#jenniferehle

[recycledmoviecostumes]

These vibrant orange gloves were first used in 𝑷𝒓𝒊𝒅𝒆 𝒂𝒏𝒅 𝑷𝒓𝒆𝒋𝒖𝒅𝒊𝒄𝒆 in 1995, where they were worn by Jennifer Ehle as Elizabeth Bennet. In 1998 they were seen in 𝑽𝒂𝒏𝒊𝒕𝒚 𝑭𝒂𝒊𝒓, where they were worn by Natasha Little as Rebecca (Becky) Sharp!   Curious to learn more? Visit Bit.ly/Acces162      

[film-book]

‎

Film Review: SHE SAID (2022): Maria Schrader's Film About Investigative Journalism Hits All the Right Notes https://film-book.com/film-review-she-said-2022-maria-schraders-film-about-investigative-journalism-hits-all-the-right-notes/?feed_id=111456&_unique_id=6369b4d73cfb0

[darthtalon89]

#SaintMaud #psychologicalhorror #RoseGlass #hospicenurse #dancer #soul #SaintMaudMovie #SaintMaudFilm #MorfyddClark #JenniferEhle #religion #ptsd #dissacociation #Horror #HorrorMovie #HorrorFan #horrorgirl #HorrorFanatic #HorrorAddict #HorrorLover #horrorgram #horrorobsessed #horrorfilm #ighorror https://www.instagram.com/p/Cjq7txZJBHU/?igshid=NGJjMDIxMWI=

[movienized-com]

Dead Ringers

Dead Ringers (Serie 2023) #RachelWeisz #TiaBarr #JenniferEhle #EmilyMeade #BritneOldford #MichaelChernus Mehr auf:

Serie Jahr: 2023- (April) Genre: Drama / Horror / Thriller Hauptrollen: Rachel Weisz, Tia Barr, Jennifer Ehle, Emily Meade, Britne Oldford, Michael Chernus, Poppy Liu, Christina Brucato, Jeremy Shamos, Tony Crane, Aaron Dean Eisenberg, René Ifrah, Kevin Anton … Serienbeschreibung: Die eineiigen Zwillinge Elliot und Beverly Mantle (Rachel Weisz) arbeiten als weltweit angesehene Gynäkologinnen…

[his-eternal-death]

My friends every time I talk about #JaneAusten #funny #Gif #Meme #PrideAndPrejudice #JenniferEhle #ElizabethBennet #MissElizabethben

[pardonnemonfrancais]

Covid made me re-watch Pride and Prejudice - (1) We need to talk about Mr. Darcy creepy stares.

I am a big fan of the 1995 BBC TV show Pride and Prejudice. It’s super close to the book and I take it very seriously. But let’s admit one thing: Mr. Darcy can give me goosebumps, and not always in a healthy way. My favorite game: finding most of his creepy stares.

Part of Pride and prejudice is about romance, and romance is all about awkwardness. If anything, the last season of Bridgerton confirmed that. Hence, the silents stares are important. The thing is, the gentleman Darcy likes to stay alone in his corner at parties, because he has a hard time fitting in with people. He just stays there, thinking about this one girl... And that’s not an issue. Movies, where people don’t fit in, are great. But in order to show that, the camera keeps showing him standing alone in the background and it’s kind of hilarious.

Sometimes it looks like he is everywhere. Like this random guy trying to photobomb your family pics in the parc.

Oh, yes yes poor him...

...but... WHY DON’T YOU TALK TO HIM SINCE HE IS LITERALLY BEHIND YOU.

If someone keeps looking at you the way Colin Firth does at the background of this image, and you are in the metro : leave at the next station, and make sure it is very crowded.

Mr. Darcy photobomb first edition

Yes Lizzy, I know. (On a side note, when a woman makes this face, maybe it’s not the right time to ask her to marry you).

What do you think? Were the stares supposed to be funny, scary or romantic? What was the purpose here? See you soon, as I have more comments about this incredible tv show.

