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#its an internal conflict
my maths teacher is essentially making us all do the work for his class digitally and the laptop-tablet thingy i lent from the school is never doing what i want it to and it's incredibly frustrating and the only reason i somewhat tolerate it is that he's the same teacher i could talk to about not using gendered pronouns for me whenever possible in school papers and the like and he also remembered that and made a conscious effort in front of the entire class to reword what he was saying to refer to me gender-neutrally. which really is a feat in my native language, so like, i love him for making the effort and remembering. but also why digitally
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wistfulwatcher · 3 months
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I really enjoy the contrast between the attitude towards killing in PJO and MCGA. Percy doesn't like killing and only does it when he has to, while feeling very tortured that he is quite good at violence despite wanting to avoid it. then Magnus shows up and his first resort is killing and he is so so bad at it. his sword is swinging him for god's sake, this boy is so cringefail at fighting and it is his first instinct, which goes entirely unquestioned. really a beautiful, beautiful contrast.
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puppyeared · 2 years
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RETURN TO MONKE (PUBERTY EDITION)
MK’s monkey form doesn’t feel right to me so i wanted to break up his transformation into stages. Maybe as he learns to accept that side of himself it becomes part of him, instead of changing between human and monkey randomly (which is probably painful). Love yourself, NOW!!!
@zymstarz im tagging you for FULL MONKE
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staruie · 1 year
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an eternity left behind
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poorly-drawn-mdzs · 2 months
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These FFS inner demons are very “disco elysium skills” reminiscent. I NEED to meet that cast! Also freaking awesome work to you and your buddy :]
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May it be an open secret that one of my inspirations was Disco Elysium. I think they could party together.
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haunted-xander · 2 months
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I shall protect you
#ueueue i think about how much minazuki cares about sho so so much#like. he awoke within sho and just immediately decided he was going to dedicate his Entire Existance to this one boys well-being#he recognized the mistreatment and tragedy of shos current situation and resolved to fix that#by (attempting to) kill the source (ikutsuki)#and literally all the events of arena/ultimax was a plan that HE made specifically to grant shos wish#even suffering through working with kagutsuchi (who he HATES and distrusts immediately) just to make sure sho gets what he wants#but also like. hes so far into his devotion for sho that he refuses to see himself as an individual person with his own desires#he views himself as more or less an extension of sho#all the while separating himself from the identity of 'sho' and distancing himself from his experiences#he doesnt refer to sho by name and he refers to ikutsuki solely as 'HIS' father. not 'our' father not 'my' father. 'HIS' father#hes also blind to the internal conflicts sho has and thus cant see that wat sho actually wants isnt REALLY the destruction of the world#(or rather; world destruction isnt the actual goal. its simply the only way he knows how to connect with it)#(which by itself is something else minazuki fails to see!)#(that shos destructive behaviour and anger isnt really because he hates the world itself as much as it is he hates that he doesnt fit in it)#anyway im getting off-track i have feelings#sho minazuki#tsukiyomi#persona#persona 4#persona 4 arena#persona 4 arena ultimax#p4#p4a#p4au#art#my art#xanders art#digital art#fan art
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widowkills · 2 months
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富察·容音 Fuca Rongyin from 延禧攻略 The Story of Yanxi Palace (2018)
TV APPRECIATION WEEK 2024 — free choice: favourite chinese period drama character
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rowrowronnie · 11 months
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scoutbot identity crisis #true
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Going buckwild at the way Hilda The Series portrays adulthood and loneliness. Kaisa has no one to go to to ask for help getting the due book back, even though all it would take was someone she could minimally ask to knock on an elderly lady’s door and ask for a favour; she’s in the library after hours, is shown to have no allies aside from the woman who raised her and who she lost contact with. Johanna is only ever seen working or caring for Hilda, and her lack of a life aside from those two activities is pointed out by her own daughter when she thinks that this is going so far as to affect their relationship. The bell keeper lives alone in a small cabin on the edge of town, barely within city limits and away from everyone, a house barely even inhabitable and clearly only a place to sleep and eat. He works a solitary job and he’s the only one in the town still working it, meaning he’s probably overworked and forced to pull inhumanly long shifts. Victoria hyperfocused so hard on her projects that whatever friends she had before - and she must have had some from college time at least - lost contact with her, and she never made any other connections in Trolberg, anything that would tie her to the city and it’s inhabitants and make it so it wasn’t worth it to live by herself at the top of a hill. Even when that was over, she still chose to isolate herself somewhere abandoned and keep what was essentially another machine she’d built as her source of company, something she could understand and control instead of an unpredictable human being. Gerda works a job she likes but is shown to be disregarded by the person she works the most around, her abilities and intellect thrown aside for the good of someone she has to bear because of a hierarchy she was forced to accept in order to keep working. She’s appreciated by the town, but other than the main characters, we don’t see anyone paying her any mind when they don’t need something from her.
