put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.
wanna preface this by saying that i am. So normal. anyway i just spent the last week redrawing scenes from mystery skulls animated but as that hermitcraft au i posted about a couple times. you guys should watch msa it is. so so good.
really liked how this episode annihilated the notion that the solution to simon's problem would be to become a 'halfway' ice king, a version of himself that can keep both his magic and his sanity. there are no half measures when it comes to the curse of the crown
when people say it's stupid to learn latin because it "isn't useful" i literally go crazy wild like i get violent and aggressive and start gnashing my teeth looking like a dog with rabies or something
I love that In Stars and Time gives the nonconsensual kiss a proper horrified reaction, by the way. Most media where a character can kiss someone out of no where either make it a funny thing or the "romantic" thing, but here Siffrin kisses without permission out of no where and Isabeau reacts correctly! He pushed them away! Because thats surprising, and fucked up to do to someone with no lead up and no permission! Isabeau had no context, and at the time when the kiss happened, was under the impression that Siffrin didn't like touch which can have a variety of horrible reasons for it. Not only that but... We don't know what face Siffrin was pulling and I don't think it was a nice one. Which, again, means that we don't have all the context either! This is a horrible event that has horrible consequences and I love that it does. Because it's something that is horrible and objectively one of the worst things Siffrin did to one of the others in the loops, so I'm just!!! So excited it had bad consequences!!!
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
I can scan my sketchpad since it fits (need small since I don't want shadows to obscure stuff) anyways I forgot to change the dpi so shit qual but happy that I figured this out 👍
Edited it cause printer desaturated the pic (curse you cymk!!)
anyways here's sol and cricket by yours truly @venomous-qwille
Those 2 recent chapters got me thinking about them more
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
I love fandoms, especially witnessing what fans take away from source material and how fans interpret it based on their experiences. Not to mention the stark difference of interaction between new fans, casual fans, experienced fans, and long-term fans.
I say this because the SVSSS fandom has continuously fascinated me in insisting in discussions that there are parallels between Shen Jiu and Luo Binghe (tell don't show), but in their fanworks, I just see parallels between Luo Binghe and Yue Qingyuan (show don't tell).
And it's not even (fully) a case where they're blending character personalities because they want what the other dynamic has, it's just how the characters are based on canon in two different timelines.
All of this to say, perhaps original draft PIDW (NOT original!PIDW nor pre!SY PIDW which are completely different) was supposed to revolve around the dynamic between SJ and YQY vs SJ and LBH. Perhaps YQY was to be the last hour mastermind, the true foil to LBH.
And fandom is just circling this idea without realising it because, once again, the unreliable narrator that is SY has already convinced this fandom that any version of SJ has to be a/the villain, regardless if it's through his own actions or baseless rumours.
Warning, run-on sentence ahead.
I don't know, mans, but it's gotta mean something that LBH and YQY have such similar life beats of being orphaned and having a tough life but remaining kind/compassionate because they had someone to live for until they didn't which left them empty until they found (or refound in YQY's case) one (1) man to obsess over in an uncomfortably intrusive way with no regards for his feelings and rejections, eventually reaching a position as the most powerful being in existence with a huge caveat that their sword is 83% of that power and is slowly killing them which did nothing to soften said man of their obsession's into showing them kindness leading to the ultimate confrontation between the two in which only one could survive and keep their obsession, not that it mattered because neither of them got to experience his feelings reciprocated, except in another timeline where the same things are happening until their obsession suddenly stops rejecting their (still intrusive) advances even if he is acting a bit silly, but hey take advantage while you can and take advantage they did because now they have that reciprocated feeling (except one still "won" as he gets to keep him for himself) and be thankful that all it took was, in their perspective, a near death fever that drastically changed his personality and most likely left him crippled in some other way, preventing their obsession from not NOT needing them anymore, all-in-all fulfilling their desire to be relied upon again, hooray! 😋😁✌🏽
In all seriousness, at the end of the day people are going to draw connections between characters that fit whatever narrative they understood from the story. SVSSS fandom just seems to be trying to convince others of one narrative while believing on a deeper level of another narrative. It's amusing and makes following the fandom fun.
Quick question — what's the appeal of Colly/Runestraw?? Like /genq, no hate to anyone who wholeheartedly and genuinely ships it, I'm just curious about what made ppl want Cup and Holly to date
[Video Description: A video of zoomed in Spore footage showing a recreation of the Light Dragon walking around. The Light Dragon's theme can be heard playing in the background. End description]
Shigaraki/Tenko wanting to destroy the false sense of peace All Might and Heroes created
.⬇️.
Shigaraki/Tenko wanting to destroy everything that lead to the existence of that house, which he conceptualizes as the embodiment of rejection and injustice in the world. Be a Hero for the Villains.
.⬇️.
AFO basically literally created that house
.⬇️.
Shigaraki/Tenko helps defeat AFO
.⬇️.
Deku telling him 'you already destroyed it' is... apparently Shigaraki/Tenko having finally gotten rid of the true cause of (his) rejection and injustice? main antagonist's big problem that represents an overarching major issue of the story/in-universe society... solved? (main antagonist's big problem that represents an overarching major issue of the story/in-universe society not actually being the problem he thought it was but now also solved?)
.⬇️.
No longer a need for there to be a Hero for the Villains, Shigaraki/Tenko dies.
.⬇️.
Heroes not to be blamed in the first place. also fuck everyone else and all other 'actual' outcasts I guess.