#its a comedy but its not funny whats that all about?

[man-down-in-hatchet-town]

So I Spied Another Day...

You know it was a good show when you can’t decide whether your heart is so full from all the love and joy, or so empty because it's over.

Really do buckle up, because this is a long one.

So the show went a little like this. They played the Spies pro-shoot on a giant movie screen, but any time a song started, the audio changed to the instrumental track, the video typically faded to simple background graphics, and the cast came out to perform the number live in concert style. There were also a series of audience participation prompts up on the movie screen, such as standing to deliver a line in unison, giving Lauren a standing ovation for the Pay Attention! Reprise, enthusiastically booing Dr. Baron von Nazi and the still infuriatingly catchy Not So Bad (for anyone who’s curious, in addition to encouraging boos and yelled disagreements with von Nazi, they also cut the audience participation bit from the song).

The energy in the room was so electric and full of joy and warmth. People shouted out iconic lines, went wild for everyone’s entrances, and absolutely lost their damn minds over Curtwen at pretty much every opportunity. And the cast were clearly having just as much fun. Doing This has always been my favorite, and there was something so sweet about them singing it again all these years later. We finally got Joey performing Spies Are Forever (Evil Reprise) again and it was just as chilling and beautiful as you’d expect. And One Step Ahead was just on a whole new level. I don’t want to give anything away, but the details in that performance were INCREDIBLE.

It was simply so special seeing most of the original gang come back while also bringing some new friends along. Shout out to Mariah for coming out at the top of the show so ready to play, setting the tone for the whole evening. Shout out to James for putting his comedy chops on full display (LET JAMES BE FUNNY MORE) and dancing the hell out of One More Shot (another favorite number). And shoutout to Carlos Alazraqui (taking over the roles of Sergio and Vladimir Poopin) and Tommy Link for coming into this crazy part of our world with such enthusiasm and silliness. Brian deserves a medal for agreeing to once again play the most cringe-worthy character in all of Pulp-StarCanWrecked history, and for sounding so fucking good while doing it. Tessa was having a blast in full unhinged glory and I gladly worship at her altar. Lauren is maybe the funniest person alive and deserved her standing ovation, prompted or not. Seeing Joe Walker perform live has been Item Number One on my fandom bucket list since I moved to LA a couple of years ago, and I still can’t quite believe I managed it. I’d wondered if he’d be rusty, but honestly he sounded great; it was like no time had passed. Mary Kate still has one of my all-time favorite voices and her Tatiana remains forever engaging. Joey showed up dressed to slay as a gay evil genius Bond-movie supervillain and proceeded to thoroughly deliver on that promise. And Curt… every time I watch Spies I am increasingly blown away by what he does with this arrogant, broken mess of a character. He clearly loves Agent Mega as much as any of us, and to see a performance refined and powered by such clear and thoughtful passion is just a huge treat.

(And while he wasn’t in the cast, I can’t not mention Corey. Between his roles as director and co-writer, so much of what Spies is comes directly from him and we don’t appreciate that nearly enough. And shout out to Esther Fallick for her wonderful work as Susan and the Informant. She might not have been there in person, but her incredible performance was with us the whole time.)

I know this is preaching to the choir, but Spies Are Forever really is such a special show. It’s a story about recovery, and devastating as it can be, I think there’s also something deeply healing about it at its core. For one thing, I know it played a huge role in mending my relationship with my asexuality. I will forever be grateful to it for existing, to TCB, Talkfine, and the original cast for creating it, and to those same people for maintaining its legacy with the amount of love and care it deserves. It was a privilege to be in the room as so many people came to celebrate this miraculous little musical. There were a couple of minor tech glitches (I wonder if they’ll even include the “big one”—the projector jumping over most of the staircase scene before getting fixed—in the digital ticket version), but nothing that could even begin to damper the magic of the night.

We all know that spies never die (except for Owen and the Informant, oops). And at times like this concert, I think this special little show with its short run in 2016 will prove to be just as immortal.

