#it's my first animatic also and I've been working on and off of it since JANUARY | Explore Tumblr Posts and Blogs

rainbowchewynuggets · 7 months

Text

youtube

IT'S DONE IT'S DONE IT'S DONE IT'S DONE

I've been grinding away at this for months. I can't wait for people to see it. This project turned out to have a lot of gears behind it, so check out the artist statement below!

vvvvvvvvvvvvvvvvvv

I love this song. The first time I heard it, I already began picturing a story where a woman stumbled upon a gathering of birds in the forest and became so enthralled by their song that she partied with them until she became a bird, herself. It turns out that isn’t too far off from the singer, Yma Sumac’s, first experiences learning to sing. She would imitate the animals near her home in the hills of the Andes mountains as a very young kid, developing a vocal range that would make her famous later on.

From there, I fell into a montage of research on her life and the Peruvian festival music that defined her early career, as well as the complicated story of the exotica music she became most known for in the United States. I followed that up with a month-long dive into northwest Peruvian culture, mythology, ornithology, flora, and topographical studies. Then, I blacked out somewhere during the drawing phase, and now I’m here.

While I really value what I’ve learned while doing this project, I think it’s important to note that I did it all as an amateur researcher and a foreigner to the subject. I decided it would be a little conceited to try to make a totally accurate depiction of a traditional Peruvian festival, so I instead focused on referencing the regional variation of these traditions. Costumes and music have their own specific designs and textures depending on the area, and dances and festivities reflect local history. Yet, it all shares the same themes of celebrating prosperity and surviving hardship. Common motifs and characters reflect a shared heritage and cultural identity that coexists with individuality. It’s all just very cool to me.

So I asked myself, what if these birds had their own version of these traditions? What would a bird sing a folk song about? What would be new and cool to Yma, but still familiar enough that she could join in? (I got lucky, since Peruvian festival culture is already very reverent of birds and feather patterns.)

What I ended up with pulled a lot from the Carnaval de Cajamarca, which originated in the next town over from Yma’s childhood home of Ichocán. It also references these dances, among others:

Huaylarsh - Los Emplumados - Marinera - Tondero - White Dance / Los Chunchos

It’s also important to know that I took a lot of creative liberties with my research to pull the story together. I hope I haven’t used any elements in a harmful or insensitive way–and if I have, I’d like to know so that I can apologize. (I also missed out on some cool stuff, like the White Dance always having shaker beads on the legs.) I highly encourage you to have a look at some of the sources I did, and to look further if you’re interested. I found it all very enlightening, and I hope you will too.

Yma’s wikipedia, which seems like a mostly accurate overview based on other sources

Her official website, curated by a fan and friend

A segment on NPR about her musical career

The interview I got the opening from

The ornithology archive that saved my ass

I’d like to work on uploading all the frames as an image reel somewhere so they can be looked at individually. Might take a while, though.

Thanks for watching!

(To those using a screen reader, the video description follows this message. I'd like to apologize for putting the description as the last thing on the post. Not only is it extremely long, but this seemed to be the rare instance where the description would benefit from the context of the post's commentary before being read itself. I wrote and formatted this description in a way that I hoped would apply to aid various disabilities that impede enjoying music videos, and I am very interested in getting feedback.)

DESCRIPTION

[The following is presented as an animatic (a series of still images edited into a video) set to music. The art is drawn with condensed yet fuzzy pastel-like linework and full color. The song used is “Chuncho” by Yma Sumac. The song was composed to imitate the various sounds of tropical birds and animals. It has no lyrics, at least in a traditional sense. I, the describer, have tried my best to translate the especially abstract nature of this song into language that can be interpreted through text. Please use the best of your imagination to fill in the rest. An audio description will always refer to the visual description that follows it.

Audio: A male interviewer asks, “Since you are referred to the bird who became a woman in your native Peru, Ms. Sumac, may we hear your exotic voice?”

Visuals: A title card appears with gold lettering on a black background. It reads one word: Chuncho. The word is depicted as if it were carved into a flat surface with loose individual strokes.

Audio: A woman answers, “I will try to imitate the birds, as I did in my earliest years in the mountains of Peru.”

Visuals: Credits appear, also in gold text: Sung by Yma Sumac (Zoila Augusta Emperatriz Chàvarri del Castillo. Drawn by Carlie Hughes (rainbowchewynuggets).

Audio: The music begins with the steady four-note strumming of a guitar, which will continue throughout the song. Then, it is accompanied by low ragged notes from a heavy woodwind instrument.

Visuals: A green cicada flicks its wings as it rests on a plant with jagged leaves and a little white flower growing from the middle. Beetles of green, red, and yellow crawl around on trees and ferns among puffy yellow blooms. Yellow humpback beetles huddle together on a cold stone surface as mothlike butterflies cling to hanging purple-grey moss in the background. A cluster of butterflies of black, green, blue, orange, purple, and red flare their wings along stems and vines. A line of spiny cocoons hang from a vine leading up the center of the group.

Audio: A vocalist, the same woman as before, begins to sing in vocables. Her first notes are short, round, and bubbly, like the chirping of a small bird. The lilt of a flute follows.

(“B-bm, bui-bui-buiii…”)

Visuals: A small village sits on the side of a forested and scrub-covered mountain at night. Buildings twinkle with yellow and blue window light through the darkness. At the edge of the forest, a tall lean woman appears with warm orange skin, long black hair, a simple green dress cinched at the waist with blue trim on the neck, hem, wrist, and waist, and a powder blue shawl tied at the chest. She sneaks away from the village into the temperate tropical forest, glancing back to make sure hasn’t been followed. She grows more at ease as she leaves the buildings behind and strides between bushes, deeper into the trees. She passes a flowering plant with orange petals. Its bulbs are held aloft on long, long stems.

Audio: The vocalist sings in elongated threads of notes, wavering in a minor key in a mischievous way.

(“Whu, hu-uuuu…”)

Visuals: The woman grazes her fingers along a bush with little black berries and white spiky flowers. Her hand passes up and down with the shape of the bush, like the rise and fall of an ocean wave. She walks uphill, past pink clover and increasingly frequent stones.

Audio: The vocalist clicks and rolls her tongue with her notes, like drops of water splashing across stones.

(“Dlu, dlu-dlu-dlu-dlu-buiii…”)

Visuals: A voice suddenly gets her attention. The voice passes by as a green line with wide wave forms. The woman follows it. She passes through a stone forest–dense moss-covered rock formations that reach up toward the sky. The ground below is streaked with snake trails. The line of song is now yellow. It leads her forward along a trail through the rocks. She climbs a more precarious formation of boulders, through dense shrubbery and a dramatic rocky landscape. As the voice shifts redder, her colors shift pinker. Even the environment’s colors are shifting to pinks and blues. She climbs a hill, past tall spindly trees and a nearly vertical mountainside. The pink line of song leads her still upward.

Audio: The vocalist belts out the deep throaty call of a tropical bird trying to be heard far and wide. The notes increase in frequency, then widen into a whoop that softens to a murmur. The flute follows her with a few short forceful notes.

(“Ah, bya bya bya-bya-bya-bya-bya-byaaa, whoa-whoa-whoa-whoa-wi, wa-wa-wa wiii…”)

Visuals: When the woman reaches the top of the hill, a light shines up at her from the other side, returning her original colors. Below, she sees a gathering of human-sized bird people celebrating on a leafy platform. They’re dancing in different sized circles around a tree at the center. Rainbow colored ribbons of different lengths have been tied to the branches of the tree and hang down to form the silhouette of a condor. More ribbons and colorful bulbs hang from the leaves above. The line of song (now light blue) travels in a circle around the tree trunk. The camera zooms in, revealing details of the birds and their costumes. The birds are pigeons, hawks, cuckoos, seedbirds, and corvids. They’re all dressed in colorful hats, vests, slacks, and dresses with patterns that reflect those of their feathers. A circle of spotted woodpeckers closest to the trunk wear purple gowns and party hats. The party’s singing expands the blue circle of light. A wider circle of yellow, green, and white birds sit and watch the celebration from the edges of the platform. As a line of bright manakin birds zip by with their hands clasped together, the woman approaches from a nearby branch. She’s enticed by the party and joins the dance, clasping hands with a green parrot and leading the line with a broad smile on her face.

Audio: The vocalist makes a quick sudden series of escalating notes, then makes a hard sound with her teeth and returns to a low whoop. The flute echoes her.

(Ba-bana-baba-cht!, waw waw waw waw waw waw waw wiii…”)

Visuals: The birds switch to individual dances. A short red woodpecker and a tan long-necked bird with ribbons in her hair dance and sing together, their lines of song intertwining. The woman and three pigeons in red and black dresses stomp their heels in a quartet dance. She follows their steps flawlessly, familiar with the type of dance. When they begin to sing and whistle, she joins them–though her voice isn’t as strong as theirs and her line of song is thin and brittle.

Audio: The vocalist makes a low growl, at first imperceptible, that grows to a steady rumble. The flute follows.

