#ive been writing lots of like. random little scenes from later on in the story though. just not anything linear

[99probalos]

rewatched gorilla interrupted at last. best movie ever made of all time on cod no squidding for eel no carp

[divorcedfiddleford]

i already know what the story behind the picture is but please explain it anyway we need to educate the masses

oh my god thank you for enabling me ive been thinking about this all day. regarding this post i made yesterday and this classic image (which i actually just found out was posted seven years ago today!)

basically as can be read in the post at BigFest in 2016 somebody had what i believe was a fan-made prop based on the laptop from season 2 of gravity falls. alex hirsch attended this convention and decided to type in the password to the laptop. we never learned the password in the show so lots of people were excited to find out!

a HUGE thing to note here is that journal 3 was still months away from releasing and in fact while a couple pages had been released as promotional material it was still being worked on until, like... gosh i wanna say may is when they finally started printing it? don't quote me on that though my point is that this was all taking place pre-journal 3 and, therefore, many fans were still operating under the (sensible) impression that the laptop which

had been designed by fiddleford

had been built by fiddleford

had fiddleford's name on it

said "PROPERTY OF F" on it (at this point it had been established through promo images that "F" referred to fiddleford)

was assumed to be fiddleford's by, like, four different main characters

was given to and used by fiddleford following s2e7

fiddleford presumably knew the password to

would also belong to fiddleford. right? i mean logically. logically, guys.

so when alex hirsch revealed that the password had been "STANFORD" all along, people thought that was a little bit... well

of course, a couple months later journal 3 would be published and it would say that the laptop had actually been STANFORD'S, not fiddleford's, and that he had made the password his own name. so technically i lied in my earlier post, there IS a heterosexual explanation for this, but imo it's still bullshit. like sorry i don't believe for a fucking second that stanford "i need to encode all of my messages in multiple ciphers and write in invisible ink" pines would ever make a password as simple as his own name. he wouldve picked like something with six different layers of alternate meanings and also put it through atbash at the VERY least. also as i listed above there is a LOT of evidence which would support the laptop belonging to fiddleford, as opposed to ford, which has this random retcon (and like... some of the computer keys are different colors? i guess?? idk that bit was stupid) as its only supporting evidence.

my theory is that, while writing the show, alex and the other writers had intended for the laptop to belong to fiddleford, but for whatever reason, when they were writing the book, they decided to make it ford's instead. i want to make clear that i DON'T think this swap was motivated by homophobia, or as a reaction to seeing people interpret the password in a gay way. by the time that this photo was taken several promotional journal pages had been released, so it's safe to say that even if they were still adding the finishing touches to the book, it was pretty much in its final stage and in fact might have already started printing (i think the first photos we see of the book itself were posted like a week or two after bigfest). so to assume that there's a correlation there is both unfounded and extremely unlikely.

now, the stargazing scene reprint, on the other hand

[sonosvegliato]

asking you because i seriously consider u one of the best writers i have. read? known exists? anyways im asking how much do u plan when u write? ik uve talked abt ur process (v funny i love how ur mind works id love to poke around [affectionately]) but like. how much do u Plan in Advance? ive been sitting on some ideas for a while and im trying to think down to the SLIGHTEST things and im jus v curious as to? how much you think abt urs b4 sitting down2 write?

I am glad you think I am funny because I think I am funny too.

(Haha but for real I literally jumped into the air. Thank you!)

Here is where I get shifty because I am not an artist, I never have been, I have never quite gotten a handle on the patience required to color inside the lines. Likewise...I am not a plotter.

In general, an Idea Arrives, and then I sit down and write. A lot of the time it starts out as a scene I'd like to read, and I write that scene for 20 minutes or two hours, and after that I roll the dice in the air. If I poke around it long enough, I am morally required to construct everything that had to happen to get me to the Inciting Scene. My favorite thing to write is dialogue, and to convey how someone said something/why they said it, then I have to know the characters a little more. Sort of like eavesdropping on a conversation, and then getting to know a stranger from it.

I have never plotted anything start to finish. I normally have an end or something close to the end, a few enticing snippets, and that's my map. I don't finish original work too often, but it's not abandoned, it's just reworked, reworked, reworked. I have a friend that has original work that won a big well known editing/pitch contest and now has her work in the Query Trenches, and if she was the writing FBI she would lock me in jail for disorderly conduct and missing plotting documents. She says I should try to at least write a first draft through and let that be my guide, but I'm like. Nah. I start a story and I keep writing it and backtracking and rewriting and backtracking and rewriting, but theoretically at the end I have a story I'm satisfied with--- and not a draft I thought was bad a quarter of the way in but kept mudslogging through it. It's not losing progress, it's just rerouting yourself the longer way home so you avoid future traffic.

"Kill your darlings" is a very famous piece of writing advice, and when I was starting out I thought it meant, like, literally killing your characters for the Drama. Now I understand it as if there's a scene I really like or really want to include...sometimes she just has to get sidelined. And that's okay. We can harvest her organs for later. Frankenstein that bitch.

Fanfiction is different. It's fun and loose and I entertain myself. Now you will not swell the rout was a bit more thoughtfully done, that is, I spent more time on it than just being awake at midnight because I thought of something funny. It was not plotted. I didn't know the story was there. I missed martial arts, and then happened to listen in on a conversation about the poem "To an Athlete Dying Young" (A.E. Housman). I didn't come up with Now you will not swell the rout as a fully-fleshed story then, I just added onto a snippet (literally the first three little paragraphs) and stuff connected and then two weeks went by in a mad haze and I had 30,000 words or whatever it was. After that, I've spoken previously that in hold the low lintel up (and now WIP#3) had some "plot" which are events in the comics I want to include, but I think that is more worldbuilding/keeping somewhat adjacent to the source material. Everything original is just up in my head or stored in a random line I want to remember to use later.

(Literally my "plot" bookmark in my google doc is Plot hey here’s a good line and then I proceed to write one very good sentence and seven disembodied dialogue fragments that don't belong together at all).

In the spirit of honesty, I wrote the last line of Now you will not swell the rout and that was supposed to be it. But the fic had such a lovely reception, and I really felt like I grew while I wrote it, and like look there was one big glaring unanswered question just sitting there, right, so. Now I have a series. And 100% of the reason I'm not uploading chapter by chapter is because I know I am not a plotter, I know I'll change things, and I really want to take my time with this and use it as experience for my original work.

So that was way more than you probably meant to ask for, but. In sum: no, I don't plan in advance, I just take a stab and commit literary medical malpractice. Some writing books will have whole sections on plotting, and will have you detail your characters' birthdate, favorite song, food, music, what's the name of their first dog, etc. A lot of people have to have that solid basis ("organization" my writer friend calls it, pfft). I know, personally, that if I go down that rabbit hole I will not get anything done. I will get stuck.

So if you are honest with yourself and won't get stuck making the ideal macaroni map, send plotting advice for the rest of us homies out there ✌️

SVEG OUT

[violetgreeneao3]

Fic Graveyard 🪦🕊️

Herein lies a collection of my Abandoned/DNF’d fics, as per someone’s CC request. I have no current plans of continuing/writing these fics so read at the risk of your sanity. (I would rather DIE than let anyone see these trash fire monstrosities in their current forms; I would have to completely restart if I ever wanted to post these concepts 😭)

I also decided to omit the official names I had planned b/c i may use them for other fics and don't want to cause confusion.

The order of these have no meaning, just random. I included notes for each fic with bonus info, why I DNF’d, how far I got, or other ramblings.

1. After the disbandment of izone, each member goes on their respective path, some together, some apart. Four specific members join two different groups— IVE and Le Sesserafim. Or at least what had been IVE and Le Sesserafim. but what happens when Starship is absorbed by HYBE?

Condition: This is one of the only idolverses I’ve ever written. I wrote about ~12k words of this over a year ago.

* Honestly the premise of this one is still appealing to me, but as I collected “dead” fics for this list, I used a certain criteria to decide whether to keep it as a *maybe I’ll write this later* or to toss it. One of those criterion were “Can I think of a good ending?”.

Good doesn't necessarily mean happy, just something I would personally be satisfied with, and the reason most of these fics are on here is because the answer was No—I had absolutely no idea how I would end this fic, so I probably would never finish writing it, either.

2. Assassins AU: wherein Yujin and Wonyoung are both separately tasked with killing a target, like any other run-of-the-mill job for the notorious assassins, except there’s one catch—Their targets are each other. Finally, they’ve met their match.

I was debating whether to add a prior relationship between them or to have them be wayward souls—strangers that feel oddly drawn to one another. This fic was lowkey an excuse to write a knife-to-throat/gun-to-head scene (or sex scene) with LOTS of tension, but the urge to do so passed and I ended up leaving it as a draft.

3. ANOTHER Assassin AU wherein Annyeongz are from rival families that have a blood feud.

I planned for Wonyoung to seduce Yujin while knowing who she was as a sort of “spy”. She lied about her name and developed close a relationship with Yujin, but when her family found out she was faced with a choice: Betray Yujin or betray her family. She chose Yujin, but unfortunately Yujin found out who she really was before she got the chance to confess on her own terms.

*Fic devolves from there, this is all I recall from a brief skim of it*

Condition: Wrote 56k words of this a little over a year ago, abandoned because I didn’t know where to take the story (from what I saw scrolling through it was AWFUL… please trust me)

4. Vampire AU: Yujin and Wonyoung are high school sweethearts, but one day Yujin goes to try out for a strange audition and becomes a vampire.

I think they have vampire sex? Yujin definitely feeds on Wonyoung’s blood to stay alive though, and I think she eventually has to turn Wonyoung into a vampire to save her life despite Wonyoung SPECIFICALLY telling her not to (Basically Yujin had promised never to turn Wonyoung, only to break it when Wonyoung’s life was on the line).

Another thing I recall about this fic is that Yujin goes missing for ~5 years when she leaves for the audition, so she I guess she spent 5 years as a vampire before going back to Wonyoung? I don’t remember how Yujin survived for those 5 years, but I know I remember Wonyoung dating Sunghoon (she moved on and eventually got with after Yujin “left” her), and the second Yujin came back, she broke off her years-long relationship with him to be with her again. Also I think Wonyoung *liked* having her blood sucked… (Random details, but I thought they were cute things to mention)

Condition: Wrote this a little under a year ago, DNF’d at 31k words because I didn’t know where to take the story/lost motivation.

5. A/B/O AU where Yujin is a submissive alpha and Wonyoung is a dominant omega. Classroom sex occurs.

I started writing this because of a recommendation on CC (I think it was just an ABO rec but I wanted to put a spin on it) and abandoned it at ~3k words because my omegaverse writing skills are abysmal.

6. Grey’s Anatomy AU where (basically) Yujin is Derek and Wonyoung is Meredith.

If you’ve never heard of Grey’s:

Yujin is an attending Surgeon and Wonyoung is an intern, which basically means Yujin is who Wonyoung wants to be when she’s older. Before Wonyoung’s first day of work, she meets Yujin in a bar and sleeps with her. She finds out the next day that Yujin is one of her bosses and the fic is a cat and mouse game of Yujin chasing her and then backing out and Wonyoung chasing her back until they finally get together—it’s a terribly written fiasco, but was sort of fun to imagine nonetheless.

Their age gap is about ten years, which is ignored in the show but I addressed it in the fic. A commonality between the fic and the show, however, is that the power imbalance is largely ignored (because that’s no fun! [to write about, anyway. The fic was 90% lighthearted])

Condition: Wrote this over a year ago because I started watching Grey’s, abandoned at ~91k words (How the hell did I write that much?! I need to manifest that type of motivation and free time NOW😭)

7. Wonyoung is home for the summer, back from her office job in Seoul. Yujin, however, had never left their small town. Wonyoung pretends that her life in the city is super fulfilling and perfect but that’s a lie—she hates it and her boyfriend is NOT as great as she makes him out to be—but she’s too proud to admit it. Yujin, a doctor at a local Pediatric office, is much happier. Wonyoung secretly envies her. And maybe still loves her a little bit, too.

The plot mostly revolves around their past and skips around in time, eventually revealing that the feelings Wonyoung had for Yujin as a child weren’t merely friendly, and somehow she missed that while Yujin was fully aware of it. (Double) Eventually, they kiss and Wonyoung has to wrestle with cheating on her boyfriend (family problems make that difficult for her, b/c her father was a cheater and left her mother when she was young [Daddy issues ftw!!]) and also being gay in her small town wouldn’t be taken so kindly.

Condition: This was a DRAFT I planned out earlier this year, so I had an outline of events but didn’t write beyond the first chapter (~3k words). I think it was inspired by a K-drama, can’t recall the name. Abandoned b/c I just wasn’t in the mood for it anymore (I think this made me realize FULLY plotting a story down the dime ruins the fun for me, sadly).

8. Chef AU

I had the idea of making Yujin an Executive Chef and Wonyoung a Commis Chef (like fresh out of culinary school her first job is under Yujin), but I couldn’t come up with a good story, so I changed the plot to make them both mid-level chefs vying for the same higher position. I wanted there to be this enemies to lovers thing where they hate each other because they’re both the best and the other one is “holding them back” but also urging them to better by merely existing, with trust and betrayals and sabotage and reluctant teamwork.

This was one of the first fic ideas I had and it was well before I realized I couldn’t easily write about things I had no experience with. I was (and still am) sorely lacking in the Culinary knowledge required to take on a project of this calibre😭. I would’ve had to research & plan everything out to be accurate, which I realised about 1 chapter in… but at least I learned that “write what you know” is good advice to follow, at least for a beginner…

9. Yujin is a developer for a company that makes AI bots. One day she creates Wonyoung and slowly, after many tests and trails and tribulations, falls in love with her. Obviously the only logical course of action is to steal her and run away.

This is another based on a CC request, and I honestly still think if a cute idea as a one shot, it’s just I liked the idea so much I wanted to make it a long fic with Detroit Becoming Human vibes, but of course that’s a little too advanced for me.

Condition: I wrote ~3k words of this, so not much, but I think this one of the only fics on this list that I could still see myself making something out of, just more goofy and lighthearted. Still, it’s here because I don’t currently have plans to do so.

9. Bridgerton-esque AU where Wonyoung is deemed the “diamond” (most vied-after woman during the courting season), but she can’t quite find someone who she wants to marry. There’s a seemingly perfect guy—a prince—but it’s actually his cousin that Wonyoung has eyes for.

She and Yujin actually end up having a relationship, although in the beginning it’s more of an older sister thing for Yujin where Wonyoung’s love is one-sided, until at some point Yujin stops seeing her that way and takes her feelings seriously, and their relationship became intimate and dangerous.

