#I struggled with this one because I wanted to do a drawing from reference

[floofanflurr]

Meet Ink Frisk and Chara, an UTMV redraw

(Ink Sans belongs to Comyet)

My friends helped me figure out a whole bunch of character mashups for me to draw! I’ll be doing the rest of UTs main cast as different UTMV characters.

(Bonus image and more ramble under the cut:)

@humankk and @bee-the-aroace-dragon said that Ink Sans would take Ink Frisk and Chara under his wing (and would keep them away from the more 18+ AUs) so have a sketch of that. Because I love the thought of Ink Sans mentoring little Color Drop.

Now for ramble! This was supposed to just be a reimagining of Ink Sans’s role in the Multiverse, though I’ll admit that I’ve named them and have a few head canons… so for anyone curious, here we go!

Color Drop:

- They prefer going by Frisk and Chara, and will answer to “Ink” if someone calls them that, but if there’s multiple Frisk or Chara around, they go by Color Drop.

- If you have need to refer to only one of them, (Why would you, though? We’re pretty much the same.) Chara answers to “Color,” and Frisk answers to “Drop.”

- Similarly to Ink Sans, they come from an abandoned AU, where Frisk was the main character, and Chara was attached to them as a ghostly narrator. Frisk was the only completed being with a soul in that world, though Chara was also fully aware.

-Frisk, however, was not originally aware of Chara’s presence as an aware being, as Chara was stuck only narrating things.

- By nature of Chara’s death, they do not have a soul of their own.

- When Frisk almost destroyed their soul in hurt and confusion and despair, Chara latched on and took it for safe keeping. It’s now stored in a recreation of their locket. This was when they both fell into the nothingness.

- Being stuck in the nothingness is where Frisk learns more about Chara and that they are aware.

- Neither of them know how to return Frisk’s soul.

- Frisk can still feel because of the proximity of their soul, but it’s more numb than they were used to. They need the paint to feel as strongly as they once did.

- Due to Chara’s lack of soul, they use the paints to help them feel things. Being closer to Frisk also helps them feel because of their mental link.

- Chara is tangible in the doodlesphere, void, and antivoid (when they want to be)

- When visiting AUs, Chara is intangible. They can also go back to just being in Frisk’s mind where no one else can see them if they want.

- Frisk is the one who makes most of the choices and actions, but they don’t talk a lot. Chara prefers to leave things to them, and mostly narrates and provides commentary.

- Chara and Frisk share a mental link where they can talk telepathically.

- Despite having different and distinct personalities, sometimes they struggle to figure out where “Frisk” ends and “Chara” begins.

- Frisk is selectively mute and uses ASL or a tablet to write out what they want to say. They speak aloud on occasion, but it’s rare.

- Frisk’s colored hair isn’t consistent. It’s constantly changing which strands are highlighted.

- Frisk’s favorite character in the AUs is Papyrus. It’s why they chose the red scarf.

- Chara’s favorite is all of the Frisks. (They also love Sans and his jokes and pranks, though they won’t admit to it, especially considering how many Sanses out there hate them)

- If you manage to separate them somehow… Things will not go well. For anyone.

[weaponizedmoth]

If requests are still open it would be awesome to see you doodle Christine or Roul, your style is gorgeous!

Thank you! Here you go:

[averlym]

miscellany (again),, tags in the last image by @pyrotechnicarus

[ff2-soda-pop]

do you ever just dedicate an entire canvas to practicing how to draw one single character and Nothing Else-

[xitsensunmoon]

They are having a tea party!

Artfight mass attack on @silvermizuki @venomous-qwille @chocolateseeds @ilsole @just-a-drawing-bean @nebuladreamz @garbagechocolate @darkxsoulzyx @smoljeanius

Close ups!

Did this attack kill me? Yes. I think I spent more than 5 days on this. Will I do more artfight attacks? Also yes :)

Process under the cut because why not?..

I used a reference photo of some random theater play. And I will be honest that reference literally started it all because it was perfect for multiple characters. You can see similar poses and lighting as well lol

It's funny you can't see Razzle here because I was trying hard to hide from Bean that I included him ahahaha

Me struggling with bg... And all the characters too hahha. Have no idea why I chose such complicated designs together (well, some of them are complicated yeah)

Lined and ready... My friends were like "you aren't going to colour it, right?" Right.

I finished rendering bg first, surprisingly it took me only two hours and one layer haha. I see some mistakes already but was too eager to finally be done with it. Not gonna show bg separately because I don't want it to be used anywhere but here <3 Then I layed out all the colours(the fact that some details died with final render always kills me from inside slightly<//3) and shaded the characters. Each character took me from 20-40 minutes, depending on how complicated their design and lighting were. I was really determined to make every character look good in their own environment, like on close ups, but also to make the whole thing work as whole too.

Funny how ugly it looks without final effects too lmao. The final pic you have already saw. Thanks for attention<3

[sweetiecutie]

AHHHH I NEED MORE KEEGAN IN MY LIFE PLEASE could you write some Keegan h/c?

Pairing: Keegan P Russ x fem! Reader

Warnings: just general stuff, language, bad driving, NSFW under the cut, mdni, spit kink

A/n: it’s not a lot, but it’s better than nothing😌 Keegan is such a bad bitch, he deserves more attention

• Starting off - I’m pretty sure that Keegan would want a civil partner; someone not related to military and actually as far as possible from all the war stuff. First of all, it’s to avoid having constant fear of losing you on the battlefield - it’s a highly dangerous job, sometimes coming out alive is not only a matter of skills, but also pure luck. Secondly, the amount of trauma and emotional damage Keegan carries is more than enough for two people - he needs someone grounded and, well, more stable, someone who will be able to give him a piece of blissful domestic life, faraway from all the constant war Keegan lives in.

• Always referring to you as his girl in conversations with other people or when introducing you to someone new. “That’s Y/n - my girl” “That’s for my girl, she likes pink” “My girl doesn’t like the smell of smoke so I’m trying to quit”. It’s also a way of showing everyone that you’re his - letting others know from the very beginning that you’re taken and no one better try anything with his precious girl, otherwise a few bones will be broken.

• Gives off annoying older brother vibes. He’ll always playfully nag you, and it’ll only become worse once you start dating. Placing stuff on the highest shelves just to watch you struggle to get it yourself, drawing some silly doodles on your notes, messing with your makeup that you spent nearly an hour organising neatly, punching your favourite plushie just to get a rise out of you. And of course, constant bickering! “Keegan, can you pass me that book?” - “Fuck no” *passes the book*. “Keegan, I want some sushi” - “Well shit, what am I supposed to do about that?” *already placing an order online on his phone*

• Another amazing driver here. Keegan has horrible road rage, hitting the car horn aggressively, yelling most intricate insults out the window at whoever that happened to piss him off. I also have a feeling the he drives really fast and reckless, teasing you whenever you ask him to go slower - so you better always buckle up. And yes, he definitely got in a few minor accidents - scratching or leaving indents on other car’s bumper.

