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#jay o. sanders
iseeitiseetheisland · 5 months
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New/Old Adam Driver with Jay O. Sanders in Arthur Yorinks' American Song, 2012
-Arthuryorinks via @adamdriverarchv
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maturemenoftvandfilms · 11 months
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Sneaky Pete (TV Series) S2/E2 ’Inside Out’ (2018), Peter Gerety as Otto Bernhardt
I'd so take Peter Gerety to a near by room, undo his belt, drop your pants and take my time blowing him.
What?
I think he's adorable. Plus, Jay O. Sanders could come alone for the ride.
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genevieveetguy · 9 months
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. Fundamentally, people are suckers for the truth. And the truth is on your side, Bubba.
JFK, Oliver Stone (1991)
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rickchung · 1 year
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When You Finish Saving the World (dir. Jesse Eisenberg).
How this mother-son disconnect unfolds separately in their personal and professional lives away from each other as they live in the same upper-class suburban midwestern household reveals itself in biting fashion. While resisting too many contemporary details from our digital age like smartphones or social media (aside from a fictional livestreaming video platform called “HiHat"), the film fills its ninety-minute runtime of family dramedy with subtle but key personality traits to heighten the pointedness of the satire.
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rookie-critic · 1 year
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When You Finish Saving the World (2022, dir. Jesse Eisenberg) - review by Rookie-Critic
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When You Finish Saving the World was almost completely unbearable. The film follows a mother and son, played by Julianne Moore and Finn Wolfhard, as they struggle to understand one another (and Wolfhard's character Ziggy Katz frustratingly struggles to understand practically anything about the world around him) and connect in the way they used to when Ziggy was younger. It seems like a standard coming-of-age comedy-drama on the surface, but man, do all of these characters suck. I spent almost the entire film just sinking deeper and deeper into my theater chair until I thought I might just phase through it into the floor. It seems like every decision the central characters make is built around the idea of making you unbelievable uncomfortable. They are, in a lot of ways, horrible, self-serving people. When I saw it with a friend on Sunday, we were the only two people in the theater, and I think I said out loud, multiple times throughout the film, "Wow, I really hate this family." I will state that the characters are written this way almost assuredly on purpose, I don't think Eisenberg wants you to like the Katz family (the father included), they're all extremely flawed. I'm not opposed to unlikable protagonists in films, I thought Red Rocket was an extremely effective movie that had an absolute dirtbag as its central character, just to pull an example from last year. Granted, even that film I found a tough pill to swallow, and even though I really liked it I'll most likely never watch it again. Here, in When You Finish Saving the World, I don't get any kind of effective message. I'm sure that Eisenberg is trying to say something worthwhile about "white liberal" activism and the privilege that comes with being raised in a white, well-off environment, as well as the way that privilege plays into the exploitation of others to further selfish ends, but none of it really comes across for me. I see all these points and I don't have a problem with them being made, in pretty much all cases I agree with the points as written on paper, I just have absolutely nothing to latch on to emotionally. Nothing resonates with me at all because I could not care less about these characters. When the film ends the characters don't seem to have really changed at all (MINOR SPOILERS in the next sentence). Sure, they seem to have a renewed interest in each other's lives and a willingness to make a connection with one another again, but that doesn't show any kind of actual remorse or change in their ideology from all of the absolutely cringey and horrible things both of them have been doing the entire rest of the film. There's one scene involving Ziggy and a poem that his crush wrote that is almost too much. It comes out of absolutely nowhere and does nothing for the story except highlight just how completely out of touch Ziggy is and how appalling he is as a person. All of these things would be ok if the film actually portrayed them as the villains of the story, but it really seems like Eisenberg wants the audience to empathize with them by the time its all over, and I just can't understand how that's possible.
Sitting here, writing this review two days after having seen it. I'm genuinely rifling through my memories, searching for something good to say about it. I did take note of some pretty decent camerawork at a few spots in the film. Nothing that blew my socks off, just a couple of shots that caught my attention as being pretty good. Julianne Moore is, of course, a great actress and, given the material she had to work with, does a good job. Finn Wolfhard also showed a surprising amount of promise in his performance. I've been a fan of Wolfhard's, like most people, since he showed up in Stranger Things. While I do like him and think he's got talent, I feel like he's struggled to find roles as he gets older that play to his strengths, and even though I vehemently hate his character, his role in this movie does play to those strengths. I will also give it up to Alisha Boe, who plays Lila, a girl at Ziggy's high school that he has a crush on and is also one of maybe two likable characters in this movie. Maybe if the film had been about her and her struggles to deal with this completely inept teenage baby the movie might have been way better. Also, a quick aside, I feel like I've been harping on Wolfhard's character a lot in this review, but Julianne Moore's character Evelyn isn't any better. She basically spends the entirety of her portion of the film stalking a teenager.