Condition: I abandoned this at ~19k words because it was getting sad and I couldn’t handle the angst. The ending I had planned was hopeful but still depressing and I don’t think my mental health can handle making that any time soon (or ever. I ENVY all the authors who can spend hours and days and years writing a story with a tragic ending. I just can’t do my babies like that :( )

Side note: I actually came up with this idea BEFORE the most recent season of Bridgerton (like I started writing this idea before even FINISHING season 1), which doesn’t really matter at all, just wanted to claim lesbian bridgerton I guess? I’m just yapping at this point, I love the ending of the latest season despite all the hate it got

LIGHTNING ROUND FOR IDEAS THAT I ONLY WROTE AS SINGLE SENTENCES or failed to write but wanted to mention (all from different times, MOSTLY a year ago but some more recent):

- “Streamer AU Wonyoung accidentally exposes the relationship on cam”

(Cute but lacking plot)

- “Enemies to lovers flower shop x event planner AU”

(this one has some kick ngl…I still see the vision)

- “I like older girls.”

(??? No idea what the idea was, maybe a CC rec? But slay!)

- “Band and cheer.”

(Classic. Succinct. I like it.)

- “Enemies that are secret lovers.”

(I just wrote tropes down and hoped the fics would write themselves I guess.)

(wait, I lowkey still do that…)

- “They meet in a dog park and flirt and go back to her place.”

(I SWEAR I remember someone giving me this idea on CC but I only started making a list of reccs relatively recently so if this was you helloooo, I tried fo write this!)

- “Princess x bodyguard”

(nah because this one still has me trying to write it every once in a while… I’ve dreamt about this AU but can never think of a good plot)

(also a CC rec and I might still write this one now that I’m looking back at it😭)

- “Time travel AU where Wonyoung is a researcher who goes missing and Yujin searches for her in multiple timelines”

(I think I dropped this b/c it lacked romance; was more about Yujin solving the mystery)

- “They’re soloists who are rumored to be dating. A scandal threatens to ruin their careers but they have proof to deny it, but the whole situation brings them close and they bond over how terrible the industry is etc etc…”

(Interesting but I didn’t think it through enough. How does it end??? I can’t handle all that angst😭)

- “Wonyoung bullies Yujin for being a lesbian but it’s just her own internalized homophobia and religious guilt and they fuck in the locker room(or not idk if the vibe is smut).”

(I have so many ideas like this.. but those others are still in my TBD pile)

Other:

- I tried A/B/O outside of the fic I mentioned in the main list and it’s pretty stilted. I think I can do it eventually because I genuinely like the trope, just need more practice for it not to be completely garbage. Also I really struggle with plots in ABO Aus when brainstorming

- Hybrid fics—I also like the idea because it’s so CUTEEE, but I don’t really know how to write them as animals… I think I need to read more

Sorry if these ideas kind of SUCKED but I had to choose fics for this Graveyard that I am (as close as I can be to) 100% certain I will never pick back up again, which made the pickings slimmer compared to my entire “WIP”/Draft list.

There are plenty more drafts I consider “Abandoned” (I have a whole tag on my Notion for it), but I didn’t put them because I could see myself still using them in the future, so they don’t fit with the rest.

If you asked for something on CC within the past couple months but didn’t see it on here, it’s probably because I’m still considering making it and is sitting in my Notes App list, but just to be safe you can always drop by there and leave the same idea again since it doesn’t hurt to make sure I see it❤️❤️

Maybe I can make a separate list of fics I MIGHT write (What separates those fics from these are that I actually planned proper endings for them), but the problem is I don’t want to get anyone’s hopes up by saying “Hey, any of these can be fics,” when tomorrow I may decide I hate the idea… It feels a little cruel 😭

If you made it this far, thank you so much for reading my yap and I love you!! See u next fic (hopefully soon) ❤️❤️

(By CC request I started a Ko-fi where I may or may not post small fics (idk if I’m allowed to do that on there??), but I’ll cross post here too) [might do proper commissions in the future but currently I don’t have the time :(]

[lyra-swan]

Hiiiii I know you're offline as I'm writing this but nevertheless I still felt like jumping into your inbox and word-vomiting for a second because I've been following Mechanical Angel for quite some time now and picked it up again recently and I just made it to part IV, god I'm having a blast. I can't wait to put all my full, extensive thoughts out there once I'm done but for now I need to stress that I'm just super impressed with both your writing style and the tone/ character development as a whole but the world-building in particular got to me gooood.

Am I right to assume that a lot of research went into this???? Because you can genuinely tell, to the point I literally felt transported to the places as you described them every time and the details are just so captivating to witness. It really feels like I'm reading a ww2 novel, I feel transported back into German literature class on occasion and it's just. Impressive???

Anyway thank you SO MUCH for putting this out there, I'm so happy Mechanical Angel (and all of your works) exist!! I've already noticed that there's another story focused on Natsume/Sora set in the same universe and I can't wait to finally jump into that one too once I'm done with MA. (Especially since Natsume is in my top 4# favorite characters but that's only a bonus)

Last but not least I am very mentally ill over Eimika now, congrats, I'm rotating them in my brain a very normal and totally not concerning amount, haha

May you have a wonderful day!!

Oh hi thank you so much!! I both loved and struggled with Part IV so much, but it was extremely fun to write, especially that dumb part in ch.38... I dunno if you've reached ch.45 but that was also very fun. I hope you continue to enjoy the rest!

I'm going to ramble like an old grandma again, adding a read more thingy so the post won't be a bother to scroll past for others.

In my opinion I don't think I've done enough research! But I'll always feel like that no matter how much I do so bleugh, nevermind. The scenery is typically based on my own surroundings but changed slightly to match an European feel... I think I wrote more in the last ask answer but it has a tiny bit of spoilers, I believe. The setting is a bit of amalgamation of my own country and europe because my own surroundings is what I'm familiar with, and of course although it's supposed to be inspiried by Germany everyone drives on the left side (I think I mentioned it in a chapter note) because I didn't want to accidentally trip over myself from a simple description of where a character turns their head. It's the Little Details that are important!

I say, as if I also didn't mess up a few details here and there because I started posting before finishing the first draft and so I couldn't edit the way I used to do for my previous longfics... But yes, it was very fun adding random bits from what I learned into the story because I used to love watching WW2 docs and laughing every time the nazis messed up and suffered a crippling defeat.

Like, I'd read about how they lied to their citizens that they were doing just dandy, and then have Wataru ask Eichi if he wanted more 'false reports of our so-called victories on the battlefield' to be published in the newspapers. Because that's the funniest shit ever to me...

Then one day I'd read about the nazis being among the first to connect smoking to bad health, and I'd add something like that in a conversation between Eichi and Tatsumi, they're not nazis obviously but because of the setting's inspirations that's where I got a lot of information (but you'll have a scene later on that's more Britain than Germany, so the fic truly is a amalgamation of different european settings during WW2). And of course, people are sceptical of new medical findings, that was mentioned. And the part where Eichi mentions 'common people are suspicious of IV drips' to Mika, that was a thing in the real world too.

I wonder if there is a single medical invention that wasn't regarded with suspicion by at least one person at first.

I kind of wish I had Eichi offering gold watches to anyone who quit smoking, it would've been funny, but eh.

And of course there are some things that don't make sense because this IS an alternate world so I DO have freedom. Like, even though this takes place generally in 1930s-1940s time, tranquiliser guns weren't invented until the 1950s (by a NEW ZEALANDER!!! Colin Murdoch. He's also the genius behind the modern day syringe, if I recall correctly), but you know, I added it in anyway because alternate world, alternate invention timeframes. I wrote that fog scene where Mika is shot by Midori while also sitting outside one dark foggy morning, and I liked the scene so much I kept it in.

Anyway I'm so happy you like the world-building! It was super fun to work on! I really like rural settings for world war stories... one of my favourite authors, Michael Morpurgo has that kind of vibe going on too, my bookshelf has a few of his books. So many dog and animal stories with themes of war lingering in the background if they don't directly deal with war and I love every one of them. They're all so full of emotion, they'd always make me cry. I love the stories that can make me cry and look back and think it was the most beautiful thing I've ever read and Morpurgo's works can do that A LOT. But also I'm very emotional...

And thank YOU for this! I'm always so happy hearing someone enjoyed what I wrote!

I still need to finish that natsusora fic. It was supposed to be a part of the main story itself but because it would've taken so many chapters, I was worried about 'forcing' readers through a side story that had no bearing on eimika. So I posted it as a separate fic! It takes place during that last chapter of Part IV so you can actually have a look whenever you've started Part V.

Natsume is very out of character, however. He's in his 30s and not really the cute feminine witchy boy that he truly is in canon (at least, that's how I see him), he's an engineer and really logical... but he hates Eichi with a passion, that's VERY necessary. Nevertheless, I try to write him as close to his canon self within the au that I've shoved him in and told him to survive in. Totally fine if you end up not liking it!

Excuse the rambling!! Thank you! You have good day!!

[ftmharrypotter]

so ive got a few ideas about what to toss into this fic, cannibalizing some ideas from an old fic idea of mine.

warning possible spoilers ahead - the again maybe not maybe thisll grow into its own thing.

sorting

Ron is in hufflepuff. i could and have written essays justifying this decision but like it sucks and im not going to anymore ron WILL have something to say about why he's in hufflepuff though and it will be short and sweet and to the point and okay fine i WILL say that Ron is exceedingly loyal... to those he perceives as loyal to HIM. every time he acted out it was because of a betrayl in his eyes and he always came around. like that was the POINT of his character

Hermione is in ravenclaw. im not saying she isnt brave just that i think that self determination played a large roll in putting her in Gryffindor

Neville is in Gryffindor. he deserves it okay

harry is in slytherin. MOSTLY because i want to explore ambition not being evil and i want to give harry ambition because he deserves it

the hogwarts houses being united for once like damn

Plot points

okay this sections a little vauge but

i think i want draco to show an interest in harry later on but its not an end game ship just a showing that draco sees harry as a girl as another way hes pigheaded. not that i dont like draco in leather pants as a trope just thats not what i want to do right now. may may a spin off where drarry is the point though because im a sucker

i think i want harry to honestly look at transition options and then decide theyre not for him. or some are but some aren't. medically transitioning is not mandatory okay?

i MIGHT put harry on the ace spectrum but then again i might not. i THINK i might make him demi if i do specifically so some things make more sense.

i THINK i want to keep ginny/harry end game for this run through specifically because i dont think being trans SHOULD change anything really about the story but of course it will because otherwise it wouldnt be interesting and theres other things i want to explore

Possibly voldemort getting his body back through shenanigans and then teaching at the school

snape walking the fine line between giving a damn about lillys child and being an absolute son of a bitch. idk that i can pull that one off tbh

IF voldypoo does teach at the school itll be because of a scene im 1000% sure everyone will hate but i feel is... not necessary but like. idk. would happen. id probably make a spin off of that ship too because once again im a sucker. ill read almost anything so why wouldnt i write it?

morell be added as i think of it but feedback would be nice. i know im not going to get it but still.

Notes on gender

im trans. this story doesnt reflect my experience 1000% but it does borrow from my experience. it may not be accurate to your experience BUT i have seen a few fics where the transition is covered differently. from magically easy to just as much of a struggle as it is in the muggle world. i HAVENT as of yet seen anything like what i plan to write

which includes doubt/ imposter syndrome. which includes not fully transitioning. dysphoria that comes and goes based on circumstances rather than constant - so perhaps more largely social than physical. which includes self misgendering and self push back.

On race and racism

jkr is not only a terf but theres been a lot of complaints about her works being racist. i cant speak on that much though i do see the very valid concerns raised and will try to mitigate what i can as best i can. if i could do better somewhere or i make a mistake feel free to tell me

i LOVE the head cannon that Harry is half Indian. but people put a lot of thought and work into their baby names and i could not in good conscience just pick a random indian name to use. im still going to say Harry is half Indian but he wasn't raised that way because drusleys so when i get around to describing him he wont look like daniel radcliff

i LOVE the head cannon that Hermione is black. im keeping it.

on cannon

cannon is more of a guideline than an actual rule.

i read and re read the books growing up avidly but its been years since i read them fully and ive read a LOT of fanfiction in the past. i may get things wrong. feel free to point it out but i cant guarantee ill fix it.

this has gotten long so ill kill it here for now

[wickedpact]

You can't just drop that "I read Forces Multiplied" bomb on us and not give a ten page written reaction.

[cracks knuckles] if u insist

nicky cant drive hc: destroyed. rip. also i loved how andy and nile stole those sports cars and were being badass and driving off the bridge & meanwhile joe and nicky were just absolutely vibing in the van

'heres the thing about power: people who have it think they deserve it' [shot of police car] i see u greg

5 whole panels being dedicated to booker not being able to unlock his door. booker not even seeing noriko sitting RIGHT THERE in the window at first. incredible

noriko being 24/7 horny was surprising. like wow all of the stuff i saw she did out of context was 100% equally horny in context as it was out of context. love that for her

i didnt think the 'andy + slavery' thing was handled as badly as everyone made it out to be when telling me about it. tho from the way it was talked about i had kind of figured the conflict between andy and nile re: slavery would be really racially charged (esp considering nile is a black american and would obvs have Thoughts on the subject in that regard) but like,, done in a cringey 'a-white-guy-obviously-wrote-it' kind of way? but it wasnt that. i mean. it makes sense that andy would be implicit in slavery through the years

i mean, like she says, is that not what people just did to each other in the aftermath of battles for thousands of years? and i really like how its pointed out that it was what she was raised with (in the beginning when you see her put shackles on that guy after the battle) but she also accepts responsibility for it and acknowledges that it was wrong and not just 'what people did'.

i like how from her expressions you can kind of tell baby andy knew it was off but she sets those feelings aside bc she felt angry. it explains how she felt but didnt make her out to be blameless in it. plus i mean. i dont know, the fact that andy was involved in a lot of morally shady stuff for 7000 years is not that wild for me. if you live that long youre just Going to be involved in some shit, and she didnt even have other immortals with her as positive community influences, she literally just did whatever the fuck she wanted for thousands of years

'i was worshipped as a god once' i mean, yeah no shit she wouldve been involved in some seriously fucked up stuff, gods were fucking scary back in the day

tldr it could use some polish but it wasnt that bad

tho everything people said about moose being boring was unfortunately a little true. sorry king i tried to be interested in you

joe and nicky writing verbal fanfiction about nile and moose was iconic. 'you seeing that?' 'i am definitely seeing that'

it was also extremely funny bc that was like 60% of their contribution to the whole comic, besides kidnapping copley. they came, they wrote some fanfic, they left. kings. at least in tog1 they had an excuse to be useless bc they got kidnapped

joe just found out his old friend who he thought was dead is alive (and also probably wants to murder them) and instead of investigating with andy he stopped to help nile up. champ.

nicky shooting noriko through andy was cool. rip to the concept since it wont happen in tog2

wanna see mr ejiofor deliver this line

on that note imo copley was. weirdly enough, more interesting in fm than in tog1. to me at least. the fact that andy let him live and he was so haunted by what had happened that he came back and sought them out despite knowing they would likely kill him for it bc he wanted to not only make up for what hed done but also to tell them what theyd done for the world was admittedly more interesting than andy just kind of drafting him to the cause and him going 'okie'

i like how nicky was drawn in this one. in opening fire he looks like a blob man but in fm he looks more like a very nice grampa with a very good dye job

