#just fucking make it END ALREADY HOLY FUCK

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[sufferu]

Thinking about the Anastasia Camp in Arc 3 because holy shit, practically that entire camp was legitimately going out of its way to try and yank Subaru back to his senses and he has NO IDEA.

Julius is obvious, everyone knows at this point that his entire duel was him trying his best to prevent Subaru from getting dragged out and slaughtered in the street. But like, Anastasia did not have to go THAT FAR out of her way to try and teach Subaru a lesson. Girl literally set up the most obviously identifiable trap in the world with all of the tells perfectly aligning with the flaws she believed she saw in his character, told him to his face where he screwed up and what he needed to work on in order to not screw up next time, and then made a show of walking out as a group with all of her mercenaries just to point out the very obvious signs that the flaws she had just pointed out had prevented him from noticing. And also — someone else pointed it out, but it’s arguably implied that she only decided to do that after hearing that Subaru had picked a fight with Crusch Karsten like THREE DAYS after Julius had apparently completely failed to teach him that very necessary lesson about MINDING YOUR TONGUE. Which is just — she heard about that and went “Od Laguna that boy is legitimately going to get himself murdered ten times over if I don’t do anything to stop him isn’t he” didn’t she?

But it’s not just them because Ricardo was ALSO fucking in on it. We don’t see him until the final loop, but when we do he seeks Subaru out almost immediately and starts subtly gauging him out, seeing how he reacts to him mentioning Julius and the Royal Selection Ceremony and the White Whale and everything, clearly weighing his conclusions about Subaru’s reactions to all of that to the story he obviously heard from either Julius or Anastasia after the Incident at the ceremony. He even starts giving Subaru bits of advice because it becomes clear that Subaru is SO fucking stupid. Like, Subaru asks him what is. Probably a really racist question about whether he feels weird about riding a Liger — being a demihuman and all — and Ricardo makes a show of being very casual as he answers it by saying that “ah, well, this is an animal and I’m not, so there’s that” before moving on to basically say “word of advice: never ask anyone that again” and he does it nonchalantly enough to not make a big deal about it while also getting across that what Subaru just said could very easily be taken as an insult worth fighting over. And then he goes out of his way to save Subaru from the Whale at one point, getting his mount sliced in half and himself very seriously injured in the process.

And then to top it all off, the minute Julius sees Subaru again he gives him such an obvious test that Mimi almost ruins it by calling him out on it, in a way that very much mirrors the test Anastasia gave him in that failed loop, goading Subaru into a negotiation about Why the Anastasia Camp should continue to help them fight the Witch Cult without telling him that they were already planning on doing exactly that anyway. He even ends by nodding and saying that he’ll give Subaru’s efforts a “passing grade.”

Like, the Crusch Camp was helping Subaru a bit more explicitly — healing his gate and all — but that was very much a transactional exchange, with Crusch even explicitly stating that she will only ever help Subaru with his endeavors if there is something in it for her and her Camp. Meanwhile, for someone known as the Merchant Princess, Anastasia and her companions were being way more altruistic in their attempts to actually do Subaru some good. Aside from Rem, the Anastasia Camp may genuinely have been Subaru’s closest ally within that entire Arc, from start to end.

(Fuck, even in the IF route connected with this Arc. It might say something that Halibel is the one who houses Subaru and Rem (and even helps Subaru land a job) in Sloth:IF, considering that he’s got very strong ties to Anastasia.)

