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#its because hes much less experienced with the going on adventures stuff
sonknuxadow · 1 year
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its kinda strange to me how people act like movie sonic is a little kid compared to other versions of sonic and have the other sonics like. baby him. in crossover stuff. yeah movie sonic is a little guy hes like 13-14. but most other sonics are 15 so theyre also little guys and theres really not a big age gap here. and they also have friends who are younger than them that they dont treat like that. so idk why they would be acting like movie sonic is a little 5 year old if they ever met him
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via-the-cryptid · 1 year
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Fun idea:
While living in the Treehouse, Snow Queen starts to mom Finn (And probably calls him Gunther? Who knows) because he is a kid, and she and Simon live there so obviously he has to be their son right? Now they are a family and Simon its never going to leave again.
Also Simon unwittingly starts to dad Finn around because he is Simon and he cant go around wthout adopting a child.
Finn feels a little weird because, while he already had Joshua and Margaret, these two are humans (Or in case of Betty, mostly human) and he doesnt know how to feel about it. His relationship with Simon could be extra awkward depending if the events of The Citadel already happened and Martin is already going around.
sir ma’am or mx you are a genius.
I’m thinking the Sugar Snow War takes place before Finn goes on his dad quest, so at this point he’s still under the impression that he’s the only human around… except for Simon, who they pulled out of an icicle a while ago and who they haven’t seen much of since he went to the Candy Kingdom. he used to visit a lot when he was in Wizard City, but after that he sort of went quiet. now he’s back, with the Snow Queen who’s utterly doting on him and seems very clingy, and with Marceline, who’s a mix of happy that her adoptive mom got her beloved back, and absolutely pissed that her ex tried to imprison said beloved for blackmail purposes and then went on to destroy her mom’s entire kingdom. Marceline leaves shortly after making sure that SQ and Simon will be good to stay at the treehouse (Jake said yes and what Jake says goes), but that just leaves them with Snow Queen, Simon, Finn, Jake, BMO, Shelby in the walls, and also Gunther, who keeps disappearing randomly (presumably to also be in the walls).
and then Finn comes down from i go stroom for breakfast the next morning, and Snow Queen has already set a place at the table for him next to the penguin and Simon is making pancakes, which is Weird, and Jake is already eating the pancakes, which isn’t as weird but it is a little odd that he’s not the one making them. apparently these two want to contribute to the household or something? Finn doesn’t really mind, the pancakes are good and Snow Queen is being pretty civil.
then it starts to get a little weirder.
she put snacks and a couple ice knives in his backpack before he went adventuring, ‘just in case’? she asked if he remembered his sword and said to have fun in the dungeon? she’s offering him life advice that is probably very illegal but not actually that bad? y’know what, maybe he will beset a wizard with penguins the next time they try to take his stuff. Magic Man has it coming, anyways.
it sort of reminds him of his mom — Jake’s mom first, but Finn’s mom, too. she’d done this sort of thing with a little less crazy and a little more sensibleness, but it’s the same gist anyways. it’s only when Snow Queen tries to fix his hair before putting his hat on him and calls him Gunther that he realises she’s trying to parent him.
and honestly, he doesn’t know that he’s really that opposed to it. sure, it’s kinda weird, but she’s not actually hurting anything. Simon’s been following her example to some degree, helping Finn with puzzles and artifacts, telling him about human stuff from the past, suggesting new tricks and games to try, but it doesn’t really feel like Joshua’s ‘tough love’. it’s something different, something Finn doesn’t really remember experiencing before — the closest thing he’s had to this is Jake, who’s definitely never been quite so parental about his worrying.
honestly, his only questions at this point are whether it would make Marceline his older sister if Snow Queen and Simon tried to adopt him (it would), and whether Jake is getting adopted too (he is).
(side note — Finn isn’t quite so messed up about Martin in this au because as soon as the events of the Citadel have played out, he walks himself straight over to the Snow Kingdom and lays on the floor until someone asks him what’s wrong, and then he gets to have Family Therapy with his third set of parents, since the first are half-unavailable and half-terrible, and the second are no longer around. He also gets to hold a penguin the entire time which is very therapeutic and does not leave him with the desire to rip Martin’s arm off.)
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paragonrobits · 1 month
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so today's writing hot take... well, not so much a hot take, but more of an observation:
while the idea of the Five Man Band (The Hero, the Foil, The Powerhouse, The Solution Person and the Heart) is a very solid idea for characterization and can go a long way to figuring characters out, in practice its usually better to just organically write characters and let them go wherever they want, and not to fight it whne it goes gainst your original vision.
A long time ago I was regularly writing a fanfic; over time the core cast expanded, and I had a group of characters.
They were the hot-headed and impulsive alien, a smart kid with a ton of alchemically-powered magitech devices, a highly skilled spiritual martial artist tiger-person, and a talking skull initially meant as comic relief. Soon the alien had a friend join; a fire-manipulating fighter who joined on behalf of the alien's larger friend group to keep him out of trouble and try to find a way to his original homeworld.
The set up was simple; the alien would be the leader, the kid the problem-solver, the tiger the powerhouse, the skull a comedic Heart, and the new guy's original role was not defined, but he was going to be a bit more thoughtful.
Things rapidly changed on me though, through natural characterization and shifts in dynamic. The alien remained the hero, as he was the main character.
But the kid soon became less of a solution guy; he wound up being a first rate blaster, eagerly blowing stuff up and using his powers in unexpected and intelligent ways, always the first to throw a punch except it was usually a gigantic fire ball while he made an ice slide zooming around enemies. The small, intelligent and apparently frail kid wound up being the reliable powerhouse; prone to argue, but always a trustworthy asset.
The tiger was powerful and strong, but while I initially intended to give him an arc about being prideful or arrogant, he wound up remaining a very level-headed and soft spoken figure. Whenever he fought he usually ended the fight pretty fast, but in general he was a stable present that encouraged the others and gave them advice. He was the Heart.
The skull was never meant to be a main character; he was actually supposed to take the role of Jiminy Cricket (the story initially being a reskin of Kingdom Hearts), giving exposition and thoughts on the worlds they visited. However, due to the character implicitly being extremely old, he wound up being deeply genre savvy because he was SO OLD, and had been part of so many adventures, he'd figured out the general patterns things tended to take, and was a lot smarter than his cocky demeanor let on, and he wound up being the Smart Guy; giving them advice, warning them about consequences, and proposing different ways to handle situation.
The fire guy wound up accidentally developing into the big brother and experienced, more competent character that he sometimes was mischaracterized by modern fandom (though i feel better about it because this was explicitly the result of long-term character development). While he and the alien lead had similar powers, it was because the alien SPECIFICALLY gained those powers through friendship with fire guy, and as time went on, the fire guy (while also a bad-tempered hothead with a tendency to just run at things) was a more moderate person, constantly keeping the alien guy on his toes, less aggressive than him and calmer by comparison, winning fights through superior experience and skill instead of his alien friend's manic aggressiveness, unpredictable attacks, and downright demented personality. He was the Foil/Lancer.
It would have been a lot harder to keep them in their original roles, so i didn't; by letting the organic development continue, it became a lot better than my original intentions, so my advice is to let it happen when you notice it.
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wqintraining · 1 year
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NEW MUTANTS: LETHAL LEGION #2 - THOUGHTS
I had so much fun covering the first issue, I thought, “Why Not?” and decided I’d do similar breakdowns for the rest of the series as it comes out. With its sapphic trans lead, Escapade, and writer, @charliejaneanders​, there’s no book I’m more eager to support and help spread awareness of right now. 
This issue sees multiple plots continuing here, with Escapade, Cerebella, Honey Badger (I’m still not calling her “Scout”), Morgan, and Wolfsbane still our leads as of this issue, but with the set-up and solicits we’ve gotten, it’s clear Dani and Karma will be getting more involved for the rest of the book. 
Starting with the A-Plot, probably my favorite thing about the previous three issues of New Mutants to star Shela, and this book so far, is how in nearly every scene, we get to see a new layer of her character. So often, fans will defend bland new characters by saying they “Just Need Time”, and my counterargument is always, “No, there are numerous modern characters who came out fully realized and captivating almost immediately.” 
We got a bit of this in the previous issue, but it’s made even more clear here that despite Shela often coming off as a typical quirky, goofy, teenage hero, she is an adult, she is an experienced veteran in her field, and she has lived a hard life with much more down-to-Earth trauma which has built responsibility. She may not like having to be all these things, and getting to act more like a kid is probably something she appreciates about Krakoa, but if she’s only teamed with less experienced heroes, this is gonna show. 
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I’m unsure of what the writing is going for with Gabby so far. Gabby being excited and enthusiastic about beating up a bunch of villains? Nothing weird there. Being snarky? Right up her alley. But she has a weird mean streak throughout the issue that doesn’t feel right. Just a couple lines that don’t sound like things she’d say. 
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I do like how she handled Nefaria’s tournament though. 
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Sadly, Martha doesn’t get to do much this issue, and it’s to its detriment. While Shela and Gabby’s fights are fun, they take up so much of the A-plot that there’s no room for her. And with me not being particularly interested in Nefaria and his antics (mostly), sidelining the character who’s the whole reason this adventure is happening, and who’s emotional struggle is our hero’s primary motivator, hurts the issue. 
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With that all said, now I get to talk about my favorite part of the A-plot, and the part that has me the most excited. 
To the shock of literally no one, it’s the part which involves Emma Frost. 
Not once, but twice in this issue, Shela directly compares Nefaria’s persuasive skills to Emma’s. Once is a joke. Twice tells me our young thief still has some unresolved issues regarding her former idol. 
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In tandem with her other insecurities, it really is no wonder she allowed herself to get drunked-up by Nefaria. Against Emma’s speeches, she was able to bite back with bitterness. Against Nefaria’s, despite knowing what he’s doing, she still likes what he’s saying enough that she eases herself. 
Anders confirmed to me before this book started that Emma would not be appearing in it, BUT I really, really hope this is all going somewhere post-Lethal Legion. 
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Onto the B-Plot, let’s start with the funny stuff because WOW did this get real dark, real quick. 
Of COURSE there are doomsday preppers for Mutants, of course there are.  Wonderful way to start the issue. 
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 Cosmar basically realizing Shela has taken her place in the Lost Club’s main girl trio is sad, but also pretty funny in a meta sense. Hopefully Tashi can find another team to join. 
Also, Charlie, I know you read these, so I’m gonna ask one of the most common questions fans of these characters have: How old is Anole supposed to be? Shela and Martha are young adults, Gabby and Tashi are teenagers, and Rain Boy can go either way since it’s unclear if he died or not post M-Day, but no one really cares. Anole meanwhile is a longtime fan favorite, and between him simultaneously bartending at the Green Lagoon and hitting on Ahkiro, while also acting no older than Gabby and Tashi, and being referred to as a kid by one of his old classmates within the pages of New Mutants, fans have been deeply confused for years. 
I know writers sometimes aren’t allowed to speak on ages, so if that’s a thing here, I get it. If you can give an answer though, so many fans would love to know. 
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Tangents aside, Dani and Karma’s entrance to the plot confuses me. I get Dani worrying about her kids, but are her and Xuan really freaking out because they don’t know where two grown women and their highly-deadly teenage friend are for more than a day? Hey, Dani, if you want to check on someone, how about your adopted son you haven’t spoken to in the last decade? If Josh has time to flirt with Gwenpool, he has time for you. 
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Everything mentioned above is completely forgivable, however, because Dani and Xuan get the best damn panel in this issue.
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Transitioning into the more dramatic stuff, we have Rahne. Wolfsbane has consistently been wonderful under Anders’ pen (really, she’s gotten consistently better writing in the past 3 years than she’d gotten in the prior 20), with so many great moments in this issue alone. I love how she helps calm down the sewer creature, wastes no time arguing with the doomsday prepper’s leader’s garbage, and is able to separate him from the rest of the mostly innocent people living in the sewers who need her help. 
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Oh, Morgan, Morgan, Morgan. Since your first appearance, I have not liked you. I still don’t like you, even if you being Chinese, Jewish, and Asexual on top of being a trans man is pretty cool. 
However, progress may finally be getting made on making his less insufferable. At the start of this issue, he’s still his usual self, with 0 comprehension of what Mutants have been through (honestly though, man, with all your other identities, you shouldn’t be THIS blitheringly ignorant), but then...
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...we get to the big “Oh shit” part of the book, as it seems like Rahne may be about to teach Morgan about The Massacre. 
This data page is amazing. I’m not sure if it actually fits the book tonally, but I love it. I’m not gonna go over the details of it just because it’s such strong prose, and you should really take it in for yourselves. It really makes you just imagine Jared walking through the woods on Krakoa, and seeing Greycrow, one of the people who brutally murdered him and his friends, making out with Kwannon, one of the War Captains charged with protecting everyone. Of course he wouldn’t believe he was safe on Krakoa (you know, along with all the OTHER reasons not to feel safe on Krakoa if you’re not one of the big, special Mutants)
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Despite the various complains I had, I still loved this issue. With multiple issues now out I feel comfortable calling this my third favorite X-book right now. And when your competition includes Red and Immortal, third place is still a triumph. I can’t wait for the next issue, and I can only hope Marvel greenlights more just like this. 
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manonamora-if · 1 year
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Oh I almost forgot it's Sunday.... And the start of a new month... and it's been 6 months since Jan... I'll do the whole 6month check in later this week... Welps a small one for now!
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Because work and other stuff, progress has slowed a bit. MelS is on the last investigation part. And I should be starting the first round of edits next week. Time willing, we maaaaayyyy be looking at a end of July/start of August release???? MelS free time is super limited unfortunately. He tried to add words when he can....
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Not a template... BUT AN ACTUAL SUGARCUBE GUIDE!
Making its premiere debut, 85% complete... the Twine SugarCube Guide, covering from the basics of the basics to start out with the format, to ALL the macros, some customisation, and more advanced stuff.
Get your guide today!!!!
Did you know I've been pretty much working on it only for the past... three weeks or so?
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My final entry for the Neo Twiny Jam: Clarence Street 14. Completed in 3hs (and I had dinner in between). It's pretty ugly, and the story is not much brighter...
I wasn't thinking much when I wrote it. It came pretty much by itself while I was struggling to create a 500-only parser for the jam (next year!).
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An Eggcelent Preparation ranked 6th at the Text-Adventure Literacy Jam. While it is in the bottom-half of the ranking, I received an overall of 3.510/5 (or 7/10 ~with 17 votes), which is crazy high for a ranked jam! Lots of really good entry indeed!! Very tough competition, with mainly experienced creators!
And for a first proper parser try, I'm pretty happy with myself. I received 2 glowing reviews as well! This is a proper win, right there!
I'm going to do a post-mortem to wrap up this project, sometimes this month....
NOTE: the game page of the English version might disappear, in preference to the French/OG one (which I need to update). I will notify it here as well, but just in case, here's a head's up!
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A few hours left for latecomers to submit to the Neo Twiny Jam..
And then I will be wrapping it all up :)
In the meantime, all entries have been played ! and reviewed on @manonamora-if-reviews (it might be in the queue if not posted). I've been so busy this week...
~~~~
Some random stuff:
I need to update my website at one point, I haven't since may, and EDOC doesn't have a page yet (neither are the other jams mentioned....)
I may or may not have sent an intent to participate in the IntroComp to test out an idea that has been floating in my brain for a while. Whether it happens is another story.
You can submit an intent to the Intro Comp (I won't this year, really can't).
Anti-Romance Jam is ending in less than 2 weeks!!!! Get your submissions in!!
A bit less than 2 months to submit to the Orifice Jam as well!
Another non-ranked SFW jam will be popping up soon-ish.
Also another thing this week will be dropping (in relation to jams)
I think that's IT!
~toodles~
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staringdownabarrel · 10 months
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I've just finished A Darkness At Sethanon by Raymond E. Feist. Here's my thoughts. (Yes, I'm aware that I did a post like this just yesterday for Silverthorn, but I can read hard and fast when I want to.)
In a lot of ways, this book is the best book so far in the series. The Riftwar saga tends to work best when you view it through the lens of the books just being a series of swashbuckler adventures, and A Darkness At Sethanon is one of the books that does those elements the best. It also doesn't really get as bogged down in a lot of the classic faults that Feist just doesn't do that well (i.e., bad romance arcs that are just tacked on).
There is a but here. The reason why it doesn't get bogged down in that is because while there are named women with speaking roles, they're extremely minor roles. Especially when it comes to the chapters set at Armengar, the women in this book also fall into the other classic fantasy trope: that is, they're the badass women characters with no real personality beyond that, and that's more or less the only reason they're taken seriously by the men.
Still, when Sethanon is on, it is really fucking on. The battle at Armengar is amazing--both because it focuses on the actual tactics involved in the battle and because it avoids just being, "Oh, and then the hero runs up this block and fights this guy, and runs up another block and fights these other guys" on and on ad nauseam. (It also avoids being epic battle after epic battle ad nauseam because, other than a quick skirmish at Highcastle, the only big set battles in this one are at Armengar and Sethanon.)
I'm willing to say that Armengar is straight up the best large-scale battle that Feist has ever written. Yeah, there's other ones he wrote after this, but this is the one that does the best job at keeping the tension high before, during, and after the battle. Plus, in a lot of the other epic battles he wrote, while there is a focus on the tactics involved in the battle, it's also kind of just there while the main characters run around dealing with the plot-relevant magic thing.
Where Armengar goes well is not only is there a lot of focus on the tactics of the battle, this is the battle that had to be fought for the plot to continue. It communicates what the stakes are: either fight this army to a standstill or it and its leader will overrun a noticeable chunk of the Kingdom. It also communicates how difficult that's going to be: even with a city that everyone agrees is the best possible fortification they've ever seen, and even with an experienced army that's only ever known a violent life beyond the frontier, the odds are against it. It's also one that, despite the odds against it, needed to be fought because the circumstances surrounding it mean that the army led by Murmandamus had to fight there to avoid being snowed in for another year.
I don't think Feist ever managed to get to this level of tense atmosphere again. There's definitely battles in later books that needed to be fought for plot-relevant reasons, but I can't remember one that really had this level of tension around it. For about 100 or 150 pages, there's just this absolute tension before and during the battle that never really breaks completely.
I was also surprised by just how much A Darkness At Sethanon sets up for the next set of books. Yes I, as someone who's read these books before, remember the broad strokes of what comes next, but there's also a lot of little things that I'd just forgotten about. Like, I'd forgotten about how much of the Pantathian stuff that comes up in the Serpentwar quadrilogy was initially introduced here.
Unfortunately, this book also introduced one of the ideas that I liked the least in these books. Initially, the magic system in Feist's books included a delineation between the Greater and Lower Paths. While someone might be gifted in one path, they'd never be gifted in both.
The reason I liked this idea is because it lent itself to a lot of commentary on hierarchies in general. The initial trajectory the series was going to go on was that while there was this delineation, there were some quite interesting and powerful things the "Lower" Path could do that the Greater Path just couldn't match, and the only reason it seemed to be the reverse was because of who major institutions (especially on Kelewan) had typically sided with.
Unfortunately, this is where a lot of that starts to be undone. Once Pug says, "Eh, it doesn't really work like that," the magic in these books start to backslide into a very generic magic system. I know Feist isn't the most explicitly political writer, but I do feel like he could have done more to let people have an explicitly political reading of his books on this front.
But yeah, overall, this is one of the better Feist books, and I think it's a really good example of what his writing looks like at its best. It does have some issues with it, but most of them are problems that Feist's books have traditionally always had.
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artxyra · 3 years
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The Return of the Premier Chaotique
Marinette was only eight years old when her primary school life changed for the better.
On that fateful day, in Mlle. Gilbertine’s classroom was the introduction of a new transfer student. He introduced himself as Damian; there was no last name. And if there was one, Gilbertine made sure she didn’t say a word of it.  
To Marinette, Nino, Chloe, Nathaniel, and Kim, he was an odd boy. Someone that would fit right into their group after a push, as Damian stressed for no social interactions with anyone.
During the early weeks of his stay, Marinette had caught him several times engaging in lonesome activities, whether they were in the classroom or out in the field messing around. Marinette, being the outgoing child that she was, began to plot.
Created from that plotting period was her life’s mission to befriend the emotionless kid.
It was hard at first.
She and the others tried tricking the young man into hopscotch matches, and when that didn’t work, it was a game of red light, green light. Occasionally, Nino and Kim would challenge Damian to dance battles.
Damian was very much against the childish games claiming that they were beneath him, but humored them into defeat.
That was until Marinette decided on a shooting game with water guns and makeshift go-carts out of bike parts. Damian’s eyes lit up with excitement, and Marinette knew right then and there that she finally fulled her goal.
After being soaked from head to toe and laughing amongst friends, Marinette and the others swore Damian into their friend group, thus changing their lives forever.
Soon newer and crazier games began to take over the classroom of Mlle. Gilbertine.
The moment Nino would bring out his portable CD player and the music began to boom out of the speakers, everyone knew what was about to happen.  
One day, while the group was in the school’s pool area pretending to be sea monsters attacking each other with kickboards and pool noodles, they were officially dubbed the “Premier Chaotique” cult. As they were youthful and the material they came up with was more chaotic than anything the future Hawkmoth could ever create.
Everyone knew that Marinette and Damian were the leaders. Together they oozed power, as Marinette was their strategist while Damian was the chief.
Chloe was their lawyer and location scout. The blonde knew what areas had cameras and heavy guarding. Kim was their chaotic developer. He knew what methods were more chaotic than the rest. Kim never failed to disappoint. Nino was their sound design and videographer in some cases. His love for filmmaking and DJing started here and continues to grow. Nathaniel was the tagger as he made sure every graffiti they did was perfect.
Nothing could ruin these kids.  
Mlle. Gilbertine, bless her soul, was determined to get the Premier Chaotique cult under control, but they were slick and made plans at random. She remembers the day when empty ice cream cups filled her classroom. Every desk was covered, and nothing could explain the appearance of snow sleds in the class.
It was no rumor that the mini cult managed to create their own little snow resort using ice cream and shave ice. It was a pain to clean up.
Marinette remembers the days when the mini cult would paint the city red with flowers and chaotic goodness. Or turning the entire city into a roller skate derby.
It’s a miracle that the cops never brought their parents into the investigation. Then again, with a child as pure as Marinette in the lead, people would fall over when they saw her smile.
Their significant achievement was when the school’s kitchen managed to catch on fire during a lunch period. During the evacuation, the group somehow managed to slip through the adults and back into the cafeteria.
Kim had brought marshmallows that day.
When the firefighters entered to put out the flames, the six children greeted them with wooden sticks eating s’mores and telling scary stories.
