season.)

I first wondered what would be of Izzy around the end of season 1. I expected him to have a heel-face turn – which I object to calling a redemption arc and I'll get into why, because the distinction ties into his death imo. A lot of antagonistic characters' changes of heart end directly in death, but I thought they'd subvert that trope. And they... did, actually, despite Izzy dying. Not an option I had imagined.

What the show avoided is the logic, the set of tropes attached to the deaths of this kind of character. These deaths usually come as a consequence of the character's changed ethics or "redemption". My being against that scenario came from the diverging natures of traditional redemption arcs and OFMD's rhetoric.

A traditional redemption arc functions by a kind of catholic logic, if you will: the villain can become one of the good guys by balancing out his "sins"/bad deeds with enough good deeds to tip a moral scale. This often involves a purifying suffering, which acts as an agent to expiate one's faults. To the viewer, this suffering can serve to activate our empathy and make the character more sympathetic. It can also legitimize his quest: our trust in the character's good intentions comes from seeing that the character is ready to make sacrifices to become better and he isn't deterred by the hardships of doing the right thing.

The death occurring at the end of a traditional redemption arc acts as the ultimate sacrifice and/or purification. A number of ideas might be at play behind it, depending on each story: only in death can the soul become fully pure, or a final sacrifice is "needed" to demonstrate the change once and for all, or change was only possible up to a point after which there is no viable/acceptable future – the character deserves moral points for changing, but not so many that he also deserves a full life, or past crimes make him more expendable, etc.

But these are all ideas that aren't evoked in any of the crew's journey in OFMD. For starters, the show isn't interested in "catholic" redemption; its focus is on reintegration/rehabilitation into the community. Rather than appealing to the more traditional (in Western media) and more christian principle of "purification of the soul through mortification of the body", it plays with notions of restorative justice.

We see it especially this season with Ed and Izzy. Ed's arc is a whole little lab for it. We have the community being made to decide whether he can stay or should leave; catbell!Ed is made to apologize to the people affected – which he initially does abysmally, with what fandom has dubbed his "CEO's/YouTube apology". Later, he's given the opportunity to have a more honest and genuine conversation with Fang where he learns about how he hurt him. He's made to repair some of the material damage his behavior caused. Some members feel repaid by the idea that they did to him the same he did to them (Fang) while others don't (Lucius), and the show touches on what this means for each/legitimizes both feelings. Arguably, Ed using his treasure to throw Calypso's birthday party – a much needed refrain and moment of social (re-)connection within the community – is an additional form of reparation. While Stede's belief in Ed has a clear role in helping Ed change for the better, Izzy's s2 journey focuses even more intensely on the role of social support within an individual's constructive (re-)integration into their community. The show is condensed by choice of format, but the beats are all there.

With that kind of rhetoric set up, I'd never be able to accept Izzy dying in a way that feels like a punishment for his past crimes, nor in a way that should "confirm" his positive change/"purify" him for good. And he doesn't! By the time he dies, we know full well he's deeply changed, it's already established to completion. How it happens has nothing to do with proving himself – he's randomly shot in battle. It's never questioned that the time he got to live surrounded by affection mattered. The speech he gives Ed is only possible because he's changed, accessing a completely different perspective on piracy/life than before, like we see when he talks to Ricky earlier. The reason the whole crew is paying respect and crying is because he became "the new unicorn", a treasured member with a defined role. But his death itself is the show going back to the initial symbolism of Izzy as ultimate pirate. The narrative function of his death is underscoring that the age of piracy has come to an end. It's nothing to do with his change. It's posited as the "natural conclusion" (again, by symbolic function) of a character that represented piracy through-and-through, not the "natural conclusion" of a process of becoming better.

And for me, that difference changes everything. I can see and accept the logic behind it, even as I mourn Izzy as a character. It makes the grief feel like a catharsis I experience within the context of the story I'm watching, rather than a grief I feel from a show "betraying" me.

