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reiding-writing · 2 days

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Heyy i was wondering if i could have a workshop session? Also congrats on reaching 2k i literally lovee your posts.

So i had this idea about early season spencer and a movie director reader, so basically sorta like the episode with lila archer except reader is really famous and makes mostly sci-fi movies or something spencer would watch, and someone on her set is a witness for a crime or connected to one and now that they dissapeared the BAU sent spencer and maybe derek to ask reader about what they know. But spencer is lowkey kind of silently fan girling lmao like when he first met rossi. I hope this idea isn't too cringe but its just something i thought of, and also its like 3am so my brain isn't functioning properly. Anyways thank yeww

STARstruck — SPENCER REID!

Spencer is a nerd who appreciates accurate scientific knowledge in the media he consumes, and you, are his literal idol in that aspect.

s1!spencer x fem!director!reader | 1.2k | fluff | 2k book fayre !!

a/n — this idea is so cute bro i love it

main masterlist. | event masterlist.

The late afternoon sun filtered through the towering glass windows of the Hollywood studio, casting a golden glow over the sleek set design.

Cameras, lighting rigs, and intricate models of spaceships and futuristic cities filled the massive room, the scent of freshly brewed coffee and slightly burnt popcorn lingered in the air.

Spencer took a deep breath as he stepped onto the set, eyes wide with a mix of awe and nervous excitement.

“You okay, pretty boy?” Morgan smirked as he nudged Spencer in the arm. “You look like you’re about to pass out.”

Spencer quickly adjusted the messenger bag on his shoulder, fiddling with the leather strap. “I’m fine,” He mumbled, although his gaze kept drifting toward the bustling crew members setting up for the next scene.

It wasn’t just the high-tech equipment that caught his attention; it was the fact that you was somewhere on this set. A literal legend in the movie world who had created some of Spencer's favourite films, the mind behind the intricate worlds he had spent years analysing and rewatching.

Not just a famous director, but one of the most influential minds in science fiction cinema, with a literal PhD in theoretical astrophysics, your movies weren’t just blockbusters—they were intellectually stimulating.

Films layered with complex theories of time travel, quantum physics, and human evolution. Spencer had spent hours after screenings debating the logic behind your plot twists, tracing your influences back to classic literature and obscure scientific studies.

He might have even written a paper about your work for one of his side projects.

Maybe.

“Alright, fanboy, whatever you say,” Morgan chuckled, clearly noticing the star-struck look on Spencer’s face. “We’re here for business, remember? We need to talk to her about the missing witness.”

Right. The reason they were actually here. One of the set designers from your latest film had disappeared. They had been linked to a crime scene across town, and now the BAU was trying to piece together their whereabouts.

As the two made their way past towering green screens and actors in elaborate futuristic costumes, Spencer’s heart rate quickened. There you were, standing near the director's chair, deep in conversation with a producer.

Morgan was the one to actually call your attention, flashing his FBI badge. “Excuse me, Doctor, I’m Agent Derek Morgan, and this is Dr. Spencer Reid, we’re with the FBI.”

Your eyes widen momentarily, before settling in understanding. “Pleasure to meet you both,” You motion for the two to follow you away from the busy set for the impending conversation.

Spencer tried to find his voice, but it was like his brain had short-circuited the moment you looked at him. The woman who had crafted entire galaxies and explored the intricacies of human consciousness in film now actually knew he existed.

“I—uh—” He stammered, glancing at the wall behind you before meeting your eyes. “I just wanted to say I’ve been a huge fan of your work for years. Your understanding of nonlinear time theory in Chrono Rift was... incredible—”

Morgan’s grin widened, and Spencer could feel his cheeks burning. He was not making a good first impression.

You, however, smiled warmly, your expression softening. “Thank you, Dr. Reid. It’s always nice to meet someone who appreciates the science behind the ‘science-fiction’.”

The way his eyes seem to soften in the wake of your thanks is endearing, matched with a pink flush to behind his glasses he attempts to brush a stubborn lick of hair from his eye.

It’s a natural attractiveness, one that’s sweet and a little awkward.

“But I assume you didn’t come here just to talk about quantum mechanics?”