That fire had been their last valuable success because they experienced the worst nightmare a couple of days later, Damian had to go back to his home country.
It was heartbreaking for everyone within the cult but groundbreaking for the city.
Marinette fell into depression along with the others. After a month without Damian, they vowed to never speak of the best year of their life unless they were ever to meet Damian again.
It was no secret that Marinette had a crush on the foreign boy, so the cult disassembles along with any memories of Damian and the cult.
Years passed since that day.
Chloe took it upon herself to bully Marinette when they had entered college, as those who knew them in their younger days forgot that they were ever friends. Marinette took up fashion designing and making her seem like the perfect student. Nathaniel started working on comics based on their adventures. Nino stayed friends with all but Chloe and continued with his calling in music production. Kim began busying himself with sports, specifically swimming.
Soon the name that used to strike fear in the hearts of the Paris citizens began to fade away into a false memory.
Little did anyone know, the spirit of the Premier Chaotique cult lives on and would ignite in a blaze of fire.
At sixteen, Marinette works her butt off to make their end-of-the-school-year trip a reality.
The trip was not for the approval of her classmate, which has gone stale but for her sanity. Three years of being Ladybug have put a toll on her, and she plans to take advantage of the lack of akuma attacks going on.
When the acceptance letter landed in her hands, her parents swear they saw a boulder lifted off their daughter’s shoulders. She was smiling more and appeared less stressed than she had ever been since finding out the school board decided to move teachers with their students as a handful of teachers left Paris, some even left France altogether.
Her allies (remaining friends) were the first to know about the trip to Gotham, New Jersey, and they cheered happily for her. Lately, someone else has taken the credits for her work.
The day before the trip, Marinette rundown the patrol routes, and emergency protocols with Luka and Kagami, ensuring the safety of Paris if and when Hawkmoth decided to go active while the rest of the team was away.
She then goes on to convincing Kaalki to come with her to Gotham only to be used as an emergency. Marinette was ready to leave Paris and head to Gotham.
Upon entering the streets of Gotham, a cold chill runs down everyone’s spines aside from the former mini cult members. Too Mme. Bustier, the chill was all too familiar, bringing up memories of the kids that terrorized the streets before Hawkmoth. She looks around to see nothing out of place before promptly calling out her students so they would make it to the hotel.
Everyone who felt that chill had every right to be wary.
On the first day, everything seemed fine, but when you leave nearly all the members of Premier Chaotique alone for a moment, well, chaos was sure to happen.
Chloe and Marinette had put aside their differences during the Lila era of the classroom reign. Even after it was over, they managed to remain friends, rekindling the essence of primary friendship. The boys joined in on them not long afterward.
Plans were made but not yet enforced. It did not feel right, and they knew why– it was because they lacked their chief, the one and only Damian.
~☾★☽~
All Marinette wanted was a cup of coffee, but instead, she got something--someone much more pleasing.
Frozen in place, she calls out a single name, “Dames?” The dark-haired male turned around; she couldn’t breathe. Her eyes soften at the sight of her first crush. He hadn’t changed by much, though he was now taller than her.
“Mars?” That nickname sent the French-Asian teen running into the arms of the Ice Prince himself. Instead of pushing her away, he wraps his arms around her.  
Time froze in that café for several reasons, but the main one was definitely because they just witnessed Damian Wayne hugging someone willing.
Their embrace ends with them staring into each other’s eyes. It felt surreal. They couldn’t find the words to say, but they didn’t have to.
Life continues in the cafe as Damian leads Marinette away from the flashes of lights. It wasn’t long before Damian’s phone began to blow up with notifications. He turns his phone off and stuffs it back into his pocket.
With a mischievous glint in her eyes, Marinette pulls Damian in closer. Lifting herself onto her tip-toes, she whispers, “The others are here too.” into his ear. She steps away to see what she has unleashed, hoping that nearly a decade away from each other hasn’t altered their relationship.
This time it was Damian who smirks, bringing Marinette closer to him. “Mm, shall be bring Gotham to its knees?”
They share a smirk that ends with an explosion, thus, reigniting the Premier Chaotique cult with a burning passion for mayhem.
They decided to meet that night after hours.
Music blared in the streets of Gotham, seemingly close to the classroom’s hotel near Wayne Enterprise.
The members of Premier Chaotique strut down the middle of the streets in inflatable dinosaur suits dancing to the remixes that played from the boombox on one of the dino’s skateboards (Nino’s).  
Jamming to Bats @crazyforbats Did anyone else wake up to music and dancing dinos last night?
Bearbe @Bearbe Replying to @crazyforbats THAT WAS REAL!!??? I THOUGHT I WAS HULLACINATING
Krazie Kay @gokaykaer [A one-minute video with various strobe lighting colors flashing around and six dinosaurs doing the Cha-Cha-Slide] I swear I just saw @thebloodwayne for a split second.
Vera Pitts @vera_pitts [A short video of inflatable dinosaurs chaotically dancing to the Harlem Shake.] I thought this trend of over and done *crying emoji*
By the morning, Twitter was blowing up with various videos and gifs of the events that happened the night before. The only people who weren’t affected by the popularity were the people who were a part of it.
At Wayne Manor, Bruce could already feel a migraine coming as his two oldest play the videos repeatedly in the main room.
Damian scoffs at his family members, while Dick complains about why they haven’t thought of that for a family outing. It’s all about class, Dick; it’s all about class.  
Alfred, being all-knowing, takes notice of Damian's hidden smirks and recent purchase from his account at a party store. Nothing to worry about in this household. However, Damian asking him about where to find used pocket bikes (mini motorcycles) and wire rope reels was troubling.
The next night began the fears of every Parisian that experienced the reign. Blessed that it wasn't not happening in their city for once.
Per their plan assignments, Chloe and Kim found the buildings necessary for the zip line. Nino was in charge of setting up the equipment with the help of Nathaniel. Damian’s task was to get the bikes and zip line wire. Marinette’s job was to keep the class and others from finding out their plan.  
Once everything was ready, the Premier Chaotique entered their playground wearing hooded leotards (or bodysuits) with matching latex masks stretched over their eyes.
Kim went first down the zip line as Damian race down the streets on the bike. Initially, they were going to use the bikes, but the zip line couldn’t hold the weight of the bike and the person on it, so they turned it into a race instead. Of course, they put challenges throughout the route to make it more even.  
Their mayhem took a turn for the best when someone had called the cops, causing the for once silent night into a regular night of crime. Instead of stopping, like normal people, the mini cult went on a high-speed race against the GCPD.
Gotham’s Twitter users were having a blast with the events. It was the best and bravest thing to surface since Batman, though some were very vocal with their opposing thoughts.
The GCPD never caught the Premier Chaotique members, and they went on as if nothing happened.  
It was during the tour of Wayne Enterprise that the Premier Chaotique members learned Damian’s last name. He was an effing Wayne.
Marinette had asked Damian what his last name was when they were eight, and he replied nonchalantly with something along the lines of not being a Wayne until he was ten. Afterward, they continue hanging out and plotting throughout the tour.
After seeing their younger brother interact with teens his age, Dick specifically begs Bruce to invite the group while the rest stands there in shock. The sight of seeing Damian doing what they thought was impossible needed to go into the history books.
While it was a momentous occasion for Damian’s brothers, it was a reality check for Mme. Bustier. Her screams echo against the halls of WE as buried memories of the chaos awakens.
She stared pointedly at Marinette in denial. There was no way her star student was in the cult that did so much damage all those years ago. When Chloe, Nino, Kim, and quiet Nathaniel joined her, Caline started to feel faint. She immediately excused herself to call her therapist. Her wails for help could reach the lobby.
Bruce unknowingly invited even more chaos into his household that night.
It didn’t take Chloe and Marinette much to convince their teachers to let the five of them stay with Mr. Wayne for the night in hopes of “catching up” with Damian.
After getting the approval from Mr. Wayne and their parents, she agreed, secretly ecstatic that they wouldn’t be in her care for the next several hours.
~☾★☽~
“I’m bored. Let’s play a prank?” Kim randomly shouts, playing catch with himself, when they were all staring out the TV waiting for something good to come on.
“What do you have in mind?” Marinette asks, making her way over to Damian. He pushes her away, knowing that she’ll use him as a throne.
“Hey Dames, do you own go-carts are something of a familiar nature?”
Damian thinks about it for a minute, “Tt, father wouldn’t dare let those things in the house. We can prank my brothers. Scaring them would bring me joy.”
“Well I have a few ideas, we can use.” Chloe states, pulling out the book of mischief from her purse.
They all huddle over the book with smirks on their faces.
-----
A retouch version of Request #9.
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Interviews - Henry Cavill x wife/actress reader
Summary: You and Henry have been married for a couple years now, and when you’re both part of the Witcher cast, fun interviews are to be had.
Warning: nothing but a good time, btw I’ve never written anything like this so I hope it’s good enough that I might feel motivated to write more
-Readers Witcher character is loosely based off my Geralt fic from here (just a little self promotion), but in this case you play a full vampire in this Witcher universe
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The days have been long and grueling, filming hours upon hours of stunts and regular acting had taken its toll. Not to mention the countless times in hair and make up paired with costume changes and traveling to film on certain locations.
To say being apart of Netflix’s The Witcher was full of tiring days and some accidental bruises would be a huge understatement. But none of that mattered, nor did you bother to complain when through the thick and thin of it all did you have Henry with you along the way. And your favorite big slobbery bear, Kal whenever he was allowed on set.
Fortunately for you in the beginning of all the craziness, the casting and writers had wanted you specifically for the part of Y/C/N in the new series before Henry even auditioned for the role of Geralt, that was soon given to him after you accepted your fresh role of vampiric heroine.
It was ironically strange in a good way, you had watched your dork of a husband play the Witcher: Wild Hunt a few times before, eventually learning of what Geralt of Rivia was, who Y/C/N was in the story, who Yennefer and Ciri were, Tris and even Jaskier.
Who would have thought that you’d finally get to snag a role side by side with Henry in quite literally one of the most fantastic shows you’ve ever heard of. You didn’t even need to see the show yet to know how well it was most likely to be reviewed. Being a key character in the grand storyline was enough to convince you of how amazing it would most certainly turn out in the finished product.
And after all was said and done, you couldn’t believe how well loved and popular the show truly became in the following months after shooting and its eventual release onto Netflix. The after parties and cast celebrations truly made you blessedly grateful for pulling through to the vary end.
Then again you had your mans Henry by your side every step of the way. He was your rock and you were most definitely his. You know life on set would have been far less entertaining and dreadfully long if not for the lovely company of your dear Witcher, Henry. And so far after the fact, you and a good portion of the cast have been placed in random interviews for the majority of the day.
Reason being, The Witcher has at long last finally premiered and as per usual the people and media live for those cast interviews that always reveal some interesting events. So far this morning you’ve done some interviews with Anya that have gone perfectly fine since the two of you seem to click so well.
Also it helps ease the anxiety of your fellow newer cast mates to the world of continuous interviews with an experienced veteran actor like yourself, who’s gone round the ring more times then you can count. Though you can’t help but wonder how Henry’s doing, considering you’ve been separated since the sessions began at 10am, you’ve had lunch and now it’s about 1 in the afternoon with more hours to go.
Luckily for you, you’ve just been informed of another interview with the man of the hour himself. Saying your goodbyes and well wishes to your fellow cast mates, you stand and follow the guide into the advised place. Aka some really nice hotel room that’s been done up real nice for efficient interviewing, complete with the Witcher insignia on a large background poster and three chairs that happen to look rather comfy.
The camera and sound people nod in acknowledgment as you walk in, you nod back no doubt making their day with your friendliness and adorable smile that quite literally lights up a room. Soon you spot the bubbly yet nervous interviewee who instantly welcomes you into her space like you’re an old friend.
You sit, a bit confused as to where your partner happens to be at the moment, the interviewer, Lauren makes small talk before a door opens and her big bright doe eyes go wide in nervous excitement. A telling smile upon her face as she shifts in her chair before looking back to you again with a happy grin.
Henry says a quick hello to the behind the scenes crew before waving to Lauren, you smirk while watching him get comfortable next to you, “Well, well, well. Get lost on your way up, you know they have guides for a reason.” You tease as he chuckles at your humorous jab, relieved to see you again after a couple hours apart.
“Traffic.” He quips with a shrug.
“Uh huh.” You mutter with a shake of your head before drawing your attention back to Laura, “Can’t take him anywhere I swear, he does this all the time.”
She laughs as Henry pretends to gasp at your teasing, you chuckle along with them before she finally collects herself, “Well, welcome back to London. It’s fantastic to have you both in town once again, and your big beautiful faces all over Leicester Square.”
You both laugh, “Right.” Says Henry, “I guess we do look pretty cool.”
“Hell yeah, I mean where else can I see myself with a giant sword on a building? And anyways look at this beautiful mug,” You say gently squeezing Henry’s cheeks in your hand, “he’s literally killing it out there.” They laugh as you give Hen another playful squeeze before letting go and setting your arm against the chairs cushioned armrest. 
“Alight let’s start.” She says enthusiastically before glancing down at her cards then back up to you and Henry. Then into one of the two the cameras, “Hi I’m Lauren from Entertainment Weekly and today we’re here with the two stars of Netflix’s The Witcher.” She says enthusiastically while giving a nod to you two, indicating that the camera is now focused on you both, “Henry Cavill and Y/N Cavill.”
You both smile in acknowledgment as Henry gives a slight nod, “How you doing?”
“I’m great,” She beams, “So, I’ll get right into it, what do you like most about the story? What really drew you into the script that made you say, yes this is going to be awesome?”
Slapping a hand against Henry’s muscular leg, you hum, “I’ll let Hen take this one he’s a real expert on the linguistics of the whole show.”
“Thanks Y/N/N.” Replies Henry, bemused that you’re making him take the first question.
You nod to him knowingly with a smirk, “Of course.” Knowing how much he loves to talk about the show and also because you’d rather have him use his energy to talk about it then do that yourself. Priorities, right, though in your defense it’s been a long day.
“Well I absolutely love the games and the books themselves are phenomenal works of literature.” He explains, his face glowing with that usual glimmer of excitement in his eyes, “The story and the world of the Witcher is just so rich and full of potential that when I signed on for the show, I immediately knew it would be amazing, no doubt.”
You lean into the arm of you chair, “And of course I was there so that’s always a bonus.”
“That too.” He smiles adorably, “That too of course.”
Lauren smiles, “Great. So, what was it like working together, how was it having your characters interact with one another?”
You smile, setting a hand against Henry’s forearm, “This guy right here.” You deadpan before waving him off dramatically, “So annoying, my god he whined all the time and he was such a drama queen dear lord so ugh....” You start cackling before you can even finish the sentence causing Henry to loose it as well and with that the interviewer.
Shaking your head you rest your hand against his shoulder, “I joke, he was a gem to work with as usual...I mean I feel incredibly blessed to be able to act alongside my husband for months and months every single day. It’s a rarity in this line of work and I’m grateful to have shared this experience...and I guess more so this whole adventure with him as well.”
The interviewer aww’s as Henry tilts his head to lean into your hand that’s still resting atop his shoulder before pulling away just as quickly, the intimate sentiment not going unnoticed by you or Lauren who looks to be enjoying your loving yet calm energy with one another. “That’s so sweet, what about you Henry?”
“Oh yes absolutely,” Agrees Henry to your recent statement, “not only did I have her by my side through it all but the dynamic of our characters interacting together was so fun to shoot. I think the audience will really be able to see their relationship grow on screen into something strong and beautiful like in the books.”
Slow clapping you give him a curt nod of approval, “Well said.”
Lauren smirks, “Seems like it. Well, I was able to catch the premier yesterday and I gotta say...it was fantastic! I couldn’t believe how diffident the two of you looked from how you are now.” She gushes enthusiastically.
The corners of Henry’s lips curl into a proud smile for the fellow crew of the Witcher’s, “Oh that’s great then, honestly we gotta give all the props to the costume and makeup team, they’re so talented and know how to make us look like real badasses.” He adds.
You nod in agreement before grinning at a positive memory of your first interaction with Henry as Geralt, “Oh for sure, I remember during the early stages of production when our characters met each other for the first time, before this we came to set together but went separate ways to shoot our own stuff in the meantime so I never got a real look at him.” You recall with a bright smile as Henry watches your every move, beaming just the same.
“It was so funny, I was in the tent with Freya Allen, the wonderful girl who plays Ciri, and then suddenly her eyes got all big and nervous and I was like, that’s not me right? Something weird didn’t just happen with my costume? And then I turned around to find this man, wig on, face a mess, and his eyes looked so fearsome and different...it was a bit startling.” You say with a chuckle, “I clearly wasn’t expecting to see Geralt right then and there. He just looked so unlike Henry.”
“Yeah, I was almost hurt.” Laughs Henry, “She had to like squint and make sure it was me.”
Rolling your eyes, you shrug, “He had some real creepy looking colored contacts, yunno?”
Henry fake scoffs, “You’re one to talk, I mean when I first say her, Y/N’s eyes were red and she had fake blood spattered all over her face and shirt. Oh, and not to mention those fangs they put on your teeth...we probably traumatized poor Freya that day.”
“Oh shit you’re right!” You exclaim with a snort of concealed laughter, “God I completely forgot about how I looked...now since I think about it, I did that a lot too. I would just walk up to people and be completely oblivious as to what kind of nightmare I looked like, honestly I might have scared one of our producers a couple of times.” You add with a half nervous laugh, it’s true, you did scare some of the crew unintentionally. Most of the time.
Lauren lightly chuckles, “That sounds like you were quite the sight to see then.” She says before glancing back down at her notes, “Alright I have’ta ask, is there anything that you two took home with you from set?”
“Besides Henry every night,” He holds back a laugh while covering his mouth as you nonchalantly continue, “Uh, yes actually I got to take home Y/C/N’s wolf ring that I loved so much and just thought was the coolist thing ever and....uh, I might have stolen some socks too.”
“So that’s why after filming the amount of socks of yours I had to fold increased?” Wonders Henry with a surprised snort of realization.
Turning your head to give him a “no shit” kinda look, you look back at Lauren, pointing your thumb at Henry, “Master sleuth right here, but hey, he folds my laundry.”
“Aw that’s great.” Adds Lauren with a smile before turning her attention to Henry, “What about you Henry? Take anything from set?”
“More then Y/N did actually...”
“He just about took the whole makeup trailer most nights, I swear.”
Henry chuckles, “That. Is true.” He agrees with a nod, “Interesting enough, at home I’ve got Geralt’s armor hung up in our living room and a multitude of other nicknacks that I’ve collected during filming.” He adds, glancing over to you, “So uh, yeah, we were fairly lucky to be able to snag what we could.”
Lauren smiles, absentmindedly shuffling her cards, “That’s awesome to have such special memorabilia, you guys really are fortunate.” She adds before reading off from another card, “Alright you two, care to play a game called guess the image? Witcher style.”
Your face perks up at this, you’re a sucker for interview games and Henry knows it, “Are you reading my mind or something, I have been waiting all day for someone to ask about playing a game.” You gush rather enthusiastically. 
He smiles at your adorableness and how excited you’ve just become, Lauren grins, happy that her suggestion has been so well received, “Okay so how it works is, I’ll show you an image on my iPad and then you have to guess who or what I’m showing you.”
“Oh, cool I’ve heard of this,” You reply, turning to Henry with a smirk, “Loser has to clean Kal’s yard poop for a week.”
Rolling his gorgeous blue eyes he chuckles, “You’re on.”
“Alright, the stakes are high, you two ready?” Beams Lauren, holding her iPad to her chest as she awaits an answer.
“Yes, I’m ready to kick his ass.” You quip, leaning an arm against your chair while Henry does about the same, though he does his best to contain his laughter.
“Okay, first image.” She holds up the device to show some sort of weird golden thing, it’s shiny and hard, worst part is that you’re not entirely sure what the hell it could be.
Sensing your confusion Henry nudges your shoulder, though you ignore it before he smartly answers, “Oh, is that...Renfri’s brooch?” Little shit knows exactly what that is, of course he does.
Lauren claps, “Correct.” Zooming out of the image to show the full picture of the golden brooch, “Right on, that’s one point for Mr. Cavill.”
You scoff playfully, “Beginners luck.” While Henry side eyes you with a humorous grin upon his plush lips, he nudges your arm, “I’m going to really enjoy not cleaning up Kal’s grass turds for awhile.” He mutters lightheartedly, though you know deep down he’s being serious, no way is he going to win this, you think. You won’t have it, hopefully the next few pictures aren’t as difficult, Kal duty is not fun by any means.
“Shut up.” You grumble with a dismissive wave of your hand, though just teasing of course.
“Okay next image.” This time the blurred photo looks much more familiar, soon it clicks as to what the obscured blurriness actually is, yes!
“Got it! Anya’s er I guess Yennefer’s dress from the fight at Sodden.” Lauren giggles, zooming the image out to reveal Yennefer in her tasseled blue and purple dress from the battle at Sodden Hill. “I’m amazing I know.” You boast at Henry with a casual little bow in your seat.
“It’s the second question.” He deadpans, eyes crinkling in amusement as you shake your head at him.
“Pffff get outta here.” You mutter back, gently pushing his arm off of your chairs armrest and setting yours in its place while he gives you a fake shocked expression.
In turn you can’t help the smile that tugs at the corner of your lips, so instead of saying some sassy remark that would no doubt get a reaction out of him, you turn your attention back over to Lauren who’s looking over her notes again.
“Fantastic,” She says, glancing back up at you and Henry, “you’re both tied with one point each. Alright, anyone know what this is?” She asks showing something red and fuzzy, a bit of dirty skin showing from one corner but with The Witcher this bloody image could literally be anything.
The both of you squint, puzzled as to what this could be, “Y/N you got any ideas.” Wonders Henry, brows furrowed as his face contorts into deep concentrated thought.
Raising a brow, you hum, “If I knew I wouldn’t tell you.”
“Fair point.” He chuckles.
Lauren smiles, “Any guesses?”
 After a few concentrated moments, Henry shrugs in defeat,  “I’m stumped.” He admits as you study the image harder, mind racing to put the pieces together as to what the hell you’re looking at.
“No, I think I might know this....erm is it...me?” You wonder, voice raising in question, hoping to be correct about this or face the teasing of Henry.
Lauren quickly zooms out of the obscured image, “It is!” She says excitedly, revealing the picture of you from your characters debut in episode 2 where you save a girl from a werewolf, your mouth is covered in blood and so is most of your costumes chest area and left arm from the struggle. Not to mention the make-up teams fun 20 minutes of throwing fake sticky blood all over you to get the right look for the taxing scene.