NSFW here~*•.

• And while we’re speaking of driving - just imagine giving him a sloppy noisy head while being stuck in a long traffic. Keegan is seething with hot anger, rolling his eyes on other drivers, lack of nicotine adding to his distress. And here’s a sweet lovely you trying your best to make Keegan feel at least a tad bit better, soothing his booming annoyance with your silky tongue swirling around throbbing shaft, cheeks hollowing to provide stronger suction, allowing Keegan to set the pace. And it seemed to work wonders on him - his nape against the headrest of driver’s seat, pretty blue eyes half lidded, staring at the car ceiling, adam’s apple bobbing as he swallows hard, feeling your throat wrapped around his cock.

• Oh, how nasty he is. Biggest spit kink ever - ordering to open your mouth nice and wide just to spit a thick globe of saliva in it, then closing your jaw and making sure that you swallow it. Will gladly let you spit in his mouth as well; loooves messy wet kisses - either during make out session or after you gave him head, slurping up your spit mixed with his cum from your lips and chin. Very often uses his spit as lube, or telling you to spit in his palm before spreading it all over his needy leaking cock, plunging it deep inside your warmth.

• A horndog. You never have to ask him if he’s in a right mood because yes, he is. He is always in the mood to fuck. Now, he always lets you know that it’s totally fine if you say no - Keegan will never pressure or guilt trap you into any kind of intimacy, no means no. You can always cuddle up together or do something fun like cooking, dancing or simply dorking around. But if your sexdrive happens to match his - oh boy, I’m sorry for your neighbours. Let’s just say - there’s hardly any surface in your flat that you didn’t fuck on.

• It’s nothing new, but this mug is cocky. Like, I don’t think he has unimaginably big dick - not small for sure, but not huge as well; but the way he works with it - a chef’s kiss. Keegan just knows how to angle his hips to massage that one spot within you, how you like your clit to be played with, how he quickly discovers and memorises all the sweetest spots of your body. “Aw, cumming already? I barely touched you, does it feel this good?” - he’d purr, curling three of his long fingers inside of your needy cunny, thumb flicking swollen clit while hot mouth sucks on perked up nipples.

• Daddy kink? Daddy kink😏

Likes, reblogs and comments are highly appreciated! Feedback is very important, give writers some love<3

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[the-returnofartemis]

/ASTRO OBSERVATION 1/

i'm excited to share my first astro observation! i'm still new to all of this but i’ve picked up on some things that i feel compelled to share. however, i do want to emphasize that my thoughts may not apply to everyone.

okay, so i recently remembered that as an INFJ, we are considered to be the rarest personality type. this got me thinking and i realized that most INFJ’s are either water dominant (cancer/scorpio/pisces), possess fixed sign placements (leo/scorpio/aquarius/taurus) in prominent planets or have prominent water houses (4H,8H,12H) in their big six. coincidentally, i happen to know to other people who are also INFJ’s, and we all have prominent cancer, scorpio and aquarius placements. 

✧ j-hope from bts is a well-known INFJ. although the accuracy of his birth chart is uncertain because there is no actual birth time, it revealed intriguing aspects. i mean, hobi’s chart indicates prominent water placements (scorpio and pisces stellium), alongside his aquarius sun!

yes, it is interesting to observe how neptune in the first house has a unique ability to draw in copycats but those with this placement were once copycats as well lmao.

‘the copycat becoming the one being copied’ trope is quite funny to witness actually

this behavior may stem from their struggle with their personal identity and appearance, leading them to shape-shift into the aesthetic or persona of someone they admire in that moment (this tendency is very short-lived by the way lmao). rather than taking the time to define their authenticity and discover their true selves, they find it easier to adopt the persona of another individual. sometimes, they rely so heavy and get caught up on external influences, that they lose the plot SO fast. but as individuals with this placement mature and come into their own, they come to understand that it’s fine to draw inspiration from others but recognize the importance of embracing their unique qualities and traits. it is this self-acceptance that allows them to become pioneers and set remarkable trends. 

✧ ariana grande: y’all can never make me hate her, i am so sorry lmao but of course, there is no denying that she has faced many accusations of being a ‘mariah carey copycat’ but it is important to acknowledge that she has now cultivated her own distinct singing style that has garnered widespread acclaim and popularity. in all honesty, she has become the epitome of having copycats, even to this day lmao. the sheer number of women/fans/people in general imitating her, from her hair to her fashion sense to her mannerisms, is just WOW. like, the way how she has garnered immense adoration needs to be studied (i mean not really because her scoprio midheaven + neptune 1H undoubtedly contribute to her appeal but still!) 

✧ kim kardashian + kylie jenner: when it comes to these two, there's not much that needs to be said lmao like their influence and presence in media speak for themselves. they have managed to create a significant impact, and it’s hard to ignore but let’s remember their roots and who they took their influence from.

✧ megan fox: she’s taken on MGK’s entire aesthetic. she has embraced his style and persona, and it’s interesting to see how it has influenced her own image, considering the fact that she is THE megan fox. even now, the timeless looks that she gave us in the late 00's are still being imitated!

in reference to my previous point, on astrology twitter, jade mentioned an interesting perspective that i completely agree with and feel compelled to share with all of you: having 12H placements can lead to losing the plot SO fast, so it’s crucial to be mindful. although the 12H is widely regarded as the most intuitive, spiritual, and governing the subconscious, it also represents the potential for self-sabotage and lose one’s sense of self. the influence of neptune, the ruler of the 12H, can create a distorted illusion and a tendency to view circumstances through rose-colored glasses. so, 12H placements, it’s essential to always stay grounded, and more importantly, maintain a strong sense of self to avoid losing sight of the goals and aspirations!

✧ an example of this is a 12H sun becoming egotistical and subsequently losing sight of their goals and aspirations, ultimately hindering their progress in life. 

(get well soon by ariana grande just came on and i dedicate this beautiful song to all, but more importantly to those with 12H placements. remember that you are strong and capable of overcoming any challenges that comes your way – you can conquer anything. stay positive and always take care of yourself. you got this! — sincerely, a fellow 12H 🫂) 

scorpio/8H moons are often labeled as “mysterious” due to their tendency to keep their emotions hidden from others on a daily basis. in truth, they rarely feel comfortable expressing their feelings, even to those they trust, as they fear burdening others. this tendency may have developed during their childhood, where they may have not felt safe or at ease in sharing their emotions, leading them to learn how to control and suppress them. however, if you manage to break through the walls of a scorpio/8H moon and they confide in you, it is significant sign that they felt truly seen and understood by you. this can lead to a strong desire to be in company of that person, as their energy provides a sense of comfort and less isolated. so, if you have a scorpio/8H moon in your life, they value you and treasure the connection you share. 

the infamous 22nd degree, commonly referred to as the “to kill or be killed” degree, is often associated with rare and extreme circumstances. being a capricorn degree, it genuinely has a favorable influence, especially in terms of one’s professional life. but, individuals with this degree in their chart may encounter ongoing challenges and be vulnerable to gaslighting. overcoming these challenges serves as a constant reminder to nurture their self-awareness and resilience.  