[ineffectualdemon]

I don't think authors or book sellers or even reviewers using fanfic/trope keywords like "Enemies to lovers" is bad

Because honestly? It's not new either

1. It's been a staple bit of marketing in Romance for decades ("Bodice Rippers"? Hello!?)

2. It's not that far off of where genre marketing was in the 90s and 2000s "Its another one of those Sword and Sorcery books"

3. People have always gravitated towards and recommended books based on story elements that they really like that don't necessarily tell you anything about the plot

"This book has time travel!" Was one of mine for a long time. I'm still going to read any old trash if there is even a whiff of time travel! And I will be excited and bring it up while recommending it even if it's not relevant to the plot or tell you anything about the genre of story

I am not alone about this!

"This one has vampires!" - vampire friend recommendation

"this one has cool battles!" - friend who likes battles

"this one is really funny!" - friend who likes comedy

I have rarely had anyone start a pitch with the plot ever in my whole life. They start with what they find fun or exciting

Then they will talk about the plot

Online you have less time and also it's an good short hand to get people's attention based on what story elements they love

We just have a lot more specific phrasing thanks to fanfic that helps them quick fire these things

An author or publisher using fanfic/trope style tags to promote their work are not failing by not leading with a plot synopsis. They are doing the equivalent of shouting their goods in the marketplace to attract customers

If someone came to me and said 'Hey, I think you might like this story. It's about time travelling bisexual robots" then I want to ask more questions and look it up and see the genre and plot summary

That two second sell is enough to get me intrigued which is the entire point and if I look at it more and see its say, horror, i might go "ah dang, not for me."

Which is fine

But I might go "hmmm I don't normally like horror but I do like time travel and bisexual robots" and give it a try. And I might not enjoy it but I am making an informed choice

Also with authors especially if you scroll down a little more or click the read more or spend longer than 2 seconds on the video they usually tell you more about the book

And if all you are getting is the literary equivalent of "Fish! Fresh Fish!' And NOTHING else

Maybe that's a reflection of where you are on the internet because where I am if I stop I hear about what kind of fish they have and how long ago they were caught and loads about how it was caught - you get what I mean?

[ordinaryschmuck]

What I Thought About The Owl House Pilot

Huh. Never thought I’d get to do this again, but oh well.

Salutations, random people on the internet! I’m an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons.

And, above all else, I LOVE talking about The Owl House. I have an entire masterpost dedicated to talking about every single episode of the show and I’m halfway through a six-part review discussing everything that I love about it (Part Four's coming when it’s done. Let’s say…late June. Early July at the latest). I figured that after I’d finished that whole deal, I wouldn’t have anything left to talk about when it came to this series. Then, out of nowhere, the show’s original pilot leaked online…Sort of. It’s just an animatic with the show’s original voice cast voicing MOST of the lines, but it’s very much the pilot episode. It’s just not a finished product and I won’t share a link because I don’t think it’s exactly…legal. BUT I will at least share my thoughts about it because, well…Look at my blog. The Owl House has become the BIG THING that I obsess over for a reason and I love that I got to see what’s basically an alternate version of the show that I love. What do I mean?

Well, a pilot is MUCH different from a first episode. Where the first episode is meant to sell the show to the audience, a pilot is meant to sell it to a STUDIO. It can happen at any point of the story or act as the show’s first episode. Just as long as it shows off the characters, concepts, and tone, a studio can look at it, greenlight it, and allow the show to continue, BUT with some extra notes. Sometimes, those notes can change the rest of the series where others can keep the pilot good enough to stay canon. Some best examples off the top of my head are the pilots for Regular Show and Rick and Morty. You can tell that not much changed from the pilots of those shows and what was initially pitched, but there are clear changes in tone, animation, and even personality. Skips sounds a little more illiterate and Benson being more informed of the consequences of something as simple as rock, paper, scissors in the Regular Show pilot and Rick is noticeably more reckless and unprepared for situations in the Rick and Morty pilot. Nothing is set in stone with a pilot episode, even the ones that are canon. For the case of The Owl House, it’s pilot is no exception. A lot of it is just the same as “A Lying Witch and A Warden” at least in terms of plot and themes, but there are so many changes that show off what the series COULD HAVE been instead of what it was. How different? Well, let’s go through it all.