Spencer cleared his throat, refocusing on the case. “Right, yes uh— We’re trying to locate one of your set designers, Adrian Moss. We believe they may have been involved with a recent crime, and they disappeared shortly after. Did Adrian mention anything unusual to you? Anyone they seemed nervous around?”

Your brows furrowed slightly in concern. “Adrian? No, they seemed fine. A little… distracted maybe, but I thought it was just the stress of the shoot. I had no idea they were involved in anything criminal.”

Morgan took over to save himself the second-hand embarrassment of Spencer’s stammering, smoothly steering the conversation. “Is there anyone on set Adrian might’ve had conflicts with? Or someone who seemed to be paying them too much attention?”

You paused, considering the question. “Not that I can think of, but I can ask around. The crew is like a family you know? People talk— if Adrian was in trouble, someone will have noticed.”

As the conversation continued, Spencer slowly found his footing again, chiming in with more questions about Adrian’s behavior and their role on set. But every now and then, his mind drifted to the fact that he was standing in the presence of one of his idols. And not only were you brilliant, but you were also kind.

After wrapping up their questions, you pulled out a small business card, handing it towards Morgan. “If you need anything else, please don’t hesitate to give me a call. I’ll make sure the crew knows to cooperate fully with your investigation,”

Morgan pocketed the card with a small nod. “Thanks for your help. We’ll be in touch.”

As they turned to leave, you called out, “Oh, Dr. Reid?”

Spencer froze, turning back to face you. He genuinely felt like he might explode.

“If you ever want to debate time travel paradoxes or poke holes in my logic, I’d be happy to grab a coffee sometime.”

Spencer’s brain went blank for a second, and all he managed was a stunned, “Uh, yeah! I mean—yes, that sounds great.”

With a smile, you waved them off, returning to your work.

As soon as they were out of earshot, Derek clapped Spencer on the back, laughing. “I’ve never seen you like this, man. Fanboying over a director? That’s a new one.”

Spencer gave him a sheepish grin, although not one that tries to dispel his accusation. “She’s not just a director, Morgan. She’s a genius.”

“Well, genius, genius or not, you might actually have a shot there. But let’s focus on finding this missing designer before you start planning your first date.”

Spencer chuckled, still a little dazed but ready to get back to work. He couldn’t help but feel that, no matter how this case turned out, his emotional outcome was going to be a net positive.

#𝜗𝜚 book fayre。#spencer reid x reader #spencer reid #criminal minds #criminal minds x reader #mgg #spencer reid fluff #criminal minds fluff

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andy-wm · 2 days

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AYS Behind the scenes: behind the paywall

Now that the Disney+ episodes are complete (sob), my attention is firmly fixed on my mailbox as I wait impatiently for the AYS photobook and QR code.

I was always going to buy the Jikook photobook, even though I doubt there will be much we haven't already seen in the episodes. But the inclusion of the QR code was the clincher.

I must admit, Hybe locking up the behind the scenes for AYS was not on my bingo sheet.

Making behind/additional clips available on Bangtan TV would have been more in line with their regular MO. We don't generally have to pay for what really amounts to outtakes.

Okay, yes, we have to pay for behind cuts of Run BTS, but the actual episodes are free. With everything else the behind clips are included when you buy the series (I'm thinking of BV, ITS, and concert boxed sets).

In fact I can't think of any other time a behind/ bonus clip hasn't been available to fans who pay for the main content.

Maybe it is because Hybe was only contracted to deliver 8 episodes to Disney+ and the price was fixed. Maybe they saw an easy way to make the series more profitable.

We know they will take any opportunity to lighten our wallets.

But I think there's more to it

Let's talk business:

If Hybe wanted to make money from this, having the sale point directly on Weverse would make more sense. That way anyone could buy it any time without having to buy the photobook as well. Even if they charged just a few $$ for these extra clips, the return could be substantial over time. Long tail products can be very lucrative and Hybe clearly knows this - they have heaps of old footage for sale on Weverse. Since they're hosting the content already, it makes sense to keep that 'buy now' button active and let the dollars trickle in.

So why reduce the potential pool of buyers? Why limit this to those who buy the photobook??

