#it's more of a question and answer thing
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You've got so much to learn
#stobotnik#agent stone#doctor ivo robotnik#more like ivo gerald abandonment issues robotnik#this comic wasn't planned (yes i actually plan them) it came to me in a vision#i just thought that at first robotnik probably didn't expect stone to stay for long#but at some point he just understood that stone wasn't going anywhere#i mean he left him his manifesto. when he returned from the mushroom planet he didn't doubt for a second that stone was waiting#i think he doesn't question it anymore he just think it's natural#stone is just Like That#but initially he couldn't have known#why is he time traveling? i've no idea#also i phrased “you already HAVE stone” that way on purpose because ivo is a weirdo#good thing past ivo didn't ask “he still works for you” because that's a more complicated answer...#the badniks recognize robotnik as himself and won't attack him and that's the only reason he wasn't shot on sight#also nothing against gothbotnik future ivo is just an asshole#eggman is time traveling
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Eddie, loudly during a live-stream where he and Gareth are just jamming: STEVIE! STEVE!!! STEVIE!!!!
Steve, from somewhere else: YEAH?
Eddie: WHAT DO YOU MISS ABOUT DATING GIRLS?
Steve, yelling back: BOOBIES
Eddie: I knew that’d be his answer. He’s a tit man,
Gareth: Was any of that necessary?
*five minutes later*
Steve, sticking his head in the room: Hey, we have a very fulfilling relationship. Everything I ever wanted, I found in you and there’s nothing I’m missing…
Steve: …I’d ask what you looked for in other guys but you were a virgin when we m-
Eddie: No, I wasn’t. Stop telling people that!
#Eddie would not answer that question anyways#he knows a trick question when he sees one#Steve basically: hey just so you know I love you more than anything. also remember when you were a friendless loser with no bitches?#eddie munson tiktok saga#steve harrington#eddie munson#gareth stranger things
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splatoon fandom: please. someone please translate the marina acht story. please me: now hold on. wouldn't you guys rather read a boring newspaper article about the development of crableg capital. because i would
#rassicas speaks#im serious when i say if someone else who actually knows japanese wants to do the marina acht story sooner. PLEASE DO!!#considering how popular they are i would expect that someone else who is more invested in these characters would tackle it before me#if it wasnt obvious its splatoons worldbuilding i gaf about#i dont really care about the idols and popular characters as other people do. its just not where my autism lies. sorry not sorry#to be fair. along with the crableg capital thing theres some crazy worldbuilding in this section#LITERALLY my favorite things ive seen from this book so far is in this section. some specific worldbuilding questions of mine answered.#me reading the marina acht story. ok umm cute and kind of sad i guess.#me reading this section that ive seen no images or mention of until this morning: LIVESTOCK MENTIONS??? PRISON LORE???
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i need daniel to be overcompensating for his insecurities so bad. 100 times more cocky and rude and aggressive and insensitive than he was as a human, falling back into old dangerous habits and vices, not just because now he has new energy and power and wealth to flaunt but because it's ALL he has, and he needs to cling onto it. play it up and revel in it so no one sees that underneath, he feels like a botched fledgling in the body of a sick, faded old man who maybe has no real idea why he was even made. that armand might think he failed in making him. that his maker didn't even really want him.

#i think vampirism isnt inherently torturous to him in any sort of moral way#but more in an inner self worth/image way#louis felt he was failing because he rejected/didn't enjoy human blood and death#i can see daniel being fine with killing but being insecure about the way he turned out/the way he is now#and his complicated connection with armand and what it all means for him. why he cares what he thinks or feels when he doesnt want to#but he does. and he has all these questions he needs him to answer#this sort of thing would be a way to connect him to louis further and also lestat now#louis who felt like a “botched vampire” for a long time and lestat who was immediately abandoned by his maker#and how lestat coped with what had been done to him by trying to fully embrace what he'd been turned into#anyway the bottom line is i think he should suffer and struggle with vampirism just as much as everyone else has in his own way#but he still has to be a massive insufferable asshole about it. and maybe get smacked around a bit because of it#iwtv#daniel molloy
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Heyyyyyyyyy, look I drew more Heart Eclectic Au art
I swear the au isn’t dead guys
Bro is struggling
#fun fact I actually hid a silly little message on the drawing#oh yea if anyone has any questions about the au I actually have more figured out about it so I can answer some things#heart eclectic au#heart eclectic#chonny jash au#cj au#chonnys charming chaos compendium#chonny jash#chonny jash fanart#cccc#cccc fanart#cccc heart#cj heart#fanart#art#GrapeDemon’s original art
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[ID: Ask from @storiesandsquirrels, transcribed in alt text]
also: link to Cow Lore
There's one major misconception here I've gotta correct before answering earnestly; Holsteins do need Super Duper Food. This is one of their major problems as a breed, you need to give them high quality feed for high quantity, low quality milk.
