#joe macdonald

[robertocustodioart]

Joe MacDonald by Andy Warhol 1975

[marcmarcmomarc]

RWBY Volume 10 predictions

Voice cast: Team CFVY

Coco Adel: Ashley Burns

Fox Alistair: @maxmittelman-blog (newcomer)

Velvet Scarlatina: @caitiward

Yatsuhashi Daichi: Joe MacDonald

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[asexplainedbyttoi]

America right now

[citizenscreen]

Producer Joe Pasternak, born on September 19, 1901 #botd pictured (right) with Jeanette macDonald and José Iturbi

[mariocki]

Cape Fear (1991)

"Let's get something straight here. I spent fourteen years in an eight by nine cell, surrounded by people who were less than human. My mission in that time was to become more than human. You see? Granddaddy used to handle snakes in church, Granny drank strychnine. I guess you could say I had a leg up, genetically speaking."

[bubbleonice]

List of future tarot/oracle readings:

Following is the updated list of future tarot readings. I won’t be adding new ones to it until I am totally done with this current list. I have many requests still in my pm, so the reason you might not have recieved a reply from me is because I need to finish this current list first. However I do try to reply quick questions from previous readings if anything needs clarifying.

The more spesific you are with your request, the more likely I can use the right approach for searching for answers. Otherwise, it will be just a general energy reading.

- Carlos Sainz / Rebecca Donaldson / Isa Hernaez

- Evan Peters

-Ross Mcdonald

-Charles leclerc

-Ben Barnes

-Henry Cavill

-Matt Smith

-Aron Taylor Johnson and marriage

-Shawn Mendes and Sabrina Carpenter

- choi Siwon

- Evan Peters and Haley Lu Richardson

- Vinne Hacker Ideal type.

-Joe Burrow and girlfriend

-Harry Style’s ideal type.

-Prince Harry and Meghan Markle

-Bill Skarsgard ideal type.

And to all my followers, I thank you from the bottom of my heart for following my page and for requesting my services. I am a private tarot reading who do personal readings as a second profession, but nit here on tumblr. I made this tumblr account for celeb tarot readings to keep my knowledge and learning intact. And also to keep connection with my energies to my cards and my intuition. It helps me develope my abiliites to interpret the cards more and more.

I am doing this as a hobby and for fun. So please follow my account and my readings with an open mind and positivity. Thank you❤️

[tv-moments]

Poker Face

Season 1, “The Future of the Sport”

Director: Iain B. MacDonald

DoP: Christine Ng

[claudia1829things]

“HOWARDS END” (2017) Review

"HOWARDS END" (2017) Review If there is one production company associated with the works of E.M. Forster it is Merchant-Ivory, the creation of producer Ishmail Merchant and director-producer James Ivory. I find this odd, considering that Merchant-Ivory have only adapted three of Forster's novels. One of those novels is "Howards End", published in 1910. There have been at least three on-screen adaptations of the latter - a 1970 BBC movie, Merchant-Ivory's 1992 Oscar winning film and the ITV's 2017 miniseries. This particular article happens to be about the latter.

