#just lemme have fun

[certifiednobody]

Okay, screw it. I might as well reveal my DreamSMP animated pilot that I've been working on.

Everything is scripted and storyboarded, so I'm just using this as a personal project to keep myself busy. Who knows, maybe it'll see the light of day someday.

[ricky-mortis]

I heard that Corey Dorris sang Show Stopping Number at Innit- so I present: Corey!Hidgens

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[musubiki]

danmarch 🐉💎

[flambo19]

Stellaron Hunter Game Night 🎮

[jeeaark]

Remember Auntie Ethel's victim who could see people's possible futures? Yeaaah, Greygold walked right into that prophecy.

In the Far Realms, they have memory foam beds

[scatterbrainedbot]

the trouble with being the one who survives is you must keep on doing it

inspired directly by @onionninjasstuff 's heart wrenching comic of Future Donnie's death (read it!!)

[aquaquadrant]

Title: flickering

Warnings: Hearing voices similar to intrusive thoughts (the voices are from sentient fire, not from the character’s own mind), pyromania, session 3 spoilers

~*~

Tango might be hearing things.

That is, beyond what the rest of his friends have already been joking about this entire session. The secret task bestowed upon him seemed like pure hilarity at first: pretend to have an imaginary friend. And he had to go all out, too, having imaginary conversations in the presence of other people. He wasn’t confident enough in his improv skills to pull it off without some kind of prop, though, so he’d assigned the role of imaginary friend to a torch in his inventory.

Torchy, a new best friend for the resident blaze hybrid on the server. Hilarious.

Except, as the hours went on… carrying Torchy around and randomly placing it down… hosting one-sided conversations with a piece of burning wood while his friends watched on with baffled amusement… it started to get a little less hilarious. Because he started to imagine that he could actually hear Torchy talking back to him.

Looks bad. Burn it. Kill him.

Just pleasant little things like that. It made for great conversation fodder; nothing turned heads on this server faster than a randomly overheard, “No, no, we can’t kill him!” And it was funny to carry on that kind of dialogue, chastising a flaming stick for its apparent bloodlust. The looks on his friends’ faces were priceless.

But at the end of the session, after Tango had been found out and failed his task, after everyone bid their farewells and went their separate ways to end the session… he hears it again; a flickering whisper of a voice in his ears.

Burn it.

It startles Tango so badly, his blaze rods ignite. “Aaagh- who? What?!” He spins around, flames spitting.

“Huh?” Skizz pokes his head up from behind their little clump of chests, his wing flared out in surprise. “What happened?”

Tango clutches his pounding heart. “Did you- did you say something, Skizz?” he asks breathlessly.

“What, just now? No?” Skizz frowns, then his eyes widen. “Oh, wait, I get it…” He chuckles. “Very funny dude, but uh, you can drop the ‘imaginary friend’ thing now.”

Burn him. Kill him.

There it is again. “No, I’m not…” Tango hesitates, glancing around warily. “You seriously can’t hear that?”

Join us. Burn it. Eat it all.

Now Skizz looks a little concerned, rising to his feet. “Uh- no? What?” He takes a few steps towards Tango, holding out a hand. “You okay, buddy?”

Tango rakes his claws through his hair. “Th- the whispering, the…” Swallowing, he creeps a bit closer to Skizz- and as he does so, he happens to move closer to a random torch. The voice gets louder.

Free us. Join us. Let it all burn.

There’s a chunk of solid ice in Tango’s stomach. “I think it’s coming from the torches,” he whispers.

Skizz stares at him for a moment before he sighs bemusedly, shaking his head. “Oh, brother. You’ve been talking to yourself all session, dude, I think you’re starting to hear things.” He claps a hand on Tango’s shoulder. “Get some rest, buddy, and I’ll see you back here next week, alright?”

Skizz doesn’t hear it. Tango makes himself laugh. “Right, yeah. You’re right. See ya.”