But! That said! These are valid questions that deserve real responses. In spite of the quick correction, I actually want to answer them as you phrased them because I think it would be more illuminating. I'm going to try and summarize them as I go along;
Question 1: "Why wouldn't we want to use The Most Efficient Cow?"
The simplest answer is disease. My ""prediction"" came true, and bird flu has mutated to spread extremely easily through the infected udders of Holsteins. No one has died of bovine-contracted HPAI yet, but with Brainworm Bobby and his love of raw milk in charge of the CDC...
well. my last prediction was prophetic. let's hope this one's not.
Minmaxing a breed for one specific purpose always means intensive inbreeding. Like I mentioned, 9 million Holsteins are genetically equivalent to 60 individuals. A more genetically diverse population is one that will be better at preventing disease outbreaks, and reducing their severity when they do.
And what even is the Most Efficient Milk Cow? If you're only selecting for pure milk production to drive down its cost, you get a breed of cattle that lacks every other important trait that would make it good livestock;
They get sick more often, due to inbreeding depression and lack of physical fitness, requiring more antibiotics and veterinary care.
They are bad parents who will need more human intervention to birth and raise calves
They won't be good grazers, meaning they need a specific food grown for them, increasing how much "functional" land is actually dedicated to cattle husbandry.
Their carcass won't yield as much meat, so more cattle have to be raised and slaughtered to meet demand.
Their bodies will burn out much quicker than a healthier animal, meaning you need to replace your livestock more often.
When it comes to living beings, "efficiency" is "fragility." It's not a stable system to begin with.
Even with the pure logic aside, just, step back here and look at the situation with a heart. We'd be making unhealthy, short-lived animals lacking critical instincts to lead good social lives. AND we probably haven't even fixed the "less land" problem, just shifted the land off-site.
For what? For more milk? We have SO MUCH milk we don't even know what to do with it!
Question 2: "Isn't an overabundance of cheap milk a good thing?"
no.
Under the infinite genius of Capitalism, thousands of gallons of milk just gets poured into the sewer daily because there's too much of it. Transporting it to a processor would cost more than it's worth, sometimes the processors turn milk away because they don't want to overproduce products, and even the US government can't subsidize every last drop; it still has 1.4 billion pounds of cheese in various caves and warehouses across the country.
The price of milk cannot get any lower because it's already being sold below the cost it takes to produce it, and yet, we're still here literally pouring it down the drain.

[photo from bill ulrich who photographed a farmer dumping milk back during the pandemic. this isn't even a recent photo. this happens every time there's a milk surplus. im using this photo because i like the farmer's cunty little pose. look at him. "just ain't right"core.]
And milk being dumped into the sewer is more than just wasteful. It's a biohazard.
Milk doesn't stop rotting when it's dumped. If you live downstream of a milkhouse, improper milk disposal reeks.
It's full of nutrients, too, which causes diatoms, cyanobacteria, and other types of algae to go into overdrive-- causing a Harmful Algal Bloom event in the water, or HAB.
HABs are horrific. There's HUNDREDS of different types. They can suck up oxygen and create "dead zones" which kills all aquatic life, they can poison the water supply for an entire town, and some can even cause toxic fumes that make it hard to breathe on land.
Now, listen, I don't want to scare you into never dumping out rotten milk or anything! It's that on an industrial scale, it's REALLY REALLY bad if a farm overproduces milk-- especially crummy milk that can't be made into decent cheese or other dairy products.
In fact, if we did produce milk on a smaller scale, it would be better for everyone! Unless you're a Milk Guzzling Fiend like I am, you probably wouldn't need to buy a whole gallon at a time. In countries like Italy, it's sold fresh and in smaller containers, and you're just expected to pick it up as you need it.
This is why milkmen used to exist, and still do in places that are cool; they'd deliver your supply fresh from the creamery. Less waste, less stress! The "subscription model" is actually sooooooooooo much better for milk production, since it helps to stagger out those "surges and drops" of demand that leads to milk dumps.
Question 3: "If the cow eats less, doesn't that mean less land for pasture, which is a good thing?"