"HOWARDS END" is basically an exploration of social and class divisions in Edwardian Great Britain, through the viewpoints of three families - the intellectual and idealistic Schlegels, the Wilcoxes; who are wealthy capitalists; and the working-class Basts. Sisters Margaret and Helen Schlegel become acquainted with the Wilcox family during a trip to Germany. When Helen, the younger Schlegel sister, visits the Wilcoxes at their country house, Howards End. She becomes attracted to the younger Wilcox son, Paul, and they become engaged in haste. However, the pair soon regret their decision and quickly break off their engagement. but soon regret their decision, breaking off the engagement by mutual consent. Months later, the two sisters and their younger brother Theobald "Tibby" Schlegel attend a musical concert, when Helen accidentally takes an umbrella that belongs to the impoverished clerk Leonard Bast. He appears at the Schlegels' home to retrieve it but leaves in a hurried after becoming embarrassed by his umbrella's shabby quality and appearance. Several months more pass before Leonard's common-law wife, Jacky, appear at their home, demanding his whereabouts. Apparently, Leonard had embarked upon a long walk into the countryside upon leaving work. He returns to the Schlegels' home to explain his disappearance and quickly forms a friendship with the two sisters. Meanwhile, the Schlegels renew their acquaintance with the Wilcoxes when the latter move into a London townhouse, across the street from the latter, for oldest son Charles' wedding to a young woman named Dolly. With Helen visiting relatives in Germany, Margaret begins a friendship with Mrs. Ruth Wilcox. But their friendship is cut short by the latter's death. Sometime after Ruth Wilcox's funeral, the Schlegels become acquainted with the Wilcoxes again when Margaret and Helen encounter the recently widowed Henry Wilcox around the same time their friendship with Leonard Bast begins. Between Henry's bad employment advice regarding Leonard, Helen's developing dislike of Henry, and Margaret's growing attraction toward the businessman; a clash between social and political classes spiral toward a startling conclusion. I had first learned about this third adaptation of Forster's novel through a blog that centered around period movie and television productions. The writer, a major fan of the 1992 adaptation, had quickly dismissed this production (without having seen it, I may add) as not worth viewing. Considering my past experience viewing the 2007 television adaptation of "A Room with a View", I had felt inclined to follow the blogger's advice. But in the end, I had decided it would have been fairer to give "HOWARDS END" a chance. I am more than glad I did. Mind you, I had a few quibbles about "HOWARDS END". If I must be honest, I can only think of three quibbles right now. The miniseries featured a scene I believe should have involved a bit more of an emotional impact. This scene featured Margaret Schlegel's response to Henry Wilcox's decision to end their engagement, following the revelation of his past affair with Jacky Bast. I can see Margaret keeping her cool, while facing Henry's emotional decision. But even in the privacy of her room, Margaret had remained calm, almost cold, as he contemplated her next move. I do wish that director Hettie MacDonald and screenwriter Kenneth Lonergan had allowed a small peek into any emotional turmoil on Margaret's part. I also found her reaction to seeing Henry again, at his daughter Evie's wedding, a bit odd. She seemed a bit too . . . controlled, even after Helen had led her and Leonard away. Speaking of Jacky, I consider my third quibble to be a major narrative problem. And it is a problem shared by Forster's original novel and the 1992 film. What in the hell happened to Jacky Bast? Neither this miniseries, the novel or the movie bothered to reveal or hint Jacky Bast's fate, following that final event at the Howards End estate. It seemed clear that once poor Jacky had served her purpose in exposing Henry's past, Foster did not give her another thought. Screenwriter Ruth Prawer Jhabvala had decided to be faithful to the novel in her screenplay for the 1992 movie. I had hoped Lonergan would resolve this issue in miniseries' screenplay. Unfortunately, he had merely repeated Forster's mistake. Despite my issues, I really enjoyed "HOWARDS END". Much more than I had fully expected. Thanks to Hettie MacDonald's direction and Kenneth Lonergan's screenplay, I thought the miniseries did an excellent job in exploring the different social classes and political beliefs that permeated the story. I do not know if I would label the Wilcoxes as part of "the upper classes". Before World War II, only members of the aristocracy and landed gentry were regarded as the upper classes. The Wilcoxes are obviously rich capitalists, whose fortune had originated in one or many of the British colonies overseas. Before the war, they would be regarded as "trade", regardless of their wealth. I sometimes found myself wondering if Henry Wilcox's attempt to find a family estate of his own was indicative of his desire for the family to be regarded a lot higher than mere rich capitalists. After all, his first wife Ruth, whose family had owned Howard End for generation, may have come from the landed gentry. Henry and his children did not seem interested in living at Howards End. Yet, they seemed determined that Ruth's desire to pass the estate to Margaret would be prevented. I find it strange that none of this had ever occurred to me, while watching Merchant-Ivory's film or reading Forster's novel. Then again, I should not have been surprised. Watching this miniseries had made me aware of a lot of issues and emotions in the story - more so than the film and novel ever did. In at least two scenes, the miniseries seemed to have further exposed Henry's bullying and hypocritical nature. This was apparent in one scene in which he dismissed some of Helen's progressive views in a friendly, yet arrogant manner during her stay at Howards