'theres no pain like a broken heart' andy 🥺

noriko implying andy's never drowned. .. .idk about that one, she musta drowned sometime

joe and nicky came, they waxed poetic about nile's love life, they waxed poetic about grog, and then they left.

sports bras being a reason humanity is good. i mean..... okay, yeah.

i mean. wild but you cant exactly tell her shes wrong

i liked how noriko telling andy that their purpose is to make people suffer coincides with joe and nicky finding out that they actually did good all those years

joenicky in opening fire: jail for booker jail for booker for 100 years

joenicky when copley tells them he knows where booker is: WE'LL KILL YOU WHERE IS HE

joenicky when copley comes back: if your vibes come off as even remotely rancid we Will destroy you

joenicky 2 minutes later when copley helped them find booker: he made up some ground :)))) <3 lov you j cops

theyre forgiving af

moose: how old are you?? a hundred??? a thousand???

nile [vine voice]: I M 2 7 ?

alright andy you got me there

joe texts like my aunt

i dont know why noriko drowning andy in that car tickled me. Bad And Naughty Andromaches Get Put In The Pear Wiggler To Atone For Their Crimes.

the drowning sequence was cool

copley trying to talk to andy while she was like o_o at him was great

ive hit the picture limit but id seen that panel where nicky goes 'forgive me' as he kills a guy out of context and it was HILARIOUSLY anticlimactic for me to discover that there was literally no context to it. nicky just apologizes to random people he kills. i thought that guy was someone he knew or something. nope its just Some Guy that nicky didnt know from adam

nile's complaint that andy was especially brutal to the guys on the boat... i mean. . , how exactly does one kill a man with an axe and not be brutal about it?

it was funny how noriko kissed andy and the only people who seemed surprised by that were nile and also andy

nicky and joe's complete non-reaction to finding out noriko is alive And Evil Now is endlesly funny. they just left her on that boat and neither cared. i get book and nile not caring but joe and nicky knew her, and they just have 0 input on the subject of what to do with her

pinstripe suit guy!

joe and nicky and booker packing up and leaving with nile

andy blowing up at nile was A Moment tho

i dont know, i get why people didnt like the ending but its. .. . it makes more sense in the comicverse. bc the squad doesnt really. .. interact outside of jobs? i mean, think of the moon landing story in ttt. that was booker and joe and nicky doing a job and andy only showed up a for a couple minutes after it was done. or the brunch in the first issue of opening fire. the squad arent as tight in the comic, and andy often seems to do her own thing outside of work, so andy saying 'i dont want to do work anymore' and the squad being like 'alright bye then' makes more sense in this universe than the movie one

also i feel like greg was Trying to set up a thing where nile becomes the Leader of The Squad after andy dies but like. its not very well done since. . . i mean, nile hasnt spoken to booker since opening fire, (and she only knew him A Day). and shes known joe and nicky all that time, but there isnt really anything that indicates that they have any relationship at all, much less one that's grown. in all the comicverse the only time nile and nicky speak is in FM, and in that scene nicky tells nile about noriko. nile goes from someone who needs to be set aside to have background knowledge explained to her to being the Leader of the group with nothing in between. it kind of... comes out of nowhere.

on the other hand tho... i felt really bad for andy thru the whole thing. well, i always felt bad for andy, but in this one she seemed so miserable, especially since it really felt like none of the others actually.... cared about her. when noriko came back no one asked andy how she was doing (big question ik, but it wouldve showed they cared at least), nobody ever expressed any concern for her, no one even really seemed to want to be around her. in opening fire everyone was more distant than in the movie of course, but there were little moments where she would joke with joe, or nicky would try and comfort her, or stuff like that, but in FM it really felt like they just didnt really care about her. & in opening fire it felt a lot like andy's relationship with nile breathed some new life into her, but in FM it felt like all they did was argue. i get theyre not *as* close in the comics but it really felt like the only person who cared about andy at all was noriko (which was probably also how andy felt) but it just seemed to come out of nowhere. honestly i was reading and i was honestly agreeing with andy that she might just be better off if she did just die. opening fire, on the other hand, never make me feel that way

tho everyone made it sound like when the squad split up it was one of those cursed 'the found family leaves each other at the end of the journey' tropes. but guys i mean,,, this is the second installment out of three. that isnt the End. theyll come back in the third one and Dramatically Reunite to fight some baddies (probably those 'others' noriko mentioned). im guessing yitzhak fits into that too somehow.

anyways it wasnt That Bad but it made me kind of sad and the only Sweet Found Family vibes in it were when they saved booker. also they shouldve beefed up that nilemoose romance, it underwhelmed me. 6.5/10

i also ABSOLUTELY understand all of greg's comments about how you couldnt make FM directly into a movie, he always said that it had no plot and. i get it now. it really didnt have a plot sdfghjkl

[itsclydebitches]

RWBY Recaps: Volume 8 “Dark”

Welcome back, everyone! Can you believe it's been six weeks already? I can't. Something something the uncomfortable passage of time during a pandemic as emphasized by a web-series.

But we're here to talk about RWBY the fictional story, not RWBY the cultural icon. At least, we will in a moment. First, I'd like to acknowledge that shaky line between the two, growing blurrier with every volume. A sort of good news, bad news situation.

The bad news — to get that out of the way — is that we cannot easily separate RWBY from its authors and those authors have, sadly, been drawing a lot of negative attention as of late. This isn't anything new, not at all, but I think the unexpectedly long hiatus gave a lot of fans (myself included) the chance to think about Rooster Teeth's failings without getting distracted by their biggest and brightest production. There's a laundry list of problems here — everything from the behavior of voice actors to the quality of their merch — but as a sort of summary issue, I'd like to highlight the reviews that continue to pop up on websites like Glassdoor, detailing the toxic, sexist, crunch-obsessed environment that RT employees are forced to work in. A lot of these websites requires a login to read more than a page of reviews, but you can check out a Twitter thread about it here. 

Now, I want to be clear: I'm not bringing this up as a way to shame anyone enjoying RWBY. This isn't a simplistic claim of, "The authors are Problematic™ and therefore you can't like the stuff they produce." Nor is this meant to be a catch-all excuse for RWBY's problems. If it were, I'd have dropped these recaps years ago. I'm of the belief that audiences maintain the right to both praise and criticize the work they're given, regardless of the context in which that work was produced. At the end of the day, RT has presented RWBY as a finished product and, more than that, presents it as an excellent product, one worth both our emotional investment and our money (whether in the form of paying for a First account, or encouraging us to buy merch, attend cons, etc.) I'll continue to critique RWBY as needed, but I a) wanted fans to be at least peripherally aware of these issues and b) clarify that my use of "RT" in statements like, "I can't believe RT is screwing up this badly" is meant to be a broad, nebulas acknowledgement that someone in the company is screwing up, either creatively (doesn't have the skill to write a good scene) or morally (hasn't created an environment in which other creators are capable of crafting a good scene). The real, inner workings of such companies are mostly a secret to their audiences and thus it's near impossible for someone like me — random fan writing these for fun as a casual side hobby — to accurately point fingers. Hence, broad "RT." I just wanted to clarify that when I use this it's as a necessary placeholder for whoever is actually responsible, not a damnation of the overworked animator breaking down in a bathroom. Heavy stuff, but I thought it was necessary (or at least worthwhile) to acknowledge this issue as we head into the second half of the volume.

Now for the good news: RWBY has reached 100 episodes! For any who may not know, 100 is a pretty significant number in the TV world because, when talking about prime time programming, it guarantees syndicated reruns. Basically, networks don't want audiences to get burned out with a show — changing the channel when it comes on because ugh, I've seen this already, recently too — and 100 episodes allows for a roughly five month run without any repeats, making it very profitable. RWBY is obviously not a television show and doesn't benefit from any of this (hell, modern television doesn't benefit from this as much as it used to, not in the age of streaming), but the 100 episode threshold is still ingrained in American culture. Beyond just being a nice, rounded number, it is historically a measure of huge success and I can't imagine that RT isn't aware of that. Regardless of what we think of RWBY's current quality, this is one hell of a milestone and should be applauded.

All that being said... RWBY's quality is definitely still lacking lol.

Our 100th episode is titled "Dark" — keeping with the one word titles, then — and I'd like to emphasize that, as a 100th episode, it definitely delivers in terms of plot. There's plenty of action, important character beats, and at least one major reveal, everything we'd expect from a milestone and a Part II premiere. The animation also continues to be noteworthy for its beauty, as I found myself admiring many of the screenshots I took for this recap. There are certainly things to praise. The only problem (one we're all familiar with by now) is that these small successes are situated within a narrative that's otherwise falling apart. It's all good stuff... provided you ignore literally everything else surrounding it.

But let's dive into some examples. We open on Qrow starting, awoken by the thunder outside. Robyn has been watching him and makes a peppy comment about how none of them will be sleeping tonight, followed by a more serious, "Sounds bad out there." Yeah, it does sound bad, especially when they all know — thanks to Ruby's message back in Volume 7 — that this is due to Salem's arrival. I think a lot of the fandom has forgotten that little detail because people often discuss Qrow as if he is entirely ignorant of what is going on outside his cell. Even if we were to assume that he's forgotten all about the pesky Salem issue (the horror of Clover's death overriding everything else, perhaps) he still knows that Tyrian is running loose in a heat-less city with a creepy storm going on and, from his perspective, the Very Evil Ironwood is still running the show. So it's bad, which begs the question of why Qrow (and Robyn, for that matter) hasn't displayed an ounce of legitimate worry for everyone he knows out there. Thus far, their interactions have centered entirely around Qrow's misplaced blame and Robyn's terrible attempts to lighten the mood, despite the fact that a war is raging right beyond that wall. It's another example of RWBY's inability to manage tone properly, to say nothing of balancing the multiple concerns any one character should be trying to juggle. Just as it rankles that Ruby and Yang don't seem to care about what has happened to their uncle, Qrow likewise doesn't seem to care about what might be happening to his nieces. When did we reach a point where these relationships are so broken that someone can be arrested/chucked into a deadly battle and the others just... ignore that?

So Robyn's otherwise innocuous comment immediately reminds me of how badly the narrative has treated these conflicts and, sadly, things don't improve much from here. We are thankfully spared more of Robyn's jokes when Qrow realizes that what he's hearing can't be thunder. A second later, Cinder blasts through the wall — called it! — and Qrow instinctively transforms. 

The only downside to this moment is that the whole ceiling falls down on Qrow and the others because APPARENTLY these cells don't have tops on them. Seriously. As far as I can recall we don't see the stone breaking through the forcefield somehow and this looks pretty open to me.

If it is... you're telling me these crazy powerful fighters who practice landing strategies and leap tall buildings in a single bound —

— can't just hop over this mildly high electric fence to get out? Qrow can't just fly away?

We're, like, two minutes in, folks.

We transfer to Nora's perspective as she wakes up, seeing Klein giving her the IV. He tells her not to worry, that "you and your friend are going to be just fine." What friend? Penny? Klein went upstairs prior to Weiss hugging Whitley or Penny crash landing outside. I had thought them bursting through the door with another unconscious friend was the first time he learned what the big bang outside was, but apparently not.

Penny is, obviously, a mess. While I now understand the choice to make her blood such an eye-catching color when that's crucial to the Hound's hunt, I still think it looks strange visually. Like someone has taken a copy of RWBY and painted over it. It doesn't look like it fits the art style. More than that, it implies some rather complicated things about Penny's humanity, especially in a volume focused around her being a "real girl." Real enough for Maiden powers, but with obviously inhuman blood that isn't even referred to as "bleeding." Penny "leaks" instead.

Toss in the fact that she's literally an android who is made up of tech — recall the running gags about her being heavy, or it hurts to fist-bump her, to say nothing of keeping things like multiple blades inside her body — yet Klein says that her "basic anatomy" is the same and he can "stitch up that wound."

I'm sorry, what? Whatever Penny looks like on the inside, it's not going to resemble a human woman's anatomy, and Klein might be able to stitch the outer layer of skin she's got, but that won't do anything to fix whatever metal bits have been broken underneath. Penny isn't a human-robot hybrid, she's a robot with an aura. Penny has knives in her back, rockets in her feet, and a super computer behind her eyes. When our clip introduced that Klein would be the one to help Penny, my initial reaction was, "Seriously? He's a butler and a doctor and an engineer?" But RWBY didn't even try to get away with a Super Klein explanation, they just waved away Penny's very obvious, inhuman anatomy. Yeah, I'm sure "stitching up" an android wound is just like giving Nora her IV. I hope the surgical sutures he used are extra strong!

In an effort to not entirely drag this episode, I do appreciate that Whitley is allowed an "ugh" moment about the non-blood covering his shirt without anyone calling him out on it. That felt like the sort of thing the show would usually try to make a character feel guilty about and I'm glad that, for once, he was just allowed to be frustrated without comment.

Then the power goes out and May calls, which raises questions about what state the CCTS is in and when scrolls are available to our protagonists vs. when they're not. But whatever. She's checking in because she just "saw another bombing run light up the Kingdom" and —

Wait. Bombing? Salem is bombing the city? I know we've seen explosions in the sky, but I'd always just attributed that to evil aesthetic. Why does this dialogue sound like it's from a World War II film and not a fantasy sci-fi show about literal monsters launching a ground attack?

May looks pretty against the sky though. I like her hair color against that purple.

I'm admittedly grasping at positives here because we finally return to her "You have to choose" ultimatum and — surprise! — May has pulled back completely. Ruby says that once they've helped Penny, "We'll...we'll do something!" which is once again her avoiding making a decision. Ruby still refuses to choose, instead falling back on generic, optimistic pep talks. They'll figure out how to stop Salem later. They'll think about the impact of telling the world later. They'll choose who to help later. Ruby keeps pushing these problems into the future where, she hopes, a perfect, magical solution will have appeared for her to latch onto. When that continues to not happen, others pressuring her to actually do something and stop waiting for perfection — Ironwood, Yang, May — she panics and continues stalling for time. Wait an episode and the narrative supports her in this.

Because initially May was forcing Ruby to decide. Now, May enables her desire to keep putting things off. "Don't beat yourself up, kid. At this point, I don't know how much is left to be done." That's the exact opposite of what May believed last episode, that there was still so much work and good to do for the people of Mantle. This is precisely what the show did with Yang and Ren's scenes too, having people call Ruby out... but then return to a message of, 'Don't worry, you're actually doing just fine' before Ruby is forced to actually change.

None of which even touches on May calling her "kid" in this moment. That continues to be a convenient way of absolving Ruby of any responsibility. When she wants to steal airships or Amity Tower, she's an adult everyone should listen to, the leader of this war. When the story wants to absolve her of previously mentioned flaws, she becomes a kid who shouldn't "beat herself up." I said years ago that RWBY couldn't continue to let the group be both children and adults simultaneously, yet here we are.