Meanwhile no kid has ever been alone in Trolberg. The mean kids are a group, the good kids are a group, even the gloomy teenage girls are a group. One of nightmare inducing entities, but a group nonetheless. All children in that world seem to operate on a ‘no man left behind’ code, looking out for each other even if they aren’t exactly fans of one another, helping even grown ups without asking why and working together. And this logic seems to extend to the adults who work around children too; especially the Raven Leader, who we see that through the children works as a vital part of the community and a way through which it comes together.
This isn’t very articulate but do you see the point? Do you see how clever that is? That a show about growing up has these themes? You can be magical, kind, strong, intelligent, competent, but none of that will make you truly happy if you don’t keep the most important thing from childhood? If you don’t keep your friendships, your bonds, something to tie you down to your reality and your community? The adults in the show all made their choices, and it’s okay to want to be alone, we all need it and some more than others (this is coming from someone who needs it a lot), but isolating yourself completely is the one thing that will make growing pains truly painful. I’m just so emotional over it. It’s so subtle and so clever considering the whole Mountain King plot that Hilda is willing to change species because she feels detached from her main relationships and surroundings. I love this show so much.
#Hilda meta#Kaisa isolated herself because of insecurity. Johanna did it because of duty (keeping herself and a daughter afloat seemingly by her own)#the bell keeper did it (apparently) because of a lack of interest#AND being overworked. that’s so important to mention#actually scratch that. I bet being overworked is the MAIN reason. imagine keeping patrol day and night I wouldn’t talk to anyone either#Victoria did it because of passion#Gerda did it unwillingly as a result of the system she was working for#I could mention so many other people too#Tildy doing it because of hopelessness after the two people she loved failed to reach out to her#Abigail because she convinced herself she couldn’t go back home#the midnight giant because he made one sole person his whole world and his species had to leave#the trolls because of the consequences of colonialism sparking internal conflict#it’s lonely. lonely all around.#the only group of adults that seem to be doing fine are the elves#which are. you guessed it. a tightly knit community#and paperwork or no paperwork they all work for the well-being of their society as a whole#growing up doesn’t have to be lonely. growing up doesn’t have to be lonely.#but God it can be. and its something you have to fight against because it’s so easy to get caught in the tide#the more I grow the more things I find in Hilda to relate to#the show seems to age with us this is fantastic#Hilda the series#hilda netflix#johanna hilda#kaisa hilda#Victoria Van gale#the bell keeper hilda
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brother-emperors · 9 months
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I'm making a note about medici, because I tried to watch it but found it so dull I could hardly get through the first season. Can you reccomend any historical shows or films that do pass the vibe check?
off the top of my head, some personal favorites are: season one of Kingdom (킹덤) 2019 (period horror set in the Joseon era)
Barbarians (Barbaren) 2020 (arminius, baby!)
Heneral Luna & Goyo (philippine revolution)
Showtime’s The Borgias (all time favorite forever)
Wolf Hall (2015) (an adaption of Hilary Mantel’s novels)
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volo-omnia · 21 days
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I'm gonna be honest I've been mulling over the cut dialogue post for the entire day because what I want to know is the direction of the developers.
Part of me isn't sure whether if the cut dialogue was cut content for the sake of cut content (i.e. time/budget limitations, it was too much/unnecessary for the scene, etc) or whether it was a change in tweaking Volo's canon character. (i.e. making his villainy closer/a foil of Cyrus.) (for the most I'm still not sure if the cut dialogue is considered "canon" or not, but for the most part until we see official content that contradicts it I will consider it as "canon" Volo.)
Because I don't know about you, but it's really telling something about his character.
I'm a descendant of the ancient Sinnoh people! I revere Arceus, the almighty god, and I will demonstrate his power to all living things in the sky, the earth, the sea! Yes! As the avatar of Arceus, I will house that power and bring its gospel to Hisui! I won't let you, an outsider with no history here, get in my way!
Okay so, this passage is the part I want to delve into. A couple of points:
"Avatar of Arceus" - this pretty much explains the Arceus cosplay in the final battle. I mean it was assumed already if you know how iconography and symbolism works, but it pretty much plainly explains that Volo sees himself as a god or in the very least, as a standing representation of Arceus itself in the physical world.
"I will house that power" - again this is just a rewording of what already exists in the final scene, where Volo states he wants to "use Arceus' power to create a new better world". Note he doesn't say he will defeat Arceus, or kill it. I know it's common interpretation in fan circles that Volo kills/takes Arceus power, but it's important for us to remember that canonically, Volo DOES NOT want to kill Arceus. His reverence may be strong, and he does have this weird religious ecstasy brainrot, but he does not wish to actually kill it. Volo is a religious zealot.