End in the first episode. Another scene featured Henry's refusal to consider that his advice regarding Leonard's employment had left the latter jobless. I found his reaction to Leonard's situation so arrogant and insensitive that I had to fight the urge to punch my fist through the television screen. I also noticed in some of the scenes featuring Ruth Wilcox that despite her gentle and soft-spoken nature, she seemed to exercise a strong grip on her family - including Henry. One very interesting scene in this miniseries featured Margaret and Helen's discussion about the Wilcoxes and the latter's negative comments on the wealthy family. Also, this version of Leonard Bast seemed not only more timid, but also more insecure. What I found surprising about this adaptation is the less-than-ideal portrayal of the Schlegel sisters. Mind you, MacDonald and Lonergan's portrayal of "Tibby" Schlegel did not hesitate to expose the character's sharp wit, arrogance and self-absorbed nature. One brutal moment featured Tibby refusing to speak to Leonard, when the latter appeared at the Schlegels' current home to learn Helen's whereabouts. And as shown in the 1992 adaptation, the pair also exposed Helen's over-emotional reaction to the Wilcoxes and Margaret's relationship with Henry, along with Margaret's willingness to throw the Basts under the bus, when their very presence (I should say Jacky Bast's presence) proved to be a major inconvenience to her engagement. But I was surprised by MacDonald and Lonergan's willingness to expose Margaret's shallow fascination of Henry Wilcox's "manly" traits and his wealth - something I suspect that may have led her to consider him as a potential husband. Another moment that caught me by surprise was Helen's disregard for Jacky Bast and the dismissive comments she had made about the latter. She only seemed interested in Leonard, who somewhat shared her family's intellectual pursuits. Just about every performance featured in "HOWARDS END" struck me as first-rate. I could not think of one misstep within the cast - at least as performances were concerned. Mind you, I thought casting Matthew MacFadyen and Julia Ormond as Henry and Ruth Wilcox was a bit problematic. Especially since Ormond is nearly a decade older than MacFadyen. But I cannot deny that both gave excellent performances. Ormond did a great job in portraying a soft-spoken and graceful woman who was not only in a state of physical decline, but also managed to exact a strong will over her family. I was really surprised by MacFadyen's portrayal of Henry Wilcox, but I thought he gave a fabulous performance as the domineering, yet short-sighted businessman who reeked of toxic masculinity. Although his appearance in the miniseries was brief, I thought Jonah Hauer-King gave a solid portrayal of the younger Wilcox son, Paul. Bessie Carter and Yolanda Kettle struck me as equally solid as Henry's only daughter, Evie Wilcox and Charles' bride and later wife, Dolly Wilcox. But I was very impressed by Joe Bannister's portrayal of elder son Charles Wilcox. I thought he did an excellent job of conveying the character's conservative and brutish nature without any taint of cartoonish acting. Alex Lawther gave an excellent performance as the eccentric and self-absorbed Tibby Schlegel. Why do people assume that performers known for comedy would have such difficulty in dealing with dramatic roles? I never understood this attitude, considering comedy is known for being more difficult to perform. Tracy Ullman, who portrayed the Schlegels' Aunt Juley Mund had no difficulty in seamlessly utilizing both comedy and drama in her first-rate portrayal of the meddling, conventional, yet well-meaning woman. I thought Rosalind Eleazar gave an exceptional performance as Jacky Bast, a former prostitute who also happened to be Leonard's ill-fated woman. Eleazar managed to infuse a sense of desperation in Jacky, who struggled unsuccessfully to keep her and Leonard from falling into some kind of social and economic abyss. It seemed good to see Hayley Atwell in a properly dramatic role, after spending years appearing in the Marvel Cinematic Universe films and television shows. I thought she gave a first-rate portrayal as Margaret Schlegel, the warm and strong-will sibling of the Schlegel family. Atwell did an excellent job of conveying Margaret's most admirable traits and at the same time, exposing the character's more questionable ones with great subtlety. I especially admire her performance in one scene in which she tried to force Henry to face his hypocritical refusal to forgive Helen's state as an unmarried mother, in comparison to his adulterous past with Jacky Bast. Joseph Quinn recently made a name for himself as an eccentric high school student during Season Four of the Netflix series, "STRANGER THINGS". But I was more than impressed by his portrayal of the intellectual wannabe, Leonard Bast, who found himself befriending the Schlegel sisters. Quinn did a great job in not only portraying Leonard's intelligence and longing for intellectual pursuits, but also his growing insecurities as he found his life being drawn even closer to the Schlegels and the Wilcoxes. But if I had to vote for the best performance in "HOWARDS END", I would select Australian actress, Philippa Coulthard. I thought she gave a superb performance as the younger Schlegel sister, Helen. I really admired how Coulthard conveyed Helen's emotional journey throughout the story; especially in scenes that featured Helen's scathing commentary on the Wilcox family, her growing hostility toward Margaret's romance with Henry Wilcox, her complicated relationship with Leonard and especially her anger at the Basts' destitute situation in the wake of Henry's poor employment advice. One aspect of "HOWARDS END" that really took me by surprise was the excellent qualities of the miniseries' production values. Mind you, Sheena Napier's costume designs never attracted the same kind of acclaim that those from the 1992 movie. If I must be honest, I actually enjoyed her designs (as shown below):