You grimace a bit, “Oh god that was quite the day on set,” You recall with a half smile, “I was doing stunts all day covered in that red syrupy dye, I think it took a week to get out of my skin.”
Henry suddenly snorts with laughter, “Right! That reminds me, I thought Kal had gotten cut or something, it was just Y/N who had hugged him not realizing she still had some fake blood on her arm.”
“Jeez that’s right, I felt so bad, but I couldn’t stop laughing once we realized it was just me.”
Lauren grins, excited to hear some hidden information about little things that happens behind the scenes, “Oh wow that must have been a sight, alright Henry, Y/N’s taken the lead with a two to one score.” She says as you playfully nudge his strong shoulder. “Second to last image, what is this?”
Without missing a single beat Henry replies, “Jaskier.”
Squinting at the image you lean closer to the iPad, “How the hell do you see Jaskier?”
Smiling the interviewer zooms out to reveal the bards full outfit from the banquet scene, though he’s in the background of a fight between Geralt and some Cintran knights. “Right on!” She exclaims as you lean back into your seat dumbfounded, shoulder flush against Henry’s as he clutches your arm and squeezes it affectionately.
Ignoring his silent show of victory you shrug, “And they say he’s just another pretty face,” Earning a laugh from Lauren and some of the crew as you smirk at the camera, face them shifting to apologetic, “also I’m so sorry Joey you beautiful bastard apparently I’m blind. Uh, we don’t have to dwell on it, Lauren whatcha got?”
“You guys are both tied with two points each, last chance to win.” She replies before glancing down at her iPad, “Alright, what is this?” She asks, her iPad showing that of fuzzy bright colors, with a small corner smear of dull white that clearly wouldn’t make much sense to the untrained eye.
Smirking you glance at a puzzled Henry before sitting up in your seat, feeling rather good about yourself, “Would that happen to be, Hen in Stregobor’s illusion?” You answer with, though sounding a bit as a question considering you aren’t entirely confident as to what image this is.
Lauren’s brows raise in surprise, “Henry, looks like we have a winner. Y/N you are correct.” She beams, enlarging the image to reveal Geralt’s side profile as he talks to the old wizard while the background stays colorful and shrouded in various arrays of sunlight..
Shaking your fist victoriously in the air you give a couple enthusiastic whoop whoops while Henry simply takes it like a champ, “Have fun cleaning up Karl’s monster turds, cause this lucky lady doesn’t have to.” You boast as Henry and the crew laugh.
“Well that was something,” Beams Lauren, “I’m so glad to have chatted for a bit about your guys’ amazing new series, and maybe ended a relationship in the process.” She says jokingly as both you and Henry chuckle.
Patting his thigh affectionately, you smirk, “He’s a tough old bear, but yeah, it was awesome having you talk to us.”
“Yes, take care now.” Adds Henry while the interviewer Lauren stands, saying her goodbyes as she goes to exit the room.
The camera crew take a small break to adjust things and whatnot as you and Henry wait patiently for the next interviewer. He turns, an adorable smile pulling at his lips while you pretend to ignore his fiery gaze. “Well that went pretty well, minus the fact that I’m on Kal poop duty for a week...but uh...” He leans in close to you now, “I missed you all morning.”
Breaking out into a smile you raise a brow, “Boring without me huh?”
“Always.”
You casually shrug, “I figured as much. Don’t worry, we have a hotel all to ourselves tonight.” Your brows wiggle suggestively causing your blue eyed lover to shake his head with amusement.
“Say it louder next time.” He jokes.
Side eyeing the oblivious crew you begin to speak a couple octaves louder, “Henry I can’t wait to fu..” Suddenly his hand presses against your mouth before you’re able to call any attention to yourself. He gives you a warning look before slowly pulling his hand from your mouth.
You grin mischievously, “I wasn’t gonna say that...”
“Sure Y/N,” He mutters in your ear as a new interviewer walks into the room and finds their chair, “and I’m wasn’t going to make you scream tonight.”
Your brows raise in surprise and admittedly slight arousal at his choice of wording in this room of all places. Eyeing him up, face still showing surprise, you finally break out into a satisfied smirk. “You know what? I think you should consider changing your offer.”
He thinks deeply for a moment, though you know he’s only pretending to get you riled up, “Hrmm...maybe, possibly, should I? Should we? You are my co-star after all, that wouldn’t be very professional now would it Y/N?” He states with a shit eating grin, all done while the crew and interviewer get ready, minding their business and completely unaware to yourself and Henry’s teasing.
Scoffing playfully you lightly swat his arm, “We are way past being professional.”
He chuckles, looking from you to the rest of the room, “Oh, they have no idea.”
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gale-gentlepenguin · 3 years
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Gale's Story Idea: 'Those of another world must die' or 'Isekai no mono ha shi ke re ba naranai'
(I probably butchered the Japanese. But the point is to give it a light novel title feel)
(Since a few people have been asking what my light novel idea was. I decided to explain it and go a bit more in-depth)
Premise: Rumors have been circulating about a Killer known only as 'Hero Eater' is targeting heroes in the Human Kingdom of Itsumo. But not everything is as it seems, Itsumo has many dark secrets and the kingdom may need a change...
The world of Itsumo.
Now the setting would be similar to most fantasy Isekai worlds. Money consists of Gold, silver, Bronze coins. Platinum coins are for the super rich.
Magic exists, Magical items exist. Levels exist.
There are dragons, goblins, the typical fantasy fair/ D&D/MMORPG feel but with a lot more twists
Summoned Heroes
When it comes to Summoned heroes things get different.
1. 'Heroes from another world' are treated above the standard people. As being summoned from another world gives them stupidly over powered abilities compared to the average citizen of Itsumo. The Elites show them favoritism.
2. Aside from obviously enhanced strength, speed, durability, and magic. They level up faster, have overall higher stats, and Summoned heroes also get some sort of Overpowered ability.
3. These over powered abilities or OPAs are ranked from S to E. Depending on that OPA, determines your lot as a 'Summoned Hero'
4. E's are the lowest. The skill is just slightly useful. Summoned heroes are still MUCH stronger than the average soldier. So these heroes are often brainwashed Coerced and put as soldiers on the front lines, or bodyguards of the elite. (Basically they are just glorified meat shields.)
4.5 There is nothing ranked lower than E. Those summoned ALWAYS have a OPA.
5. C and D Ranks are considered worlds more useful. These heroes depending on their abilities are thrown into a field where their skills can be utilized. These heroes are usually thrown a boon by the king and get funding. These heroes are the ones responsible for the innovations in technology (such as guns, refrigeration, etc). (Though in truth they have done a lot of f***ed experimentation)
6. A and B Rank are considered 'Heroes of the Kingdom'. Those heroes are the ones that you see going around and fighting demon hordes with ease. The ones you see with the harems (usually of whatever their fetish is). They basically have license to do WHATEVER they want, so long as the King doesn't intervene.
7. S Ranks. These summons are incredibly rare, but their skills are 100% broken. To put it in perspective. 1 S Rank hero could easily beat 10 A ranks without breaking a sweat. This is where the OPA's become near god like. Fortunately for some reason, only 7 S ranks can exist in the world at a time. Only when 1 dies can a new S rank otherworlder can appear. Currently the King has some of them watching over different parts of his kingdom. But all of them are considered Legendary.
8. (Little known fact that summoned heroes are often loners, losers, incels, neets, and other lesser freaks of society. Who else would willingly go to another world if their life is actually good?)
9. Some heroes do start out doing good... but power corrupts
_____________________________________________________________
Religion:
The Religion of Itsumo in stated by King Tyran. Insists that there is a kind and loving goddess (Named Oveun Ativ) that blesses Itsumo with the heroes that appear. Basically making those from another world as 'Her blessed children'.
So often regular citizens range from worshiping them or at the very least respecting them. (Though this is simply a front, the average citizen HATES these arrogant s***s. Considering the awful stuff they put them through.)
The Church also has a monopoly on Hero summoning. The ritual that they use is as follows.
1. A young girl will be chosen once a year from every village. (basically not where the nobles live.) It was considered a great honor. (and if the town didnt comply the church would inform the king and that town would be burnt down and all of the young maidens there would be brain washed and taken anyway) A maiden will be trained in magic for several years until her 18th birthday. During this time she must not have relations with men, must not touch the blood of an animal, must read the sacred scriptures and serve the church without question. (Indoctrination)
2. According to the church, the Summoning ritual will then have the young Maiden perform the summoning magic in which if performed successfully, will summon the hero and she will take the form of a portal of light which summons him. After which she will ascend and become an angel that serves the goddess. (This is not true. Its a virgin sacrifice. Those girls are killed in a ritual. Its f***ed up what the s***)
3. If a maiden summons a B or A rank hero she is regarded as an example for others to follow. For she clearly followed the doctrine of the church. She was likely Heavily rewarded by the goddess.
4. If a Maiden summoned C or D rank, they are not discussed often except by friends and family.
5. Maidens that summon E ranked Heroes are considered disgraces. Maidens that clearly did not follow the teachings of the doctrine. Their names are stricken from the records.
6. Maidens that summoned an S Rank hero. Are written into the logs as Blessed by the goddess. They are treated like Saints and some worshiped like deities. Some doctrine claim that they serve at the hands of the goddess after achieving this.
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Economics
Summoned Heroes basically caused Economic collapse for adventurers.
Summoned heroes often hunt monsters and get rare drops, and often those with rare skills can get much more value than typical adventure guilds.
Merchants initially loved Heroes getting them rare drops but when many other worlders started selling so many Rare drops like they were common... it made rare items worth much less and drove value of such items and materials down dramatically. Newer merchants will rarely buy goods from adventurers because of this.
Blacksmiths and artificers initially also had it great. They now get access to powerful materials for cheap. Since their work is labor intensive the value of the item is much less impacted on the product. Though Other worlders with Craft skills have popped up and open businesses that have been driving other types of stores out of business since they can easily craft higher grade weapons for cheaper and faster thanks to OPAs.
The only real way to make money was in the service industry. With rare items and monsters easily hunted and sold for cheap, Restaurants, inns and Taverns have less of a thin margin. And with Otherworlders constantly moving about, the inns had constant customers. Many of these customers would throw money around and expect to be waited on hand and foot. Inns that had pretty women were often the most popular.
Brothels were very popular among Summoned heroes. Though the places that experienced the most traffic were the ones that had more ... unique characteristics. (Animal ears, pointed ears, Wings, horns.) Beast-kin were often very requested.
Societal Impacts
Women would often try to sleep with Summoned heroes. Children made with those of another world often had a chance of producing offspring with an OPA. Which meant that the kid could have a much better life.
The 'Trope' of offering the daughter for saving them was more of a way to ensure their Family had a better life. But in reality this just meant Summoned heroes often obtained harems. This resulted in declining birthrates as many summoned heroes didnt actually often marry humans. Most would simply keep the harem. Or if they did marry they would often sleep around.
Heroes that dismissed companions often left them as single mothers. Some would be lucky to remarry, but many were left single due to social stigma. The claim is that men felt insecure marrying women that have been with heroes, because how could they compare. (In reality it was more like they felt the woman had little self respect to be willing to partake in a relationship with a hero with a harem.) And the off chance the hero did comeback to the woman to find her married, the new husband was likely slaughtered. (This selfish mentality of treating women as things to be owned was disturbingly common in the summoned heroes mind)
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The Main Characters.
Oralee: A maiden that was raised in the church as long as she could remember. Her family had a lot of faith in the church and were honored that she was picked. She followed the doctrine to very high levels. Never ate meat, Never even made contact with another of the opposite sex. She dreamed of summoning an S Rank hero and bringing great honor to the goddess (As a recent S Rank passed away and hasnt been replaced yet). Though the night she along with her fellow maidens were supposed to summon heroes. The 'Hero Eater' arrived and started killing everyone.
Hunter "Hero eater": A high level individual. A skilled fighter with a plethora of weapons in his arsenal. Skilled in strange magic that seems unorthidox yet effective. He wears a skull mask with a black cloak. He wields two daggers. One Named Malice, and the other named Mercy. His goal is to kill every other worlder he comes across. What is his motive? Does he want revenge? Power? Fame? Why did he spare Oralee. What does he look like under that mask?
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alolanrain · 3 years
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how old is ash on yours au’s?
It really really depends and I’m finding out that I’m absolutely horrible at actually giving out somewhat concrete ages, barring a few Au’s.
Unspokenly Ash is usually around late 20 to very early 22, unless I did write down and post an age for him in what ever Au has it, but thats also more drabble and fillet based. That is… basically my standard and I really need to vocalize that more from the content that I do write him as younger.
Basically how it goes is that with each region he ages up a year. Spending his birthday at home with his mom and the Oak’s that are present at the time before going off on another adventure. This gets kind of tricky around Sinnoh because Ash stay’s there to take on The Brain. I have that written down that it takes 3 month’s to even half a year. Which then put’s off the ‘sharing the birthday with mom and oak’ thing. This lands his birthday in the middle of his current journey at the time or a bit later like right before the league or a month before, if that makes sense. So in the end he comes home obviously older. Though I have been messing around and making the time in Orange Isles shorter to around 9 months instead of a full year.
Like here’s a time table and I’ll keep both set’s of ages if I do mess around with Orange Isles time line and add it as concrete. It gets really complicated so if you want a little more explanation please don’t be afraid to ask. I am also keeping the Brain Arc to half a year.
Starting age to finishing age *0/12 means how many months he is instead of a full year.
Kanto: 10 to 11
Orange Isles: 11 to 12 or 11 to 11 + 9/12
Johto: 12 to 13 or 11 + 9/12 to 12 + 9/12
Hoenn: 13 to 14 or 12 + 9/12 to 13 + 9/12
Sinnoh: 14 to 15 or 13 + 9/12 to 14 + 9/12
+ battling the Brain: 15 to 15 + 6/12 or 14 + 9/12 to 15 + 3/12
Unova: 15 + 6/12 to 16 + 6/12 or 15 + 3/12 to 16 + 3/12
Kalos: 16 + 6/12 to 17 + 6/12 or 16 + 3/12 to 17 + 3/12
Alola: 17 + 6/12 to 18 + 6/12 or 17 + 3/12 to 18 + 3/12
Galar: 18 + 6/12 to 19 + 6/12 or 18 + 3/12 to 19 + 3/12
I just want to say that typing all this out looks like one hell of a long ass math equation, kinda hate it and might change it later. But this is my completely basic format of what I use. Of course there’s a lot of wiggle room as I write Ash starting around 20 to 21 in Alola and Galar. He’s obviously going to probably spend more the one complete year in a region and less then another. The end of the league doesn’t dictate when he stays and leaves. Theres also the months that build up between each “arc”, another word I use to refer to his journeys, and to account the HC that some leagues start off at wildly different times then others.
It’s literally just a pick-and-pull basket and just a large general target where Ash would be ages wise. As you see in the end the two different age lists end up being only 3 months part from each other. It really doesn’t matter and I’m mostly just playing around with it. Another note thats… vital isn’t the correct word but I’m use it is that I don’t take Cerise Laboratory and the research assistant job into account. This is based off if Ash travels Galar to his normal standard with every other arc but Alola but I did keep the characters.
You didn’t ask for this but I want to add in other traveling buddies and side rivals ages and how they are compared to Ash as well. Usually Ash is the youngest if not one of them up until Hoenn. With the exception of being exactly 24 hours older then Ritchie. And all of this have way to much detail but its making my ADHD brain go brrrr happily.
He’s older than May, surprisingly, by like a month and a half but he doesn’t realize that and mentally clocks that he’s younger than her because of how responsible and adult like she acts a good chunk of the time. Max is obviously the youngest while Brock is the oldest. The same thing kinda happens in Sinnoh. He’s older then Dawn by a good year and a half to maybe even two years. Though Ash is younger then Paul and Barry by a varying few months between each boy.
Unova is where it changes a lot. Going from one of the youngest to one of the oldest out of his group of friends. Iris is drastically 3 years younger then Ash, making her around 12 at the start of the arc and somewhere around 13 at the end, and around 3 and a half with Cilan. This causes her to constantly pick against Ash because to her he’s older. Ash should be acting more like a seasonal trainer with known responsibilities and shouldn’t be so excited about everything. That’s also an expectation that was subconsciously taught to her by Drayden when she was still in School in the Dragon Village. Virgil is actually the oldest being freshly turned 18 years old while Cameron is the youngest at 11 and 5 months. Stephan is like the closest to Ash’s actually age but also acts a lot more older and more adult like then he really is just by his laid back attitude. Bianca actually just turned 18 before starting her journey.
Age Note: the reason why Cilan is weird and awkward around Burgundy is not because of her short temper and brash attitude but because Burgundy just turned 13 years old. She is a legitimate child just like Iris, compared to Cilan’s 16 years and 6 months when the meet on the road for the first time and not at a connoisseur event. Her deep infatuation and how young she is really puts Cilan in a active land mine field. Unlike Iris who listens to him and actually talks, he has no clue how to interact with her. Burgundy isn’t a normal gym challenger coming to his and his brother gym for a badge or even a normal crazed simple fan. As a gentleman at heart as well he raised to talk between certain age limits close to his own and this ends up making Cilan see Burgundy actually younger then she really is. Kind of like how Iris clocked Ash as a ‘kid’ when he’s obviously older then her and more experienced.
Kalos then thrusts Ash or being the oldest out of the main group but not as a whole. Bonnies around 8 while Clemont is 2 months and a half younger then Ash. This is where I struggle a lot in placing peoples based age in Kalos is actually because of Serena. I don’t want to make her too young to which the point it’s weird and also I based the other contest girls age’s around hers. But I also don’t want to make her too old to the point that Miette, the oldest out of the contest girls no matter what, is older then Ash. The general consensus is that Miette is right in with Clemont and Ash age wise while Nini is the youngest out of the trio. So that places Serena around 13 to 14 while Nini is like 12 and 7 months. Sawyer is obviously just turned 10 while Trevor, Tierno, and Shauna are between 12 and a half to 13 and a half years old. Giving that easy bonding connection with Serena and Shauna while giving Miette a older more experienced vibe and the childlike wonder to Nini. You’d think with Alain and all Ash would be the second oldest but your wrong. Ash is exactly 1 whole week older then Alain but, much like May, he doesn’t know that and mentally clocks Alain older then he really is.
In comes Alola and this is again where I usually bump Ash up to 20 to 21 but for the sake of everything I’m going off the basic target. Ash is obviously the oldest of the class by a good year on them alone though the classes collective smarts pushed them up different grades in school so thats how their together. Kiawe was the oldest at 16 and 9 months while Sophocles is still the youngest at 12 and 3 months, again bringing in the fact that the class is super smart and its based off intelligence instead of age like with every other class. Mallow is the third oldest at 16 and 2 months with Lana following on by at 16 and 1 month. Lillie is specifically around 15 years to 13 years and 4 months based off if I want her to suffer more as a older teen or as a child, literally her age is based off if I want to traumatize her more or not. Hapu is around 12 to 13 years old despite her obvious size and squeaky-ish voice. Acerola despite being very very mature for her age is only 17 years and 4 months old. Horacio is about Ash’s age at an even 17 years old when he and his lackies first meet Ash, Sophocles, and Kiawe.
Age Note: Horacio absolutely used his age as a card against Sophocles as many times as he could to the point it was so overused. This made Ash especially angry because he hated it when people used their age against much younger kids. Just because you’re older doesn’t mean you’re right.
Then we reach Galar as our final stop. Ash is once more the oldest out of him, Chloe, and Goh but not everyone else. That would be Hodge at a straight 19 years old when he first meets Ash and Goh at the Battle Frontier Flute Cup. Chloe comes at 14 and a half years old with Goh just freshly turning 14. This makes Ash’s relationship more of a mentor type distant older brother thing. Those two actually don’t find out about Ash’s age up until he and Goh get their letter so of recommendation and have to fill out the normal personal stuff. If you think Hop is close by in age with Ash then you’re wrong again. He’s actually two days younger then Chloe making Hop around 14 and a half years old as well. Marine is 13 years and 9 months old. Bede is much more closer to Ash then the others at 16 years 8 months. For Leon, Raihan, and Sonia their still very much the same in a way. Leon is still the youngest at 20 years while Raihan is the oldest at 23, leaving Sonia in the middle at 21 and a half years old.
Age note… once more: this fits perfectly for the Kanto and Galar Trios as they basically get opposite of themselves in a way. Goh who’s very oriented, loud, and on the go gets paired with marine who’s very quite and shy for the most part and their going to subconsciously teach each other that its okay to come out of your shell or its okay to take a moment and relax. Hop is very much like Ash and Goh combined with the strategies and the none stop puppy own straight crack like energy and he declares himself as Chloe’s, who’s silent and very critical and almost broody like it’s not quite there but it’s close enough, rival and is trying to teach her that battling is fun and okay and a lot of Pokemon like battling for those reason. Ash and Bede are the obvious choice for each other because once again Ash is very bright, happy-go-lucky, just sweet in general to everyone while Bede is completely broody, extremely sour, and just utterly rolling in his own image and being way to cocky.
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How Republicans froze Texas solid
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The collapse of Texas's power grid during a lethal cold snap has put Texas politics under a spotlight. There's no better place to start than the Deconstructed podcast, where Ryan Grim delivers a historically informed, timely series of interviews.
https://theintercept.com/2021/02/19/deconstructed-texas-republicans-experiment/
Grim reminds us that the roots of Texas's woes are in the 2002 midterms, when the GOP took the Texas House for the first time in a generation, then engaged in brutal gerrymandering to keep it, and embarked on a string of ideology-driven deregulation adventures.
The GOP ideology holds that businesses are "efficient" because every penny they squeeze out of their costs is converted to profit. There's a kernel of truth to this - indeed, the most prominent early theorist of this was Karl Marx!
In an unregulated market, capitalists increase profits by reducing labor and input costs, and/or by raising prices. Competition is supposed to prevent prices from going up, so when market proponents talk about "efficiency" they really mean reducing labor and input costs.
Markets do squeeze input costs. The "dematerialization" of goods and buildings has been a steady march for more than a century - from the steel in your car to the concrete in your home to the energy consumed by your TV, the world uses less stuff and energy to make more.
But material and energy efficiencies require innovation. Reducing labor costs, on the other hand, merely requires *power*. Capitalists whose workers are denied collective bargaining and a social safety net can squeeze wages far more easily than energy or materials.
And of course, not all material and energy savings are created equal. It's one thing for Ikea to figure out how to shave material inputs from composite shelves by inventing better glue - it's another for a company to reduce material costs by dumping toxic waste.
Again, the difference is between innovation and power. Making stronger, cheaper, more efficient materials requires investment in R&D. Saving by externalizing your costs - by imposing harms on others - merely requires the power to get away with it.
