cw: mentions of scarring, canon-typical violence, flashback (not graphic), minor body horror (again, not graphic, mostly just emotional feelings about scars)
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Everyone gave him weird looks when they walked in, quickly schooling their features when they noticed he was awake and watching them.
He didn’t know exactly what that was about.
They had him on a lot of good drugs.
But eventually he got weaned off them, and he noticed the pull of bandages on his side, and his arm, and his neck, and his face.
He was still unable to get out of bed. Still couldn’t even reach his arms above his chest for more than a few seconds.
But he damn sure reached up to feel the cloth and plastic surrounding his cheek. How had he not noticed for days? How had no one bothered him about it?
Maybe they had and he just didn’t notice. The morphine was one hell of a drug.
Wayne was soft, patient with him. Saw him touching it, saw the way his eyes filled with tears. He’d never been particularly vain, hadn’t cared much about what he looked like to others, but this felt bigger than that. This felt like he was changed in a way that everyone could see.
Add it to the list of things people could bully him for.
He cried himself to sleep, Wayne’s hand in his, silently comforting in the way he’d always done.
When he woke up again the next morning, he was alone.
It was the first time he’d been alone since the boathouse.
He could swear he heard bats outside his door, screams coming from the attached bathroom, flashes of someone dying on the ceiling.
He felt the sharp sting of teeth puncturing his skin.
He felt hopelessness creep into his bones as he gave in.
Maybe this time they would finish the job.
“Eddie!”
Steve Harrington’s voice broke through the thoughts, panicked enough to bring Eddie back to his hospital bed within a second of hearing it.
“Shit, are you okay?” He continued, hand brushing against Eddie’s bandaged cheek.
Eddie nodded once, closed his eyes, leaned into the touch.
He could blame it on any number of things if Steve felt weird about it. The morphine, the flashback, the loneliness.
“You’re okay, Eddie. I promise. Won’t let anything happen to you,” Steve whispered.
Eddie believed him.
He fell back asleep with Steve’s hand gently cupping the mangled side of his face.
If Steve could still touch him there, then maybe it wouldn’t be so bad.
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Steve came by every day, sometimes in the early morning, before visiting hours officially started, sometimes well after Wayne had left to get some sleep. He always smiled when he walked in, a genuine one, not the one everyone else gave that was so fully of pity and pain he couldn’t bear to make eye contact. He sat down on the side of the bed, not the chair like everyone else, not scared to be close.
And every single day, without fail, he would run his finger along the edge of Eddie’s bandage on his face, watching his own movements and cataloging any changes.
Eddie sat quietly, still, scared to put words to anything happening. Scared to tell Steve what it meant to him to have someone acknowledge his pain in this way. Scared to think Steve could mean anything by it.
It was easy to pretend Steve was doing this because he cared.
Maybe he did care.
But he didn’t care the way Eddie wanted him to, needed him to.
So he stayed quiet, still.
He watched.
He fell asleep while Steve talked about his day, the kids, what Joyce made Hopper do around the house.
He woke up alone most days, but that was okay, because Steve would be there eventually.
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“You ready to get that thing off?” Wayne asked, gesturing to the bandage.
“Oh. Today?” Eddie suddenly didn’t want to ever be without the bandage. Removing it meant he’d see what was under it.
It meant seeing how much that place had ruined him.
The pull of the stitches hadn’t been as obvious with the pull of the bandage masking it.
But now it’s all he felt.
The nurse smiled at him as she put some antibiotic cream over the area, saying he would probably still have to keep it extra clean for the next week or so while the stitches did their job.
Wayne smiled at him in the way that meant he didn’t really want to smile at all, but knew Eddie needed him to.
Steve didn’t come.
Eddie didn’t sleep.
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He woke up with panic in his chest and a silent scream in his throat.
He woke up with Steve’s hand on his face.
Gentle, soft, but a strong comfort.
“Promise I washed them first. They said we have to be careful about germs,” Steve said quietly.
“You don’t have to. I know it’s…it’s gross. It’s ugly. I’m ugly.”
Steve shook his head. “No. Not gross. Not ugly. Alive.”
“Steve-“
“You’re alive, Eddie. You could have your entire face held together by staples and you would still be a miracle. You’d still be the most beautiful thing I’ve ever seen.”
Well, Steve’s charm wasn’t an exaggeration, was it?
He wasn’t even sure if the skin barely pulled together could blush anymore, or if the heat that should be on his cheek was burning on the outside the way it felt like it was on the inside.
“It’s gonna be awful when it heals. I saw it in the mirror.” Eddie could feel every stitch in his jaw, the few that spread across the corner of his mouth and bottom lip, the ones that were nearly up to his ear. “I’ll always have a crooked face. The scar will always be huge. It’s all anyone will see.”
“Then they aren’t looking.”
Eddie bit his lip, eyes searching Steve’s. “But you are.”
“No. I’m seeing. There’s a difference. I see you. I see what you’ve survived. I see the mark it left on you. I know it wasn’t just the scars that cover your skin.” Steve leaned his head down, touching Eddie’s forehead with his own. “We all have them. And we’re all still here. Your heart’s beating. That’s all that matters to me.”
“Who knew you were so good with words?” Eddie smiled sadly.
“Robin says I’m just good at not having a filter.”
“She’s right as always.” Eddie wrapped his fingers around Steve’s wrist, turning as slowly as he could to kiss his palm. “You’re not scared of it.”
“No. Are you?”
“I’m scared that you’ll change your mind when it’s always there as a reminder of what happened.”
Steve kissed his nose, making him smile for the first time in what felt like years.