I found them quite colorful and beautiful without being too stylized or glamourous. Considering the characters viewers are dealing with, that seemed sufficient to me. I also enjoyed Wojciech Szepel's beautiful photography, especially in locations in London, Dorset and Buckinghamshire. But what really blew my mind were Luke Hull's production designs. I thought he did a superb job in re-creating Edwardian England, especially those scenes shot and set in London. While watching the miniseries, I felt as if someone had dropped me squarely back into London circa 1905-1906. "HOWARDS END" managed to score a good number of award nominations, but I noticed that most of them came from lesser award organizations. It did win the BAFTA Award for Best Miniseries, but that was about it. No other nominations from BAFTA, no nominations from the Golden Globes or the Emmys. And all I can say is . . . "what the hell?" "HOWARDS END" proved to be one of the best television limited series I have seen in years. It became a critical darling from the media. Yet, it did not earn or win any major nominations, aside from the BAFTA Best Miniseries award? Were people so busy comparing it to the 1992 Merchant-Ivory film that they were blinded by its own merits? Hell, I believe it is just as good as the 90s film in its own way. I thought Hettie MacDonald, screenwriter Kenneth Lonergan had created an exceptionally first-rate miniseries that featured superb performances from a cast led by Hayley Atwell, Matthew MacFadyen and Philippa Coulthard. Perhaps one day, many other than the media, will appreciate it on its own merits.