But real quick, I’m not going to do the “Like/Dislike” format I’ve done for previous reviews. Instead, I’m going to look through this pilot, note the changes it has, and share my thoughts on them. There’s also going to be a few spoilers to what happens in this pilot, so if you haven’t checked it out then I suggest giving it a watch wherever you can find it. It really is interesting to get a peak into what’s basically an alternate version of my favorite show.

With that said, let’s get into it.

Some Things Stayed the Same: Like I said, it’s basically an altered version of “A Lying Witch and A Warden.” The plot is that Eda uses Luz to get King back his “crown of power,” with some bits and pieces carrying over. Certain jokes that must have been too funny to get rid of, specific lines of dialogue that hit just the right notes, and some aspects of the characters’ personalities being just the same, proving that they're already perfect the way they are. It’s the changes, however, that makes for something more interesting. For one…

There’s More of an Emphasis on Comedy: As much as I love The Owl House, I’ll always admit that humor isn't its strong suit. It CAN be funny, really funny. But the jokes don’t land as well as something as Gravity Falls or Amphibia. I can say that a part of that could be because Dana Terrace wanted a more serious show, and we definitely get a sense of how serious it could be later in the series. Here, in the pilot, it definitely seems like there was more of an attempt to make the show comedic. King’s crown isn’t in a warden’s cell held within a magical barrier that only a human can get through. It’s in a Principal’s high school, locked in a human locker that Eda and King treat as something devious. Amity’s friends aren’t preppy mean girls who seem like they could cause conflict to Luz and her friends. They’re characters used for jokes who are amazed by Luz standing up to Lilith. There’s less of an edge and more of a lean towards cutesy fun, waiting until the very end to reveal something heavy. To me, it makes the pilot feel MORE like a Gravity Falls clone than the final product. Because while Gravity Falls has its serious moments, it makes it clear that it was a comedy first, both in the pilot and final product. Any moment of heart or drama was overshadowed by one hilarious joke after the other. Now, “A Lying Witch and A Warden” had a lot of jokes too, but there were also these moments that hinted at something more. You have the oppressive looking prison, the grand beam of light hiding human collectibles, a crazy chase from a threatening looking warden. And yes, the reveal that Warden Wrath was trying to go out with Eda was hilarious, but a warden who tortures a prisoner for speaking her truth gives a hint of how dark this world can be. Meanwhile, a principal sending a student to demon detention feels more like a joke, exaggerating how strict some principals can be.

And keep in mind, I’m not complaining about the pilot leaning more towards comedy. I actually laughed a lot more with it than I did with “A Lying Witch and A Warden.” I’m just trying to explain how the tone is definitely going for something different than the full series. It might have that darker twist in the end, but even that is nothing more than a surprise. I'll get into why later, but while it has darker implications, it doesn't detract from the fun times to be had. Not by much. From what I can gather from the pilot, it’s definitely going for a series with goofy, fun adventures with a bit of heart to it. It’s just missing that personal touch that’s in The Owl House. One good example of how?

