#it would be more effective than what they're actually doing

[gallusrostromegalus]

My drawing skills suck are very unpracticed but I have a mighty need to create fanart of the garbage tarot. I don't even know anything about the source material but I am in love with these idiots.

Actually... I do a lot more mixed-media than I do drawing........... Hmm...

As a Completely Unrelated Thought, what do you think Zaraki's handwriting would look like?

I'm glad you asked because there's na specific answer for AEIWAM fic! Zaraki!

(Note: in AEIWAM, Kakiyo was Tousen's adopted sister, not an unrequited crush, and she raised money to go to the academy by working as a travelling schoolteacher for a while)

---

The first time Yamamoto gets a report from Zaraki, it genuinely throws him for a loop. Its a thorough if somewhat gruesome report about the 11th dealing with a pack of hollows that had been attacking isolated villages. Nothing Yamamoto was not already used to, but reading descriptions of mutilated villagers is somehow more unsettling when the descriptions look like this:

(a stylistic example)

Yamamoto takes him to task next meeting.

(continued under the cut)

"I know you're still learning the job Zaraki, but you can't foist your paperwork off on Miss Kusajishi." Yamamoto growls.

"I... Didn't? What?" Zaraki looks extremely confused, but the Captain-General is not fooled.

"You mean to tell me THIS is your handwriting?" Yamamoto snaps, throwing the report on the table, sheets spilling out as it slid down the length of it, so everyone could see the bizarre cutesy hand it was written in.

Zaraki's face darkened, jaw clenched. "Yeah. What about it? You goin' blind as well as senile?" He growled.

"THIS IS THE HANDWRITING OF A LITTLE GIRL, ZARAKI, DO YOU HAVE THE SAME HANDWRITING AS YOUR DAUGHTER?" Yamamoto slammed his hand on the table, temperature sharply increasing around him.

Zaraki began to arch his back and crackle with Reiatsu as well, but was stopped by loud ringing chime and a hand on his arm.

Yamamoto blinked in surprise to see Tousen, of all people , holding the giant back. There was a click as Tousen fully re-sheathed his sword. Suzumushi's chime wouldn't effect either of them, but it redirected their attention very effectively.

"My apologies, Yamamoto-sama." He bowed his head before turning his ear up at Zaraki. "Kakiyo wrote about this to me. You could only afford for one of you to receive schooling, right?"

Zaraki huffed and shook himself before answering. "Yeah, I was a broke-ass bastard before this." He grumbled, scratching his neck in a de-escalation feature. "Yer sister was a fuckin' saint and a genius. Neither of you have any business tellin' the whole world though."

"I think it was an exceptionally brave and difficult thing you did." Tousen shrugged. "Even when she used that method, less than one in a hundred parents actually stuck to it, much less achieved what you have."

Zaraki started looking everywhere but at Tousen, thinking. "... wouldn't call it brave, it was just makin' sure she was doin' good in school." He muttered.

Tousen kept listening intently at Zaraki. May I tell Yamamoto-sama so he doesn't cause another scene?"

"You're going to tell me what you're muttering about whether you like it or not." Yamamoto menaced.

"My sister taught Zaraki-taicho and Miss Kusajishi how to read and write." Kaname sighed and took off his goggles to rub the bridge of his nose. "It's extremely common in the Rukongai to have to teach children whose parents have never had any kind of schooling. Many of the parents would like to go to school too, but can only afford to send their children- actually , usually only one child. It's not usually an issue of money, but time- the parents can't afford to miss fishing season, or spare any siblings because they're needed on the farm. But, when you have a parent who is as attentive and caring as Zaraki-"

"Tttch!" Zaraki huffed at Kaname, who pointedly ignored him.

"-You can get around the schooling fees and scheduling problems by telling the student that their homework is to teach their parents what they learned in school that day. The homework you give the students is for their parents to do after they pass the lesson on and grade them on how well they taught their family." Kaname explained, putting his goggles back on. "Kakiyo was in awe of Miss Kusajishi's dedication to teaching you, and immensely proud of your efforts."

