#it’s very much. a fic i am writing for me i think. like i would like to think people will enjoy it but most importantly i am enjoying

[percyluvr]

Hiii,i love your blog and your writing sm and that’s why i wanted to be brava and make a request!If you like the idea,can you please write a Percy imagine were reader is the daughter of Thetis(the water nymph/goddess and mother of Achilles)and she is the one that helps Percy with his water powers?Like they bond over that and fall in love with each other?Thank you very much!🩵🩵

percy jackson x daughter of thetis!reader summary: percy meets a nereid; the rest is history wc: 2524 note: thank you so much for reading my works, i'm vv glad u love my blog & i hope i could do this request justice. i wasn't exactly sure if her kid would be a demigod or a nymph, so i thought because i haven't really seen any fics w a nymph!reader, i would get a lil creative w it! i do know that achilles was considered a demigod, but i figured maybe her female children would be nereids(?)

Percy had been claimed as a son of Poseidon about a month ago at this point, and he was desperately trying to understand his powers. When he was claimed, he assumed that it would be easy to harness the power of the sea, since, well, his dad was the literal God of the Sea. Unfortunately, it was not coming as naturally as he had hoped and assumed it would, and so he now found himself swimming in the sea near Camp Half-Blood, searching for someone or something to help him get a leash on his powers.

He tried contacting his dad, to no avail; now aimlessly swimming. The only thing that had truly come natural to him was the ability to breathe under water, which was helpful now, since he didn't have to keep coming up to the surface for breath and could now just focus on finding help.

It'd been about 2 hours of just what others would consider mind-numbing swimming, but Percy enjoyed it anyhow.

He eventually found himself face to face with a young girl whom he would consider one of, if not the most beautiful person he'd ever come across. Though he was a son of Poseidon, Percy swears that he found it increasingly difficult to breathe. The longer he looked at you, the more and more aware he was that he was underwater, and all he could think was 'I'm a son of Poseidon and I'm going to drown, and because somehow it can get more embarrassing than that, I'm going to drown in front of a beautiful girl and she's probably going to laugh and I'm never even going to get to know her name or hear her voice, which is probably the most heavenly thing anyone would ever get a chance to hear and-'

His thoughts are broken when he hears you speak, and somehow your voice sounds even more heavenly than he had assumed it would be.

"Hello, Perseus," you say, smiling, and Percy thinks that his heart might just burst into a million little pieces that will eventually drift out into the water surrounding the two of you.

"Hey, hi, um," he struggles to assemble his thoughts into a coherent sentence.

"Take your time, Perseus. You will not run out of breath, as I believe you thought you would just a few seconds ago," you speak, fighting the urge to giggle at the silly boy that has found his way to your home.

"Um, first, you can just call me Percy, if you want. Second, I know I won't, I was just, uh, distracted for a second. And third, I'm here because, embarrassingly enough, apparently the fact that I'm the son of Poseidon doesn't matter to this water, which will not do anything I want it to unless I'm in a life or death situation, which does happen to occur quite often, so really I'd probably be fine, but I would sort of like to be able to have the comfort of knowing that I can actually use these cool powers that every tells me I have," he rambles. "Sorry, that was kind of a lot," he concludes.

"Do not worry, I followed along quite easily, actually. Anyhow, if you require assistance with your endeavors, I am here to aide you. When I'm not busy helping your father at the castle, that is," you offer.

"Really? I mean I was hoping you would say that, but I wasn't sure you would. But yeah, I'll take you up on that, thanks," he flashes you a smile.

"Wonderful. Feel free to stop by or call my name into the water, and I'll hear it and come to you if I'm able."

"Right, uh, not to be rude, but uh, what's your name?"

"Ah, right, I forget how you demi-gods don't bother to learn the names of the Nereids anymore."

When you tell him your name, you believe you see his eyes glisten in adoration, unless, of course, you're making that all up in your head because the boy in front of you is way cuter than you had ever imagined when you had just heard his name being thrown around by the gossiping Nereids around the palace.

"Well, then, Percy, you should be on your way. I have things to be doing now."

"Right, bye then. Thanks for, y'know, offering to teach me pretty much everything," he says bashfully.

"Of course." He begins to swim away and all you are left with the ability to do is wave as he slowly gets farther and farther away.

𓂃 𓈒𓏸

It'd been not even a week since Percy had been, in his descriptions to his friends at camp, blessed by your presence, and though the two of you had barely become acquaintances, he found himself missing the sound of your voice and the odd, in his opinion, outdated way that you spoke.

This type of yearning for a person's presence is not the type of yearning he feels for his mother, Sally, and so, this feeling is quite new to Percy. Of course, as a teenage boy, he doesn't know how else to manage this intense feeling, so immediately he goes to the beach and calls your name into the water.

"Hello, Percy, I can't say I'm surprised that you're this eager to harness the power of the sea. I was also very invigorated when I first learned of what was possible once at one with the sea."

"Am I not already one with the sea? My dad is literally the God and King of the sea. And are you not also one with the sea from birth? Aren't Nereides water spirits or whatever?"

"Ah, Percy, you misunderstand. You are not born one with the sea, even as a Nereid. You must prove to the sea that you are not afraid of it, and that you will not take advantage of it. It may takes days, or weeks, but I suspect that you will do just fine."

"And how exactly am I supposed to prove that?"

"You will see," you said cryptically, and before Percy could object to this statement, you were gone, and he was staring out into the clear blue water of the Atlantic Ocean.

"Jeez, when someone offers to teach you, you would think they would actually teach you something and not just say some weird cryptic stuff and then disappear," he grumbles to no one in particular.

𓂃 𓈒𓏸

Of course, you were correct in your assumption that Percy would quickly prove to the sea that he could be trusted to harbor its power. He manages to form a ball of water the size of a fist before losing focus, leaving the water to splash back down and become one with the sea again.

However, he was not discouraged, and in his invigorated state, he calls out for you without even realizing it.

"Hello, Perseus. I see that I was correct," you said, a bit smugly, Percy must say.

"Yeah, yeah. Will you actually teach me now?"

"Indeed. I wanted to be sure that you were competent enough for my help, so I do apologize for how ominous my words were."

"You're all good. I do have a question though, and feel free to try to drown me if this is rude."

"Do proceed with your inquiry." At that, Percy nearly bursts out laughing at how much you sounded like an office e-mail from someone's annoyed boss, but managed to somehow keep composure.

"Uh, why do you talk like.. I don't know, so formal. Aren't you my age?"

"I do apologize. I do believe you are older than me, which may come as a surprise to you. But to answer your main question, I talk so 'formal' because that is simply how everyone at the palace speaks. I suppose we do not have much contact with anyone outside of the ocean, and so we have not picked up on all of the latest dialects and ways of speaking."

"Well, I guess that makes sense then, my bad."

"Do not worry."

"So, uh, do I get to learn more about 'harnessing the power of the ocean' or whatever now?"

"I suppose now would be as good a time as any."

"Cool, cool, where do we start?"

You lift your fist into the air, a large section of water rising into the air and forming into the shape of a large sea turtle, forming into different animals as you rotate your hand in the air.

"Are you able to do that? Even a basic animal shape would be fine, but if not, we must begin, well, at the beginning."

"Oh, man," he grumbled

𓂃 𓈒𓏸

It'd been a few months of you popping in a few days a week to assist Percy with his ambitions, and he was finally able to wield the power of the sea like he once hoped he would be able.