There’s Not Even a MENTION of Camila: Before you say anything, this has nothing to do with me being Camila’s number one fan, to the point where I almost made a side-blog dedicated to her (I really should get on that, though…)

I bring up this change because Camila grounds the story in “A Lying Witch and A Warden.” She draws Luz close to reality and is the first thing that comes to Luz’s mind when in real danger, saying, “If I die, my mom will kill me!” More than that, though, Camila is the one real connection Luz has to the human realm. She has no friends nor adventures, but Luz always has Camila, with even the first episode hinting that. So when Luz starts getting herself into trouble or choosing to lie and stay in the Boiling Isles, it lets the audience get ready for the inevitable drama that could unfold when Luz finally tells Camila everything. By removing Camila, though, the anticipation of Luz telling her mom goes away with her. At least, it tells ME that there’s less of a worry about Luz basically running away from home. Either this version of the show is holding off from that for a future episode or that Luz and Camila’s relationship isn’t close enough where it matters. This is speculation, of course, but I still stand by that a sense of something personal with Luz is lost for the sake of having fun and epic fantasy adventures with entertaining characters. It’s still good and entertaining, and the pilot does offer something else that’s personal, but it’s not the same as The Owl House we all fell in love with. Though, it’s notable that our main cast stayed the same.

Luz, Eda, and King: Overall, I’d say that these three, personality wise, didn’t change much. King’s probably the least altered, being the exact same character he was in Season One aside from MAYBE having a design change (It’s hard to tell through storyboards). As for Luz and Eda, they’re more or less the same. There’s a BIG change with Eda (That I’ll get to later), but her devil-may-care attitude is very much the same, as well as her snark and soft nature towards Luz and King. It’s her magic that gets the real boost, being able to do more like teleport across the Isles and turn into a…softer version of the Owl Beast at will. It’s pretty cool to see the power that this alternate Owl Lady has. And then there’s Luz, who’s still the lovable weirdo we all know. Though, this version seems a lot more dim and I’m not really a fan. How does she mistakenly give a book report in geometry class? How did it take seeing Amity’s witch ears to realize that she belonged in the demon realm? Luz had her dumb moments in the show too, but not to this extent. There was still a sense of maturity and cognitive understanding that made Luz feel like someone that seemed weird but intelligent enough to think herself out of a situation. This Luz seems more weird and focused on using brute force on a problem. In a way, it makes Pilot!Luz more of an…emotionally driven Star Butterfly. A fun and capable character, but not the same kind I had made several posts and reviews talking about how much I love/personally connected to her. But, comparatively, I guess it IS the most minor change that could be done to this character. Now let’s move onto BIGGER changes.

The Boiling Isles: The look and feel of the Isles remains the same, but the fact that it’s more connected to the Human Realm is intriguing. From what I can tell, the Demon Realm treats traveling to the Human Realm like it’s going to a new country. You visit, make some memories, and, for some, send your children over to be a foreign exchange student of sorts. Except that racism seems to be encouraged in this regard as the demons and witches don’t see humans worth breathing the same air as them. And some think it’s more than okay to hunt down and kill if one human trespasses into their realm. And the reason for THAT is implied to be Belos’ doing. Er, I mean–*Checks the leaked pitch bible*--Emperor Pupa? Uh…I’ll just stick with Belos. 

And that’s extra fascinating to me because Belos being a witch hunter was a major twist that spoke VOLUMES of the kind of people he represents. To find out that this version is more anti-human makes me curious of what kind of angle the show would have taken. Would Belos have been your bare-bones fantasy villain or would the writers find a different way to tackle his symbolism? And is the reason why the Demon Realm is more open up to the Human Realm because he hopes witches and demons can report about their enemies for a possible invasion? There’s no way to know for sure because that version of the story will never come to be, but it’s interesting to think of all the things we COULD have gotten. The same goes for other characters.

Amity: To think, Amity was considered important enough to be included in the original pitch pilot alongside our main trio. It makes sense. Dana Terrace has gone on record in saying that Luz and Amity’s relationship was something she wanted from the get go, so it’s smart to establish it as quickly as possible. Though the route they take is definitely different. Instead of being enemies to lovers, Lumity, in the original pitch, went for the friends to lovers trope…kind of.