✧ example a: according to her birth chart, beyonce is believed to have three planets (neptune, pluto and chiron) positioned in this degree. in her latest film, “renaissance: a film by beyonce,” she courageously shares all the moments that highlight the constant challenges from those around, particularly her production team, who questioned her credibility and knowledge – she expressed that she always had to prove herself and felt undervalued in terms of her opinions.

i also just want to say that bey became artist that she is today by perfecting and learning every aspect of her craft throughout her extensive career. she has taught herself everything there is to know about showmanship, and to discredit her knowledge, especially to her face, is just crazy to me. her success is a testament to her hard work, dedication, and talent and she deserves all the recognition she has received.

✧ example b: chlöe (chloexhalle) has the degree on her lilith. unfortunately, chloe has faced relentless scrutiny and gaslighting since she entered the public eye. the placement of the degree on her lillth has made her a target for heavy negative judgement and projection, particularly in regard to her expression of her sexuality and individuality.  

i mean it when i say that it is truly remarkable to witness her immense talent and undeniable beauty, along with her incredible kindness. i honestly feel like the public wants to keep her in a box, hindering her from fully blossoming into the person she aspires to be. she needs that space and freedom to embrace her own journey of self-discovery and personal growth.

✧ example c: jungkook from bts has the degree on his sidereal venus – the degree on his venus suggests he might face challenges related to low self-esteem and lack of confidence in his own attractiveness. also, this placement can also indicate that he may experience situations were power dynamics within his relationships come into play. while details about his personal relationships are scarce, as they rightfully should be, it is evident that he faces an alarming level of compromise to his safety due to the actions of obsessive fans and stalkers. the behavior exhibited towards him, like, being mobbed at airports or these fans intruding his personal space by sending food to his house and even going as far as issuing death threats. as a relatively new fan, i can sense that this issue is more serious for him compared to other members. these fans seem to lack an understanding of personal boundaries and persistently push the limits, even after he has politely requested their respect, which is truly disheartening. 

it's quite likely that jimin and namjoon (other members of bts), also have this degree, given the challenging circumstances they have encountered and continue to face. 

i also learned that this degree can also symbolize power and the ability to have immense influence over others. those who possess this degree in their natal chart often hold positions of power and occupy the highest echelons of the social structure (hence the name, ‘to kill or be killed’). this degree is found in numerous royals, politicians, and highly influential celebrities natal charts: justin bieber, donald trump, kendall + kylie jenner, kim kardashian, barack obama, the british royals and more. here is a post that delves deeper into the theory behind the placement!

gemini placements 🤝 wearing different hats (exploring various interests). they cannot for the life of them confine themselves to a single pursuit, as it tends to become monotonous for them. this may seem unpredictable to others, but, for gemini's, it is a way of truly embracing life and ensuring that they savor every aspect of it, just as they should! 🤭

also, the gemini venus slander in the astro community is so ????? like, yes, an undeveloped gemini venus may struggle with indecisiveness and inconsistency, but it is important to know that a well-developed one can be an incredible partner and asset in a relationship. developed gemini venus partners are known for their unwavering commitment to nurturing a strong bond in their relationships. they will consistently strive to contribute in every way possible to ensure a lasting connection, thanks to the influence of their sidereal taurus venus (may not always be the case though). they value stability and security, and above all, understand the importance of forming meaningful relationships, especially when they feel like they share a profound intellectual bond with their partner – like, they would not take it for granted because they know that not everyone has the capacity or desire to engage with them in that way lmao. they will be there for you until they are convinced, based on their rational thinking (which also depends on the influence of other placements), that they have thoroughly explored every option and exhausted all potential outcomes. even then, it may take them some time to reach that conclusion because they will need to make sense of it all, so, they will make a point to have conversations with their partner to ensure mutual understanding before moving forward. building a strong and fulfilling relationship requires dedication, and a devoted gemini venus will their offer support in all aspects – whether it be physically, emotionally, or notably, mentally. honestly, they will go the extra mile to ensure that they’ll do right by their partner!  so, i beg, please, love us! 😪 lmao – sincerely, a gemini venus  

 also, a gemini venus + strong water placements (house/sign, especially in cancer/scorpio) … oh baby, just sit down and make yourself comfortable because you not leaving until there is a deep understanding of both the emotional and intellectual aspects 😭

the 3H, 6H, 10H and 11H are known as the GROWTH houses, where continuous effort is required to achieve meaningful outcomes.

3H → one must acquire skills, engage in learning and exploration, and find avenues to express the knowledge gained

6H → the importance of daily practice and consistent work on said acquired skills

when these houses are in alignment, they pave the way for recognition in 10H and 11H.

10H → gaining recognition

11H → benefits and influence that comes from being recognized

by pouring constant dedication into these houses, one can expect significant growth and positive outcomes!

jupiter aspecting ascendant/sagittarius rising/jupiter in 1H 🤝 bootylicious + hourglass curves! this can also manifest in having bigger than “average” features (example: big eyes, big smile, prominent thighs).

the “BODY SO TEA” phrase was literally made them lmao

capricorn moons often tend to be the ones who frequently disappear without a trace. they carry a heavy burden of responsibility for all aspects of their life, and often possess a strong desire for control. when faced with a situation beyond their control, they can become overwhelmed with anxiety and allow their fears to take over, resulting in the ghosting. also, i noticed that they find it challenging to find any glimmer of hope in any given circumstance. even though it is widely believed that having the moon in scorpio is the most difficult, capricorn moons may have them beat. 

moon in 8H synastry is not for the weak—it is truly life changing. for this overlay to work, both individuals must have developed the ability to harness and channel powerful energy. without this, the relationship can feel unstable and unpredictable, with both individuals feeling like they're being pulled in different directions but haunted in love, in the best and worst way possible. it is worth noting that this overlay tends to have a strong impact on both individuals involved but it primarily affects the moon person.

✧ positive aspects: creates a deep emotional and psychological connection that allows both partners to truly understand connect with each on a profound level. this bond is so intense that it defies words and creates the desire to explore and uncover the depths of each other’s being. for instance, the 8H individual may possess an innate inclination to understand the moon and their innermost self, initially overwhelming the moon but ultimately embracing because of the sense of comfort provided by the 8H energy. this mutual willingness to explore and understand each other nurtures trust, openness and above all, an indescribable love within the relationship.