Zaraki still refused to look at Tousen, but his ears were bright red.

"...ohhh." Ukitake realized. "Wow, that's... I thought it was impossible to learn how after a certain age, that's - well, I don't think it's something I could have done!"

"What?" Glared Yamamoto.

"Zaraki-taicho and Miss Kusajishi have the same handwriting because he learned how to read and write by learning her school lessons from her." Unohana translated. "-An exceptionally difficult way to learn, and commendable for even trying." She continued, arching an eyebrow at him as a warning.

"Yeah and with all due respect Yama-ji? You're not exactly in a position to be complaining about anyone else's handwriting-" added Shunsui. "Zaraki's handwriting is odd, but it's perfectly legible. Nanao-chan framed your last memo because she thought it was an abstract painting."

Yamamoto turned to Shunsui with an aggravated glare.

"I'm afraid I have to second Kyoraku-taicho." Tousen said, without an ounce of chagrin in his voice. "The kido spell on my glasses can translate nearly everyone's hand, but the only person in the ninth who can read your memos to me is third-seat Maegawa, and mostly because she's had several centuries practice."

"Wait, we were supposed to be getting memos?" Mayuri squawked. "Dammit! I thought that squiggly garbage was the fax machine breaking every other week! I disassembled that thing three times trying to fix it!"

"You can all shut up now." Yamamoto snarled, and everyone did, but there were still a lot of pointed looks around the table, and Unohana's eyebrow had not resumed it's usual curvature yet. "Please consider my complaint withdrawn."

Unohana's eyebrow arched further and she cracked her eye open to reveal a coal-black iris, going from Warning to Threat.

"...My apologies, Zaraki-taicho. That was. Inconsiderate of me." Yamamoto muttered.

"Ya gonna shut up about it now?" Zaraki asked, not quite facing Yamamoto, but back still arched.

"I will hold my judgment in check in the future." Yamamoto acquiesced, watching him.

"Sure." Zaraki grunted, shaking his shoulders to drop the subject. "Right, what the fuck were we doing?" He asked, returning to the agenda.

---

After the meeting, Tousen took a minute to stand in the late afternoon sun, exhaling and releasing the tension of the day, when someone grabbed one shoulder and plopped something heavy on the other.

"Yeh didn't have to do that." Zaraki grunted just behind Tousen's ear, his forehead resting on the small man's shoulder, half gratitude, half grumble.

"One of the responsibilities of a captain is to keep the general in check, and I had a particularly good opening to stop that nonsense for good." Kaname hummed, hand reflexively coming up to touch the giant's head on his shoulder, fingertips tracing over the scarred visage and peculiar hairstyle.

"Didn't read that in the employee handbook." Zaraki grunted, grin in his voice.

"Yamamoto wrote those handbooks, and he'd rather we let him do as he pleases. You have to learn how to read between the lines, Zaraki." Kaname teased.

Zaraki gave his strange, low clicking chuckle of amusement and affectionately mock-bit Kaname's ear before standing up, still holding his other shoulder.

"...Thanks. " he muttered, giving his arm a squeeze and stepping away. "Gotta go pick up Sensei, you talk to her if you think I need more tutoring!" Zaraki waved, striding off to collect Yachiru in completely the opposite direction from her school.

"ITS THE OTHER- oh, he'll figure it out." Kaname sighed.

The sun was low in the sky, but it was still warm, and the first Cricket of summer started chirping, startling him. Suzumushi chirped with it, singing her mournful loss of her original wielder, but not so despairing this time.

"Kaname?" Sajin asked, heard before he was felt as usual. The lieutenant's meeting must have wrapped up late.

Kaname smiled and put a finger up, indicating he should listen. Sajin did, helmet tipping slightly to hear.

"Crickets!" Sajin realized, and offered Kaname his gauntlets hand to lead him home. "...I miss Kakiyo too." He sighed.

"You're not really gone if some part of you lives on in someone else." Kaname hummed. "I realized she is not so far gone today."

"Oh?" Sajin asked. "Where does she live on?"

"Have you read any of Zaraki-taocho's reports yet?" Kaname grinned. "His hand is not his hand alone."