Well, let's consider who is going to buy the photobook?

Who is going to fork out US$28 plus postage for a keepsake of these two on their third honeymoon?

I doubt OT7 ARMYs would buy it. Even ARMYs who bias JM or JK - if they aren't part of the SGMB they probably don't want it either.

Solos sure as hell don't want it - they are probably wishing the whole thing never happened... sucks to be them haha

Who really wants to see these two living their best lives together?

We do!

And by we, I mean Jikook supporters.

People who want to see more of this:

and this

And this

We are the people who will buy this photobook (and probably never look at it more than once, let's be honest)

But let's get back to the topic at hand....

The photobook/behind combo seems like a chicken/egg situation to me.

Which came first - as a concept - the photobook or the behind clips?

Did they decide to offer a photobook, and then think of adding the extra footage to make it more appealing?

Or vice versa?

Did they decide to make the behind clips, and think of the photobook afterwards?

Hard to say, since behind clips have always been a thing and recently Hybe is putting out photobooks for everything.

But I think I have a fair idea

Consider the price point for this photobook - it's the same price as most of the others produced recently: +-US$28.

AYS photobook & behind is the same price as the Photo-Folios, Tae's Type 1 (magazine version) photobook, and the Beyond The Stage photobook

🗣 So they aren't charging any extra for the behind footage?

No, they aren't. They're basically giving it to the buyers of the photobook as a gift.

🗣 Could they be making money off it?

Yes, the could.

Long tail, remember?

Looking at the profit-making potential, it makes WAY more sense for Hybe to offer the behind footage on Weverse for a few meagre dollars and... wait for their ship to come in...

See what I did there? hahahhaha (laughing by myself)

They really aren't making any money off this!

how unlike Hybe...

So why go to the effort of setting up QR codes and putting it behind a paywall? It costs money to host content this way. They are in fact SPENDING money to bring us this footage.

Not only through the hosting costs there are also production costs to consider.

Wouldn't it make more sense to just freely share it with ARMY via Bangtan TV? Or not release it at all?

Yes, it would...

So there's only one logical answer...

Hybe has chosen to make the content available - but also make it just that little bit more difficult to access.

This whole exercise seems to be about releasing additional footage without releasing it to the general public. It's being shared specifically with those of us who support them.

Does that mean we'll see slightly more personal content?

Maybe it's a little more revealing of their undeniable bond and their hot chemistry...?

Whatever they contain, these behind clips are definitely for a limited audience - and purposefully so.

The only reason for it, that I can think of, is to safeguard Jimin and Jungkook from too much scrutiny and criticism - from within the fandom (unfortunately) and outside of it.

We will find out in a few days I guess.

In the meantime, I'm camped out by my mailbox

#kookmin #jeon jungguk #park jimin #jikook #국민 #true love #jikook ays #jikook are you sure

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hellotailor · 4 hours

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Apologies if you've already done a post on this and I've just missed it, but can I ask for your take on the pyjamas worn by the cast of interview with vampire? I mean technically they're not a 100% necessary item, but just from a quick look there seems to be a lot of variety and they do change over the series

ok, i’m delighted by the specificity of this question, and it turns out that i have a VERY extensive answer.

there’s a lot of sleepwear in IWTV due to the volume of bedroom/coffin scenes, and like any other outfit, these costumes are shaped by characterization and historical period. for instance claudia initially wears a long, modest, frilly nightgown - an old-fashioned style that plays into her girlish doll wardrobe purchased by louis and lestat. however her sleepwear matures over the years, including a trendy lace nightdress with bloomers in the 1920s (note the rectangular silhouette), and a pink padded jacket/pastel robe outfit in 1940s paris. she's following contemporary trends while charting a visible trajectory from child to adult.

when i wrote about the Théâtre des Vampires coven costumes, i noted that while their wardrobes share certain themes (ie. monochrome patterns and stripes), they each have specific personal tastes. that holds true for sleepwear. in the S2 finale we see the coven going to bed in their coffins, with Eglee in a gorgeous (maybe 1940s?) robe, Celeste in a striped pajama suit reflecting her 1920s-30s cabaret style, and Armand in a plain grey set of prison jammies because he's Suffering.