(“Rhhh…, rhh, rhh rhhh…”)

Visuals: Then, the lights darken and redden. The woman stops to notice all the other birds heading to the back of the platform. They climb and flutter up to sit in fruit-bearing branches that grow just beyond. The woman finds herself a spot and picks a piece of fruit to eat. She takes a bite as a show begins. A band of various birds wearing ponchos and cloth hats sit down by the show platform. They play their instruments (flute, guitars and a drum) and count in the performance.

Audio: The vocalist makes more short bubbly chirps. They grow higher in small strings of notes until the phrase ends with a low long note.

(“Bom-bom, t-bom-bom-bom, mbom-bom wiii…”)

Visuals: Five owls appear, bathed in magenta spotlight before the center tree trunk. All of them have their yellow-spotted wings wrapped to mostly cover their black and gold-trimmed dresses. The four owls on the sides are short and red, while the one in the center is tall and bright purple. As all five begin to sing a golden song, they operatically open their wings and extend their feathers. As the light darkens to violet, the black and gold patterns in the folds of their wings leap out as if exposed to blacklight. They extend their arms upward and then double over to kneel on the stage, fully splaying their wings in a dramatic display. The woman watching is transfixed.

Audio: The vocalist rolls a noise from the back of her throat. Once, twice, three times–before hitching the roll up and down and letting it trail off. The flute makes a low hollow arc of a note.

(“Ghhh, ghhh, ghh gh-gh-gheee…”)

Visuals: Cut to the next performance. Two teams of blackbirds with long waving feathers compete, standing on each other’s shoulders to form two pyramids. The one at the top of each team lunges forward to try to strike the other with a long stick, propelled by their team. Their feathers glow with yellow light from above. The team on the left—with orange vests and red sashes—strikes first, only nearly missing. They gloat as the lime vest and green sash team on the right recoils and protests. Then, it’s the green team’s turn to take a confident lunge, forcing the red to frantically pull back in time to dodge. On the next strike, the red team buries the stick in the top of the enemy pyramid (actually tucked under the green leader’s arm). The victim feigns a mortal wound, and the entire team flies away. The red team poses, victorious. The red leader gets down to the floor to greet the widow of the green team, wearing a green dress. She peers at him from behind a silky black wing. As soon as he lands, she whacks him over the head with her own concealed stick. He is surprised. She is unamused.

Audio: The vocalist lets out a ghostly wail that wavers wildly like an eerie wind, higher and higher. A shaker instrument rumbles beneath her voice.

(“Woaaa… woaaa… woaa–”)

Visuals: Next, it’s dark. Three colorful birds in masks and costumes tread the air at an angle on the left side of the screen against a blue and green background. There’s a yellow spiky one, representing lightning. A blue round-feathered one, representing rain. And a spade-feathered green one, representing trees. Long beaded threads tied to their wings and tails wave and tangle across the screen as a group of five hummingbirds in shades of red struggle to survive the “storm” raging around them. The colored ribbons of the central tree are muted and flutter with the power of the wind. Two other birds hug the trunk, nearly out of sight. There’s a prop on the floor to the right made to look like a stone alcove, where more hummingbirds are hiding. The storm bringer birds beat their wings hard, casting the strings of lightning, water, and leaf shaped beads in huge chaotic waves. The five hummingbirds in vests and dresses wince and tumble against the wind, flying together in a tight circle. The threads crisscross behind them, an overwhelming force on the tiny birds’ scale. A red line of song floats up to reach them, guiding them down to the nest.

Audio: When her wail is at its highest, the vocalist pushes it further into the voice of a shrill songbird. The note hangs high in the air, then takes a few steps down and up. The segment ends with the sudden interjection of the low round voice–as if in surprise–and a trailing mumble.

(“Haaa, aa-aa aa-aa aa-aa, hoa? Ah, bw-huh…”)

Visuals: Those in the stone nest finish singing and reunite with the others, pulling them down to safety. A blackbird hiding behind the trunk spreads its wings, sitting on the shoulders of a brown woodpecker. The blackbird’s vest and wingspan are covered in yellow, signaling the coming of daylight. The storm birds retreat and sit still on a nearby branch. The wind is suddenly gone.

Audio: The guitar plays alone.

Visuals: After the stage performances, the audience members move back to the platform. They’re gathered off to the far left side of the central tree trunk, standing in a circle around a single figure. The light of the gathering area is deep plum-purple in far off areas and warm dull pink over the crowd. The empty space around the single dancer is salmon red, and the figure herself is blue.

Audio: The vocalist perfectly mimics the sound of a flutter, of delicate waving in the wind.

(“W-w-w-w-w-w-w”)

Visuals: The camera zooms in on her hand as it flits a pink handkerchief in the air.

Audio: The vocalist belts a pair of bold staunch vocables. The second note is held for several seconds before fading out.

(“Kyen, kyen…”)

Visuals: The camera pulls back to reveal the rest of her. She’s a blue eagle with wings that grade from red at the arms to pink to blue at the wingtips in a wavy pattern. Her smiling beak is bright pink. Her dress is royal blue with reddish-pink trimmed ruffles on the hem of the skirt, waist frill, neck frill, and the flower decoration on the side of her head. She stands with the hem of her dress in one hand and the handkerchief extended in the other in an open invitation to dance. A pale pink spotlight frames her head and shoulders against the darkness, and a dark pink line of song passes behind her. Her partner, an eagle of the same coloration with a blue vest and pants, pink shirt, pale orange sash, a blue hat in one hand, and a pink hanky of his own raised in the other, is calling to her. He puts his hands behind his back and takes high steps toward her. When the two are close, they turn and walk parallel to each other in a slow circle. The male’s back is to his partner. He looks at her over his shoulder with a smile and abruptly splays his feathers to be cute. There’s a layer of pink under his outer coat. She grins, entertained.

Audio: The vocalist repeats the two vocables, twisting the end of the second up into a high wavering trill that eventually soothes and disappears.

(“Kyen, kye–eee, ee, eee, ee…”)

Visuals: The two turn to face each other, circling tighter and tighter in unified song until they’re face to face, looking deep into each other’s eyes. With another turn, they’ve passed by each other and out of sight.

Audio: The vocalist makes a whisper, a ghost of the two vocables. Then, a few quick whistles, barely loud enough to hear.

(“Hyo, hyo”)

Visuals: The woman, who has been captivated by the dance, suddenly notices that the crowd has dispersed around her. Partners are walking off in all directions, leaving her alone. The dance is over.

Audio: The guitar picks up, getting faster and louder for a bit.

Visuals: The woman walks alone in the blue night air along a tangle of tree branches that form a pathway. She walks with her hands behind her back, her face looking preoccupied and a little disappointed. Bushels of soft leaves pass by in the background.

Audio: A high, light pleasant note from the vocalist overtakes the guitar. It grows until it fills the soundscape.

(“Aaa…”)

Visuals: An orange song reaches her from the direction she came, and she stops. When she turns, she sees a blue swift standing on the branch path, far behind her in an opening in the trees. The underside of his feathers is dingy orange, and he’s wearing a black vest, white pants, a rusty red sash around his waist, a bright green kerchief around his neck, and an orange rectangular accessory tied around his neck like a necklace. His face is obscured by a white hat with an orange band. He bows low with a hand on the hat. The hat comes off, revealing inviting eyes and a smiling orange beak. The woman grins and accepts the invitation with determination.

Audio: The vocalist draws long high vocables that resemble a wail. They trail off with a low note.

(“Whoa whoaaa…”)

Visuals: She and the swift untie the fabric around their necks and step toward each other as the line of song forms a ring above them. The woman holds the ends of the shawl in her hands and her hands at her hips with the body of the shawl hanging behind her waist. The bird holds his kerchief out in one hand with the hat in the other, held behind his back. He takes measured winding steps along the branches. The woman mirrors his steps, then pushes off of the main path and lands on an outcropping branch.

Audio: The vocalist’s song wavers back up and demurely bobs up and down, intertwined with tweeting from the flute.

(“Hoa… ohee…”)

Visuals: Her voice, seafoam green and a little stronger than before, trails behind her. She darts back onto the main branch and ducks behind the bird, then circles around to face him, the two only a few feet apart. They exchange steps pushing the other forward and back and flicking their garments in time with their movements. The woman’s voice grows stronger, nearly matching his. The bird quickly catches up as she moves backward, dancing beside her. The two dancers then leap from the main branch and fall down into the rocky forest below, passing by grassy plateaus and vines creeping through stone. Their song follows all the way down. They leap across boulders in the moonlight, side by side. The swift suddenly stops and folds his kerchief around the center of the shawl, hitching the two together.

Audio: The vocalist belts a complex series of syllables that mimic the heavy majestic cawing of a large bird or hawk. The flute makes itself known a little as the voice fades out.

(“Hlau-lau-lau hau-au-wau-wa-wiii…”)

Visuals: The woman, at the receiving end of the momentum, is swung wide and lets out a vibrant complex line of song that could match any bird’s. The two pull closer to each other and end their song on a low steady note. Then, they bow to each other as the camera pulls back. They’re standing on a rock that rises above a basin of water among huge formations of rock. Pairs of birds dance all around them in the shallows.

