#just having them suffer through this

[beepbeepbithc]

putting our ocs through a Scene together,, and it is so much fun. i am thinking abt it so much and i love it. it’s so good, they deserve it

[tiredwriter2003]

Halloween Dancers

I had an idea, I'll probably write it properly later but for now I'm getting it out of my head. I was reading a post a out Dash being a talkshow host and leading to them outing Amity and this came to mind.

A cousin of a citizen of Amity heard all about all the crazy stuff going down, they keep them updated in their weekly phone calls, but thought they were making it up. Eventually divolves into an argument and they decide to look to prove them wrong. And find the internet oddly sanitised, which makes them look deeper. Eventually they get others involved wondering tf is going on over in Illinois. They manage to break through but mess up, instead boosting the signal so much that the halloween livestreams take over a large chunk of American media. T.v. s, computers, phones, etc all playing the phantom streams, where someone sees phantom just chilling and starts streaming. this time it's Samhain and the place is eerie. Blue tinged fog covers the place, it's dark out, no living person in sight and the camera pointed to the sky. In the sky you see glowing figures dancing to music coming from nowhere. An ageless youth in regal clothes spinning his partner, white hair drifing like he's underwater, his partner dressed like the pharohs of old spinning alongside him. A woman dressed in victorian ballgowns joining their dance. Other etheral beings coming out of the woodwork, spinning in the sky alongside their king. The dead dancing in the starlit sky as the veil becomes thin enough they can all come through with no major issues. And this haunting scene taking over every screen within the signals range. As the hours go by the sun begins to rise and the fog fades. they bow and begin to fade back into the realms, leaving the original three waltzing in the sunrise as the stars fade before leaving themselves and the stream cuts off.

Turns out their cousin wasn't lying, wierd stuff is going on in Amity, and no one, including the JL, knew about it. Someones head was going to rule for the lack of info. This stunk of a coverup.

[gunstellations]

a little family

[aerithisms]

the little scene we got of team rwby talking about ruby's outburst was very telling with everyone's reaction.

blake didn't say much but she was sympathetic, and it makes sense - she's no stranger to depression or to lashing out and running from the people you care about. and she was still playing the leadership role in ruby's absence, mediating yang's frustration and keeping everyone together.

i think it's fascinating that yang was the angriest over it. yang loves ruby more than anything, but i think there is truth to the idea that the nature of her relationship with ruby as her big sister and protector made it harder for her to understand this side of ruby, because to yang ruby has always been her happy, brave little sister who she protected from the horrors of the world. and now she must be hating herself for that blindness (though of course it's not her fault).

and weiss seemed to understand ruby best. she got that ruby felt isolated, and put on a pedestal, and that she didn't think she could talk to them. and i think she gets it because as ruby's partner she feels responsibility over it. since volume 1, weiss has only ever wanted to be a good teammate and a good partner to ruby, and now she must feel like she failed.

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

[itspileofgoodthings]

always thinking about when I was talking to a friend about IX about Ben’s death and she said “there was a whole lifetime in his smile” and I just. think about that forever.

[frosteaart]

per aspera ad astra: through hardships to the stars

yeah i'm having feelings about @cupcakeslushie feral!leo au again

[click image for higher quality]

[jklpopcorn]

crying and sobbing i was supposed to draw doodles of my ocs but instead all there is is Siffrin

they're so shaped i have to draw them

also

100% :)

[vaugarde]

im abt to rb a post on this anyways but tbh i dont know how you can finish isat and go “siffrin wasnt punished enough”.

the fella has killed themselves several times, what more do you want from him?

[tarutaruga]

that scene from panty & stocking but madatobi

[throwawayasoiafaccount]

i still cannot believe that people consider having lovers outside of a political marriage as cheating

a lot can be discussed about how raging misogyny and the patriarchy in westeros has led to unequal standards for women to uphold and suffer from

as highborn women are not allowed the same sexual freedom that highborn men get to experience, and even if these women do have relationships outside of their marriages, they are usually scorned and shunned by society for daring to practice sexual autonomy

it’s unfair, i am very aware of this fact

(that’s why i’ll never understand team green stans)

but george has never ever condemned his characters for finding and experiencing love outside of doing their duty.

never.

we’re not unfeeling machines that lack emotions. we’re humans who are, more often than not, led by our hearts. and grrm does a phenomenal job when creating characters, as they truly feel human.

so yeah, it’s a bit disappointing that people dumb down what is clearly a very complex situation to “cheating” (btw george himself calls rhaegar and elias relationship complex and he’s never implied that they loved each other in a romantic sense).