of course, the star pajama outfits all belong to Louis and Lestat, playing into their wealthy domestic aesthetic in S1. they receive multiple bedroom/coffin scenes, and Lestat's gold Leyendecker robe is obviously iconic.

touching on the historical side of things for a moment, pajamas (as in a matching buttondown top and loose pants) were popularized in the western world in the 19th century, as a repurposed south asian import - kind of like how banyans became trendy among the upper classes in 18th century england. this was when loungewear started to catch on as a concept, both in terms of dressing gowns and smoking jackets (which you could wear while socializing at home) and actual pajamas, which became unisex in the 1920s.

back in his human life in the 18th century, Lestat probably slept naked or wore a shapeless white nightgown (and possibly a nightcap, the sexiest of garments). but in New Orleans he adopts Louis' lifestyle, which involves a luxurious wardrobe of fashionable menswear. they're both into shopping and looking good, and i think they enjoy the ritual of getting dressed together each night.

(i also have a personal theory that Lestat may prefer to sleep fully clothed because his formative traumatic memory involves waking up naked in the dark. after all, he doesn't need pajamas to stay warm, and he doesn't have a recent habit of wearing them in his human life like Louis does. then again, maybe he just enjoys having a new outfit for every occasion!)

in Dubai, we only get one scene (iirc) with Louis and Armand in their pajamas, lying in bed wearing outfits that tie into the striped prison bar imagery of their bedroom. Armand is in warmer brown tones (like his Paris wardrobe) while Louis is in black and grey, like the rest of his Dubai outfits. i'd also note that this is the one place where they're genuine in private, meaning that they aren't putting on a show for Daniel. so this is potentially Armand's most relaxed costume in the present day.

the fact that they're wearing this kind of old-school sleepwear feels very appropriate for their whole deal, imo. in the 21st century, a lot of people just sleep in boxers and t-shirts or whatever. there's a slightly 20th century vibe to wearing a full set of buttondown pajamas, and Armand's outfit reads as more stylish (and possibly more wealthy) than your average millennial guy. which makes sense! they're old men.

i think we can assume that every single thing in their Dubai home is ferociously expensive, even when it doesn't need to be. considering the way Louis gives himself a modern makeover in the finale, i do wonder if he'll switch over to sleeping in t-shirts etc next season, or if he'll stick with variations of the same sleepwear he wore during his mortal life.

p.s. all of my iwtv design posts are available on this tag!

#iwtv #interview with the vampire #costume design #louis de pointe du lac #lestat #iwtv costume design #claudia #armand #iwtv meta #fortunatelyhercat #pajamas #asks

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herefortheships · 3 days

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I read an interview with the script writers the other night where they were asked if they ever considered Betelgeuse and Lydia’s wedding to actually go through in the movie and they stated it was never considered. And I made nothing of of it, because obviously they wouldn’t have intended it to seriously go there, but since I’ve seen a few fans at least on Reddit being sad about it, I just wanted to give my two cents: of course they wouldn’t have even considered the wedding to go through. It would have not made sense as things stood in this movie. It would have been too soon (Lydia has only been seeing glimpses of BJ after 30 years, and her last memory of him was that of him trying to marry her as payment for helping her friends and all that stuff that happened, that definitely scared her all those years ago).

But now the characters have interacted face to face and Lydia has seen a different side to Betelgeuse as well; now if they wanted to go there for a third movie, they truly can. And with the reaction to the sequel, and more specifically to the wedding scene, now they know how the fans feel about these characters and the direction we all expect them to go. We also gladly have the final scene with Betelgeuse still hanging around Lyidia, which I read was Tim’s idea, opening up the possibility for the third and final part. Tl;Dr: the fact that the writers didn’t ever plan to go through with the wedding in this movie means nothing for a Beetlebabes endgame in a final film. It can still happen.

#Beetlebabes #Beetlejuice x Lydia #Betelgeuse x Lydia #Just sharing my thoughts 💚💜

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withthewindinherfootsteps · 3 days

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For all the very self-sacrificial Wei Wuxian takes out there, I think they may actually fit Lan Wangji more?