It's also a difference that completely changes how Izzy's death relates to his queerness. Izzy's change is intertwined with being able to express queer affection openly. Becoming "a unicorn" is this extremely queer imagery already – a magical rainbow creature. His role becomes akin to a mother to the crew (the mother hen!Izzy many headcanoned last season, tapping into his potential), a position that isn't extraneous to older queens, including our honored real-life mean-old-queer men. Last season he threatened another queer man for showing too much delicacy, effeminacy, vulnerability. Now, his change is a process that culminates in him singing a tender love song among the crew in drag. He's given the privilege of playing the soundtrack to our protagonists making love for the first time, which ties him symbolically to the event in a way it does no other crew member. Suffice it to say that insinuating his process of change should end in death would have been disastrous, as far as I'm concerned. Antithetical to the show's supporting ideology.

But that's not how it went. Grief occupies a big role in the queer community, but it's so rare that we get to experience it cathartically. In real life, we often have to contend with the ways queerphobia causes us trauma or even shortens our lives, or the lives of our friends. In fictional narratives, a lot of characters that get to express queerness unabashedly still die for the transgression. They're still usually the only queer character with relevant screen time or at all, at best one of two that formed a tragic couple.

We almost never have the opportunity to just mourn some motherfucker who died because they meant something else as well that was central to their character. To mourn and know we're mourning someone who wasn't ever punished for being queer-as-in-fuck-you and going all out. To mourn and not feel like it's another message of queer doom, because for once the character is surrounded by an entire crew of other queer characters that go on to live and be happy. To know the story is saying something about life, not about being queer. To know this kind of crafting was deliberate, too, because the creator has talked about working to avoid those tropes. I struggle to remember another time I had the opportunity to grieve for a queer character like they're a human being, without the implication that it's queerness itself that's a death sentence.

And honestly? It feels good. It feels like a form of catharsis I do not dislike. That I'm maybe kinda glad for. OFMD is and stays a magical world. Beyond that, in a show full of queers, one of them dies after getting some extraordinarily meaningful happiness, and it's peaceful, and I get to just be sad for the fucker without the gutting of being reminded that if you're gay, better not shoot too high. It feels like a completely different emotion that no other show, for now, would give me, but OFMD. To me, it's yet another thing it's pulled off.

As it's been known to do.

[thoughtspresso]

This Tweet by Aka Akasaka:

I always thought there was something unhealthy about Akane’s relationship with Aqua. And while I don’t think she had ill intent, personally, it’s just like a lot of people you may have met that also either had depression or have very unstable support systems -- they tend to depend heavily on people who did treat them with kindness and gave them affection. Albeit, not by their conscious effort to use people, simply a reflex driven by a personal need to feel useful and appreciated by the people they feel love for.

Spoilers after the break.

In many scenes after Akane’s attempt during the LoveNow arc, it’s shown that she’s become to give a lot of herself to whatever it is she thought Aqua would need of her. She was happy to give those things, including:

Act as his dream girl

Be his showbiz girlfriend even with her awareness that he’s using her

Help him kill somebody in the industry

Bear his emotional burdens

Kissing and sex, even during their showbiz relationship 

Listening to her romantic rival brag about their steakhouse date and be cool with it

Being in a relationship with somebody who she knows still bears feelings for somebody else

Being okay with getting bugged/GPS-tracked if only he said so

Tracking down his father for him

Confronting and possibly killing him herself so Aqua doesn’t have to

I do think that Akane genuinely believes she was being helpful. She believes doing these were all good things.

But what she doesn’t really realize is that she was, in a way, being an enabler to Aqua’s darkness, or triggering his traumatic feelings even further.

There was something consuming about their time together.

I felt like, Akane was absorbing him somehow. Not in the literal sense. But their relationship was one where they fed into each other’s darkness. She wanted Aqua to be more dependent on her, and he was kind of glad to have someone enable his delusions--whether that he would find and kill his father, or that it was all over and he should just stay with Akane because it was the safe, scandal-free relationship to have. In Akane he found a brief respit, but also he continued to lie to himself a lot.

He gives this up when he realizes that even with Akane, being with her puts her in danger. It was the very opposite of the thing he hoped to achieve in that relationship, when he said he wanted to protect her.

In really stark contrast, Arima Kana says things like this:

She just snaps him right out of a fucking monologue.

