#it's really good folks

[modmad]

hello! i just wanted to thank you for posting about the 1999 alice movie, i loved it so much and i am extremely grateful. thank you ! 💚💚

YES. YES I LOVE YOU FOR WATCHING IT YES also hey you! person reading this! this is my fav Alice in Wonderland adaptation and it's all on youtube. you can watch it. yes you. for free. right now. go do it. it was made by lots of cool people including the Jim Henson Workshop.

[andthebeanstalk]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[bixels]

Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.

TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.

If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.

URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag show club full of trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.

[jeeaark]

If Greygold was a companion, what would be the best way to initiate a romance with them? Would they go for the “L” word early or an Act or two later?

The "L" word was lube, right? Right? Else showering Durge/Tav with kisses Gomez-Addams-Style is the alternative.

Maybe the Nat 20 romance isn't the best way for Tav/Durge, but it sure is for Greygold. You just know Greygold scared that Dream Guardian away the first time and has been low-key obsessed with that armor since

[celluloidbroomcloset]

No, y'know what? I love Season 2. I thought there was nothing wrong with Season 2 until I saw folks on here complaining about Season 2. I don't even care about the changes they might or might not have had to make, or the occasional pacing issues (Season 1 has pacing issues too, in places, but it's still great!).

THIS was the season that changed me. THIS was the one that made me go "huh, I need to think more about who I am."

Really tired of all the various caveats of "if only..." and "well, if Max hadn't..." and "this plot would've worked better..."

No. I love it. If it has to end there, I'm glad that's where it ends. I'd love to have more, but this worked so fucking well.

I love Season 2.

[such-expensive-mistakes]

Superpham AU (part 6)

Masterpost

Lois prides herself at being good at rolling with the unexpected. Unfortunately, all of her experience with aliens and supervillains and magic has not prepared her for Danny.

Danny has a disconcerting habit of dropping disturbing or traumatizing information in an off-hand way, seeming to not even realize the implications of his own words. It started with what he said about the dimension he'd grown up in discriminating against people with powers, then with what he'd said about the red son and the lack of superheroes, but it just keeps happening.

Lois tries not to call attention to it, because she prefers it to the alternative, which is Danny shutting himself up in his room and refusing to talk to any of them.

Lex Luthor is on the nightly news-- as he so often is-- and Lois has to explain the man's many crimes to Danny. (No, Jon, it is not a rant.)

"Oh," Danny says. "He sounds like Vlad."

"Vlad?" Lois asks.

"Yeah, Vlad Masters. He's my godfather. He's a total fruitloop who wanted to marry my mom and make me his son."

Lois carefully does not react. She wants Danny to tell her things. She wants to know what his life was like when she wasn't in it. "That sounds..."

"Yeah, he tried to clone me. Well, I guess he succeeded, but none of them were stable except for Ellie, and she wasn't really that stable to begin with."

"Ellie?"

"Yeah, short for Danielle. She went by Dani-with-an-I for a while, but she decided she wanted her own name."

That is not the part Lois was looking for clarification on. She goes with it anyway. "Tell me about her," Lois says, and tries not to be concerned about Danny’s descriptions of a teenage girl who apparently lives and travels on her own because she doesn't like to be stuck in one place. Ellie doesn't even get the full benefit of being quarter Kryptonian, living in a world with a red sun.

The four of them are sitting down to dinner-- pizza again; one of them should probably cook sometime this week, but Lois and Clark are both on deadlines-- when Clark asks Danny more about his adoptive family, the ones he grew up with.

He looks sad, the way he always does whenever his adoptive parents come up.   Lois can hardly blame him, when he lost them in such a sudden and traumatic way.  

"They're scientists," Danny says.  "Or they were.  They studied, um, the Ghost Zone and the things that live there.  They didn't really understand it at first-- they thought all the-- um, everything from there was evil and needed to be killed, but they learned they were wrong eventually."

Lois meets Clark's eyes and knows he is as concerned about what happened before that 'eventually' as she is.  Still, neither of them comment, not wanting Danny to clam up again..

Jon, however, has no such reservations.  "That's really messed up."

Danny shrugs.  "Yeah, kind of.  They came around, though.  And I think they blamed themselves for how bad the GIW got because they were the ones who designed the weapons."

"The GIW?" Lois asks, instead of what she really wants to know, which is: Your adoptive parents designed weapons to be used against beings from another dimension??? Did they know what you were? 

"Guys in White," Danny says.  "I don't think that was their real name, but they were from the government."