Luz, in this version, is someone so desperate for positive attention and respect that she latches onto the first person in school that was nice to her. Except that Amity was looking for some quiet and just so happened to look like she was supporting Luz when telling everyone to leave her alone. It was an act of kindness, but not one done in generosity. It still meant the world to Luz, though, making her go ALL IN with friendship. Only to be a little too forward and creeped Amity out to the point where she was polite enough to say “Thank you,” but you could see the desperation in her eyes to be anywhere but next to Luz. Yet Luz doesn’t see that. She’s still too focused that someone was actually nice to her that she blindly follows Amity into a new world just to return a weird looking passport. Because Amity’s Luz’s friend now and friends do nice things to each other. Only for Amity to accidentally reveal that she couldn’t care less for Luz and shatter her hopes and dreams in one fell swoop.

In a weird way, I’d say Luz and Amity are off on a better first impression here than in the original series. There’s no attempted dissections or witch’s duels. Just…Amity trying to be polite in Luz’s presence only to act like your typical mean girl when she THINKS Luz isn’t around. Tossing away the drawing is harsh for sure, but here’s the interesting thing: Amity didn’t know she was talking to Luz at that moment. She didn’t even get rid of the drawing until someone drew (haha) attention to it. If anything, it’s worth noting that Amity still kept the drawing on her. Almost like, despite being weirded out by Luz, Amity felt as though the drawing WAS cute and only got rid of it when she thought someone would question her for having it. Can’t have that Little Miss Perfect status shatter over something some human gave her.

Am I reaching as a Lumity shipper? Oh, most certainly yes. But we all know the inevitable conclusion between these two. We know where they’re headed. Dana has been pretty adamant about wanting it from the start and this pilot sets the groundwork well. Knowing where these two will end up, it’s easy to make connections and hypothesize what means what. Plus, look at the face of shock and amazement on Amity’s face when she sees Luz standing up to Lilith. That looks like a girl who’s…feeling things for this human weirdo. They’re not off to a ROARING start, but I can see how things could improve between Luz and Amity. And who knows, maybe this version of these two might end up dating sooner with how quickly they seem interested in each other. Again, am I reaching? Most definitely, but I went without any new Lumity content for over a year so LET ME REACH!

The point I’m trying to make is that this version of Amity definitely seems a lot more chill and polite at the start, even though it’s likely she still has issues of even being FRIENDS with a human. But not everyone starts off polite.

Lilith: Crazy to think that Lilith started out as…basically a one-off villain like Warden Wrath. At least, that’s what I gathered from the pilot. The pitch bible hints that there COULD be more to her, but at the same time she gets sent to a fire dimension and loses a hand. That’s one-off villain energy if I’ve ever seen it. But if she is meant to be something more, I would love to see what differences could come of her being the headmaster of Hexside instead of Bump and how she could either develop into someone better through Luz’s influence as a student or regress into someone worse as she makes Luz’s school life a living hell. Whatever could come from her, it was kind of fun seeing Lilith act as more of a threat with her…out of nowhere ability to turn into a bat monster. It’s a pretty cool design and I love that it was brought out due to Eda’s constant pestering, proving that Lilith is still the same insecure nut that I love. And it is pretty great that this pilot confirmed that Lilith really did dye her hair to look more serious. You CAN’T tell me that’s not why the Lilith we know ditched the curly red hair.

But that’s about it when it comes to changes towards characters and locations. Let’s talk about the potential differences in the ongoing story.