Audio: The guitar takes over for a bit.

Visuals: The camera cuts to an upward view of a varied group of birds sitting in branches, staring downward with interest. The light from the moon coming down through a break in the trees above is now cool green. The light coming up from where the birds are looking is orange-red.

Audio: The vocalist lets out the aggressive growling of a cat.

(“U-wau, wau-wau-wau-wau”)

Visuals: Below, the woman is dancing in a line with three reddish woodpeckers in a greenish clearing in the trees. They wear intricately detailed dresses in different combinations of bright green, yellow, red, and black with geometric and floral embroidery. The dresses are cinched at the waist with a piece of fabric covered in colored bands. Their heads are covered in scarves with the same colors and patterns. They sing and step aggressively toward the left of the screen. At the other side of the clearing, a line of four red and white faced woodpeckers with green beaks and wings face right. They wear bright green hats, kerchiefs, and sashes, yellow and black striped vests, and dark red pants with yellow tassels at the ankles. Their black shoes tap against the ground as they make quick little dance steps and flutter yellow handkerchiefs. They hold onto the brims of their hats and then lean down with a flourish of their arms, exposing the red crests of their heads sticking up underneath. The dance then changes formation. The girls dance in a line to the left as the boys step in a line to the right.

Audio: The growl hushes down to a wavering whisper, like wings beating in the dark.

(“Tchwahh-cwah-cwah-cwah-cwah-cwah-cwah-cwah…”)

Visuals: Out on a cliff by a waterfall, the scene is bathed in cyan. The line of dancers–alternating male, female, male, female–do a hopping dance from partners on the left to those on the right and back again as they move along the cliff, passing behind the waterfall as it disappears into the greenery in the foreground.

Audio: The guitar asserts itself again.

Visuals: Everything is suddenly red. A guitarist in a blue poncho and a red neck sash frets the neck of a guitar with a brown feathered hand. Rainbow ribbons are tied to the headstock. A deep orange song emanates from the strings.

Audio: The vocalist quickly accompanies the guitar with a harmonized version of the growl that revs up climatically, taking steps up the scale until it’s at its absolute height.

(“U-wa-wa ee-ee eh-oh! Oh-oh-oh-ohh!”)

Visuals: A congress of the partygoing birds stand in lines facing each other, all wearing blue outfits with red kerchiefs with rainbow tassels on them. The group jumps up and down in unison as part of a dance. The party breaks into smaller dances, and the woman dances by herself. She’s wearing a green skirt and flowy purple top with red underskirt, waist cinch, and scarf. Rainbow tassels are attached to the overskirt, and they swish with her movements. Beside her are a hawk woman and a pair of long billed bird men dancing in a circle with their ankles locked. A pair of red birds with white streaks on their wings suddenly hoist the woman into the air, as other birds are hoisted in the distance. As she’s held aloft, she sings and spreads her arms, revealing more tassels on her top, resembling wings. Her song is immense and beautiful. The camera focuses on one of the hoisted birds in the background, who has executed a handstand with the person who threw them. The blackbird’s feathers are all sorts of bright colors. The song passes by behind him. The excitement of the party disguises the presence of a looming pair of yellow slitted eyes peering out from a dark spot between the leaves nearby. A trio of purple pigeons dancing in a line with twigs and colored strings in their hands dip and weave together. The one in front balks, noticing the threat at last.

Audio: The high energy of the music suddenly cuts out. The shrill call of a small bird climbs up out of the silence.

(“Eee…”)

Visuals: A striped short legged pampas cat pounces into the center of the dance field. It misses the birds, but the illusion is shattered. The bird people are just birds again. They fly in a frenzy up through the trees to the safety of the early morning sky. The hilltop erupts with silhouettes of wings.

Audio: When the small bird’s call is at its highest, it tumbles back down and transforms into a low disquieting wail. The guitar re-enters.

(“Ee-ee-ee-ah-ahh ahh oohhh…”)

Visuals: The pampas cat has retreated into the dim tawny forest. It stands on a bent tree branch among bushes and hanging moss and stares into the camera with glowing yellow pupils. A tiny rodent scurries by and into a bush. The cat notices and darts after it. Nearby, dozens of bats hang from the underside of a rock formation that extends over a field of berry bushes. Their sleepy heads are tucked into their folded wings. A straggler flaps up to join the rest as the sun continues to rise. Elsewhere, a hive with wasp-like insects resting on the outside hangs over a rock. Sunlight gleams over the scene from a break in the trees in the background. A large brown mouse climbs up on the rock, backlit by the sun. It grabs a wasp in its teeth and leaves before the rest of the hive can wake up.

Audio: The vocalist makes a low steady murmur. A couple shakes from the shaker instrument follow.

(“Hoo…”)

Visuals: A colony of green and brown frogs with purple eye ridges, yellow faces, and orange bellies are asleep on dewy ridges of rock. A green cicada hangs out on a leaf off to the top left corner. The mouse jumps down through their resting spot, waking them all up. The frogs croak a green song as the cicada hangs on for dear life on the swinging leaf. The wind moans through the crevices of another stone forest. The little flowering shrubs that grow on the rocks bristle in the breeze. A variety of green, yellow, and blue lizards poke their heads out of the rocks, into the morning light.

Audio: The vocalist repeats the murmur. The flute follows this time.

(“Hoo…”)

Visuals: The camera pulls back to view the entire rock formation. The still rising sun shines only on the top half of right-facing stones. Long spindly tree trunks grow from the top left, out of sight. Long grass waves on the ground below. An alpaca-like vicuña raises its head from the long grass, facing the light. In the branches of the trees above, various birds perch facing left.

Audio: The vocalist makes a mysterious sound that begins as a harsh sound between her teeth and ends as a whisper. It echoes in the background.

(“Chwah-ah…”)

Visuals: The camera turns back to the village. Golden light casts diagonally across the brown roofs and tan buildings. The silhouette of a small bird flies toward the center of town.

Audio: The vocalist makes the sound again, then pulls the whisper up into a harsh repeated rasp from the back of her throat.

(“Chwah-ah qwah-qw-qw-qw-qw-qwah-qwah-qwah”)

Visuals: Down in between the one-story houses, the bird flutters down. Long shadows lay across a passage leading toward a door on the side of a building. We see the shadow of the woman land in the soft dirt path where the bird’s would have. She heads toward the door at a walking pace.

Audio: The call returns to a whisper. The vocalist clicks her throat in a short series of hollow sounds, nearly like the creaking of wood.

(“Qwk-qwk-qwk-qwk-qwk, qwk qwk qwk qwk”)

Visuals: As she opens the door to enter the purple interior light of the house, we see that she’s back in her green dress, but now her shawl is red. The sun glints in her hair. Before she goes inside, she looks back and winks at the camera with a smile. Then, she slowly pulls the door behind her until it’s shut.

Audio: The vocalist lets out her breath entirely as the accompanying music trickles into silence.

(“Haaa…”)

Visuals: The screen is black for a few seconds.

Audio: The high whistling call of a green manakin can be heard over the rustling of forest trees. The call’s tone is raised at the end, like it’s asking a question.

(“Twee?… Twee?… Twee?… Twee?”)

Visuals: The end card appears. Yellow and green lettering and a border lay on a black background. The text reads: Yma Sumac. Peruvian soprano and composer. October 13th 1922 until November 1st 2008. Biographical and reference info in description. Chuncho, 1953. Written by Moises Vivanco. Capitol Records, Universal Music Publishing Group. Carlie Hughes. Tumblr @rainbowchewynuggets. www.carliehughes.com. End ID]

INDEX

#chuncho song #animatic #chuncho animatic #night festival animatic #the night festival #yma sumac #the birds #the forest creatures #this was supposed to go up on her birthday but i got sick aaa #Youtube

73 notes · View notes

joyfuladorable · 10 months

Text

youtube

From Legendlark's Dames and Dragons campaign: Arc 3 - The Gray Manacle (Part 10)

[Below is from the Video Description]

I planned on trying to make this into an animatic, but the time got away from me as it usually does! Please take this old art while I work on said animatic at a more leisurely pace, lol

So, this Moment. When I first started listening to Dames, I managed to catch up in the middle of this arc. The end surprised me, not just from a PC leaving, but also because I Thought that there'd be More Parts before the arc ended! Honestly, I grieved a little bit. Laika is my favorite character, and I wanted more time to see her character develop.

Her send off was nothing short of Beautifully Bittersweet. From the music, to Kat's monologue, to Sophia's delivery as Laika… It's a scene that will always make me tear up.

And from there, the podcast kept getting better and better. Errol came on as Slake and changed the Guardians' dynamic in a new and wonderful way. The story evolved and deepened and swept me up even further down into its depths. And I… I guess I evolved with it?

Legendlark is a Queer Podcast through and through. And when I first started listening, I Knew I was Queer, but my understanding of myself was still developing. Listening to the Larks really helped me along that journey. It was such a fun coincidence when Juniper came out around the same time I realized I was nonbinary!!