The GOP experiment involves granting unlimited power to corporations, through "deregulation" - stripping worker protections, environmental protections, and operating standards. And, as our right wing friends like to remind us, "incentives matter."
Relieved of the need to negotiate with workers, compensate the public for harms, or provide high-quality services, "the market" responds by slashing wages, harming the public, and tightening the slack in the system that allows it to cope gracefully with abnormal conditions.
Hence "we are experiencing unexpected call volumes, please hold." That's "efficiency" - squeezing down staff levels to levels that barely cope with median load, so any bobble results in long lines. Hence aviation breakdowns when a single hub airport (like DFW) is snowed in.
Hence a power-grid that is fully isolated from neighboring states. Hence generation facilities that were not weatherized despite multiple historical events that proved they'd be needed, someday, one as recent as 2011.
There are windmills in northern Canada. In Norway. At the *Antarctic research stations*. If Texas's windmills shut down during the storm, it's not because we don't know how to make cold-weather windmills - it's because allowing windmills to fail in cold weather was profitable.
Lysenkoism was the Soviet Union's disastrous foray into politicized science. For ideological reasons, Stalin bought into the beliefs of Lysenko, who said that the traits a parent acquired in their life could be genetically passed onto their children.
Stalin insisted on applying Lysenkoism to wheat cultivation, to prove that his ideology would work. The result was the famine of 1932-3, which killed tens of millions of people. So many people that there weren't enough survivors to count the dead.
The Republican insistence that selfishness is optimal, that companies should only care about maximizing shareholder returns, that deregulation produces efficiencies, that states cannot perform - this is American Lysenkoism.
American Lysenkoism is why Red States like Texas refused to lock down and have told each county to design its own vaccination and public health program. It's also why those states refuse climate science.
https://pluralistic.net/2020/05/03/give-me-slack/#reality-is-a-leftist
American Lysenkoism kills. It's why the pandemic has killed 500k Americans. It's why so many Texans are in danger of freezing to death now. It's also why Republicans - the "party of life" - are performatively refusing to care about these deaths.
You can't be an American Lysenkoist unless you deny that we have a shared destiny. That's why climate, pandemic, energy, education and health are so confounding to conservatives. These are systems that require collective responses.
Energy is a collective enterprise (Lenin: "Communism is soviet power plus electrification of the whole country"). It requires failover to nearby grids. It requires "overinvestment" in peak capacity. It requires cooperation and coordination to smooth out discontinuities.
Maybe a market could accomplish this, but so far it hasn't. Instead, deregulated power systems strip out safety margins, undermaintain facilities, underinvest in improvements, and price-gouge.
As James K Galbraith writes for the Institute for New Economic Thinking: "Demand for electricity is what economists call inelastic: it doesn’t respond much to price, but it does respond to changes in the weather, and at such times, of heat or cold, the demand becomes even more inelastic."
And "Supply has to exactly equal demand every single minute of every single day. If it doesn’t, the entire system can fail."
Only a Lysenkoist could see these truths and still opt for deregulating energy.
https://www.ineteconomics.org/perspectives/blog/cold-truth-the-texas-freeze-is-a-catastrophe-of-the-free-market
Now Texas is in the grips of a double-whammy. The covid-overloaded hospitals are treating exposure and CO-poisoning cases. Potentially infectious families are doubling up in the few heated homes.
As Kelsey McKinney writes for Defector, Texas epitomizes America's failed love-affair with Lysenkoism, battered by climate (hurricanes, floods, freezes), pandemic without public health, and a dematerialized energy grid, destined to fail.
https://defector.com/texas-energy-crisis-lying/
Lysenkoism demands a hard heart. To survive watching your neighbors die for your ideology, you must somehow shift the blame to them. Small wonder that Ted Cruz feels empowered to take his germ-ridden family to a Cancun resort, abandoning his constituents.
Tim Boyd, the Texas mayor who had to resign after telling his residents that their city owed them nothing, that the strong would survive and the weak would perish? He was just being a good Lysenkoist.
https://www.cbsnews.com/news/tim-boyd-texas-mayor-colorado-city-resigns-power-outages/
You can't embrace an ideology that kills your neighbors and still look yourself in the mirror unless you can find a way to make it all your neighbors' fault. Lysenko is a monstrous ideology, and it makes monsters of its adherents.
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itsclydebitches · 3 years
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YYH Recaps: Episode 1, Surprised to be Dead
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Hello, all you hypothetical readers! It's a beautiful spring day and I have a free afternoon ahead of me, so what better time to start another massive project while I guilty stuff my other WIPs deep into the depths of my hard drive? Yeah. Iffy life choices aside, someone mentioned a few weeks back that they'd love for me to recap a show I have more positive things to say about than negative (RIP RWBY) and ever since Netflix announced that their live-action adaptation of Yu Yu Hakusho is in the works, I've been itching for a re-watch of the anime. With the RWBY hiatus underway, it seemed like the perfect time to fulfill both desires.
Before we begin though, I'd like to touch on a few things that are going to influence this project.
First, YYH is near and dear to my heart. Written by Yoshihiro Togashi in the early 1990s and later adapted for an American audience by Funimation, I had the pleasure of experiencing this story five different ways: as a serialized tale in Shonen Jump, a binge read when I had the money to buy the manga, tiny snippets of the anime on Adult Swim late at night — don't tell my parents ;) — as an after-school treat on Toonami, and then years later as a re-watch when I introduced it to a friend (who, in turn, blessed me by having us watch Fullmetal Alchemist next). I used to keep a Hiei bookmark in everything I was reading, the spirit gun made it into our witch-wolf-space adventures on the playground (middle school was wild), and there was a long period of my life where I tried very hard to teach myself to stand with my hands behind my back, precisely as Genkai does. Spoiler alert: I failed. So to say I love the series is... a little bit of an understatement. I bring this up simply as a way of demonstrating that there's more than a bit of nostalgia attached to YYH for me and that will inevitably cloud my reading of it. How can it not? So that's just something to keep in mind as I work through a series that, like any having hit its 30th birthday, has its outdated, flawed, and other questionable aspects.
Second, but very much connected to the first point, is that these are pretty casual recaps. I summarize and extrapolate, focusing primarily on plot and dialogue (but with the occasional cinematography aspect tossed in). I'm not conducting research on the cultural history here — something that will come up at least once in this episode — I'm not arguing an overarching thesis, and I've never been someone who focuses on the author/production/trivia of a series. I'm here for the story as the story is presented to the viewer. If you've read my RWBY Recaps, this will function precisely the same way, with the only difference being I'm engaging with a finished text as opposed to an ongoing one, so there’s a lot less, “Maybe ___ will happen” theorizing going on. 
Third, I obviously recommend that you watch the show yourself (you can find it on YouTube!), but you don't have to know the series to follow along. As these massive paragraphs attest, I tend to be both detailed and verbose, so we'll be covering every major plot point — and most of the smaller ones too.
Finally, I'm working from the dub. I know, I know, the horror. But it's what I grew up on and, honestly, I think it's superior to the sub. YYH's dubbing is in a class all its own and to this day there are very few shows that compare to it. Trust me, it's a good call.
That's enough of the boring chit-chat though. Let's get started!
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Our very first episode "Surprised to be Dead" opens on a crowded street. We see lots of traffic, people going about their business, and a pedestrian crossing sign that, crucially, turns red. This is our normality and, like in every genre story, you need to break that normality at some point so that the protagonists can go on their fantastical/supernatural/science fiction journey. YYH eases us into things by first breaking the normality of an everyday afternoon: there's a screech of tires, quick shots of a man pushing a child out of the way of an oncoming car, and then his back is hitting the windshield. We begin this story with a horrible — but otherwise mundane — car crash.
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Now, these flashes alone have a fair bit to unpack. Despite later getting a brief shot of the man's scared face right before he's hit, the moment's focus is really on the child. He's the one foregrounded in the initial, slow-mo shot. He's the one who appears in color while the man is kept in shadow. This isn't just a hit, it's a rescue. The camera is also careful to follow the soccer ball this kid was playing with (more on that later in the episode), with it flying through the air as the man is hit and bouncing to a stop in the street, acting as the dramatic finish. It's childhood! It's innocence! It's play on a sunny afternoon! And it's all gone wrong.
This moment is chaotic and even a bit confusing. Not in the sense of what's happening — that is quite obviously a guy being hit by a car — but who the victims are, how precisely this came about, or even why we're meant to care about this beyond a generic capacity to feel for other human (fictional) beings... that's all removed. And it works. As the crash takes place, the camera pans across the stunned crowd and we, the viewer, become a part of that crowd. They don't know what precisely is going on either. We're all just horrified onlookers as a sudden tragedy takes place. We're all watching the same show.
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So everyone realizes this guy has been hit. People are staring in shock and someone calls for an ambulance. We see the driver fall to his knees in the street, distraught, shakily saying, "I didn't mean to..." It's a very serious and emotional scene that —
— is immediately tempered by this guy waking up, complete with a cute 'pop!' sound effect when he opens his eyes.
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This is YYH's brand, this Very Serious Circumstances skillfully interwoven with casual indifference/comedy. It's admittedly far from a unique brand, but it's an excellent choice given that this is the same attitude that will drive 99% of our protagonist's interaction with the world.
Speaking of said protagonist, our guy wakes up, opens his eyes, and realizes that he's floating. There's a great, disorientating shot from his perspective where everything is upside down, causing him to nearly fall out of the air. Well would you look at that, he's as confused as we are. It's our audience surrogate!
A narrator says, "And so it all begins. This boy's name is Yusuke, he's fourteen years old, and he's supposed to be the hero of this story. But oddly enough, he's dead."
Game of Thrones might have made it popular, but YYH did it better.
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(Yeah, yeah, I know one death kick-starts the journey and the other is a shocking twist. Just let me have this.)
Now, it's a weird introduction, right? At least at the end. The announcement that change has occurred, a name, an age... that all checks out. But "supposed to be the hero"? What the hell is that “supposed to” mean? Our narrator gives us the easy, surface answer: "But oddly enough, he's dead." We're capitalizing here on the audience's expectation that death ends a character's journey and though they may have been a hero previously, they can no longer be one moving forward. That function within the story has passed. So it's this intriguing question of, "What kind of hero do you have when that hero is dead from the start?" but as we'll see soon, there's an additional meaning here of, "How can Yusuke be the hero?" As this premiere sets up, Yusuke doesn't act like the hero is “supposed to” act. 
Until he saved this kid.
But right now he's just confused: "Okay, this is weird. Stupid weird."
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Two EMTs arrive on the scene and are hilariously useless. You know how in any medical drama a doctor will stop CPR after a couple of seconds because obviously you're not going to spend half the episode on realism? Well, that's this only a thousand times worse. One guy just looks at the kid and announces he's fine except for some bumps and bruises. Meanwhile, the kid is sobbing.
"Well, at least one of them is," replies the other EMT, because I guess he can tell Yusuke is beyond hope without taking a pulse or anything? "I hate cleanup," he complains as they load his body onto a stretcher because that's? An empathetic response to have??
Honestly this scene is wild.
Yusuke is understandably upset that he's, you know, dead and all. He starts hounding the EMTs who, unable to hear him, just go about their business of taking the kid and his body to the hospital. "You think you can just do whatever you want because you have that stupid uniform on? You can't just write me off. Listen to me!" and Yusuke tries to punch one of the EMTs in the head, resulting in him floating right through.
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What a great way to introduce your protagonist's personality. We see here that when things go wrong Yusuke's default emotion is anger and it starts creeping in even before he thinks the others are ignoring him: "Stupid weird." He has problems with authority — "You think you can just do whatever you want because you have that stupid uniform on?" — is used to others listening when he gets angry — "You can't just write me off!" — and is poised to use violence at the slightest provocation. Yusuke is a guy who, right now at least, is ready to punch first and ask questions later.
As Yusuke floats back up into the air and the ambulance drives away, he finally cools down enough to try and think his way out of this. "It's not like this is the first time you've been in a jam,” he thinks. Yusuke recalls that yeah, something was different about today...
...he actually went to school.
Catch me laughing that this idiot boy equates the weirdness of him dying with going to school. Good lord. 
Anyway, this jumpstarts our flashback. We open on a generic, anime middle school (that always feels like a high school to me) where the principal is calling for Yusuke through the loud speaker. Oooo someone’s in trouble! We follow a young girl up to the rooftop and she gets a classic hair-blowing-in-the-wind moment to  establish that she's our love interest. Meet Keiko Yukimura.
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Keiko finds Yusuke hanging out and immediately starts lecturing him for trying to chew gum and refusing to wear the boys' uniform. "Oh, give me a break, Keiko. I look better in green." Note that it's here we learn her name and it's an easy, casual way to introduce it. I bring this up because Yusuke's introduction via our narrator is very much... not that. It's an on your nose statement about his name, age, and importance to the story, and if you're just starting the show in 2021, it might come across as a rather armature move. Like something out of a kid's show, perhaps. Yet here we see that this was a deliberate choice, considering that YYH is capable of introducing character information naturally when it wants to.
This moment also tells us that Yusuke cares a great deal about his image. More on that in a bit. Because Keiko isn't finished her list of grievances yet, going on to say that his attendance record has hurt their entire class, hurt her as class representative, and if he keeps going down this path he won't even graduate middle school. "Sometimes I think you don't care about anyone but yourself and then you don't even do that right!"
They're legit complaints. Too bad Yusuke is busy looking up Keiko's skirt.
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Yeeeeah. Sadly, this is common for anime, particularly a 90s anime like YYH. Even presumably more progressive series like My Hero Academia feature characters like Mineta, whose entire personality is being a pervert, and the creation of abilities that "require" kids/young women to be scantily clad. See: Yaoyorozu. YYH is no different in this regard, with various forms of sexual harassment functioning as a shorthand for how much Yusuke secretly likes Keiko. "Boys will be boys," right? Obviously not. 
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Like so many others series, the creators get away with it because they’re framing it as a bad thing. It's totally fine because look, Keiko slaps him! This is  teaching the viewer how wrong this behavior is. Never mind that this is clearly an established habit between them, that Yusuke laughs off Keiko's discomfort, and that the whole scene is meant to be funny for the viewer. That's the real purpose here; it’s not a PSA on harassment. 
That, and to establish the long-suffering love Keiko has for Yusuke in turn, largely stemming from a life-long friendship. "Dumb boy! He hasn't grown up a bit since he was four years old." We see that Keiko's early interactions with Yusuke have given her insight that others lack. As she heads down from the roof she runs into two girls hiding around the corner, too scared to come out lest "the great Urameshi" set his sights on them. Isn't Keiko terrified of what he might do to her? "Or worse, what others might say of it?" Like any classic high school middle school setting, one's reputation is king. Yusuke cares about how others see him — maintaining that tough boy attitude — and the girls care more about what the rest of the school might think of Keiko's interactions with him than the presumed harm Yusuke could do to her. They heard he can summon 2,000 men with just a whistle and that he "kills for fun!" But that means nothing in the face of people talking about you. Despite being one of the most popular girls in school, Keiko is the outsider here via her disinterest in what other people think.
The animation changes here, giving us a good look at how the girls picture Yusuke: tough, scowling, surrounded by shadows, and backed by an entire army.
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In contrast, we've already seen what Yusuke is really like.
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Keiko laughs the image off too. Yusuke is more like a "lamb" than a killer and besides, he couldn't order around two people, let alone two hundred. "He doesn't have many friends."
"That's not what I heard," says one of the girls. 
"Yeah," goes the other. "I think we would know." 
Again, rumors rule here, with whispers in the hall considered more reliable than someone who interacts with Yusuke on a daily basis. Keiko doesn’t have a hope of changing their minds. 
Oh, as a side note, I love that they gave Keiko Miyazaki-esque hair. It's very emotive.
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Yusuke escapes outside where the principal is still calling for him to report to his office. He overhears a conversation around the corner and we cut to two boys, one of which is showing a wallet off to the other. He explains that some bully tried to rough him up, but he said he was Urameshi's cousin and the bully took off, dropping his wallet in the process. The guy's friend is impressed, but what is he going to do if Yusuke ever finds out he lied? Not to worry, he says, that "blockhead" would probably think it's true even if he did somehow hear.
Yusuke, obviously, does hear about this and he, also obviously, does not believe this guy is his cousin. He looms ominously and they scurry up against a wall, terrified and offering him the wallet as an apology.
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"You think I want your money?" Yusuke yells.
YYH is, in many respects, a rather simple story, but I appreciate the hints of complexity in these otherwise straightforward interactions. It's not that this guy used Yusuke's name to steal a wallet, he used it as a form of protection against another bully — a far more sympathetic motivation. It's not that Yusuke's fearsome reputation has resulted in any genuine respect because once people think they're safe they reveal how little they think of his intelligence — he's a "blockhead." And Yusuke, though intimidating and violent, is not your average, schoolyard bully. He doesn't care about money, only the insult and the damage this guy using his name might have done to his reputation. There's a little more nuance here than you might otherwise expect.
Also, note how dark the boys' standard uniforms are and how much they blend into the rest of the world. Yusuke, as our protagonist, stands out in his bright clothing. He was right, he does look better in green!
So he's ready to clobber this kid when one of the teachers arrive: Mr. Iwamoto.
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Iwamoto demands to know what's going on, but the boys are too terrified to rat Yusuke out. Noticing the wallet on the ground, he assumes that Yusuke was after their money, something that greatly offends him: "Whatever!" Iwamoto goes on to say that, "No good weeds like you should have been plucked a long time ago," making it clear that he considers Yusuke a hopeless case. The positive aspects that Keiko sees, as well as the complexity the viewer sees — to say nothing of his introduction of saving a kid — aren’t considered here.
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Notably, Iwamoto exists in part to show us what Yusuke could become. Not a teacher (he's obviously not attending school enough for that!), but a cynical man who is cruel for cruelty's sake. Yusuke is already barreling down that path, ignoring Keiko's advice, terrorizing other students, trying to punch EMTs, etc. If his life (or afterlife...) hadn't changed through that accident, this is the kind of person Yusuke might have grown up to be, and we can see that clearly in the visual parallels between them. Dark haired men dressed in green who scowl with ease and toss out cutting insults. Yusuke is staring his future in the face.
For now he walks off with a final shot, "You shouldn't talk. It makes you sound stupid." This time Yusuke makes it to the school's entrance and tries to enjoy his second attempt at chewing gum, but someone hits him in the back of the head.
"Okay, somebody's DEAD — ah. Sorry, old man."
"That's Mr. Takenaka to you."
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Our principal has finally left the office and hunted down Yusuke for himself! Putting this interaction immediately after the one with Iwamoto allows the viewer to compare them. Yusuke might be irreverent towards his principal, but it's clear there's still some kind of respect between them. Yusuke only starts threatening because he doesn’t realize who hit him and once he does realize it's Takenaka, he immediately apologizes. That "old man" comes across as a teasing insult and Yusuke allows himself to be briefly dragged back towards school, rather than throwing a now classic punch. In turn, Takenaka cares enough about Yusuke to try and keep him on the straight and narrow. He utilizes Yusuke's preferred language — violence — but in a casual way, nonthreatening way: slight hit to the back of his head, noogie, pulling him along by the ear. 
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It's the sort of physicality we're used to seeing in media between a parent and child who are outwardly antagonistic, but actually share a deep bond. Takenaka is also careful to frame their return to his office as a "discussion," not a punishment, and offers Yusuke tea along with the conversation. Whereas Iwamoto considers Yusuke to be a "weed" that should have been plucked from their school long ago, Takenaka is determined to help Yusuke bloom.
If we're continuing the flower metaphor :D
Yusuke isn't in the mood to play along though. He gets away by using a fake ear, startling Takenaka when it unexpectedly pulls free. Yusuke escapes the school grounds and Takenaka, suffering a back twinge from his fall, can't chase after him. Poor guy. I understand that pain lol.
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Yusuke heads home where we're introduced to his mother, Atsuko. Most notable in her first shot is the soft lighting that highlights her looks. We're not told how old she is here, but I believe she's around 28 — and she looks it, if not younger. Given that Yusuke is 14, that means Atsuko was a mom at his age. This is a quick and subtle way to tell us about Yusuke's home life. There are more overt details in this scene — it's at least lunchtime and Atsuko hasn't left her bed yet, she demands that Yusuke make her coffee instead of greeting him, it's all meant to imply (before we actually see) that she's an alcoholic — but her age is another way to highlight the broken household here. There's no partner in sight and she clearly had Yusuke as a teenager. He hasn't had a strong parental figure to take care of him. If anything, Yusuke is taking care of Atsuko here.
"Oh great, mother of the year!" basically sums things up.
Atsuko wants to know why Yusuke isn't in school and he says that everyone is pissing him off today, particularly with their preaching. "Dear, if you hate preaching so much you should live on your own... but you can't do that, can you?" Alongside a rough upbringing, Yusuke is suffering from the common problem of being trapped in a dead-end life. He hates his school, his town, and coming home to find his mom hungover. Yusuke has no prospects and, outside of one principal, no one who is actively working to help him find some. Even the little things he hates, like being preached to, are unavoidable because if you want to live on your own, that requires money. Good luck pulling that off as a middle schooler whose only skill is street fighting!
Yusuke walks off in a huff, literally shouting in a street about what a bad day he's having (and hilariously scaring off pedestrians in the process). His shout brings trouble though. A couple guys appear to ambush him, their boss close behind. The music increases the tension, Yusuke's expression is serious, and we even get a Dutch angle thrown into the mix. 
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For any who don't know, the Dutch angle is a popular film technique to establish that something is wrong. There's tension in the scene, something uneasy is at play, and the world is now literally off center. It's perhaps most famously used in Do The Right Thing to establish the friction between an Italian-American pizzeria and the predominantly African American neighborhood it's based in.
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But it's also used a great deal in horror as a way to say: yup, shit just got real. Scary real.
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This Dutch angle introduces a character you may not appreciate at first, but absolutely should: Kazuma Kuwabara.
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He's initially the comic relief and that's clear in his introduction. Within seconds we move from that intimidating arrival to, well, seeing him. To be clear, I've got nothing against redheads with big chins, but compared to Yusuke's design, Kuwabara is meant to be the funny looking one. His threat level plummets the moment we get a look at his face, especially in a series that will occasionally use looks as a (supposed) measure of intelligence. 
Also, Kuwabara is dressed in light blue so, like Yusuke, we know he's important!
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Any assumptions that his appearance isn’t meant to imply a goofy, embarrassing personality are put to rest when Kuwabara starts rambling about how they last time they fought Yusuke just got a cheap shot in and he'll definitely win this time. Yeah, he won't. Yusuke is thrilled by this diversion though and we get a shot of him looking almost as creepy as Keiko's friends think he is. Whatever else might be said about Yusuke, he is absolutely a monster in a fight.