Whenever Aqua tries to bear everything by himself, she reminds him crudely that he never had to protect her, and that he’s supposed to learn how to communicate:

In a way, it’s Kana’s radical honesty and her core understanding of who the true Aqua is all along that will set him towards the path of real freedom and healing.

Of everybody, she’s the one who knows what Aqua is like when he was at his best. And every time they’re together, they draw out the light from each other.

That, instead of Akane who says “I’ll go to hell with you if you ask”, Kana just says, “Wake the fuck up”.

So often, being stuck in your trauma also means that you need help getting out of it. You need good support systems to remind you that your trauma isn’t all that you are. And this all-consuming guilt you’ve borne on your shoulders isn’t really there anymore--you just believe that it is because that’s exactly what trauma does.

I think, despite Akane’s best attempts to remind him that things weren’t his fault, and that he doesn’t have to carry burdens by himself, the fact that she enjoyed being useful to him was, in some way, also keeping him there.

I know that there are a lot of great Kana moments after the baseball scene, but I’ve come to love coming back to their first time meeting each other again.

Even in her first re-appearance in the story, when Aqua was being all angsty emo sadboie about his acting career, Kana’s immediate reaction is to hire him, and believe in him.

Kana just wants to see him shine, too.

The way he makes her shine.

[lemotmo]

Another really good one, I like this because we're starting to see a lot of this redemption thing in the BT tags. This was a question about Gerard and his connection to Tommy. And now that we know they're not upset about us sharing their answers I feel okay sending it to you.

A. Happy Friday to you as well! Unfortunately, based on your question, I don't think you're going to like my answer, but I promised you guys my honesty so here goes. Gerard is not here for Tommy. Gerard is not here for a Tommy redemption arc. Mainly because we (the audience) are not meant to see Tommy as needing redemption. Tommy is a general audience character. Meaning everything we're supposed to know or care about where Tommy is concerned is what the show told us in season 7. He is the guy Buck is currently dating and he used to work at the 118 before Bobby took over. That's it. That's all the show needs the audience to care about, at least right now. Fandom people are the only ones who remember his exact history, and no offense to anyone, they didn't bring him in for us. He is there to serve a specific story purpose so his individual history is irrelevant. Gerard is there for Bobby, and increasingly I think, Eddie. The Bobby stuff is obvious, but Ryan has mentioned Gerard now in a couple of interviews so I think he's giving us a clue that Eddie and Gerard will be some kind of story.

The Tommy stuff depends on whatever reason the show decides to give for his breakup with Buck. And yes, I do genuinely believe that is what's coming. If he's meant to be the one responsible for Buck figuring out his feelings for Eddie then I don't think his history with Gerard will be brought up except maybe as a scene or two in passing (if it's not necessary for the breakup, it probably won't be mentioned at all). If Buck is the one they want to end things, and have him figure out his Eddie feelings another way, then I think Tommy's past with Gerard will play a bigger role in their breakup. Especially if he tells Buck to deal with him by just keeping his mouth shut, and his head down and ignoring him. We all know Buck won't do that, especially if Gerard makes Eddie a target. So it depends entirely on the reason for their breakup. They don't need Tommy in a ton of scenes to accomplish either scenario, which is good because I do think he will also be filming SWAT and his availability won't be great. If he's supposed to figure out the Buck and Eddie thing, and point it out to Buck, we will need his reaction to at least some Buck and Eddie moments, (or at least his reaction to Buck's reaction to some of those moments), so they might need him for a few more scenes if they go that route for the breakup. Either way I don't see him lasting past the winter finale. Whatever the plan for Buck, I think he'll be ready for Eddie by the break, maybe even before. I think the second half of the season will be getting Eddie ready and then building up to Buddie. I don't see them dragging the Buddie thing out all season but I do think it will be the latter part of the back half of the season. Depending on Lou's availability he may be done sooner than the winter finale. We just don't know yet. But as someone who has watched the show from the beginning I don't know what other direction the Eddie storyline could be going. It's he's queer, or they're writing him as never going to be in love again because he was that in love with Shannon (which would be god awful television), or he becomes a devout Catholic (absolutely not). Those are kind of the only outcomes they've given themselves. And I'm sorry you don't like them, but Buck and Eddie learning to navigate an actual relationship, given Eddie's intimacy issues, inability to communicate his feelings, and his family/upbringing, as well as Buck's abandonment issues and need to fix everything is interesting storyline after interesting storyline. No one will force you to watch. And you're correct that lots of people will be pissed off, but many more would love it. They're very well liked by the general audience, people have got to stop trying to convince themselves otherwise because it's simply untrue. They're popular, people like them and most people would be interested in watching that storyline play out. It feels earned. Earned by Buck and Eddie and the audience. I know this answer has probably upset you and many others, and that is never my intention, but I also don't believe in telling people what they want to hear when the canon events seem to be leading in a different direction.