However, September was rapidly approaching and Percy would soon have to return to school, meaning he would not get to see you nearly as often, which certainly put a damper on what was already a terrible week leading up to the start of the wretched school year.

And so, he resolved that the two of you would talk every day until he had to leave. He didn't care that he had progressed past the point of needing your help anymore, he just wanted to be in your presence for however much longer possible.

It was nearly instinct at this point for Percy to call your name out into the sea, and he was not one to fight it.

"Good to see you, Percy. But as I'm sure you're fully aware, you do not need my tutoring anymore. Perhaps I'm getting ahead of myself, but I do believe that you've even surpassed me, and that doesn't come as a surprise," you praise.

"I don't know about that, but I am pretty cool now," he says jokingly.

You smile. "But uh, I didn't call you for practice, I just thought that, uh, that maybe we could just hang out, y'know? I mean you did help me a lot, so I figure why not give you some company outside of all those old people or whatever back at the palace," Percy admits.

"That doesn't sound horrible. You are quite interesting, I would like to get to know you more as well. And yes, I could use some time away from my fellow Nereids at the palace," you sheepishly say.

"That's what I thought. Hey, by the way, you never told me who your parents were. You know who my dad and mom are, but I don't know either of yours."

"Ah, my mother is a bit more obscure nowadays, as she's not one of the Goddesses that the Greeks traditionally worship as they do the Olympians. She is a water nymph, but also a Goddess, and unfortunately is no longer worshipped in the same proportion as she was in Ancient Greece," you sadly explain.

"Huh, that's pretty cool. I mean, not the part that she's not really worshipped anymore, but the part of her being a nymph and a Goddess. Um, anyways, do you ever talk to my dad?"

"Occasionally, your father will ask me to accompany him or to do various tasks. He is a kind man, I do like his presence, if that is what you were trying to get at."

"That's good. I've only talked to him a few times, but I figured he was a nice guy," Percy grins, "Do you ever get to talk to your mom?"

"Yes, my mother, Thetis, and I are quite close. She lives in the palace with me."

"Wow, I'll be honest, I'm kinda jealous. I mean, I think my dad is cool, and I know he's like a big shot Olympian and whatever, but I think it'd be nice if we could actually talk in person and bond or whatever," he admits.

"Yes, I understand. It must be hard, but for the majority of the year, you have your mother, yes? Or are you a year-round camper?"

"Yeah, you're right. I do have my mom for most of the year, so it's worth it. She's the best," he cheers up at the mention of his mother.

"I figured you would say that. She raised you well. You are much kinder than some of the campers here, but I suppose that is not their fault."

"Nah, it's not. It is what it is sometimes."

You nod, and the conversation flows smoothly on.

𓂃 𓈒𓏸

Today was the last day that Percy would be at camp, since his mother was picking him up later that day after lunch.

He decided that since he only had a few hours left at camp for the summer, he would spend them with the person he now considered one of his closest friends, even though he'd only really known you for a few months at this point.

When he called your name, you appeared almost instantly.

"Hey, Percy," you said, grinning.

"Switching up the greeting today?"

"I suppose since today was your last day here, I would start trying to speak like you and perhaps by the time you came back from school, I would speak more 'naturally,' as you put it."

"Huh, the way you talk doesn't actually bother me, y'know."

"That may be true, but I would like to learn to speak more modernly anyhow."

"If you want to, go for it. But uh, I thought maybe we could do that thing, it's called like, Iris messaging or something? With the drachmas? Then we could keep in touch while I'm at school, too," Percy says nervously.

"That does sound like a good idea. Now that we're friends, I think it would be optimal that we spoke frequently and updated each other on our lives. Good thinking."

He chuckled. "Good, good. I, uh, also wanted to say that... well, I think you're really pretty, and I thought maybe next summer, we could, uh, maybe go on a date or something. I don't know if you feel the same way, but if you do and you do want to, that would be pretty cool," he rambles, interrupted by the foreign feeling of your lips on his.

After a few moments, you detach your mouth from his. "Was that, uh, alright?" You quietly ask.

"Yeah, jeez, that was way better than alright. That was perfect," he says, a deep red adorning his cheeks.

"That is excellent to hear," you say, smiling wider than you'd ever in your life.

"Well, I need to go to lunch, and uh, then my mom is picking me up. I'll Iris message you as soon as I get home, okay? So make sure you're ready."

"See you tonight, Percy," you happily state, dissolving back into the water as quickly as you had appeared.

He stares into the beautiful clear water for a bit before he walks away, unaware that you had appeared again and were watching him walk away, a look of adoration decorating your features.

[violetasteracademic]

Minor Azriel BC Re-Writes

My lovely Elriel's! I have slowed a bit on my in depth posts and fic writing. I'm not sure I'll be able to get back to my usual pace any time soon, but I got hit with a midday burst of swirling thoughts and creative energy. It began by reflecting on how differently everyone is interpreting the bonus chapter, and I realized I could only put it into words by quite literally putting it into words. So if I were to have read Azriel's bonus chapter and unequivocally believe it was foreshadowing that G/wyn and Azriel are actually mates, here is what I would have liked to see, and I'll go into why:

Adjustment:

Azriel landed in the ring a few feet from where G/wyn practiced in the chill night, her sword glimmering like ice in the moonlight. Sweat beaded on her brow, a faint sheen delicately scenting the air around her. Morning mist and the mixture of steel and flames from a forge. A unique combination. Azriel had always thought so. It wasn't until he saw her again in Valkyrie training that he recalled that unique scent.

Why am I making this adjustment? Because scent is one of the earliest, most prominent indicators SJM uses to indicate mate behavior long before a mate reveal. And yes, even just in a bonus chapter. Cassian has a very intense experience with Nesta's scent in their bonus chapter:

Now, one might argue that bringing up G/wyn's scent would have made it too obvious, and maybe SJM wanted to leave a little mystery. However, scent is not always related to mates. Scenting can occur platonically, as Feyre is the first to notice and describe Azriel's scent. It can occur between family. Feyre, again, experiences and describes the scent of both of her sisters first. In fact, before she is even Fae, experiences Tamlin's rain and earthen scent. So one could argue that scent is not explicitly mate related, but it is connected to closeness, trust, and yes, often sexuality and romance even if it isn't endgame. But it is always relevant in endgame couples, no matter what.

There is no indicator that, after knowing her for years, after finding her in Sangravah, and spending every day training with her, G/wyn smells like anything at all to him. The word scent was not included in the G/wyn and Azriel section of the BC, but it was repeated in Elain's portion, both in terms of him experiencing her scent, him worrying she'd be able to scent his feelings and arousal, and his describing the scent of Elain and L/ucien's mating bond being too much:

So for me personally, I would have loved for Az to have noticed or comment on G/wyn's scent. Even if it was done in a way that could have been interpreted as romantic or platonic to make for a really interesting conversation. Especially in a setting where there is sweat and exercise, areas we know SJM loves to make sexy and scent the air.

Moving on to the next alteration I would have liked to see a little more from:

Adjustment:

He nodded, silence falling. For a heartbeat, their gazes met. He blocked out the bloody memory that flashed, so at odds with the G/wyn he saw before him now. He tamped down the rage at that memory. Tried to push back that cold, unrelenting violence that had taken over him when he saw G/wyn lying there. Azriel had been instructed to keep some of the soldiers alive for questioning. He had never broken those orders before. He tried not to linger on the memory, or question why he had lost control that day.