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Which we see here. If anyone picked up the series without knowing this was a fighting anime, they'll realize it now. Yusuke's choreography is stylized to show off his skill: he disappears with a 'whoosh' and dark lines to suggest inhuman speed,
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attacking Kuwabara with a knee to the face, utilizes flying kicks, lands perfect, precision punches, and ends it all with the toe-tip landing we've come to expect of all powerful fighters. Kuwabara never even got a hit in. 
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Happy as a clam now, Yusuke wanders off whistling and Kuwabara's friends are left to pick up the pieces. AKA, his likely broken bones. I love that they're legit friends though and not just nameless goons for the sake of giving Kuwabara a small gang (though their names won't come up until later). "That makes 0 wins an 156 loses!" one of them cries, trying to get Kuwabara to stop ending up in the hospital, probably. We establish that Kuwabara is The Most Dramatic Ever when he pulls his broken body into a seated position, shouting, "No! I almost had him that time!"
Then he passes out.
Kuwabara, honey, you obviously did not almost have him, but god bless you for the outlook. The most optimistic thing on this Earth is a well-loved Golden Retriever, but Kuwabara comes in at a very close second.
With his dream to one day beat Yusuke in combat established, we cut to Yusuke wandering the street where the episode opened. "Okay, I'm remembering" he says in a voiceover. "After that I met the kid."
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The soccer ball reappears as it rolls to a stop at Yusuke's feet. He grabs it and immediately starts yelling at the kid. Horrible protagonist, right? Well, Yusuke is trying to instill in him the danger of using this street as a playground, a worry the viewer already knows is 100% justified. “Listen, kid, that’s dangerous! There are cars going by that will splatter you into the pavement!” It's one of those quick moments where we get to enjoy Yusuke's duality: he's someone who is nearly making a toddler cry, but for rather understandable reasons. He's got the right idea, but needs to go about it in a more mature manner.
Which is precisely what he attempts to do. Sort of. Yusuke changes gears, though whether it's a more "mature" route is certainly up for debate lol. He tries entertaining the kid instead, raising and lowering the soccer ball to reveal goofy faces.
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When these fail to impress, Yusuke goes full out by stuffing the ball into his pants, pushing his nose up with a pair of chopsticks he got from god knows where, and generally just putting on a display.
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So Yusuke cares very deeply about his reputation... but only when it comes to those who are an established part of his life. Keiko, Mr. Takenaka, and the other kids at school all need to maintain a particular image of Yusuke, one that he's carefully cultivated. But random pedestrians on the street? Who cares about them? Let them talk.
This shows us that Yusuke does indeed have priorities over his own, selfish goals. Namely, the happiness of some kid is more important to him than looking "cool" for a bunch of strangers. Lots of characters with Yusuke's surface attitude would sneer at the idea of degrading themselves for — their words — some brat. But Yusuke, as we constantly see, actually does have that heart of gold. “Well, if all else fails I can still make kids happy.”
Although... I'm not sure what to make of his display itself. I have the distinct sense that there's something prejudiced here that I'm not able to fully articulate, what with the chopsticks, slanted eyes, bald head, and the like, though to be entirely frank I don't have enough knowledge of Japan's history to say precisely what it might be. Or, really, whether it exists at all. Just something to chew on.
What I am sure about though is the importance of having the child label Yusuke as monster — "Yeah, monster! — but in a delighted manner. Yusuke is indeed some kind a monster, someone who disappoints adults and terrifies his classmates, a demon fighter on the streets too, but here that identity is reworked into something positive.
Having successful secured a laugh, Yusuke tells the kid — calmly this time — to go play elsewhere. The toddler stares up at him with the blank expression only kids can manage.
Well, kids and whatever headspace I'm in after writing these metas.
To absolutely no one's surprise except Yusuke's, the kid does not go elsewhere. Instead, he continues kicking the ball down the street, causing Yusuke to exclaim, “Dammit, what’s the use? The kid can get smashed by a car for all I care!” Liar, liar. 
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The picture becomes desaturated as the kid kicks the ball and it flies into the street, time slowing down to show it landing precisely in the middle of the road. Yusuke again yells for him to stay put, but when has a toddler ever listened? He begins to walk into the road as our driver arrives, speeding, swerving, and paying more attention to the girl at his side than what's in front of him.
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This time, we see the accident from the front with both Yusuke and the kid presented equally.
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There's a cut to black and when we return we're in the present, Yusuke floating above the policemen now investigating the scene. “So that’s it? I’m roadkill?” As Yusuke realizes he's dead, specifically that he's a ghost, a voice goes,
"Bingo! Bingo! You win the prize!"
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A woman has appeared who is quite obviously othered by the standards of the episode so far. Unlike the greens, blues, and browns of the series' modern clothes, she's dressed in hot pink kimono with blue hair to match. She's also, you know, floating on an oar.
“I didn’t expect you to figure it out so quickly," she says, referring to Yusuke's revelation that he's dead. Apparently, those who meet unexpected and/or violent ends tend to take some time coming to terms with their demise. It's a nice acknowledgment of Yusuke's intelligence in an interaction that's otherwise... not great for his self-esteem.
Meaning, this woman is about to drag him lol.
She introduces herself as Botan, pilot of the River Styx and guider of souls to the afterlife. You might also know her as the Grim Reaper.
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(Hey, RWBY fans: I originally wrote that as Grimm Reaper 🤦‍♀️)
It's an claim Yusuke takes issue with because 1. Botan is too pretty to be the Grim Reaper and 2. If she was really some god of death she'd be taking this much more seriously, not laughing and saying, "Bingo!" For the audience this does two things. First, it acknowledges our own expectations and validates them. Yusuke's world isn't so far removed from our own that he takes Botan's looks and personality at face value, he also expected a skeleton with a scythe. So don't worry, all the weird stuff in this series is weird to our protagonist too. They'll be explanations. Or, even if there’s not, you’re not wrong for being surprised. 
Second, it sets up the very common theme in YYH of undermining those common assumptions again and again and again. We've already seen it with Yusuke, wherein characters who look and act a certain way are, supposedly, destined to be that person and nothing more. Yusuke is meant to be just a "weed," a dumb, violent, angry loser who goes nowhere in life... but we already know he's more than that. Botan is supposed to be scary and serious, but she says nah, I want to be cute and bubbly instead. No character in YYH embodies who they're "supposed" to be when you look past those surface characterizations. They play the part of archetypes — and do keep certain parts of their expected personalities — but they're also far more well-rounded than that. Which yeah, is something most people expect from any story nowadays, but YYH is particularly adept at making you think you're watching Simple Show A only to turn around and surprise you with More Complex Show B.
It's great, trust me.
So Yusuke is pissed that Botan isn't adhering to those expectations, in the same way that he works hard to validate others expectations of him. He doesn't know how to deal with someone challenging his world view yet. Rather than angering Botan though, she just nods and says that this response makes sense for him. “Rather than being scared, or surprised, you yell a lot and tell me I don’t know what I’m talking about." Taking out a notebook, she quickly summarizes everything we learned in the flashback — minus Yusuke's complexities: he's fourteen, in middle school, is ill-tempered, violent, hates authority, and is a horrible student.
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Typically, Yusuke responds by getting angry and trying to snatch the booklet out of her hands, only for Botan to pull it out of his reach, laughing. The tables have turned! Rather than being surrounded by people who cower at Yusuke's imposed authority, he now finds himself faced with someone who laughs at his transparent attempts to take control of the situation.
Calming down, Yusuke wants to know if the kid he saved is really alright and Botan offers to let him see for himself. That offer produces Yusuke's first, genuine smile.
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They fly to the hospital where a doctor is in the process of giving the kid a clean bill of health, his mother crying with relief. 
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That's enough for Yusuke. “Alright, Botan, I’ve got no regrets, so you can take me to hell or wherever it is I’m going.”
That tells you all you need to know about Yusuke's self-worth, despite his bad boy attitude. His life is a dead-end as far as he can see and most of those around him haven't done anything to dissuade him of that idea. He says he doesn't care if the kid lives or dies, but then instinctively saves him. Post his death, Yusuke doesn't have anything he considers a regret, or anything he'd like to do before he leaves, like saying goodbye to a loved one. Oh, he's also pretty sure he's going to hell and has resigned himself to that without a fight.
Uplifting!
Botan just laughs though, saying that she's actually here to offer Yusuke an "ordeal" that could bring him back to life. See, he wasn't supposed to die today — let alone die saving a kid — and frankly they don't know what to do with him. It's another neat summary of what we've already learned: Yusuke is a far more complicated case than the afterlife assumed and now, when push comes to shove, deciding whether he belongs in heaven or hell is... muddled.
There's a fantastic story there about the problems with an afterlife that reduces a person's entire life to a few surface characteristics recorded in a book, refusing to acknowledge the context of their situation, or their capacity for change. “Run someone with your credentials a thousand times and they never would have saved a kid like that." Except, of course, Yusuke did save him, so those "credentials" are suspect, to say the least. However, YYH is not a story that explores these issues. Instead, I recommend you watch this!
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Rather than being upset at the afterlife's low opinion of him (because let's be real, Yusuke shares it), he latches onto a little detail Botan let slip. If he wasn't supposed to die today... then was the kid?
Mmm... no. Actually, without the chaos of Yusuke jumping into the road, the driver would have swerved at the last second and the kid would have not only lived, but actually come out with one less scrape.
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So Yusuke is obviously upset by this news! I would be too!! Holy shit, hang onto the "it's the thought that counts" message with everything you've got.
Also, don't think too much about the fact that the afterlife apparently knows exactly what will happen to people, down to how many cuts they accumulate in an accident. Also, don't think too much about where the afterlife foreseeing the crash begins and the unexpectedness of Yusuke interfering ends. That way lies madness. This will never come up again, so just let it go.
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Sorry, 2013 me hijacked the post for a second.
As said, Yusuke is understandably upset by this revelation and as he fumes I'm reminded that this series likes to pull some amazing expressions.
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Botan reiterates that it's all fine because Yusuke can come back to life. Weren't you listening? He should feel honored, in fact, considering that an offer like this only arrives every 100 years or so. Well, that explains why all of humanity isn't grappling with people coming back to life on the daily. One person every generation isn't going to cause much of a stir.
However, instead of jumping at the chance Yusuke announces that Botan is just like the teachers at school: she doesn't know what she's talking about. “You said yourself my life was kind of pathetic, right?” he says, going on to explain that everyone will be happier now that he's dead. His school won't have to deal with his behavior, Keiko won't have to nag him, and his mom will be able to party whenever she wants. It's a win-win for everyone involved. 
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Hmm, this feels familiar. 
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Don't worry, Yusuke doesn't need to experience a whole alternate reality to get the message.
“I’m sorry you feel that way at such an early age," Botan says and she is sorry, because despite her teasing nature that's a legitimately horrifying thing to believe. Yusuke won't budge though and after a little back-and-forth Botan leaves, telling Yusuke he should think it over while visiting his wake. She'll come back once he decides what to do.
“Do you have worms in your ears, lady? I did decide!” but Botan is long gone.
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We cut to that night where Yusuke has indeed decided to attend his own wake. Maybe because of Botan's advice, maybe because he's just morbidly curious. We’re not given insight into the decision. 
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Atsuko is a mess, to put it mildly, not dressed for the occasion and sitting slumped against the way, staring vacantly as the guests offer their condolences. Yusuke is surprised by the fact that his entire class is here, but quickly writes them off when he sees two of the boys laughing. I'm on the fence about this detail, which I'll unpack in just a second.
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First though, Yusuke sees Keiko exiting the house, inconsolable in her grief. She collapses on the ground with her two friends trying to offer comfort, despite the fact that they had nothing good to say about Yusuke himself. Good on them.
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Before he can think too long on this though, Yusuke is distracted by Kuwabara's arrival. Unlike Keiko's crying, he expresses his grief through yelling. Specifically, yelling at Yusuke. For dying. For daring to "run away." His own friends are physically holding him back as he charges into the wake, screaming, “Who am I gonna fight now, huh? Who am I gonna fight?" It's not really about the fighting, of course. At least, not the fighting alone. "You’re supposed to be here for me," Kuwabara finishes, the punch he's thrown at Yusuke's photo going limp and catching his first tear.
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You know, for all the  goofy expressions, this show really is gorgeous. Just wait until we get to the fight animations.
Kuwabara's reaction is why I hesitate to write off the classmates like Yusuke has. Granted, we have no reason to believe that they care for him as Kuwabara does — they're nameless background characters defined only by their terror of "the great Urameshi" — but it's still a split second taken out of context. We don't know what they were laughing at, or if laughing is a part of their grief. God knows I personally laugh at the most inappropriate moments. If you tell me someone has just died there is a very good chance I will laugh awkwardly as I try to process that. It’s just a reflex. All of which I bring up not because these side characters are important, but because Yusuke's perception of his own worth is. The point of each of these moments is to show that those around him have always cared for him, even if Yusuke didn't notice. It's nice to think that extends to his classmates too. The variety likewise exists to show us how people grieve differently, with Kuwabara's friends not understanding that this is how he's working through the trauma: “This place is for mourning!” He is mourning, even if his way of mourning isn't as socially acceptable as Keiko's. So if screaming and throwing punches is valid, crying is valid, staring stoically in a drunk stupor is valid... why not laughter too?
Not likely, perhaps, but possible.
As an additional possibility to chew on, watching this premier again, it struck me how more emotional Kuwabara's scene is compared to Keiko's. Don't get me wrong, crying and calling Yusuke’s name gets the point across, but it's two seconds of generic grief compared to a much longer scene rife with intensity. When Kuwabara arrives the music swells and everyone is forced to pay attention to him. His grief is loud, violent, and given symbolism with his fist and the photo. There's more effort put into his reaction, frankly, so it wouldn't surprise me if fans started shipping them after this. That grief combined with an "enemies to lovers" possibility is a pretty potent mix. To be clear, Yusuke/Keiko is the (oh so obvious) canonical endgame and in the fandom Yusuke/Kuwabara can't compare to another slash ship that will turn up later, but this is a good example of how writers can craft some Very Gay Scenes without realizing it. When you have the girl crying prettily for a second and the guy absolutely losing his mind over Yusuke's death, questioning his purpose now, his support network, and then collapsing in grief... don't be surprised if your audience goes, "Oh hey, maybe they'd be a good couple instead."
But I digress.
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The only people who are unquestioningly happy about Yusuke's passing are Mr. Iwamoto and his co-conspirator, Mr. Akashi. You know Akashi is another bad guy because he has bucked teeth and "ugliness" is an easy way to code for evilness. YYH is not immune to those mistakes :/
These two are really something else though, standing in the middle of a wake and claiming it's “too bad that car wasn’t big enough for them too," referring to Kuwabara and his friends. Wow! What stellar members of the academic community. Iwamoto goes on to say that Yusuke dying at least accomplished something good. Not, mind you, saving the life of a child, but rather looking good for their school's reputation. Akashi agrees, but says it's likely Yusuke only accidentally saved him while trying to steal the kid's lunch money. Remember, that accusation of theft is the one thing Yusuke has said outright that he does not do.
He's pissed listening to all this — wouldn't you be? — but knows by now he can't do anything about it. In another fantastic shot, Yusuke hovers his hand over Iwamoto's shoulder, desperate to grab him, when Takenaka's arrives there instead.
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“What do you suppose is more disgraceful? That boy showing his misery, or your insensitive and idiotic words!”
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HELL YEAH. You tell 'em, Mr. Takenaka.
Yusuke gets his third shock of the night at this passionate defense. Takenaka leaves the teachers to go pay his respects, but admits to Yusuke's picture that he just can't speak well of him. He was surprised to hear that Yusuke gave up his life for another and it's a fact that he acted selfishly. Though he doesn't say it in as many words, Takenaka explains that he's not grieving because Yusuke was a good person, but because it's so clear to him that he might have been. “Why didn’t you stay? You could have made something great out of yourself.”
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Normally, "Why didn't you stay?" is just something for the living to grapple with, as the dead obviously don't have any say in what happens to them. But Yusuke does. It's here that the lighting grows soft again and Yusuke considers Takenaka's words. Keiko and Kuwabara grieve for who he was, but Takenaka grieves for who Yusuke could have been — someone that might still exist if Yusuke decides to undergo this ordeal.
Atsuko adds fuel to the emotional fire, breaking down and hiding her face in her knees.
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Finally, the kid Yusuke saved arrives with his mother. Because yes, Yusuke saved him in every way that matters, considering no one else knows — or will know — that he'd have lived anyway. I like that the show doesn't allow that knowledge to undermine the emotion of their arrival, or what Yusuke’s act meant to them. 
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The mom tells her son to pay his respects and the kid thanks Yusuke for saving him, and for "making faces." He clearly doesn't get what's going on here. This is confirmed as the two leave and he asks his mom if he can play with Yusuke again tomorrow. “I know some people sounded angry at him, but he’s really nice!" 
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They're probably just crying because they want to play with him too, he thinks, which just makes his mom join in. Everyone is crying in this club tonight.
Those words are the cincher for Yusuke and with a brief montage of all the grief he's witnessed, he makes his decision.
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We cut to later that night where Yusuke floats above the city, admiring the moon. Botan reappears and he asks, “Have you ever not known about something that seemed obvious to everyone else?” Yes, everyone has experienced that at one point or another. She asks if he's made his decision and Yusuke agrees to try and come back to life.
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Emotional revelations out of the way, we're allowed another tone shift as Botan yells with joy, speeding off and causing Yusuke to grab hold of the end of her oar, lest he be left behind. Cranky as always, he demands to know where they're going. "To the spirit world, of course!" They're off to see someone who can explain the ordeal and give Yusuke the tool needed to complete it. Just hang on and enjoy the ride.
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Thus ends our very first episode! Ah, the nostalgia. This is part one of a four arc series, with the anime cutting out a lot of the filler stories found at the start of the manga — a smart decision, I think. They primarily do the work of teaching Yusuke what he learned at the wake, so if you can accomplish that as quickly as the adaptation did, all the better. Especially since Yusuke needs to grow a great deal beyond the basic understanding that people might, sort of care for him, and that work will occur primarily through a job he's going to take on. The series isn't really about his death and it's not about an attempt to come back either — it's about what happens once you get that second chance. So this is the setup, but it's important setup all the same.
No need to skip ahead though. I've blathered enough for one recap. I hope you enjoyed and I'll see you when the writing gods next bless me with energy! 💜
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neokad · 3 years
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Phantasy Star II - The 1989 JRPG that could
(This post is dedicated to @kuukigajan, my best friend, whom motivated me to post here again, so... I hope you'll enjoy this!)
This game. This freaking game.
I'm gonna say it right now: this post will contain massive spoilers about pretty much everything in Phantasy Star 2's story, so if you do plan on experiencing this game fresh, I strongly advise you to not read this post at all beyond the first paragraph, but... here's the gist of it: Phantasy Star II is one of the most important and groundbreaking JRPGs of its time, and I just did not believe this game was from 1989, at ALL. For that and a few other reasons, it has become one of my new favourite games of all time <3 
In fact, I do want to start with the one big flaw of this adventure so that I can just gush about everything else that's brilliant about PSII. I have to be honest: the dungeon design in this game is horrible. Now to be fair, it does make the many places you visit more memorable, but well... there's a rumor floating around that an actual trainee made the layouts for the dungeons - and since this game was a bit rushed for the Genesis's launch, the devs just didn't have time to replace the... stuff he submitted. And let me tell you, this rumor makes sense: PSII's dungeons are too big, too maze-like, too confusing and also FILLED with strong enemies. And in a game where you don't get a way to save anywhere until the midway point, it can make your adventure very frustrating and potentially grindy because of that... Now I wouldn't say that PSII's nearly as bad in this area as say, the original version of Dragon Warrior or ironically the first Phantasy Star, but the dungeons can totally make you feel like the game's harder than it actually is, at least without a map.
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Thankfully, you should never feel bad for using any maps or guides with this game! The execs at SEGA at the time made the very smart decision to include a walkthrough with each copy of the game, including maps, tips, secrets and more! Said guide does encourage youto not look at it as much as possible but... it's totally fair to just use this, without any shame!
And that is a great thing, because... with you armed with this piece of paper, Phantasy Star II can finally show you its actual brilliance.
The game's plot starts off a thousand years after the events of the first Phantasy Star game. Since Alis and her party defeated Dark Force, the inhabitants of the Algol solar system - and its three planets of Palma, Motavia and Dezolis - have enjoyed relative peace. However, at a (to my knowledge) unknown point in time, a computer entity known as Mother Brain has started imposing itself onto mostly Motavia. This, over time, has actually given many benefits to the region: the once deserted wasteland was given rain, water and crops, so that it could finally host viable, comfortable civilizations. The citizens that lived here could finally ditch their (arguably) nomadic, harsh lives in favor of comfort, pleasant weather and more. And most importantly, Mother Brain allowed its citizens, save for a few, to ditch their current jobs and live a life of laziness, without any obligations or pressure to do anything other than well, existence. This is reflected many times during the game through NPC dialogue, too!
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It is on such a setting that our protagonist, Rolf, wakes up from a strange nightmare. In it, we see Alis batting Dark Force and struggling in doing so, but as soon as he realizes this, Rolf wakes up in cold sweat. He then proceeds to calm his nerves, realizing that no such dramatic events could possible happen to him - after all, he and many others have been under the universal protection and care of Mother Brain, whom at this point, has provided all of their needs for centuries. He then gets out of bed and goes to the central tower, where we works as an agent in case some things do go wrong.
And gone wrong things have! His superior informs him that biological monsters, which had been created and bred in the Mota biosystems laboratory, have gone rogue and infected the regions of Motavia at a rapid rate. Because of this, Rolf is asked to investigate the cause of this phenomenon. Once he gets home to prepare for his journey, he is ambushed by best girl Nei, who has been rescued by him many months ago from the clutches of a serial killer. She does not want to be left alone anymore, and since she is also worried for Rolf's sefety, asks him to accompany him on the mission. Naturally, Rolf accepts.