So that was a thoroughly disappointing scene. Ruby gets her moment to look sad and defeated, listing "the grimm, the crater, Nora, Penny" as problems she doesn't know how to solve. Note that 'Immortal witch attacking the city I've helped trap here' isn't included in that list. Ruby is still ignoring Salem herself and no one in the group is picking up where May left off, challenging her to do more than wring her hands over things others are already trying to take care of: Ironwood is fighting the grimm, May has gone off to help the crater, Klein is patching up Nora and Penny. Ruby, as one flawed individual, should not be expected to come up with a solution to everything, but she does need to stop acting like she can come up with a solution to everything when it matters most (office scene) and rejecting others' solutions when they ask for her help (Ironwood, May).

If it feels like I'm dragging the flawed, traumatized teenager too much, it's not in an effort to ignore those aspects of her identity. Rather, it's because she's also the licensed huntress who wrested control from a world leader and violently demanded she be put in charge of this battle. Ruby, by her own actions, is now responsible for dealing with these problems, or admitting she was wrong and letting others take the lead, without purposefully derailing their plans. She doesn't get to suddenly go, "I don't know," cry a little, and get sympathetic pats.

But of course that's precisely what happens, courtesy of Weiss.

During this whole scene I kept wondering why no one was celebrating Nora waking up, especially when Ruby outright mentions her. Have they just not noticed given all the Penny drama? Because Nora absolutely woke up.

Aaaand went back to sleep, I guess. What was the point of that POV shot? No worries though, she'll wake up again in a minute.

Willow arrives and announces that they can fix the power (and Penny) using the generator at the edge of the property. I'm convinced RT doesn't actually know what a generator is because the characters are acting like it's some super special device that only richy-rich could possibly have. Whitley says that it's the SDC executives who have their "own power supply" and that it's "extremely unfair." Now, don't get me wrong, a good generator powering large portions of your house can run you 30k+, but you can also get one that plugs into your extension cord and powers your fridge for a couple hundred. There's absolutely a class issue here, just not the one Whitley and Weiss seem to be commenting on. They make a generator sound like the sort of device that only a politician-CEO could possible have and it's weird.

Likely, it sounds weird because it's a choppy way of getting Whitley to bring up the wealth disparity so he can then go, 'That's right! We're crazy rich with a company housing tons of ships! We can use those to evacuate Mantle.' Awkwardness aside, I do like that the Schnee wealth is being used for good purposes, but... evacuate where? To the city currently under attack by a giant whale? In a RWBY that wasn't determined to demonize Ironwood, this would have been a great plot point during the office scene instead, with Weiss offering her services to Ironwood, even if the group decides that a continued evacuation still isn't possible.

Instead, we get it here from Whitley. Do I need to point out the obvious? That Whitley is the MVP of this episode? He's done more good in an HOUR than the group has managed in a year. Give this kid some training and make him a huntsmen instead.

We're given a (very pretty!) shot of the shattered moon because it wouldn't be RWBY if we weren't continually reminded that gods once wiped out humanity before destroying part of a celestial body... and absolutely no one talks about that lol.

Blake's coat might not make any sense for her color scheme, but it does make her easy to spot as she and Ruby run across the grounds. Oh my god, they're actually doing something together! It only took eight years. They even get a lovely talk where Blake admits how much she looks up to Ruby, despite her being younger, and once again I'm struck at how much more I would have loved this scene if it had appeared elsewhere in the series. It is, indeed, as sweet and emotional as all the RWBY GIF-ers are claiming... provided you overlook that this is the exact opposite of what Ruby needs to hear right now. She doesn't need to hear that she's more mature and reliable than her elders when she's functioning under a "We don't need adults" mentality. She doesn't need to hear that not knowing what to do is totally fine, not when that led to her turning on Ironwood, despite not knowing how to stop Salem. She doesn't need to hear that "doing something" — doing anything — is a strength, because Ruby keeps avoiding the big problems for smaller ones she's comfortable with, like standing by Penny's bedside instead of deciding between Mantle and Atlas. Blake's speech is heartfelt, but it's a speech that suits a Beacon days Ruby who is having some doubts about her leadership skills, not the girl whose impulsive — and now lack of — actions is having world-wide repercussions. Everyone is babying Ruby to a staggering degree. It's like if we had a med show where the doctor is standing by the bedside of a coding patient, fretting between two treatments. 'Don't worry,' their colleague says, patting their shoulder. 'I've always looked up to you. You'll do something when you're ready' and then they continue to watch the patient, you know, die.

Also: who does Ruby look up to? Everyone talks about how much they depend on and trust Ruby, but who does Ruby look to for guidance? A number of her problems stem from the fact that she has rejected the advice of everyone who has tried to help her improve: Qrow, Ozpin, Ironwood, even Yang. Ruby is presented as the pinnacle of what to strive for in a leader, rather than a leader who has only been doing this for two years and still has a great deal to learn.

Anyway, they get the generator on and the Hound shows up.

I am begging RT to just make RWBY a horror story. All their best scenes the last three years have been horror I am bEGGING —

Anyway, while Ruby waits to be eaten we cut to Willow and Klein, the former of which is reaching for her bottle, pulling back, reaching again, all while her hand shakes. This is good. This is what we should have gotten with Qrow. Which isn't to say that their (or anyone's) addiction should be identical, but rather that this is a far more engaging and complex look at addiction than what our birb got. Willow tells us that she doesn't drink in the dark despite bringing the bottle with her; tries to resist drinking when she's scared and ultimately fails. Qrow just decided to stop drinking after decades of addiction, seemingly for no reason, and that was that. Why is a side character we only met this volume written better than one of the main cast?

Blake manages to call Weiss about the Hound and she asks if Whitley can handle the airships without her. I mean, I assume so given that Weiss is looking at the bookshelves while Whitley does all the work lol. He makes a teasing comment about how he can if she can handle that grimm and she comments that they still need to work on his "attitude."

No they don't. Weiss stuck a weapon in her kid brother's face. Whitley made a joke. Even if Weiss' comment is likewise meant to be read as teasing, it's clear that we've bypassed any meaningful conversation between them. That hug was supposed to be a Fix Everything moment even though, as I've laid out elsewhere, it didn't even come close.

We cut back to Ruby getting thrown through a wall into the backyard and the Hound creepily coming after her. She's freaked out by this clearly abnormal grimm and Blake is weirdly... not? "It's just a grimm. Just focus!" Uh, it's obviously not. Have we reached the traumatized, sleep-deprived point where the group is sinking into full-blown denial? I wouldn't be surprised. They've been awake for like... 40+ hours.

Because the Hound knocks Ruby out with a single hit. Just, bam, she's down. "Focusing" is not the solution here.

Weiss calls to warn the others about the grimm, telling them to stick together. Willow (understandably) starts freaking out and flees the room (classic horror trope!). Klein is left alone when Penny wakes up with red eyes. Oh no!

Don't worry. You know nothing meaningful happens.

She shoves Klein before (somehow?) resisting the hack, her Maiden powers going wild in the process. Just when it looks as if Penny might cause some serious damage, Nora wakes up, takes her hand, and says, I kid you not:

"Hey... no one is going to make you do anything you don't want to do... It's just a part of you. Don't forget about the rest."

Okay. I want to re-emphasize that I love hopeful, uplifting, victory-won-through-the-power-of-love stories. Istg I'm not dead inside, it's just that RWBY does this so badly. I mean, what is this? It has similarities to the character shouting, 'No! Resist!' to their mind-controlled ally, but this is not presented as a desperate, last-ditch effort by Nora. She just speaks like this is the most obvious truth in the world. If you don't want to have your mind taken over... just don't! It's that simple. The problem definitely isn't that Watts has changed her coding and has implemented a command she can't override, it's that Penny has forgotten about the "rest" of her personhood.

And this works. Granted, not for long, but we leave Nora having successfully calmed Penny down and until her eyes unexpectedly go red again scenes later, we're left assuming that this is a permanent solution. That, imo anyway, is taking the Power of Love too far, overriding the basic reality of Penny being hacked. It’s not a personal failing she must overcome, it’s an external attack. I would have rather had Nora react to the scars she saw on her arm, or have a moment with Klein, or get some love from the group. Not a wakes up, falls asleep, wakes up again to save Penny with a Ruby level 'Just ignore reality' pep-talk, then back to sleep again.

So Penny isn't attacking her allies, or mistakenly hurting her allies with wild Maiden powers. Not that the group doesn't have enough to deal with, but still. Weiss arrives to help with the Hound and attempts a new summon, only to fail when two minor grimm burrow up into her glyphs. I really enjoyed that moment, both for the wing visual and the knowledge that Weiss' glyphs can fail if you break them somehow (which makes sense). Also, I just like that she failed in general? Weiss is, as per usual now, about to demonstrate just how OP she is compared to the rest of the team, so it was nice to see her faltering here.

The Hound tries to make off with Ruby and Blake does an excellent job of keeping it tethered. Ruby finally wakes, only to realize that the grimm is actually after Penny since it's staring at her power up through the window, no longer trying to escape. Moments like this remind me that there's someone on RT's writing team that knows what they're doing, at least some of the time. The assumption that the Hound is after Ruby as a SEW, the surprise that it's actually Penny, realizing it holds up because Ruby is covered in Penny's blood and Blake is not... that's all nice, tight plotting. More of that please!

The Hound drops her and Ruby's aura shatters when she hits the ground. I want everyone to remember this moment as an example of how strong the Hound is. The group may be tired, but unlike YJR they've been sitting around in the Schnee manor for a number of hours, regaining strength. We saw the Hound hit Ruby twice — once through the wall and once to knock her out — and then she falls from a not very high distance for a huntress, yet her aura is toast. That's the level of power and skill the Hound possesses. Decimating YJR, knocking Oscar out, same for Ruby, avoiding Blake and Weiss' hits, soon to treat Penny like a ragdoll. Just remember all this for the episode's end.

Blake tells Weiss she'll take care of Ruby, you go help the others. Yay breaking up the duos more! Bad timing though as the new acid-spitting grimm pops out of the ground and Blake is now left alone to face it.

Weiss re-enters the mansion, knowing the Hound is somewhere nearby, but not where. Suddenly, Willow's voice sounds through her scroll with an, "Above you!" which... doesn't keep Weiss from getting hit lol. But it's the thought that counts! Willow has accessed the cameras she's set up throughout the manor, watching the Hound's movements, and I have to say, that is a WAY better use of her separation from Klein than I thought we were getting. I legit thought they'd have Willow run away in a panic, meet the Hound, die, and then Weiss could be sad about losing her mom.

It does say something about RWBY's writing that this was my knee-jerk theory, as well as my surprise when we got something way better.

The Hound runs off, uninterested in Weiss, and she asks Willow to keep tabs on it. It heads for Whitley next (also covered in Penny's blood) and very creepily stalks him in the office with a, "I know you're here." Whitley is seconds away from being Hound chow before one of Weiss' boars pin it against the wall. He runs, then runs BACK to finish deploying the airships, before finally escaping assumed death. Goddamn this boy is pulling his weight.

I assume all these ships are automated then? I hope someone takes a moment to call May. Otherwise it's going to be super weird for the Mantle citizens if a fleet of SDC ships just show up and hover there...

I don't entirely understand how Weiss saved him though. She's nowhere to be seen when Whitley leaves and he runs a fair distance before he and Willow encounter Weiss again. We know her summons don't have to keep right next to her, but are they capable of rudimentary thought, attacking an enemy — and an enemy only — despite Weiss being a couple corridors down and unable to see the current battlefield? I don't know. In another series I'd theorize that this was a deliberate hint, a way to clue us into the fact that Willow, someone who we currently know almost nothing about, had training in the past and summoned the boar herself. Weiss and Winter certainly didn't get that hereditary skill from Jacques. Hell, we might still get that, Weiss reacting with confusion next episode when Whitley thanks her for the boar, but I doubt it. That scene with Ruby and the Hound aside, the show isn't this good at laying groundwork and then following up on it.

Case in point: Weiss says, "I didn't forget you" to Whitley after he gets away from the Hound, the moment trying to harken back to her promise to Willow. Key word is "trying." Because she absolutely forgot him! Weiss threatened and ignored Whitley until he proved his usefulness. I also shouldn't need to point out that, "Don't forget your brother" does not mean, "Don't let your brother die a horrible death by abnormal grimm." Weiss acts like her saving him is a fulfillment of her promise, rather than just the most basic of human decency. And also, you know, her job.

So that part is frustrating. The entire Schnee dynamic is a mess, from Weiss making a joke of her father's arrest, to Willow (presumably) fixing their relationship by putting a hand on her daughter's shoulder. Okay.

Then Weiss cuts off the Hound by summoning a giant wall of ice. My brain, every time this happens:

YOU COULD HAVE FIXED THE HOLE IN MANTLE'S WALL.

Moving on, Blake's fight against the acid... thing has some great choreography, including Blake using her semblance which we haven't seen in AGES. 

I really like the fight itself, just not what Blake is shouting the whole time. "I need you, Ruby! We all need you!" This has really gotten ridiculous. Ruby is presented as everyone's sole savior despite failing time and time again. It's not that I don't think Blake as a character should have faith in her leader, it's that I don't think the writers should be crafting a story where everyone puts their unshakable hopes in an untrained, disloyal, impulsive 17 year old. I mean, Ruby is currently unconscious, yet Blake is acting like if she doesn't wake up — she, as an individual, if Ruby Rose does not re-join this fight — then all is lost. If Ruby doesn't save them, no one can. Which is, of course, absurd on numerous levels. Blake doesn't need the passed out, aura-less Ruby right now, she needs the still very healthy Weiss pulling out multiple summons and an ice wall! Use your scroll and call for backup again.

But of course, Ruby wakes up and kills the new, terrifying grimm with a single hit. It's a preview of what's to come with the Hound and it's just as ridiculous here as it will be there.

Speaking of the Hound, am I the only one who thought this was... cute?

I can't possibly be the only one. That head-tilt is exactly what my dogs do and my brain instinctively went, "Aww, puppy!"

Murderous puppy.

The Hound realizes none of the Schnees are who it's looking for and runs off. Penny, meanwhile, has been fully taken over because, well, that's just what's convenient now. She resists long enough keep Amity up, then succumbs, then resists to apologize to Ruby, then succumbs, then resists because Nora asked her to, then succumbs once it's time to knock her out. If RWBY was willing to commit to consequences, Penny would have been taken over and that was that. The characters would need to deal with whatever outcome happens as a result. Instead, the show very carefully avoids any of those pesky consequences by having Penny successfully resisting at key moments, despite no explanation of how she's managing that.

She shoves Klein again (Klein is having a Bad Time) and starts walking down the main steps. When Whitley wants to know where the hell she's going, Penny mechanically responds that she must "Open the vault, then self-destruct." I suppose the change Watts made was the self-destruct order? Ironwood obviously wants the vault open, though not necessarily Penny's death. Think what you will of his moral compass, she's a damn powerful ally — a research project, perhaps — and a Maiden to boot. At the very least, her death may give the powers to someone even worse.

God, please don't let them have brought Penny back and made her a Maiden just to kill her again.

The Hound arrives though and, as said, knocks Penny out. We're back to square one with her, then. Note though that this attack is near instantaneous. She grabs its hands one second, is hanging limply the next. Wow, the Hound sure is a terrifying antagonist!

Not for long.

"That's enough," Ruby says and one-shots it with her eyes.