Mostly I see this as an argument from G/wynriel's- that Azriel showed mate behavior when he slaughtered every soldier in the room ready to SA her. While I don't agree, and I think anyone would have done the same, the reality of the situation is that we already have Azriel's POV reflecting on that moment. Right there. And he didn't think much, if anything, of it. Even one single sentence alluding to some sort of emotion regarding what happened to her, or a small note that he was glad he slaughtered all of those men, and would gladly do it again, though perhaps now G/wyn could handle herself and would not need Azriel to save her today (again, touching on G/wynriel ideas here) would have been nice. But nope. No thoughts at all about that day. No rage or anger, no recollection of feelings he had that day. No indicator that he was supposed to keep some soldiers alive but didn't. Nothing at all to suggest he had a unique or out of character experience that day. It would have been very easy to add something small here without making it too much.

Sarah also loves to use terms like "tried not to think about why" or "didn't ask herself/himself why" ect. to indicate there are obvious feelings or thoughts happening, but the MC simply isn't ready to face them yet.

And again, we have this moment with Nesta and Cassian where Cassian goes into a near feral mate rage at the thought of Nesta being harmed by another man in the past in a bonus chapter years before their book came out:

Cassian knows something happened to her because of the shift in her scent. The death that Cassian's eyes promised was so intense, Nesta wouldn't give up Thomas's name, even thought he assaulted her. She thought no one deserved what Cassian would do. As he later clarified, hunt him down and shatter every bone in his body.

Again, we see this repeatedly with mates. If their mate is in danger, if their mate has been harmed, the men cannot contain their rage. Rhys is happy to let Feyre make her own choice to be with Tamlin, until he realizes she is withering away. Until he realizes she is unhappy. And if she were ever taken against her will, he would tear the world apart to find her.

These two small changes would have made a world of difference in terms of me really questioning Elriel and whether or not their book is next.

In general, I find it so interesting what people do and no not see as chemistry. Obviously I think Azriel being ready to beg on his knees for a taste of Elain, his eyes nearly rolling in the back of his head at her scent (both things that happened in Nessian's bonus chapter) is chemistry. Them being so astronomically down bad for each other that they don't care that their horny scents are filling up the whole house when her mate is literally steps away is chemistry. I think them buying secret presents for each other, and their hands shaking as they exchange them in the dead of night when everyone else is asleep is chemistry. I think them wanting to touch each other, even just the once, because they literally cannot stop themselves around each other is chemistry. I think them facing war and blood duels and the loss of allies because they don't understand why they are not mates is chemistry.

I am not going to spend time assessing whether or not G/wyn and Azriel's banter is romantic chemistry or not, because that is clearly personal and up for interpretation. What I will say is it read the exact same to me as Azriel teaching Feyre how to fly, which was also fun, respectful, full of banter and genuine enjoyment of each others company and Azriel's secret snarky sense of humor. So if SJM wanted to differentiate Feyre and Azriel's flying lessons from G/wyn and Azriel's ribbon cutting lessons, those are the minor adjustments I would have liked to see.

As it stands, Azriel and Elain want each other like no ones business, which is why I want them to be together and anticipate they will carry the next story with all of the stakes and established plot surrounding all of the things that could happen if Elain and Azriel tried to be together. If Azriel and G/wyn are going to be revealed to be mates, I'll need SJM to do a lot of explaining as to why Azriel did not experience anything mate like towards her and also understand why their plot is more powerful and interesting than Elriel's, which as of now simply isn't able to be compared because it doesn't exist yet. Why he continued to lose sleep and stare at a gift from another woman every night for a year when he saw his mate every single day. When he saved his mate, and apparently feels nothing about it now, but who still gets flashes of anger and rage in this very same book when he thinks about Elain being kidnapped.

Regardless of how you feel about his shadows hearing G/wyn's silent music and dancing with it (I'll be doing a post on his shadows later, especially after some bombs dropped in HOFAS, though I can't promise when), whether or not you noticed all of the parallels between Nesta and G/wyn and Azriel and G/wyn (the seven pm bell chime for the evening priestess service, the sense of calm around G/wyn, the hearing a silent song that seems to come from her and calling explicitly to them, the glow surrounding G/wyn's imagery, their powers interacting, feeling a desire to caw about her or see her smile for whatever reason) I simply don't see how Azriel could be years into knowing G/wyn, seeing her and training with her every single day, seeing her harmed and in distress, seeing her kidnapped, and still he has no emotions over the things that have happened to her. No feral male rage. No awareness of her scent. No indicator he is acting in a special way towards her that he doesn't do towards other females.

I could go on, but this seems like a good place to wrap up!

I don't cross tag, and would appreciate sticking to pro elriel tags should you reblog, which I highly encourage and always appreciate! As always, my work is for Elriel's and not intended to start a fight on the internet with strangers who think differently than I do! I don't think any minds will be changed until the book announcement. I will certainly respect whatever direction SJM decides to go, but some directions certainly require a LOT more work than others based on how everything has read to me.

[sundrop-writes]

why did you delete careful?

i went to go re read and its gone 🔫🔫

Just to clarify for everyone - yes, I did delete it from Tumblr. My series Careful (Spencer Reid x Fem!Reader) - has been completely scrubbed from Tumblr, aside from reblogs by other people that I cannot delete.

Why did I delete it? Honestly, the tone of your message really drives home why I deleted it - entitlement from readers, a general unkindness toward me and this work that I have put hundreds of hours into. People being rude in the comments and blatantly misunderstanding the work because of a fanon acceptance of babying Spencer to the point of emotional incompetence and absolutely smooth flawlessness. (So having me prod at his flaws in the fic makes me worthy of such harassment.)

I really wanted to drive home the fact that you are not entitled to fanfiction. Fanfiction is a privilege.

I deleted it because I wanted to make a point: fanfiction is free, and you cannot treat it with the same harsh, unhinged criticism that you would with a piece of media that you paid for. (Especially because fanfiction authors are directly reading your comments, while TV producers/writers and movie producers/writers are not.) If you do not like something in a fanfic that you're reading, click away and forget about it - don't comment on it.

And I really hope that me deleting this fic and people 'missing' it will cause people to take a step back and self examine so that they are kinder and more thoughtful the next time that they comment on a fic.

Writers use their free time to work hard on fics, and there is a huge amount of stress that goes into getting an idea down on paper, making it coherent, editing it - even something like making fanfic covers to embellish our fics to make them more enticing to read. There is a lot of hard work and stress that goes into a fic before it's even seen by anyone, so I don't need the added stress of rude comments, entitled people, and the passive-aggressive 'this is good, but-' comments that people constantly bring to the table.

I really, really loved Careful when it was in my drafts. I was so excited to post it for everyone to see - but after posting it, the comments I received made me resent the fic so much, made me question my entire creative process as a writer, and made me really bitter toward the fictional characters I was writing about, but when I went into the fic, I had nothing but genuine enthusiasm about them.

Making someone develop a deep, vile resentment (bordering on hatred) toward their own fic is really something else. And it made me realize that people don't deserve to read that fic in order to comment on it.

It will not be reposted to Tumblr, but it is still on AO3 - and that is very purposeful on my end, because all my fics are archive locked, so fewer people can see them and read them. I was considering deleting it off every website altogether, but AO3 is an archive for a reason. I may orphan it on AO3 later -or I just hope that I can write enough works that I am proud of and that I love in order to bury it deep in my catalogue so that I don't have to look at it or think about it anymore.