I will acknowledge that, based on the reviews I've read, whether or not you like this movie hinges entirely on if you find the characters funny or grating, and a lot of people (my moviegoing companion included) leaned on the side of finding them funny. I'll admit to laughing at a decent chunk of the film, but it was really more a 50/50 split of genuine laughter and that anxious/nervous laughter that we all sometimes do just as a coping mechanism and a means of trying to diminish how uncomfortable we are. It's almost akin to laughing at Michael Scott in The Office doing something unbelievably awkward and upsetting, which is completely valid and, again, a lot of people really enjoy that kind of humor. After seeing When You Finish Saving the World, though, I can definitively say that it's just not for me.
Score: 4/10
Currently only in theaters.
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bonniehooper · 1 year
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Top Picks of 2022
My Top 20 Favorite TV Shows - #15: Law and Order: Criminal Intent
Show Premiered: September 30th, 2001
Show Ended: June 26th, 2011
Started Watching: December 2021
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ljones41 · 2 years
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"GREEN LANTERN" (2011) Review
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"GREEN LANTERN" (2011) Review Green seemed to be the dominate colors regarding costumed crime fighters in 2011. The year marked the end of the television series, "SMALLVILLE", which featured Superman's colleague, the Green Arrow. Earlier that year saw the release of "THE GREEN HORNET", starring Seth Rogen and Jay Chou. And during the summer of 2011, Warner Brothers Studios released their adaptation on the DC Comics superhero, the Green Lantern.
Directed by Martin Campbell, "THE GREEN LANTERN" told the story of a hotshot test pilot for Ferris Aircraft named Hal Jordan, who becomes the Green Lantern . . . or one of them. Before Earth was formed, a group of beings called the Guardians of the Universe used the green essence of willpower to create an intergalactic police force called the Green Lantern Corps. One such Green Lantern, Abin Sur defeated a fear-essence being Parallax and imprisoned him in the Lost Sector on the ruined planet Ryut. However, Parallax eventually escapes from his prison, kills four Green Lanterns and destroys two planets. After Parallax mortally wounds Abin Sur, the latter crashes on Earth and commands his Green Lantern ring to find a worthy successor. The ring chooses Hal Jordan and transports the latter to the crash site, where a dying Abin Sur appoints him a Green Lantern by telling him to take the lantern and speak the oath. Back at home, Hal says the oath of the Green Lanterns, while under trance from the glow of the lantern. He is whisked away to the Green Lantern Corps home planet of Oa, where he meets and trains with Tomar-Re and Kilowog. He encounters Corps leader Sinestro, who is not pleased that a human, considered primitive in compared to other species, has become a Green Lantern. Meanwhile, Senator Robert Hammond summons his son, scientist Hector Hammond, to a secret government facility to perform an autopsy on Abin Sur's body. A piece of Parallax from inside the corpse inserts itself inside Hector, mutating the latter and giving him telepathic and telekinetic abilities . . . at the cost of his sanity. Not only does Hal have to deal with his private insecurities and fears about being a Green Lantern; but also, the uneasy state of his relationship with his boss/ex-girlfriend, Carol Ferris; and most importantly, the increasingly dangerous Hector and Parallax, who is slowly making its way toward Earth. Unfortunately for "GREEN LANTERN", it flopped at the box office. Because of its $200 million budget, it is considered a major failure and embarrassment for Warner Brothers. The critics tore the film apart before it even reached the movie theaters. And a good number of moviegoers stayed away in droves. In fact, its failure reminded me of what happened to "SPEED RACER" back in 2008, another Warner Brothers release. Pity. Because I enjoyed "GREEN LANTERN" and thought it was a solid, if mediocre adaptation of the famous comic book hero. Now "GREEN LANTERN" was not the best superhero movie that I have ever seen. The movie's plot struck me as one of those typical superhero origins tale that every fan of this type of movie genre has to . . . well, endure. Some of these origin stories have managed to knock my socks off. I cannot say the same about "GREEN LANTERN". I thought it was tolerable entertainment, yet mediocre. And I do have a major complaint about the screenplay written by Greg Berlanti, Michael Green, Marc Guggenheim and Michael Goldenberg. I thought it had failed to form a stronger connection . . . or relationship between the infected Hector Hammond and Parallax. The two characters only shared one scene and seemed over pretty damn quick. But I do believe that the critics' enmity was undeserved. "GREEN LANTERN" provided drama, some laughs, action and special effects. The screenwriters did a great job in developing Hal Jordan's character, allowing actor Ryan Reynolds plenty of dramatic meat to show off his acting skills. The screenplay also provided some strongly written supporting characters - especially Carol Ferris, Sinestro, and Hector Hammond, who was provided a strong subplot involving his relationship with his father. And aside from my disappointment over the Hector-Parallax connection, I thought the screenwriters did a solid job in providing a strong connection between Hal's personal demons, his introduction to the Green Lantern Corps and the dangers of Parallax. The behind-the-scenes production for "GREEN LANTERN" struck me as outstanding. I was very impressed. Felicity Browning led a team that provided first rate makeup for some of the cast. I was especially impressed by