✧ negative aspects: gaslighting and power imbalance. the desire for control can create an unhealthy dynamic where both are constantly vying for power, leading to a breakdown of trust and emotional well-being. can also lead to being possessive toward one another that will result in the individuals feeling trapped. the possessiveness can stem from a deep sense of longing for each other, which will only further perpetuate the cycle of unhealthy dynamic (lovers to enemies trope + make up/break up). 

one comparison that comes to mind is the tumultuous relationship between olivia pope and fitz in scandal. if you’re unfamiliar with these two, i recommend checking them out on tiktok (despite their toxic tendencies, their relationship was a guilty pleasure for the viewers because of the intensity and undying love they had for one another. like, i don’t know anyone who watched the show that wasn’t a fan of olitz lmao) 

i also had this overlay with a former partner, and my goodness, was it something. he was the only partner i’ve had who could evoke such intense emotions in me and i found myself completely vulnerable to his touch (in a good way). the chemistry was so powerful, i really believed he was the one for me. but like i mentioned, as with any intense relationship, there were both positive and negative aspects to the connection. while the positive side was truly otherworldly, the negative ultimately won out and caused the relationship to come crashing down. i plan to delve deeper into this experience and share the do’s and dont’s of this synastry in a future post.

understanding astrology can be a valuable tool in gaining insight into your true self. to get a sense of the practice, i feel like it is essential or to at least explore “traditional” western (tropical + sidereal) and vedic astrology. each chart offers a unique perspective on your personality and life path, and by studying them, you can gain a more comprehensive understanding of your place in the world!

i have so much more to share but i’ll save that for another post. please remember that this only for entertainment purposes only and based on my observations! i’ve also linked the findings in case you want to read for yourselves. thank you so much for reading!

sending all my love, 

artemis x

[sabertoothwalrus]

OK PREFACING WITH IM SORRY IF I ALREADY SENT THIS EXACT ASK BUT MY WIFI KILLED ITSSLF AS I SENT IT SO IDK IF IT ACTUALLY WENT THROUGH. but in case it didn’t . i know youve gotten this countless times in the past because i blog stalked just in case youve mentioned something similar before but i need to know if you have any specific inspirations when you draw exaggerated expressions specifically like these two images of marcille. ive actually cried laughing over this comic and being able to communicate this type of visceral emotion is such an insane skill and ive followed your art for probably close to a decade through various fandoms so watching you develop this style has been fucking awesome and epic. like i cannot articulate how funny these are to me i just need you to understand i look at this comic to inspire me to draw now. the closest comparison i can draw to the feelings they evoke are like those mspaint reaction images and also mspaint tails i included for reference even though you probably know exactly what im talking about anyways but its actually so much harder to do that intentionally when you study art. also i lied you literally don’t even need to answer this i just had to let you know how obsessed i am over your silly comics and now ive written out a whole ass discussion post about it. im sorry if this is weird at all i think my daily prescribed amphetamines r wearing off and i know this is such a dumb specific thing to fixate on and im so sorry if its not something you want to hear about your art. ive just always seen that as an artist this type of expressive stupid silly style is something that comes after a significant amount of time and practice and study and style development despite being “simple” in theory. its just so cool to have worked with your own style so much that youre able to go “off model” from it and still maintain consistency with the rest of the piece. i said it already and im sorry this is actually rendundant now but the ability to communicate such raw emotion somehow decreases from at its height when someone is a beginner artist learning how to proportion and keep a steady line and what looks “normal” but somehow it all comes full circle because taking all that experience and using it to almost return to where you started but in a fully informed and intentional way so you can make choices to draw characters like this when the situation calls for it is just dhcidogakgoshfhw. i think i need to cut myself off or im going to talk in circles im sorry tumblr user sabertoothwalrus i just am fascinated by your style and progress and the years you’ve dedicated to art can be seen in so many places but this is just one that stands out to me specifically.

MMMMM what a fun question!!!

I'm not gonna lie, I think it's just Letting A Drawing Be Bad. I definitely think the people that struggle with this the most are people who have genuinely very pretty art styles, to the point of being kind of perfectionist about it. and to Draw Funny often means Drawing Fast and Weird. Pretty is kind of the antithesis of funny (unless being pretty is the punchline). do drawings that make yourself laugh. tracing/lining funny sketches almost always makes them less funny.

one of my favorite types of humor is when it skews more deadpan, actually. This is one of the reasons I love Adventure Time. minimal expressions and flat line delivery + absurd context is a really good combo. the key to comedy has more to do with contrast! if your drawings are allllll crazy ren & stimpy all the time, they're not funny anymore cause it's just "normal". if it's all subdued UNTIL it's extreme, and vice versa, then it's funny. The reason this comic is so funny is because of the complete lack of any expression. I feel like the one you sent of Marcille shouting "WHAT" is funnier when you know how much she tries to be dainty and feminine and delicate, how much she values her appearance, and how averse she is to "gross" or "weird" things.

something I find really annoying (and this is with comics/animation in general, not the expressions themselves) is when the joke goes on for too long. Like you'll have the joke, then the punchline, and THEN the characters reacting to the punchline??? Like the author didn't trust that their audience would find the joke funny, so they basically drew in a laugh track. But, this is distinct from a character's reaction being the punchline (like how the examples you gave from my Marcille comic are). MY POINT IS sometimes expressions aren't as funny on their own as you think, and context can affect how you feel about it!

as far as inspirations go!

my own face! even if I don't have a mirror, I like making the expressions myself so I can "feel" where the points of tension on my face are, and it gives me a sense of what to exaggerate.

my brother's art, believe it or not! we've been trying to make each other laugh with our drawings since we were kids, and he's really good at it.

ATLA has some great expressions

OK KO has been a reallyyyy good source for me lately. That show is so tailored to my sense of humor and the expressions and line deliveries feel exactly like the kinds of things I'd come up with. The tone, timing, and art style are all really close to the tv show pitch I'm working on, so when I feel like I've "strayed" too much from it (like after drawing a bunch of dungeon meshi, and my art feels tighter and... idk "manga-ier"?) I like to go and watch a couple episodes of OK KO to loosen back up

A lot of things like OG Spongebob, Calvin & Hobbes, the Simpsons, Chowder, etc etc

memes in general. if it makes you laugh, keep it in mind

and lastly, I wouldn't say I ever try to mimic funny expressions I see. Like if I watch a show for inspo, I'm not pausing it to copy specific drawings, I'm just trying to notice patterns and pay attention to what about it I find funny.

talking about being funny is really bizarre and I dunno if it makes it lose some of the magic. Ultimately it's something you can't think about too much, and just gotta go with your gut.