*chef's kiss* love it love it love it

Hi Nonny, thank you for sending in this really interesting message from the ‘anonymous blog I love’.

For those of you who have missed it, the OP of these very interesting posts on BT and Buddie has contacted me yesterday. They are a BT shipper that also like Buddie and they are okay with me posting their messages. They do however, wish to remain anonymous because they don’t want to attract any more negative attention. Their inbox is probably already a minefield, so let’s not add to their stress and respect their wishes. Thank you.

If you are interested in the OP’s posts, you can find all of their posts so far under the tag: anonymous blog I love.

Now, let’s talk about this answer:

The answer above is very interesting to me. They talk about Tommy’s role in the whole Gerrard saga and I fully agree on most of it. They point out again that Tommy is there to serve a purpose in Buck’s story, so essentially he is there as a plot device in Buck’s narrative.

As for Tommy’s role in Buck’s story, I am of the belief that Tommy will be the one to tell Buck to just ‘Keep your head down, your mouth shut and pretend it isn't there.’ as he complains to him about Gerrard and how he treats his friends on the 118. This is something Buck could never do. He isn’t like Tommy, he can’t just accept and tolerate his friends being bullied by their new captain.

I agree with OP that Tommy will probably be gone by the end of 8a. His arc will be finished and the queer Eddie/Buddie arc will be in full swing by then. This arc won’t find its satisfying ending until well into 8b though. There needs to be drama first. And I do believe that there will be a lot of drama before we actually get the payoff of the Buddie storyline.

The fact that Eddie’s arc is most likely to go into the direction of him realising he’s queer seems unavoidable. It’s like OP said: It’s either queer Eddie with eventual Buddie or ‘never again in love’ Eddie. Two options and we all know which one will bring along the most press and a whole gaggle of new viewers. 😉

Now, as a treat, I have a second post from the OP for you today. This was sent to my mutual and friend @buddiebeginz and she has kindly allowed me to use her post on my blog in order to centralise all the posts from the OP. Thank you Justine!

For context I’d like to relay to you why this post was sent to Justine. She received an ask earlier which she replied to here. I urge all of you to read her reply as well, as it was very insightful and I do agree with most of it.

Anyway, someone else sent her an anon ask later on as a response to the post she made. This anon had found a reply from the OP as to why they thought that Tommy is ‘good’ for Buck ‘right now’ and why they enjoy the character’s role in Buck’s story for as long as it will last.

Keep reading under the cut. I didn't want to clog anyone's dash with too long of a post.

Here is that ask with OP’s answer:

I admit I really like this answer. The way they break down Tommy’s role in Buck’s story as Buck having a ‘fun and light’ first experience as a newly out bisexual, before the more ‘heavy’ Eddie and Buddie story will start. I understand it and I can see how that could be some valuable life experience for Buck, so he is strong enough to tackle the next part of the Buddie journey. I can logically 'perceive' that this is what the writers originally intended for the BT storyline.

Does this mean that I suddenly like Tommy and the BT arc? No. Definitely not. And I think the problem can be found in the way that Tommy and BT was written. He wasn't written as a very appealing character. I don’t see the chemistry between him and Buck and I think they don’t fit well together. Their ‘energies’ just don't match. I don't see enough proof of him truly caring about Buck in any of the episodes. So, I admit I can't see the 'light and fun' experience OP talks about. To me Tommy is just weighing Buck down with too much negativity.