There's a lot to unpack within this sentiment. It's actually based on a couple of common assumptions on a few levels, which are incorrect in fascinating ways. Challenging this means opening up your worldview on how complex keeping livestock actually is!
I'll start with the simpler part;
You could cut fresh pasture out of the equation entirely and shove a cow into a concrete pen with a food box-- but are you counting the land growing the fodder?
When you grow corn the way that we do on industrial farms in the US, it's unbelievably destructive. Unending oceans of monoculture. Fogged with pesticide, pumped full of fertilizer which causes HABs like dumped milk does, sprayed with thousands of gallons of wasted water.

When you look at this image, I need you to understand you are looking at a dead zone. Like a suburban lawn, just because it's green doesn't mean it's good. Nothing grows here but corn and pests of corn, which gets poisoned and dies without returning any of that energy to the ecosystem.
This is usually what is being given to "grain-fed cattle," either when they're sent to a feedlot to hit their slaughter weight, or when they're lactating so they need the extra nutrition. It's also so nasty it's inedible to human beings.
Now, a lot of cattle farmers will just supplement their cow's diet, doing a mix of pasture feeding (much cheaper) and grain feeding (quicker gains). But the facts on this are clear; pasture-kept cattle result in LESS emissions and need LESS total space than cows in confinement.
In fact, there were a LOT of benefits!
Overall gas emissions from the cows dropped by 8%
Ammonia pollution was down by 30%
Not needing to run farm equipment for fodder planting and harvest reduced carbon dioxide emissions by 10%
Rotated crop fields didn't sequester carbon; but the newly converted perennial grasslands store as much as 3,400 pounds per acre.
The outside cows did produce less milk volume, but the milk they did produce was higher quality. So, looking at all the benefits here, it's clear that pasture is actually something that should be embraced for ecological reasons, not rejected.
In FACT, it should be EMPHASIZED. Because, this is the mind-blowing part,

Pasture can ALSO be an ecosystem.
In fact, I'm a Warrior Cats guy who once did a deep dive on moorlands just so I could write WindClan better. There are entire biomes that only exist because of grazing, and British lowland heath is one of them!
Keeping cattle in a sustainable, ecologically sound way is going to look different depending on where in the world you're doing it. So many earnest, good-willed people have bought into the lie that humans are a problem, and that everything "associated" with us becomes a barren wasteland as if we are tainted. YOU are not the problem! The problem is, and always has been, exploitation. Unsustainable relationships with the land we're part of.
Indigenous people in Europe, Asia, and Africa have been keeping cattle for thousands of years. In North America, cattle can be used to maintain ecosystems that have been badly affected by the colonial eradication of the American Bison. In South America, Brazil specifically has been making incredible advances with highly efficient integrated crop-livestock-forestry farming.
Generally, pastures here in the US are not as intensely managed as an equivalent crop field. Some people fertilize them, or water them mid-summer, but absolutely not to the same extent as industrial corn farms. Cattle are typically rotated between pastures, allowing each to re-grow before they come back to graze again.
Obviously, yes, overgrazing can be an issue. Not every open space should be converted into a pasture, and the destruction of other environments to turn into cow land is a problem. But that is an issue of bad land stewardship, not the mere practice of keeping livestock.
Bottom line, though? Cattle who can graze and survive outside are better for the environment than cattle that can't.
...but hey, you know what Holsteins happen to be really bad at?
EVERYTHING. GRAZING.
They are notoriously terrible grazers. They can't do megan THEEEEE thing that cows are known for. Fragile frames, a lack of fat to keep them warm outside, increased demand for food, distaste for any rough forage, horrible mothering instincts, the list goes on. Holsteins are a NIGHTMARE to try and keep outside all year round compared to other breeds.
(especially heritage breeds, like the Milking Devon, Florida Cracker, or Texas Longhorn. Between these three, you'd be totally covered in 80% of American climates.)
I've already explained why it's not actually very good or important that we minmax milk volume, but even if that was actually something we should value, there are so many downsides that they would absolutely not be the dominant cow breed in a truly "efficient" system.
"Less cows means less cow food and cow land" is sound logic, but Holsteins are not the right cow for that job.
Question 4: "How could this be done in a way that doesn't increase cost of living?"
I'm not sure how to answer this question, simply because I'm not Bonestar, Leader of AmericaClan. Wish I was. I would rule tyrannically.
It's worth noting that Brazil is the second largest producer of beef in the entire world, AND the number one largest exporter of it, AND only puts 30% of its land to total agricultural use. The USA dedicates over 50%. And also Brazil is net reducing its amount of agricultural land while increasing output.