Since then, I've been DMing for my own D&D group, participated in the Roll to Fall in Love Zine, and relistened to the podcast multiple times because the magic of it never seems to fade. Even when this campaign concludes, it will always have a special place in my heart.

You could even say, it'll be… ♥️Dearly Beloved♥️

#legendlark #dames and dragons #my vid #my art #(old art technically but still mine)#cheeky KH reference because it is a Good Percentage of why I love this podcast #ohhh Laika my child I will write more fanfic for you just you wait #and I'll continue the Dames Doodles that'll happen again eventually also

44 notes · View notes

laurzzz · 1 year

Note

will you still be in the daycare attendant fandom?

Of course! I still have WWITS to see through the very end and maybe to start Majestic Oppositions as well after. I'm still in the fandom, as I always am with the other fandoms I've been in (it just takes one good video or meme to drag me back honestly), but rn since I'm still in waiting period for the WWITS event to end— I'm allowing my enjoyment for the Welcome Home fandom to take over.

This has also happened back in October when I first entered Tumblr while I was hyperfixating on DHMIS and even BATDR lmao but that never stopped me to continue making DCA art. My attention's just very divided rn but I'm not just dropping everything DCA related!

Also to prove my point, I've been working on and off on another animatic for the DCA but uh yeah it's slow because my interest for WH is really holding me by the neck lmao.

#food #ik like 90% of my followers rn are following me bc of DCA stuff so i get if the interactions from them have been #less lately #this honestly will happen a lot so uh giving you guys a heads up #i find interest in many things easily #i made the same kind of announcement back in my youtube channel #because ppl followed me there for BATDR stuff but i shifted to DCA animatics to now WH #staying in one fandom can get tiring i dont wanna get tired of all my blorbos AKDHSKSK #anw long post oops

16 notes · View notes

fountainpenguin · 8 months

Text

Blog Stuff

^ Like, "FYI if you want to block tags" stuff

Little announcement here: Factor It In is on hiatus for now, probably for the rest of 2023. I know where the story is going overall and I know where the next chapter's going, but I struggled more than expected with the "Torus" voice (took like 6 weeks longer than the other chapters and all of it painful :'D)

I don't want to face a timecrunch struggle with TJ and Rose POVs (two characters who will be new to me), so I'm taking the bi-weekly update stress away and putting the 'fic on hiatus for now. But I wrote 77k before a hiatus was needed so I'm proud of that <3

We've got some 130 Prompts coming up as well as "Unicorn Years" for Origin in September (and hopefully a special Friday the 13th piece in October). In other words, FOP stuff is still bi-weekly as usual.

-> As a reminder, the 130 Prompts are posted in the order they are for a reason. You don't have to read them all if you don't want to, but extra context is always nice. If you've been dragging your feet on "Looking Back" by any chance... I might recommend that before the next update, which is "Sentry" ;)

On the "off" Friday I'm planning one-shots for various fandoms, especially shorter character studies. Really want to practice capturing a variety of voices, some quicker one-shots, and maybe I'll try some characters I don't use a lot. Or I'll be self-indulgent and focus on my faves... who knows.

Hoping to post more Come What May as well since you guys were excited to see it back <3... and it would be nice to actually finish a non-one-shot 'fic for the first time in. 7 years.

It's probably been obvious, but I also took a long hiatus from digital art. Traditional art is more comfy for me and I've been trying new digital programs, but haven't fallen in love with anything (i.e. I've been a vector artist for 10 years and moving from my safe space to different programs and styles is... painful).

I think I'm ready to start pushing my comfort zone, but be forgiving of my digital style because I'm playing around with new tools and this is a big jump for me, ha ha. I think I'm going to do some silly, low-stress fanfic doodles with very little attempt to make them look good, just testing stuff out.

I miiiiiight have a few PMV / animatic ideas, so we'll see

By nature of me posting art for my own 'fics, spoilers be upon ye if you're not up to date with my writing. Relatively recent stuff and/or stuff I consider "big" will get the #ridspoilers tag, but stuff I wrote 6+ months ago is less likely to get the tag, so that's how that goes.

-> #Dog's Life spoilers will get a unique tag because the weekly updates and drama make me say "Yeah, a special tag makes sense," so if that's a 'fic you think you want to read someday without spoilers, consider blocking that sooner rather than later :)

-> I'm also adding a #Pixels Imperfect tag to stuff from that universe (and I'll go back and add it to the chapters I already posted). "Pixels Imperfect" is the series name on AO3 for my digital gremlin Traffic SMP content (Everyone can freely wander around New Star Station outside the game and just puts on their roleplay hats when they go in, everything under this series fits under one umbrella of universe canon, etc.)

-> #Neighborhood Watch is the series name for "we take the roleplay lore seriously, this is their life, no digital world and no roleplay hat to take off" Traffic SMP content. I haven't posted anything for it yet, but I've got stuff in the works (I'm playing with a couple "making every season as canon as possible in one storyline" pieces and </3 it's big divorce speedrun hours for Clocker fam rn)

As for the other 'fics, I've been posting stuff like Origin, the 130, and Knots for 7 years and I feel okay about how that's going- I don't normally get spoiler Asks, but my general rule is to wait 1-2 weeks before I say anything spoilery on my blog. I think that's been working fine and we've got a good system, so I'm not changing anything there.

Lastly - and this is also part of the reason Factor is going on hiatus - it sounds like Traffic SMP Season 5 is just around the corner. For my followers who don't know much about this Minecraft deathmatch series, the creators only play for a few weeks - I think the shortest season was 6 weeks and the longest was 8 - and each creator puts out one episode a week (usually Friday).

So, it's a pretty short chunk of time and I don't want to be juggling too many things while it's coming out. I think this year I want to jump in and create some nice content while it's ongoing instead of just doodling off to the side and keeping it to myself... I need to dig up my old liveblog doodles I never shared, hm.

-> The traffic story canon gets reset every season (i.e. it's unscripted play, there's no continuous plot, and each season starts relationships from scratch), so if you've been enjoying any of my Traffic SMP reblogs, consider looking into it and riding that wave while episodes come out for a couple weeks and we can be hype together <3

-> Stuff for that season will be tagged #traffic spoilers, which is the tag I use across all the seasons, and I'll make a new post with my Season 5 spoiler tag once we get the name reveal.

-> As is traditional when I liveblog, I'll also use the tag #Riddle watches Traffic so you can block that too if you like. Just wanted to let people know in case I have any Traffic SMP followers who want to go in blind and don't want to risk seeing my posts before they have time to block my spoilers tag. #traffic spoilers still covers everything, including new season.

-> I also need to look into maybe switching from Traffic Life SMP as my blog tag to Traffic SMP because I think that's. the right name and it would probably be smart to tag properly... hm.

I think that covers everything I wanted to say. I'll add a list or link to my pinned post as well so people can figure out what to block for spoilers and stuff.

Thanks for enjoying my blog!

#99% true as far as we remember #ridwriting #Pixels Imperfect #Neighborhood Watch #Factor It In #130 Prompts #FAIRIES!#Dog's Life #ridspoilers #Clockers #Riddle watches Traffic #/squints. If I put these next ones at the end of my tag list then this won't show up in public search right? I think so:#trafficblr #traffic life smp #traffic spoilers #mcyt

2 notes · View notes

beverlychills · 11 months

Text

Introductory Post

PLEASE at least skim through the tags. Navigating this autism castle I've built may get difficult if you don't.

Also see below: Guide for takedown requests

Hi there, call me Taffy! (Any pronouns)

I'm a neurodivergent fella obsessed with Lethal League. I'm also obsessed with archiving things, and I have a dedicated personal server where I collect all the LLB fanart I can.

For a while I've been wanting to give other people easy access to all this old and new content, but I don't want to invite people to the server, and booru-making is closed right now, so this—an account made to reblog every LLB post I can find—is the next best option.

For now I run this account alone, and my archiving only encompasses things on tumblr, this may change later but I can't say for sure.

I plan to keep this archive going as long as possible.

IMPORTANT STUFF FIRST!

Despite my wants to preserve everything Lethal League, there are some artists I refuse to archive due to personal convictions, or being personally asked not to archive their work.

The amount of these people is presently in the single digits, and probably won't impact the rest of the blog much.

If you want a particular post(s) taken down, or would like to be blacklisted, please DM me. Please note you may have to prove your identity to do this, in whatever way you can (so long as it does not compromise your safety or super-personal information).

If you have a Lethal League post to contribute that I haven't found yet, send me the link. Even things from deactivated accounts can still be preserved if someone else reblogged them. Or I guess if you have a screenshot.