[qprpbj]

oh thank god ppl aren’t crucifying me for saying i like it better that darry dropped out of school over just not going at all i feel so vindicated. i think it makes sm more sense for his character and—-

[red-dyed-sarumane]

i need people to start paying me for every time they tell me "oh but ur arts so good ur wasting ur talent u need to do it professionally" wrong i need to do art to draw beautiful characters that not a single other person cares about while feeding every ounce of love i have into my work or to convey thoughts & feelings beyond words and to even think of doing otherwise is to deny my own nature "oh but u can do what u want and then sell it" why is everything about money to you why cant u just enjoy things at what point in ur life did u forget how to have fun

[gibbearish]

btw similar to the whole "if you try adderall at a party and it calms you down, get an adhd test" thing, if at some point in your life you try microdosing shrooms with a friend and end up feeling like a functional person for the first time in your life, get tested for depression. like yeah hallucinogens come with elation so youre probably gonna have some "this is the best ive ever felt in my life" vibes regardless, but like. if that in and of itself feels like finally breathing in for the first time in years, thats for sure a sign that something is up with your ability to process serotonin most of the time. feeling better than ever before should be a nice bonus, not a crushing weight off your chest

[thetimelordbatgirl]

Me and my friend watching Chucky S2 so far really has us like this with the show's treatment of Nica:

[publicuniversalenemy]

it was gonna be a weird night regardless but hot damn. that was a Night for Sure

[orcelito]

i miss akechi goro so much. maybe even enough to finally finish that ladue chapter 3

[neverendingford]

.

[waterberry-strawmelon]

i don't know how to put this into words exactly, but The Bear feels so big to me. it reminds me of something i feel like ive forgotten. a dream i once had. idk. im trying to make this sound poetic or profound but what i really mean to say is please go watch The Bear.

[anaalnathrakhs]

“work meeting” this evening wish me luck i want to run away and die

[wintergrofyuri]

"(blank) hates laios!" WRONG WRONG WRONG. SHUT THE FUCK UP

shuro is just as awkward as laios and it is made So clear he considers him a friend and likes him. he defends him when the canaries start talking shit and actively readies himself to physically fight them so they dont get to him.

namari also likes laios. she respects him as a leader and also defends him and readies to fight the canaries.

ive not actually seen anyone claim izutsumi hates laios, but a lot of ppl Are weird abt them. izutsumi and laios' relationship was rocky at the beginning. he struggled to figure out how to interact with her. but by the end, she actively seeks him out to talk with during the lead up to the feast. she hides behind him when falin wakes up. she has already realized shecan do what she wants and does not need to stick around, yet she does. she sleeps near him on the windowsill, waiting with him and marcille for falin to wake up. she has accepted him as part of her life and wants to keep him in it.

marcille does not hate laios. let me say this again.

Marcille Donato Does Not Hate Laios Touden.

marcille Loves him. in a platonic, familial sense. laios returns this just as readily. she yells at him. she whacks him. she tells him whats on her mind. she uses healing magic to ease his pain during the parasite fiasco. she reattaches his leg when he loses it. she teaches him magic. she lays her head on his corpse and cries before reviving him. she launches herself at him two times, when the canaries interrogate them and when he talks her down in the tower. he is a comforting presence to her. she trusts him, she cares about him, she worries about him, she imagines him as a big fluffy dog that loves and protects her. laios is her rock when falin is taken from them time and time again. and she tries to be his as well. she whole-heartedly, unconditionally, loves and trusts laios.

chilchuck does not hate laios. laios pays him his rates, no questions asked. laios trusts and respects chilchuck's job as a lockpick. laios does not see him as a child (at least, i cant think of an instance where he does so). chilchuck states, outright, he sees him as a friend and doesnt want to see him hurt. he actively worries about him as the falin situation gets worse. chilchuck respects laios. he shows almost 0 hesitation in helping get falin back, nor eating her by the end. he does not think of leaving him once, until he realizes he could lose him. chilchuck is cowardly with emotions and prefers to bottle things, so his first instinct was to bolt. he was angry because he was scared of watching someone he cares about destroy himself. laios is his Friend.

