"Congratulations on your new job on Coruscant, Commander"
Fox commission for @whiskygoldwings Thank you so much for letting me run wild with these, I've missed drawing flowers so much! ❤️
Black Dahlia - for betrayal, evil and dishonesty
Orange Lilies - for deep hatred, doom, as well as enthusiasm and energy (good as congratulation for a new job or promotion)
Poppies - for the dead
and Foxgloves - for deceit
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Is childhood friends to lovers with Satoru valid? ‼️
Fav trope tbh
ALWAYS VALID!!! best trope imo….. so many ways this could go with him……
one of the best things about a non-curse childhood friends to lovers au with satoru is the ability to explore the fact that he’s actually a genius and absolutely a loser, just a handsome and charming one so people overlook his loser-ish tendencies/he’s the nerd that makes being a nerd cool.... by all metrics you’re more “popular” than satoru is. you’re not a mathlete, you’re not in the chemistry club, you don’t make nationals at chess or judo, and you don’t spend your afternoons burying your head in a gameboy playing digimon; plus, you’re not nearly as insufferable as he is when it comes to interacting with other people. this doesn’t make satoru feel bad in any way, he always says he has to surround himself with the best people, and you’re proof of that; you’re pretty and smart and students and teachers like you and you’re his best friend—you’re proof that satoru is incredible.
he blames you for why he ends up being so needy. you’re the one that stuck by him even when he was causing problems or starting fights or picking on smaller kids (his growth spurt is really. not good for anyone), you’re the one who pinched his ear and jabbed his side and told him to get his head out of his ass and made sure he wasn’t completely unbearable. you’re the one who remembered to bring a portable charger for his gameboy when you guys took trips into the city for the day, and you’re the one who kept playing for him when he was mid-battle but really had to use the bathroom. you’re the one who always answered his calls at ass o’clock in the morning when he needed to ramble about whatever, or couldn’t sleep, or was begging you to let him drag you downtown to some niche pop-up store opening because, “you don’t get it they’re releasing limited edition flavors of their best selling mochi! we HAVE to be in line three hours before hand if we want to get any!” he was supposed to just be a regular old loser, but you came along and gave him standards and friendship and intimacy and now you must reap what you’ve sewn, he is your responsibility now.
satoru doesn’t realize just how much you’ve spoiled him until college/grad school, when he thinks other people wanna hear him nerd out about his shows or games or hobbies and they only endure it because he’s ridiculously beautiful. he’s kinda slow to this pattern at first, but once he catches it, he flops onto your bed, lamenting about how his beauty is blinding and you see the true him. you tease him about how he’s technically admitting that you see him as ugly, and he borderline starts crying and weeping, and honestly he likes to mess with you, but he doesn’t know why he needs to hear you admit that he’s handsome out loud, but he doesn’t let it go until you’re laughing and giving up, “okay, okay, i’m kidding satoru. you’re a very pretty princess and your suitors should want your hand for your personality, too.” and if you thought satoru wasn’t normal before that, you were wrong; something in him short circuits that day and it takes him approximately three-business weeks of ruminating and pouting and running equations in his head and reading research papers on emotions and the brain and attraction and it doesn’t come to him until he’s in the middle of his lecture, and he stops spinning his pencil so abruptly and breaks it in half and says to himself, out loud, “i’m in LOVE with her??” true loser lover behavior.
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more rambling about a s5 au: lindsey comes back for a redemption arc to act as legal counsel for angel's team. this ostensibly gives gunn a reason to opt out of the lawyer operation, but he does it anyway because he doesn't trust lindsey not to fuck them over.
lindsey acts as a moral foil to gunn, who comes to believe his necessary contribution to the team (since he's no longer their only lawyer) is being the defender of the group's principles while working at w&h. they frequently butt heads while working on a case, but eventually develop a begrudging respect of each other's respective strengths.
this hostile-to-friendly-rivalry arc is tested when it comes out that w&h was responsible for some demon problem that's been plaguing gunn's home community. gunn has, unbeknownst to himself, been somehow contributing to it while working at w&h; lindsey knowingly contributed to it when he was last working there as a lawyer. lindsey is forced to confront who he was, while gunn is forced to confront who he’s becoming.
since he was involved in the project, lindsey uses his insider knowledge to help come up with a plan to fix the problem. they execute it, something goes wrong, and lindsey risks his life to ensure the plan goes off successfully. he expects congratulations and a pat on the back from gunn, but gunn isn't interested in absolving lindsey's sins (or his own), and their warming relationship freezes over.
at some point, gunn lets himself get taken by the senior partners in an effort to deal with his guilt over various lapses in judgment/perceived moral failures. during their rescue mission to the holding dimension, lindsey stays behind in gunn's place so he can escape, assuring gunn that he's the lawyer the team needs right now. their mutual arcs culminate in lindsey rejecting the idea that redemption is done for recognition, and gunn rejecting the idea that guilt/self-punishment is inherently redemptive.
eventually after being busted out by illyria, lindsey is there to empathize with gunn about losing parts of yourself (body, mind, and/or soul) to w&h, relationships to power when you've grown up without it, and what it means to live with the consequences of your actions. both of them reflect on the nature of redemption/forgiveness/intent as they grapple with how to own up to an appropriate share of the blame.
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