…Before you disagree, there’s a big caveat to this – I don’t think these takes fit either of them well. But it’s interesting to compare their default responses to situations. Both want to help others – but whereas Wei Wuxian’s first instinct is to redirect (redirecting attacks to other targets, redirecting enemies’ attention to distract them, etc), Lan Wangji is much more direct in his protection*. And generally, that’s going to lead to putting yourself in harm’s way more often.

My favourite scene to demonstrate this is when Wei Wuxian and Lan Wangji (alongside Jin Zixuan) are protecting Mianmian in the Xuanwu cave. Wei Wuxian does this by redirecting Wen Chao’s attention to him, provoking him and causing him to step out of Wen Zhuliu’s range of protection. Meanwhile, Lan Wangji stands in front of her, blocking her from danger directly… despite being at a disadvantage and already injured!

Wen Chao was enraged, shouting, “How dare you! Kill them!” A few of the Wen Sect’s disciples unsheathed their swords, rushing toward Lan WangJi and Jin ZiXuan (...) the two boys were at a loss in terms of both weaponry and sheer numbers. Even more, after the past days of being constantly on the move, they were in quite a bad state, not to mention that Lan WangJi had been injured. They definitely wouldn’t be able to last long. Chapter 52, EXR translation

This is a scenario with high stakes (Mianmian’s life), but also with multiple solutions, meaning that their choices aren’t muddied by there only being one option. Yet we still see Lan Wangji directly defend – despite the fact that, if Wei Wuxian hadn’t intervened, he almost certainly would have died! And that’s true of another moment in the Xuanwu cave I never hear anyone talk about:

Before Wei WuXian could think of what to do next, his body tilted as somebody shoved him to the side. Lan WangJi had pushed him out of the way. With this opportunity, the jaws of the beast had closed, biting down on his leg. Wei WuXian’s right leg hurt from simply watching the scene. Lan WangJi’s face was still expressionless. He had only frowned slightly. Afterward, he was immediately dragged away! (...) Lan WangJi didn’t expect that [Wei Wuxian] could catch up even under such circumstances. He was utterly shocked. Chapter 53, EXR translation

Admittedly, this is a scenario with more limited options, which is why I mentioned Mianmian first. But his reaction stays consistent – directly blocking somebody from a threat with his own body. And again, he didn’t think Wei Wuxian could do anything to rescue him! He does not expect to survive, and we just… don’t talk about this???

(And note that when Wei Wuxian rescues him, he actually puts himself in less danger! Again, this is mainly due to the limited solutions – you can’t rescue someone who’s already bitten down on by blocking the mouth from biting down on them – but he’s still in a position where he does have the option to get out of the situation if he chooses (he’s not between the teeth! His hands are opening the teeth from the outside, his feet are on its shell, he can jump into the water at any time and does after Lan Wangji is safe. There is danger of the Xuanwu choosing to attack him, but his position on its own doesn’t put him in mortal peril, which is not the case for Lan Wangji here). So though it doesn’t give us that much insight into how he prefers to deal with situations, the dynamic is still interesting to consider with regard to how fanon!WWX is often treated.)

Now, maybe these examples are unfair. Maybe Lan Wangji here was very tired (he was), stressed (he was) and not thinking straight, and so he just didn’t think of other options that he would’ve chosen in normal circumstances. If that’s the case, it still supports my point – no matter his eventual course of action, his first thought/instinct is still to obstruct directly – but this isn’t just a pattern limited to this arc, and to such high-stakes situations. For example, look at his reaction when the Wens order the Lans to burn the Cloud Recesses (and though I’d be very surprised if Lan Wangji wasn’t stressed here too, he’s at least less tired).

Wei WuXian, “Is Lan Zhan’s leg related to this?” The disciple, “Of course. The first place that Wen Xu ordered them to burn down was the Library Pavilion. He declared that he’ll teach anyone who wasn’t willing to do it a lesson. Lan WangJi refused. He was attacked by Wen Xu’s people and they broke one of his legs.” - Chapter 52, EXR translation

I say this is low-stakes because actions won’t actually have that much of an impact – though there is danger, the Cloud Recesses are going to be burned down no matter what, so it’s not something you’re risking by not acting to prevent it. Yet Lan Wangji still chooses to directly oppose, to directly protect the pavilion as much as he can (even if that’s very little, and even if I do think the main factor here was actually his refusal to go against his principles and burn down the Cloud Recesses, not him trying to protect them. But that still leads to the same course of action: to act very directly). And again, that results in direct bodily harm to him**!