[heck-theo]

TMayNT Day 18: Human Versions.

Ok I haven't designed humans in ages. I've seen human versions and cosplays around and had a quick scroll through tumblr for inspiration, but didn't take direct reference from any one. I wanted to try and take some of that inspiration while also making them somewhat unique to me. I am open to any recommendations, feedback or advice for if I use these designs in the future. I don't think I'll draw rise human designs much but still.

I tried to have their bandanas show in their hair style: Mikey has a short, bouncy, round mask tails, so his hair is meant to be reminiscent of that. Raph has long and ragged, flowing tails. So his hair is longer and not as "neat". (I am someone who cuts my own hair half the time and prefers the messy look so this is not in any way a negative judgement, even though the wording is sometimes used in a negative way. I'm also very tired and struggling to think of how to word stuff). Leo has long, flowing tails (that I am struggling to think of other words to describe), so his hair was just kind of vibe based tbh. I knew I wanted it long and that's about it. Donnie also has short mask tails and his hair reflects that but is also a bit of a mullet, because I think he likes 80s stuff right? Also in my experience having a mullet it felt pretty neurodiverse friendly so ye. Oh and he wear contacts sometimes.

BTW I could swear the long strips of fabric coming off the knot of their mask is called a tail, which is what I called it, but I can't find any reference to it online so now I have no idea if that's the correct term but it's the only one in my head. I probably can't think of the word cause I have been staying up late to finish these and felt like shit all day and was going to go to bed over an hour ago but really wanted to do this as much justice as I could in one day.

[doobledabbadoo]

Hii! You fucking ate with the TDI redesigns and it wanted to know if you'd make a guide as to how you mimicked the TDI style?

hihi !! tysm !! glad a lot of ppl like em !!

as for the style guide, i am far from an expert at replicating art styles, but having a neo-UPA inspired art style really made this easier for me, even if i did struggle on getting used to some design choices.

DISCLAIMER: I do not condone tracing over other people’s artwork to claim as your own final product. I only trace the shapes from the total drama characters to break down and analyze the art style for educational purposes.

IN GENERAL

total drama’s art style is heavily stylized and takes inspiration from clone high and many UPA-inspired cartoons in the late 90’s to early 2000’s. it uses very thick and bold outlines to define its characters and their individual shape language. a lot of designs use a variety of sharp angles, straight lines, and curved arcs to achieve a balanced character design that works in the total drama universe.

because the shape language is very geometric and simple, it’s surprisingly easy to recreate the total drama art style & reimagine some of your favorite characters in the universe!

BODY TYPES: THE “TYPICAL” WOMAN

a lot of the women in the show follow this base, even more than the “typical” male body type. compared to the men, the women of total drama have cat-like eyes, stylized lips, skinny necks, an hour-glass figure, longer and thicker legs, and pointy fingers. head shapes & features may vary depending on character and/or ethnicity. not all women in the show look like this, though! there’s a decent handful of women with very unique body types, such as beth, macarthur, & emma from the 2023 reboot! it also helps to reference characters from different seasons to get a better idea of the shape language in the show’s universe!

BODY TYPES: THE “TYPICAL” MAN

the “typical” body type for men isn’t as well defined as it is for the “typical” woman, so there aren’t as many examples of what defines the “typical” male body type. However, based on the handful of characters we collected, we can determine that the “typical” male body type in total drama is top-heavy. compared to the women, many of the men have broad chests and shoulders, thicker and longer arms, thicker necks, thinner waists and hips, and shorter, thinner legs. they have flatter, more boxy fingers comoared to the pointy fingers the women have. head shapes and features may vary depending on character and/or ethnicity.

BODY TYPES: THE PLUS SIZED WOMAN

plus-sized women follow some of the same rules & principles as the “typical” woman does, from more cat-like eyes to sharper fingers however, in contrast to the more common body type, these woman have much thicker body proportions and use rounder, smoother lines to emphasize either fat or muscle. head shapes and other features may vary depending on the character and/or ethnicity.

BODY TYPES: THE PLUS SIZED MAN

there’s a pretty good variety when it comes to drawing plus-sized men. while some of them, like ripper, follow some similar principles to the “typical” man, others offer a new, unique design base to work with. their features are generally rounder and wider to emphasize their weight. head shapes & other features may vary depending on character and/or ethnicity.

BODY TYPES: THE LANKY MAN

unlike the “typical” man, the lankier men don’t usually have the same broad shoulders and chest. their limbs are much thinner, & they sometimes don’t have any pronounced calves. it’s more common for the lankier men to have their feet facing in the same direction as opposed to the other, though the latter isn’t an uncommon design desicion either. head shapes and other festures vary depending on the character and/or ethnicity.

BODY TYPES: THE BEEFY MAN

Of all the body types presented to the male characters, this one is the closest and most similar to the “typical” male body type. the difference is that the broadness of the shoulders and chest are exaggerated more, and the shape of the arms can vary between being wider to having more lumps. head shapes and other features may vary depending in character and/or ethnicity.

HAIR STYLES

a hairstyle can tell people a lot about a character. theres a lot of different ways to draw hair on characters, though in general, the appeal to total drama’s art style would be the simplicity and angularity in its shape language and character designs, so you don’t have to give your character thousands of spiky hair strands to make them appealing.

im not good at explaining how i replicate art styles so i really hope these help!!! also im sorry this ask took forever to compile lol i just wanted an excuse to study the shows art style more. heres another helpful video to help understand the process of character design !!

i also recommend checking out harry gold’s channel. he does a lot of art style replication videos & this one explains art style replication exceptionally well!

tysm for ur ask & tysm for ur patience!!

[teeth-cable]

I need more people to talk about how just like the POC designs, the writing is terrible at clueing the audience what race and ethnicity the characters are.

Beside stereotypes, the racial coding in the writing is little to non-existence. The characters don’t have mannerisms from their cultures, speak in slangs or idioms relating to their group from their time periods, or make cultural references.

Without having to rely on outside sources (Livestreams, looking up VAs, leaked audition sheets, etc), the only characters I would successfully guess would be Vicky, Val, and Velvette, and even then, it doesn’t mean the racial coding is good.

Vicky is the only one from this list whose racial coding isn’t atrocious. I can tell she’s Latino because she curses in Spanish, but that’s it. This is admittedly nick-picky , but I wish when cursing she would have used Salvadoreño specific slang and curse phases to signal she’s Salvadoreña.

Val, I can tell is Latino too, because of his accent and him cursing in Spanish, but it’s egregious. The accent fluctuates so much, it’s strong, then weak, then strong again. Not sure if the VA was struggling or if this was an intentional direction given to him, though the fact, I and other people were confused, at the direction, speaks for itself. Another issue with his accent is how it’s sexualized, contributing to the Latin Lover stereotype of his character.