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Here, I do want to bring up Nei in more detail! She's in fact, the first of PSII's brilliant story-gameplay interactions, and here's why! Nei is in fact, a crossbreed experiment between a human and an unknown animal with cat-like features, but here's the thing: this said experiment was a failure. Because of this, Nei is only one years old, and yet her physical and mental age are progressing way more rapidly than they should. And you can feel this effect on the game itself: she needs way less EXP than any other party member in the game to level up, and because of this she will skyrocket in levels way beyond the rest of your crew... with a catch. Because of the nature of the experiment, the genetic code inside of her is slowly being messed up and corrupted, which not only causes her level ups to be less valuable than anyone else's, but it also becomes an important plot point later...  Unfortunately, despite her absolute cuteness, her status as a half-half made her a victim of bullying, racism and so much more, which is... pretty messed up to bring up at the time not gonna lie o_o
Starting up the journey, the party discovers that rogues have destroyed a neighboring city, and it just so happens that their base is situed at Shure, the first dungeon of the game . One assumption I like to make from this scene is that life has become so easy and careless on Motavia that people just went and did crime out of pure boredom, because life just wasn't thrilling enough anymore with Mother Brain doing everything it could for its inhabitants...
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However, upon climbing said tower, Rolf and Nei find out multiple dead rogue bodies, whom have been presumably murdered by the many biomonsters roaming the place. They do, however, manage to find some dynamite and most importantly, a letter. This piece of paper informs our heroes that the daughter of a Darum, the very same person that tried to murder Nei months ago, is held captive in another tower, which explains why he turned to crime in the first place. They then decide to do the obvious, which is to rescue daughter Teim in her captivity location. Once they meet up with her, she explains her desire to talk to her father to set things straight and sway him from the life he's been getting into, as well as hide her from the surviving rogue members with the help of a veil. Our group manages to meet up with Darum, but... her daughter asks the party to stay put, as she does not want them to interfere with her as she explains things to her father. However, in the heat of the moment, she forgets to remove her veil, which causes Darum to not recognize her. In his confusion, he murders her own flesh and blood and sits there, stunned, as he watches the reason he caused many untold atrocities... wither away below him. Shocked and going insane by this situation, he sees no other way out... but to commit suicide with the help of a bomb.
It gets worse.
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While this scene was tragic and brutal to say the least, it does allow Rolf to cross the previously guarded bridge where Darum was always located, which allows him to investigate his mission further.
I do want to make a sidenote here actually! Phantasy Star II does include eight playable characters, but unlike Rolf and Nei they do not join you at fixed intervals - instead, they will become available in your home town of Paseo once conditions are met. Sadly while they do have a recruitment quote, a few lines and a backstory, they do not have an impact on the main story in any way. This does blow as this means PSII does not have much in character development and interaction, but I did want to mention that there’s more to this game than just Rolf and Nei :P 
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Upon exploring the regions of Motavia, the party manages to make its way to the Biosystems lab, and what they find here is horrifying to say the least. The lab is in horrible shape, with cracked floors everywhere. On top of that, there is no one inside the lab anymore, it being completely deserted, save for some horrible-looking creatures being kept insides tubes, decorating the now sinister looking building... Because of this, Rolf deems it safe to pick up the recorder inside the lab, to analyze it and try to find out just what exactly went wrong - if anything at all - to hopefully figure out why the world has been sacked by biomonsters. And sure enough, the gang make its way back to Paseo.  After handing over the recorder to the library located in Paseo’s Central Tower, it is now made clear: the biomonsters were caused by a large amount of energy used in a very short amount of time in those labs, causing them to mutate extremely rapidly. This had the predictable but unfortunate effect of ruining the natural order of the ecosystem, which is why these species are wrecking havoc without control. The librarian giving this information also makes the following connection: this outpour of energy must have come from Climatrol - another lab which regulates the weather of the terraformed planet so that it can sustain its new shape. Following this, Rolf and co. take a few steps to reach Climatrol - and I want to highlight a specific one!
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The story somewhat pauses until then, but one of the dungeons you’ll go through is a garbage dump... and one of the treasures is a jet scooter you can use! Sounds cool, right? Well it is, but even such a cool object has been abandoned by the lazy society, since teleportation is much more convenient to them. I just thought it was a really neat detail, that’s all ^_^
Once making their way through the relatively normal Climatrol, something does wait for them at the top of the building... something... unsettling...
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This is Neifirst. She was another failed experiment just like Nei, sharing the same biological data as her. However, unlike her sister, her creators tried to kill her on the spot due to her status. This made her enraged against the species that gave her life, and as an act of revenge, decided to unleash this bio catastrophy to slowly wipe us out. This is where another truth is revealed: Nei did not come with Rolf just to protect him, she actually wanted to put a stop to her sister, because while she did dislike being treated like a freak or a monster, she never wanted to hate her species as a whole... It remains that she still wants to stop her sister’s plans, and despite Rolf’s protests, the two engages in a fight. However, due to Neifirst being much stronger, Nei sustains heavy damage and is incapacitated. But, this is where the rest of the party comes in, and thus they finish the job and kill off Neifirst dead in her tracks, Rolf then quickly rushes in to his dear friend’s side, but as he does... it’s too late... Nei is dead.
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This is yet another reason why Phantasy Star II is such an important game: it is, to my knowledge, the very first JRPG in which a major playable character dies permanently. Heck, Rolf even tries to bring her back through the local Clone Lab - because yes, citizens have access to eternal life by cloning their bodies until the end of time - but... since Nei’s genetic code was degenerating rapidly, they could not clone her body anymore. And, since Neifirst was also defeated, it is also impossible to get a fresh code back from anywhere in the world. Nei is dead. And you cannot do anything about it.
But don’t worry! It still gets worse!
But just as you’re about to find a way to fix this, it turns out that Climatrol has collapsed, which caused an immense flood all over the world. Since the government - and by extension, Mother Brain - isn’t happy about this, you are now considered a fugitive, a criminal. You are now the bad guy, and you are wanted for treason. 1989, anyone??
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This is where the second brilliant story-gameplay integration of Phantasy Star II happens. Where until now you’ve only fought mutated monsters due to the outbreak, the government has now sent thousands of carious cyborgs and robots against you - and lo and behold, this is now the only thing you are fighting in both the overworld and dungeons, and the previous creatures are now nowhere to be seen. THAT’S REALLY SMART. Now sure, even if you are considered evil to many, you still task yourself with the task of unflooding the planet, and to do so you simply reactivate all four colored dams in the continent. However, upon reactivating the fourth one, your party is suddenly ambushed by a trio of robots sent by the cops, and this time? They succeed in capturing you. Your party is now sent in chains on a hovering satellite, as you are sentenced to slowly wither away and die in there without any trial of any sort, simply because you went against Mother Brain’s dear wishes...
But, something goes amiss. The sattelite starts to malfunction, and is now set to crash on one of the three planets of the Algol system. And despite you all trying to alter its course, it is too late. The satellite crashes onto Palma - the planet of the first Phantasy Star game - and it is gone.
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That’s right! The planet in which many players took the time to save with Alis’s gang, to have a huge dungeon crawling adventure, the planet where you defeated Lassic in a glorious fashion. GONE. In only a few seconds. But... what about yourself? Well, you actually died! But a space pirate wandering close to the crash site pulled out your remains and cloned everyone’s body back to life... which makes you technically not yourself, and also dead, for the remainder of the game! ...May I remind you this game was developed in 1989?
Tyler the space pirate then escorts the zombie party back to Paseo, but not for long - you see, your commander, who hasn’t truly approved of Mother Brain’s actions against your group, allows you access to a spaceship. This is a big deal, because space travel as a whole has been banned ten years ago due to a major accident in which Rolf had lost his parents, and thus, the one stationed in Paseo is the last one remaining on the planet. But sure enough, Rolf takes the opportunity and travels to the ice planet of Dezolis, or Dezo.
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And honestly? Even though this next part has nothing to do with the main story, it’s probably one of my favourites in the entire game. In this section, you simply must make your way through an abandoned space station, which has not seen use in years. At first, you’d think it was somewhat related to the spaceship incident, but as you explore this space station, you find a bunch of animals and newspapers lying around. You not only find some irrelevant ads about various products, but also news flash about a horrible gas spreading throughout the station, begging every inhabitant to evacuate immediately, which... definitively implies a very bleak fate to the place and its inhabitants o_o 
And on top of this unsettling setting, this is the first time you get to hear “Silent Zone”, my favourite track in the game. While the rest of the soundtrack is very upbeat, catchy and all around excellent, this track in particular is very... sad, desolate, lonely, in spite of it being just as catchy! It all combines for a brilliant example of “show, don’t tell” that really sets the mood perfectly to me <3
Either way, upon exploring more of Dezo - a frigid wasteland with few inhabitants - the party gets to meet up with Noah, a party member from Phantasy Star I! After reawakening from a cryogenic sleep, he then reveals that unlike Paseo and Motavia, Dezo basically never submitted with Mother Brain’s control and benefits simply because they did not want to live a life without any struggles. Unfortunately, this is also where you learn that Paseo came to terms with this *after* being to MB’s whims and as such, you can connect the dots and realize that the satellite crash was no accident after all... it was all planned.
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Noah, however, knows about how deeply MB has ruined everything for the inhabitants of Motavia and thus tasks Rolf with collecting eight legendary ancient weapons all throughout Dezo, located within some ruinous, empty, cold dungeons which make for stunning atmosphere and presence, believe me!
Once that’s done, he then entrusts Rolf with the ultimate Sword and, thanks to kinetic abilities, sends him and his troupe to the space station housing Mother Brain. And once there, for the first time in centuries, a human being has met with Mother Brain.
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And of course, the computer scoffs at those rebelling against her. She laughs at how they think they’d want a life with struggles, wtihout comfort, without anyone providing their needs, when work and hardship seems so uninviting on a desert wasteland like Motavia, or a frigid hell like Dezo. And yet, after a (pretty difficult!) battle, you emerge victorious! Or do you?
After the victorious outcome, Noah senses some additional presences beyond Mother Brain’s spot, and urges the party to investigate. And then... I don’t think I’ll even explain it in words. Please watch what happens. It is disturbing.
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Yeah. We, the humans, were destroying our planet, Earth. Thus, we escaped through this spaceship to avoid extinction, and found the Algo system. It then, to our species, only seemed logical with so few numbers, to instead slowly weaken the population of all three planets with Mother Brain, making it then easy (although a very long process) to get rid of the population and start anew, even if it meant genocide. What I love about this twist ending is not only how it’s presented: the creepy music, the way you did *not* expect it at all, the number of humans on the screen at once, and so on... but also, how you don’t even know for sure how it ends. You don’t know if Rolf, Rudo, Amy, Kain, Hugh, Shir, Anna... if any of them survived. But it looks grim. It looks like we lost. And it looks like everyone we fought and tried to save... will rot until the final days anyway... Phantasy Star II... is important. Sure, I could talk about how the game is challenging due to how both your party members AND the enemies are very capable in battle or the stellar, catchy, memorable soundtrack...   but its story... is stunning. In 1989, we were still used to princesses being saved by armored heroes from dark dragons. We were used to things going all well in the end. But in 1989, Phantasy Star II taught us many things that would become staples in the future of JRPGs:  Yes, your cherished ones may die with you not being able to do anything about it No, you may not be able to save everyone you’d like to. Yes, your actions might make things worse for yourself and everyone else. No, things aren’t quite as black or white as they seem. And no, you might not always win. Phantasy Star II is a masterpiece. It’s a bit hard to approach this game today, but with a guide, this game is a must play. It’s unique. It’s ambitious. It’s chilling. And I adore this game to pieces. Thank you for reading, somehow <3
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lettrespromises · 4 years
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KUROO, AKAASHI AND ATSUMU - TAKE MY HEART WITH YOU.
@luveranime​ wrote : ❝ Heyyy! Could you do one where kuroo and akaashi and atsumu are leaving to another country for volleyball purposes and they have to say goodbye to their s/o?🥺🥺 ❞ A.N :  ❝ Dear reader,  this is my first request and i’m nervous as heck, i’m trying really hard not to scream right now. anywhoopsie! i tried to make these both sad and fluffy because all my posts are kind of angsty and i don’t want to be pinned as a heartbreaker. i had so much fun writing this so thank you so much for requesting, sending lots of love and kisses your way! mwah!  Sincerely yours, Nikki ❞ Genre: Kinda sad, kinda fluffy. Warnings: Bits of crying, mentions of sex but no actual smut (post time-skip for Atsumu).
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Kuroo is the type of person who gets emotionally attached slowly, but once he’s attached to you, there’s no going back. His passion is unmatched (yes I may be writing this because he’s a scorpio and so am I), meaning that he will pour every ounce of love he possesses into your relationship.
He loves hard and will always put you before anything else. As a matter of fact, you were the one who had to force him to go abroad to study new volleyball techniques and come back as a better, more experienced player.
It took forever to convince him though. He felt guilty for leaving you behind and as stated before, you come before anything else, including volleyball. (Lucky you, he’s putting his first love after you.)
As much as he is excited to meet new players, learn new ways to be a more efficient middleblocker and discover a new country, his excitation counterbalances with the thought of leaving you. He’s both looking forward and dreading leaving Japan, and you in the process. 
The latter causes him to lack slumber, he has terrible insomnias because his emotions are tearing him apart. Thankfully, you’re here to whisper sweet nothings to him and secure him in your embrace to make him fall back asleep (although, the few nights leading to his departure often result in him squeezing the life out of you when you’re sleeping, send help.)
The atmosphere of the ride to the airport is very close to pure denial. You’re both singing until ripping your vocal cords, his palm has found a permanent place upon your thigh, sometimes he squeezes your flesh to print this sensation into his head because deep down he knows this is the last time he gets to see you and touch you before a long time.
At the airport, you’re the kind of cliché couple to melt into each other’s embrace amidst comforting silence. You both feel like you’re all alone in the airport, like there’s nobody else there.
Your hands grip his Nekoma jacket hard, as if your life was depending on it, but after all, you just needed to keep this feeling with you at all costs- the feeling of your boyfriend’s toned arms around your waist, squeezing you like there’s no tomorrow while you keep your eyes shut.
Kuroo, on the other one hand, runs his digits through your hair in a comforting manner and delivers occasional pecks on the crown of your hair. 
However, you both know it’s time (although you might have been trying to purposefully make Kuroo miss his flight), which results in Kuroo saying “Kitten, I know it’s hard but I have to go now.”, cue your cute self looking at him with pleading eyes. “Don’t give me this look, baby, I hate this as much as you do.”
He envelops your cheeks with both of his gigantic palms and presses one final kiss upon your lips, it’s everything you wanted and represented Kuroo so well- passionate, caring, both soft and rough on the edges. His thumbs wipe away the tears crashing down on your cheeks, once he pulls away due to the lack of oxygen, he doesn’t miss to slap your butt because... Kuroo...
Upon leaving, he puts his Nekoma jacket upon your shoulders while flashing you his toothiest smile : “I’ve always thought you rocked it better than me, kitten.” 
As he makes his way to the main hall, he looks back at you and mouths a very touching “I love you, I’ll be back to you soon.” and blows a kiss your way, you stare at him and squeeze his jacket against your chest, at least you have a new cuddle buddy as a replacement.
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Ahh, Akaashi, or as I like to call him: agASHEHHHH.
It’s safe to say that he is the polar opposite of Kuroo regarding display of affection. Love with Akaashi echoes to comfortable silence, but that certainly does not mean he wouldn’t get the moon for you if you asked.
Akaashi becomes unconsciously a bit more distant and a bit more silent the week leading up to his departure. He thinks that gradually separating himself from you will hurt you less once he’s gone, he just wants his absence to cause you as little pain as possible.
You, on the other one hand, get quite frustrated with this semi-silent treatment. He doesn’t come at your place as often, he cuts the conversations short and says he’s too busy with Bokuto-san to hang out with you. 
The truth of the matter is, he’s hurting so much from the inside, and this idea of his is just eating him alive. It eats him alive because you’re away, and he’s the one blocking you off. He absolutely hates the way he’s acting.
Hence why, the day before of his departure, he crashes at your place with takeout, a bouquet of everlasting flowers and all the good stuff to have the perfect movie night.
Needless to say, you’re shocked once you see him and all these things he brought specifically for you. He takes time to carefully explain why he chose to bring you all of this: he ordered this peculiar takeout because it’s your favorite, he got you this bouquet of everlasting flowers so you can have a permanent proof of his love for you and the full ‘movie night’ equipment to light up the mood of this fatidical night.
Although he doesn’t really initiate any kind of affectionate touches, this night is the total opposite- he delivers pecks everywhere on your face, envelops you safely into his embrace, plays with your hair while you’re watching the movie and whispers a few “I love you so much.” in the crook of your neck.
Eventually, you both fall asleep and he carries you bridal style to your bed where you both spend the night together, comforted by each other’s embrace.
Akaashi insisted on going to the airport alone, the will to cause you as little as possible still embedded in his brain. Thus, he leaves you while you’re sleeping and admires you one last time before delivering a sweet peck on your forehead and whispers “I’ll be back before you can say it, dove.”
Once you wake up, you pat the other half of your bed only to realize you’re alone and Akaashi has already left. However, there’s a curious bag next to your bed. As you open it up, you realize it’s filled with Akaashi’s clothing and his signature smell is locked in within the fabric, there are also a bunch of neatly handwritten notes for each day he’s gonna be without you. All of them are reminders of your qualities, how much he loves you and memories of your dates with polaroid pictures.
 Upon seeing all these precious things specially prepared for you, you go back to sleep, hugging his pillow close to your chest with a soft smile on your face, Akaashi’s favorite smile.
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Oh well, now this is a wild one.
Dating a professional volleyball has its pros and cons, and needless to say, the biggest disadvantage of dating Atsumu is how often he needs to go abroad to play against a foreign team. 
Now, of course you’re his number one fan and rightfully so and Atsumu asks you to come with him all the time but you can’t just leave your professional life aside, hence why it’s always bittersweet when he has to leave.
However, if it’s bittersweet to you, to Atsumu, it’s the best occasion to tease the hell out of you because you pout every time he brings up the fact he has to travel to another country. Cue the inevitable “Aw, is somebody gonna miss me or what?” and the obvious wink sent your way.
Teasing you is a way to make you crack a smile or laugh, which indirectly makes you forget about his trip for work or at least it makes it less painful because you’ve been laughing so much with your boyfriend. And to Atsumu, it’s the perfect way to capture a few candid pictures of your beautiful grin so he can admire them all once he’s far away from you.
Now, I hate to state the obvious but when I said that Atsumu is a wild one... I meant it. Hence why the night before his departure, he always makes sure to please you in bed and make you scream him name, because God knows when he will be able to do it again and hear such a sinful melody coming out of your mouth.
He does insist on you coming to the airport with him, and there again, he’s a wild one : Atsumu has no shame in making out with you right there, right now in the airport in front of the incredulous looks of the passengers around you.
He won’t hesitate and honestly has no shame regarding public display of affection : open mouthed kisses, trails of kisses left on your neck, a hand adventuring on your derrière, hell, even hickeys if he’s feeling like it.
Atsumu takes pride in leaving a few love bites, it’s a literal physical reminder that even though he’s not here with you, you know who you belong to. And nothing makes him smile more than imagining you staring at your reflection in the mirror once the bruises have healed up.
Nonetheless, the full make out session is broken by none other than the MSBY Black Jackal team’s obvious coughs, you know, a way to say “Hey, lovebirds, we don’t actually want to assist to the creation of a baby live in an airport and we kinda have to go.”
Both you and Atsumu know it’s time to part ways... But not before he plants a series of kisses on your plump lips and whisper a succession of “I love you so much, babygirl” or other “I’m gonna miss you so much, you have no idea”, orrrrr “You drive me crazy, baby.” and eventually the obvious “I can’t wait to make you walk weird for three days straight once I come back, princess.”
Eventually, you wave at Atsumu with a shy grin plastered upon your face, now that everything he said to you has sunk in, in return, he blows an obnoxious kiss your way. 
Once he returns to the team, Kiyoomi keeps his distance, even more so than usual because, I quote, “Do you have any idea of how many bacterias are shared in a kiss, Miya? 80 millions, which gives me 80 millions to stay away from you.” cue Atsumu replying with a smirk “I don’t regret a single one of these bacterias you’re talking about, totally worth it.”
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cadomoisspokenfor · 3 years
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Ya know thinking about it, maybe there’s nothing more to Syds weird amount of trust for Farouk than gullibleness and pride.
There seemed to be a pattern of her not really internalizing the severity of Farouks crimes, she mostly just thought of him as an “asshole” throughout all the seasons and not someone doing deep long lasting damage to the people around her.
In chap 11 when they find the music box David ask what it is she says, “Nothing just your asshole parasite messing with my head.”
As if its Davids fault Farouks evil, or as if Farouks only a David problem, and not ya know, an extremely powerful supervillain bent on world domination.
I’m trying to figure out what Syds perception of Farouk was, so lets look at their major interactions.
1. Discovers his existence, chap 5. She was wondering what the problem in her and Davids relationship was and now she has someone to blame. I’ll point out, it’s likely she was only thinking of Farouk as an obstacle in the way of her and Davids relationship, and not as a horrifying abuser who’s had a chokehold on David for his entire life. Now the “mission” is clear, snip Farouk outta Davids head, everything’ll be perfect.
2. David and Amys childhood home, also chap 5. Farouk jump-scares them a few times. And I think as far as Syds concerned, that’s a cheap trick. She sheds a tear but then puts on a brave face and keeps moving. Just a horror show after all. None of it “real”. But then Lenny actually jumps out and attacks her, telepathically ties her up then starts grotesquely kissing David while he’s unconscious. And the way she talks, I think Syd internalizes Lenny as being like... a jealous ex. The kissing, the “you stole my man” type language. Man, this relationship obstacle just won’t get out the way. And then...
3. Mental Clockworks, chap 5-7. In the white room Farouk reveals his true form and chases Syd down which scares the shit outta her. But, important note, he doesn’t actually touch her before the delusion is put in place. It’s still very much not real.
Anyways, what’s a horrifying display of control and power for everyone else worked a bit differently for Syd. She was the only one who noticed anything was off. And she couldn’t place it for a while, which worried her, and she eventually gets incapacitated by Lenny. But then, she’s woken up by Cary who takes her into a phone booth and tries to update her on what’s happening, only she’s already figured it out. I’ll point this out as a moment of overconfidence, she’s visibly proud that she was able to see through the illusion. She’s not like the others, she’s a hero archetype. And being that means when Cary hands her the glasses and tells her to go save the others she’s super confident in her ability to do so. She’s the hero after all. And when she does put on the glasses she remarks, “She thought it’d be more interesting.” She’s actively downplaying this nightmare. I don’t hold it against her but my point in saying all this is that it comes back later. This is another instance of her thinking Farouk’s “Not that big a deal.” Underestimating his abilities. I mean, she saw through it after all, she could probably do it again if she needed too... right?