But even in situations where he’s not stressed or under any pressure, we still see that direct protection is his default. Just look at the way he acts towards Wei Wuxian in the present day. One of his very first actions towards him (and pretty much the very first after finding out his identity!) is to block Jiang Cheng from hurting ‘Mo Xuanyu’ with Zidian – to quote EXR, “[Wei Wuxian] hadn’t been hit by the whip yet only because Lan WangJi acted as a barricade in front of him.” – and after that we often see him protecting Wei Wuxian from dogs, we see him let Wei Wuxian stand behind him when Jiang Cheng is angry at the Golden Core reveal (Chapter 102), we even see him protecting Wei Wuxian from things they both know he can face (Su She):

On the other hand, Lan WangJi gripped Bichen in one hand as he grabbed Wei WuXian’s waist with his other, pushing Wei WuXian behind him for better protection. In reality, Wei WuXian had no need for his protection, but he still leaned against his body with both comfort and compliance. Chapter 104, EXR

None of this leads to any harm of either of them, but it still holds true to the pattern of Lan Wangji protecting by physically putting himself between what he’s defending, and harm’s way. This response of his is extremely consistent! And it’s not just towards Wei Wuxian either – there’s a tiny moment in the Lotus Seed Pod extra which you could argue fits this pattern, where Lan Wangji chooses to physically hold the heavy roof of an abandoned shed to block the rain from reaching an injured man and a few other people, rather than trying something like using wood from the shed (including the four pieces of unattached wood propping the shed up) to build a temporary shelter for them until help arrives. The circumstances and therefore actions are slightly different, but the process leading to them is still the same – Lan Wangji still acts in the most direct way he can to protect the people from the rain, which does involve exerting himself even in a situation where there would probably be other ways to solve it (even if his Lan arm strength means he can hold the roof up without a problem). It’s not a deliberate choice to do whatever puts him in harm’s way the most, but directly using himself to protect people, whatever form that takes, is his main and default course of action.

The final thing I want to mention is that even Lan Wangji’s ‘big reveal’ moment – him being the one to take Wei Wuxian away from Nightless City, fighting 33 elders to protect him – calls back to this trait as well (MDZS is so well put together)! Once more, Lan Wangji is directly protecting, risking and suffering serious bodily harm as a result. Recovering took a few years!

…And yet. I never see anybody thinking Lan Wangji is self-sacrificial. I’d argue they’re right – but why? Why, when he puts himself in harm’s way more than Wei Wuxian does?

Maybe it’s because of something like this: ‘but he does this because he loves Wei Wuxian and doesn’t want to see him hurt, and protecting others is just part of his morals! It doesn’t point to any issue within him, he does have a stable sense of self and self-worth – at least there isn’t anything pointing to the opposite’.

Which, again, I’d argue is right.

But… does that really not apply to Wei Wuxian, too?

---

*And there are moments where they don’t act like this, especially for Wei Wuxian, but that’s generally in situations where there aren’t any other options which still lead to them accomplishing their goals. Protecting the Wens by… redirecting the Jianghu’s hatred towards other people? How would he do that? How would that help anything??

**It’s quite interesting to think of how Wei Wuxian would act in these situations, actually – both being forced to burn down the Cloud Recesses (or Lotus Pier, in this case), and in preventing (in this case) Lan Wangji from being eaten by a Xuanwu rushing towards him. The first, I’m not actually sure what exactly he would do (especially as nothing he can do will stop the burning) – I’m not sure he’d just go along with it, but I don’t see him just refusing to despite that not doing anything, either (especially since if he’s unharmed, he’ll be more able to protect his shidi and shimei if they’re in danger, since he’s a much more skilled cultivator/fighter than they are), at least not in the same way. Hearing people’s thoughts on that would be really interesting, actually!