[nitrowyverine]

Finally played the TOUCHSTARVED Demo! Still thinking about it over a week later.

(Above: Steam banner image for TOUCHSTARVED from Red Spring Studios)

I love it SO MUCH. and i have QUESTIONS. my extended thoughts below the cut [Demo spoilers included]

General thoughts:

this game is SO up my alley that it's insane. local goth gaming nerd is kicking their feet and giggling

the music? and sound design? It's honestly incredible, even beyond the infamous Every Time We Touch cover (Which is how I found this game). We all have to be giving more props to the music/sound work, it absolutely punches the experience up so many notches. When a soundtrack is released I'm immediately keeping it on hand for all my tabletop needs

absolutely enamored with the backstory mechanic. It adds so much individual depth to the character. you can feel attached to your MC without them being a complete blank slate. I absolutely love that different MC backstories have you pick up different details about the characters. (My favorite is The Hound immediately picking out who the leaders are amongst the group, in contrast to the other MC backgrounds)

I wanna eat the backgrounds. I wanna eat them whole. They're so detailed and colorful and have a great sense of depth. 100000/10

Specific character thoughts/theories:

(Images courtesy of the Touchstarved character Lore posts from the Red Spring Studio socials. I'll be linking them in each of the character's names)

Ais:

Thank you, Red Spring studios, for blessing the players with the ability to bite him if you're an ass to him the entire demo. You truly know what we want

Lore seems to indicate that Ais came over from the demon realm for some unknown reason, and was possibly some kind of demon king or leader? Fascinated to learn what happens there

Ngl the Seaspring looks like it would taste good. My favorite raspberry/rhubarb tea looks just like the Seaspring water. Gimme the group juice.

Question: If Ais gets infected with MC's madness....does that mean. the WHOLE groupmind gets infected? Humans and soulless alike? That's a city-destroying disaster waiting to happen

CONCLUSION: Most likely to adopt 6 dogs instead of picking up the groceries. Least likely to let you have the car aux cable.

Kuras:

I do believe Kuras is the actual best shot at a cure/treatment of all candidates. Assuming the curse is some level of demonic, an angel's touch is probably the best bet.

Let me be clear here though, I do think he might just go "Well you can just like. not have arms" and take them. That is a possibility

Most of the other characters I can get a rough idea of what they want and why. Kuras? I have NO idea what his goal is, which is very frightening.

Twitter bio image does say "Repentant Angel", and that his fatal flaw is "his sins can only be repaid through suffering". Possible linkage to Lovent's fall? Or another major disaster?

its okay sweaty we all get The Guilt (tm)

If Kuras somehow gets MC's maddness (I have a feeling it may not effect him? but if it did) that would just. end the world right there.

CONCLUSION: Most likely to be the one guy you might be able to bring home to your parents. Least likely to put on oven mitts to take a frozen pizza out of the oven.

Vere:

I love Vere for being the character I thought I could trust the least, turning into a character I actually trust allot. I trust him to be extremely dangerous. He probably wasn't lying when he said his heart is on his sleeve.

Also, big props for having him just kill you in one of the demo endings. What a guy, I love him, no notes

Wait what he's over 100 according to his birthday post. thats, allot? older? than I thought?. okay yeah the lore posts mention he's a possible deity figure. not comforting

Vere is very fae-logic coded. Like, the words he says can be true and false at the same time. Don't tell him your name, he will cannibalize you for fun, etc etc ya know fae stuff.

i will protect him always

CONCLUSION: Most likely to fuck your dad. Least likely to be your new stepdad.

Mihn:

Mihn is much dodgier than the rest, but I think that makes them more trustworthy. They're not as interested as playing games.

I nominate Mihn as a secondary protagonist, since Leander, Ais, and Kuras seem to be interested in them quite a bit. Even Vere has a rivalmance kinda thing going for Mihn. If MC didn't show up, that would be the dating sim right there

I'm excited by the lore post and the implications that Mihn is from Lovent (or has traveled there? and survived?) and potentially getting greater lore expansion about the world surrounding Eridia

I think it's interesting that their strength stat is relatively low compared to the others, yet they're one of the characters that actually uses their strength in the demo.