If there's something down the list you don't wanna see, just filter the tag

Warnings: #suggestive Including but not limited to - Discussion of NSFW, off-camera lovemaking, skimpy clothing or poses... whatever you older internet denizens might call "sin." NSFW jokes are judged on a case-by-case basis Overly graphic stuff, minor x adult, or straight up p0rn if there's any left, will not be included in the archive for obvious reasons #thirstposting Any rare case of people getting a bit too excited over a given LLB character. If hypothetically seeing people talk about how much they want to bone their favorite dapper googly eyed fuck wouldn't be your jam, you might wanna filter out this tag. #nudity Tasteful nudity. Think the Statue of David. #blood For when insides become outsides, but it's not straight up gutspill. #feels Because some of us don't wanna deal with angst. #emeto Vom. #eyestrain Ouchie ow oof bright colors. ^ #aberration Chromatic aberration #gore #bugs #death #eye contact #dereality #drugs #weed #body horror #loud #flashing

Please note; Despite my headcanons, character interactions will be judged through the LLB story at face value. This means ships involving Switch will not be counted as minor x adult, because he is a robot, 5 is only how long he's been manufactured, and his mental age is not entirely clear (beyond him obviously not having the mind of a toddler). This also means things like Raptor x Switch will still be archived, since although some headcanon them to be found brothers, this is not canonically confirmed.

Content type: #art Including but not limited to - Drawings, physical crafts, music, etc. #fanfic Fanfiction, whether linked offsite or posted directly to tumblr. #animation Encompasses gifs, animatics, animation memes, PMVs, the works. #modding Stuff like retexturing, 3D model editing, or even Mung Daal in Room 21 #gameplay #shitpost #textpost #cosplay

Characters: #raptor #switch #candyman #dice #jet #doombox #grid #nitro #latch #sonata #dust #ashes #toxic #dummy #mc inferno #safety league

Unlockables: #ballhead #strait jacket #zoot suit #l.2 full mecha #domino #dynamic #detective nitro #jumper cabler #safety weapon #chain engine #iron grip

DLC: #galileo #firefighter max pressure #volt (Neopolis Devastator) #ivory puppet killer #insectoid loneriding mechranger #stereo overdrive #shining gold winner #gigahertz visualizer x #nuclear nourishment #late stage illmatic #heavyduty r evolution #master of the mountain

Fandom culture: #headcanon #theory #review #ship #ship neg #oc x canon #oc #au #askblog #humanized #crossover #fusion

Archived posts will not be tagged as #ship unless the OP states so, or it is very explicitly intended to be ship art—flirting and kissing and stuff. Ships will be tagged as the involved characters' names in alphabetical order, in lieu of affectionate shipnames. This is to avoid creating extra things for you poor soul to memorize. Also, negative content about any given ship will have "neg" tacked onto the end. ❌ #candylatch ✅ #candyman x latch 🔘 #candyman x latch neg

For OCs, search their name, and for specific artists, search their blog url. ie: #cue #klayfruit Furthermore, fanon interpretations of LLB characters may be tagged like this: #henry #candyman

OC x canon shipnames will not be tagged, despite how few there are in retrospect, because I think doing that would drive me nuts.

If two OCs happen to have the same name, the name will be followed up with the creator's username depending on which OC is being referred to. This also applies if an OC name overlaps with a warning tag;

#ember sampleusername - #ember gridsbignaturals #bugs sampleusername

Other: #official Involving a Team Reptile account or one of its developers. Including but not limited to: Dev logs, headcanons from individual team members, outdated lore, threads involving them on other websites, etc. #tim #dion #yinyin #andy #kittomatic #sem

#merch Official merchandise designs and such #deactivated OP's blog is hacked or deactivated. If the URL was changed, the old URL may be tagged; for the sake of preserving the era it was posted, and so people can more easily find things if they know an old username but not the new one. #[year] Year something was posted. ie: #2015 #mod taffy

Posts with captions like "not tagging this" or things that seem personal will probably not be archived unless the OP says it's okay

#mod taffy

4 notes · View notes

eldragon-x · 2 years

Note

dusknoir and raine for the character meme?

@smilepebble

Raine

Fav thing about them

They're such a character of duality and I love it. I've said it before but the way they're shown to have stagefright and be easily embarrased or blushy, especially around their love interest, right from their debut episode makes it easy to underestimate them, this goes both for other characters and the audience. The same episode also shows they're very much capable, but still. I admit I have underestimated them as well, but fans characterizing them as just awkward always felt off to me. They ARE awkward, but you need to remember that they're a poweful witch who spent years of their life carefully working towards overthrowing an Emperor after realizing how corrupt the system is by becoming one of his closest allies. Heck, from the first episode they show up in, it's shown that they're ready to give up their life for their cause if neccesary. Again, I've said it before, but you need to understand that Raine is both incredibly awkward but also incredibly smart and skilled to get them.

Least fav thing about them

Fav line

brotp

I headcanon that they and Darius used to be friends in school which is a little funny considering Darius was first portrayed as an antagonist but now works with Raine to take down Belos and probably had his own rebellion going on all along, Raine just wasn't aware of it. Like imagine you're besties with someone at your school and when you grow up they become a government figure and so do you but you do it because the ruler of your country invented a system that restricts people and they have some secret fucked up plan they're working towards to and you wanna stop that so one day you and your old bestie almost kill each other because your old bestie was sent to arrest you for treason and you try to kill them and sacrifice yourself for it because loosing people in your position will ruin the rulers plans but turns out your old bestie was just staging a fight and not actually trying to kill you and you're both on the same side. This is the Raine experience.

On the other hand it's rather tragic because that means the first time Raine and Darius actually have a mutual understanding again in forever is when the whole situation is getting really bad and they can't focus on personal stuff.

otp

Raeda. Again, I wouldn't call myself a shipper, but they're exes who still have a thing for each other and it seems like the show's aiming towards getting them back together. Tho I still think it'd be interesting if they just end up as friends after having such a long ongoing fall-out.

notp

random hc

They're like a mentor to the other BATTs. Talking about, I hope they return soon because they've just been in prison since Raine's debut. Which, okay, Raine had to be less suspicious since then, but someone get them out of there so they can beat Belos' ass together.

unpopular opinion

Idk lol

song I associate with them

"Never Love an Anchor" by The Crane Wives because of this animatic

fav picture

I'm already limiting myself with three pictures, I just really love them also that last one is pretty

Dusknoir

Fav thing about them

I'm just a sucker for very sympathetic villains who you'd want to see redeem themselves plus he's one of the best developed characters in the whole pmd series.

Least fav thing about them

Fav line

His whole dialouge during That Scene.

brotp

He and Munna are besties. Chunsoft Spike told me so.

otp

FutureTrioShipping

notp

random hc

World's most repressed nonbinary Pokemon.

unpopular opinion

song I associate with them

There's a handful but like. "Passing Through (Can't the Future Just Wait)" by Kaden MacKay....

fav picture

my default choice when changing my icon to him

#sorry for keeping Dusknoir so brief u know how it is #owl house #pmd #raine tag #dusknoir tag

6 notes · View notes

verdantglow · 1 month

Note

that makes so much sense actually. i also am making some aus (unrelated) and am wanting to seperate them into little ficlets/art pieces/comics of the pieces that motivate me before even touching on an overarching story but also god is it difficult for me. if thats what works for you as well id definitely say treat it like that (also i would LOVE to see any animatics you do for this)

i personally am mostly watching the hermits doing their hermit crafting (currently watching 18 hermits simultaneously the hyperfixation is b a d) and a couple SOS members, though i plan to watch more of the creators. I've really only seen up to double life (all through grians pov), and i havent even finished that. in my defence, the "its for your secret soulmate" line utterly and completely destroyed me and i have NOT recovered since (i stopped watching his hermitcraft videos after that too until the start of s10).

i have made the resolution to go watch other povs but i need to finish his first rip.

ANYWAY BACK TO THE AU

How often do you think the vflarp games effect their out of game relationships? like obviously it led to them becoming friends and desert duo becoming "moirails" but like. Did double life cause a rift between grian and scar? has rendog being absent from the games had any significance on anything? (i havent watched further so i cant really give too many other examples). Do the winners get anything other than the satisfaction that they alone won?

absolute behemoth of an ask my bad

Yeah! There’s just something so appealing about being able to just jump around & do mini projects that go together rather than one huge one. I’m hoping it’ll hold off the burn out I inevitably get for my AUs. **stares off into the distance thinking about all my mega fics that only ever got three chapters** I get it being hard to break it down though! I hope you’re able to land at a place where you can create as easily & painlessly as possible. ^^

I feel you on the hyperfixation lol. I was doing that hermitblr survey that’s going around & realized that I watch every episode of a third of the server, & some to most episodes of another third. & there’s a handful in the final third that I’ve been meaning to watch, but haven’t gotten to because I’m so busy watching everyone else & thinking about fanworks. This season is just slamming all the good brain chemical buttons!

Tbf, “it’s for your secret soulmate” hit so fucking hard, I do not blame you an ounce for wanting to take a break after that! When you’re ready, I highly recommend Martyn’s 3rd life, it’s so good! I never quite got the Renchanting/Treebark hubbub as someone who’d only seen Grian’s perspective of that season, but after watching Martyn’s… The drama is just. So. Good. Martyn + Ren is just a combo of theatre kid lore nerds & it honestly slaps. Gem’s Secret Life is damn good as well, just ‘cause she got to be a chaos gremlin & we love to see it.