to reiterate, i am well aware that highborn women and men are held to different standards, however, if you have a problem with characters working through, around, and sometimes failing to overcome the social structures that cause their suffering, then you must have a major issue with george’s exploration of the human heart in conflict with itself.

george’s characters aren’t robots and that’s what makes them interesting. they do things for very human reasons. they’re biased. they’re traumatized. they’re conflicted. but they’re still reaching for a better tomorrow and they’re still trying to find happiness.

so i’ll never consider rhaegar and lyannas relationship as cheating, or something unsightly that should be scorned. for they simply dared to find and grasp love in a society that would rather shackle them to unhappy marriages, which is very commendable.

oh… and do you know what george does criticize?

political marriages lol

he makes it clear that selling women off as broodmares and forcing men into marriages they don’t want is a recipe for disaster.

of course the eventual fallouts of these relationships is super interesting to read about, but you should never ever support the systems in place and the societies that benefit from pushing people/characters into these incredibly unhealthy relationships

so while i find it interesting to read about characters navigating these relationships, i’ll always be the first person to condemn these societies for forcing this fate onto them. i’ll also always be the first person to root for characters who do their best to find happiness outside of their political/arranged marriage

sorry that i don’t condemn a character for finding love outside of a loveless marriage

instead of getting angry at rhaegar and lyanna and being very nonsensical in the main tags about it, how about you turn that anger onto the patriarchy, which is rooted in every single institution and family in westeros, the patriarchy that refuses to allow women to have the same amount of sexual autonomy as men?

(this is why i despise team green :))

[etoilesombre]

[nobodymitskigabriel]

I love the idea that Gabriel is one of the few beings in existence capable of understanding the scale of Sam's torture in the Cage. Sam's trauma might make him "out of reach" to ordinary people in some respects, but it also gives him an otherworldliness that puts him on more even footing with supernatural beings like Gabriel.

[weaponizedmoth]

If requests are still open it would be awesome to see you doodle Christine or Roul, your style is gorgeous!

Thank you! Here you go:

[min0uet]

death mark 2 would be a substantially better game if it understood that i absolutely fundamentally do not give a shit about those two student council girls trying to get inappropriately close to yashiki at every turn

edit: finished the game

[actual-changeling]

ohhh yanno...I think sometimes why I get so uncomfortable with meta and theories with GO (specifically in defense of Aziraphale) is that it really starts to resemble pro Christianity rhetoric...and I totally believe that everyone should feel free to believe/not believe in any sort of religion they choose...but it starts to get real uncomfy real fast when I'm reminded of my own christian family and their condemnations of me and the experiences I went through growing up christian and then realizing I didn't believe in any of it...

and for some people maybe that IS why they so staunchly defend Aziraphale, but for me, it's why his actions made me so mad, and why the firm "aziraphale defenders no matter what" lowkey skeeve me out...like that post you said about knowing Aziraphale in real life...yeahhhh no I'd never be friends with him, and maybe that does make me too biased for Crowley, bc I'm imagining myself in his position, bc I HAVE BEEN in that position, but idk I just can't find it in me to defend angel characters or super pro christian type thinking ones when too much of irl has been negatively affected by those types of people. and yeah fiction is not reality but when the premise of GO is a satirical look on religion idk it's just iffy to be so pro angel/heaven imo (obviously this isn't about those who view it with nuance hahaha)

I know what you mean anon, I definitely feel the same.

Seeing people fall into angel good/demon bad without even noticing is... painful, to say the least. Defending all of Aziraphale's actions because he had "good intentions" or "still has faith" or "was traumatized by heaven" is harmful and unhealthy to say the least, and it 100% looks like pro-Christianity rhetoric at times.

We're supposed to look at Aziraphale and see somehow who yes, has good intentions, but has refused to deal with his trauma and problems and ends up making incredibly bad choices as a result. He is supposed to change, so defending his actions is counter-intuitive to the message Neil and Terry want us to receive.

Aziraphale is that kid who tells you sure, it's fine to no believe in God, but you will go to hell and suffer forever, who tells you everyone just needs to "try harder" and that "poor people have mor opportunities" (I still cannot process that he canonically says and believes that), who tells you that you can be gay, but don't be it in front of the children or any people.

Aziraphale is the guy who refuses to deal with his internalized homophobia and asks his queer friends to go back into the closet because he cannot deal with seeing queer people be happy while he is stuck in self-induced misery.

There are reasons why so many people are uncomfortable with his behaviour and ideologies—and you are supposed to be.