To summarize 3, Syd sees herself as the hero who saw through Farouks cheap illusion. She feels stronger than Farouk here, like he couldn’t hurt her (really hurt her I mean) even if he tried. And in that, she can’t relate to the others who treat it like a big deal or like a traumatizing moment in their adventure. It was just a standard hero vs villain fight to her. Really hope the points getting across cause this’ll come up later.
4. White room, chap 8. Another interaction with Lenny only this time she’s on the ropes, looking a lot worse for ware. Syds not scared of her anymore, or so she tells herself at least. She saw through Farouks tricks. She can do it again if she has too. Nothings gonna get in the way of her and Davids happily ever after. Except Lenny has a good point... she’s still inside David. Still attached to his mind. She could explode his brain if they try to rip her out forcefully. And David can’t handle himself against Farouk, Syd knows this. Cause Davids never won against Farouk up to this point. Getting out of Mental Clockworks was a team effort from her, Melanie, Cary, and Oliver. If it hadn’t been for the crown they wouldn’t’ve gotten out of their. Syds role in this was to keep Kerry and Rudy safe until Cary could complete his end of the plan. And she did. But David was helpless in that, as far she knows. So she, the hero, needs to do something. Just sitting around isn’t good enough. So... she switches with David again. Using a true loves kiss too, a truly fairy tale worthy action, one for the books.
She’s fully possessed now, completely outta control of her own body, but Farouk only used her to get Kerry. It’s a very short moment for Syd, she might not even remember it. When she wakes up she says, “Did we win?” She honestly might’ve just blacked out after the kiss. Because they’re not telepaths their minds are probably much easier to push to the side than Davids. She might not’ve really... experienced the possession is what I’m getting at. And she’s once again most concerned with David.
D: “You should not have done that, as much as I like kissing you.”
S: “It would’ve killed you.” She says that last line not in a concerned way, but in a playful-ish way. As if to say “Obviously I saved you. I’d destroy the world myself if it meant saving you.”
Ya know what, I’ll point out here also that David once again failed to beat Farouk. Syd managed to get Farouk out of his mind but David still couldn’t stop him in the real world.
5. Plaque, chap 9. As explained in show, Syds been part of the team hunting down Farouk and trying to stop him from finding his body. Before chap 12 she and everyone else is under the impression that Farouk is the source of the “maze virus”. A psychological plaque that freezes everyone in their tracks and causes them to chatter their teeth. Disturbing, but... just based on other stuff we know about the character... she probably doesn’t care that much. Her main focus is probably still David. And when David comes back, she immediately blames him for disappearing. Her context here being that he was found in the club they followed Farouk to, next to a bunch of teeth chatterers mumbling, “Help them. Their in the maze.” Clearly, he’s been somewhat involved with the events of the past year, so why hasn’t he contacted her? Why hasn’t he included her in it? Why’d he abandon her? He says he doesn’t remember anything? Ptonomy says otherwise. Clearly he remembers something. He’s keeping secrets. She gets why from the others, but why from her? They’re supposed to be a team. And he abandoned her, to go clubbing with Farouk or whatever it is that he was doing their.
6. Music box, chap 10. Davids back. Maybe she can just pretend things are normal. He leads them to the middle of nowhere and they find her old music box. Farouk. That asshole. His little jump scares and memory tricks won’t get to her. He can’t hurt her, remember? This is all he can do. Illusions, trick. And she’ll see right through them every time. Besides, was reminding her of her childhood really the best he can do? Yeah she’s got a childhood, so does everyone. She’s over it already. (I’m starting to type more and more in Syds perspective.)
6.5 Syd the illusion breaker gets caught in the maze, chap 12. Only... she’s out of it before David even enters her mind to save her. She sees that he’s there, doesn’t know why, but decides to use this as an opportunity to teach him a lesson. We all know the lesson though. The headline in this particular case is, “David never saved Syd from her maze.” He never even saw it. She doesn’t know what he’s talking about when she mentions it. He entered her mind but she’s the one in full control. Scary good control even, props to her. The lesson she’s trying to teach him is sort of... her own thought process on heroism. “Love can’t save us, it’s what we have to save.” Up to this point “love” is all Syds been fighting for. It’s been the driving force behind her heroism. She’s done some messed up things in her past, sure, but all her problems only made her stronger. They made her the “truth seer” she is today. They led her to David, the best thing that’s ever happened to her. No villain can hurt her more than she’s hurt herself. This all... obviously doesn’t translate perfectly to David. That’s just... not been his experience.
(Skippable David Tangent) Farouk hurt David the most that any one person could. And David couldn’t hurt himself more even if he tried. And all Davids pain hasn’t made him mentally stronger, less gullible, or less sensitive. The opposite in fact. Davids minds been split, unbeknownst to Syd. He’s in a constant state of confusion. He keeps getting tugged around by friends and enemies and doesn’t know what to do about it. Davids pain hasn’t shielded him at all, just caused him more strife. He’s even still being manipulated by his abuser. The survivor story just doesn’t work on him, at the moment at least. As far as Davids concerned his “strength” comes from his powers, and he didn’t get a choice in those either. Syd doesn’t see any of this, she’s not a telepath. She hopes her story will help him but... it really only applies to her. Back into her perspective though,
7. Lenny’s back, chap 15. I know this isn’t a Farouk interaction but it is sorta important. Davids not listening to her. She’s trying to remind him of the mission, trying to keep him focused, but clearly it’s not working. Losing his sister really affected him. She understands sure, but he won’t even talk to her about it. Love is what’s supposed to be used to help each other through these dark times, to make sure people don’t feel alone. But he’s isolating himself from her. He isn’t “saving love” he’s pushing it away. That’s not what heroes are supposed to do. Farouk is once again in the way of their love. She can’t blame David, and she knows it’s not her fault, so Farouk.
But the headline there is she’s downplaying his sisters death. As if it’s just another trick to mess with him, an obstacle to be hurdled over. Like the music box thing. But... his sister died. In fact... Lenny was more immediately comforting to him about it than either of the Syds were.
Syd still isn’t internalizing the pain Farouks causing to others. All she’s internalized is her own wins against him and the fact that he’s never permanently damaged her specifically. Or so she says. He’s still just a ghost in a haunted house.
8. Lenny talk, chap 16. Syd comes over to gloat. She sees through Farouks trick. Lenny’s not gonna frazzle her, or David. She’s just another obstacle to their happiness. Only Lenny drops a hard truth on her. And Syd doesn’t seem to want to hear it. She’s stunned at. Tbh... I think she walks away deciding not to believe her. It must be another trick. She just said that to mess with her (again, Syds thoughts). She really really wants to continue thinking of Farouk as “just some asshole” who they need to work with and/or defeat so her and David can finally have their happy ever after. At this point, if she actually started thinking of Farouk as dangerous to her, as a major threat, it’d feel like giving him power. The power of fear, over her. She refuses to be afraid of Farouk, cause she knows that’s how he tricks people. That’s how he controls them. So she doesn’t listen to Lenny. She resolves to continue downplaying Farouks crimes. A dog barking in peoples ears.
9. The cave, chap 18. In between this and the last one David left her again. He really doesn’t get what “saving love” means. But she dedicates herself to him again. If he won’t save love, she will. She’s a hero after all. She’s beaten Farouk in the past and she’ll beat him again if she has too. And then... the cave. Incorporating what another fan has said, even if Syd does pic up on Melanie being Farouk, she knows her future self wanted to work with him for some reason. He was the key to saving the world. He may be a house haunting asshole, but if he saves the world, then there’s gotta be something more to him... right? Melanie complains about Oliver some more, she’s over it. But then Melanie starts showing Syd images. Syd doesn’t know how she’s doing that, but some of the images are from very private personal moments. And they’re all centered on David. These must be memories. Both her and Davids. How Melanie is doing this can go on the back-burner for now, what is she trying to tell her with these? That Davids crazy? No, Farouk’s the one who was behind all these things. Davids “her man.” Her one true love. The problem in their relationship has always been Farouk.
But then... there are all those moments after she got Farouk out of his head. Him keeping secrets. Him not confiding in her, or being there for her. Him constantly leaving her behind. That’s not how love’s supposed to work. A psychopath? Well, when you say that... and you show these images on the screen... and you show him torturing Oliver ( a victim) to get to Syd. And enjoying it, almost like he just wanted the excuse to go all out. Like it’s not really about saving Syd. Or love for that matter. Syd maybe admits to herself at this point that Davids fairly unhinged. He’s had a rough childhood though, there were bound to be some sharp edges here and there. He tortures Oliver for a long time though. And it really starts to feel like he just likes doing it, not that he’s doing it cause it’s “necessary”. It doesn’t even work.
And then... Melanie shows her Future Syd. She matches the description David gave her. And there’s David, in those same pajamas he wears. And... he’s kissing FS. He didn’t tell her about that. It’s not cheating cause it’s her future self. But... they talked about this. David was the one to say it might feel weird. Why not tell her? Why keep that a secret. Even if it’s not cheating, it certainly feels like it. It’s a huge betrayal. And he doesn’t have Farouk as an excuse. Davids just... a bad person. She’s starting to piece together the point of all this. “Legion, The World Killer” yada yada.
David hasn’t been loyal to her. He hasn’t saved loved, he’s not going to save love. The path he’s on is dark and selfish. Could he destroy the world? They’ve known he could since season 1. They never thought he’d actually do it. But wait no, you can’t give up on love that easily. He’s a good person. And then Melanie shows it all again. And she shows him kissing Lenny. And she shows FS telling Farouk about David. And Syd can’t help but concede. Davids too far gone. Farouk may be an asshole, but David lied about everything. He lied to Syd. Again, Davids not going to save love, he missed the mark on that. Davids going to end the world.
Very important to point out here, as I’ve tried to build it up, Syds internalized herself as a hero who doesn’t let anything get to her. Farouk can’t hurt her with his illusions and tricks. She’s seen through them before and she’ll do it again. But David betraying her? Keeping secrets? Playing with her heart? That hurts more than anything Farouks done to her. She invested in David. She was on his side no matter what, but he wasn’t on her side. So if FS says Davids evil and has gotta go, than she’ll believe her. He’s gotta go.
All of this hopefully explains my theory on Syds specific moment-to-moment reasoning thoroughly
I also wanna say though, if I’m right this makes Syds moment on the mountain make more sense. All the specific unexplained discrepancies.
She says she knows it was Farouk who showed her all that. Because she doesn’t perceive Farouk as that big of a threat and again, as mostly a house haunter. Those were clearly memories, she doesn’t care that the infos coming from him, and she believes she can tell the difference between an illusion and something real. so Davids gotta answer for that.
She gets a detail wrong, she says “He went to see her, after you quit.” But we all know he saw her before David quit and specifically set him up. Syd doesn’t know David specifically broke their rules after they set them. She thinks he kissed her beforehand and didn’t tell her for whatever reason.
And again, she doesn’t fully understand what everyone around hers been through. Hence, “The son of sam” thing. To her, Farouk maybe evil, but you can see through his tricks if you just try hard enough. Even though he possessed her she didn’t really register it happening. At a certain point the things you do when he’s in your head are on you (says Syd).
Oh, and also majorly, the “Farouk, your enemy” thing. She never really care about him all that much. He was just an obstacle. David was the one who had a weird complex about him.
Tl;dr Syd doesn’t view Farouk as much of a threat. She doesn’t register or internalize the pain he’s causing to the others cause he’s not doing any of it to her. Syds main focus is David and when she realizes what Farouk’s showing her are memories, and that David’s betrayed her and isn’t planning on “saving love”, that hurts her more than anything Farouks done. Thus, she turns.
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huearmy · 4 years
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Life is Beautiful - I
Summary: You are a glass half full person, your life motto is "Life is too short to... Insert something and anything here". During your whole life you wanted something more, and even not knowing what it is, you put yourself to find out and get it, experiencing everything  brilliant that the world offers - within the measure of what is safe, of course. The curious thing is that your way of living ended up rousing  the interest of two vampires. One who sees beauty in everything and  loves to exist, currently working with suicide prevention; and another one who no longer sees grace in things, in that boring immortality that never ends, and only complains about the Netflix catalog all the time.
Pairing: Jimin x reader / Taehyung x reader.
Genre: fluff, angst, future smut (very soft, ok?)...
Words:  7509.
Rating: +18
Warnings: As much as my writing is soft and light, and as these are not the main topic of the story, treated in a non-descriptive way, there are sensitive themes from the beginning of the first chapter to the end of the fic that can trigger sensitive people, like depression, suicide, addictions in general - Jimin literally works at a suicide prevention center here. SO PLEASE! Read responsibly, my intention when dealing with topics like this is always 1) dealing with them in myself, as a way of putting out part of my own healing process 2) generating identification in other people, so they can go through the difficult time a little less alone. THIS IS A STORY THAT SEES THE WORLD WITH POSITIVITY.
Chapter II Chapter III .
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After some centuries of not living, all vampires go through a kind of midlife crisis in which everything loses its grace and eternity becomes endless boredom. Nothing new happens, humans are born, sometimes they are relevant to world history, they become vampire food or they die dull. Vampires do not need to sleep or use the bathroom, nor to feed more than once a month, so the days are long, and often lonely, which leads many of them to stand still without moving, looking at nothing until their thirst quits, forcing them to go after a pulsating neck. Many go through this phase as serial killers, with killing as their only source of pleasure, others prefer to hibernate in some dark place or tomb, because false death is more interesting than false life. Some never get past the phase.
Jimin is not like that. With almost a thousand years of existence he is totally in love with life. Every day when the sun rises and the sunlight forces him to stay indoors so as not to burst into flames, he spends his hours with a smile on his face, engaging in small banal hobbies, such as gardening or online courses at distance - after almost a decade of doing this, Jimin already has fifty-two certificates in different areas, and he is pretty pride of it. When night comes and he can go out and see the world it’s even more interesting, because humans ’nightlife isn’t as hectic as daytime, so those who live in those dark hours are different. There are those who do wrong things and commit crimes, those who have double lives or who keep secrets, there are people working to protect and save, like doctors and police, there are night guards and twenty-four hours convenience store attendants, groups of friends who spend the night partying until dawn, and those who feel lonely in their empty apartments unable to sleep... And this is the part that he likes the most: people.
He likes to meet random people in the empty metro, buy a drink for a girl who doesn't take her eyes off him and then dance with her, strike up a conversation with a homeless man under a marquee because he knows the guy must be lonely. Watching and learning about other lives keeps him alive, more than the blood he needs to drink.
He likes to get temporary jobs to have some human experience. He has worked in pizzerias, both in the kitchen - he was not very good, so he was put in the dishwasher - both in deliveries, and at a gas station, as a hotel receptionist... But now it looks like he found a job he wants to stay in, so much that it has been a year and he has not yet resigned. Perhaps Jimin has found his calling.
"It's okay... You are not alone, I'm here and I'll stay until you feel good again." He said with his sweet, angelical voice. "Can you get away from the sharp objects? Please?"
The voice on the other end of the line sounded like just a choked whisper, before the answer came, fast, heavy breathing filled the air.
"No... I can't..." The female sobbed.
"Can you tell me why?" Jimin's voice was calm. "I... my legs are numb... I can't... stand up." Her breathing was erratic and desperate.
"Are you hurt? Do you need an ambulance to be sent to you?" He used his most reassuring voice possible.
"No!" She started to cry even harder. "I don't want no one... to see me... like this." Jimin bite the inside of his cheek, thinking, maybe she just wasn't able to get up  because of the anxiety attack, but she also didn't say she wasn't hurt.
Regardless of the case, he needed to make the girl trust him in order to help her.
"What is your name?" He smiled, hopping she would listen to it in his voice. "... Ana" She whispered. "Nice to meet you, Ana. Do you remember my name? I told you at the beginning of the call."
One moment of silence.
"Jimin." She said with little certainty.
"Exactly, good job. Hi, Ana." "Hi, Jimin." Despite the crying voice, she was no longer sobbing.
"Ana, can you recall the last thing you did that made you feel safe? Secure?" A sigh reached Jimin's ears. As he waited for an answer his hands moved over a sheet of paper, he was drawing a beautiful face of a girl with crayons, without paying much attention, but getting a beautiful result.
"No." She said at last.
"I know you can, Ana. No need to rush. Breath." She thought some more, taking a deep breath and letting it out slowly. Almost a full minute passed, the two of them silent on the call. Jimin did not press for an answer.
"I was watching Friends... with my cat." "Your cat?" Jimin smiled more spontaneously now, noticing in her voice an oscillation of affection when saying the word cat. "Talk more about your cat."
"His name is Sushi, he's fat, full of himself, and loving. He likes children, food and sleeping. I recently bought him a cute collar, it looks like a pink bow tie." She almost laughed.
"Wow...He is a lucky cat." Suddenly she started to cry again, sobbing so hard that Jimin hardly understood what she was saying.
"He ran away and hasn't come back yet... He's never been away from home  so long... He's all I have, there's no one else... I don't want to live... alone." "Is it just you and Sushi?" Jimin spoke more forcefully for her to hear over the sobs.
"Yes." She choked. "I can't get up... It hurts so much. I'm so-sorry..."
"Ana, do you need an ambulance to be sent to you?" He tried again. Silence.
"Yes." "So I will stay with you until they come to help you. You are not alone."
Jimin was a vampire in love with live, eager to live each day as if it were the most precious gift, so working in the Center of Valuing Life and Preventing Suicide was perfect. He considers himself an expert in convincing anyone that life is beautiful when he has the opportunity to say everything he thinks about. And not letting people feel alone is one of his favorite hobbies.
After all, eternity can be quite lonely, he knows how it is.
________________________________________________________________
That call is over. Jimin was searching for missing cat posts on social media. In the silent office room it was just him and three other people working, each at their separated personal table. Perhaps due to the nature of the work, or due to the late hours of the night, nobody spoke loudly or made a lot of noise when doing things, even when talking to each other, everything is always very restrained, calm.
Jimin's eyes followed the clock hands on the wall above the door. It was almost one in the morning, actually, to be exact, twelve minutes to go, so in two minutes, you would punctually enter that door with your heavy backpack full of books, of someone who just left college on the other side of the city, and after stopping at a twenty-four hours fast food to get a well-deserved burger spent an hour on a subway trip. He could already hear your footsteps down the hall, the characteristic sound of the rubber on the soles of your boots and your bunch of keys stuck in the handle of your backpack tinkling. He heard you putting your stuff in your closet and hanging your coat on the rack in the next room, and a smile formed on Jimin's face. When the hand on the clock struck ten to one and you opened the door trying not to make any noise so as not to disturb anyone's call, Jimin pretended not to notice you entering, not taking his eyes off the computer screen full of images of cute cats. You straightened up and held firmly the pair of coffee cups in your hands till the knots turned white, looking straight at him - in fact, from the moment you walked through the door you were already expecting to see Jimin sitting at his table, as always, and since then you haven't looked away. Walking in light steps - that he could hear by the way - to him who had his back to you, you tried to control the butterflies in your stomach, happy he wasn't in a call right now.
"Jimin?" You called softly, close to his ear, but not that close. Yet. Jimin contained a smile and turned around as if you had taken him by surprise. "Hey, Y/N, didn't see you there". As usual, his direct look made your heart race and you gave a nervous laugh before getting along with his flirty tone. "I bought you coffee." You handed him one of the cups. "To take the night shift a little better."
"Thanks, sweetheart."
You are the other reason Jimin didn't quit this job yet. A few weeks ago, when he was working long enough to decide to leave and go for the next adventure, you started working at the night shift, and right away you caught Jimin's attention, even though at first you didn't talk with him that much - in fact you only talked to the women on the team, and avoided the men. More than once he found himself paying attention to your emergency calls, how you talk, being positive without being suffocating for those in pain ... how you love life. After a while you started doing the same thing, a little less easily, since you don't have a vampire audition, but it was enough for you to acquire a platonic crush on Jimin, which resulted in you opening up, and you two start talking here and there. Now almost whenever you have time or money left over - college life is poor life - you bring him coffee. Jimin doesn't actually drink coffee at all, and he doesn't feel sleepy either, but he thinks it's cute that you worry for him. You see each other three to four times a week, depending on the schedule of work, and he is always eager to see you. Flirting is exciting, and he hasn't done that in a while... Like two centuries, and how it was done back there was quite different. Other times indeed.
"Did you lose your cat?" You asked, confused.
"Oh, no, I didn't." He closed the page with the photo of a white and gray cat wearing a pink bow tie.. "One friend of mine lost her cat, Sushi." "Poor thing. I hope she finds Sushi soon..." You slightly pouted.
"Me too. I'll help her." Jimin said, and the butterflies in your stomach thought it was beautiful.
Something on his desk caught your attention, a colorful draw of said cat made with crayon. Before Jimin could stop you - he was distracted by hearing your heart beat faster because of him - you picked up the stack of papers to get a closer look.
"And you drew him! How beautiful... I didn't know you were so talented." "Thank you. My friend who taught me, he is much better than me..." Jimin simply answered.
You moved on to the next sheet, where another sketch of the cat in different colors made your eyes shine. "So he must be awesome. Look at this!" Jimin was happy to be praised by you, the pink of your cheeks when speaking was a beautiful sign for him, but then he remembered what was the next drawing in your hands, and before you could see it, he cleared his throat and took them back, keeping them in the drawer. It was a drawing of a girl's pretty face. Your face. "They are not quite ready yet..." He pretended modesty.
"Oh, sorry. If you need help, just tell me. I can hang up posters or something. About finding the lost cat, I mean." You volunteered, and then looked around. "I better get to work before someone scolds me."
You went to your desk, across his, and your eyes met a few more times before as you sat down and turned on your computer. Jimin's phone rang and he forced himself to look away from your face, someone else needed him now. "Good night, my name is Jimin and you called the Life Valuation Center. Can I help?" He spoke, his voice welcome and full of affection. ________________________________________________________________
Jimin's shift ends before yours, just before three in the morning he puts things away and leaves the table ready for the person who will use the next shift, but he won't leave, even if everyone thinks so. Instead he goes to the roof to look at the stars and wait for you to leave - not that you know he is waiting for you. He was listening to a random playlist on spotify, stretching his body to the beat just because it feels good, thinking about nothing specific, just existing and feeling good about it.
The night breeze brought his scent to him, looking down from the parapet, he could see you leaving the building, with your scarf well wrapped around your neck, covering half of your face to protect you from the cold air. He doesn't understand you... It's beautiful that you want to help people who are going through a difficult time, and you've commented before that the night shift matches your other schedules, and that you like to stay up at night. However, he thinks you should consider it's not worth it. It's so late and empty when you go home, it's dangerous for a human woman, and as much as he knows that you have a pocketknife in your pocket, Jimin thinks it's silly of you. Usually he wouldn't think much about it, but it's you, and he is fond of you, he can't just do nothing about it. So even if you don't know it, he accompanies you home every night to make sure you are safe. He is only satisfied and goes home when he hears you enter your room. Sometimes he stays a little longer, sitting on the emergency stairs outside your building, listening to you walking up and down in your room, doing whatever, instead of going to sleep soon.