As for the second – if there’s really no time to change anything about the head or its direction, he would probably do the same (with the only other option being letting Lan Wangji die). But if there was the smallest room to change something, I could definitely see him activating another fire talisman (to distract the Xuanwu and redirect its attention to the pillar of flame instead of Lan Wangji, even if just for a moment). And even if self sacrifice really needed to be an option, with no way out beside it, I think Wei Wuxian’s would take the form of redirecting the Xuanwu’s head towards him rather than directly blocking it from reaching Lan Wangji. When he does put himself in danger in canon, this is usually how he does it (see: him redirecting the corpses towards himself during the Second Siege, while Lan Wangji is protecting him and blocking them from reaching him… another nice example of their situational response!).

I do plan on writing a separate meta about Wei Wuxian’s tendency to redirect, though, so some of these points may be reiterated there.

#surprise! the lan wangji post was about wei wuxian all along!#this aspect of him is really interesting though and comparing situational responses IS so interesting #it really makes you see just how well written the characters are – their patterns under pressure ARE consistent and so many important-#-moments in the plot tie into those very aspects too #*holds mdzs up* i just think it's neat #lan wangji #wei wuxian #mdzs meta #my meta #mdzs #mo dao zu shi #魔道祖师 #grandmaster of demonic cultivation #gdc

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i-love-ptv · 1 day

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You Know Me..𐙚⭑

Pairing: Steve Harrington x Fem!Reader

Based on the prompt: “no, i’m not going to give you a bite because i know you’re not going to like it. then you’re going to ask me how the hell i like it, and i don’t want to listen to that right now.”

Wc: 915

No warnings! Just fluff tbh! :]

An: This is a random blurb I made today at 6am lololol

buttttt NEW CHARACTER UNLOCKED!!! It’s fall, and i’m missing stranger things rn 😣

ALSO!! I don’t know who made the prompt, since I got it from Pinterest, but if y’all know, tell me!!

Not proofread, i’m tired

feedback is ALWAYS appreciated mls <333

You truly think that you’re being discreet. Taking subtle glances at your boyfriend, and more specifically, what he’s eating.

Steve’s mom has this special tuna casserole recipe, and she made it on the off-chance she’s actually home.

Just looking at it makes your stomach turn a bit, it takes you back to the dinner you had at Steve’s house when he first introduced you to his parents.

You can’t remember what his mother made, but what you do remember is how after Steve dropped you off at your house with a kiss, you were in and out of the bathroom all night.

You blame it on the fact that you may have a sensitive stomach, it’s not uncommon!

But, a part of you felt bad, she put her time and effort into making a meal for you. She doesn’t even really do that for Steve himself.

So you couldn’t just reject it, besides, your mother always told you to ‘try everything first!’.

So now, that’s exactly what you were going to do.

Steve had only come back to your shared home with one plate, so you had to think strategically.

Maybe you could distract him, tell him something’s wrong with the bathroom sink. Yeah! That’ll work!

“No, I’m not going to give you a bite because I know you’re not going to like it. Then you’re going to ask me how the hell I like it, and I don’t want to listen to that right now.” Steve’s sentence catches you off guard.

You whip your head towards him, staring at him like a deer in headlights.

“..What do’ya mean, honey?”

“No, don’t give me that look. Baby, I know you, and I know you aren’t the biggest fan of my mom’s cooking. I’m not either.”

You jump up at this, nearly falling off the couch, which makes Steve grab your waist with his free hand. He tries to get you to sit back down, rather than kneel on the couch.

“What? I love your mom’s food!” You practically yelled, your voice picking up in pitch.

Steve gives you a look, in both disbelief and amusement.

“Sweetheart, you don’t have to lie to me. D’you remember the 4th of July?”

You cringe at the memory of that day.

Steve’s family, meaning his parents, two aunts, an uncle, his grand-parents, and like four cousins - two of which, were kids - had came together for the 4th of July.

Steve, of course, invited you. He figured it would be better for him to bring you so you could meet his family, and so that he didn’t have to be alone.

The company was great, you loved talking and getting to know everyone, especially his grandmother.