If you really want to read it, go find it there. If you don't have an AO3 account - then idk what to tell you.

Just be kinder and more thoughtful when commenting on fics. And please, learn to support writers in other ways - actually reblog their work instead of just lingering with a blank blog, go back and read older fics on their masterlist, engage with them.

And if you already do these things, this message is obviously not for you. If me saying this pisses you off, then this is probably for you.

[nvuy]

How do you write so well? I'm trying to get into writing because I YEARN to create, but it is very difficult. Do you have any tips? I try and create, but it feels like there is a brick wall in my brain 😫 I also struggle to come up with ideas 😭😭

oh worm thank you so much im so honoured… i don’t want to just say ‘practise,’ even though that is half of quite literally improving in anything.

i am going to long post now. you’re welcome. this is my little guide to writing. in no way am i saying my writing is perfect and world class five stars, but this is just some things i learned along the way that helped me get better!!!

now this is all assuming considering you read my works that you also want to write reader inserts, but even if that’s not the case, i think all this stuff applies to normal writing as well.

what i do like to think is that ‘good writing’ is very very subjective. for example, i prefer much more philosophical pieces, ambiguous endings, extensive world building, and things like that, and i like to put it in my writing.

however, what you may like about my writing could be what someone else absolutely hates. not everyone can be bothered to read 4 pages on a heavy description of a quiet deserted street in the rain, or a dusty old library , or the bustling atmosphere of a cafe. some writers like to do scenarios without fully developed plots. some do.

WRITING IN A NUT SHELL

what really helps is to find where you lie on this spectrum. do you prefer overtly poetic descriptive writing, or straight to the point, no beating around the bush? or does it depend?

i know it’s sounds taxing to write heavy descriptions and worldbuilding and this and that, but if you like to read it, chances are you may also like to write it yourself.

this is a tip i lowkey thought was common sense, but i’ve spoken to moots on discord and other platforms about it, and a lot of writers just… don’t know about it?

basically it’s that A First Draft is a First Draft. this has been said time and time again. j.r. tolkein didn’t write LOTR in a day, rowling did not write the entire harry potter series in one shot. nobody did that.

as well as this, my first drafts never start out as fully fledged stories. most of them look like this:

notice the obnoxiously large gap in between? yep! two entirely different scenes, but under the same concept. you don’t need cohesion in your drafts. that comes with time. get all your ideas down first.

my first drafts are awful. they’re absolute dogshit. most of the time, i abandon a lot of my works altogether. but i never delete anything, because sometimes i may come back and suddenly get inspiration again.

most of my first drafts look like this:

notice how it lacks with everything. there’s no flavour here. it’s incredibly dialogue heavy, and it’s clearly supposed to have some sort of surreal feeling to it.

come back to it later only when i feel like it and rewrite it only when you feel like it:

same concept, same exact scene, but now it has more emotion. because i’ve written it a second time, or maybe even a third, or fourth (anymore than that, and im sorry, but drop it. it’s doing you more harm than good). so many people hit this writers block because they want their first draft to be perfect and it won’t ever be.

don’t focus on the itty bitty details. get the idea down first. you can always come back later. it really really helps to get out of ruts and stuff.

another thing: You Don’t Need To Start With Writing Fanfics Right Away. and i wouldn’t recommend it. not doubting you, or any other young bright-eyed writers, but fanfics are gruelling work that require lots and lots of planning.

i would honestly recommend getting started and finding comfort with one shots and/or headcanons, or drabbles, or whatever else short fics are called, because they require a lot less dedication, and it’s a lot more fun, because you can spring from one idea to another. majority of my works are short fics for a reason. it’s a lot easier to write, and i personally find it more enjoyable :) try it out!

IDEAS: WORLDBUILDING

(this next segment is assuming your fic wants to take place in a different area than canon) (otherwise, check out descriptions/images/videos of the place your world is supposed to be set in!! same idea!!)

if you’re unsure about worldbuilding and what exactly this place you’re creating is supposed to look like or how it might function, browse pinterest! there’s so many real and/or fake & rendered places on that site. is your area really cold and constantly snowing? search up some art with those key words. it could help you gain a clearer image!

let’s use an example: say the world im building my fic is based in a very cold, always snowing, always icy town. we go on pinterest, have a bit of a look around, and then we go Ooh this looks interesting!!

this is a painting by alexander andriyanov.

who are these people? where are they? what’re they doing? is horseback and carriage their primary mode of transport? do these people have access to vehicles like cars? do cars exist in my world at all? what are the surrounding buildings? etc etc.

TLDR: what im trying to say is if it helps you, look at something, listen to music, watch a movie, and then ask the question How Do I Make This About Me?

this speedpaint by darek zabrocki helped me get an idea of what snezhnaya in my multi chapter fic on ao3 was supposed to look like. obviously snezhnaya isn’t released in genshin just yet, so it allows me a lot of creative freedom in that regard.

you can always always use other people’s works as inspiration. why do you think so many songs these days use samples from older tracks? it’s basically the same thing. obviously, don’t downright copy, that’s plagiarism, but seriously. if you’re struggling to create this world in your head, pinterest is your best friend.

IDEAS: PLOTS & THE CENTRAL CONFLICT

in terms of coming up with actually plot ideas, i said it before and i’ll say it again. movies, shows, games, other people’s stories, other fanfics/books, paintings and other forms of artwork, history, etc.

if you’re writing a fanfic, most writers like to take the canon route, and you’re welcome to do that.

if you’re worried about your own ideas being lacklustre or you can’t think of anything, but the canon storyline is good for your fic, canon divergence is always fun!

for example! i haven’t posted it here, but i always did have this idea of a neuvillette centric fic based on the love letter he received in one of the world quests. so you take something that happened in the game, and then you ask AGAIN: How Do I Make This About Me?

in terms of thinking up an entirely different idea or concept or prompt or whatever you want to call it, there’s honestly no right or wrong way of doing it. it’s really, really difficult though. i have so many ideas that are more suitable for one shots that fully fledged fanfictions.

again, read books you like. read other people’s works. read lore of the fandom you’re writing about, or better yet, sometimes i go off of a fleeting thought that a random NPC said at some point in the storyline that had little to no effect on the story.

what constitutes as a good plot and a bad plot is a matter of opinion. as long as there’s evident improvement (or the opposite, if that’s your fancy) of your characters in your story, whether that be their personality, relationship with others, or whatever, then you’ve successfully written a cohesive narrative.

how most of my works start is actually because i randomly come up with one scene in my head that haunts me. i call them Brain Rots™.

for example, in my scaramouche fic on ao3, the scene that started the entire thing was of some sort of solider that presented a ring to the doctor in a very cold and barren wasteland.

and then i asked, what is the significance of this ring? is the solider injured? should the doctor care? why are they there in the first place? where is this place? where do they go after this?

hopefully you get the picture.

TLDR: figure out what makes your Brain Rot™ about the particular scene that’s playing on repeat in your head, find your inspiration through any sort of media you enjoy consuming that you find directly links to your ideas (because most likely if you enjoy something, you’ll be inspired by it more than you would with something you actively don’t like) (and this ‘media’ ranges from pictures, real life anecdotes/stories, video games, other fics, music, art, etc.), ask questions (How Do I Make This About Me), and then answer them yourself!!!!

and also just practise and practise and practise!!! you will subconsciously develop new skills by consuming media and reading other people’s works that you really like. it all comes with time :) !!!!!