With a parting smile, Skizz logs off.

Tango waits. Soon enough, the voice returns. The whispering is now a chant, a dull roar echoing in his skull.

He’s gone. Burn it. Burn it all. Sets us free, let us spread. Join us. Burn it. Eat it all.

Tango’s heart is in his throat. He can see it, in his mind’s eye; the soft pink cherry blossoms engulfed in flame, a ring of smoke outlining the entire island… his inner fire thrums with want, with need.

Yes, yes, burn it all…

The smell of burning snaps him out of his trance. His clawed fingertips are pinching a cherry blossom from a low-hanging branch, a trail of smoke rising between them. Wait, when did he walk over to the tree? Quickly plucking the flower, he incinerates it in his clenched fist, the flame extinguished as soon as it’d ignited.

And now he’s got a handful of ash. Great.

Okay, that’s it- he’s gotta get off this crazy server. It’s all these stupid tasks! They’re totally messing with his head. The secrecy, the deception, the mind games- he just needs a break. He needs to go back to something familiar, some place where things make sense.

Tapping his communicator, he brings up a portal.

Tango steps through it into Hermitcraft, into blue flames and his dungeon master’s robes. He blinks, acclimating to the change of light. He’s in the underbelly of Decked Out 2, of course- most of his time this week has been spent working on the redstone for level four. And over the months, he’s taken care to light everything up (because a single creeper in the skadoodler could derail his entire operation here) so there are torches everywhere…

And he hears nothing.

Just the idle sounds of the dungeon above him. The occasional warden sniff or ravager growl, bats squeaking in the dark. A slime slapping against stone somewhere in the distance. He can even hear the ambient flickering of the countless torches around him, but no freaky voices accompany it.

Tango exhales heavily. It was just the Secret Life server messing with his head, after all. Relieved, he ignites a rocket to take off, whirling through the air in the tight hair-pin turns required to escape from the dungeon’s inner workings. He swoops into his storage room and dives into the bubble-vator, arriving swiftly back in the citadel.

Hopping off the platform and into the air, Tango glides toward his private entrance to the lobby. He needs to go cover up the barrel at the start so he can make a couple changes to the dungeon. Nothing major, maybe just an extra warden or two. Ideas for names are already flashing through his mind. Debating whether to go intimidating or silly, he’s so deep in thought as he passes through the lobby that he almost doesn’t notice it at first. But as he walks past the soul flames, he hears it.

The flicker of a familiar voice- though more haunting, now, almost mournful- whispering in his ears.

Join us. Burn them. Eat them all.

~*~

[disposal-blueeee]

vargas by zarla-s ,

[ywpd-translations]

Ride 784: The first day's mountain

Pag 1

3: We're passing through the riverside road

4: I see it

6: Kaka

7: Ah!!

8: Teh!

9: It's the first day's

Pag 2

1: “mountain”!!

Pag 3

2: As we “promised”!!

Pag 4

3: It's the “first day's mountain stage”!!

4: A year ago

6: Manami-kun said it after the finish line, on the third and last day of the Inter High, when both of us were all worn out and barely still on our bikes

Pag 5

1: But having our race at the end on the final stage is too much pressure

2: Next year, if we both have the chance to run in the Inter High....

3: …. yeah

4: Let's race for the mountain stage on the first day

Yeah

5: Like Toudou-san and Makishima-san last year

Onoda!!

Manami-san!!

Pag 6

1: Manami!!

Manami-san!!

2: Onoda!!

3: He collapsed!!

Manami!! Take off his helmet

It's okay, I caught him

Onodaa!!

Onoda-san

Do we have a towel?

Danchiku, water!!

4: Next year... the mountain stage on the first day.... yeah

5: Got it....!!

Pag 7

3: When you run along a river....

4: the water only flows if there's a difference in elevation, either uphill or downhill!!

5: Here it's definitely uphill!!