And let's not forget about how we were all introduced to Tommy in season 2 and the way he treated Hen and Chimney. The man was never meant to be a 'nice and likeable' character with a questionable background like that. They tried to redeem him somewhat with the helicopter cruise ship rescue storyline, but to me it fell kind of flat.

And yes, of course there is also the ‘Eddie factor’. I have been shipping Buddie for years now, so whether I like it or not, I am biased towards Buddie. I am also not a multi-shipper. I just don’t have that in me. Once I latch onto a ship I never let go. 😊

So yeah, ultimately… different opinions make for more interesting conversations, right? And I love reading about OP’s opinions. Sometimes they match my own and sometimes they don’t, but I still respect them and value their view on 911. That’s what fandom should be about: sharing opinions, respectfully agreeing or disagreeing with each other, listening and learning from each other. It’s so much more enjoyable than sending anonymous hatred to someone’s inbox.

Anyway, once again I ask everyone to not post any hate towards the OP in the comments or reblogs. I do highly encourage a civil conversation about the topics discussed in this post. 😊

[lesbianboyfriend]

thinking about your sexual violence discussion in Buffy.

I think there is something in Anya's story arc in season 7 that ties in.

D'hoffryn is always polite and affable but always proves to be sadistic. he wears politeness as a disguise. When Aud cursed her husband, she is praised and exalted by this demon man who promised her power and glory for the chance to do something good in the world like help women get revenge.

but he really thinks of all of his girls as disposable. he kills Halfrek just to make Anya hurt. kind of like how the watchers view the Slayer as disposable. You can always find other woman to fill the gap. preferably a young attractive one.

he is not interested in The actual revenge that happens. he doesn't actually care about the girls who work for him. he just wants power over people. They even say there's always vengeance needed at brothels, implying that a lot of revenge is tied to sexual violence or misbehavior. he is taking advantage of women in these situations to build his influence rather than actually help them.

Anya truly believes she is doing good work until now when she realizes that she is not helping these women, very frequently she is scaring them. That's why she wants to undo the wish. she doesn't want to hurt women anymore and she is punished for that

omg….anon im kissing you on the lips. this is such such a good point. i’ve been meaning to examine anya’s place in the btvs sexual violence schema and i think you’re so right with this…..i think there’s also something to be said for how anya’s character in general has literally only revolved around men….d’hoffryn as a vengeance demon, then xander when she lost that, then d’hoffryn again when she lost xander, then xander again when she loses d’hoffryn again…..the episode where anya gives up being a vengeance demon is SUCH a good episode where she decides that she has to define her life outside of these relationships to men. and then they immediately bring her back to just joke about her and xander again. she deserved so much better…..i think there’s also something to be said for how her loving money is played off as like a joke and a negative character trait but how having money is like. a very material necessity for women to have independence from men especially considering the era she grew up in where she literally would not have had any money of her own. anya has never been independent she has always been reliant on a man in her life out of necessity. she took so much shit from xander because as a demon recently turned young woman she was not equipped to live in the world on her own and the help of the scoobies was dependent on her relationship with xander…..genuinely makes me seethe how her character was treated so poorly by the other characters and narratively as just a joke character when she’s literally such a rich interesting and fascinating person…..anya babygirl i would treat you so right

[ticklinglady]

The Guild's actions during the story are so insane, when you think about them properly, you know? When I first read the arc with them, this moment hasn't really occurred to me, as I was too busy going nuts over finally seeing the names of the familiar writers, but now when I think of that... I am not sure, I comprehend how they managed to achieve such a ferocious reputation. I have already made a little post about how extremely dysfunctional the DOA members are, but at least those guys have a plan, which actually makes sense more or less, even despite the gang using cheatcodes/the Book. The same cannot be said of the Guild however archghhjkn. Like, what the hell were these guys even doing??? XD

So here are just some moments, which weirded me out the most

At first I'd like to address the entire story with everyone's favorite tsundere, Lucy Maud Montgomery. Her introduction leaves quuuuite an impression in the best way and nothing makes me happier than the fact, that she gets a chance to find happiness in the following chapters and actually becomes a reoccurring character! HOWEVER, her entire involvement with the Guild is super odd... I still can't wrap my head around her getting fired. She is a girl with a hella powerful ability, who got taken to the Guild from a terrible, terrible orphanage in order to fight for them in the war for the Book, so not only is she very strong, but she's also immensely dependant on the organisation and wouldn't do anything outside of its interests. Yet Lucy is also put under extreme pressure. As she herself puts it, the Guild doesn't tolerate failures and will kick her out the moment she screws something up.