[adamwatchesmovies]

The King’s Speech (2010)

I’d always meant to see The King's Speech but never found the right mood, crowd, or time until today. I wish I could go back to get myself to see it sooner. Its story completely enraptures you, everyone delivers fantastic performers, and it offers many memorable moments throughout. Even though it’s "only" a movie about people talking it’s as exciting as a bomb going off.

Prince Albert, Duke of York (Colin Firth) suffers from a terrible stammer. He’s tried everything to get over it, but has given up. With the advent of radio and increasing responsibilities as his brother Edward (Guy Pearce) shows himself unfit to rule, Albert is convinced by his wife Elizabeth (Helena Bonham Carter) to see Lionel Logue (Geoffrey Rush), an Australian speech therapist.

There’s almost too much to take in from a single viewing. Firth won the Academy Award for best Actor so obviously you want to pay attention to him but he's just one among many. Geoffrey Rush and Helena Bonham Carter are excellent here. They feel like real people with unique flaws, dreams, and quirks. When the camera isn’t on them, you know their lives go on. Then, there’s the cinematography. It's great but not in obvious ways. This movie is all about dialogue and characters. The camera sneaks in to enhance the mood, by giving you low shots to emphasize how daunting a task might be, or framing the characters in a way that allows you to understand how they feel on the inside. I wish I could tell you about the music, the sets, and the period-accurate costumes but honestly, they all blend in so well with the rest of the film I couldn’t notice them. The professionals working behind the scenes did such a good job you forget it was all constructed for the film and that in another world, it might not have been there.

When The King's Speech ended, I was wondering when the next scene was going to begin. At 118 minutes, it flies by like nothing. You desperately want a sequel because the story of this soon-to-be-ruler and this speech therapist is filled with every emotion imaginable. It makes you realize how hungry you were to see greatness. We aren't getting a “Part II"  but that’s ok. There’s good re-watch value here. I’d love to be able to memorize some of the lines in this movie for fun or to isolate one particular element and focus my attention upon it.

I know some of you might be thinking “People talking? I get enough of that at work”. Consider that you’ll be inspired, delighted by the relationships that develop, and that it’s a tremendous crowd-pleaser that’s so accessible and so delightful strings were pulled so that the R-rating was toned down to a PG-13 despite the deluge of profanities throughout. Also, consider that you’re a damn fool and that you’re doing yourself a disservice by skipping out on it. I had high hopes for The King’s Speech. It still took me by surprise. I love his movie. (On Blu-ray, January 15, 2016)

[kacic1]

A todos, boa noite! Hoje convido vocês a visitarem o Portal do Andreoli, para conferir minha nova crítica sobre este impactante horror psicológico da produtora A24, detentora de filmes como Hereditário, Midsommar e O Farol. Crítica: SAINT MAUD (2019) https://luizandreoli.com.br/critica-saint-maud-2019/ #SaintMaud #Crítica #Review #PortaldoAndreoli #Horror #HorrorMovie  #Terror #Scary #Creepy #Thriller #Suspense #MorfyddClark #JenniferEhle #RoseGlass #A24 #Pop #PopCulture #Geek #Nerd #Movies #Filmes #Films #Cine #Cinema #Culture #Cult #Art #Entertainment #OsFilmesdoKacic https://www.instagram.com/p/B9aUKGjFkTg/?igshid=1xju0727ets47

[doomonfilm]

Thoughts : I Kill Giants (2017)

Graphic novel film adaptations are certainly not a new phenomenon... as far back as the 1980′s, filmmakers have found properties to transition from the page to the screen.  As studios like Marvel and DC gain a stronger foothold in the film industry, however, there has been a surge of graphic novels that may have flown under the radar of most that have found new life via the silver screen.  One of the more recent adaptations that has found itself at the center of much buzz is the modern day fantasy fairy-tale I Kill Giants.