Also, I think we see the least of their "monstrous form" of everyone in the demo (minus their ability to dodge in and out of shadows). I'm thrilled to see what their monstrous form actually entails.

Mihn would survive bloodborne. That's it thats the entire thought

CONCLUSION: Most likely to do all the work in a group project. Least likely to be chill during Mario Party.

Leander:

OKAY ALL OF MY QUESTIONS ARE HERE. I AM DEEPLY AFRAID. Something is absolutely wrong but we have no current ability to pinpoint what it is.

I've seen theories Leander is dead. However, in Vere's route, he mentions that Leander smells like aftershave. While this could be part of an extra-elaborate ruse, hair doesn't grow after death (Minus the appearance of it happening due to natural decay processes) so he wouldn't need to shave. However, I am betting on him being involved in some sort of un-death cycle.

actually I can guarantee his story is all about cycles. Has anyone else mentioned how his belt is the triple goddess symbol.

you know. the symbol of maiden/mother/crone. birth/life/death. beginning/middle/end. like

Moving on, the vast majority of his smiles are forced (Mouth is smiling, but there's no eye movement/crinkle that would indicate it's genuine). That is enough of a red flag but honey I am so much more worried about my next point:

WHERE DOES HE GET HIS MONEY. He's constantly buying rounds of drinks for a packed bar. It's briefly mentioned his clothes are nice. He pays for anything MC needs. However, says Bloodhound rates are "Free". Where does he GET HIS MONEY for all of this. Twitter posts from Red Spring point out he doesn't accept bribes (at least overtly).

WAIT I'M REREADING THIS POST WHAT THE FUCK ARE THE SILENT CRYPTS.

Looking again at Leander's stat post. The Ouroboros in the background is. Not comforting. Also, "Forbidden Magic"? yeah I have a feeling we know why he's not in the Senobium

Theory, potentially Leander is currently being paid by the Senobium to maintain lowtown/Silent Crypts order? I think there's still a connection between them. Like the Senobuim can remain detached while having ties to whatever horrible things Leander is doing.

Okay, in the twitter relationship charts it says that Kuras has looked out for Leander "Since he was young". Kuras probably knows. SO much we don't.

When Mihn scolds Leander for not telling MC to be off the streets past dark. I think Leander intentionally "Forgot" to mention that. I think he wanted the MC to see how dangerous Eridia was so MC would stay closer to Leander for safety. I think it was a very intentional manipulation tactic.

(Furthermore, did he actually cast a spell of luck on MC when he gave them the lilies from his introduction magic trick? Then bet on the MC living through the day?)

I do think Leander's surprise at MC going out to the Seaspring was genuine, since his spit-take clashes so starkly with his cool-guy demeanor.

I also have a feeling that Leander has been past the veil/shroud. he's doing something fucky and the veil is prime fuckery territory.

(Are we...going to get a timeloop story????)

CONCLUSION: Most likely to dramatically use himself as a human bridge over a small puddle (as an excuse to get walked on). Least likely to remember to go to bed after playing Stardew Valley for 13 hours straight.

Touchstarved game things I'm concerned about:

(I feel like I wouldn't be doing my game designer duties if I didn't point out my concerns as well. To be fair, there aren't many.)

I hope the bad endings get fucked up, story-wise. Since it's a horror game, I know it might turn some people off to have things go super wrong, but I really hope they do. I want to see some endless pain vortexes, some real Juniji Ito-style suffering. But I would also understand if the devs want to softball some of the worst outcomes for the sake of widespread appeal.

We all have countless examples of kickstarter games looking strong out the gate, but then falling flat upon release. While I have high hopes for Touchstarved, I do know the reality and intense difficulty of kickstarter games. I'm really hoping the demo isn't the best the studio will have to offer.

OVERALL: I am rooting for the Touchstarved team/Red Spring Studio all the way! I'm thrilled to see where this game goes. I am poised on this purchase button and ready to buy when it releases.