Oh yes, their VLARPing affects IRL relationships all the time! A lot of early relationships developed due to playing 3rd Life & those relationships continued on to influence who went on which ship once they reached adulthood! Obviously, we’ve got Scar & Griann, but also there’s Scohtt & Jimmie who became auspitices, & Wrehnn & Martyn who stick together & eventually become matesprits. Jimmie & Tangoh hit it off after playing Double Life as soulmates & eventually enter a [matespritship? Moiraillegance? Haven’t decided] as well. & of course, my beloved Boat Boys developed their weird whatevership around the same time. (Joel swears they’re pitch. Eethos never comments on it. The truth is somewhere around them being hate friends who are flushed for each other??? But fuck if you’ll ever get either of them to admit it.)

Things were pretty rocky for Scar & Griann after DL; the whole secret soulmate thing was a case of Griann being mildly annoyed with Scar & thinking he could get back at Scar/make Scar jealous. This blew up in his face ~*~spectacularly~*~ & it took quite a bit for things to heal between them. (Mummbo spent a lot of that time being very confused why the vibes on Scar’s ship were so fucking rancid until he managed to get Griann to fess up.)

There definitely is a plot related reason Wrehnn hasn’t been playing, but I’m holding back on finalizing anything until I get more of the out of game plot mapped out. But yes, that definitely affects/is an effect of things in game!

I think, much like in real life, winning is just for the prestige of it. Like, in this AU, the Life series is just a bunch of games they’re playing for the heck of it. Though this does make me think that I need to decide where these games come from, whether it’s a mass market thing or something Griann threw together or if maybe it came from some other outside influence. Hm…

#trafficstuck #verdant answers #verdant rambles #trafficblr #also I have to say your asks as absolutely delightful & I always look forward to them!#like seriously. bright points of my days.#thank you for sending them!#^^

1 note · View note

nekole-doodles · 1 month

Text

[Extra notes below the picture]

1. I only recently mostly phased out of my Gacha phase because no one made satisfying enough videos. Those reaction and AU Crossovers videos used to go so hard thoooo!!! This is where I found my love for AU Crossovers and making AUs :D I always had very high standards for GC videos though which honestly probably saved me from being one of those questionable people who pushes the fandom's boundaries.

2. Still LOVE FNaF and fnaf fanartists have been saving my mental health these past few weeks after DSMP started falling off

3. I have a few closeted/subtle DSMP cosplays like C! Wilbur(who I dressed up as for Halloween) and C! Tommy and TCFSV! Siren is in progress(looking for the iconic white and red t-shirt and working on getting a black coat and my friend is making a shimmery blue blindfold for me :D) I'll be dressing up as TCFSV! Siren for the hero/villain day at my school :))) So excited

3. Anime(specifically Haikyuu) was my first hyperfixation but Violet Evergarden remains one of my tops (Also, Yuri!!! On Ice recently joined the ranks since I just watched it. It has changed my brain chemistry)

4. I can recognize soooo many tiktok audios despite only getting TikTok last year because I always watched FNaF and Haikyuu compilations.

5. No comment :/ (I like women :])

6. A Mitski song was just playing a minute ago agsksnj

7. So many YouTubers raised me omg, especially MCYTubers(clearly) DanTDM, LDShadowlady, Ihascupquake, etc, those were fun days :]

8. I still remember her obsession with bread, like that one time she made a tower of bread in Job Simulator

9. Honestly, Hot Topic doesn't have great stuff for me but I've been there several times

10. Only a few of her songs but I think it still counts. I mostly listen to her through DSMP animatics/animations (which says a lot as is)

11. TALLY HALL, no further comment :]

12. I stopped using it as much but yeah. I love emoticons, especially TvT :) :] :') =>= :D TwT etc

13. MY MUSIC IS BUILT OFF OF ANIMATION MEMES!!! Before I found my groove with indie music, this was basically 99% of my music

14. Just look at my page. That says enough. Longest and strongest hyperfixation and has had the most impact on my life despite me joining late. Haikyuu was my phase while I was getting out of a bad time but DMSP was there as I found myself and it helped me find a lot of the things I enjoy now(art, writing, cosplays, fanartists, content creators like Philza, a love for animatics and fanart, etc) You can tell how much this fandom means to me

15. I wouldn't say I'm "good" per say, but I still love art and like to think I'm improving :> I still have a long way to go but DSMP and QSMP makes for good inspiration to practice drawing through fanart :]

16. ... Do fish count??? I mean- I have owned 3 hamsters and guinea pigs that one time but it never really worked out. I'd love to have a cat but I'm really allergic which is devastating :[

Anywayyyy, I rambled a lot :D I always ramble. I AM the ramble :)

#weird kid bingo #dsmp #fnaf #i was a pretty weird kid #i AM a pretty weird kid #dsmp hits different #rambles #ramble #ramblings #hyperfixation

1 note · View note

francy-sketches · 2 years

Note

if it was possible to organize an asoiaf map and actually have enough animators to make one, what song or other audio would you want used? i’ve always thought an agot map to house of the rising sun would be very slayful

ooo good question! I've actually been thinking about this kind of a lot so *rubs my little hands together*

ok so first of all we gotta be a bit realistic about the fandom's capabilites lol (yes this is all hypothetical but I like to delude myself imagine something actuall doable) so right away full animation is off the table bc ideally I'd want it to be accessible to as many people as possible and there's so many great artists in this fandom who aren't animators.

I think my ideal is pmv style since then it's just a matter knowing how to separate layers to tween them and that's a lot easier to do than frame by frame animation (also some minor tweening goes a long way to not make the thing look like a wmm slideshow lmao)

Also it should probably be something...all encompassing? like not focusing on a specific character is what I mean. Maybe focusing on just one book at most damn i gotta give up my 7 minute preston greenfield map 😔

SO with all that, gotta pick something that fits both :]

Willow tree march gives me agot-asos vibes, I actually had a pretty solid animatic idea for this one but. I have too many projects already there's no way I could do it on my own rip

Dust bowl dance is another one I think could fit acok-asos, I dont have as much of a clear vision for this one but it's definitely got the vibe imo

You doesn't really have much of an asoiaf vibe but I think it could work in a "pick a bit to draw your favorite angsty moment with" lol. also it's very slow paced so perfect for subtle tweening haha

King and lionheart also has those asoiaf vibes but idk how well it could work as a map, especially with limited animation bc it gets pretty intense. a lot of of monsters and men's songs in general have asoiaf vibes i thing so idk maybe one of those

uhhh kind of drawing a blank rn these are the only ones I can think of if anyone has any suggestions i'd love to hear them 👀 if nothing else just to find new music lol

anyway thanks for coming to my ted talk stream 2009 warrior cat amvs for clear skin 💅

#asks #asoiaf #thanks for letting me ramble about my asoiaf map vision uwu #ive actually been thinking more and more about actually hostin hosting one like. I COULD do it. hypothetically #fuck remove the hostin that was a typo #still very much an hypothetical tho sont expect me to do anything in the near future #*dont. i cant type #6+395689 <- my cat's response btw #he walked on my keyboard as I was answering #thank you dusk very insightful

24 notes · View notes

robocatrc · 4 years

Text

🔴⚠️Full animatic that I was working on will be posted TOMORROW on my YouTube channel! ( My YouTube name is RoboCatRC) Stay tuned and DON'T MISS IT!!!🔥

______

Khm, khm... Now after this big announcement, first of all, I want to say hello!)))😊✨ It's been a long three days right? I've been super busy doing my university works. And since I finally have a few days off, I decided to emrace myself and FINALLY finish this thing. This animatic have been lying in my folder for a long time already, but after the latest SU episodes ( OMG 😱 Stiven shattered Jasper and he needs SERIOUS THERAPY) I think this animatic will be very relevant, especially after all this stuff that happened in the show recently ( and will hapen). I also want to remind you that this animatic was made to the song, and It also will be pretty short... But I've put my SOUL into it! So I hope you will like it!😄♥️

_______

⚠️ Commissions are OPEN. ( DM me for more information)

_______

⚠️Credit me if you repost my work. @robocatrc

_______

🌸“Sub” and “Like” if you want to see more.

🌸 Love you all! :3

#steven universe future #steven universe #steven #animatic #my art #pink diamond #rebecca sugar #art #fanart #artist #cartoon network #drawing #cartoon #animation #artist on tumblr #robocatrc #robocat #comission

2K notes · View notes

astroninaaa · 3 years

Note

Hot take a talk about technoblade:

Okay look I've been part of this fandom since August(thank god cuz i watched it all live and it woukd be a nightmare to caatch up) I bring this up cuz i want to discuss my problem with technos character. I have watched every single techno livestream that he made on dream smp and believe it or not i used to be a techno sympathiser that is until doomsday. (By techno apologist standards i am qualified to talk about his character hooray..)

Now techno like every character is flawed if he wasn't he would be boring fandom. One of his biggest flaws is being a hypocrite. That is not something you realise until you compare what he says all the time so you need to look a little deeper to realise it and i don't blame people for not seeing it.

This wouldn't be that much of a problem because that is a character flaw among with many others but the problem that his character has faced is that he doesn't develop much.

Now i hear techno apologist jump at me every single time noooo he isn't a stagnant character he has developed a lot. I am not saying that he hasn't developed at all the problem is that he has developed very little especially when you consider everything.