Barbara (Madison Wolfe) lives with her brother Dave (Art Parkinson) and her older sister Karen (Imogen Poots), who cares for the two.  In an attempt to escape her harsh family life, Barbara finds inspiration in two unique sources : the fantasy of Dungeons & Dragons, and the legend of former Phillies pitcher Harry Coveleski, known as ‘The Giant Killer’.  Because of the fantasy world Barbara has created for herself, she finds herself isolated from her family and peers.  One day, Barbara meets Sophia (Sydney Wade), a young British girl new to the states, and based on their connection, Barbara confides in Sophia that she is a giant killer and protector of their city.  At school, Barbara is bullied constantly by Taylor (Rory Jackson), and her standoffish attitude keeps her in hot water with teachers and administration, but school counselor Mrs. Molle (Zoe Saldana) makes continuous attempts to breakthrough with Barbara in hopes of helping her find peace.  Barbara’s fantasies are so vivid, however, that it keeps her in isolation from everyone, including those that try to help her.  Sophia and Mrs. Molle make repeated attempts to help Barbara, however, ultimately forcing her to face her fantasies and reality in equal measure.

Director Anders Walter wisely uses the magic, mysticism and fantasy of Dungeons & Dragons-style turn-based games to present an escape mechanism from reality, even going so far as to use video games represent modern day in direct comparison during the film’s opening moments.  That escapism is paralleled against an unappealing reality, where struggles, love and loss can be immensely painful, especially when you’re too young to have to deal with these things.  Using escapism to hide pain and avoid facing hard truths gives the narrative forward thrust, with heavy symbolism coming from all angles that makes the initially vague story start to become clear as the viewer learns more about the situation.

The way the film captures the awkwardness and social anxiety of childhood, which is amplified when you’re considered an outcast, is pitch perfect.  The struggles of a non-traditional, broken home family format are also shown with cutting reality, as vicious fights occur even when deeply unconditional love is present and attempts at clearing up misunderstandings fall short.  The film does a great job of capturing the standoffish nature of misunderstood kids, and how hard it is for genuinely concerned adults to connect.  The use of fantasy elements is perfect for the story, as belief so vivid in something nobody else understands that it leaves you alienated from all is a very real thing, though not in the fantastic nature presented by the film, obviously.  In my opinion, this is possibly a film that can help children understand both sides of bullying.

The film uses a wonderfully muted color palette that allows visual variety while setting a proper mood on multiple levels.  The fantasy sequences resemble moving comic images, specifically due to their stunning colors and visual textures.  The presence of an exhilarating score that livens up as the fantasy ramps up keeps the viewer’s heart racing, adding to the experience.   The feel of a film from the 1980′s or 1990′s is present, but the advantages of modern CGI enhance the experience in new ways.  The heartfelt writing that addresses heavy issues with tact and grace deserves praise and recognition.  ‘Uncomfortable’ cinematography is used well, as the camera tends to get intimate with the subjects rather than standing back and being observant.

Madison Wolfe gives an incredibly dynamic performance for someone so young, combining introspection, biting wit and bold determination together in the form of a mythic hero.  Zoe Saldana provides unconditional love and support to a lost child, while trying her best to understand what seems very real to the Barbara character.  Sydney Wade also brings an attempt at understanding to the table, but her childlike innocence and fear shine through her attempts to befriend the Barbara character.  Imogen Poots displays the hurt of a child forced to deal with adult responsibilities, and perfectly embodies how painful that forced transition can be.  Rory Jackson provides proper intimidation as a real-world antagonist for the Barbara character, with her imposing height, cold stare and sharp tongue sending chills down the viewer’s spine.  Appearances by Art Parkinson, Jennifer Ehle, Don Wycherley, Sonya Kelly, Noel Clarke and more fill out the world of the narrative.

If someone were to take all of the best ideas of The NeverEnding Story, eliminate the fluff, and reposition the events that take place in the fantasy world into a strange middle ground of reality and fantasy, you’d have I Kill Giants.  If this film doesn’t achieve some sort of cult classic status in the oncoming years, I’d be wholly surprised.