[blackkatdraws2]

There are more things in the Parable than Stanley knows about. [Blank Scripts AU]

[niishi]

Everyone's mad at that Brittney broski girl but...... She's right. It IS dystopian to ask some white tiktoker to use her podcast to talk about genocide. And the reaction to her saying she's not the one for that job, people making it online cancel culture discourse bc this white woman who makes poop jokes doesn't think she should be the spokesperson, is just even more dystopian. This girl is RIGHT. Y'all co opt these tragedies and are opportunists and just TALK AND TALK AND TALK AND TALK SOOOOOOOOO MUCH that the actual victims never get a voice. Never get heard. Never get the stage or the platform or mic. And WHITE PPL, THEIR ABUSERS, BECOME THEIR VOICES. PRIVILEGED PPL WHO NEVER FACED GENOCIDE GET TO BE THEIR SPOKESPERSON. do you understand how infuriating it was when non indigenous folks jumped on the bandwagon for like 2 months a couple years ago, and ALLLLLLL the indigenous voices got silenced, and NONE OF THEM were promoted or platformed or given the mic, and then we had ignorant Non indigenous ppl speak FOR us while having no clue what the fuck they were even talking about and it did WAYYYYYYYYYYYYY more harm than good. A lot of y'all need to realize you're opportunists, and you only care because you're self centered and can make everything about yourself (while deluding yourself and manipulating others into thinking that's not the case) and God forbid you have to shut the fuck up for 2 seconds and amplify an actual victims voice for once.

[variousqueerthings]

three just karate aikido-dropped three security guards and honestly id like to see some other doctors get into a fist fight occasionally, i wonder how they'd do

[sysig]

Bad time of it, all things considered (Patreon)

[suncaptor]

never trust any narrative about medicine that talks in 100% absolutes.

[whelpimnauthuman]

Called my doctor's office bc I haven't heard anything about my test results (been almost two weeks). And haven't heard anything after messaging them online.

Apparently the nurse hadn't read the messages I sent last week?

[sophiamcdougall]

You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"

Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.

Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.

Question 1: Should the current law providing for the inspection of wills be preserved?

Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.

Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?

No.

Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?

Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.

"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.

Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?

Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.

Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!

Did you even speak to any historians before coming up with this idea?

Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?

Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?

No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.

Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.

There is no good version of this plan. The physical documents should be preserved.

Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?

This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.

Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?

Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.

Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.

No, all the documents should be preserved indefinitely.

Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.

No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  

[medicinemane]

You know, capitalism is another one of those words that sadly is like problematic in that it's functionally useless because people just toss it out and then everyone gets so hung up debating the meaning of the word capitalism that the whole point is lost

That's why I don't ever really use it. It doesn't really matter if it's capitalism or if it's cronyism or... whatever, I think it's bad when companies make record profits while prices go up up up

I think there's probably an issue and it probably needs to be solved (and I'm afraid you can't convince me less regulation is a magic bullet)

I like currency and exchanging currency because it seems like a good way of moving goods and labor around, but I also strongly support welfare and think that any group of more than 50 people is probably starting to get corrupt

Don't trust the government, but sure as hell don't trust corps...

I don't know, my original point is that sadly capitalism gets tossed around too much to mean anything anymore... but I just see too many argumentative people online so I'm tossing out my stances to avoid getting side tracked debating what I mean

What I really really mean is just fucking say what you're saying and don't bother saying capitalism cause you'll just make people argue and miss your point

[inkskinned]

it's been said before and i'm sure said better than i can phrase it. but really, really - if you like making "i'm going to kill myself" jokes, please try switching to being ironically conceited instead.

anytime something goes wrong, say things like "ah well at least i'm beautiful and charming and everyone loves me." when you forget something, try "my big huge brain is so smart and thinking about too many other very big wizardly thoughts you wouldn't even understand." when you're frustrated by one of your symptoms, start talking like you're in My Immortal. "Life has come for me but my eyes are beautiful pools of gorgeous fire and my hair is amazing. I stuck my middle finger up at life and told it to fuck off and it did."