His goals his ideas his perception of the world what he believes him everything that makes his character him hasn't changed much and that is not a good thing from a writing perspective. Now why do i bring this up. Firstly I'm not saying this to say techno is a bad writer far from it he can be very good when he puts his mind to it. The problem with keeping a character in this state is that it's very harmful for said character first and to the story and other characters second. Look even at yourselves i can guarantee that you aren't the exact same person you were like five years ago for example because during that time you made mistakes learned from them and you grew. Just like in real life you also can't stay stagnant in fiction.

Okay so that's the main problem with technos character that he is stagnant as a character. Now this wouldn't be as big of a problem if he didn't have the role that he has.

You see techno both c! and cc! are very good at the game basically. Now why do i bring this up. The reason why i bring this up is bc of where this places techno whuch is at the very top of the chain don't try and seny it. This means that he is one of the most powerful people on the server if you are going to try and go against this point just look at lmanberg guys that's living proof of how powerful and how terrifying he actually is. I know a lot of you are gonna say but every can get stacked or play the game but you guys forget that even if you are stacked you just don't have the skill and cc! Techno of the best people when it comes to that which bleeds into his character. Saying that is like looking at the upper class than looking at the lower class saying just get rich like it doesn't work like that.

Because of his role techno is literally the 1% by rl standards which means he can a lit of things free of consequences bc no one can give him said consequences. The butcher army was ig an attempt at that but they failed miserably let's be real here.

Because he is in the 1% is incredibly skilled at pvp and can do anything bc no one can challenge him this places him on a pedestal and creates a power imbalance a very big one at that.

And that leads to his biggest problem he has practically everything as said by Techno himself and is never challenged, but that's not an interesting character. An audience gets tired for a character that always wins or loses. Because if it happens repeatedly it just takes all the suspense oh he will win immediately. He will go and slaughter them problem solved. That's it every time. Something that techno himself confirmed is then when he has a problem he just stabs it (both of these were said during the egg stream).

And if you are going to bring the things he went through to say he's changed don't cuz as long as he doesn't act on it it means nothing. Like examples Red festival killed tubbo an ally. Traumatic experience right? This is a good moment to develop his character and give us more insight. What happens? Techno tries to dismiss it and shows us his anxiety and gives us insight on his character Great! Character development? Starting to question himself just a bit or any sign of that event having an effect on him? Nope! Why? Cuz he doesn't act on it instead he tries to hide the fact that ever happened and changes to a different topic bc there is no justification there and he knows it. Nov 16th c!technos pov he just got betrayed caused some damage wished death upon his former allies and left. Quite a dramatic scene. He feels betrayed time for some good old character development. Him thinking about himself and his actions. Reflecting on them. Great moment! Problem: literally everything that shows this is done off camera and now suddenly he's retired... Okay you know what fine it's alright he would probably expand upon and did a timeskip to explain the ling time he didn't stream. I see where it's comming from. The butcher army ge gets hunted down bc actions have consequences techno and you can't just run away like that not after doing that. Great point from the butcher army. Go give him some consequences his character needs it. And then he gets executed alright a bit too far but i guess that's how it goes in this server. Techno gets his life back immediately.. well that was a bit pointless but alright a cool scene for the animatic fair. Then he kills quackity.. the butcher army lost.. this.. what? But this was the moment of consequences... and quackity didn't get it back like techno the butcer aemy lost more than techno what? Moving along he teams up with tommy aannnd the 50 withers are up and ready of course you didn't fully retire what was i expecting. And now team up with tommy perfect way to learn about dream and give more insight on lmanberg and how dream is a tyrant and everything techno is supposed to stand against. The green festival tommy chooses tubbo over techno techno feels betrayed understandable.... and then he teams up with dream lmanberg is destroyed and the underdogs are beaten to the ground loose everything they ever worked for and are taught to be scared of the anarchists?!?!?!?!

Okay now hold up a sec I'll have to stop you right there. What. did. you. just. do. Cuz there is a limit to the amount of stuff you can let a character get away with. The line was crossed months ago this is not good at all.

Also what are yoi guys talking about consequences. Lives? All 3 home? Right there pets? The ones that died were the ones he brought expecting to not live he brought them there on purpose so they don't count. He is one of the most wealthy peoole on the server (no one beats ranboo lol) what did he exactly loose? Friendships? Was that all the hardships you guys have?

Lmanberg lost their home their lives their wealth their pets their friend everything they loved and lived for everything they stood for they lost a part of themselves in the end.

Look at the last 2 paragraphs and how imbalanced that is. How are you guys blind to this How?! And why did doomsday happen? Because the butcher army failed. And if anything techno proved them that they should have punished him harder with this.

So what was the lesson of doomsday?

That you shoukd obey the people on top and never go against them or you will loose everything you love.

Great lesson guys this is exactly the lesson the rich class and every single tyrant tried to teach society and this lesson is being told by the anarchist great job....

Do you see the problem now. This is the reason techno needs a consequence bc if he keeps going like this he will become a Mary Sue. And that is a horrible direction for a character that has a lot of potential. That potential is why i liked his character that much in the beginning but now it's almost non existent. Anyway I'll end this now cuz this went on for too long. That's basically my opinion on it feel free to share your thoughts.

okay. okay. i read this like three times bc. because look

i agree in some very specific points, but i disagree in very broad manners.

(this entire......... essay is all /rp and /nm!!!!)

anyways. send me hot takes!!!

i like c!techno. i personally think he's one of the most fun characters to watch because i enjoy the mess, the crazyness, the chaos of it all. watching doomsday through c!tommy's eyes was painful. watching doomsday through c!techno's eyes was just so fucking hilarious and exciting and fun. he's just a fun character to watch. he's just Funny. i am a fan. however

for starters: ctechno is, 100%, out of the park, an stagnant character. he has little to no development throughout the story. we see no changes in how he acts. that's not necessarily a bad thing, but considering the type of character he is, watching him develop (be it to an actually full-fledged villain or towards a redemption arc) would be ideal to keep him a character people can actually support.

i wouldn't say he's a hypocrite. c!techno has a very strict moral code and he follows it with no hesitation, with no doubts. the point is that his moral code is flawed and skewed. that doesn't make him a hypocrite, that makes him someone with bad morals.

calling c!techno "the 1%" is a stretch. for one- c!ranboo has as much resources, if not more, as c!techno does. he has dozens of totems, thousands of emeralds, and probably has one of the higher counts of diamond and netherite on the server. why is that never brought up? because it doesnt matter. c!foolish has so much gold and diamonds and netherite and just everything, really, and it's also never brought up/a reason for people to be afraid of him. the dream smp isn't a capitalist universe, there's no "1%". specially bc there's, like, i don't know, 20 players? that makes c!techno 1/20 OR 3/20 if we count c!ranboo and c!foolish. but that's not the point at all: the point is that ctechno is feared bc he's skilled and has a relevant personality, not bc he has resources. c!wilbur has no shit and he's still terrifying, there's no character willing to oppose him. not because of resources, but because of who he is. when c!techno first fled from l'manburg into "retirement" he had no shit either, it took him a while to be rich again. no one attacked him either way.

why, you ask? bc he fought against c!quackity with a fucking pickaxe and won. that's why. c!techno doesn't need resources to be feared. the power imbalance doesn't come from his resources, it comes from others’s fear. and they have a reason for that fear, bc c!techno hasn't been defeated yet. that has nothing to do with "upper class" and "lower class". because, one, not a capitalist system and class disparity isn't as simple as that, and two, even without his "riches" he still wins, bc he's got the skill. if you take out the skill, him being rich means nothing and he wouldve been easily killed by the butcher army or c!tommy or whoever decided to kill him. a good example is, once again, c!ranboo: if he wasn't friends with everyone and someone decided to actually fight him like was done with c!techno, he would've died. easily. being rich in the smp is relative.

c!techno will be challenged when we have a character strong enough to challenge him in a way that matters. it's important to be smart about it. that's why i'd love to see, out of everyone, c!philza turn against him, but that's a how other discussion (WHICH I'M WILLING TO TALK ABOUT.......... everytime i make these and i add little point i dont elaborate on and then say i'm willing to talk about them and no one ever asks me to <//3 PAIN /nm /lh).

i do think he's a character that just Always Win in narrative ways and that's very frustrating. he does need to get pulled a few notches down. again, that will only happen when we have a character that can step up to him and challenge him in a way that matters (woooo c!philza you want to hold c!techno accountable for his bullshit so bad woooo........)

now, onto c!techno's trauma. he doesn't need to show it. he- he doesn't. that's........ not how trauma works, and that's one of the points that make his trauma so forgettable for the viewers. c!techno is, from inside out, a character that hardly shows his emotions, but that doesn't mean he doesn't display symptons of trauma. he does, they're just a lot more subtle than other characters's. that doesn't mean he doesn't have any or that he isn't affect by it. c!techno is, in a lot of ways, a lot like c!tubbo: both of them don't mention the shit they've gone through and don't react to it and bc of that some of the viewers don't see how important some traumatic events were in their characterisation. that's why you analyse those characters's trauma through behavior, not through easily seen displays of trauma.