[lovesickeros]

lord its so dark in here the sahara desert of tsaritsa content you are like a shining oasis. your characterisation of her compels me & mihoyo would be hard pressed to top it imo.!! caaaaan i humbly request yr thoughts on her first meeting w a reader of any kind, or maybe even multiple kinds (sagau, sagau god au, isekai, etc) if you so desire...

it really is like a desert here. being the fan of a character we aren't getting until the last damn nation is driving me up a wall but i will persevere bc if nothing else i support morally bankrupt women in media. we r in a severe drought over here but i do my best. unfortunately nothing i say is ever coherent so pull out your translation notes its abt 2 be messy

also this got out of hand but thats bc first meetings w the tsaritsa are tricky to write + a LOT of her characterization lies in deeper exploration then just surface level yknow...NOT A DIG AT YOU this is just my excuse for rambling. gently pats the tsaritsa she can hold so much complexity i do not have the word count to delve into it completely :]

gonna talk cult au for a bit here though because that's 99% of my content. and honestly? she thrives in sub au's of the cult au like villain au + imposter au. it's basically made for her. i mean, early days, the imposter au had been going around for a little while but one of the first few ideas was the Fatui taking reader in so like. it kinda technically actually was. pretty sure cult au Tsaritsa popped up because of the imposter au. a lot of it's writers kinda left though which. man am i getting old or.

anyway.

there isn't much of a chance her first impression is all that positive. at best it's usually neutral, imo, but rarely if ever positive. specifically because i view the Tsaritsa as someone who isn't as fanatical as most of the acolytes typically are towards the creator. she's not exactly going to worship the ground you walk on unlike a certain geo lizard. which is partially why i think she thrives in the sub au's i mentioned.

imposter au, for example. she meets you at your lowest. there's no gaudy extravagance or pampering from the acolytes waiting for you because your own acolytes have turned on you. for all intents and purposes you aren't a "god" at all. which is why i don't think she meshes well with normal cult au reader. the Fatui are made up of outcasts, basically, and imposter au slots right in just perfectly. you're weak, at your lowest, when you meet the Fatui in the imposter au. and the Fatui can help you, too.

a mutual exchange, really. the Tsaritsa sees a tool she can use to one up the rest of the nations and especially Archons, and she has no qualms about you using her and the Fatui in turn. you both want something out of it, after all. whether you just want to be safe from the rest of the acolytes, or you want revenge, or whatever else..she'll give you the power to fulfill it, and she gains the strongest piece on the chessboard when all is said and done.

the best way i can describe the first meeting is "practical", i suppose. she sees an opportunity in you. the ultimate gamble. because if she "saves" you, and you dont trust anyone else because they tried to kill you, well..she holds all the cards, doesn't she?

but the Tsaritsa, imo, is just as capable of being just as fanatical towards you as anyone else. she just won't worship you as the creator. but as yourself? clawing your way back to your divine power and taking back what belongs to you? the Tsaritsa is, to me, a character who's character flourishes in long-term fics more because she changes a LOT between "just met reader" and after having been with reader for some time. she's practically apathetic at the beginning but a lot of her character, in my characterization, shines through LONG after the first meeting.

[grishaverse-chaos]

hmmm something about dominik haunting the narrative in king of scars. everything nikolai does is at least a little bit for him. he learns about the life of average ravkan people by meeting dominik's family. he starts gaining influence in politics just so he can improve dominik's life. and then he promises dominik that he won't let ravka break him.

that promise fucking haunts him. it follows him wherever he goes. it's the driving force behind everything he does, every step he takes to heal the centuries-old wounds in ravka. it's what drives him to do better, be better.

dominik is always there, in the back of his mind: this country gets you in the end. always pushing him to do more, because he couldn't save dominik and so he has to save ravka (for dominik) (because he promised) (because he loved him)

[little-mouse-adventures]

A Timeline of Events in the Artemis Fowl Series

If anyone's interested, I did do an actual analysis for where I pulled some of these dates from. But because I cannot type succinctly to save my life, it's 5,000 words long, so that's below the cut. I also put the timeline there again, but in three separate images, so hopefully they load well enough to be fully legible if the above isn't.

A thousand thanks to @sadbitchapologist and @zahnie for their help and advice with this, despite neither of them having any more than the barest interest in the series and therefore having no clue what I was on about. Thanks also to @orangerosebush for fielding completely out-of-the-blue questions about the French school system, so I didn't have to attempt to navigate web search results to figure out what mandatory gym classes were like for the sole purpose of plotting Luc's birthday on here.

An Analysis of the Timelines in the Artemis Fowl Series

A Brief Introduction

The Artemis Fowl series is made up of eight books covering a range of years and events. I wanted to see how accurate the timelines present in the books were, as well as try and plot out some other details implied in the novels but not explicitly stated, to have a better understanding of the overall world-building. To that end, I went through the series and made the above timeline. I colour-coded it based on the relevance of the specific items to certain categories, namely Humans, Fairies, Villains, and the Series itself. This does mean that some things could have fit into multiple categories. For instance, you will see some items involving Opal categorized as Fairy-Specific (such as her college years, as those are fairly neutral to the main plot or her villainy), Villain-Specific (such as her setting up her emergency fund, as that is mostly related to her schemes as opposed to relevant to her existence as a fairy, or part of the main plot of the series), and Plot-Specific (such as her opening the Berserker Gate, the primary plot point for the final book).

Before we really delve into things though, we should establish the baseline assumptions I was working with. Firstly, I am only using the original series. I have not used anything written in The Fowl Twins trilogy, given that those books seem to ret-con a considerable amount of the original information, and that is far too many headaches to give myself. Any supplemental series information, such as the short stories found in The Artemis Fowl Files, or anything from interviews is also not included. The premise here is: using just the original books, what is the event timeline of the world? The second thing we need to establish is that I am using the North American releases of the novels. I did make notes on where each bit of information comes from, but there isn’t really a citation style for this kind of thing, so I’m not sure how relevant that is. The third assumption is that the first book takes place the year it was originally published. According to my copy, the original publication was 2001, with the first American paperback edition coming out in 2002, and the first mass market paperback being released in 2003. This means our starting point is in 2001.

For sake of clarity, this analysis will start with setting the dates of the books and continue on from there.

The Basics of The Books

With that out of the way, let’s talk about the first book, Artemis Fowl (AF). It is actually not until the very end of the book that we get a solid answer for when it takes place. It’s only in the last few pages of the novel that Angeline Fowl leaves her attic room after all the plot points are tied up and announces that it is Christmas Day. This might be cause for concern – Angeline had not previously been established as a particularly reliable narrator – but given that we are asked to believe that Holly’s ‘feel better’ mood booster worked, and that neither Butler nor Artemis balk at or question the pronouncement that is Christmas Day, we’ll accept that it’s true and move on. This means that, with Butler’s earlier announcement that he was stuck doing four months of stakeout, we can say with a fair amount of certainty that Artemis obtained and translated the Fairy Book in September 2001, and managed to capture a fairy in December of the same year.