just... try it for a month or two. try saying the most absurdly self-congratulatory shit you can think of.

i know it's tempting to make suicide or self-harm jokes. and for me at least, a decade ago (!) when someone suggested i stop making those kinds of jokes, i was kind of at a loss for what to replace them with. i wanted to make light of these moments, but genuinely (at the time) my first thought really was suicidal ideation. there was a part of me that even felt like ... i was kind of "making light" of that voice. that if i could say i want to die lol, it would help take the sting out of that genuine (albeit passive) desire. like i could turn my illness into a joke.

when i started complimenting myself instead, it felt awkward and stupid. it felt really, really ironic. what i was actually saying was nobody would ever think this stuff about me, that's what makes it so fucking funny.

but. the effect was immediate. first thing i noticed was the people around me. when i dropped a glass and said ah my skin is too beautiful and sleek the glass has swooned and broken for me, other people were suddenly overjoyed to jump in with the joke. rather than making an awkward moment, we'd both start cracking up. ah princess sleek hands, i've heard of you.

i was 19. i hadn't noticed i'd been making others tense when i said i want it all to end. i know now that it's incredibly hard to know how to walk that moment - do you talk to them about your concern? do you potentially make them uncomfortable by asking if they're okay? do you ignore the situation? do you help them pick up the glass, or do they need to do it by themselves? are they genuinely made suicidal over this small moment? and most importantly, how do you - without professional training or supplies - actually help?

most people want to help you pick up the glass in your life, they just have no fucking idea how to do it. they don't want to make anything worse. they don't want to make assumptions about you. they love you, they're scared for you - and being scared makes people kind of freeze up. it's not because they don't love you. it's because they do.

now when something bad happens, my first thought is how can i make a stupid joke about this. it isn't my brain saying you're a dumb fucking bitch. i spend more time laughing. i spend more time being gentle with myself. i spend more time feeling good.

and the thing is - what's kind of funny - is that you'd be surprised by how many people agree with you. the first time i said i'm too pretty to understand that, someone else said to be fair you're the prettiest person in this room. i promise - you really don't know how kindly your friends see you. but they love you for a reason. they sort of reverse-velveteen-rabbit you. your weird and ugly spots fade away and you just become... the love they want to give you.

go love yourself ironically. the worst thing that happens is that you end up tricking your reflection into actually loving you.

[herosbrine]

no way i just saw a whole ass adult use "pannie" derogatorily towards pansexuals without an inch of irony. can we grow up please. that is such a childish insult to use in genuine anger. i thought we were over this years ago

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[eddie4bat-president]

Saw a drawing of Steve and now I'm suddenly thinking about artist Eddie who designed the Hellfire shirts and Corroded Coffin fliers and who draws the villains of his D&D campaigns to slap onto his DM screen for visual aid and doodles in class and-

And i'm thinking about Steve, in a relationship with Nancy, trying to ignore that things are rocky but knowing it all the same. He finds a notebook left behind in school and he only takes it because he forgot his own. He plans to use it for the day and then figure out whose it is and get it back to them in exchange, that's probably more than fair, right? And the person is really gonna want this back - it looks like half their life is contained in this thing; there is... a shit ton of loose paper stuffed between the pages and notes on all kinds of subjects and drawings and.... he doesn't even know what that is. Who is Vecna and what the hell is a... lich?

Anyway as he leafs through it he finds that some of the drawings are... actually really good. Like, absurdly good for being in a lined notebook that looks like it has taken a trip into a dumpster and picked up some debris on the way out.

Like! Those hands! Steve has no artistic bone in his body but he's heard people whine about drawing hands and - he looks at the hand not holding the book and back again - yeah, that's exactly what hands look like! And here - a few pages further (it's one of the most empty pages of the whole thing, mostly because this one seems to have started as a drawing and not as a page of notes that turned into a drawing) there are only a few lines on the page but it's still very clearly the back of someone's neck, the collar, one shoulder.... Then there's another one that is almost all lines, but they were all carefully placed to give the effect of perfectly windswept hair. Then there's one that he actually can't make sense of at first (he almost pages past it because it is just a few lines and dots taking up a quarter of a page of very annoyed... history notes? Maybe English.) It's just a jawline with some moles but... only the day before he had cut himself shaving a finger's width underneath those exact moles. And that's when it clicks. He goes back to the hair... yeah that- that could be him too. Maybe. He flips back to that one very detailed drawing of hands and... putting down the book he tries to get his hands into the same position - the angle is off but. Yeah. That's why they looked so perfectly...! Uhhhh... Handsy! Because they're his fucking hands!