It seems clear to me that the USA actually has a massive food waste and resource distribution problem, to the point where the price we pay for stuff is actually wildly disconnected from the actual value of the goods and labor.
I think the way that us Americans tend to frame our conversations on these topics as "growth" vs "cuts" instead of asking how to minimize waste by making existing systems more efficient prevents us from solving problems. We're also just... really culturally resistant to the idea of anything being more "expensive," even if it ends up costing us a lot more money in waste or mismanagement later.
Penny wise and dollar foolish ass country.
Question 5: "What can we personally do about this?"
I mean, I wasn't making a call to action in Cow Lore, I was just explaining to one of my regulars why I don't like Holsteins LMAO. Since you're asking though...
I don't think we can change the wider trend in the dairy industry without actual government intervention and regulation, though, and that's very unlikely in the current political environment. they just sent random dudes to Ausalvador-Birkenau and when the Supreme Court said "bring this specific person back" they said "nuh uh." fellas I don't think we're getting better dairy regulations in the foreseeable future.
So I think the most productive thing to do is focusing on supporting small farms and heritage breeds. Get involved in your community garden or heritage society if you have one.
Not only is that generally a very rewarding thing, but it will be helpful to you in case The Situation Gets Worse. Knowing your neighbors and having real human connection is your best defense against economic recession.
Supporting the locals is always a great thing to do, which can be as simple as going to farmer's markets. You don't need to buy fancy food every day to make an impact on your community-- it can be a treat sometimes!
You could also subscribe to the Livestock Conservancy's free newsletter, where they talk about the work they're doing and upcoming events. If you're a knitter, crocheter, or any other kind of fiber artist, you could even join in on a challenge they're running where you make items out of rare wool for prizes!
Should you end up liking the work they do, you can become a member for 4$ a month, or go to one of their educational events.
Even just talking about the problem can do a lot! Did you know the Highland Cow was actually critically endangered in the USA within the past 10 years? It was the work of the Livestock Conservancy, plus a surge in their popularity, that helped to bring their numbers up. Word of mouth is a powerful thing.
All that said, remember, you can't solve every problem. It's a big world and there's a lot of them. Being made aware of an issue doesn't mean you have to drop what you were previously doing-- just care a lot about something that you want to improve, and let that guide you.
#Funfact: My great-something-grammy boinked the milkman#and that's how my great-something-grandparent happened lmaoo#Straightup parody level family drama#queen behavior tho ngl#Perhaps I simply respect my Milkmancestor's game too much#got milk in my blood#bone babble#cows#i like. tried not to say it TOO much besides the powerpuff girls meme. but.#capitalism is the core problem under everything here#it doesn't actually encourage efficiency on a large scale; it *encourages* overproduction and *incentivizes* artificial scarcity#under a capitalist system it is a good thing to crush your small farm competition by literally flooding the market with cheap milk#because it's more profitable to dump sour milk onto the nearest poor community than lose sales to Meemaw Moomoo And Her Heritage Herd#and yeah the cows are sick and dying from genetic issues and infections. but it's cheaper to feed them antibiotics#because it's not like the dairy industry is the one who pays for the medical care of antibiotic-resistant superbugs that jump to humans!#the questions were genuine tho so I was trying to answer them without a Degrowth Rant lmaooooooooooo#will say as an aside though that when Cost of Living comes up as a concern there's a red part of me that is like#''comrade. ANY cost to live is too high.''
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Soooo two note worthy things for me from Tobias’ HMV talk because my brain is still buzzing asdfg.
When asked if he could tell us more about Papa V he said no (lmao). He misheard someone saying Papa V was a count and just responded “he’s a cunt???”
Also talked about the half-mask thing. I don’t remember verbatim but he said how he developed severe claustrophobia from it and said “if they (presuming the label) had wanted me to do it again (wear the prosthetic masks) I would have never set foot on stage again.”
(Yeah it was THAT bad poor guy) And he reiterated how thankful he was people didn’t turn after that decision.
I don’t have a lot of thought right now but that’s stuff I remember off the top of my head.
#red speaks#tobias forge#the band ghost#ghost#he seems like a genuinely nice dude it was SO strange to see him irl asdfg#I can’t explain it#I will say the only thing that annoyed me was the phones which I get#I took one photo asdfg#and also the people who kept butting in when he was responding the the questions and basically answering for him#like I get it but I really wish he had more time to actually speak
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Dick grayson?! Please i'm gonna need some hc or something else like that about how you see dick grayson in general and as a yandere because i love your vision!