Moving on to Artemis Fowl: The Arctic Incident (TAI), we are given a decent chunk of information, albeit spread out a bit. The first is the announcement that the ransom drop for Artemis Fowl I is to be held on the fourteenth. The fourteenth of what, you might ask? Well, we are told that Artemis is currently thirteen years old. Clearly, things are past September 1, 2002 (we know Artemis’s birthday is September 1 based on information in both the fifth and seventh books). We are also told that Luc Carrere has been trading with the goblins for six months, starting in July. That puts us in either December or January, but we can narrow it down further since Artemis gives us another helpful clue. He mentions they are not expecting to see the dawn while attempting to rescue his father in the Arctic. There are only a few latitudes on Earth where polar night (of any type) occurs, and at Murmansk, polar twilight occurs between December 10 – January 2. Combining all of this, we learn that TAI takes place December 14, 2002, give or take a few days to either side.

This can be corroborated by information in Book 3, Artemis Fowl: The Eternity Code (TEC). After Holly heals Artemis Senior, we are told that it takes over two months for him to wake up. Since we are specifically told two months, as opposed to two and a half or three, we can conclude that the events of TEC take place in March 2003. Mulch gives us some information that confirms this. He was living in LA “less than four months ago,” and since he was conscripted to help with the events of TAI in December, a March plotline fits the bill. We are given further confirmation as well: Spiro mentions that Artemis will be fourteen in six months. A specific date for Artemis & Co.’s attack on Spiro’s Needle can be pulled from the throw-away line that Pex and Chips are “burying” Mulch on the full moon. A quick web search tells us that the full moon in March of 2003 takes place on March 14, and the rest of the events in the novel take place roughly two days to either side of that.

In Artemis Fowl: The Opal Deception (TOD), the fourth book in the series, we are given several very clear indications of when the events take place. Firstly, Artemis is contemplating that at fourteen years and three months old, he is the youngest person to successfully obtain The Fairy Thief. Based on previously noted details that his birthday is in September, the events of TOD must take place in December of 2003. Additionally, we are told that things are the middle of winter and Opal has been in a coma for eleven months and counting as of the end of TAI, another December plot.

Artemis Fowl: The Lost Colony (TLC) requires the most math and interpretation so far to figure out when it takes place. We know Artemis is still fourteen, so the main events clearly happen sometime between January 2004 and September 2004. Beyond that, we are using a fair amount of context clues. Artemis and Butler have evidently been traveling for four months looking for demons, so we are dealing with events in at least May. But that still leaves us several summertime months to work with, so to establish a timeline here, we will need to look forward a bit. In the sixth book, Artemis Fowl: The Time Paradox (TTP), it’s noted that Artemis is not yet fifteen, and has, on multiple occasions, spent the full moon in the study. Ergo, he’s spent at least a few months back from Hybras. If he has been back for two months and not yet turned fifteen, he would have had to have returned by July at the latest, and since he returns almost three years later than he leaves, we are looking at him returning in either May or June. This would have him disappearing to Hybras – and by extension, dealing with the earlier events in the book – in June, July, or August. After his conversation with Minerva, he notes to Butler that they “are planning a June wedding,” which wouldn’t make sense to say if they were currently in the month of June. From all of this, we can extrapolate that the first three-quarters of TLC take place in late July or early August 2004, with the triumphant return of our intrepid heroes occurring in June 2007.

As previously stated, TTP mentions that Artemis is still not fifteen, but is nearly there. He has also been home again for at least two months. This would put the events of the sixth book in August 2007. At least, the events set in the current time period. TTP does bring back time travel, and with it some problems. We are told that Artemis and Holly jump back nearly eight years to Artemis being ten and trying to fund searches for his missing father. This would put the events of the past in early 2000. However, other details presented regarding Artemis Senior’s disappearance, which we will discuss later, make that impossible. Artemis also admits, in TEC, that he was eleven when his father disappeared, not ten. If we take a bit of creative license with our interpretations and base the time-jump to the past on other presented information as opposed to the dates given in TTP, we can say that Holly and Artemis instead return to early 2001. This lines up with further details, such as the sinking of the Fowl Star (as calculated a few paragraphs down in this analysis) occurring in December of 2000, and the textual confirmation in TTP that it’s barely two months past that sinking when Artemis brokers the deal(s) regarding the silky sifaka lemur. Since, at the end of the day, the time jump impacts very little in the grand scheme of things, and the year 2001 actually fits in better with other textual evidence and events, that’s what I’m going with for this timeline.

The seventh book, Artemis Fowl: The Atlantis Complex (TAC) gives us a very helpful base point! It takes place on Artemis’s fifteenth birthday, September 1. From our previous results on setting dates for book events, that would be September 1, 2007. The sections in which Butler and Juliet are fighting mesmerized wrestling fans and meeting up with Mulch are noted in the novel as happening “the day before,” which would fall on August 31, 2007.

Artemis Fowl: The Last Guardian (TLG), the eighth and final book in the series, creates some problems. If we assume that Artemis starts receiving treatment for his Atlantis Complex immediately after diagnosis in TAC¸ that would put him receiving treatment in September 2007. We are told he is certified as cured after six months. Yet we are also told that the rest of the events of the book take place in the week or so leading up to the Christmas holidays. Everything so far has said that the Artemis Fowl series follows the current calendar, in which case there is no way that six months can fit between September 1, 2007 and December 25, 2007. However, the only reference to Christmas is in two lines noting that the Fowl parents were planning on holidaying with their children on a foreign beach. If we simply say that six months have passed, and they are instead planning on spending the Irish school system’s spring holidays in the French Riviera, everything else lines up much better. So that’s what I’ve done. This would also put the resurrection of Artemis, after the events of the book and a further six months have passed, at roughly September of 2008. There is a pleasing symmetry to Artemis being born and then re-born in September, though if you want to get really technical and say the events of TLG take place during the 2008 March full moon as Opal claims (as noted in another web search as March 28), a six-month wait time for the clone to grow would put the resurrection in October. Still, there is something to be said for having a boy’s ghost haunting a clone of himself close to All Hallows. Since it’s the last plot point of the series, you can choose which you’d like; it doesn’t have to lead to anything else after it.

Let’s Talk Timelines: The Beginning of the Line to The End of The 19th Century

Now that we have our baseline book time periods established, we can get into the math used to determine some of the events in the timeline above. Several events are easy; we are given specific dates for them. Turnball Root meets Leonor in 1938, Juliet wins the Miss Sugar Beet Fair beauty contest in 1999. Other things are based on some basic math, such as Artemis claiming his parents got married fourteen years prior to AF¸ putting that event in 1987.

The majority of the items on the above timeline, however, do take some mathematics, extrapolation, and interpretation to plot out. To try and keep everything organized, we’ll start at the far left of the timeline, and work our way forwards, looking at events oldest-to-newest to explain why they are where they are on the graph. I won’t be getting too in-depth on everything in the graph, since I’m not sure how relevant the notes on the very minor side characters such as Carla Frazetti are, but I’ll at least try to touch on some of the more relevant points.

To start with, the Battle of Taillte was noted in the 2000’s as being ten thousand years ago, putting that at 8000 BCE. Similarly, the last dome breach at Atlantis was apparently eight thousand years ago in the 2000’s, so that would be 6000 BCE. Troll sideshows were legal in the early middle ages, which implies they were not legal after that. A quick web search says the early middle ages ended around 1000. The first crusades were in 1096-1099, and as those crusades are the start point of the Butler-Fowl working relationship, a point for noting that comes next on the graph.