Anyway Steve realizes that about a third of the drawings are or could be him. He realizes that he actually can't go through with giving it back because - what would he even say? "Hey found your notebook, nice shrine to me?" Yeah no. But he's... also reluctant to take it to the Lost and Found. There's something in the handwriting.... He has a feeling that it might not be a girl secretly drawing him. What if someone else connects the dots? What if they confront the mystery artist about it? Flashbacks to his fight with Jonathan, the line he crossed and immediately regretted. He doesn't want to be the cause for someone else getting called that. And unrelated to that, things with Nancy aren't great right now and it's... it's just nice to think someone is paying attention, alright?

Then Halloween happens a few days after. The Break-up(?), the demodogs, Billy and the tunnels- and afterwards it's nice to have the notebook to distract him from the pain. The mundane mystery of a schoolmate maybe having a crush on him. He might not even have to confront them - he can just figure out a way to slip it into their locker; it looks like at least half their schoolwork is crammed into this thing, no matter how half-heartedly done. They definitely want this back.

Man, I wish I could actually write this thing. Damn. Maybe I could even do a scene where Steve tries to Sherlock Holmes his way to Mystery Artist and confronts a (hatefully seething) Robin, because she sits behind him in that one class, only to find his own Watson in her instead. But alas. It cannot be.

[psychoticallytrans]

There's this idea, fairly common in society, that mental illness is for teens and up. Children are happy little creatures, generally, right? Sometimes they're abused and the trauma can make them mentally ill, but that's not common.

There are two fundamental problems with this attitude. One, it's incorrect to assume that trauma is the only reason a young kid can be mentally ill. Two, trauma is more common than people think. I'll be covering the first problem in this post through the lens of my particular experience.

Where I live, you can be diagnosed with bipolar disorder at 18 years old. You cannot be diagnosed with bipolar disorder as a minor. This poses a problem because my age of onset was in first grade, roughly six years old. Because of the fact that I was very young and new to the world, this was also the age of my first suicide attempt. Thinking I wouldn't be able to pass a spelling test genuinely felt like something worth trying to die over. So, I ate some hemlock, since I'd read about Socrates being killed with it. Luckily, I ate western hemlock, an unrelated species, and just felt kind of sick.

I'm not recounting that for fun or pity. I'm recounting it because children with mental illness are in genuine danger because they have little to no experience with managing their emotions, have little to no concept of the idea that their life can change and improve, and are dismissed by adults. I told a teacher that the test made me want to die, though not that I'd attempted to, and it was brushed off as little kid hyperbole. If I had used a method that was effective rather than one I thought would be, I would have been dead at six years old.

I would not receive medication that worked even a bit for another two years. I would not receive treatment for bipolar disorder specifically for ten years, and that required my PCP fudging the reason for the medication because she was afraid I would die if she didn't, and diagnosis was still two years off at minimum. I received a formal diagnosis at age 19, thirteen years after onset.

But surely that's uncommon, right? This story is a huge edge case, right? I actually have no idea, because age of onset and age of diagnosis are massively conflated for most disabilities. Policies like the one in my area that restricted bipolar diagnoses by age can artificially raise the age of "onset", in my case by thirteen years. The general idea that children are somehow immune to mental illness can also delay diagnosis by several years, perpetuating the idea that young children can't be mentally ill. The data on when people start experiencing mental illness is inherently skewed upwards, and I frankly don't have a good estimate on how bad that skew is. If anyone does have that data, please chime in.