and holy shit. holy Fucking shit. kabru DOES NOT hate laios. kabru has the rockiest start known to man with him, and he Still helps him by occupying the canaries. he warns him about them. he hides the black magic from them just as shuro does. his whole Thing is trusting laios despite himself. kabru has his own baggage regarding other people, just like laios, yet he tries so hard to believe and trust this man. he Wants to. kabru is not very hopeful, but laios makes him Want to be. he states like 3 times he wants to be close to him and sees him as a friend. he stays through the entire feast!! the man who hates monsters, whose biggest trigger is monsters, actively, consciously, Willingly stayed through the entire monster meat feast. all to help his friend get his sister back. he could've left!! the feast was like an entire week!! yet he was there for every single day. he was one of the closest people to the door when falin awoke!! after reuniting with her brother, her friends, the people who knew her the most (plus senshi and izutsumi), the first person she greets is kabru!! he wants to be close to laios, he likes laios, laios is his friend and he cares for him, he wants to meet his sister!!! kabru fucking stays on the island with him as one of his closest, most trusted advisors when he becomes king!!!!! he wants to help him succeed!!!! he wants him to be happy!!!! laios is his friend!!!!!!!!

im just. people like laios!! laios is a nice guy! he is friendly and cares about people! he is weird, he doesn't understand most social cues, he oversteps boundaries, but they stay beside him, because they like him and he is their friend. he is their friend!!!!! friendship is not all sunshine and rainbows, relationships in general are not sunshine and rainbows. you will upset people, people will upset you, you will get into arguments, things will happen, but at the end of the day, the people close to you like you! they love you! they care for you! they want to work it out and get through it because they love you, but they will feel those emotions first! human relationships are complex and messy and life is complicated. even shows for toddlers know this.

if you truly believe any of these characters hate laios you are worse than a toddler. watch some fucking oobi or something. god. fuck.

take this

thanks

[shidoukanae]

I also have so many thoughts on Paris/Helene in the light novel based on this newest chapter ngl

on one hand im nervously laughing because holy shit Paris is NOT okay

but also on the other hand im giddy as fuck because the light novel is redeeming itself with this one chapter alone and now all my fears of this ship being handled badly got thrown out the window HELL YEAH

[arolesbianism]

Hi guys guess who's literally shaking rn from excitement

[yuquinzel]

atsumu who goes above and beyond to impress you, his crush and classmate of four years, in all definitions of “impress.”

honestly how the fuck isn't it obvious to you by now, he might as well be walking around with “i like y/n” tattooed on his forehead.

you mention you like guys that can cook once and holy fuck atsumu who still doesn't know how to use the microwave without quite literally burning the food, who's never chopped onions before without ending up with enough cuts to bandage his whole hand— that atsumu practices for weeks and stays up till 2 am to prepare for the lunch he'll make for himself, because osamu said said no and then because you bring homemade lunch to stay and eat in class with your friends— he'll casually just plop down on the seat next to you, his friends will then very obviously willingly talk loudly about his lunch and he'll just throw in a, “yeah, made it maself, 'm a solid chef, who do ya think taught 'samu?”

okay if that didn't get your attention, no worries, what are his friends there for?

if atsumu gets lucky in a day and catches you chatting away with your friends in the hallway, then he instructs his friends to walk past you, hover in the corner, just within your earshot— “'kay, so when we pass her by, ya gotta speak ma name real loud, loud enough so she can hear it, but don't annoy her”

and so for the time you stand there, trying to hold a conversation with your friends, all your mind can really focus on is the, “atsumu was so fucking good in practice today, if we're gonna win, then it'll be all him”

and then you hear the subject of the conversation speak, “nah, we're a team, every time we win, it's all thanks ta you guys,” because you also mentioned you like modest, humble guys.

god forbid the days you're absent in class.

atsumu who's sulking all day, doesn't know what the fuck is going on in classes, he's half in and half not in every conversation, even his passes are sloppy and weak. to the point osamu and suna are concerned, well, in their own ways, “are ya constipated or something, yer missin’ your spikes and yer passes as clumsy,” osamu says off-handedly.

“i heard y/n didn't come today, i think her friends said she's sick.” suna chips in, and atsumu shrinks in his spot like a grumpy cat.

“i already know that, wouldn't have come today if i knew she wasn't comin’.”