[angelaanimates]

Look! A Darcy has appeared! Pillows coming soon 😴🎩💕 . . . . . . . . . . . . . . . . #prideandprejudice #janeausten #austenite #austenland #elizabethbennet #jenniferehle #colinfirth #design #painting #illustration #artistsoninstagram #artstagram #visdev

[thatsmovietalk]

The Professor and the Madman (2019) Directed and Screenplay by #PBShemran Based on #TheSurgeonofCrowthorne by #SimonWinchester Starring #MelGibson #SeanPenn #NatalieDormer #EddieMarsan #JenniferEhle #JeremyIrvine #DavidOHara #IoanGruffudd #StephenDillane #SteveCoogan #TheProfessorandtheMadman https://www.instagram.com/p/CaQSQ31BOaZ/?utm_medium=tumblr

[yanarchy072]

・ ・ Amazon Prime Videoで『セイント・モード/狂信』を漸く観れた。 ・ あるコトがきっかけで信仰深くなった鬱状態の主人公Maudが、終末患者の魂を救うコトが神からの使命だと信じ込みホスピスとして働くお話。 終始一人称の語りで進むストーリーと劇中音が非常に不気味で正直Maudのやるコトなすコトに救いようはないが、作品は非常にオモロい！ 「魂を救われるべきなのは逆なんじゃないのかい？」って、“同じ見方の裏と表”というまさにマグダラのマリア。 とはいえ、「事件というモノはもしかしたら、こうやって起こっているのかもしれない。」と思ってしまうくらい新しいホラーである。 ・ #セイントモード狂信 #SaintMaud #ローズグラス #RoseGlass ・ #モーフィッドクラーク #MorfyddClark #ジェニファーイーリー #JenniferEhle ・ #ホラー #Horror #サイコロジカルホラー #Psychologicalhorror ・ #A24 #スタジオカナル #StudioCanal #イギリス映画 #Britishfilm ・ #AmazonPrimeVideo #アマゾンプライムビデオ #映画 #movie #ビバムビ #instamovie #moviestagram #instagood #instapıc (Tokyo Japan) https://www.instagram.com/doggy0791yanarchy/p/CYHUgt5pI5Q/?utm_medium=tumblr

[marziesreads]

Yes, I couldn’t resist getting the audiobook when I saw that #jenniferehle (Lizzie Bennet, dears) was the narrator. And now I’m crying all over again. 😭😭😭#audiobookstagram #bookstagram #howtobreakacurse #magiclessons #owensfamilycurse #practicalmagic #readersofinstagram #simonandschusteraudio #thebookofmagic #therulesofmagic https://www.instagram.com/p/CVItAvBLP3A/?utm_medium=tumblr

[twotrey23]

#movie🎬 screening #2 today... #TheMiseducationOfCameronPost @campostfilm . #ChloeGraceMoretz @chloegmoretz #SashaLane @sashablane #ForrestGoodluck @forrestgoodluck #JenniferEhle @ehle_jennifer #JohnGallagherJr @johngallagherjunior #DesireeAkhavan #film #cinema #movies #films #independent #indie (at Wilshire Screening Room)

[booksfriendsnews]

Melhor adaptação de Orgulho e Preconceito! Regrann from @jane_austen_centre - This brought a smile to our faces this morning - Mr Darcy, Lizzy Bennet and Jane Bennet behind the scenes. Look at how happy they look! (But then, who wouldn't be when filming a Jane Austen adaptation!) #PrideAndPrejudice #JenniferEhle #ColinFirth  #SusannahHarker #MrDarcy #LizzyBennet #JaneBennet #BBC #PP2005 #BehindTheScenes #PeriodDrama #RegencyRomance #JaneAusten #Austen - #regrann

[film-book]

JOHN AND THE HOLE (2021) Movie Trailer: Charlie Shotwell Puts Michael C. Hall & the Rest of His Family in a Hole https://tinyurl.com/yzcytwze