Velvette, I won’t sugarcoat it. I wouldn’t even guess she was supposed to be black though the writing or the majority of her designs until the finale. The finale, the last episode of the season and the only time she has textured hair with her screen time being around two minutes and sixteen seconds in total.

Visual designs isn’t where race coding ends. This is important to remember because it ignores the good coded characters (King Dice from Cuphead, Darwin from TAWG, the Funk trolls from Dreamwork’s Trolls) and how Viv failed and could have done the racial coding better.

For Viv, she has to rely on other coding methods too because there are characters who aren’t humanoid enough, or even humanoid at all, for visual coding to work. There really isn’t anything I can say to explain why the race coding sucks beside Viv doesn’t care about representing POCs.

I wanted to create this post to highlight how Viv fails at coding in every aspect. The fandoms and critics shouldn’t praised her for giving Velvette textured hair or darkening Sera’s skin from her leaked audition sheet. We need to stop praising creators, especially white ones, for doing less than the bare minimum (The bare minimum being making POC characters look POC) when creating POC characters, or worse, justify it. I’ve seen people tried to justify the terrible POC designs by using one of Carmilla’s daughters as an example, as if one decent POC design in a sea of ashy and euro-centric or erased features for the majority of the POC cast suddenly invalidates the criticisms.

I’m also getting tired of the fandom making posts questioning why people have and still draw the POC characters as white, as well as people harassing artists for accidental whitewashing. I’m hate the whitewashing too but in this case, it’s different because this is Viv’s own fault due to her poor racial coding. Not every fan will have the same intense knowledge you do or even should, to know what a character’s race or ethnicity is, that’s Viv’s responsibilities as the creator.

Mind you, these were the human designs we had before the show aired. Alastor being mixed creole and Niffty being Japanese yet they look white as hell here.

[cherrychilli]

Minors DNI, NSFW, AFAB reader, P in V sex, unprotected sex, outdoor sex, public sex

Consider this: being Steve's "shy" girlfriend, all demure and unassuming to everyone else but that's not what you're really like. You're very much the opposite. Confident and just a little shameless when you're alone with Steve because he's the only one you feel completely comfortable with (not to mention he's the only one who makes you feel like a horny mess) But Steve's a sweetheart and a gentleman(and more than a little oblivious). Or at least he's trying to be but you make it nearly impossible for him to remain respectable with your many "subtle" advances.

Imagine testing his limits on a cute picnic date in a secluded little grassy clearing. The wind blowing up your pretty little sundress on occasion and you doing absolutely nothing to conceal your white lacy panties from his view as he's knelt down across from you, busy trying to set down a blanket. Of course he looks, eyes reflexively locking between your legs whenever your skirt billows out but he averts his gaze after a few seconds, mentally reminding himself that he shouldn't be ogling a sweet innocent thing like you.

You're pleased with the knowledge that a little glimpse of your underwear is enough to make his face flush the most adorable shade of red and render him a flustered, fumbling mess as he struggles to set up. But it isn't enough. You want to be held. touched. tasted. fucked.

You kneel facing Steve before bending over to pat the blanket down, appearing to be helpful. This time he can see right down the front of your low cut dress. No bra and one strap slipping down your shoulder. You peer up at him through your lashes, glossy lips stretching into a coy smile that ends up going unnoticed because he's taking in the sight of your necklace, the one he gifted you on your last date, glinting and dangling between your breasts. You're hoping it's enough to make him cave and meet you in the middle of the blanket. Make him inch closer until you can slant your lips over his but you're left wanting again when he pulls away, clearing his throat as he tries to occupy himself with the contents of the basket you packed for your trip and shield his growing boner.

You don't let it deter you for too long, intent on making it as hard as possible for your boyfriend to resist you much longer.

You try anything and everything to get the blood pumping straight to his cock, even if it seems a little ridiculous because it's just so much fun. You purposely let some of your water spill over the front of your dress so your nipples harden and show through the fabric, laughing it off with faux embarrassment when you exclaim, "oh no, I'm all wet!" and smirk to yourself with satisfaction when Steve chokes on his own water in response.

You follow that up later by letting your hands wander to dust the crumbs off Steve's thigh, intentionally skimming close to his crotch but its when you lick a stray dollop of jam off his finger that you can tell he's nearing his limit.

"Mm! Steve that tastes so good" you draw out in a tone that borders on lewd and he can't help it when he feels his cock kick up in response underneath his jeans.

"Picked a pretty great spot, didn't we?", he quickly attempts to distract himself with an abrupt change of topic but you sense another opportunity and reply just as quickly, "I know! it's so private, don't you think?"

"Yeah, I thought you'd prefer it because I know you don't like crowds", he replies a little weakly, throat starting to feel raw from all his nervous swallowing.

You smile softly at his thoughtful comment but continue with your plan to wear him down. "I love it! No one around to intrude or...interrupt. Just the two of us".

You shift beside him, encouraging his eyeline to fall on your cleavage again.

"Uh...yeah" he replies distractedly, eyes fixed exactly where you wanted them.

"Not like that time at the movies", you remind him, referring to the group of girls sat behind you two last week who talked over the movie and kicked at the back of your seats.

"Out here there's no one around to bother. We can make as much noise as we like", you raise your eyebrows at him.

He feels overheated despite the summer breeze blowing and he can't help but wondering if you realize how suggestive you sound right now. It's taking every bit of his resolve not to pull your dress down and have you laid out beneath him on the checkered blanket. He bites down on the inside of his cheek, failing to suppress the image of those lace trimmed panties around your ankle and your head thrown back as you puff and pant at the way he's stretching you open.

You sigh, it was fun teasing him and playing your little games but you can't ignore the wet heat pooling in your panties any longer. Dropping the façade, you straddle his lap and place both of your palms on either side of Steve's face, trapping his gaze with your own. He says nothing, only staring up at you with widened eyes, too taken aback by your sudden reaction.

"Stevie, do you like me?" you ask frankly.

"wh- of course!" he blurts out a little louder than he'd intended.

"Do you find me attractive?", you already know the answer to that given the obvious bulge you're currently sat on but you ask it more so in an effort to help him from holding back any longer.

"Baby, I think you're beautiful", he replies truthfully.

You smile down at him fondly and then with the same sweet expression you remove your hands from his face to pick up your skirt, giving him a clear and up close view of your underwear, material now translucent with your slick and staining the front of his jeans.

"Do you want to fuck me?"

He feels as if he might flatline. Having his sweet girl perched in his lap all wet and needy for him out here in the open, practically throwing herself at him all afternoon. Why the fuck hadn't he realized sooner?

"Yes- fuck, yes", he strains.