Later we see that this is exactly what happens, when she messes up her first mission. Fitzgerald himself confirms that, since she failed and revealed her ability to the enemies, she's no longer useful, so now a powerful esper, like Lucy works for free as a... laundress?

EXCUSE ME??? WHEN HAVE THE GUILD MEMBERS EVER DONE ANYTHING, BUT FAIL AND REVEAL THEIR ABILITIES?

Let's be real, these dudes were successful like only once or twice...

This fact not only makes Fitzgerald look like an idiot for wasting such a talented and useful worker, because of one mistake, but also as one hell of a hypocrite, cause he is more than fine with everyone else fucking up. And in case of Lovecraft and Steinbeck: fucking up twice. To add to the oddity, we later learn, that Louisa genuinely cares for Lucy and despite her social anxiety actually stood up for her during the entire story, but even that wasn't enough to change Fitzgerald's mind on the issue, though Louisa is one of the few people, whose opinion he respects. Honestly, this is such a waste of a truly useful subordinate. And speaking of which....

The Guild has never even tried to implement Edgar Allan Poe during the war...

This man is actually rather op when you think of it. He can capture and neutralise literally any ability user in Yokohama (besides Dazai, Mori and Ranpo ofc) just by throwing a book at them. Seriously, as we see with Chuuya, they don't even have to read it, they just need to see the pages. Plus the book can be actually sent via email!!! So why has there been an absolute zero amount of strategies with the use of this ability??? They could actually try to catch Atsushi by sending him such email containing any of Poe's mystery stories and then safely carry him back to their base. And it doesn't have to be just Atsushi, it could be literally any of their enemies. Non-combatant, like Ranpo could use this pretty damn well to his advantage and it doesn't take a genius to understand the potential of the "Black Cat in Rue Morgue". But nooooo, it seems like everyone has just forgotten of Poe!!! (Tho to be honest, I can actually see this situation in a funny extra awfgbfggfjj. Not the main story however) The agency would never even learn of his existence, if he didn't personally decide to try to fuck Ranpo's life up. Like, what does Poe even do in the Guild? He's the master architect and, according to him, the third ranking man in the organization, but we never see him be of any use, so Idk. 🤷🏻‍♀️ Lucy at least got to do something, unlike this poor man.

Then there's the entire drama with the Guild's decision to destroy Yokohama. Where do I even begin...

First of all, Fitzgerald has no way of knowing that Atsushi is going to come to Moby-Dick to fight him. Poor guy is the Guild's primary goal and has already gotten himself captured once, so it would have been safe to assume that the ADA decided to hide him somewhere and not send him on any dangerous missions for the time being. That basically means Fitzgerald could have burned down not just Yokohama, but also the only person, who could actually help him find his precious Book.

But if we're to ignore this, let's also go with Wikipedia then~

"Yokohama is the second-largest city in Japan by population and the most populous municipality of Japan. It is the capital city and the most populous city in Kanagawa Prefecture, with a 2020 population of 3.8 million. It lies on Tokyo Bay, south of Tokyo, in the Kant�� region of the main island of Honshu. Yokohama is also the major economic, cultural, and commercial hub of the Greater Tokyo Area along the Keihin Industrial Zone."

..........................

Good luck making up for the destruction of THIS, Fitzgerald 🖕

And if this in itself wasn't bad enough, most people, including me, tend to forget that all Guild members are actually big shots in the American government, which I think is very sad. Because first of all, can you imagine any of the Guild members actually working as politicians?!! The sheer idea makes me hysterical avshbgj. Like, just consider Lovecraft working as a senator or something. This eldritch horror of a man leaves the ocean once in three years at best LMAO. Second of all, I have a feeling, that the destruction of Yokohama at the hands of influential politicians from a foreign country would have resulted in an international conflict or two~ Like as if random deranged rich Americans arriving in Japan, wreaking havoc over there and destroying the second largest city in the country wasn't bad enough, these Americans just HAD to be super influential businessmen and politicians. Louisa, my dear, I understand that it wasn't your intention, but it's as close to a declaration of war as it can get, you know? Fitzgerald may be ready to do anything to resurrect his dead daughter, but I'm not sure, that the execution of himself and the rest of the Guild at the hands of the Hunting Dogs is something he'd like.