Luz Stays Trapped Instead of Choosing to Stay: I mean, technically she chose to stay by breaking that key for no reason, but that’s more of a consequence of not thinking things through. She didn’t NEED to break the key, Luz could have just as easily pulled it out. Instead, she kicked the dang thing, leaving herself trapped in this new world. And it’s here that I would like to once again point out how this makes Pilot!Luz different and what’s lost by not including Camila. The Luz WE know would have been more careful. She always felt like someone who fought smarter, not harder, even in that first episode. Luz didn’t fight Wrath head on, she rallied a prison riot that distracted him long enough for her to hit a firework ball into his mouth. She’s intelligent and resourceful, where this one…kind of is? It was smart to send Lilith to the fire dimension, but again, not a great plan to break the key. Plus, without Camila, this doesn’t feel like as big of a deal as it could have been. Camila was the first person in Luz’s mind as she destroyed the portal door in the Season One finale. In the pilot, with no Camila, it feels like a non-sacrifice or even that big of a deal. She’s stuck, sure, but Luz doesn’t really seem to care that much. She feels happy being with Eda and King and doesn’t seem to be in that big of a rush to get home. Plus, it’s not exactly complicated to get back. There was a whole line of portal doors in the beginning that Luz could potentially sneak through and there’s not yet an established cannon that makes it seem like getting a new key would be difficult or even complicated. Once more, it gives the impression that this version of The Owl House would be focused less on personal stakes and more like giving Luz that fantasy adventure she’s always been craving for. It would make for a fun show, but not the SAME show. However, it is worth noting that there could be some potential drama. Especially for one twist that was a JOLT to my system.

EDA WORKS FOR THE EMPEROR?!: WHAT?!

I’ll admit, I feel like the reason why this is so shocking is because of the Eda I know and the Emperor I learned to fear. I mean, Eda, the woman who would sooner eat her own fist before even CONSIDERING helping Belos, even before the witch hunter business, was originally meant to HELP him. Of all the changes that the series could have made, this was by far the biggest. Everything that I thought to be constant turned out to be a lie and I was NOT prepared for it!

But again, the reason why I got that big of a reaction is because it goes against everything I knew about Eda. If this was my first introduction to her, it’d be less of a shocking twist and more of a…hook. Like how Invincible’s first episode (Don’t watch if you’re a baby) ends with a character you THOUGHT you could trust doing this intensely dark thing. The rest of the season is leading you to figure out WHY this was done and how the other characters would react, making you want to see more as the show inevitably leads up to this big conclusion that changes everything you once knew. The same applies here, with the reveal making me wonder why Eda would do this, how long she’s been doing it, how it will affect her relationship with Luz, and whether or not it’d be an easy fix. And much like the ending of Invincible’s first episode (Seriously, NOT meant for babies), this hook makes me interested in wanting to see what comes next. Except I never will know because that came from a version of The Owl House that will never exist.

The pilot is interesting because it shows me what The Owl House COULD have been. I wouldn’t say that it’s better than what we got or even that it’s a better first impression than “A Lying Witch and A Warden.” It’s definitely FUNNIER, I’ll give it that, but it doesn’t make the original pitch better, it makes it different. Everything looks the same and sounds the same, but the overall feel of this pilot makes it something that would have had a different story, tone, and ideas on how to develop these characters. Would I have liked it? Absolutely. It seems like a fun time. But that doesn’t mean I like the show we got any less. This was more like…getting a peek into an alternate universe where a show I already love would have been vastly different. And after over a year without any new Owl House content aside from stuff that fans have made, this was a very pleasant surprise that leaves me excited for the NEW fan content that springs from all this.

But that’s enough talking about a show that could have been made. Time to get back to a series that came into existence and I still love so much. See you all then as you all milk this gift that the internet has given you.

[aeirithgainsborough]

FLEABAG (2016) Created by Phoebe Waller-Bridge

[eremin0109]

At this point if anyone asks Junmo what he feels about Gicheol, he'll just shoot them in the face and then blow his own brains off.

[iron-niffler]

the penn missions are hilarious like link falls into the yiga's fake zelda trap and kicks their asses and penn just soars in like "man so unfortunate you, a random blond dude who is carrying link's legendary sword, has amazing swordsmanship skills, is wearing link's champions tunic and also happens to be named link, keep getting mistaken for the legendary swordsman link"

[tofixtheshadows]

God I keep thinking about how Dungeon Meshi is listed solely as a comedy on Netflix (and everywhere else) and so many people are getting into it as a funny and accessible monster-of-the-week story and have no idea what's coming**

**protracted scene of Laios strangling his sister to death

[sonknuxadow]

i remember hearing that the writers for the sonic boom tv show said that shadow was a very difficult character to write because sega is so picky about how he should be portrayed and thats why they saved him for season finale episodes only. so he could still be in the show but they wouldnt have to go back and forth with sega about what they can and cant do with him as much as they would have if he was a main character. anyway maybe thats part of the reason theres no alternate shadows in sonic prime. because sega was annoying about it and the writers didnt feel like dealing with it lmao

[munamania]

also why was i seeing a post about If the bottoms movie isn’t funny it’s gonna be painful to use this site while everyone pretends it is. why do you hate women and specifically lesbians answer so quickly i’m dead serious.