"Your parents built weapons for them?" Clark asks, his tone deceptively light.  "I thought they were scientists."

"They dabbled in a lot of things.  But they were fantastic engineers."  Danny segues into a story about some of the modifications his adoptive parents made to their car, which is a topic only slightly better for Lois's heart.

Later that night, Lois is sitting in bed, checking her emails on her phone, when Clark sits down next to her and turns on the white noise machine they keep on the nightstand.  (It's the only way to have private conversations when your child-- children-- have super-hearing.)

"I'm concerned about Danny," he says.

"No shit."  The more Danny tells them about the dimension he grew up in, the more Lois hates it.  "But there's nothing we can do now except be there for him."

"I know people who have traveled across dimensions, you know," Clark says.  "I could always ask for a favor."

"You won't," Lois says.  "Because if you do, I'm going to end up committing felonies in another dimension."  

Clark smiles humorlessly. "What makes you think I wouldn't be there with you?"

"Because you're a better person than I am."  Clark never believes her when she says that, but it's true.  Clark is a fundamentally good person.  Lois tries to be a good person, but there's a reason she's not a superhero.  

-----

Kon intended to stop by Metropolis several days ago.  Or at least call Clark back.  But he’d gotten sidetracked by an earthquake in Southeast Asia, and then by Dr Light causing problems in California.  

He gets a few hours of sleep back in Smallville, then remembers that he’d planned on dropping by Metropolis and meeting Danny days before.  He walks the last few blocks to Lois and Clark’s house— flying would be way too noticeable in their neighborhood— and lets himself in.  He walks up to the living room and spots Lois there, furiously typing on her laptop.  

Kon is man enough to admit, at least within his own head, that Lois kind of intimidates him. Sure, Clark is physically stronger, but there’s an intensity to Lois that Clark lacks.  She glances up at Kon, and even though she’s smiling, he still feels pinned under her gaze.  

Kon shifts uncomfortably, reminds himself that unless he turns into a corrupt businessman or something, he’s not actually in danger from Lois Lane.  

“You here to see Danny?” she asks.

“Yeah.”  Kon shoves his hands in his jacket pockets.  “I figured I should probably meet him.”

“He’s in his room,” Lois says.  “He’s not… It’s not a good day, but maybe he’ll talk to you.  He hasn’t exactly gotten the chance to be around anyone his own age since he showed up.”

Kon knocks on the door to Danny’s room.  

“Come in,” a voice calls from inside.

Kon’s first thought is that he looks more like Clark than Danny does.  Stupid; of course he does.  He’s Clark’s clone.  But then, Jon resembles Clark almost as strongly as Kon does, so maybe it wasn’t a completely stupid thought.

Danny is sprawled on his stomach across his bed, phone in his hand.  There’s a video playing on it— someone talking about the history of the Justice League— but he’s ignoring it, watching Kon with a wary expression.  The room is still as bland as it ever was; other than the clothes tossed haphazardly on the floor, there’s no sign a teenage boy lives here.

“I’m guessing you’re Kon?” 

“That’s me.”  They stare at each other awkwardly for a moment.  

“Have you actually seen any of Metropolis, or have you just been hanging out in here?” Kon asks.

“Lois took me shopping for some stuff,” Danny says.

“Okay, no,” Kon says.  “You have got to get out of this house.”  

“You don’t even live in Metropolis,” Danny says.  

Kon shrugs. “Doesn’t matter; I’ve spent more time here than you.” There’s an old-school arcade he’s been to a handful of times, and a couple of places to eat.  Anything has got to be better than Danny hanging out and brooding in this sad bedroom by himself.

It's a warm day outside.  The sun shines down on the two of them as they walk in near-silence toward downtown.  The awkward silence doesn't quite break until they're at the arcade, competing on an old racing game.  

"I don't think we have this one in my dimension.  The other dimension.  Whatever."  Danny says.

"Yeah?"  Kon speeds ahead of Danny in the game, just in time to cross the finish line.  Danny groans.

"Yeah, but this world doesn't seem to have Doomed, either," Danny says as they start another race.  "There's a lot of little differences like that."

"That's gotta be weird," Kon says.  

"Yeah, Clark kind of freaked out when I told him the sun there was red."

Yeah, Kon can see why.  They talk more as they play more video games, and Danny tells Kon about his friends and what they'd do when they were hanging out in his hometown of Amity Park.  The main people he talks about are his best friends, Sam and Tucker, and his older sister, Jazz, but he mentions a few others.  

