WIP FRIDAY
I apologize for getting this out two days late, I’ve been busy with lots of packing and events! But I have a little reprieve, so I wanted to post another WIP; this one is from Heart Full, Bowl Empty.
BE AWARE THAT THIS SEGMENT INVOLVES A CONVERSATION REVOLVING AROUND UNWILLING BUT INTENTIONAL STARVATION. I know there are people who say they can’t read this fic because of themes like this, so be aware of this before reading this WIP!!
I included this snippet in today’s WIP because I have like three versions of the entire segment this snippet is from. I feel like it’s a really important segment with a really important conversation, and I’ve had a hard time balancing all the emotions the way I want to between Ingo and Akari, with frustration, sadness, anger, and empathy, to realistically get them to the resolution I want at the end of it.
The final version will probably only include a few parts from this particular segment.
Enjoy!!
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“I knew it! You’re doing it again!” Akari’s eyebrows scrunched, trying to understand through the frustration. “You said you wouldn’t!”
“Circumstances will improve soon.” Clearly done with the conversation, that was all Ingo said, but it was confession enough that he had fallen back on his word. Shame contaminated his voice, but if there was any regret, he hid it well.
“No, it won’t!” They were not even half-way through winter yet. “And you know it won’t!”
Ingo said nothing as the kits carefully moved around his slumped form, finding comfortable places to settle around him. She didn’t know if he intended to snuff the conversation out with angered silence, or if he was just too exhausted to care about arguing with her anymore. If it wasn’t for his small occasional signs of movement or acknowledgement, she’d think he was actually sleeping.
Akari carefully stepped into the nesting layers, moving to sit down next to Ingo. She settled with her back against the cavern wall, pulling her knees close as a few kits shuffled around to accommodate her. “You know I’m right.”
Huffing out an irritated sigh and nothing more, it didn’t seem like Ingo had any intentions to engage with her argument anymore.
“You couldn’t even pull yourself up over the ridge,” She prodded at him again, trying to motivate more conversation out of him. “I had to help you!”
“There are many, many factors that go into that.” A reluctant answer, perhaps a reflexive attempt to quell her worry; Ingo feebly rubbed his wrapped hand, almost as a display for his excuse.
“I’ve seen you do more when you’ve been hurt worse.” Akari retorted, a little softer now but still cold.
Ingo’s eyes remained closed, though his hardened expression implied that it came across as more accusatory than she’d intended. But perhaps it was precisely the time to be accusatory.
“Ingo, you’re so tired all the time now – you stopped coming to the training grounds because you just can’t make the trips all the time anymore! And you’re sleeping so much more than you used to, and it’s like you’re always hungry all the time, even though all I see you doing anymore is gathering food!” Akari’s voice grew more jagged as she continued to jab at him, entirely uninterrupted.
It was getting difficult. With Ingo’s tunic still sopping by the bucket, still somewhat red from the exhausted effort of washing out the blood, it could not hide the ribs that pressed out just a little bit more, or help fill out what the waistline had lost under the loosening belt. The abject dread of directly acknowledging that was too much.
“And- and look! You aren’t even willing to hold a conversation with me anymore, and I don’t know if it’s because you just won’t, or because you can’t!” The kits shifted uncomfortably as Akari retreated back into her own frustration instead. “People think you’re sick, Ingo! They’re asking me about you! What are you doing?”
The exhausted man remained where he laid in the nesting material, only moving his hands to rub at his face and sigh — a deep, forced sigh that swelled his side before releasing. Akari almost didn’t think he’d answer her, but with some effort, he propped himself up first onto his elbows, then slumped forward. The teen watched him run shaky fingers through his hair as he sat next to her.
“…I don’t know what I should do.” The guilt. The weary guilt cracked his voice and tore Akari’s anger down to heartache.
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Tumblr sorta needs a 'Mute' feature in my opinion. Like what if I don't want to block this user, what if I don't want to become enemies and in some days I'd like to interact. But also most of the time seeing how they avidly encourage everyone else whereas I get the passive-aggressive 'oh yeah very uhh... interesting... (please leave me alone I don't like your art lol)' makes me want to unfollow every single fan of these characters and never draw them again.
I remember two years ago the exact same thing happened when someone liked the same character and the same ship and I swear I was the only person in the fandom they bluntly left out and could not spare a single good word for. I can't even blame this on my art being "ugly" because this type of user always aggressively praises all art styles and all levels of skill, it feels more like 'a personal thing except we never fought a single time'. And now my toxic trait of needing approval from [cool person name] is back to haunt me years later! Add the unability to "abandon" this character/ship/whatever despite wanting to after facing so much unspoken passive spite, because I am a contrarian and the best way to trap me into doing something is to try to exclude me from it. I didn't face attempts to very aggressively bully me out of the yard/class/community/etc, sometimes with physical violence included, only to let something mid like passive aggression online finally do it.