[dashiellqvverty]

TED LASSO EMMY LOSER 🎉🎉🎉

[capfalcon]

i feel like the internet needs to learn something and that is "person says something kinda wrong but it's honestly not that serious who gives a fuck"

[llycaons]

on the other hand when lwj is mischaracterized I just shake my head and click out. he's a toughie

[perenlop]

so sad watching someone go through each episode of a multi season show and they just get more and more exhausted as the seasons just get worse

[thermesiini]

so like the thing with hannibal is that hannibal lecter is supposed to be such a competent and charming presence that despite his really obvious hiding in plain sight thing everyone's confidence is so unwavering that they outright ignore his direct involvement in these murder cases. its. supposedto be a scary thing? and i dont know if its just mads mikklesens like silly demeanor or the framing but it just comes off as ridiculous its a big reason why hannibal is funny and it is supposed to be funny you know but i cant tell if this specific type of funny is intentional or not

[frogmascquerade]

.

[un-pearable]

okay. s6 thoughts. you can pinpoint the part where my heart breaks right at the beginning of the season

i have to say though i was pleasantly surprised at how decent jay/naya was at like the 2/3rds way point of the season and onwards when its just them. like as you can tell i am not particularly fond of the way the writers attempt romance. but either way all i ask for is that jay/naya doesnt get any more drama. since i can never win with shipping in this series im not counting on it, but a girl can dream.

anyways i think its really kind of weird how all naya wanted this arc was some agency and then she... didnt even get to significantly contribute to ending the djinn. like man the only reason jay's wish got made was because she was dying for man pain. the irony is almost too much. but i digress

i simultaneously like and dislike jay's final wish bc i dislike that nya had to die and also that it undoes the whole season (except for jay and naya for some reason (????? like why does nobody else remember this. actually scratch that ive given up trying to understand how the djinn wishes work)) but i also like it because the way its presented feels like. i dont know. complete? rounded? its really weird. also fun fact im pretty sure i saw the final episode of this season and like none of the rest of it other than maybe the episode where the ninja go to jail. the wonders of cable tv

it is really terribly unfortunate, btw, that the only darker skinned character in the whole show is a rapist. i really dont like that i really dont like that at all.

in other news, zane continues to get nerfed by the writers by things outside his control because otherwise he'd be too powerful. they nerfed him when he took control of the team last season and they nerfed him again with the djinn wishes. i STILL dont understand how he deleted pixal. it makes no sense he just. did that (??????) and they didnt even try to explain

speaking of djinn lore that doesnt make sense to me, i still dont understand why he didnt just marry anybody on his ship and then wish them to be his girlfriend. like idk man that seems so much more simple.

i am also terribly terribly TERRIBLY disappointed we didnt get a "STOP THE WEDDING!!!!!!!!!!!!!!!!!!!!!" like for real what is Even The Point. whyd you even bother doing this at all. the answer is so that we could get jay/naya but man its not even explained how getting married gives him all those powers. just because. the other person doesnt even have to CONSENT and it works ????? somehow ????????? actually speaking of if she doesnt have to consent. whyd we even bother going through all this at all when she gets captured way earlier. man the lore of this season is just a mess.