"Wait, who is Ellie again?" Kon asks, after Danny shares a story about a prank she pulled on another kid at Danny's school.  They've left the arcade, and are hanging out at the diner a few blocks away.  It's not the coolest place-- in fact, it looks like a grandmother decorated it-- but Clark introduced Kon to it, and it has great food.

"Oh, I didn't tell you?" Danny asks.  "She's my clone."

Kon chokes a little on his soda.  "You have a clone?"

-----

Danny is probably being paranoid.

Scratch that, he's definitely being paranoid. Lois and Clark have been nothing but nice, and they're clearly used to weird things happening. Like, even aside from the whole alien superhero thing, Lois just saw a kid fall out of a portal and decided to help?  Plus, Clark is an actual superhero.  

Even his— the Fentons came around on the whole “ghost powers” thing.  Eventually.  But he’s gotten used to hiding, to trying to blend in.  

(And what had them accepting him done for them in the end?  They’re dead, the GIW killed them.)

He’d rather hide than suddenly discover that Lois and Clark aren’t cool with their long-lost son being half dead.

Some of his powers he can pass off as Kryptonian— super strength, flight, enhanced senses.  He knows Lois saw his ghost form, and though she hasn’t asked about it, he’s pretty sure it’s just a matter of time.  

These thoughts circle through his mind over and over, only leaving him temporarily when he’s hanging out with the Lane-Kents.  

His bio family.  

That’s not much better, though; there’s a sadness in Lois and Clark’s eyes whenever they look at him, although they try to hide it.  Jon just a kid, and clearly doesn’t know what to make of the whole situation.  Lois keeps saying they are going to introduce him to more people, especially people his own age, but Danny shies away from that.  He doesn’t want to meet more people.  He doesn’t want to get comfortable here.

Still, he’s glad he came out with Kon.  An afternoon of videogames and greasy food hasn’t solved any of his problems, but it’s a nice break, and Kon has already promised to introduce Danny to his friends— a whole team of teenage superheroes.

“I can’t get over how many heroes there are here,” Danny says.  “Like, why do you even need that many?”  Sure, it would have been nice to have some more backup when he was Phantom, but in this world there seems to be at least one superhero for every major city, plus some extra.

Kon shrugs. “Natural disasters, alien invasions, supervillains, street crime… No one can handle all of it.”

Out of all the things he’s encountered so far in this dimension, this might be Danny’s favorite.  Even more than the proven existence of aliens.  Back home, Amity Park needed Phantom, even if they hated him.  But the world here doesn’t need Phantom.  

It’s kind of freeing, and Danny hates it.  He doesn’t want to like anything about this dimension more than his own.  

Would it really be that bad?  You might be stuck here forever, a little voice inside his head whispers.  

He ignores it.

[paintpanic]

Calculating probability of survival... It doesn't look good.

[the-real-list-of-ominous-threats]

I am going to make maia arson crimew CEO of this webbed site, as it deserves to be. This is both a threat and a promise.

[ineffectualbookseller]

The way Azirphale is underestimated and practically infantalized by heaven is so closely tied to his femininity and I think we should talk about it more because I just want to shout about how relatable the way he's treated in his workplace is as a woman working in a traditionally male field

It's in all the little niggling comments from your boss about personal things that hold no bearing on your work

and the assumption that what you're doing must be simple if it was assigned to you

your work is trivialized

and you get these the placating smiles when you're told plans and proposals are rejected and passed over

or when your complaints are dismissed

and you get more of the same from upper management

it all feels so frustrating and draining but you're at work so all you can do is take a breathe put on that mask and move on with your day

It is all so deteimental to your emotional well being and textually, so much of this is tied to Aziraphale's softness, his gayness - his femininity

The thing about working in an environment and gives you this feeling - of being simultaneously destrought watching your belief in yourself get chipped away but also just so irate becuase you know you don't deserve it - is how it builds. It sinks under your skin and feeds into this indignant dejection until you can have a moment of release - but Azirphale doesn't get to bitch about it over drinks with friends, he doesn't get a lunch break where he can go for a walk and listen to an angry scandi death metal playlist, he doesn't even get the chance to cry about it in the bathroom for 5 minutes before confronting it again

(And I talked a little bit about it in the tags of this beautiful photoset but this all comes into play whenever Crowley dismisses his plans or calls him an idiot. These are purely emotional reactions; I really don't think Crowley means much by it - he respects Aziraphale's opinion and genuinely thinks he's brilliant - but Crowley is so quick to use this terminology when Aziraphale is making a decision Crowley thinks is wrong and he doesn't know how much this hurts Aziraphale. Just like Aziraphale doesn't understand the true impact the Fall had on Crowley, Crowley doesn't understand the ways heaven has been tearing away at Aziraphale's self worth)