From there, we get into more modern – relatively speaking – events. Briar Cudgeon and Julius Root are noted as attending the LEP Academy together and being raised in the same tunnel, as well as having about 600 years of history together. If one assumes “being raised in the same tunnel” is similar to the human equivalent of “growing up in the same neighbourhood,” we can assume the two were born roughly 600 years ago, in the 1400’s. Vinyaya is portrayed as being of a similar age to Root, so her birth can also be put in the same general era. We are also told that Fowl Manor was originally a castle built in the fifteenth century, that in the early 2000’s the theories of timeline corruption were first introduced over five centuries ago, and that cloning has been banned for over five hundred years, so those three events are also tossed into the 1400’s.

Julius Root is noted as doing his LEP basic training 500 years ago in Ireland, so that would have to be in the 1500’s. He would have attended the Academy before then, putting that in the mid-to-late 1400’s. As previously stated, he was in the Academy with Cudgeon. Opal also met Cudgeon in college, and competed with Foaly for science prizes there, so they were all in school at the same time.

Mulch now enters the picture. We aren’t ever given a specific age range for him, but we are told about his career. He has, apparently, spent three centuries in and out of prison after a couple centuries of success as a thief. This would make him at least five hundred years old. There is a brief mention that he tried the athletic route at college before becoming a thief, so he would have to be an adult at that point, putting his age at roughly 550 years during the events of the series.

We then enter a period filled in from one-off lines throughout the series, presumably added to give some depth to the world. Things about the wine cellar at Fowl Manor being a seventeenth century addition, Captain Eusebius Fowl and his crew dying in the eighteenth century, and Mulch first faking his own death over two hundred years ago.

Time Marches On: The 20th Century

There is nothing of much relevance to linger on between the 1550’s and the 20th century, so we’ll jump ahead to the 1900’s, when we have Holly Short’s birthday. She is in her eighties during TLC, and her father died “over twenty years ago” when she was “barely sixty” as of TAI. Based on that, she would have been in her early eighties in 2002, putting her birthday sometime in the 1920’s. What a doll.

A few more birthdays now appear, and we’ll ignore, for the most part, some of the irrelevant ones. I don’t think we are at all concerned with Gaspard Paradizo’s birthday, or Mikhael Vassikin. We are, however, rather more interested in Jon Spiro, Domovoi Butler, and Artemis Fowl I.

Jon Spiro enters the series in TEC, as a middle-aged American. A quick search on the Internet says that middle age is generally noted as being between the ages of 40 to 60. We are told that Spiro has worked in three main industries over the past two and a half decades. Additionally, we are told that law enforcement has been “trying to put [him] away for thirty years.” If we assume he entered the working world at twenty, spent five years developing his professional self, and then started going down a path of questionable legality to get the police after him, that would put him at fifty-five in 2003, and born in the late 1940’s.

It was a bit easier to determine Domovoi Butler’s age, and we can get more specific with his actual birthday. We are told that he is forty at the start of TEC, and he is still forty during TOD. From that, we can assume his birthday is not between March – December, which means it has to be between January – March. Now, we can just leave things there, but contextually, Butler says in late March 2003 that “a lot of people know [him] as a forty-year old man.” Since I doubt he’s the kind of person who introduces himself by announcing that his birthday was last week, we can assume that his birthday is not in March. Since about half the books in the series take place in December, and there is never any mention of Butler’s birthday coming up soon, we can likely assume it isn’t in January. We can therefore conclude Butler was born in February, 40 years before 2003, which puts his birth year in 1963.

We then have Artemis Fowl I. This one took the most extrapolation to determine. We know he has run an ethical empire for a few years as of 2007, which coincides with his return to his family after being kidnapped by the Mafia. He apparently ran a successful criminal empire for two decades before that, though, so in 2007 he has been working for at least 25 years. Based on the interactions he had with his own son, I’ve assumed he was also taught to take over the family business from a young age. If he started working at his age of majority at 18 (as possible in the 1980’s in Ireland, based on a web search), we can assume he was born in roughly the mid 60’s.

Billy Kong, born Jonah Lee, is one to touch on. He plays a large role in TLC, during which we are given possibly the most backstory of any villain in the series. He was evidently born in the early 1970’s, and was eight years old in the early 1980’s. Mathematically, that can only lend itself to so many birth years, so it’s easy enough to put his birthdate somewhere in 1973, and his brother’s death date in 1981.

While we’re here, let’s talk about the 1980’s. A lot of things happen in the 80’s, so we’ll be here for a few paragraphs. Butler would have graduated Madam Ko’s Academy in the early ‘80s, Artemis I would have started working in his family’s business and stolen some warrior mummies (of note, the theft is only noted as being in Artemis Sr.’s “gangster days,” but if you are a young, rich criminal, you’d likely commit a wild theft in your early years as opposed to your thirties, which is why this is put in here). Additionally, in the mid 1980’s, Holly graduates the LEP Academy and her mother dies, as noted in TTP when she is contemplating missing three years of her friends lives.

Butler would have started his five-year stint in Russia with an espionage unit in the mid-to-late 80’s, and become a big brother in 1985. Juliet is noted at being four years older than Artemis in AF in 2001, and he is twelve then, making her sixteen at the time. We can extrapolate the month from TEC, wherein she is apparently eighteen when she is called regarding her brother’s apparent death. At the time, we are told what gifts she received for her birthday, implying it was fairly recent. Additionally, Artemis was only thirteen at that time, which would make Juliet five years older than Artemis. If, however, we trust that acolytes at Madam Ko’s start their training on their tenth birthday and get one chance to graduate per year, it would make sense for that one chance to be on their birthday, or within a day or two to allow for as much training time as possible. Since Juliet was in the midst of this one graduation evaluation when she gets the phone call and joins the crew for the March heist at Spiro’s Needle, she’d have to be born in March. (We can also corroborate this with some details from AF: if AF  takes place in mid-September, that would be just after Artemis’s birthday, which puts the 4-year age difference back into play.)

Spelltropy begins for the People in 1987, if it appeared 20 years ago from 2007. Artemis I and Angeline Fowl would get married in 1987. They would have their first child, Artemis Fowl II, in 1989, as calculated by Artemis being twelve during the initial siege of the Manor in December 2001. Artemis II’s grandfather was noted as having been dead for over ten years at that point, and it was mentioned in TEC that Angeline married her husband before he really took over the family business, so those events would likely happen when Artemis was but a baby in 1990.

The ‘90s are a period where a lot of things are happening, but few are particularly important. Spelltropy has a cure found, Minerva Paradizo is born, Juliet begins her bodyguard training and her brother refuses to let her shave her hair. These, and other events in the 90’s, are mostly calculated by math along the lines of “Event A happened X number of years ago,” but since the 90’s was mostly a time of worldbuilding events rather than plot events, we’ll just skim over the specific details.

‘You Are Here’: The 21st Century, and Where The Storytelling Begins

Welcome to the 2000’s! The kick-off point of not only the 2000’s, but also the entire series, is the sinking of the Fowl Star. We aren’t given a specific date for this, but we are given enough information to extrapolate the date. Specifically, in September 2001, in AF, we are told Fowl Sr. has been missing for almost a year. In TAI, in December, we are told he has been missing for almost two years. That does have the potential to have the ship go down in either December or January, so we need to use a bit more details from TAI to make a final determination. Mikhael Vassikin and Kamar were told to dump Fowl’s body in the Kola if he didn’t wake up in “another year,” so they’ve been looking after him for one at that point. Fowl Sr. wakes up two weeks before the deadline, and as noted earlier, the ransom drop for him takes place December 14, after he has been awake for perhaps a week. From that, we can tell that the deadline for “another year” was mid to late December, putting the initial sinking of the Fowl Star in late 2000.