You let your skirt drop to wrap your arms around his neck, lips brushing against his ear as you whisper,

"Good. Because I want you to fuck me. Right here. Right now"

***

Rays of sunlight filter through the overhead trees down on to your exposed tits while Steve lifts the skirt of your dress up so he can watch his cock sink into your cunt with every frenzied bounce you can muster. He bunches the material in his hands, palms settling around your waist to force you down his length harder.

"Stevie, oh fuck- promise you wont make me wait this long again?" you mewl out, between choked sobs.

"Fuck, baby I promise", he grits out, lost to the feeling of your pussy squeezing around him and the sight of your cream coating his cock.

"You going to give it to me when I need it?", you whimper out desperately.

"Yes, angel- shit- I'm going to give it to you just how you need it, whenever you need it"

(I realize I wrote Steve as more reserved than I usually write him but there's just something about a flustered Steve that makes me want to ride the absolute fuck out of him)

[randomyuu]

i keep the warmest truth.

Well you look at that. Another comic hahahaha why did I do this to myself—

But I do enjoy drawing this comic! It was a different kind of challenge, where this one focuses a lot on close-ups, so I need to learn about the subtlety of expressions. Can’t say I learn a lot (I use lots of copy-pasting of the same position lmao), but I still learn... something!

This beautiful one-shot fic is titled i keep the warmest truth by Dehawny. If I have to summarise the fic, it’s basically Ace!Gojou and Adorable!Yuuji. It's more like gray ace but better keep the “A” going, haha. And as usual, the fic is NSFW, so please do read the tags before you decide to give it a read.

Ace!Gojou is something I don’t know I need. I think I love almost every kind of Gojou headcanons, but Ace!Gojou holds a special place in my heart. I could be biased as someone in the ace spectrum, but the way Dehawny wrote Gojou and Yuuji’s interaction is truly heartwarming. And also a bit possessive, but I wouldn’t have it any other way. Possessive Gojou is my jam.

And Yuuji. Oh, dear lord where do I even start with this boy. I don’t have enough vocabularies to express how much I adore Yuuji. Him being his horny teen-self and constantly worrying about making the pleasure mutual is too much for my heart. And he’s still understanding of Gojou’s sexuality. Yuuji is kind, like that. Don’t mind me as I’m crying out happy tears in the corner.

Alrighty, below are my thoughts as I drew this, as usual haha:

After I got a taste with comic-making from my previous GoYuu comic, this one is a bit easier to plan once I narrowed down the scene I want to draw. I wanted the comic to start with Gojou positioning himself and Yuuji in the futon, bringing up Yuuji’s question weeks ago, but that means I have to draw 10+ pages and I was like, “haha nope”. I still love my hands, thank you very much. So I start with Yuuji’s reaction after Gojou explains a bit about his sexuality.

Panelling is still a struggle. In a way that I still feel that the layout can be improved, but I can’t for the life of me figured out what needs to be improved. I guess this kind of thing will come eventually, but not now.

During the sketching, I must say I got super hyped drawing Gojou’s eyes. That eye close-up? I really want to try making it as ethereal as possible in an achromatic setting. It’s intimidating, don’t get me wrong, but I have always loved drawing eyes since I was a kid and this is a fun thing to test my love for eyes.

If I have to complain… it would be the intimate position of them laying on the futon. I never really try drawing “couple-like” positions before, but it was really hard! Like, holy shit, can you guys stop being so awkward looking? Where the hell did I draw it wrong??? Thankfully references have helped me a lot with positioning.

The line art took sooo much time because I realise I want to make Gojou and Yuuji more… buff (kinda) so I need to re-sketch a bit :(( but the result is better than the previous one, so I’ll take what I can get haha. And I start to really like using screentones for shading—once I properly learn how to do manga layout, I think I might fall in love with drawing mangas!

But overall, this is a fun process to do, and I hope you enjoy the comic and this rambling of mine! :D

[ranticore]

I wanted to keep drawing some pern dragon stuff because I'm now writing a full AU set in weyr but I didn't want to put this stuff on my main blog or patreon due to it being basically for my own reference, though i felt others would like it too! so here is My Take On Dragon Wings By Type...

It's no secret I love drawing bird wings and prefer them a lot over traditional dragon wings. Growing up, I read the pern books featuring cover art of dragonfly-like wings with lots of little translucent panels, which I always loved. So I thought I'd try to nail down some wing shapes & structures by blending those two things i like together. I am aware dragons fly by telekinesis but I prefer a more realistic type of creature design so I will be choosing to ignore that fact. I do not care about strict canon compliance but I do like to keep some of that framework there as well, for fun.

The wing is made up of three main sails, as well as a propatagium sail (in front of the elbow). They are relatively polymorphic and can expand or contract to an extent to change the shape of the wing in response to flight demands, like the wing of an airliner. The trailing edge can expand and the slots between the spars of the 1st wingsail can deepen or become shallower (where those are a feature). The main structural matrix is opaque, while the membranous 'sails' are translucent and let light through like stained glass. These are a bilayer of membrane with air sandwiched between, which forms part of the air sac & respiratory system.

It makes sense for the original engineers of dragons to diversify dragon wing types by colour so that when fighting Thread, there's a dragon for every conceivable aerial job.

[individual descriptions under the cut]

Queens have the longest wings, though the largest bronzes can rival them for surface area. Gold wings are high endurance - a queen can fly further than any other dragon in active level flight, leaving even the swiftest bronzes behind if they can't muster up the energy reserves to catch her. She is an effective flier at all elevations and can pass very low over terrain without issue as well; she is an expert at taking advantage of the ground effect, where extra lift is generated within one half of a wingspan above land. This way, she can pass low below the main wings fighting Thread to catch any stragglers without expending too much energy. However, she is not very agile and may need a bit of a run-up or cliff-edge to get airborne.

Bronzes are suited for command positions during Threadfall, rising highest and maintaining that altitude effortlessly by soaring on thermals. From this vantage point they can easily survey the wings of riders below and make tactical decisions to direct the tide of battle. They have the size and stamina to chase queens, but might find it difficult to keep up on the flat, so they continually select for fitter hatchlings as only the best manage to mate. It takes a very clever and agile bronze to catch a green, if they are so inclined.

Browns are swift, highly agile, and the fastest vertical fliers, ideal for diving through the Thread mass from top to bottom while the other types pass horizontally. During earlier Passes, browns were capable of using their speed to catch queens, but as queen & bronze endurance gradually increased, browns struggle to keep up if they haven't managed to immediately catch their mate in the starting scrum, which is unlikely due to the bulkier bronze dragons being able to shove the browns aside.

Blues are fast on the flat and nicely manoeuvrable, with enough endurance to last a full Threadfall. Good all-rounders with a characteristic vertical take-off, they work best in the horizontal plane in battle but really they can do a little bit of everything. They often beat browns to catch greens, being very precise in flight and almost as manoeuvrable as their green mates.