im not gonna lie i really dont like the fact that zane's dad made a replacement for him. not even like a different kid its literally just zane 2.0 despite the fact that both of them are sentient and, yknow. people. that would, however, be a very interesting subplot to explore re: zane's identity as a robot but unfortunately we wont be getting that bc i dont think this show likes what i like very much. also very sad that the other zane, who is still a person btw, is gonna be trapped in that lighthouse for the rest of time.

also really really funny that old lloyd looks like a garmadon clone. reminded me of something my friend who i am liveblogging my ninjago revival to said like 3 days ago

anyways watch them give lloyd a girlfriend and watch me tear my hair out as the ninjago writers continue to curse me with their attempts at romance. im also like 40% sure a time travel arc is coming up soon but maybe im remembering wrong. guess we shall Wait And See.

also unrelated but i have to say the djinn response to a wish being "your wish is yours to keep" instead of "your wish is my command" is honestly pretty epic. i do love that.

also. a . question. are we.... are we ever going to get back to the fact that jay's bio dad is (presuming hes still alive. well i guess at the point the season leaves off he is but still you get the idea) a world famous actor and dumped his son off at a junkyard despite being fabulously wealthy and then named said son as his heir without ever contacting him (????????????????) please tell me we're going back to that. please. who the heck is his bio mom. many questions no answers.

so, my wishes for the next season: no love drama please i am on my hands and knees i am begging i am pleading no more romance. give me a break dear writers please. um other than that i was talking to previously mentioned friend earlier and i was like "well im pretty sure garmadon is coming back because if theres one thing this show hates its letting go of its cast" and she said that he comes back in an extremely mediocre way and thinks i will be mad so. that. is a thing i am . well i want to see him again but im also not so sure i want to see him again with this new information. so theres that. um i want more team interactions as always. i want people hanging out and being friends. i also want bad alt outfits. im a simple lady honestly

(preface: my infinite apologies for not getting this till now my life is a disaster rn. i am GREATLY enjoying these)

the immediate turnaround.... yeahhh. i'm a filthy early seasons stan and boy does it become very clear the more seasons they get that the struggle between the writer's cool ideas and their ability to execute them is constant and ongoing (and largely losses). im pretty sure s6 had some notoriously bad crunch too and it definitely shows

kudos to them for finally getting their one-on-one dynamic down bc it can be REALLY fun when used to its full potential but the majority of the time nya gets nerfed and its the biggest loss ever. theres so much to do with your deconstruction of the damsel how dare they fuck it up so many times 😔 dangers of an ever growing cast but cmon

i can do nothing but agree with your complex feelings on the ending bc its both incredibly frustrating and incredibly fitting. the racial implications of this show only get more,, concerning. as time goes on so tragically yeah. yeah. fuckin hell lego

zane king of my heart. the cornerstone of the team my tag is loadbearing nindroid for good reason. you are constantly correct

!!! yes!!! the one thing that could have made that entire plot line (slightly) more comedic than uncomfortable. literally nothing about this season has logic that makes sense even within JUST this season its terrible its great.

i can't even comment on the echo zane stuff its just baffling to me they don't ever use it. fucking WILD thing to make canon and then never bring it up again dear god. both intriguing implications for dr. julien's.... everything and completely squandered opportunity to actually get into robot storylines again which are 80% of the reason i watched the show. eternally crossing my fingers that those rumors about the villains are true bc dear god does julien get more fucked up the more you think about him. (preboot) chuck and dr julien are the same archetype stop making connections brain. that is a negative statement they're both well meaning but fucked up. and self flagellating for the wrong reasons

oHHH yeah. the familial symbolism in this series is like a drug to me i can't get enough of it. approaching lloyd and garmadon as the same core traits just with vastly different circumstances... ninjago has fascinating implications for the nature vs nurture debate ill leave it at that

it is!!! its cool as hell.

everything about jay is fascinating to me he has as many bonkers decisions behind his existence as lloyd does only he's supposed to be The Normal Guy so it loops back around. untapped comedic potential in him being wealthy enough to subsidize their entire crimefighting lifestyle but being too traumatized to explain why. the larry butz of ninjago.