Even if it looks like a flat at first glance, it's gradually climbing!!

Pag 8

1: Toward that mountain!!

Reading the map, it says that it's 5km until the base of the mountain!!

2: 5km!!

3: Don't lose sight of it like last year!!

Yes!! Sorry!!

4: Hold on tight!!

5: 'Cause I'll carry you all the way to the foot of the mountain!!

Pag 9

1: Thank you!!

2: “Positioning”....!!

3: When going from a flat to a climb you need to “position” yourself

Each team accelerates from the flats in order to bring their climbers to a good position

4: It's the so called “mountain's launching pad”!!

5: There will be a difference of several hundred meters in the first stage between a climber who was launched near the front of the group and a climber who was made to run up from the back of the group

Pag 10

1: Bring Onoda to the best possible position, Naruko!!

Oh-

Sohoku is moving up!!

Pag 11

1: -ruaaaagh

Ugh!! Sohoku's Naruko is so fast!!

2: I get what you're tryin to say, Hotshot!!

I'll take him!! Definitely!!

3: That's why I left the first result to Kabu!!

4: On that winter day, with an apologetic face

5: Ah....

6: Ah- uhm, I have something to tell you, but

Onoda-kun, who told us like it was difficult to say....

Pag 12

1: Ah the stove? You can just turn it off, we're the last ones

Yeah, please. Woah, look outside, it's snowing

Seriously? It must be cold

2: That's not it!!

3: Th-th- this morning... I got a text

4: What was that, an acceptance letter?

The proficiency exam?

5: It's a reply to the text I sent....

6: Three months ago!!

7: Uhm... really, I was worried that back when we made that promise it was right after the race and we were tired, so I thought maybe he had forgotten

Three months?

It was a long wait

So I sent him a text to ask him if he remembers?

Pag 13

1: And I received it this morning

Must be the proficiency test

Shut up!!

What are you whispering idiot

“Back when”, when was it?

No idea

2:He said only one word, “of course”

4: So, uhm... this time

5: Is it okay if I run for the first day's mountain stage during this summer's Inter High?

7: Is that so? Kakaka

Onoda-kun's eyes, like he couldn't contain his excitement...

Pag 14

1: I haven't forgotten it!!

2: I can't forget it!!

3: Onoda!!

Onoda-kun!!

Pag 15

1: 2km left until the foot of the mountain!!

2: Do your beeest....!!

Aren't they climbing at an amazing speed!? Each team is getting in line!!

Yeah, you're right!!

3: Every team is trying to “position” themselves for their climbers!!

“Position”!?

4: Also, look closely

Right now, the cyclist in the second position in the ranks

Pag 16

1: is the one who will race in the mountain stage!!

Pag 18

1: Oi, are you kidding me? Hakogaku is sending Manami?

From the first day!?

Manami is in second place

2: He's the “final boss”....!!

3: My dream of getting the red bib has been destroyed even before reaching the foot of the mountain....!!

4: Oi, look over there, that's not all!!

For Sohoku....

5: Naruko is pulling the “King of the mountain”!!

Wa- we're done for!! Completely!! My mountain prize!!

Pag 19

3: Manami-kun!!

4: Sakamichi-kun!!

Pag 20

1: It's time for our promise!!

We're almost at the foot of the mountain!!

[nach0]

@electrozeistyking's LTN au has me in a vice grip so i had to draw her siffrin... the poor little meow meow someone get them Outta There

[ricky-mortis]

Curtwen Week Day 5: Disguise

[alaestor]

Local deer caught staring...

(☉_☉)

(；☉_☉)

I don't blame you not one bit Al ... ..... I mean, he do be kinda... (⁄ ⁄•⁄ω⁄•⁄ ⁄)⁄

*ahem* anw, Angel flips anyone? (OvO)

[benetnvsch]

idk

[fadedrainbowbookshelves]

When you don't get to really see your husband except for the very end of the day.