Greens make up for their low stamina with their extreme manoeuvrability. Their short and elliptical wings let them turn on a dime, hover, and even fly backwards if they are sufficiently skilled. They have the fastest wingbeats, flying with a distinct thrumming sound. Of all the types they are least likely to be hit by a stray Thread, but they tire easily on the flat and have no soaring ability at all, often tapping out midway through battle in favour of replacements. In battle, greens excel at catching odd and skewed clumps of Thread that don't fall as predicted, or ones that are missed by the other riders. Green mating flights are a whole different beast to gold mating flights, where extreme aerial acrobatics are favoured instead of endurance and altitude, and these flights may be over within seconds. You need to be able to withstand a Lot of G-force to be a green rider.

[icedroppedinparasolcider]

Momoi Airi is a Trans Woman

This is headcanon at the end of the day and there's nothing wrong with disagreeing, but the way she's written regarding her sense of identity as an idol, the choice of phrasing they use when she talks about herself in reference to others (namely Shizuku), and the connections her visual motifs provide to concepts and other characters tied to or commonly seen as trans just makes it incredibly hard for me to view her otherwise.

A lot of what I have to say is very personal to me; I'm a trans woman myself, and Airi's writing and experiences connect with me and my own transition journey in a way I haven't really seen anywhere else in media (I'm not a very prolific media consumer). So it's entirely possible a lot of this is just me projecting onto a character I care a lot about. But while I've adored Airi before this revelation, I didn't reach the level of attachment I have for her until the realisation of just how well she's written through the lens of a trans girl. Specifically one who's, for the most part, entirely socially transitioned but keeping the fact she is trans secret.

When Airi was little, she was, as she herself describes, very boyish. She'd get into physical fights with boys around the neighbourhood or at school, she'd come home most days covered in dirt and mud from playing with her majority boy friend group of the time. She was intensely defensive of her little sister, most of her fights being with possibly bigger-than-her boys because they were mean to her sister. It formed a reputation for Airi, a reputation that followed her as she began to deviate from these patterns and pivot her interests and activities hard and fast thanks to starting to watch idols on TV. She was enamoured with them, would rewatch recordings of their performances and interviews over and over so she could emulate it and be more like them. She'd stop getting into fights, stop playing with her rougher friends; everything started changing dramatically thanks to her being introduced to a new "type" of woman: an idol. Something Airi wanted to become, and was willing to change everything about her to be.

These changes weren't socially easy for her, though, with backlash coming from these old friends and classmates because of how girly she was trying to become. The idea of being a tomboy was something Airi started to consider a bad thing, a gross thing. During her Colourful Festival side-story, To You Who Yearns To Be an Idol, amidst a conversation with her younger self Airi calls the little girl a tomboy, something that makes the younger Airi immediately deflate and shy away from the conversation. It upset her to be called that, especially by an idol, something she wants to become. Which leads to the younger Airi talking about how she's been treated by her peers for changing the way she dresses and not playing the same way she used to, for changing the way she talks, with her being talked to like she's doing something horrible and wrong for simply chasing a dream of who she wants to be. And in this conversation, Airi says a particular line that changed everything for me:

This is said in response to Little Airi's repeating of what the boys in her class call her as she wears cuter, girly clothes. That she's some big, mean monster who shouldn't wear things like that, who could never become an idol. Effectively telling her that she could never be a girl because of the way she used to behave. She started as someone rough, someone harsh and dirty, that's not something she should—not something she could—change. Something we see in present day that she's largely internalised through her struggles with what it means to be an idol, her struggles with calling herself an idol.

For Airi, being an Idol and being a Girl have become synonymous with each other. Her ability to be an idol, to draw that attention, have a smile that sparkles on stage and in front of the camera, spread hope and joy to other people; this part of her identity has grown beyond her job, it's who she is as an individual. Being Momoi Airi, the second year Miyajo student, is inseparable from Momoi Airi, the ex-QT member and now member of MORE MORE JUMP! And if she can't be the image of an idol that exists in her head, that she's always viewed idols to be, that Haruka and Shizuku manage to embody, that Minori is becoming, then can Airi even really call herself as much of a person, of a woman, as them?

Airi's been in this constant uphill battle where she believes she doesn't sparkle as much as the other idols around her, so she puts more effort into learning how to make herself sparkle, but manages to convince herself that because she struggles with this, she's less of an idol than those very peers. It's in large part what Ice Drop is about, Airi's difficulty finding satisfaction with her work as an idol because it doesn't shape up to her own expectations and beliefs of what an idol "should be", because it doesn't match what she sees other idols she looks up to, like Shizuku, doing. Something also portrayed during Airi's conversation with Shizuku in Chasing the Radiance Beyond the Blue Sky, where she outright tells Shizuku that because she doesn't have the same physical appeal she has to fight harder and use different strategies to get any attention as an idol. And if Shizuku is the "perfect idol", and Airi will never be able to achieve that, can she even call herself an idol?

If she can't call herself an idol, does she even deserve to call herself a girl? Or are the harsh words of her grade school classmates right about whether she should be wearing the cutesy clothes?

A large part of Airi's struggle with this, why it's even a spiral in the first place, ties into her nature as a Solid Heart student as well as why I see so much of myself and my transfemme journey in Airi's story. It doesn't matter how many people tell you that you're enough and that you've done what you set out to do, not if every thought in your head is telling you they're wrong. According to everyone I know, I pass really well as a girl. My voice is naturally feminine, even without masking it very hard, I've basically never been misgendered since growing my hair out by strangers looking at me, I've even been told by close friends that they'll forget I'm trans because I'm just "one of the girls" to so many of them. And I appreciate all of it, so much; I'm very lucky to have had such a smooth social transition. But none of that changes who I see in the mirror, who I hear when I talk, what I feel when I wake up in the morning forced to acknowledge my body. I'll never be a "real girl", not until I fix these things, and it's entirely possible that it's impossible to truly get rid of this feeling.

That's what Airi feels regarding her identity as an idol. Everyone in the world could tell her how good an idol she is, how much hope she spread as Happy Everyday, how beautiful and bright her smile is. But that will never replace or fully mask the doubt in the back of her head about whether she's really an idol, because nothing that she used to do aligns with what she's always seen idols to be, so much of what she does today is so different from the reality of her dreams. She's not that idol, so is she even an idol at all? I'm not that girl, so am I even a girl at all? Obviously I am, and obviously she is, but it's a feeling of doubt that never goes away.

Airi needs to constantly be an idol, or she's not an idol at all. And, at least to me, this has come to mean to Airi that if she's not an idol, she's not a girl. Because all of the work she put into being cute and girly was to be an idol. If she can't accomplish that, does she even deserve to be a girl at all? Or is she just a fraud wearing a mask trying to make people laugh on TV?