Now, I want to talk for a moment about the implications of that line. "That's enough." Obviously Ruby is #done with this situation and emotionally unwilling to let the Hound kidnap Penny (congratulations, Nuts and Dolts shippers), but there's a meta reading here as well. Not intentional, but glaring to me nonetheless. Basically, the idea that the Hound has, from a plot perspective, done enough. It has served its singular purpose. It kidnapped Oscar and now it dies. Never-mind how insanely powerful we've established the Hound to be, never-mind how Ruby's eyes also work or don't work according to whether anything of actual import is on the line. From a plot perspective "that's enough" and the Hound can be disposed of instantly. It got Oscar and gave us an episode of filler creepiness. Move along now.

The idea behind Ruby's eyes isn't bad, but the execution absolutely is. RT has undermined a huge portion of the stakes by giving their protagonist an instant kill-shot that always works precisely when she needs it to. Starting with the Apathy, we have yet to get a moment where Ruby's eyes fail to save the day when she really needs them to, no matter how incredible the challenge. The Hound was very intentionally written to be a grimm outside of the group's current power level. It thinks, it talks, they literally can't touch it. This creates the expectation that the group will need to grow stronger — or at least become smarter — in order to surmount this new obstacle, yet Ruby's eyes undermine all of that. The group hasn't grown in years, the show just makes enemies weaker as needed (Ace Ops), or has Ruby pull out her eyes as a trump card. It wouldn't be that bad if we'd at least gotten a good battle out of it, one where the group gets close to defeating the Hound on their own, but needs Ruby's eyes to finish it off. Instead, she literally walks up without any aura, announces to the audience that this antagonist's time is up, and blasts it out a window.

Granted, Ruby's eyes don't completely finish it. The Hound pulls itself to its feet and we see this.

Yup, that's a guy and yup, those are silver eyes.

I would like to issue a formal apology to the "It's secretly Summer!" theorists in the fandom. I mean, I still think it would be ridiculous (and at this point highly improbable) that Ruby's dead mother has actually been a grimm mutant this whole time, just hanging out in Salem's realm while she waits for the plot to start before attacking the world, and then sends some no-name faunus dude after the group instead of their leader's mother for extra, emotional torture... but you all were definitely right about the “It's a person” part! I... don't know how I feel about this. Admittedly, it seems to be a logical continuation of the other grimm-human hybrids we've seen — namely Cinder and Salem herself — and it finally explains why Salem wants Ruby alive (even though it actually doesn't because WHY did she want more SEWs for Hound grimm when she wasn't even attacking back then? And already has all these other insanely powerful tools??), but at the same time, it feels like it's complicating a story that doesn't need further complications. The group fights monsters and has an immortal enemy. You don't need to add 'Some of those monsters are secretly human' to the mix.

It doesn't hurt that this twist is giving me Attack on Titan vibes, which, ew. A dark time in my fandom life, folks.

The Hound staggers a few steps before Whitley and Willow dump a suit of armor on it. That's all it takes to kill the most dangerous grimm we've ever seen: a single flash of silver eyes and some heavy metal. This also wreaks havoc with the implication that Salem wants SEWs alive because they create such powerful grimm. Obviously not. I mean yeah, normal huntsmen are going to have serious  problems, we’ve seen that this volume, but any other SEWs nearby will take a Hound out instantaneously. For a villain with so many other powerful abilities — immortality, magic, endless normal grimm, her nifty soup — Salem would be much better served just killing SEWs straight out. Clearly, creating Hounds isn't worth the effort.

The Hound leaves some bones behind and Ruby collapses to her knees, overcome with the knowledge that this was once a person. Again, uncomfortable Attack on Titan parallels.

We finish our premiere with Cinder clearing away rubble to reveal Watts. Honestly, I like that we ended on this because her rescue is hilarious. She just slings him over her shoulders like a sack of potatoes and blasts off with her magic fire feet. Fantastic.

Note though that with this scene we've seen almost everything from the clip and the trailer. What's to come in the rest of Volume 8? No idea. Outside of Winter leading the charge with the bomb, we got it all here.

Time to update the bingo board!

I'm crossing off "Introducing new grimm that are quickly abandoned." Between the Hound and acid-dude both falling to a single blast/cut from Ruby, we've more than earned this square.

It doesn't look as if we'll get another Watts-Jacques team-up now that he's left, but you never know.

Maria's got me worried. I feel like her Yoda fight against Neo is the one thing she'll be allowed to do this volume, but given that we didn't see anyone except Ruby's group this episode, we don't yet know whether the story is now ignoring her and Pietro, or if they'll re-appear in another episode like YJR.  

Qrow is free. Will he get a drink before trying to murder Ironwood? Perhaps.

Still no bingo :(

All in all, the episode was by no means horrible. I think there were lots of horrible parts, but also some legitimately well executed moments, fun action, and scenes that I can easily imagine as squee worthy if you lean back and squint. Everything is comparative and in the growing collection of bad RWBY episodes, this one isn't securing a top slot. Which doesn't mean I think it's good, just... not as bad as it could have been and primarily only bad due to long-running problems, not things this specific episode has done. That's my bar then, so low it has officially entered the underworld.

Still, RWBY is back and a part of me is eager to see where this volume takes us, for better or for worse.

Until next week! 💜

[Ko-Fi]

[b0oker18]

On the anniversary of ‘My Struggle IV’ I have many thoughts:

I became a fan of The X Files in 2008 when I saw ‘I want to believe’ on DVD. When I watched it I fell in love with Mulder and Scully and the strange universe that they lived in. Long story short over the next few months I watched every episode, then I watched them again and then again (and then again). Not only did I fall in love with M and S but I fell in love with the Mythology, the MOTW, and the themes of science and religion. I’m such a big fan I even (sort of) defend seasons 8 and 9 (I am very much aware of all the problems with both seasons ok lol).

I was so enthralled with this journey that these two lovely people had together! And you know what? I was somewhat happy to leave them and never see them again after ‘I want to believe’ While we didn’t get all the answers like colonization, William, etc. I was ok with that! I even had my own elaborate head canon of what happened after ‘I want to believe’. Basically it involved Gibson getting into contact with M and S to tell them that the colonists had left Earth because William was normal now (so colonization would never happen) and it also involved Mulder writing a series of memoirs that gave him a renewed sense of purpose in life, but maybe I’ll get into it another time cuz it’s a lot lol.

Anyway, one day in 2015 (I think) season 10 was officially announced and I was very happy! I thought finally we were getting closure! Then the Mulder and Scully breakup rumors came out and I knew we were in trouble, but I still wanted to give it a chance. Then Chris Carter called the “revival” series a “reimagining” and again I thought we were in trouble, but I still wanted to give it a chance.

I remember the night ‘My Struggle I’ aired. The Files fandom was SO excited and so was I. I remember loving it! Sure the entire mythology was flushed down the toilet and sure Mulder and Scully were broken up and none of things made any sense, but we got 5 more episodes! The mythology will go somewhere and Mulder and Scully will get back together. None of things happened and I felt horrible! Season 10 is the worst season of The X Files in my opinion. But I didn’t think the show would come back and somehow it was easy for me to ignore and I did for a while.

A year or so later Season 11 was announced and again the hype got to me! Finally we will get the answers to the shows original mythology and finally Mulder and Scully will get back together (noticing a theme here). Then ‘My Struggle III’ aired and it sucked! Haha. But then ‘This’ aired and OMG Dana Scully and Fox Mulder are back together as a romantic couple again! Hooray!!!! 🥳🥳🥳🎉Nope! they weren’t. 😞But that’s ok cuz next week Mulder and Scully will have sex, twice! Then the episode aired and while the episode was somewhat entertaining, it had what I feel is the single worst Mulder and Scully scene in the history of the show. Im sorry but that bed scene was horrendous! It was like two high schoolers talking about if they would still love each other after graduating. These two characters have WAY to much personal history to have any conversation even remotely like that. But they had sex twice and you know HYYYYPPPEEE ZOMGS they did it.... twice!! 😱😱😱.

‘Ghoulie’ was good but William is like a shape shifting monster now or something??? ¯\_(ツ)_/¯ But dear god the acting of Gillian Anderson was TOP notch! So you know MORE HYYYPPPE!!!

‘Nothing Lasts Forever’ was kinda boring but that ending!!!! They are back together!!!! They are talking about their regrets and letting them go!!!!! YAY!!!! HYYYYPPPEEE level over 9000!! But that shit should’ve happened WAY sooner. And is as fans deserve to know what Scully whispered.

Then we get to ‘My Stuggle IV’. We got car chases! We got Mulder shooting like 20 people! We got Scully doing.... stuff! We got Chris Carter doubling down on William not being the true son of Mulder! But who cares SCULLY IS PREGGOOOSSSSS!!!😱😱😱😱. Greatest series finale EVERRRRR.!!! I got the Mulder and Scully happy ending I have always wanted y’all! Ty Chris Carter!!! 🥳🥳🎉🎉🥳

Yeah, I thought that way for months. Then I walked away from the show for a year or so and I honestly didn’t think much of it! Then the “revival” came back into my conscience. My “revival” HHYYPPEE brain had left me. I started objectively thinking about the revival. Literally nothing made any sense. Mulder and Scully are back in the FBI in there 50’s? With no training? As Mulder is clinically depressed?? Mulder just believes some random person that alien colonization is all bull shit and it was all evil white dudes? This man has been lied to his entire life yet he just believes? That ain’t my Mulder. Where was all that character development from the original series? It certainly wasn’t in Chris Carter’s show bible (I think only a few people will understand that joke lol).

I don’t want to make this post much longer so what I’m trying to get at is the revival as a whole was noting more than a soft reboot. That REALLY bothered me for months when I came back to this show. It’s so goddamn disrespectful to the original fandom. There are still so many fans that care about the original mythology and Mulder and Scully, we wanted to see both progress into new and interesting ways. Instead it’s all burnt down to the ground. Sure Mulder and Scully are cute in the revival series, but what’s it really worth when they aren’t truly together. I get the show needs angst, but at what cost? Breaking them up is the easy way out. That shit hurt me. Same with the mythology, Carter just deletes all of it so he can tell a story that would connect to a new audience. Instead it pissed off just about everyone.

I’ll never, ever begrudge any fan for loving the revival. Actually I’m a little envious, but now that I look at it objectively I just can not reconcile the new Mulder and Scully we got and the new mythology that were being told. So for me the “true” X Files ended after ‘I want to Believe’. Mulder is writing his books, finding his new purpose in life. Scully is still working as a doctor helping children get better. Colonization will never happen and William will have a happy life with his loving adoptive parents. Sure maybe the rest of Mulder and Scullys life may be rather dull. But in my heart of hearts it’s what I believed they longed for, it’s what I longed for after I first saw ‘I Want to Believe’. So I’ll give it to them, they deserve it. I’ll love this show forever. 💜

[hadtochangemyurlquick]

have you ever creating scenes/plot lines that are based off your own experiences ? or is it all from your ~imagination~ [sorry if this sounds dumb i’m not a writer of any kind]

watch your tone anon, i’m not okay with self-deprecation only self-irony.

and yes! of course! a common form of writing is to put pieces of yourself into your characters. When I write Shelby i use the optimistic, repressed side of myself. When I write Toni i often use the side of myself that was neglected by my parents and forced to grow up a little faster. when i write physical and emotional abuse i use those experiences, along with depression, struggle with regular eating, anxiety, adhd, you know, all that good stuff. stuff i’m pretty much healed from and able to look at now with perspective. ive never written abuse exactly like what i underwent, however. mostly bc i’ve never read it. which of course i know means someone has to write it, bc definitely i’m not the only one who needs to read it but like, i can’t write it rn. maybe later.

i reference shows and books and plays in my writing all the time. if you ever see the number 319 in any of my writing it’s a reference to Clarke Griffin’s prisoner number in the 100. and there are a lot of random things like that sprinkled throughout all of my writing. i’ve been thinking about doing a director’s commentary on some of my fics with all the references lol.

the apply butter au is based off the apple butter my family makes, the texas son au (which y’all have yet to read) is just me blatantly projecting my gender issues on shelby. but i mean at least i realize i’m doing it? i once wrote 80 pages of a 100 au where clarke time travels back to season 2 from season 5 and lexa heals clarke’s ptsd in a sexy lesbian way and i didn’t realize i was depressed until like page 74...

recently i’ve noticed all of my stories surround the relationship between two sisters, usually an older sister and younger sister, told from the perspective of the older sister, and usually with the older sister pulling away and the younger sister struggling to come to terms with that, both with valid reasons for their distress. i’m probably on great terms with my older sisters tho i don’t think i really have to worry about that lol

i also usually start my stories with something i wanna argue too.

my apple butter au is a treatise about how your dream job ain’t shit if you aren’t with the people you love. in a sequel i will never write toni gives up her job as a pt and moves back to minnesota so she can be with martha and shelby goes with her. 

this little one shot i never put on a03 is about how i view love, that it’s a choice and it’s not necessarily one that needs to make any sense. that you can just decide to love someone bc you love them.

the ranch au has a message which is slowly being revealed but i don’t wanna say it bc one: it would spoil plot points and two: it might lose readers bc it Is a hot take that i don’t think many people here have even heard articulated much less would begin to agree with until they hear articulated (but i think they will understand once they hear articulated so I’m hopeful, i think y’all will like it)

(i promise it’s not smthn like “racism is good actually” or “hitler went about it all wrong but if you think about it he actually made some good points” or “men suck and gretchen is right :( also terfism=altruism”, at the end of the day the story is all just an excuse to write lesbian cowboys, like it’s not That much deeper)

and i mean also when i write about grief and mourning it’s from personal experience, the feelings behind it at least.

there is a multi chap, it should just be 5 chapters that’s coming out in a few months once i finish it, that’s entirely personal experience. goodfoe goes home for the holidays is the basic plot and it’ll be cute. i might post it around thanksgiving. depends on how the ranch au is doing

[aion-rsa]

15 Best SNES RPGs Ever Made

https://ift.tt/3gFkLz0

SNES games might not be much to look at now, but in many ways, they were a massive improvement over any console games that came before. SNES developers could create massive worlds with detailed sprites that actually looked like what they were intended to represent. New advances in technology also meant that games could take their first real steps toward becoming the kinds of cinematic experiences we arguably take for granted today. And while 4 MB wasn’t even a ton of storage even space back then, it was still more than enough to fit an impressive script for a 40-hour story.

In short, the SNES was almost perfectly set up to be the home for RPGs. While the console RPG scene was still finding its footing at the time of the Super Nintendo’s release, many developers were more than willing to dip their toes into the genre to see what kind of experiences they could craft. That combination of experimentation and all-time great creative voices eventually resulted in some of the most beloved role-playing games ever made.

As we celebrate the 30th anniversary of the SNES in North America, now feels like a great time to look back at 15 of the best RPGs on the SNES. 

15. Shadowrun

In the early 1990s, console RPGs were synonymous with turn-based combat and medieval settings full of knights, sorcerers, and dragons. So, no one really knew what to make of a cyberpunk game with real-time combat set in a dystopian Seattle. However, those who stuck with Shadowrun found one of the best and grittiest stories of the 16-bit era, as well as some surprisingly innovative conversation and hacking systems.