Aziraphale has been facing this constant drip of denigration since before the beginning of time and has never released the pressure valve. At this point, he's a bomb waiting to go off

[razzek]

One thing that's starting to really get to me with the James Somerton stuff is a real strong undercurrent of disdain toward his fans. And yeah, I was one of them. A good scam artist isn't as easy to spot as y'all seem to think. You forget that you have all the information right now. Two days ago most of you had never heard of him and it would have kept going. Anyone can fall for a scam, nobody is immune. I would love to have had whatever resources you guys think we all should magically know about so I could have kept my sad $5 a month I really needed but thought was going to something worthwhile. Some of us can only devote so much energy into things and when you have no idea whatsoever that something is amiss of course you're not going to go digging for sources, why would you when everything is fine as far as you know? I really wish I could have seen the dissenting opinions on him but for many, many reasons that aren't just that the dissenting voices weren't widely circulating at the time all I had was the thought every now and again that "huh that doesn't seem right" and then go on with my day. And I think that happened to a lot of us. So yeah. Say what you gotta say about Somerton, he has more than earned it with the damage he's caused, but maybe don't shit so hard on his former fans because that is going to be you someday with something, it happens to everyone sooner or later.

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[doggogills-but-worse]

[notbecauseofvictories]

man, the world seems terrible and full of bad things, and then you read about the Chicagoan who started developing ramen recipes with meticulous (even obscene) attention to detail, or an Irish hurler who decried state-sponsored spending for sports complexes live on air, or well-considered analyses of films or animated television shows and whether they are narratively/dramatically coherent, and it's....well, it's okay to be here. I like it here.

[front-facing-pokemon]

[nounaarts]

I seriously forget I have a tumblr when I’m really active on twitter most of the time! Sorry guys ..!

I did do a bunch of Trolls art over there so if you wanna see that you can go to my twitter @ nouna_arts . Note tho, I rambled bout Trolls. A LOT

But I will show some of my recents here! (I did a lot more)

JUST A BUNCH OF MY ART ⬇️⬇️

BUT THE BRAINROT HAS UNFORTUNATELY ROTTED AND NOW MY MIND IS ALL SONIC AGAIN. curse you sonic prime,…

Anyways here’s my sonic doodles :3

I couldn’t put anymore images. Damn .but you get it😭

[alexiethymia]

If I could gif, I would probably gif three scenes. The ‘what rope’ scene where Vash calls Meryl and Roberto his friends so that the townspeople of Jeonora Rock don’t lynch them, and then the scene where Vash says Meryl and Roberto aren’t his friends to Wolfwood when they separate on the Sand Steamer and Wolfwood calls him cold, and finally the scene where Luida definitively calls Meryl, Roberto, and Wolfwood his friends when he first wakes up.

It’s such a nice progression of his bonds in such a few number of episodes. For all that Vash is a nice guy, and has people he helps, and even family in the form of the people in Home, it’s possible Meryl, Roberto, and Wolfwood are his first friends. It’s only when the three stick by him even after Monev and finding out that he’s a Plant, that it really dawns on him that huh in his hundred years alive, he may have finally found his first friends.

Vash isn’t naive. He knows the capacity of people to betray his trust. He’s resigned to it in a way. But he still extends that trust to people. The plan to stop the Sand Steamer wouldn’t have worked without Meryl. But Vash still leaves the task to her without any assurance that she would do her part. At the same time, I get the feeling that he wouldn’t have blamed her if she did decide to run away, same as Roberto was telling her. And it’s such a wonderful thing that through the friendships he formed with Meryl, Wolfwood, and Roberto, the trust that he freely gives is finally reciprocated. (And of course he would always have faith, what with his experiences with Rem, Luida, Brad and the people in Home).

In the same way, Vash saves what was precious to Wolfwood which was the orphanage, Wolfwood eventually gets to return the favor in saving Meryl. Even though it was out of order, you can also look at it as Meryl saving Vash, who saved Wolfwood at the Sand Steamer, who eventually ends up saving Meryl. Even Roberto, cynical as he is, does end up advising Vash on occasion.

People get hurt. People die. It’s a dangerous world they live in. But it’s nice that Vash who always asks if people ‘need a hand’ eventually meets ordinary people who also ask him if he ‘needs a hand’ sometimes too.