[oldshowbiz]

Prime Minister Joe Clark was one of the people Norm Macdonald did an impression of in his early stand-up act.

[robertocustodioart]

Joe MacDonald by Andy Warhol 1975

[alex-cheraya]

me right before i make a decision that ends my life: when i cash in i won’t know anyway so what the hell

[marcmarcmomarc]

Yatsuhashi Daichi (has no individual lines, but can be heard chattering, sobbing, gasping, cheering, laughing, and exclaiming, “Ooh,” and “Aww,” provided by Joe MacDonald)

“Thank you for your patience.”/RAVEN: “First time for everything.”

“The Ever After is real.”/“Afterans don’t die, they ascend.”/“Summer Rose was my mom.”

“The greatest warrior to ever live.”/“Neo abused me with illusions of our dead friends.”

“Jaune was the Rusted Knight.”/“I blew up at the others.”/“The Cat was eaten by five Jabberwalkers.”

“Yang and Blake are girlfriends now.”/“I’m proud to call all of you my family.”

“We beat the Cat!”/“The Gods got kicked out by their mother.”/“I’m not giving up anytime soon.”

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[unravellingsilencehq]

“Oh, Merlin, tell me, does THE MOON get what he deserves?” He is in THE ORDER OF THE PHOENIX & CLOSED to finding out. 

— he walks through the world as ;

name → remus lupin pronouns → he/him identification → cis male year of birth → september 1959 - september 1960 face claim → joe keery blood status → half-blood (werewolf) sexual orientation → up to applicant occupation → photographer for the department of magical law enforcement at the ministry of magic future information → n/a

— he is best described as ;

The person to offer you the last square of CHOCOLATE, nibbled SECRETLY in the light of the fridge, with a nudge and a TEASING SMILE. COMFORT in human form, he is your favourite woollen JUMPER you search for on COLD NIGHTS that still fits despite how you’ve grown. QUIET & CAUTIOUS like the EVENING, he is the fun MEMORIES in the DARKNESS and the MYSTERIOUS HOWL that ECHOES in the MOONLIGHT.

— his story starts with ;

tw: death

A man whose heart is filled with gentle warmth and kindness, anyone who calls Remus Lupin a friend is incredibly lucky, although they are within a select few. Born to a muggle insurance office from Cardiff who fell in love with a wizard, Remus was raised in Cardiff. As a young boy, Remus was curious and eager to learn about the world. Lyall Lupin captured Remus’ imagination from an early age.  A senior advisor for The Department for the Regulation and Control of Magical Creatures, Lyall’s knowledge of magical creatures was unchallenged and Remus grew up searching for mermaids in Cardiff Bay and looking for werewolves in Wenallt Forest. Little did Remus know that it was a werewolf who would eventually come looking for him. Around Remus’ fifth birthday a number of muggles had gone missing in Cardiff, their bodies mauled in what the authorities thought was an animal attack, but Lyall knew better. A werewolf was on the loose, and Lyall had an idea of who it was. FENRIR GREYBACK [maker/adversary] had told the questioning committee he was simply a wizard in the wrong place at the wrong time, but Lyall knew the signs of lycanthropy and would not so easily be fooled. 

Lyall voiced his concerns at the trial, suggesting Fenrir be detained till at least the next full moon, losing his temper in the process. Fenrir was released and disappeared back to Cardiff without a trace. He would not forget Lyall’s comments and on the next full moon crept through his son’s open window and bit his small body savagely. Remus awoke writhing in pain. He doesn’t remember much from this period of his life but the severity of the bite which was still etched into his skin and the werewolf venom coursing through his veins was his first living memory that haunts him to this very day. His life was changed thereafter and sadly he can remember no different. His parents tried desperately to help him, fashioning chains in the basement to keep him safe during the full moon. So began his story with self-hatred. Remus despised what he had been turned into, he had learned about werewolves. They were spiteful and wicked and now he was infected with their same cruelty. He tried everything to stop the transformations but sheer willpower was not enough and after too many comments had propped up from his school about strange marks on his body his parents were forced to pull him from school. 