Shadowrun was truly ahead of its time in almost every way. While it didn’t get that much attention when it was released, games like Cyberpunk 2077 and The Ascent proudly carry on its legacy to this day. Even the Shadowrun franchise itself finally got its due with a trilogy of successful PC RPGs released over the last decade.

14. Soul Blazer

Even today, Soul Blazer is a title that not many gamers have heard of. Admittedly, it’s a little rough around the edges. Arriving early in the lifecycle of the SNES, the graphics and music aren’t quite up to par with the best games of its era, but the gameplay makes it a worthy addition to this list. Taking some inspiration from Actraiser, another beloved Quintet game, your goal in this action RPG is to clear out various lairs, rescue various souls (that could take the form of plants, animals, or other humans), and free the land from the evil Deathtoll.

Quintet would go on to hone Soul Blazer‘s best ideas in several other games (including Terranigma, another fantastic action RPG that sadly never made its way to North America). Unfortunately, Quintet shut down in the mid-2000s, and it’s unclear who exactly owns the rights to these games at this point. That sadly makes any official re-releases of these often-overlooked gems unlikely.

13. The 7th Saga

The 7th Saga is an excellent example of a game that had a lot of great ideas that never quite came together. Probably the best thing about the game is the playable characters. You have seven to choose from at the start (including a robot and an alien), and you eventually meet six other characters that you can either fight or recruit. It was also one of the first RPGs that didn’t include completely random combat. Enemies could actually be avoided through an innovative “radar” system.

Unfortunately, The 7th Saga is also unforgivingly difficult, with some enemies always surpassing your stats no matter how much you level up. So, while it may not have aged as gracefully as other games on this list, it’s an utterly fascinating project with incredible ideas that have since been incorporated into numerous genre classics.

12. Breath of Fire II

To be honest, Breath of Fire II doesn’t have a particularly memorable stand-out feature. Sure, there’s a town-building feature that lets you fill a town with various NPCs you meet throughout the game, but it’s easily ignored. Having a giant talking armadillo in your party is also pretty cool, but it’s obviously hard to recommend the game based on that alone. 

So why should you play Breath of Fire II? Well, it’s just a very solidly told fantasy story with a lengthy quest and strong turn-based combat. It’s nothing flashy, but it’s a strong overall entry into the Super Nintendo’s RPG library.

11. Lufia II: Rise of the Sinistrals

The release of Lufia II was overshadowed by the release of the next-gen systems and a SNES library already bursting with classic RPGs. It took a while for a lot of gamers to dig up this hidden gem, and some gamers simply never found it at all. To be fair, the story (which features a typical fantasy hero who has to save the world from the four evil Sinistrals) is a little mechanical, but Lufia II features some of the best graphics and music of any game on the console. Plus, there are tons of puzzles to solve and a 99-level randomized dungeon to eventually tackle. Honestly, Lufia II might feature more “gameplay” than any other Super Nintendo RPG.

While it’s billed as a sequel, Rise of the Sinistrals is actually a prequel to the first game, so you can feel free to dive right into it without playing through the first (though Lufia and the Fortress of Doom is well worth checking out as well). 

10. Harvest Moon

Arriving at the tail end of the SNES’ lifespan, Harvest Moon made a lot of gamers re-examine what an RPG could actually be. There’s no combat and no great quest to save the world. You’re just a simple farmer growing crops and raising livestock on the land you inherited from your grandfather. It sounds boring, but the gameplay loop is remarkably addictive. There’s a reason why the Harvest Moon series continues to this day and has inspired dozens of imitators, spin-offs, and sequels (most notably Stardew Valley).

Admittedly, some of the recent Harvest Moon games haven’t lived up to the series’ standards, but thanks to charming characters, witty writing, and its simple yet deep gameplay, there’s a very good argument that this first Harvest Moon game remains the best in the franchise.

9. Illusion of Gaia

The spiritual sequel to Soul Blazer exchanged the town-building mechanics of its predecessor for more involved combat, which honestly made it a better game overall. Illusion of Gaia also forgoes the traditional leveling of most RPGs for a roguelike system where protagonist Will can choose to increase his attack, defense, or health stats after clearing each room of enemies. As such, how you choose to proceed can make the final bosses of each dungeon significantly easier or much more difficult.

While it’s not technically set in the real world, Illusion of Gaia does incorporate several real-life locations, such as Egyptian pyramids, Incan ruins, and the Great Wall of China, leading to some of the most unique locales in any SNES RPG. It’s also a much better-looking game than Soul Blazer, fixing one of its predecessor’s biggest flaws.

8. Secret of Evermore

Square Enix (then Squaresoft) is primarily a Japanese developer, but after the massive success of multiple titles in the ‘90s, they decided to give an American studio a crack at the Square formula. While the basic gameplay of Secret of Evermore is obviously inspired by the superior Secret of Mana, Evermore mixes things up by restricting combat to just you and your trusty dog. There’s also a new alchemy mechanic that allows you to create potions when battling the game’s many tough bosses. 

For better or worse, Evermore is also graphically a much darker game than other Square titles of the era. It all mostly works here, but Square was ultimately not interested in pursuing Americanized versions of its games and Evermore is now more of a curiosity than anything else.

Read more

Games

25 Best SNES Games of All Time

By Chris Freiberg

Games

25 Best RPGs Ever Made

By Matthew Byrd

7. Ogre Battle: The March of the Black Queen

More of a military strategy sim than a typical RPG, The March of the Black Queen might be the most demanding game on the SNES. You will spend a lot of time managing units, some of which include ninjas, griffins, and witches. But when you pick just the right strategy, it’s oh so rewarding to watch them take back the continent of Zetegenia from the evil Empress Endora. It also features one of the denser stories of any 16-bit game. Many of the best plot beats may even remind you more of Game of Thrones than Lord of the Rings.

This is actually considered the fifth episode of the Ogre Battle saga, and while several sequels were produced over the years, the first four games that would have presumably featured the rise of Endora were never made. Sadly, though, Square Enix now owns the property, it doesn’t look like the Ogre Battle saga will ever be completed either. 

6. Final Fantasy IV

Plenty of RPGs were released before Final Fantasy IV (also known as Final Fantasy II in North America at the time of its release), but this was the true turning point for the JRPG genre. Of course, the graphics and sound were better with the move to more powerful hardware, but what really set it apart was the distinction of being one of the first RPGs to actually feature a fully fleshed-out plot complete with a complicated love triangle and a sympathetic villain in Golbez. It was also the first Square game to include the Active Time Battle system, which showed that JRPGs didn’t have to just be plodding turn-based affairs.

Honestly, the only downside of playing Final Fantasy IV on the SNES is that the original English translation is a little iffy. That’s been fixed in later ports and remakes, so while it might not be worth checking out on the SNES anymore over other options, it’s still worth playing in some form.

5. Super Mario RPG

Both Nintendo and Square were arguably at the height of their abilities in the mid-90s, so it shouldn’t come as a surprise that when they finally teamed up, the result was an absolute masterpiece. Super Mario RPG expertly combined the beloved Mushroom Kingdom setting and Mario platforming with Square’s top-tier storytelling abilities and advanced RPG combat systems for a truly epic game. 

Those who have played through Super Mario RPG still yearn for a true sequel developed by Square or, at the very least, the addition of Geno to Super Smash Bros. Given how beloved the game is, it’s surprising that Square and Nintendo still haven’t teamed up for another RPG. The Paper Mario and Mario and Luigi games are good, but none have surpassed this classic.

4. Secret of Mana

Closer to The Legend of Zelda than Final Fantasy in gameplay, Secret of Mana was perhaps the most innovative RPG of the ‘90s. It introduced many gamers to faster, varied combat, three-player multiplayer, and an absolutely massive game world. Even better, it’s all wrapped up with some of the best music and graphics of the generation. While still confined to the 2D limitations of the SNES, Secret of Mana’s systems are closer to what we see today in modern RPGs and action games than anything that came before.

While this game has been ported and remade perhaps more than any other game on this list, none of those versions quite match the first release. The original version of Secret of Mana still looks and feels timeless. 

3. Earthbound

RPGs were generally considered more niche games in the ‘90s. They rarely sold well, but at least did well critically. Earthbound is even more unusual because the initial reviews were rather tepid, yet it’s now considered one of the greatest games of all time. Most gamers just weren’t ready for an RPG set in the modern world that alternated between the cheery enthusiasm of childhood and the ominous alienation of growing up. In that way, Earthbound could be considered a PG-rated South Park that debuted two years before South Park even premiered.

Surreal, satirical, and sometimes just plain weird, Earthbound remains one of the more unique and innovative RPGs ever made. It’s a triumph of the genre that dozens of other games have attempted to emulate, but none have yet surpassed. Now, if Nintendo would just get around to finally putting out an official English localization of the sequel…

2. Final Fantasy VI

Two decades and nine sequels later, there are still some RPG fans who consider Final Fantasy VI to be the pinnacle of the series. That’s debatable, but it’s easily the best of the 2D entries as well as a kind of swan song to the gameplay that introduced many gamers to RPGs for the first time, with its pitch-perfect ATB battles, a huge, varied world to explore, and an epic, apocalyptic story. 

But it’s the cinematic aspects that make Final Fantasy VI stand out. The rousing soundtrack pushes the SNES to its absolute limits, making moments like the famous opera scene and the final battle against Kefka feel especially epic. Square arguably came to rely on CG movies a little too much in later games, but Final Fantasy VI is proof that the developers were master storytellers long before that.

1. Chrono Trigger

Is there really anything to dislike about Chrono Trigger? The time-traveling story that sees our heroes journey across millennia to save the world is simply outstanding. The characters, from Frog to Magus, are among the most memorable in any RPG. While the combat system might be a little simpler than some of the games on this list, letting party members team up to use their “Tech” abilities in different ways is endlessly customizable and entertaining. Of course, all of that occurs before you even dig into the new game plus and dozen different endings.

It’s difficult to label any video game as truly perfect, but Chrono Trigger may be the closest thing to perfection that gaming has ever seen. More than two decades on, it remains a high point in the RPG genre that all gamers need to experience at least once, and it’s easily the very best RPG on the SNES.

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[pinkykitten]

I was tagged by @writing-with-melon I hope my answers aren’t complete waste or if time and if so I’m sorry and I love you

Rules: Answer ten 10 questions, ask 10, and tag 10 people

1. What song automatically plays in your head when you look out the window on a long drive? 

i dont really have an answer for this. i think i just automatically think about any song ive been listening to recently or any song that has been stuck in my head. 

2.  Do you have some snacks nearby when you write?

well i live in a two story house so the kitchen is downstairs and im usually lazy busy so since i have a mini fridge upstairs i just usually get water to drink while im writing. its kinda hard to eat and write cuz i loose focus really easily so when i am writing i am writing! i am in the zone! but if i am a little hungry ill usually snack on candy like chocolate kinder joys i love them but they r so expensive or snack on chips but i get like salt on my fingers or i like cheetos so cheetos dust and that just gets everywhere and later my hands and keyboard kinda smell like fart. 3. What do you do to combat creative burnout?

so burnout happens to me a lot so to get inspiration i either read other stories or fanfics which gets my head gears turning or i admire a piece of art or photography or a song. whats so unique and satisfying with writing you can explore and go anywhere with it, hehehe erotic if you know what i mean lol jk there are no barriers with writing just your imagination. there is inspiration any where you go and id advise to never stop writing. even if its a few short sentences or paragraphs about anything even bird poop its still progression and your mind is working and your searching for words like its all good for you bby.  4. Do you use (or like to use) prompts? 

i do ill put the link here. im thinking of changing it though to do something different. 

5. What is your favorite place to write?

lol boring, i know but my room. my room is really bright in the mornings and comfortable and chill and i have a candle of the pandora ride in disney that smells like the ride so its all good and relaxing and super peaceful plus i have a picture of myself the age of like 9 on my desk idk why but it encourages me and makes me focus to make sure i never get that cringy again. 

6. What is a hobby or yous that you usually don’t talk about?

well i like working out HAHAHAHAHA jk that was a joke...get it...cuz i much rather be eatingokillstop. but i really like to draw which i have a art page you can see it if you click here pls look at my failed attempts to be hip and cool with the cool kids and being artsy fartsy. another hobby is i really like to do makeup and nail art, nail art is really tough guys no joke if you do it like you got wizard powers are something. maybe its bc my nails are shorter than pete davidson and ariana grande’s relationship, alright im trying to stop i swear!

7. Do you play an instrument? Which one?

no i wish though. i always wanted to learn to either play the piano or electric guitar cuz H.E.R looks so cool doing it. 

8. How do you feel about your handwriting?

it sucks dont even try me. my sister can barely read it like no wonder nobody wants to steal my signature heck they can’t even read it!

9. Can you tell us of a story that marked your development as a person? As a writer?

ok sit back guys, sniff a nice amount of crack and get ready for the most cringy moment of my life but also a time when i knew i was meant to be *inhale* a fanfic writer. 

so it was elementary school, i think 3rd grade and for my writing assignment we were given a prompt of idk what the heck tbh i think it was like be outside the box and im like ok imma nail this cuz im a weird child and yeah so i got my papers and pencil and i went TO TOWN on this paper. so i wrote two stories. one short story with a picture to go with it and one long story that yeah i buried years ago. so my first story was about a farmer was about that farming life. he had chickens and dairy. so i cant remember if the cheese was spoiled but doesnt matter. anywho these cheese and a chicken were alive like they could talk in the story and i gave them faces, yikes. but the whole story was the farmer was a b*tch and he was trying to eat the chicken and cheese so they hatched a plan to get away from the farmer. they did it successfully and they ran away. yay happy ending my teacher actually liked that one me too and my school mates were thinking what they heck is this girl on i made a story about how me and justin bieber made cookies for Christmas you know. so then my other story i was more proud of this one cuz it was a tone of paper, sorry trees, and this story was about how a female hippo (girl i was all about plus size and thicker girls and no body shaming) and an male ostrich were kidnapped from their own habitats and taken to become circus animals. failed version of Madagascar hey mine was before the circus movie OK THEY STOLE IT FROM MEEEEE. so they get taken and are treated to harsh punishment and the animals can talk and i think its in the point of view of the male ostrich guy thing. they are in the circus and they start to have this relationship happening. love starts blossoming its all good. im happy with this cuz i believed in love at age of 8. they find a way thru a kick butt scene of the animals escaping and the hippo and ostrich are so in love that they run away together and they have half hippo half ostrich babies and i think i named the species  hipstrich or like ostppo idk but i was so proud of this story and when my teacher read it she was worried about me lol i think she thought i might like mate these two animals like secretly idk but she was like it was ok and i was like what this is frickin William Shakespeare writing or like F. Scott Fitzgerald writing. nevertheless it taught me a lesson that nobody else needs to like what im writing the main point and only thing that matters is if your proud of it and you like it and i really did. i will remember that story forever and thats what made me want to be a writer. lol sorry that was a lot. 