“I’ll have the reminder that I got you out of there. That no matter what, the bats couldn’t finish the job. That you were stronger and you made it.” Steve let his hand drop, but quickly laced his fingers with Eddie’s. “I know it’s a lot to ask of you to trust me, but will you? For today?”
“Just today?”
“I’ll ask again tomorrow.”
“And what? Every day after that?”
Steve smirked.
His eyes were glistening with tears, but Eddie could tell it wasn’t sadness or fear.
“If that’s what I have to do.”
They hadn’t even talked about feelings, not really. Nothing that made any sense to Eddie, nothing that they could define. A part of Eddie was still convinced he was in a coma and dreaming this entire conversation up.
But even the nurse had noticed the way Steve watched him, how he touched him, how he fought for him. She said he’d been a firecracker from the moment he carried him into the hospital, dripping blood on the tile, staining the halls with his demands for help.
Wayne said he barely left his side the first day, only doing so when the doctors had told him they would call the cops if he didn’t.
Erica even noticed how things had changed between them, stating that she refused to watch her babysitter and the only DM she had respect for make out.
But Steve held Eddie, made him feel like he could get out of the hospital bed and live a life that wouldn’t keep him running. Steve was there.
Steve might even love him. If not now, then some day.
And Eddie could trust him today.
He could probably trust him tomorrow.
“Kiss me?” Eddie probably shouldn’t. The stitches tugged when he talked, and another mouth anywhere near his wounds was just asking for an infection.
But Steve would be careful. He knew what Eddie could handle.
It was barely a kiss. A graze of the lips at most.
But it was the best kiss Eddie had ever had.
At least until tomorrow.
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okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.
first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers
i did not pay that much gd bless. the student ticket was way cheaper.
the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky
they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)
and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)
all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably
the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.
and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)
2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night
and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated
though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream
i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.
anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)
i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.
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Hey lovely! I love your work so much honestly you’re absolutely amazing! I was just wondering if you’d ever write anything for sbf!bucky again? I re read your work about him all the time and I’m a little bit of a whore for him 😅 no pressure whatsoever, it’s just that sweet baby has my heart 🥺
Sbf!Bucky has been really heavily requested recently and now I feel like I've been neglecting him 😩 I really enjoy writing him and it lets me dabble in my dream of being a milf some day
But I feel like he has a real sweet tooth. He's a dessert guy, 110%. Not like your husband or your son.
From the very first Sunday that your son brought Bucky over for dinner, he's been so into your desserts because a good dessert is something he's really missed during his last couple of years at college. It doesn't even really matter what you make, every week he tells you it's even better than whatever you made the Sunday before.
The store bought, dry cakes he sometimes treats himself to don't even come close to the fluffy sponges you make for him. He tells you your lemon meringue is better than the one his aunt used to make and your pies are probably a cure for sadness. He exaggerates but at least he sounds sincere.
And it's nice. It's nice that he appreciates your effort. It's nice that your desserts actually get eaten and enjoyed. It's nice that you're not sitting at the dinner table alone after lunch. Company is nice. Compliments are nice.
"I know it's late but I don't want you to think I'd forgotten." You made yourself busy in the kitchen, talking a little louder so Bucky could still hear you in the dining room. He usually helped you plate up dessert but not today.
"What are you talking about?" Bless him, he sounded so confused. "I can give you a hand if you like?"
"No, it's okay. Close your eyes." You thought your instruction was clear enough but Bucky still protested.
"Just close your eyes, Buck." You could've sworn you felt him raise his eyebrows but he did as he was told anyway.
You set the plate in front of him and laid a little dessert fork above his placemat. "I know your birthday was last Tuesday but I thought we could still celebrate it today. You're only 24 once." Bucky opened his eyes to the most mouth watering slice of chocolate cake he swore he'd ever seen in his life.
Two thick layers of moist chocolate sponge with a rich chocolate icing in between. The cake must have been heated for a couple of minutes, making the icing warm enough to make the layers slide slightly. Thick, warm chocolate sauce rolled down the sides, taking with it a light dusting of powdered sugar, almost washing away the single lit birthday candle. The plate was decorated with a perfect scoop of cool vanilla ice cream and some fresh strawberries, left overnight in a teaspoonful of sugar to draw out their juice.
"You didn't need to make a whole cake just for me!" His genuine excitement was heartwarming, quickly blowing out his candle before wax melted onto his dessert.
"Sweetheart, I make a whole cake just for you every week. Happy birthday." You lifted the little dessert fork, slicing through the sponge with it, making sure to add a little ice cream and a slice of strawberry before raising it to his lips.
You could swear he actually moans when the cake passes his lips. He makes the same noise at dessert every Sunday and you swear you never get tired of hearing it. It's so close to the noise he makes when he first sinks inside you and God, that sound is beautiful.
Your foot grazes his leg, gently but deliberately and there's a battle going on behind those eyes when he takes the fork from his own mouth. On one hand, your husband is in the next room, sitting beside your son, Bucky's best friend. On the other hand, Bucky needs you to know how much he appreciates this. Appreciates you. And if he's honest with himself, your husband and son being so close has never stopped him before.
"Fuck, you've ruined me." He groans, pressing his lips to yours in a hurry. Somehow you manage to stifle your surprise, catching up when he presses you back onto the dining room table.
"You and those fucking desserts. It's not fair. You get me half hard during dinner and then you feed me the best chocolate cake I've ever had? Do you know how unfair that is?" His hands are all over you, pulling your skirt up in between frantic kisses.
The chocolate cake is all but forgotten, the ice-cream left to melt while Bucky kisses your neck before he tugs your panties off, tucking them into the back pocket of his jeans.
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