“you'd miss practice then.”

“don't care, don't talk to me, don't wanna do anything, what's the point.”

“down fucking bad,” suna muses, and atsumu glares at him.

atsumu's day is ruined and his disappointment is immeasurable. why did you get sick? how could you get sick? now he's worried and half of himself and his passes are shit and god, he wants to see you. he feels like he could die.

then when you finally show up the next day after what felt like eternity to atsumu, you find on your desk a pile of snacks with a little note— banana milk, everyone knows it's your favourite, the bar of chocolate they only sell down the convenience store near the school, the glazed donuts that you're always eating in class, and a lot of bubblegums that only one person in class knows you like— atsumu's handwriting is rushed and barely comprehensive but you know it by heart because he doesn't know you saw him slip the note you found in your locker this morning, and countless other mornings—

“i hope you smile because of this”

atsumu as a secret admirer is... not so secret because he's still unaware that you see him every morning, and let him giggle to himself as he slips the notes and the strips of bubblegums in your locker— you don't even like that flavor.

but he gave them, so you think they might just be your favourite.

then again, maybe atsumu doesn't want to be a secret admirer.

atsumu has a crush on you and you know that— he's very obvious. but he's also very dense and doesn't realise that everyone besides him can see you like him too. he doesn't know the only reason you bring homemade lunch is because he had started to eat lunch in class with his friends. you stand in the hallways with your friends pretending to talk so that when atsumu's walking past you, his friends will practically yell his name and you'll see him blushing shyly. he still doesn't know you come to his every match, cheering for him and scream with joy at every one of his scores.

atsumu makes it obvious he has a crush on you but is stupidly dense that you reciprocate all the same :'))))

© yuquinzel 2024 [ plagiarism is a violation of moral rights ! ]

POSTING BECAUSE WHY TF NOT HUH HUHHHHHHHHH

@kyoghurts hi bbg

[kcrabb88]

It's truly wild to me how many people out there don't understand that the Star Wars prequels are a tragedy or how tragedies work.

Posts like "these are the Jedi failed movies" truly just make me shake my head. They're actually the "fascism wears a smile until it strikes you down and then it's too late" movies. They're the "the senate became corrupt and clapped in the face of genocide" movies. They're the "make people scared enough of war until they accept authoritarianism" movies. They're the "fear and possessiveness will tear you up on the inside" movies. The Jedi were the heroes of lore, people loved and looked up to them, looked to them for safety, and then too much got put on their shoulders on purpose by Palpatine, and also by a senate that didn't want to act (not you Padme and Bail and Mon, you're perfect). They were drafted and used and scapegoated, which is, you know, a tenet of the vast majority of authoritarian governments (Hitler and Stalin, for instance, might be on different ends of the political spectrum, but they sure both did scapegoat specific groups and commit mass murder, just differently).

When some people say "these movies are about the fall of the Jedi" what they mean is "the Jedi failed" but that's not what "the fall of the Jedi means." It means they were wiped the fuck OUT. Like, Jesus, in Rogue One Tarkin is talking about burning out the final MEMORY of the Jedi by blowing up the holy city in Jedha. Palpatine had to get rid of the Jedi because to get rid of the Jedi was to get rid of the final people standing in his way after he had already worn them out. His intention was not only to kill them, but to alter the galaxy's entire perception of them. To rip away hope. People are always looking for the Jedi to be Bad or nitpick their mistakes (because while other people are allowed to make mistakes, the Jedi never are). Palpatine made himself look like a benevolent grandpa who would keep everyone safe. And that, more than anything, is what gave him SO much power. He stole the narrative.

It's just like. Of course WE know what was going to happen! We know from watching the OT that the PT can only end in tragedy. But the characters don't know that! They don't have all the info! That's how a tragic story structure works. We see it coming and they can't.

Anyway. The Jedi are laser-sword wielding monks with psychic powers who just wanted to do what they could to help. The world would be better if more folks remembered that.