That's kind of creepy. He knows. But he is a vampire, he is already creepy in essence. But of course he would never watch you sleep, for exemple, this is a stalker limit that he does not intend to cross.
"Okay." He sighed as he heard you getting into bed. "I have one hour and a half before the sun rises... Let's find that cat." __________________________________________
You were awake for a couple of hours already, currently packing your books at the end of a lecture, really needing sugar to feel prepared before the last class of the day, and excited that instead of going to the study group you are a part of, you will take an experimental dance class and it's your day off, which means that instead of staying up until dawn working, you can stay up until dawn studying, and maybe sleep a little earlier. Life is too short to not take all the free trial classes available just because your schedule is already full and totally demanding. Anyways you are dead tired, wishing your body doesn't need to sleep... Since you started to work on the Life Valuation Center all your sleeping schedule went down the drain. At first your plan was to work the night shift only at the beginning, and then change your hours, but for some reason you always liked to stay up all night, also the movement of calls in this period is bigger and more specific, which helps in your internship report, and of course, in the day shift there is no Jimin... You've settled in, and now after months of this crazy, fickle routine, your body is feeling the side effects.
"Three of this rainbow donuts please." You asked at the college cafe. One because you want, two because one is not enough, three because you are greedy. Life is too short not to overeat your current favorite sugar source. You sigh to yourself, taking a seat along your friends. Your mantra for life is life is too short to...insert anything here, experimenting and doing things that you never imagined before and that your mother probably wouldn't approve a hundred percent is what moves you. Basically nothing scares you, since childhood you were courageous and fearless. You subject yourself to almost anything, within the measures of what is safe, to have good stories to tell. The world is too big to be content with just having good grades to graduate and have a good job. What you want is much more... so much more that you don't even know what... But it’s not just because you don’t know yet that you’ll stand still without going after it to find out.
"Hey, Y/N, what are you gonna do on the weekend?" Your friend, Becca, asked comfortably within her girlfriend's embrace. As usual, whenever you see the two of them together being all lovey dovey, you feel a twinge of pride in your heart, because you were responsible for them to start dating in the first place. Although your romantic life is not very interesting, without serious or successful relationships, you are a great cupid.
"For the very first time in months... I don't know. I didn't plan anything, maybe something will show up, if not I'm just going to sleep. Why?" You smiled your happy smile of eating what you like.
"Pool party. You need to get a tan, you look like a vampire with that pale, tired face of yours."
You laughed because it's true, since you started changing the day for the night, your skin has acquired a not healthy tone that you are not used to. You've been missing the sun a little.
"First of all, I'm too cute to be a vampire. Second, yeah I'll think about it, I have a new bikini I haven't worn yet that makes my breasts look stunning." One of your friends that was sitting by your side put his arm over your shoulder. "I changed my mind, I'm going to this party." He loudly said. The girls in the group didn't laugh at all. "Shut up, Mike." You playfully pushed him. ________________________________________________________________
This was the second night that Jimin was looking for the cat, Sushi. It was not difficult to find out the address of it’s owner, since he had to activate an ambulance for her, and with that he started looking for the animal in her neighborhood. Passing through the empty streets at night after his work shift, he could see the girl's tracks leaving "missing" posters with a picture of a kitten wearing a pink bow tie, on lampposts and bus stops. At first Jimin thought it was going to be easy, with his keen vampire senses, but all he found were stray cats that weren't Sushi. The second night of searching was already ending, the sun was rising, threatening to make him explode into ashes if he didn't come home soon, and no clue as to where to look the next night he had.
Before getting into the car and driving home, Jimin took one last look at the slightly open curtains in the girl's room, Ana, just to make sure she was okay. She had been discharged from the hospital that afternoon and was now sleeping on the couch, probably medicated. Jimin didn't want to leave her alone, but he couldn't just walk into her apartment and offer help, for now all he could do was find a way to find the cat. ________________________________________________________________ Jimin lives in an old pretty house in the wealthiest part of the city, it isn't a mansion, but it is big and expensive enough to impress anyone who sees it, privileges of centuries of saved money. It's a cliché, but vampires dress in designer clothes, ride luxury cars and live in expensive mansions, houses, apartments, and Jimin is no exception.
From one of the main rooms, behind a heavy curtain, hidden in the gloom, was another vampire, watching the street with intent, expressionless eyes. When Jimin's car turned the corner and up the wide street lined with huge trees, the vampire got uneasy, his beautiful restless hands worrying the hem of his sleeves. He was anxious and angry, if his heart was still beating it would be racing. The garage door opened and the car entered, disappearing from view, in the next second the vampire was no longer in the room but in front of the door leading to the garage, waiting in the empty, dark hall. The knob turned the door slightly opened, Jimin with his head down did not seem to notice the presence of the other before being attacked.
"AH!" Jimin screamed as long arms embraced his neck. If it wasn't for the wall behind him he would have fallen, yet he had no escape, with a body much larger than his overpowering him. "Taehyungie!"
"You are late! Is the second day in a row you get home after sunrise! Are you trying to die?" Taehyung said, and didn't let Jimin go just yet. "It's okay. I was careful, I just had to do a few things before I came home. Look, there's not even smoke coming out of me." Jimin ran his hands over Tae's back, making him relax. The other stepped back a little, taking his face in his big hands.
"You could have sent a message. I asked you to let me know if you were going to be late again, Jiminie..." Tae pouted, still distressed. "And why do your clothes smell like garbage? Take it off."
Even feeling deprived of affection, Taehyung walked away looking disgusted, covering his nose with two fingers. Jimin obeyed, taking off his sneakers, jacket and jeans, following Taehyung through the corridor to the laundry room, where he put everything in a basket to wash later, and also exchanged the shirt for a clean one too. "I went into some alleys today, looking for a cat. That's why." Jimin explained, feeling much more comfortable in not smelling bad.
"And where's it? I don't think Tannie will like to share the house with a cat..." "Where is what?" Jimin was confused. Tae crossed his arms.
"The cat?"
"Oh no!" Jimin laughed, reaching for Tae to take him by the shoulders. "I wasn't looking for a cat to bring home, as much as I would love one as a pet... It's the cat of a girl I met, and is very sad to have lost it..."
"I got it..." Taehyung mumbled.
Jimin was just helping someone. Again. And Taehyung couldn't say exactly why it bothers him so much every time, but it does, he feels distressed, almost as if the world around him collapsed, and it makes him think he's being overdramatic. Live an eternity when you can't even put your feelings out in moments of frustration. Damn, it is conflicting... If vampires could cry, he would. But never that he would let Jimin discover that he feels that way.
It was Jimin's turn to take Tae's face in his little hands.
"You are so skinny. When was the last time you fed?" Taehyung didn't answer.
"You don't even remember, right?" Jimin's eyes went worried. "Did you see that I brought some O- packs for you? I left it in the fridge."
"No, I didn't." A shy smile spread across Tae's face. O- is his favorite blood type, but because it is a not so common type, and humans need transplantation, it's not always that Jimin brings it to him, usually opting for his second favorite flavor or other one available.
Jimin has been trying to cheer his friend up with little treats. It has been a difficult phase, in which he thinks Tae is going through the vampiric midlife crisis. He hasn't been out of the house for almost two decades and does nothing without a little external motivation, even the simplest things like eating. So Jimin tries to bring the best blood types to fill the fridge, signed all available streaming platforms, updates Taehyung's video game consoles as soon as a new model comes out, tries to get him interested in new hobbies - which never works but he doesn't give up - and he even adopted a puppy so that Tae would never be alone.
"Come." Jimin pulled him by the hand to their modern practically untouched kitchen, opened the fridge and picked two packs of blood, the dark liquid shining at the cold light. “In my room or yours?"
"Yours."
The two of them got to Jimin's room, followed by the sound of four paws scraping the polished wooden floor, Yeontan chasing them closely. Jimin pulled the covers off the clean bed, on which he rarely lies down, so they could get more comfortable. Tae laid on his back, against the pile of smooth pillows, carefully opening a packet of blood to not spill a single drop, and put a stainless steel straw in the opening. Jimin turned on the TV, put the dog in the bed, and cuddled Tae's side, with his head on his chest.
"What show have you been watching?" Jimin asked.
"None. I've been looking for something interesting in this shit for days and I can't find anything." Tae took a sip of his blood with a pout.
Jimin chuckled. "I'm choosing then."
A moment of silence followed, in which the only sound was of Tae drinking the rest of his first pack, and then opening another one.
"I think I need to shower..." Jimin commented.
Taehyung's arm that was around Jimin tightened. "Not now. Later." Jimin laughed, thinking it was cute. An idea crossed his mind, another small treat.
"Do you want to bath with me instead?" He looked up to Tae.
Tae hold tightened even more.
"Not now. Later. Now we cuddle."
As if agreeing, Yeontan climbed over the two vampires, finding a comfortable place to lie down and join the cuddle pile.
"Ok."
________________________________________________________________
Tonight you didn't have time to talk to Jimin when you arrived at work, he was on a call, and it seemed really serious. You didn't have the money to buy extra coffee even for yourself, so you hadn't an excuse to pass quietly by his desk to leave a post-it written "Hi :)". In those circumstances, you went straight to your desk to work, to do your best to be a good listener.
To your surprise, making your heart melt and your breath hold at the bottom of the throat, you saw at the top of your computer screen a post-it with a "Hi, sweetheart." written on it, and another one with a "Look in the fridge.". After working with him for that time, regularly doing some paperwork like filling out documentation and such things, you could say for sure that this was Jimin's handwriting, besides, only he calls you sweetheart.
You checked the clock on the wall with an eager look and a silly smile. As you always arrive ten minutes early, there was time to go to the break room quickly, and look inside the fridge before starting to work. And so you did. The break room was nothing more than a small table with a few chairs, a small couch, a sink, an old coffee machine, a microwave and the refrigerator, all in a tight space lit by white lights that leave the place a little impersonal. None of your co-workers were there, as usual. You crossed the small room to the fridge and opened it trying not to make a noise, more out of habit than necessity.
The interior was very empty, with some forgotten lunchboxes, but that didn't interest you. Your goal was right in the middle. A big cup of iced coffee, from a franchise that you don't usually buy from because you find it a little too expensive for your student budget, with your name written on a post-it on top of it.
"Y/N, I wanted to be me treating you today. Hope you like it."
That coffee was as cold as Jimin's fingertips when touching yours, but it warmed your heart. Sometimes you question yourself if it's healthy how head over heels you are for this guy, for so little.
Back at your desk, now with your iced coffee, you wrote a post-it and pasted it on the back of your computer screen, where Jimin could see it. "Thanks :)" Then you started to work. Other people needed you now. ________________________________________________________________ On your fifteen minutes break time, you were leaving the restroom, passing a moisturizing hand cream - because you swear that the soap in this place dries out your skin, and god forbid you from harsh hands -, the sound of the break room's door opening made you lift your eyes from the floor. It was Jimin. He don't take breaks, it's not like he needs it, he doesn't get tired, but he didn't get the chance to talk to you today yet, so as soon he saw you stretching in your chair, indicating that you would soon get up to go to the bathroom - yes, he learned your routine and mannerisms - he discreetly left the room to meet you by coincidence in the hall afterwards.
"Hi, Y/N. Did you like the coffee?" He charmly smiled at you, he was eager to ask it to you, to find out if he made the right choice of flavor, or if he made a bad mistake and you hated it - he couldn't help thinking about that possibility. Anyway, he was looking forward to your approval.
The truth is that you were so stunned by his caring that it didn't matter what the flavor was.
"Actually, yes. I love vanilla flavored things. It's basic but it makes me happy." You fixed your hair, pulling it behind your ears. Jimin could tell by your smile and your heated face that you aren't lying.
"Nice. I wanted to make you happy." He approached you, more than is suitable for the work environment, and it made you nervous, and of course he noticed. But it was okay, if someone came close he would hear and walk away before they could see you, too bad he couldn't tell you that.
"Mission completed successfully." You said, without looking away from his eyes - no matter how much part of you shouted at you to do it, your heart felt like it was going to explode. Well, your heart has a limit, so you changed the subject. "Did your friend find her cat?" Sadness took over Jimin's eyes.
"Unfortunately not. I've been looking for him for two days and nothing, I swear I think I've looked in every street, alley and trash can. I don't want to think like that, but I think Sushi is no longer with us." He sighed, clearly frustrated. You had the impulse to rub his forearms to comfort him, it was the very first time you really touched him. "If he is a cat that wasn't accustomed to getting out, and didn't know how to walk on the street, it is possible that something bad happened... But! He's a cat, if he used to go out often, he might have some other house, other owners, and that's why he hasn't come back yet." You optimistically said.
A smile spread in Jimin's face.
"That makes sense! She told me something like 'He's never been away from home for so long', there's hope then. And you also gave me an idea. Thank you, Y/N." He pulled you into a hug, and you thought you could die.
"You welcome." You said against his chest, deciding not to waste the opportunity to return the hug. ________________________________________________________________ The day was perfect for a vampire walk in the daytime. Cloudy and rainy. No deadly sunbeams and an excuse to use an umbrella without calling attention to it. After the tip you gave, Jimin looked in the right place after accompanying you home that night, and in less than an hour he was outside the window of two children's rooms, in a ground floor apartment, looking inside, and sleeping between the feet of one of the children was the cat, he wasn't with his bow tie but there was no mistake, Jimin was sure. Even without being able to enter - vampiric rules, you only can get in somebody's house if invited, or else you explode as if you were under sunlight - Jimin could smell cat all over the house, and the windows all had anti-escape screens, which indicated that it was a family of cat people.
Jimin would need to come back to pick the cat during the day, knock on the front door and politely ask. That's why heavy weather is perfect. With a dark couture coat, covering all from his neck to the back of his hands, to his knees, a design hat and sunglasses, and last but nos least, a big umbrella, he approached the lower middle class apartment complex. Without hesitation he raised his hand and knocked. Some seconds passed by, sound of kids running inside and a voice of a famale scolding them muffled by the closed door, and then a little girl, maybe six-year-old, appeared in Jimin's field of vision, her eyes sparkling as she looked at him. He was the most beautiful thing she had ever seen after all.
"Hello." Jimin smiled. "Are your parents home?"
She smiled at him, but shook her head negatively.
"Jo, who is it?" An older girl opened the door wider and faced Jimin with a frown that fell apart when she saw his smile. Great, a teenager, he thought. "What do you want?"
"Sorry to bother, I really wanted to talk to an adult, but..." Jimin lifted his phone, the screen showing Sushi's missed post. "I saw my friend's cat on your window."
The older girl narrowed her eyes as she looked at the photo, but before she could answer, the little girl she called Jo before ran away.
"No!" She screamed, disappearing inside the apartment, and then slamming a door somewhere.
"Sorry for that, please wait a minute." The teenager closed the door on his face, and he could hear her shouting and scolding the girl little inside. He was starting to lose his patience. Jimin doesn't like to be ignored at all. Should he knock again and use his mind control powers to get the cat? He was pondering the idea when the door opened again, the two girls were still loudly arguing inside, and this time it was a small boy who must be the middle sibling in front of him.
"Hi, grandma said to tell you to come in." He mumbled.
"So you are letting me get in your house?" Jimin asked with a satisfied grin.
"Yeah... follow me." The boy was avoiding eye contact, being shy. Jimin thought he was adorable.
Jimin followed the boy to a tiny living room, where an old woman was sitting in front of the TV. The girls were now silent, but clearly wanting to argue some more, and the small one was with Sushi in her arms. Jimin sighed, he likes children, a lot, even though he doesn't live with many, but he likes them even more when they're not having a tantrum.
"Hello. Please, take a seat." The old lady pointed to the old couch. The vampire obliged, and almost immediately a fat orange cat jumped into his lap. In this small room alone he could see three more of them. "So, why do you want to steal one of my babies?" Steal? Jimin was slightly offended, he already explained himself, but the chaotic situation created a misunderstanding. "I'm not here to steal nothing, ma'am." He showed his cellphone again. "One of your cats is Sushi, my friend's cat."
"That's not his name!" The little girl shouted tapping a foot on the floor in anger. Jimin just raised his eyebrows at her, making her swallow hard. But he is in control of the situation, so Jimin smiled to remain pleasant.
"Of course it is. Just watch, little one." He reached out to call the cat. "Come here, Sushi." Even though the cat didn't know Jimin to trust him - and these people don't need to know that - cats are creatures of the night, strongly attached to magic and protection in the dark hours, and in the hierarchy of the night they obeyed vampires. The only things that cats respect more than vampires are witches and their own owners whom they protect. As Jimin expected, Sushi jumped off the girl's tight hold and went over to him.
"Good boy. Ana is missing you like hell." Jimin scratched behind his ears. Before someone else could say anything, he proceeded. "When he got lost he was using a pink bow tie." The old lady was still with Jimin cellphone in her hand, and he could see she was convinced he know the cat, but wasn't intending on letting him leave with him yet.
"I'm seeing it in the post, but there was no tie when we got him." She replied. "You just didn't see it, ma'am." Jimin was tired of this conversation, it was being a lot less nice than he imagined on his way there. When he looked to the little girl to talk to her, his eyes were intense and powerful, and his voice was full of authority. "Go get the tie where you hid it, little one."
Mesmerized by Jimin's power, the girl didn't even blink or say anything as she obeyed, turned around and ran to one of the rooms. Jimin doesn't use hypnosis very often but he has fun every time. She got back with it and handed it to him.
"Thanks." He removed the effect and the little girl blinked a few times before understanding what happened.
The old lady was clearly angry with the girl, but it wasn't Jimin's business. "Well I think that's all. We are going now." Jimin got up from the couch.
"Wait!" The teenager snapped. "Jo lied about the bow to keep the cat, and that's bad, but she already loves him! You can't just take him away!"
Jimin was almost on the door.
"Of course I can. Besides, it's not because what she did is bad, young lady. It's because my friend loves him, actually this cat is Ana's family. No one should live alone, right?"
"Right!" The old lady got up too. "I'll get you to the door, tell our friend we are sorry."
"I will. Thank you." ________________________________________________________________
"You found the cat!" Tae sniffed the back of Jimin's neck. "Where is it?"
Jimin was putting the clothes he was using to wash, to remove the smell of cat and the places he passed by. And to get comfortable, as is his habit when he gets home, he just stayed in his underwear and t-shirt.
"I already gave him back to his owner." In the next second Jimin was dropping himself on the leather couch.
"And how was it? Did she thank you with tears in her eyes?" Tae leaned over the back of the sofa with his chin in his hands.
Jimin chuckled, Taehyung's thirst for drama is funny, and he's always been like that. And at least that doesn't seem to have changed...
"Well... She cried a lot when she found him in the window. She looked really happy!" Jimin sang. He was really happy too. He helped someone to find their smile again, even if it is a little bit, it made him really proud of himself, a warm feeling in his chest telling him it was the right thing to do, and that he should do it again if he gets the opportunity. Taehyung's expression changed, suddenly he was disinterested.
"You didn't even talk to her? Just left the cat there for her to find?"
"Well, yeah." Jimin threw his hair back. "I couldn't risk she recognizing my voice and thinking I was stalking her. Scaring her was not the goal, Tae, quite the contrary..."
Taehyung stared at him in silence for what felt a whole minute - maybe it really was, vampires perceive time differently. "You are not a secret superhero, Jimin. You are a vampire." Said that he got back to his room.
Jimin doesn't understand. These outbursts and mood swings leave him confused. And it's not like he hasn't already tried to talk. This... This he doesn't recognize in Taehyung. It hurt his feelings and at same time he feels it is partially his faut. "I can be both if I want to!" He exclaimed.
No answer. To find somebody who would be happy for him and understand the euphoria he felt for saving a little bit that girl he went through his contact list. A lot of vampire names - a lot is maybe an exaggeration, since he doesn't have many friends at all - who wouldn't be rude, but wouldn't understand, and also some former human colleagues from past jobs with whom he hasn't spoken in a long time and maybe should erase the number... And you. Of course you are the obvious choice. You had sympathy for the case from the beginning, even offered to help. And if it weren't for you he wouldn't have succeeded...
Jimin: hey sweetheart Jimin: I found sushi! Jimin: thanks to you btw He sent the messages, hoping it wouldn't be strange. It wasn't the first time you two texted before, but it was just an exchange of memes and silly flirt... without compromise talk. And what he wanted this time was different. You took too long to answer, and he wondered if you were in class and if he was bothering you. He wanted everything but to mess it up with you right now. Maybe he should've checked your class schedule for the week to make sure he texted you when he was sure you were free. But he was so eager to talk to someone... with you. He gave up waiting and went after doing something productive. Crochet dolls. He was doing a mini Taehyung, with red eyes and little cute fangs - an apology for later, neither of them like fighting with each other, even if you can't call that earlier thing a fight- when his cell phone started to crazily vibrate and beep.
You: OMG! You: thts amazing! You: sorry i didn't aswr before You: I was taking a nap hehe You: anyways You: i'm so happy u found him You: [image.jpg] You: ur friend must be even happier :) You: what do u mean thanx to me? You: sorry i spammed u :( Jimin can't handle you. You are too cute. You literally sent him a photo of you with an enormous smile, cheering, to show him your reaction. And you were with your hair all messed and the puffy face of someone who just woke up. Precious. Jimin: no problem, sweetheart Jimin: you said to look in other owners' houses. basically. I found him with a old cat lady with three grandchildren   Jimin: you are looking cute btw You: OwO You: i'm looking like shit Jimin You: BUT thats awesome You: if it was me id be crying til my eyes fall You weren't even there with him, in person, and you were putting a smile on his face. How dare you say you look like shit when you have those perfect cute cheeks? So alive...
Jimin: EXACTLY. that's why I wanted to find him so much. Jimin: and because you helped me, I want to reward you Jimin: i know you don't work today. me neither. do you want to go out for coffee in a nice place? You took too long to answer again, and that's because your heart is exploding and knees trembling while you stare at your cell phone screen, standing midway in your kitchen. You: u dont need to. i did nothing. This time Jimin took too long to answer. He was making a decision. To be more straightforward. More honest. Until now he was dictating a slow pace for your flirting, because for him romance is like that. But what if he tries to speed things up a bit? Or if he lets you command? How would things be?
Jimin: Y/N, respect my excuse to ask you out.
He knew what your answer would be. Even so, he felt anxious, hearing a non-existent heartbeat in his ear, while the three dots indicated that you were typing.
You: ok. what time do you come to pick me?
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