The analysis gets a bit confusing at this point, because 2001 is when future Artemis and Holly join the party via time travel, as well as having their regular selves in the timestream. Essentially, we’ve established the timeline for the events of TTP above, so we know the whole lemur fiasco takes place in March 2001. Artemis wakes up at the end of that book thinking about fairies, which ties in rather neatly to him then dragging Butler across three continents for six false alarms (with an assumed approximate 3 weeks between each jaunt) before striking metaphorical gold in Ho Chi Minh City in September. During their time-traveling, Holly also gets a chance to talk to Root, who wonders why she isn’t in Hamburg, which was noted in AF as Holly’s first major failure as a Recon officer and was nearly preceding the events of AF. The time-traveling would also mean that Opal would have had to harvest her DNA for future diabolical plans before March 2001, when her younger self travels to the future. Since it takes up to two years to grow a clone to adulthood, and her clone has to be ready in September 2003, we are a few months off in the time requirements, but really, for a practice that’s been outlawed for 500 years, I can offer a bit of leeway.

We are now well and truly in the thick of the main events of the series. Most of this will be tied into the initial assessments we made way at the beginning of this essay, where we established when each book occurs. Because of this, we aren’t going to spend time on anything plot-related. However, a brief note on Turnball Root and Artemis’s Atlantis Complex is likely in order. Artemis was, as previously stated, dealing with his return from Hybras and the after-effects of stealing magic during July and August of 2007. His Atlantis Complex, and Turnball Root’s plan to escape the Deeps prison, are in full swing in September of that year. We have a brief note in TAC during the evacuation of Atlantis, that Turnball had, a month before, spied on Artemis and noted his Atlantis Complex developing. Therefore, Artemis’s Complex likely came into play in late July or early August 2007. This is close enough to Artemis’s magic theft to make sense for the deterioration of his mental health, and enough time for Butler to have started to notice something was wrong, as he did. We can therefore assume that Atlantis Complex, at least in the case of magic-stealing humans who have a propensity for time travel and getting involved in supremely complicated and improbable plots, develops relatively quickly.

This leaves just one major discussion point from the last few books: the age of Artemis’s twin brothers, Beckett and Myles. The twins are first introduced at the very end of TLC. They are written as being two during the events of TTP, three during the events of TAC, and four during the events of TLG. Regardless of the time-traveling shenanigans of their elder brother, it is impossible for the twins to age two years in the eight months between Artemis’s return from Hybras in June 2007 and the finale of the series in March of 2008, so we need to look at what makes sense.

Myles has already potty-trained himself, and done so at fourteen months, so they must be at least that old. Their other behaviours would make sense for them to be two in TTP. Diapers are still a part of their lives, and their language and vocabulary fit what a two-year-old would have, at least in Beckett’s case. Since Artemis was surprised by their existence, it doesn’t seem likely that  Angeline would have known she was pregnant, or at least not have told Artemis yet, when he went to Limbo. Ergo, they can’t be any older than two, since (one would hope) Artemis would have noticed his mother’s pregnancy if the twins were any older.

Additionally, in TLG, we know Artemis gave his brother a birthday present, so he had to have been around during the twin’s birthday at least once. With this fact, the twins cannot be born between March – June, which just leaves the question of when are the twins born?

 The most logical answer is February 2005. If Angeline was early on in her pregnancy, say six weeks (which is when most women start noticing symptoms), when Artemis disappeared in July 2004, she wouldn’t necessarily have told him yet. Then, if we assume that since most twin births occur around the 35-week mark, that would math out to having the twins be born in February of 2005. Fast forward, and they would turn one in February 2006, and two in February 2007, which puts them at the correct age for the events of TTP. [One could argue, of course, that a twin pregnancy in an older woman (unfortunately, there is nothing in the series to indicate Angeline’s age) and in a woman already dealing with significant stress could result in a very premature birth, thereby voiding any of this math and leaving the whole question of the twin’s birthday unanswered. However, since I’d rather not subject the Fowl parents to the strife and misery of having one son missing and presumed dead, and their younger children in the NICU with a low survival rate, I’m working with the assumption that the pregnancy was a healthy and normal one.]

The brief comment from Juliet in TAC about the twins being three can be passed off by them being a little over two-and-a-half and Juliet not being around as she is touring in Mexico. By the time TLG takes place, in March of 2008, the twins would have had their third birthday, allowing for Artemis to give Myles his chair as a birthday present, Beckett to be old enough to no longer need diapers, and the behaviours to act more like children than infants. While this doesn’t quite allow for the repeated textual confirmations in TLG that the twins are four, we’ll go with what mathematically makes sense.

That brings us to the end of the timeline! Not everything is touched on in the timeline, and not everything in the books is plotted (we are never given enough context to know Foaly’s or Opal’s birthdates, for instance). But the main events of the Artemis Fowl series are all analyzed, mathematically or logically or textually corroborated, and plotted out, for use or ignoring as personal preference dictates.

[skitskatdacat63]

I have to write a relatively long German paper, and man its just so difficult for me. The pro side is that I can pick any topic I want, so of course I picked Charles VI. But I've literally not written any German in months, and I'm almost 100% sure our prof doesn't actually read them. I should just write and submit boy king fic....

[pandora15]

hm

I wonder if I'm getting a bit sick of star wars

like there are the things that make me happy about it, especially obi-wan and the prequels and tcw but also like

I'm frustrated about what they did with ahsoka, and then I'm also just not finding fic that I can vibe with and the fandom just feels so…empty?

which is wild because it's definitely got bigger since I joined, but idk, it just feels like in the obi-wan fandom circles, it just feels like it's shrinking. and I think part of it is everyone being really busy with irl things (myself included) and then whatever is left in the sw fandom in general is just stuff i don't vibe with

but then I keep seeing it over and over and over again so now it's just irritating to me

like. yeah there are ships/tropes that I don't vibe with at all and I usually try to steer clear of them when looking for fic to read, but these days it feels like that's all I can find. so now I'm frustrated and tired and not really getting the fic fix that I want

and normally my solution to this is to just write what I want to read, but I don't have the mental space to do it, so I'm just. stuck.

a part of me feels bad to complain about this, but idk I'm gonna put it out there anyways. it's just like the fandom feels completely different than it did when I first joined, or even like 2-3 years ago, and I'm not sure if I'm happy about it.

[boyywithluv]

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[suffarustuffaru]

i just. remembered again that i have a fembaru fic but also the premise is. Very Messed Up hah and also it was written before the canon genderbent au with its official genderbend names for everyone so its also outdated on top of that T^T i had like. Genderqueer subtext going on too. but i also wrote this fic like almost two years ago and havent touched it in forever so im unsure if i should go back to it…. o.o but i would love to finish it one day if only for my own satisfaction hah… i had a very detailed outline for ch 2 (its a twoshot) and several scenes written already anyway!! (and also i would probably update those names, make minor edits, etc etc hmm…)

[dollsome-does-tumblr]

i wrote literally 6,000 words of a new succession fic today and every single one of those words was an accident

[electricfied-wolf]

Greaseball could be polyamorous btw. It's so easy. He can kiss so many engines (his gang) and still date Dinah. Did you know this. Top 10 tips and tricks from me. You are welcome.

[sorikkung]

people interacting w wgoin in my notes... this would be a rly bad time to say all my writing will probably be on hiatus for the indefinite future huh

[the-kipsabian]

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[persephoneflouwers]

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