i do think it's taken a little too far with c!techno. the way he reacted to c!tommy's death was...... disappointing, to say the least. c!techno is an underwhelming character in many ways. as said before, it's because he's stagnant. that definitely needs to be worked on.

about the syndicate? yeah, no. theyre not teaching others to fear them. others just Do That bc of their history on the server, but they have literally talked about how they want to better their reputation, bc they don't want to be seen as murderers or oppressors in any way. are they flawed? yes, very much. they have no indicators of what is or isn't a government and they show no regard around the importance of a difference between an oppressive and a democratic government.

they had no right to show up at c!tubbo's door and interrogate him, because they can't appoint themselves as government police. for starters, that's not how anarchy works (they should've had everyone's permission for that. they obviously don't), but also it's just... stupid. it makes it seem that they're trying to boss everyone around so that they live like the syndicate wants them to, which goes directly against the syndicate's own ideals. however, c!techno thinks he has that right. he thinks this is what he's supposed to do. he's just following his moral code - his moral code is just deeply, deeply flawed. what he says and what he does contradict each other but not for him, not to his interpretation. to his interpretation, he's following his strict moral code.

what happened at doomsday was horrible and c!techno has to be held accountable for it, yes, but, again, no character knows how to work around c!techno enough to hold him accountable for it. that's not c!techno's fault.

l'manburg just deserved better, honestly, but to be fair c!techno has been taken advantage of time and time again (sometimes purposefully, sometimes not) and he's fucked up in the head, god bless LMAOOOOOOO

i agree that things need to change otherwise he's just gonna keep being a stagnant character who can get away with everything. i do think he has more to him than meets the eye, tho. meh idk that's still just analysis!!! we have no way of knowing the intent behind c!techno's characterisation, at least not for now. i hope for the best tho cc!techno don't let me down <3

#c!techno critical #adding just in case #technoblade #c!technoblade critical #hot take ask!!!#i don't excuse his actions i just think things are not that easily said and done.#also didnt say it but i would NOT call him a mary sue. the only server mary sue is ranboo i am so sorry- LMAOOOO #that's not the concept of mary sue at all. it just- no it's just not i'm sorry #but i see where you're coming from anon and i respect your opinion!!! i just added my own since i said from the start #that i'd be saying what i thought of y'all's hot takes. if anyone just wants me to post your hot take and not say anything about it thats #fine! just lmk otherwise i Will comment on it i am a Law Major. i cannot Help Myself from Discussions #LMAOOOOOO

21 notes · View notes

pascalls · 4 years

Note

Hi! I'd love to learn more about Charlie 😊 I've seen you mention that he was an employee of Burns' - what happened to him for him to become a hybrid? I'm also really interested to know how that affected his personality, and his outlook on things, and whether the way people interact with him has changed since. And has he always lived in Springfield? Apologies if that's too many questions (I really love learning about people's OCs 😊)!

You’ve presented me with an opportunity to go into the lore of my OC and now you have NO ESCAPE. WATCH OUT THIS IS GONNA BE LONG.

Charlie has always lived in Springfield, most likely, and is the result of wealthy parents having absolutely no interest in their own child beyond using him as a bargaining chip, attempting to marry him off to another marginally wealthy family so that they can combine wealth and continue to be rich bitches. He was arranged to marry the daughter of the other family, but unfortunately, he’s primarily gay (he has some women exceptions to the rule, but they’re few and far in between). So an arranged marriage would’ve been miserable and terrible. In an attempt to prepare himself for married life, he has a one-night stand with a woman named Carla who accidentally births a little boy, affectionately named Connor.

Charlie wants to be present for the boy, but urges Carla to keep his parenthood a secret. Their general incompatibility, Charlie’s pre-arranged commitment, and Carla’s eventual disgust for Charlie’s homosexual tendencies keep her from allowing Charlie to truly act as a parent, though she doesn’t waste time in dropping the child off for days at a time for him to look after. Connor grows up knowing his father, but he isn’t very empowered by his mother. As a result, Connor is a bit of a fearful and quiet kid and both Charlie and Carla are at odds. Charlie considered fighting for custody, but did not, for fear that it would throw his whole arranged marriage deal into chaos. Connor remained a secret from Charlie’s parents throughout his childhood.

He got a job at the plant in his thirties so he could at least attempt to learn some sort of independence before being married off (and perhaps learn how to be a provider for Connor without relying on his own parents’ wealth), but with a penchant for numbers, he just ended up being another pencil pushing accountant. Faced with depression, lack of guidance in his own life, his inability to see his son on the regular, and being enormously closeted, he sort of just lived day by day. (Of course, there were some experiments, like his VERY brief one night stand with a particular lawyer, but that ended in a bitter, catty rivalry that carries on to the day.)

Anyway, my guess is that Burns had it in mind to use some of the plant workers as an attempt to harness the radioactivity that just kind of FLOATS around there to combine animal DNA with human DNA and create super-workers that would be much more efficient and trainable, but would complain less about health benefits. Charlie was just the unlucky first pick for guinea pig. He disappeared at the plant for several weeks while his genetic code got all sorts of messed up and only escaped with the help of the other idiot plant workers that didn’t do their due diligence at locking up the section of the plant that Burns had him tucked away in. But now he looked like a horrible mutant - in his opinion - and he holed up in somewhere in the woods until nightfall.

Once night came around - it was raining too, which didn’t help - he made a break for it to try and hide out somewhere in the town. Unfortunately, a certain reverend decided to accidentally plow into Charlie with his car and had to drag him home to his basement because 1) he couldn’t tell the cops that he’d just killed someone, if Charlie ended up dead 2) this thing isn’t human. When Charlie eventually came to in Lovejoy’s basement, he decided that this was the opportunity he had to live a new life. Be someone entirely different (though why he didn’t change his name is his own particular brand of stupidity, but luckily, Burns’ little pet project was soon forgotten by the man himself and Smithers is reluctant to give Charlie away because he’s not that invested).

So he let his hair grow, let himself be more open about his sexuality, and took up smoking and drinking (and a number of drugs to cope with the trauma of having your entire body changed without your consent), and now is the over-the-top, sometimes wildly inappropriate gay lizard you now see today, though he still does his best for his son, whose mother is only marginally aware of anything that happens in town. His parents were told that he had died in a tragic accident and seem to be just fine with that. They’ve not made any attempts to find him themselves and his previously arranged fiance found another man to wed.

BUT HIS NEW LIFE IS STILL NOT WITHOUT ITS STRUGGLES. He falls in love with the stupid sardonic nature of Reverend Lovejoy and constantly works to undermine the man’s religion (though he’s marginally careful about boundaries, i.e.: he would never disparage Helen, nor would he take it upon himself to sabotage their marriage), but he’s relatively unsuccessful. He falls deeper and deeper, further complicating things when he dons a hokey Halloween costume so he can go out and live a life free of persecution because of his non-human nature. He takes on the role of a new-age plague doctor (despite knowing next to nothing about medicine), and gets a job at Springfield Elementary as the school nurse (despite not having any credentials, but who does).

He regularly attends church - just for the sake of being present in town - and finds an enemy in Ned Flanders who takes up far too much of Lovejoy’s time for Charlie’s envious nature to be satisfied with - and bounces wildly between pining for a man he can’t have and trying to keep himself from constantly throwing hands with Flanders (who has a suspicion that Charlie is some kind of demon presence put on Earth to turn the reverend away from God, which incidentally, might not be that inaccurate).

Most people in Springfield never knew his name before, and thus don’t make the connection between who he is now and who he was before, but he is careful with divulging too much personal information to anyone. Despite that, he regularly explores intimacy with other men because of his desire to be appreciated, loved, and doted on (which he is most certainly not getting from Lovejoy), including several nights spent with Smithers who becomes a bit of a confidante. On that note, while he does his best to maintain his secret, there are a number of people who know that he is not human, including Marge (a mother-figure to him, despite them being the same age, but she gives him good advice), Lisa (because she isn’t dumb), Superintendent Chalmers and Principal Skinner (both involved in some shenanigans that need a lot more context to get into lmaoo), and eventually, Sam the barfly.

As he is now, Charlie is constantly looking for some kind of reassurance in the form of affection, but is increasingly frustrated by Lovejoy’s insistence that there is nothing between them, despite evidence to the contrary and heavily influenced by the man’s (and his own internalized) apparent homophobia. (I made an animatic with them several weeks ago and it very much embodies their dynamic.) He buries himself in drinking and drugs to chase away his feeling of inadequacy and his fears of being a good parent, as well as his realization that his parents never truly cared, how he is slated to be relatively alone for the rest of his life, and the fear that he will never be normal again. But he combats this deep depression with his over-the-top personality, at times, and his smarmy, self-absorbed facade of confidence that would shatter if anyone poked a little too hard at it.

AND THAT’S WHERE HE IS NOW.

Thanks for coming to my TED Talk.

#tj talk #oc #simpsona #LONG POST #thetransverseprocess

27 notes · View notes