I am really stupid and naive person despite my age, but in like 5% of the cases I will still understand the hint and understand what is going on. Yet I have to pretend to be clueless even in rare situations when I know someone hates me, because since they never admitted it, quitting will be perceived as me being "paranoid". But dear goooood, it hurts sometimes. I hope that one day I will be numbed to being treated as a tumor on an otherwise healthy body of society that someone is dying to amputate- and always a person whose approval I want, of all people. Knowing that this day will come is one of the things that keep me going as both a person and a creator. Things like viruses and diseases still try their best to persist, so even if I am actually one, I should persist. It doesn't matter whether I actually rot everything around me or this is just my self-depreciating delusion upon focusing on people that mistreated me and not people that loved me. What matters is persisting, I just still feel angry that it hurts. I can't respond spite with spite or passive aggression with passive aggression, I can't do the 'smug asshole' when I become aware that someone tries to starve me until I "die". I can just fall over and cry about it like a kicked dog, despite being so old, especially when it is a person I didn't have anything against.
And really.. It is as simple as turning the internet off, so I don't see The Person and can focus on doing stuff that I like, as if they never existed and can't crash my self-esteem. It is just annoying to keep doing this, a feature to not see them unless I am in the mood would be better. Like.. blocking is not an option. Not only it implies being enemies which is not my intention, but also it will be like an "evidence" that I was "crazy". They didn't do anything, right? Well, they know what they did, but it was never verbal, so it is my fault I "imagined things", right?
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i think the “this doesn’t even rhyme” part of that post was a joke because the lyrics were. questionable and like it was a sarcastic way of saying “there’s nothing good about this.” that’s how i took it at least idk. no hate i just know i may be one of the people that put it on your dash and wanted to explain that
i'm gonna be honest that wasn't in reference to just one singular post bc i saw the same complaint after the last album came out and multiple posts about different lyrics today. so while that may be the case for that specific post, it was more just a complaint about that critique in general + using that as a specific example bc i genuinely have never seen people criticize any other artist for using slant rhymes. and also idk,, there are plenty of other artists out there who are terrible people and whose lyrics suck and i don't see half as much ridicule and critique for them as i do taylor swift so it gets kind of irritating sometimes lol especially when it's the same critique (i.e. imperfect rhymes) over and over again
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(context: my day job is editing city and town ordinances before they're put into code books)
I was editing this ordinance from this town I'll call the Town of Alpha, it was about 20 pages long and clearly a pre-written law they had just pasted their name onto and adopted without editing, because every single reference to 'town' had been changed to 'TOWN OF ALPHA', leading to such delightful passages as 'paid to the TOWN OF ALPHA clerk' and 'by resolution of the TOWN OF ALPHA council' and 'upon the streets of the TOWN OF ALPHA of TOWN OF ALPHA'
It was twenty pages of this
So clearly this was a search/replace of every instance of 'town' and 'townname' in the original document with their own phrase. Normally if I was editing this digitally I'd do a search/replace of my own, but they're having me practice editing by hand (using a tablet pen on scanned documents) so I put a note in for the word processing department to do that when they get my marked copy
Twenty pages, right?
On the LAST PAGE. There is a single instance of 'within the boundaries of the TOWN OF ALPA'
A TYPO
which means they DIDN'T SEARCH/REPLACE THIS
which means SOMEONE meticulously went through the pre-written law and wrote in 'TOWN OF ALPHA' on their own! ONE BY ONE!! INCLUDING 'the streets of the TOWN OF ALPHA of TOWN OF ALPHA'!!!
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babe wake up new oc lore just dropped (aka long ramble about hira under the cut)
the thing about hira is. she grew up in an orphanage in the western earth kingdom. she was left there as a baby with nothing but her name. she doesn’t know who her parents were, where she’s from, and when her efforts to figure this out prove fruitless, it hurts. she longs for family, for knowledge and identity and culture, only spurred on by the feeling of alienation from (and perhaps jealousy towards) her peers.
(and maybe she conflates those different types of longing, maybe she thinks if she discovers what nation her parents were from she’ll find a new family there.)
so when she finds out she can airbend, she’s overjoyed. she throws herself into learning everything she can about the bending and the culture. she makes plans to go to the temples when she gets off the ship. when she gets there, she’ll finally have a family. she’ll finally be at home.
and that is one of the reasons she struggles so much when she realises she actually likes it on the ship. she likes being with these people, these pirates who have actually begun to feel like some sort family to her. the ship feels like home. and that’s why, eventually, she stays.
(and also, she’s scared. she’s scared they won’t accept her at the temples, that she isn’t air nomad enough. that she doesn’t know enough. she’ll go, just later. not yet.)
she stays, and keeps learning. she learns to meditate, to write air nomad script and speak air nomad languages, to cook air nomad recipes, all under the tutelage of sita (though for the last one, chusak helps too). she’s almost a bending prodigy.
and then she discovers she’s the avatar. and she refuses to believe it.
because being the avatar would mean being not really an air nomad. it would mean a duty to the world, and with that, an inability to fully comply with air nomad philosophy. the avatar can’t stay detached from worldly matters or choose not to harm.
so she denies it.
eventually, with the help of her friends (her family) she learns to separate the concepts of family and culture and identity and bending. she learns her worth doesn’t depend on those things, that she can be multiple things at once, that she doesn’t have to choose. she can do her duty as the avatar and still be an air nomad.
can bend any of the elements and speak both the languages of the eastern air temple and a small village in the west of the earth kingdom and prefer her tea the way it’s served in tea houses decked out in green but prefer her bread the way it’s eaten by nuns and have it be okay. she doesn’t have to choose or change or be perfect to be loved. her family is a motley pirate crew made up of people who find their origins in all four corners of the globe, and they celebrate all their wonderful differences.
so indeed, I think more than anything, wind in the sails is a story about identity & culture & personal growth.
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