Also i know you're writing for him before when darling was trying to escape Bruce and get shoot by Jason and i wanted to know if there was a difference between the way you depicted Dick (and Jason) there and on your other fic "fawn's instinct"/"tickling"?
my opinions are dick are very,,, i do NOT want people to think i hate him, but i will pounce on any opportunity to talk about how much of a freak he is. no one escapes being bruce's test-run kid, an eldest sister, and growing up in a literal circus without some weird kinks to show for it. it's simply in his dna i fear.
as a yandere, i think he'd have a pretty base-line protective instinct (more than steph or tim but not nearly as much as jason or cas) with a terminal case of 'if i'm not your favorite guy i'll die about it' disease. he's never known how to exist if he's not the sole focus of someone's attention, and unadulterated adoration is hard to come by when you're one of an ever-growing gaggle of young adults moonlighting as a masked vigilante. he's not the type to be selfish on the field, but he can be selfish with you - locked away safe n' sound, so fragile and so scared, so willing to tell him he's your favorite hero as many times as he asks so long as he promises he'll never let anyone else hurt you. he'd prefer if you were obsessed with him organically, sure, if you felt the desire to crawl under his skin just as strongly as he felt the desire to crawl under yours, but this works, too. he's the golden boy, after all, bruce's longest and best trained disciple.
nothing he could do to you could really be all that bad, right?
#OH AND#to answer your questions about the greater good!!!#i think bruce was the only real yan in that fic#and the robins were just pulled in through circumstance and a desire not to see their dad lose the one thing he considers worth living for#whereas dick is significantly more delusional + less sympathetic towards the reader in my recent stuff#jason's deal is pretty much the same#i picture him being much more careless with the safety/happiness of people he considers accessory to his family#so whether or not he's also trying to jump your bones is sort of the defining factor#in how much bodily harm he's willing to inflict when you try to run away#fawn!reader would probably not get shot in the leg in a similar situation#probably#personal#anon ask#yandere dick grayson
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how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁
I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:
Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?
What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)
What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?
Etc
And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.
If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)
For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.
Here's some example questions for forming a style (some are more baseline than others)
Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?
Is there favored material(s)? Beads, bone, clay, metals, stones, etc.
When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?
How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?
Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?
Are there common visual motifs? Important symbols? Key subject matters?
What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)
Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?
Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)
Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?
Etc
Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).
Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)
Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.
#I have a solid baseline because I like learning about history so don't do this like. Full research process every time. It's just the gist#of what the core process is.#I think I've gotten a similar question about clothing in the past that I never answered (sorry) so yeah this applies to that as well#Though that involves a heavier preliminary research end (given there are substantially more practical concerns that shape the#making of clothing- material sources they have access to (plant textile? wool? hide? etc). The clothing's protective purpose (does#it need to protect from the sun? wind? mild cold? extreme cold?). Etc#Also involves establishing like. Beauty conventions. Gendered norms of dress. Modesty conventions. Etc#I think learning about the real world and different cultures across history is like. The absolute most important thing for good#worldbuilding. And this means LEARNING learning. Having the curiosity to learn the absolute myriad of Things People Do#and Why We Do Them and how we relate to shared aspects of our world. The commonalities and differences. I think this is like...#Foundational to having the ability to synthesize your own rather than just like. copy-pasting concepts at random
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after seeing this post by the artist afkeii on instagram, i got inspired to write a poem... and then i drew something to make it into a zine...
the way i feel about romantic love is... complicated... but i've known i'm on the aromantic spectrum for over a year now ! yippiee !