And the parts that are bothering me the most are these lines:
"I will demonstrate his power to all living things in the sky, the earth, the sea! / ...bring its gospel to Hisui!" - this part is what I'm ruminating on the most. Because with this passage, it's making me rethink all of my previous interpretations on Volo, and I fear we may have been misinterpreting him this entire time.
This is again where I want to emphasize I don't know for sure if this is a character rework or cut content, because here Volo makes no mention of a "better world" by using the power of Arceus.
Because yknow what that sounds like right? Like Christian/Catholic preaching. Specifically the word "gospel" is used here, and he makes mention of "demonstrating his power to all living things". Like spreading the word of God? He makes no mention of this gospel of Arceus being love or light however, which makes me worried what this implies...
And this is what's bothering the most about this. Volo from this dialogue, may not be a saviour wishing to create a better world without suffering because his God designed a flawed world that included those things.
Volo is a religious zealot that believes the world is flawed because of other people, not because his God made a flawed creation. And that the cure to removing this suffering is recreating his own biblical flood and killing everyone and spreading the word of Jesus Arceus.
That's why Volo has a hard time trusting others in Pokemas because other people are sinful/backstabbing and cannot be trusted (albeit heavily influenced by whatever Traumatic Thing™ happened in his villain backstory that as of writing this, has yet to be revealed) but if this is canon to his character, it's a HUGE difference from what we were all interpreting. He's not staging a divine coup for the people, he's your Catholic pastor that believes if you don't believe in god you're going to hell. He's the holy crusader that is willing to hurt entire groups of people in the name of god, believing this harm he's doing is "righteous" because he's doing it for Arceus.
If this is what Volo's idea of a "better world" was like the entire time, damn I really hope he loses and gets a redemption. A world where everyone follows the gospel of God through force? Maybe there's a reason he's a villain.
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mermaidsirennikita · 8 months
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sometimes it drives me literally insane to see romance requests that are like
--I want a romance wherein it's basically the happy epilogue throughout the book
--I want a romance that has great communication and they never withhold anything from each other ever
--no "miscommunication trope"
The last thing is just a general gripe about how so many of the things people say are tropes are not tropes, and it's pedantic and snobby but like. Miscommunication is so broad. It's not a trope. People are miscommunicating. WHAT are they miscommunicating about? Is one of them keeping a secret identity from their partner? Because a secret identity romance iS a trope. Is one of them withholding their feelings out of fear of rejection?
Because people DO miscommunicate. Often writers do write it clumsily. If people miscommunicate for no reason, sure, whatever. But if they miscommunicate BECAUSE of a REASON--like, often it's not even miscommunication lol. It's the hero keeping his dire supernatural secret from his wife because she'll die if she finds out (honestly, valid to me, but whatever). It's the heroine finding it difficult to trust the hero with her heart because her dad left when she was young (maybe cliche in theory, but actually a very real thing that happens).
If all you want is plotless nothing wherein everyone is happy and nobody makes mistakes, I personally have a hard time thinking of it as a book, because there is no story. It's just vibes. And essentially EVERY time, people have to mess up and make mistakes in order for there to be a plot.
I just don't understand the point.
#romance novel blogging#if all you want is pure vibes what you want is a short form story or fanfic sorry#you don't want a book#and i'm not saying every writer does miscommunication right--romance has a lot of clumsy writers who just shove it in#(lmao)#but miscommunication is often a backbone in its most broad form of conflict#'i cannot tell you this thing because i am scared for you'#'i cannot tell you this thing because i'm scared of what you'll think of me'#'i can't tell you how i really feel bc i frankly need therapy'#these are all forms of miscommunication and the thing is that when a writer does it well you don't even call it 'miscommunication trope'#but you'll still dismiss miscommunication as bad#the long game by rachel reid is a great example#generally a really well-received book!#ilya gets distant with shane and shane doesn't take ilya's feelings as much as he should#bc ilya has depression and is not telling shane about it#and there is NO REASON for ilya to do this other than internalized shame and a tendency to hide his pain to keep others happy#this is miscommunication!!! they are not communicating well!!! and people still like the book bc rachel reid is a good writer#who knows how to convey this in a way that isn't annoying and is relatable#lol ofc all of this is also symptomatic of the fact that people can't read nuance anymore apparently#and 'character behaves badly = book bad'#(for the record ilya and shane miscommunicate a lot in both books but those books are widely loved bc again rachel is a good writer)
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colesstar · 10 months
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Lowkey why am i seeing stuff about season 6 of ninjago??? They cancelled it back in 2015 it was never released idk what yall are on about 😂 there is no season 6 of ninjago guys
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puppyeared · 9 months
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how. do u sona....
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gingerswagfreckles · 11 months
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It's just as irresponsible to take Hamas and the Palestinian Islamic Jihad at their word as it is to take the IDF and US intelligence agents their word. Just FYI.
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