their work on Mark Strong, Peter Sarsgaard, and even Ryan Reynolds' eyes, while in his Green Lantern garb. But Grant Major's production designs for the planet of Oa really blew me away. I believe the visual effects supervised by Jim Berney and special effects by John S. Baker probably helped. Not only was I impressed by the designs and effects featured in the Oa sequences, but also the design of Parallax, which freaked me out a bit. As I had earlier pointed out, the movie's screenwriters did a solid job in their characterization of Hal, making him a complex and interesting character. But it would have never worked without Ryan Reynolds, who not only provided his trademark wit to his performance, but also provided Hal with a great deal of pathos and complexity. Reynolds also created great chemistry with his co-star Blake Lively. I had been very impressed by her performance in the 2010 movie, "THE TOWN". And her performance as Hal's ex-girlfriend, boss and fellow test pilot, Carol Ferris; only proved that my original opinion of her acting talents was not a fluke. She managed to be very impressive. Ever since I saw him in "JARHEAD" years ago, I have been a fan of Peter Sarsgaard. His portrayal of the insecure senator's son/scientist Hector Hammond made me into an even bigger fan. I think it was a testament to Sarsgaard's acting talent that he allowed Hector to remain a sympathetic character, despite his transformation into a villain from the Parallax infection. And it has been a while since I have seen Mark Strong portray a good guy when I first saw this film. For me, his portrayal of fellow Green Lantern Sinestro, seemed spot on . . . and a breath of fresh air. Both Angela Bassett and Tim Robbins provided solid support as government scientist Dr. Waller and Hector's father, Senator Robert Hammond. Mind you, I found nothing remarkable about Bassett's role, which is not surprising, thanks to the screenwriters. But it was interesting to see Robbins portray a somewhat smarmy personality, who seemed more interested in his son's ambitions (or lack of) than the latter's well-being. Look, "GREEN LANTERN" may not be the one of the best comic book hero movies ever made. And it does not strike me as one of the most original, let alone outstanding I have seen of its genre. But I do not believe it deserved the harsh words that many movie critics dumped on it. Thanks to the behind-the-scenes production, Martin Campbell's direction and the cast led by Ryan Reynolds, I thought that "GREEN LANTERN" turned out to be a solid and entertaining film.
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josefksays · 1 month
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therealmrpositive · 2 months
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My Boyfriend's Back (1993)
In today's review, I find out that being dead, might give you a new lease, on your love life. As I attempt a #positive review of the 1993 zombie rom-com, My Boyfriend's Back #AndrewLowery #TraciLind #DannyZorn #EdwardHerrmann #MaryBethHurt #JayOSanders
Growing up is hard enough, we have a sea of constantly changing emotions, bodies, and situations to navigate, and it can feel like you are a whole new person. Almost like coming back from a near-death experience gives you a completely new outlook. In 1993. A film that combined the teenage condition with a lot of EC Comics-style spookiness, a film known as My Boyfriend’s Back. Johnny’s dead, but…
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veryslowreader · 7 months
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100 Exitos Musicales
My Boyfriend's Back
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caroleditosti · 8 months
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'Purlie Victorious,' a Riotous Look in the Backward Mirror of 1960s Southern Racism
'Purlie Victorious,' starring Leslie Odom, Jr.. is a must-see rollicking comedy with a serious message.
Leslie Odom, Jr. in Purlie Victorious (Marc J. Franklin) White power structures die hard. However, they do fall apart when the younger generation helps to topple them. This is particularly true in Purlie Victorious, a Non-Confederate Romp Through the Cotton Patch currently in revival on Broadway at The Music Box. It is the next generation that overwhelms the cement-like apparatus of noxious…
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mandoreviews · 9 months
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📽️ For Richer or Poorer (1997)
This was kind of a hard movie to watch all the way through. I was tempted to turn it off several times. It’s not that it’s horrible per se, but it was not super interesting. It also wasn’t funny. The main characters were just plain annoying. And what IRS agents carry guns, let along fire them at people?? The one thing I liked is that they didn’t portray the Amish as people to make fun of but rather as simple, down-to-earth, nice people. Other than that, there really wasn’t much to like about this movie.
Sex/nudity: 3/10 (several innuendoes and mentions of sex, a couple can be heard making the bed squeak but no other sexual noises, a couple other mild scenes)
Language: 4/10 (one f-word, many other milder terms)
Violence: 2/10 (a punch, an accident, some injuries played for laughs)
Overall rating: 3/10
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genevieveetguy · 2 years
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When You Finish Saving the World, Jesse Eisenberg (2022)
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bluemanthoughts · 2 years
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Jay O Sanders, another contributor to my daddy issues, as Ziggy on Roseanne season 3
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bonniehooper · 2 years
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Endless List of My Favorite Movies
The Big Green (1995)
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