Like his father Remus had shown magical promise, leaving his mother and father worried about how he would be educated due to his condition. Lyall’s good friend ALASTOR MOODY [friend] had suggested Lyall be candid with the headmaster and it was due to the persuasive powers of ALBUS DUMBLEDORE [leader/former headmaster] and a firm promise that he would keep an eye on Remus that he was allowed to attend Hogwarts School alongside his peers that following September. After the bite, Remus had learned to keep himself to himself. It was better to not attract attention to himself, which was fairly difficult at times. At his core, Remus was a fun loving, intelligent and witty boy, which to the joy of his classmates he showed in the odd moment. His first friend at school LILY EVANS [close friend], was more perceptive than most eleven year olds and had learned the key to friendship with Remus was not to ask too many questions and make clever quips quietly to one another about the assigned reading or their less academically gifted classmates. It was perhaps this friendship with Lily that first put him on the radar of JAMES POTTER [best friend/housemate], though he knows now it was a multitude of things. 

His dorm mate was one of the most popular students in his year, amongst his friends and fellow dorm mates PETER PETTIGREW [best friend/housemate] and SIRIUS BLACK [best friend/housemate]. Although they got on the nerves of a fair few people, Remus landed on the side that he found them amusing and enjoyed their casual chats before bed and silently appreciated their attempts to get to know him. Their persistence to know him was the best thing that ever happened to Remus and although the most terrifying thing in the world was waking up in The Shrieking Shack after a full moon to find all three boys staring back at him, he has to this day never been more grateful for a singular event. For the first time he has true friends and the marauders came to know and love him even better than his own family. They didn’t care about his condition, in fact they learned to become animagus to accompany him on the full moon. Remus came into his own, a brighter and happier boy who would partake in practical jokes and parties by The Black Lake the boys became known for. Hogwarts was a happy time for Remus, a safe place to learn about himself and have responsibility given to him. 

He graduated with outstanding results, having been a prefect and with a loyal and brilliant set of friends, completed perfectly by MARLENE MCKINNON [close friend], DORCAS MEADOWES [close friend] and MARY MACDONALD [close friend]. Upon leaving Hogwarts at eighteen, all of the same fears he had aged eleven flooded back to him. With no Dumbledore to look out for him, Remus knew he would have to manage his condition alone in the workplace. Accepting a job at The Ministry of Magic as a crime scene photographer and analyst and moving in with James, Sirius and Peter. What had happened to Remus had changed his life forever and instead of letting it force him into depression, he used it as the catalyst to drive him forward. His expertise was vital to The Department of Magical Law Enforcement, especially in the wake of the death of BOOKER BAGNOLD [person of interest]. A suspected killer werewolf was on the loose, but the case did not quite add up to Remus, who knew exactly what it looked like to be attacked by a werewolf. 

Remus tried his best to get ALICIA AVERY-JONES [boss] to see to reason that Booker hadn’t been killed by a werewolf at all, but not wanting to draw attention to himself was forced to drop his quest and help The Ministry rule werewolf SILAS CRUMP [person of interest] as his killer. Three years on, Remus knows more. Now a member of The Order of The Phoenix alongside his friends; he knows that something much darker is at play and Silas Crump sitting in Azkaban weighs on him more heavily each day. With the guidance of FRANK LONGBOTTOM [mentor], Remus has been privately looking into Booker’s death for The Order; believing it might help establish some leads as to who may be hiding in the army of THE DARK LORD [adversary]. But with hate towards creatures on the rise and The Ministry trying to crack down on registration after the disappearance of ROSALIE FLINT [person of interest], Remus must try his best to help the cause he believes in without ruining his life and painting a target on his back, especially when there are those who can’t be trusted like SEVERUS SNAPE [adversary] who know his secret already. 

— he is a LEVEL 6 WIZARD & LEVEL 6 WEREWOLF readied for war ;

[goodjohnjr]

Liana Flores - Rises The Moon (Official Music Video)

Liana Flores – Rises The Moon (Official Music Video) What Is It? The YouTube video Liana Flores – Rises The Moon (Official Music Video) by the YouTube channel Liana Flores: Liana Flores – Rises The Moon (Official Music Video) Description: the official music video for rises the moon by liana flores, from the EP ‘recently’(listen here: https://ffm.to/lianaflores_ ) director – samuel…