if you'd like to have a physical copy, feel free to [download the print version here] , and check [how to put it together / make a 8-page zine here]
#zine#personal zine#art#aromantic#aromantic spectrum#my art#id in alt text#that was very... interesting to write and draw about#dont ask me how i feel about romantic love its too tiring to explain#(<- thats a lie- do ask me about it as much as you want i have so many thoughts on it. probs more questions than answers tbf tho)#also yeah the black ring on my middle finger and right hand is bcs im asexual too#but ive known im ace since i was 13 so i dont have nothing poetic to say about it cuz its been just a normal thing for me for so long lol#aight its getting late and i need to go sleep byeeee
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helsinki tit preshow (not full)
youtube
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#didnt get to film the whole thing again#part 2 is mostly redundant with part 1. just more hd and with complete answer to the last question#dan and phil#phan#daniel howell#amazingphil#ti misc#my ti
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cruelest thing that kpop has ever done is impose a "you can't eat anything" rule on their idols in the country that says "have you eaten today?" as a way of showing love
#yena talks#so much of korean... affection? centers around eating and eating well and asking if youve eaten as a sign of love and concern#bc historically it just holds so much significance to like. actually have enough to eat that the question is engraved into our culture#and rvery time fans ask idols if theyve eaten it always come from a place of love but it breaks my heart because it's just so so likely that#the answer they give is either a) a lie or b) misleading because theyre not allowed to eat as much as they ought#also just the symbolism. “have you eaten today” = i love you; “you cant eat” = the opposite of that#like the whole diet culture/ obsession with looking perfect is of course so damaging by itself but it feels even more cruel like this yk#this is an exaggeration btw like i know kpop has done way worse things but this still breaks my heart
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#realm of the elderlings#rote#robin hobb#farseer#answer could be a simple no or the most ear-splitting yes you've ever heard - depends entirely on who you ask lol#I still consider rote the queerest thing I've ever read lol and I have no shortage of gay on my shelves#and sure it gets more and more fruity as you go along but it all begins in Farseer baby#by the end of Ass Quest we have the plumbing convo; an enby icon; a gay kiss#and YET. many will tell you there's nothing to see here 🙃🙃🙃#ripping my hair out#the second question was 'is royal assassin spicy' which took me out on several other levels
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Hey, remember when Michael Mell said this in Be More Chill Broadway:
"We're talking an insanely powerful supercomputer and you're using it to what? get laid? Did it ever occur to you that there could be consequences? That you're messing with something you don't understand?" "You're the one who said that technology isn't dangerous!" "Yeah, unless they use it like you!"
The fact that this is more relevant than ever is honestly scary I'm ngl :) Listen to Michael, he was onto something on this one
#be more chill#ai#michael mell#yes ai is a good thing for tons of reasons in science and to make some jobs easier#no it should not be for you to make stupid fucking art or to ask it questions when its going to pull the answer out of its ass#and youre not even going to check the sources and youll slowly accept whatever it feeds you as the truth
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a few months ago giffy was like "haha hear me out, what if tattoo au" and then we blacked out and talked about nothing else for like three weeks
#my art#one piece tag#zosan#if you've been here since 2012 then a) i'm sorry. thank you for your service. b) PLEASE have a Sensible Fucking Chuckle with me about this#honest to god the ufnniest possible thing that i personally could have done in the year 2023#if you're wondering what happened in 2012 then please leave that stone unturned. tghank you#anyways this whole thing brings me INSURMOUNTABLE joy ask me any question about anyone and i am sure i will have an answer#we have meanings or reasons for just about everything visible here and uhhhhh soooo so so so much more (ask me questions.. ask me....)#fitting the general fuckbonkers insanity of one piece into a modern au was both challenging (fun!) and INCREDIBLY hilarious#giffy is the funniest fucking person on the planet for coming up with half the situations that we shoved everyone into#(i did these in.. october i think?? maybe earlier? during the time i limited myself to sketches only)#tattoo au tag
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curious if theyll do any more jokes around the idea that perry's noises are a kind of grammatically complex/comprehensible 'platypus talk' like they did in mml -- because they never did that in pnf, they deliberately eschewed it, at most doof joked about pretending to understand what his noises meant.
as cute as the idea is of doof learning his animal language, the idea always kinda bugged me. in part because its just too cartoony for me to accept, that perrygrowl.mp3 can have multiple complex meanings (and also no meaning, like in the ep where pnf build an animal translator and they find that his growl means nothing.)
but also like ... if there is such a thing as platypus talk, as a complex language, how would perry have learned it? he grew up around people speaking/writing english. his voice is built to produce animal growls, sure, but he didn't hear other platypuses communicate growing up, as far as we know. (or, i like to assume.) thats kinda why i lean into sign language in my stuff, perry already communicates a lot with his hands, if he's gonna communicate in complex ways i prefer that, and it's more versatile, as a language humans already use.
#but again if the show decides to lean into it i'm game. esp if it means i get to hear more cute perry sounds sdfkl#also the answer to the question i pose is 'perry would know platypus talk because It Is A Cartoon'. i know. just hear me out im having fun#im v picky abt when things are presented as absurd jokes and not wanting to take them seriously#thats why i nvr take seriously the doof has metal arms thing. reference it just ONE more time in canon and i might. but as it stands nah
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