10. @emdop I’m going to use this great question: Explain one of your WIPs in the most ridiculous way possible. 

wellllll im working on my peaky blinders oc story its a lot of drugs money killing weapons jewelry rich profanities like its the show but written from my stubby hands so my oc and whatever its great and so excited to show it to you guys. 

MY QUESTIONS:

1. WHAT MADE YOU WANT TO START TUMBLR?

2. IF YOU COULD CHANGE ANYTHING OF THIS WORLD, WHAT WOULD IT BE?

3. WHAT QUALITY IS IMPORTANT TO YOU?

4. WHAT IS YOUR FAVORITE OUTFIT?

5. WHAT MAKES YOU SMILE?

6. WHAT IS YOUR FAVORITE SONG IN THE WHOLE WORLD?

7. IF YOU COULD VISIT A PLACE, WHERE WOULD IT BE?

8. WHAT SHOW OR MOVIE UNIVERSE WOULD YOU WANT TO BE IN?

9. WHAT IS THE SCARIEST MOMENT OF YOUR LIFE?

10. WHAT DO YOU WANT MORE IN THIS WORLD THAN ANYTHING ELSE?

im tagging: @thatlittlered, @ardentmuse, @acciosnapes, @lotsoffandomimagines, @collecting-stories, @blog-of-a-multitude-of-fandoms, @naughtyneganjdm, @lenahellgizibe and two random followers @spiritsent, @sucker-for-my-fandoms

i was tagged by @writing-with-melon again ty btw, ps i felt so much pressure lol jk 😊

Rules: Answer 5 questions, Ask 5 questions, Tag 5 people.

1. What is your favorite book?

fifty shades of grey hahaha naw my favorite book is obv you all know this is series of unfortunate events but i never usually cry period and i never cry for books ever so when i read mrs. tom thumb by melanie benjamin, its the part when her sister minnie dies i cried so hard idk it was just emotional the wording the way she described her pain it was so beautiful written yet so sad and that was just amazing to me cuz im like this book made me feel things and im like wow i would love to write a book one day and make someone feel something whether it be sadness anger happiness annoyance anything they are having an emotion and that is super powerful to do that with just words. pls go check out that book its a good read. also im a fan of the greatest showman so i really enjoyed it. there are many other books tho that i thoroughly enjoy so much. 

2. What piece that you’ve written are you most proud of?

oh my god ive always wanted to be asked this question hands down i am always proud of my platonic gender neutral tony stark fic called in·con·sol·a·ble window to me i wrote it so sad and i was feeling like depressed lol when i saw peter die in infinity war like i didnt know what to do with my life tbh but im so glad that @impetrichorny requested it tysm i just like how its not based on romance or fluff or happiness it is based on when you lose someone the nightmares and sadness you go through and that there is nothing nobody can do about it except just be there for that person so i really like writing angst and something that was out of the box. ive been thinking tho of doing a part two since the fate of all the characters has changed after endgame. who knows tho. 

3. What is the last song that inspired you? 

well for art it would have to good news by mac miller when i did that kobe bryant memorial on my art page. i dont want to give it away though but ill just say some very powerful womens music inspired my oc writing and making. 

4. How do you feel about letting people read what you write?

at first i was scared cuz i thought i wrote like trash which that feeling kinda doesnt go away like some days i feel that way others i feel confident or it depends on the request it just depends but anyways i was always insecure about my writing so when i started writing it was more like lets see how this goes if not ill delete the whole page. im glad to say it went great but in the begging it was hard cuz i kept putting myself down but i learned to accept or just understand that you keep learning with writing you always learn knew things with writing how you can explain something better or you words get more intricate and people see the improvement and you do too thats why i applaud those who dont speak english that english isnt their first language. you are doing a tremendous job and keep practicing cuz you’re gonna make it to the top. ive also learned that some days are not my days and you can take time off when youre not feeling it when you have writers block. just recollect your juices sip some tea go to the beach relax your mind a little and take as long as you need to come back and give it your all. also comments and reblogs and likes a follows those meant so much to me and encouraged me. thats why i cant express it enough how much all those mean to writers, artist, photographers, anybody who is truly trying their hard in this area of social media. its makes a person happy smile and confident in their writing but first train your mind into loving what you make not what others thing. you have to be happy with the outcome that is what truly matters and what makes your writing the best. look at me getting philosophical. 

5. Do you get distracted easily? If yes with what?

yes and with porn haha i get distracted easily like very easily homeschooling was really tough for me. music distracts me, netflix, the urge to watch david dobrik or unus annus or buzzfeed unsolved on youtube, heck my farts distract me. i gotta be like troy bolton i gotta get my HEAD IN THE GAME!

MY QUESTIONS:

1. IF YOU COULD BE NAMED SOMETHING ELSE, WHAT WOULD YOU BE NAMED?

2. WHAT PERSON INSPIRES YOU THE MOST?

3. IF YOU KNEW THE WORLD WAS ENDING TOMORROW WHAT WOULD YOU DO TODAY?

4. WHAT DO YOU OFTEN THINK ABOUT IN THE SHOWER?

5. WHATS YOUR WEIRD COMBINATION FOOD?

im tagging: @thatlittlered​, @ardentmuse​, @acciosnapes​, @lotsoffandomimagines​, @collecting-stories​ AND WHOEVER WANTS TO DO THIS IF YOU FOLLOW ME OR LIKE MY STORIES TAG ME ILL READ YOUR ANSWERS. HOPE I DID THIS RIGHT SORRY FOR TAKING SO LONG YOU GUYS ARE AMAZING MWUAH 

[oncloud999]

More ramblings and thoughts i need to write down

i might put down my thoughts since i don’t talk to anyone about this irl and they’re swirling in my head. 

let me preface this by saying i was a jungkook stan before i was a jikook supporter by a good year and so i obviously notice his interactions with all the members more than some interactions between other members. I also am not here to debunk anything since i’ve had these thoughts for a while and recent events may have triggered and sort of reaffirmed my thoughts more than anything else. also yes i’m also aware that what we see through a camera lens doesn’t always tell 100%of the story, but it certainly gives you SOME insight into what their relationship is like, esp in the behind the scenes footage. 

now lets start with everyone else and circle back to tae and kook. 

i know certain people like to say that jimin and junkook are like best bros and how can we think otherwise? but to me, there’s a difference. because if we want to see jungkook interacting with someone he considers a super duper close hyung, you need not look further than jhope. jhope dotes on jk like a baby even to this day (see BV4 where they’re in the car talking about snoring and Jhope jokingly says, “we’re playing down your snoring cos we think it’s cute cos you’re so cute cos you’re our maknae...”) he has also felt up jk’s boobs and has had his whole head shoved up JK’s shirt to check out his abs. so yes they’re physically close and jhope was the other member mentioned to have spend any time with jungkook during their break. makes sense cos they live in the same building complex but yeah. dudes are close. (jhope and jimin are also very damn close. esp because they’ve been roommates for years. but their dynamic is very different to jhope and jk. jhope i think sees jm as more of a brother in arms rather than a little brother if that makes sense...)

next is jin. they’re really like those bros that play fight constantly. they do it less now and they actually seem like they’re more genuinely brotherly than before. the recent cooking episode is interesting because i can’t think who kook would’ve picked up cooking from than jin... and maybe yoongi (but we’ll get to him). and it’s also funny to me that every time jin an jungkook are in a competitive team together, jin just keeps shouting jungkook’s name. for whatever reason. he clearly trusts jk a lot but he also sees him as a little brother who needs guidance. and back to BV4 where jungkook was complaining that he didn’t see anyone else ovr the break other than jimin and jhope. jin was like “ive tried to invite you, you little...” and then later on, after they’ve gone fishing with yoongi, jin said to jk “next time i invite you to fishing, you had better say yes, and i know you’re still going to say no few months from now...” sounds like he tried to invite jk to fishing (maybe with yg) and jk turned him down and maybe didn’t get another invite. LOL

yoongi... i have a hard time figuring out their relationship. Yoongi has a HUGE soft spot for JK, but to me, their relationship hasn’t really progressed all that much. like JK definitely admires yoongi for his work and as a person, but to this date, he still talks about the lamb skewers with yoongi, which was years ago... which maybe tells me that that was the highlight of their (more personal, one on one relationship) up till now. and when YG and JK went out together during BV3, they went and had irish bomb... and it was... awks. JK likes to learn from YG but i think he doesn’t have that comfort he feels with some of the others. i think it makes sense based on their personality. Yoongi is kind of introverted and likes to keep to himself. he liked jin as a roommate because he’s quiet (from memory...) and he doesn’t necessarily put himself out there to show his emotions even though he cares a lot (see he apparently wrote a long ass text to both tae and kook declaring his love for them). and jk is shy by nature and i think if he doesn’t see someone reaching out to him to be friends, he won’t really feel comfortable reaching out either. (on a sidenote, i think yoongi and jin are much closer than people probably give them credit for. they’re less popular with shipping, maybe) 

Namjoon is JK’s role model in many ways. he has qualities that jk wants, i.e. his brain and probably his english. but NJ is a very professional dude as well. while he loves and cares for all his members, i feel like he’s also not as free to express himself as some others and i’m sure being the leader and the bridge between management and the team puts extra pressure on him to maintain a certain boundary. but JK admires the shit out of him. 

Taehyung and JK used to be really close, they played rough with each other and enjoyed pranking people together. but somehwere along the way, maybe because of growing up, maybe because of certain things that happened, they drifted. i don’t know how people can’t see this. yes they’re still very friendly, esp in group settings, but they don’t seem to interact much outside of group settings anymore. idk why, but when jk is with jm, they tend to baby tae a bit together. they think he’s cute together and they like playing with him. but when jk is with tae by himself, it becomes harder to note that playfulness. there have been more jk and tae “moments” since end of last year and while it’s good to see, it’s also interesting to note they tend to keep a distances still. even the cuddle they had during gda, it looked really... uncomfortable because tae’s head was essentially resting on jk’s chin and jk had to lift his head to not get in the way. (note i wasn’t a shipper when this happened and i still remember those were my thoughts). the recent run bts cooking episode and the vlive were interesting. for two people who have known each other for 7 years and just spent essentially 1.5 hours on camera, there was decidedly a lack of interactions. some people will say it’s because they were concentrating on doing other tasks. true, but so was minimoni and they interacted far more during their episode. jhope and namjoon were also doing something artsy and they had no trouble maintaining a comfortable atmosphere. now i think a large part of the vlive being so awks was because it was jk’s first non group vlive in like a year and i can understand he’s nervous because he’s been through a lot of shit in the last six months or so and we know that some fans just have no boundaries. like things you don’t say to your friends... don’t say them to the idols. it’s that simple. and tae has previously said he gets awkward on vlive by himself cos he doesn’t know what to say. so yeah they’re both quiet for their own reasons. but for like a while it looks like they were sitting faced away from each other. that’s super weird. what am i saying? are they still friends? most definitely. are they still close? sure. are they as close as they used to be? no... I think tae’s genuine 4D personality (which is rare, a lot of people pretend to be 4D, but i think Tae actually is that quirky) no longer mashes well with jungkook’s quieter adult personality i guess. 

i’m not going to write about jimin and jungkook because i’ve written about them a lot already... they’re close. and not the same close as jimin with tae or jungkook with jhope. they’re that little bit extra and that little bit more intimate. jk’s random thought of the day which made him smile was apparently about something that jimin said 2 or 3 years ago, which he still thinks is hilarious. 

[comicsnsuch]

Tales from the Dark Multiverse

Hi! Thanks for finding this tumblr. The plan is to share and write about comic books, comic book art, other things that interest me and such, thus the name of the tumblr. Maybe you share some of the same interests, or maybe you’ll discover something new.

I’m going to try to post as frequently as possible, but that frequency will vary depending on what real life is like week to week. On slow weeks, there will be more stuff, on busy weeks less.  You get it.  Hopefully if you check in now and then you’ll find some new content.

I work (worked?) in a comic book shop, but as I have been recently reminded, due to the COVID-19/Coronavirus epidemic, I am non-essential.  Thanks State Government! Always good to have a self esteem boost! 

Anyway… I love comic books, reading them, talking about them, (thinking about) making them and so on. Always have, always will. I wanted to have an outlet for sharing that while I can’t be in the shop doing it face to face with customers and random strangers. 

I’ll be writing short reviews for what I’ve been reading, new stuff, old stuff, posting pics, etc.  

 Feel free to comment, but please keep it friendly. Assholery will not be tolerated.

To start with I just finished reading all of DC Comics Tales of the Dark Multiverse one shots. 

                                     I made this in MS Paint!

These started coming out in 2019 and the last one was released in early 2020. The idea behind each is Tempus Fuginaut, a sort of Watcher type character for the DCU (who I think debuted, or at least I fist remember seeing in the Sideways ongoing, a Dark Nights Metal spin off) observing the multiverse and introducing a story that takes an important moment in DC history and asks “what would have happened if things had gone differently?” DC’s version of What If?  in a nutshell.

       That’s Tempus Fuginauts big ol’ head in case you were wondering

 As the “Dark” in Tales of the Dark Multiverse might imply, these are not happy stories.

The first one shot that was released was Tales of the Dark Multiverse Batman Knightfall by Scott Snyder and Kyle Higgens with art by Javi Fernandez.  

This was probably my least favorite of the five issues. Since the “No Justice” mini series event I’m over Scott Snyder. I feel he has so many ideas rattling around in his head that he begins one story, gets too excited about the next one and leaves you underwhelmed with the current arc but dying to read the next. (That being said I of course checked out Batman Last Knight on Earth, having read his and Capullo’s entire New 52 Batman run I didn’t want to miss their “final” word on Batman, but have not read his just wrapped run on Justice League which I hear was quite good). 

I read this one right when it was released a few months ago, so my memory of it might not be the best.  

This one centers around the Knightfall event where Bane breaks Batman’s back and Jean Paul Valley/Azrael takes on the role of Batman. In this reality Bruce never recovers and Jean Paul remains Batman becoming Saint Batman, a Bats Azrael mash up. Javi Fernandez does a great job on the art and Snyder loves chopping people up. 

                                                      Gross.

Definitely worth the read if you’re interested in it or are a fan of Batman or just the Knightfall era. If you grab this series in collected format it’s not so bad that I recommend skipping it, just not my favorite from this batch of books. 

Next up is Tales of the Dark Multiverse Death of Superman by Jeff Loveness with art by Brad Walker and Andrew Hennessey. I really enjoyed this one, it was a good quick read and had a nice arc to it. One of the better issues from this series if you’re asking me.

Right after Superman dies defeating Doomsday in the Death of Superman story arc, the rest of the Justice League shows up, literally as the blood is drying.Ten seconds too late. Lois Lane blames Supes’ death on the heroes for not being there to aid him. 

She makes her way to the Fortress of Solitude and thanks to the Eradicator gets herself all the powers of Superman. She then goes about dishing out justice, with extreme prejudice, to the villains the heroes normally let the revolving doors of the DC justice system handle. This involves a couple of great scenes with Batman and Lex Luthor. Loveness nails the dialogue and the character arc he puts Lois on is great to read. 