Listen to children. If they're saying they're sad all the time, that they don't care about anything, that they don't see a future for themselves, those are signs of depressive symptoms. If they say that tests make them feel sick, that they can't do anything because they're scared, that they can't breathe and freeze up, those are signs of anxious symptoms. Many children talk about imaginary things, and that's just fine, but slip in a question or two about them to make sure that the kid is just playing, and not experiencing psychosis.

Children are new to the world and vulnerable, and they don't know what's normal and what isn't. They need people who are more experienced watching out for problems they might be having, and listening when they talk about having problems. If you can, try to be the person who perceives them, and tells them that things can be better.

[genderlessghoul]

I've been wanting to do this post for a while now so here is EVERYTHING I CAN TELL YOU ABOUT THE GHOULS' IMPERA COSTUMES.

Buckle up because I have a LOT to say about those, this is gonna be a very long one.

The costumes were designed by B Åkerlund, a Swedish costume designer who's worked with Ghost since at least Meliora (that's as far back as I was willing to scroll on her Instagram page lol). B Åkerlund has also worked for many other musical artists such as Lady Gaga, Beyoncé, Madonna, the Rolling Stones, Ozzy Osborne, Blink 182 and Hollywood Undead (information from her own website)

The masks were made by Bob Basset, a visual artists who works a lot with leather. I find his work fascinating, you can look him up on Instagram (nsfw warning, there's a few naked ladies).

Fun fact! The horns are real cow horns. That's the reason some of them have gold tips, to hide the imperfections that come with working with actual horns.

He does have a shop where he sells his items, there's a mask there very similar to the Impera ones. You can also buy Papa's batwings if you happen to have 2500$ lying around!

The jackets are made on the same model as one of Papa's. The back is decorated with a spine-like design made from leather and cording. It's adorned with a few of our classic Impera buttons. Some of the hems were left raw and some deliberate weathering was done to make it look old and worn.

Fun fact! The shoulder pieces are not sewn into the garment, I would assume for easier cleaning. I don't know if they're held by strong magnets or snap buttons.

The vest (my beloved 😩) is made from flocked velvet in a paisley pattern, the front hems embellished with satin piping. It closes in the front with custom metal clasps that are riveted into the garment. The D parts are attached with what seems to me like wide elastic, which would lessen the pression on the clasps when moving around a lot. The back is made from two different types of fabric, I'd have to touch it to be able to tell you what they are. I assume the panels closer to the sides have some mild stretch to them. The top of the shoulders are decorated with Impera grucifix patches.

The shirts were not custom made for the ghouls, altho they were altered. The original shirt in the vintage painter linen shirt from Punk Rave and it is still being sold. Some of the cuffs were altered, removing the ruffles for some of the ghouls, but not all. They were removed for Dew, Mountain and Phantom, Aether's didn't have them either. As far as I can tell, all the ghoulettes still have them.

An unfinished piece of linen serves as an ascot, that piece is decorated with a metal devil skull. The colour of the skull doesn't appear to be consistent between each ghoul, Dew's looks gold almost bronze while Phantom's is a silver-like colour.

Another modification is the buttons, a small portion of them were removed in favor of our Impera buttons. Some of the ghouls have more buttons replaced than others, which is still a mystery to me.

The pants are called Jodhpurs, they were invented in the 1800s as horse riding pants. The wide part at the hips and thighs allowing for better movement. The ones the ghouls wear don't reach all the way to their ankles, they stop a bit past the calf muscle, hidden by the boots. (Yes, the ghouls are effectively wearing capri pants)

The boots are motorcycle riding boots, decorated by a grucifix. Like the shirt, they can still be bought online through the All American Boots website, altho the price tag is... Headache inducing to say the least.

The cape is a piece of costume that was only briefly worn on stage by the ghouls, Aurora being the only one who still wears one. I would assume it gets in the way of playing very easily. The cape itself is made of two fabrics, a light blue satin and a dark grey suede. The two pieces are not sewn together at the bottom, they move freely from each other. The cape is attached on the left shoulder with a harness piece that has one strap across the chest, decorated with a metal buckle, and one under the armpit.

Aight that's it for me, have a nice day byyyyye!!