(And here's another funny thing that stems from them being politicians 🤭 As @originalartblog wittily pointed out, Fitzgerald wasting all his money fighting sskk has probably resulted in a market crash and recession over in the USA)

I also have some other questions in regards to this entire plan, such as why did they have to waste Moby-Dick just to destroy Yokohama? Yes, it works in the short term, but in the long term they loose a super powerful fortress with the stealth mode and as the practice shows, you better have a safe base, unless you want another lemon freak to blow it all up. I mean, you could just ask Lovecraft to destroy everything for free. Or, if the device is the only way to stop the giant whale from crashing, why didn't Fitzgerald just take it to a far away bunker or something and waited things out there without the need to spend millions of dollars just to survive the explosion? (And it would have been extremely funny, if during the fight with sskk he just threw the device overboard) But I think I have already rambled for long enough already atxhghbgv XD

The Guild is an even bigger mess than the DOA and I think that's glorious 🙌

[kanohivolitakk]

Your recent posts reminded me of Greg wanting Matau to be the turncoat in WoS instead of Vakama and trying to make Vakama's fall from grace into something he apparently fakes in the novelization (failing bc it still comes off as a genuine fall from grace and tbh i think it enhances what the movie already had going for it). Its like he wants to make simple black-and-white sort of characters but he just keeps adding complexity to them apparently by mistake

Oh yeah, Greg really disliked Vakamas heel-turn and vocally expressed his distaste for it whenever asked what aspects of the series he personally didn't like or would've turned differently. Ironically the reasons he disliked Vakamas heelturn gives a really weird reading of Vakama: from what I recall he felt it was OOC for someone as dutybound, honorable and passionate of his job as a Toa as Vakama to abandon his duty and I'm just sitting here like. Greg. Are we talking about the same character? Vakama spent an entire arc seeing himself as not worthy of being a toa. How can you say a man who spent most of the story being in the refusal of call phase and struggles with self-worth wouldn't be suspectible for temptation?

I don't know if you know this, but your comment on Greg wanting to write simple black- and white morality actually isn't that off mark as you may think. Greg actually has said a few times that he doesn't like villain redemptions (or complex villains at all for that matter), and prefers to write simple villains, because that's just something he personally prefers. Interestingly Greg does like prefering complex heroes though, and loves to make heroes with flaws, who are tested and fail at times. He has actually explained this paradox a few time: goodness is challenging, evilness is simple to be tempted by and it is far easier for good guys to fall to the dark side than the other way around. His mindset is essentially that one classic Ursula Le Guin quote of how evilness is simple and good is complex.

And while I get that mindset idk..I just find that rather limiting. Maybe it is because I personally prefer when characters are human and complex regardless of their moral alingment but Greg's idea of heroes being complex and villains being simple never sat with me. Especially when a lot of his better written characters were villains and morally ambigious characters. While Greg did succeed in writing some compelling and likable heroes, he really excelled at making some damn memorable and at times interesting villains. So for Greg to dismiss some of his more morally complicated characters as being more simple than they come across in the text itself is rather frustrating. Like, Greg you wrote some damn interesting characters, stop making them less interesting than they actually are.

I also feel Greg's statement of villains and heroes is somewhat ironic when you remember that three of his best written and most memorable characters are: 1. arguably the only redeemed villain in the entire series 2. a morally ambigious catgirl who can flipflop between an antagonist and antihero depending on the story 3. Unholy fusion of Joker and Deadpool who started as a villain only for later stories to use him as either a neutral wildcard or outright antihero. All three are characters he has admitted of liking, with at least one of them (the catgirl) being among his personal favorites. So basically outliers to the general writing philosophy he had.