                                  Walker and Hennesey do it again!

There’s more to this story than I’ve put here, but I don’t want to say too much and ruin your enjoyment of it if/when you read it.

Special shout out to the art team of Brad Walker and Andrew Hennessey. I feel like they don’t get enough love. They killed it on the Demon Hell is Earth mini, and from what I can tell are crushing it on Detective Comics. Dudes can draw. Spread the word!

Then we move onto Tales of the Dark Multiverse Blackest Night by Tim Seeley and Kyle Hotz. 

This one was a bit wordy, but a lot of fun! I would put this one in the middle of the pack. 

Seeley brings together an interesting bunch of characters including Sinestro, Dove, Lobo and the New Gods! The plot is a little complex, but basically after the Color Corps lose the battle against Nekron in Blackest Night, Sinestro is looking for a way to undo the damage done and becomes a pawn in Scott Free’s plot to do the same. 

Give Seeley a Lobo book or a Hawk and Dove book, or a Mister Miracle book!. He gives each character a unique voice which makes their joint travels through the plot that much more fun to read.

Kyle Hotz’s  art in this issue reminds of a 90’s Image Comic in the best possible way. Lots of detail and cool poses. I also see a lot of Bernie Wrightson in there with Hotz’s heavy use of black and the sinewy musculature of the characters. The book is worth the price of admission to see his renditions of Dove and Mister Miracle. 

                                                          kewl!

 I’m glad to see Hotz working more or just seeing more of Hotz’s work. I don’t know if he fell out of the industry after drawing the original The Hood mini for Marvel with Brian K. Vaughan, working with Eric “The Goon” Powell on Billy the Kid’s Old Timey Odditys, doing art on Carnage Mind Bomb and more I’m sure ( I just can’t remember it all), or I just wasn’t paying attention to what he was working on. If it’s the later, shame on me, if it’s the former, welcome back Mr. Hotz, you’re crushing it and I look forward to seeing more from you. Check out more Kyle Hotz work by following him on Instagram @kylehotzcomics.

Let’s not neglect the oft overlooked inkers! I’m not sure who inked what, but on a guess, Dexter Vines and Walden Wong brought a smooth, cleanness to the proceedings with lots of nicely tapered lines. Again just guessing here, because I don’t know for sure, but Danny Miki used a finer line bringing a scratchy-ness the others didn’t but also amazing detail and clarity on some of the portraiture in the later half of the book. 

Who’s next? Why it’s Tales of the Dark Multiverse Infinite Crisis!

This one may have been my favorite. When the original Infinite Crisis series came out it was a period  where, due to personal lack of enjoyment, I wasn’t reading much of DC’s output, but I did read the Countdown to Infinite Crisis one shot this issue takes as it’s jumping off point. After having read this issue, it makes me want to go back and read Infinite Crisis. I would say that’s the sign of a good issue.

In this alternate reality Blue Beetle, Ted Kord, kills Maxwell Lord instead of vice versa, making himself the head of Checkmate. He then goes about trying to prevent the coming crisis. It’s kind of a tale about absolute power corrupting absolutely, it’s also an underdog tale about getting in over your head.

                Sorry if these images aren’t the best, I’m new at this!

James Tynion IV does a great job catching you up on any old DC continuity plot points you may have forgotten or never knew about in the first place.If you’re reading Tynion’s current run on Batman, or his work on Detective Comics and Justice League Dark, you know he can handle a complex plot like this and does a great job condensing it all down to a single issue.  Aaron Lopresti and Matt Ryan handle the art and they do a great job. Always happy to see Lopresti’s name on a book I want to read.

Bonus points: You can never have too many Ted Kord, Blue Beetle comics, especially when Booster Gold pops up, even if only momentarily. 

If this series leaves you wanting more Blue and Gold action may I direct you to Booster Gold (2nd series) #32 thru about 38ish for some quality comics.

Final one, Tales from the Dark Multiverse the Judas Contract!

I’m not as old as my writing may imply so I had to read the Judas Contract in collected format about 20 years after it was originally released and after having seen it on many a fanzine’s (Wizard) best of list.  When I finally got to read it I wasn’t super familiar with the Titans of the era and already knew the big twist in the story, so it just washed over me without any great effect. None of the shock that someone who was reading it fresh in the 80’s might have experienced. 

I ended up liking this twisted take on the Judas Contract much more than when I read the original. “Sacrilege!” I know, I know, but like I said there was no surprise when I first read it, while this one zigged instead of zagging multiple times and kept upping the ante in scale. 

Kyle Higgins and Matt Groom do a great job reinventing a classic that I’m sure many people had high expectations for. This was a fun faced paced tale.  I enjoyed the hero moments Dick Grayson and Wally West were given. Like the Knightfall one shot Higgins co-wrote with Snyder there’s no shortage of dismemberment and disfiguration, which is neither a plus or minus in this situation, just thought it was worth noting.

Tom Raney handles the art chores here and he does a fine job.  Some of the figures seem a little squat, and their heads are too big in certain panels. Could I do better? No, so who am I to say anything? I just noticed it, here and there, it took me out of the flow of the story every now and then. That’s all. Big fan of his work on Stormwatch and Outsiders with Judd Winick. I also hear he’s super nice, so if you’re ever at a convention where Tom Raney is, seek him out! 

                                      They seem squat, right?

It’s worth mentioning these books are all done in DC’s prestige format and are extra long at about 48 pages each. All covers are by the fantastic Lee Weeks. A nice way to spend the afternoon.

There’s the first post. A little longer than I thought it would be. If you made it this far, I hope it was clear and you understood what I was saying and I hope you liked it and want to return for more. 

Until next time!

[blookmallow]

i dont have the energy to go through all my outlast 2 screenshots right now, i have one liveblog post drafted that i was working on before, and now i have a huge pile of screenshots to go through again so there’ll be. at LEAST two more... play by play type posts lmao

so anyway the order’s gonna be kinda weird but my brain is screaming and ive been going through wiki pages for like 2 hours so heres. some thoughts and a lot of questions and some observations i think im. sort of starting to get it,

---

ok so... knoth believed the antichrist was going to be born, apparently he DID think it was going to be from one of his own people, but then. blake and lynn obviously aren’t from his people so i have no idea why he suddenly decided it was on them 

marta was his “angel of death” hitman going around murdering people in the name of god

people who got sick (definitely STDs, believed to be the Curse of Sin or whatever but it might have just been anyone who was diseased at all) got banished to the scalled village where they all got HORRIFICALLY sick and infected and have completely lost their minds now abandoned by the church

val broke off from knoth’s church and started the heretics cult, they seem to be. satanists now and are trying to allow the birth of the anti christ but are also constantly trying to kill me to death too 

according to the wiki val is almost definitely a trans woman, which. the Only trans character in outlast is a woman who is a violent sexual predator who might be a devil worshipper and has wet dreams about child murder. granted everyone in outlast is fucked up but THAT’S A PARTICULAR KIND OF FUCKED UP

lynn was not visibly pregnant when they crashed, blake claims they hadn’t been sexually active in months so if she was pregnant, it’s not his child. when he finds her again she’s not only very visibly pregnant, but actively going into labor. she calls it “our baby.” blake doesn’t have the chance to ask her how this happened. this is never fucking explained : )

like it doesn’t look like lynn was just like.... reverse c-sectioned and even if someone raped her to force pregnancy she wouldn’t have gone through an entire 9 month pregnancy in ONE NIGHT, so what the FUCK was that about

the wiki mentions its possible the baby isn’t actually real, it apparently doesn’t cast a shadow and lynn has the “there’s nothing there” line, but even if blake hallucinated the pregnancy and the baby (which. at least would explain how the process of “giving birth” took like 3 seconds and she became suddenly 9 months pregnant in one day) why would lynn be reacting as if she was pregnant too. or if they both hallucinated it why did she say “there’s nothing there,” wouldn’t she be able to see it too 

anyway jessica, lynn, and blake were all friends in. high school middle school whatever age.  it seems like there was some kind of love triangle going on, jessica seems into blake in the flashbacks, blake seems unsure

he starts getting lynn and jessica confused near the end so he might’ve had some kind of feelings for her though, the wiki mentions his complete obsession with saving lynn might have been partly fueled by “i couldn’t save jessica but im going to save lynn im not going to lose them both i HAVE to succeed this time” to the point that they just kind of became the same person in his head by the end 

there’s some weird parallels with jessica playfully jumping on him and val pinning him down so its very possible jessica was acting... sexually aggressive toward him, on a much smaller scale of course, but enough that val’s assault triggered the memory

jessica was almost definitely being molested by one of their teachers/church leaders/whatever and blake seems to blame himself for not doing anything about it

i thought jessica killed herself and blake felt responsible for it, maybe figuring the abuse she was enduring from the teacher (and possibly her father, she reacts very afraid when he threatens to call her father) might have been one of the causes, and he didn’t help her 

but the wiki says the teacher actually may have killed jessica and forced blake to help cover it up as a suicide, hence... finding her on the stairs. which i guess makes sense too 

but the whole flashback thing is never explained?? i guess maybe it really was just trauma manifesting in really fucked up ways and like, that’s still narratively interesting but the fact that it kept crossing over into the real world (the recordings from the flashbacks showed up as corrupted files, so Something happened and it wasn’t just in blake’s head, frequently you get stuck somewhere you can’t escape from, get pulled into the other world, wake up somewhere else entirely) means it’s not just internal so why the FUCK is he crossing dimensions. they don’t tell you!!! i had to go digging on the wiki to figure this shit out

from the wiki:

“The "apocalypse" Blake had witnessed, as well as the nightmarish flashbacks to his childhood, were all just hallucinations induced by the Murkoff Corporation's local Radio Towers.“

WHAT???? IT WAS MURKOFF THE WHOLE TIME 

but like. are you telling me it was all a hallucination that was just kind of vaguely mentioned Once. the big reveal/the truth behind it all was literally just hinted about in One Note/One weird encounter with a distant radio tower in ONE SCENE randomly in the middle of the game and never expanded on. what the FUCK kind of writing/game design is THAT

it looks like the “voice of God” knoth was hearing was actually the murkoff frequencies too, but like. fucking why. why were they telling this guy to kill babies and create a murder cult. was it just a “how far can we take this” experiment like the “how badly can we fuck someone’s mind up if we take away their meds and exacerbate their mental illness” thing at mount massive. i mean i guess a corporation that would do That would also probably fuck with a bunch of hyper religious hillbillies too but it just seems way too convoluted for “idk just wanted to see what would happen” 

and “maybe if we hide subliminal messages in the radio frequencies we can convince some random guy we’re the voice of God” is. way too specific to actually Work, i guess maybe if they could induce hallucinations they could maybe manipulate peoples’ minds that much more efficiently but like. still. it doesnt fucking make sense!!!!!! why would it manifest as “flashbacks of childhood trauma” in blake and “suddenly im pregnant” in lynn and “God Said I Gotta Kill Everyone” in knoth and “satan said i gotta fuck everyone” in val NONE OF THAT MAKES ANY FUCKING SENSE!!!

APPARENTLY there’s a whole mess of comics that go along with this and hopefully explain shit a little bit more but “explaining what the fuck happened in your game by means of a side comic that isn’t mentioned in said game” is : ) 

I DONT KNOW. iM SO TIRED ITS 1 AM SOMEHOW

ill go through all my screenshots and shit later maybe that’ll help. something :’) god. I MEAN TO BE FAIR, outlast’s strengths have never been its story telling, it’s a great game for being absolutely scared out of your fucking mind and boy did they ever deliver on that front so like... i guess ultimately i got what i wanted out of it but im still CONFUSED,

i should really have expected this though lmao this is the same thing that happened at the end of outlast 1 i didnt understand anything until 900 wiki pages later and still hated the ending even when i finally did sort of almost understand it 

[firerwolf]

Halo Infinit trailer analysis

So I saw the trailer yesterday and I figured I’d write up my reaction and analysis of what’s in it and what it might mean for Halo Infinit.

So I’ll start with the fact that it seems like little more than a tech demo showing the art style. An odd choice really as we already knew from last years E3 that they were using the old art style. It does show that their visual engine is pretty but it’s yet to be seen if the story they’re going to tell is going to match the beauty of the aesthetics. I may be in the minority but I didn’t like how John’s armor looked. It looked like Mark V armor, not Mark IV. It looks bulky and lower tech to me even though it’s clearly meant to be Mark VII. But that’s a minor comment really.

Now let’s cover what story was released...by which I mean there was none. The trailer strikes me as basically anything from Halo 5’s promotional material, full of crap. Maybe there will be a broken Halo, but that’s about it. The trailer strikes me as more like the poncho trailer, just a technical show of power. Just for a moment let me point out the things that make me think the events are not going to happen in the game.

1.) The odd focus on a random person. The pelican pilot seemed to be there more to show off how good they’ve gotten at animating humans. Which they have, but at what point do the main games ever focus on some random dude? Never.

2.) John just randomly floating in space. It was more a theatric thing for his visual reveal than something that makes a lick of sense.

3.) How did he get John into the Pelican. Completely skipped over because it’s not actually a story being told. It’s all just a way to show him in his armor in the redesign. Which at this point isn’t a big reveal.

4.) The end of the trailer is John opening the back of a pelican into the vacuum of space to fight...something. You can still see the halo from a distance when the pelican is hit with something so it’s clear they’re still in the vacuum. So then they open the rear hatch. It’s all just a set up for a weak line about fighting instead of running. Hell John even readies his weapon and then a second later holsters it. The entire ending was so dumb but cemented that the scene is just filler and has no real baring on anything.

Now I’m going to address the two things that I think are most important: the Cortana voice over at the end and scene attached to it, and what was missing from the trailer. I’ll start with the voice over.

The Cortana voice over is absolute shit. Unless they’re going to play up a crazed Cortana’s obsession with John and how unhealthy it is and how abusive she is it really just smacks of trying to paint over her mass killings. And that’s a deal breaker. Cortana is a monster, they made that choice for her character and trying to pretend she didn’t murder millions of innocents and declare herself dictator is morally repugnant. As for the scene the voice over is played with, I home it’s a misdirect. That if you’re going to a Halo it’s for a monitor or particularly Guilty Spark. Talk about a character that deserves a chance at redemption. I don’t hold much hope for this as the last time I hoped 343 was going for an interesting plot idea we got Cortana sitting on a throne of bodies rather than the Didact’s return.

Now on to what is missing. There was a lot missing really. The Guardians. Infinity. Palmer or Lasky. But what was most important, and the exclusion of would guarantee my opting out of the game: Blue team. WHERE IS BLUE TEAM? If they’ve been kicked out of the main series it would be the biggest injustice 343 has done to them yet, and there’s a long list. No Blue Team, no interest, simple as that.

So in general the trailer did nothing for me. Yeah the game is pretty, bu I expected that. But no amount of pretty graphics or good gameplay can make up for shit story or lack of Blue Team. Assure me you have those and maybe I’ll care. Until I get either of those I’m just gonna be excited about Shadowkeep.