But when it was time to eat, you were a bit….Hesitant, to say the least.

Steve’s dad worked the grill, and to be honest, you didn’t think it was going to be all that good, but it was!

But your dinner was spoiled by Steve’s mom’s watery macaroni and cheese, her oddly sweet potato salad, and her rock-hard rolls of bread.

But you refused to cause a scene, so you shoved all your thoughts down, and ate.

…Which resulted in you barking at Steve, telling him to drive home faster so you could use the bathroom.

You shiver at the thought of how you spent the rest of the night, in and out of the bathroom.

“Yeah, but, I think it was cause I ate too much!” You stammer, before continuing. “I’m all good now, though! Let me try some!”

You try to reach over to the plate, which is being tilted away from you by Steve’s right hand.

Your hands are resting on the brunette’s shoulders, while your body leans in the direction of the food.

“Baby, please. You don’t have to eat my mom’s cooking, I know it’s not good. Please save us both the trouble.” Steve sighs, you know he’s not mad at you.

He’s actually anything but.

He admires how you’re pushing down your feelings, only to uplift his and his mother’s. But he doesn’t want you to think that you’re required to do so.

After another 5-ish minutes of you blabbering on about how you ‘want to try her hard work’ and Steve arguing back, you slouch back onto the couch with a huff.

“I know y’wanna be nice, baby. But you don’t have to.” Steve softy coos, while rubbing your stomach.

“I know I don’t have to, but I want to Steve.”

Steve hums at you, and moves your legs from his lap as he stands up.

You track his body, as he walks into the kitchen, scrapes his plate, then sits it in the sink.

Steve goes back to the couch, picks you up, and then lays you on top of him once he’s comfortable laying down. He puts a blanket onto the two of you, and then rubs your back.

Steve leaves a firm, but sweet kiss on your forehead. “My sweet girl, always so nice to everyone, huh?”

You giggle softly, your eyes growing heavy at the feeling of him drawing shapes on your back.

The last thing you remember is him briefly reaching over you, and using the tv remote to turn down the volume.

Steve doesn’t know how he got so lucky with you, but he’ll spend the rest of his life thanking any, and every god for you.

And you’ll never be able to lie to him.

Cause he knows you.

────♡────

#lee’s writing! ₍ᐢ. ̫.ᐢ₎#steve harrington #steve harrington x reader #steve harrington imagine #steve harrington fic #steve harrington fluff #steve harrington fanfic #steve harrington x you #steve harrington x fem #joe keery #joe keery x reader #stranger things #stranger things fic #stranger things fanfiction #eddie munson #eddie munson x reader #eddie munson x you

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galacticseonghwa · 2 days

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reading and meetings - Lee Jeno

INCLUDES ! — vice president!jeno x fem!reader, swearing, suggestive, lmk if i've missed anything else AUTHORS NOTE ! — this one-shot is based on a tiktok imagine i saw ages ago and just decided to write it in my writing style whirl adding a little something to it🙂‍↕️ also if yous happen to want me to make the fic longer, don't be scared to ask me to!

sitting on your boyfriend's lap, a soft-cover copy of die for you in hand. you can feel jeno's hands sliding up and down your thigh gently.

he’s in an important meeting and you were asked to keep him company through an online meeting as he listens to men drone on and on about the fact that the CEO of the company does "nothing" for them.

you hear complaint after complaint but pay no attention to what's actually being said. every few minutes you hear jeno scoff as he rolls his neck to crack it with a grunt.

you lean your forehead against the side of his neck as you turn the page only to come across a smut scene.

shifting in jeno's lap with an awkward cough thinking jeno would be reading along with you, which he indeed was doing but he won't ever admit to that, you feel his arm snake around your waist and pull you closer to him if it was even possible.

now you're trying your hardest to focus on the words, all you could think and feel was the fact that your boyfriend had his hands on your thighs, gripping them softly.

feeling him place a kiss on your temple, you feel his hot breath on the side of my neck before he finally speaks, lowly.

“baby, calm down, i can feel you throbbing on my thigh.” he says before turning his attention back to the conversation.

jeno's hands knead your thighs softly, slowly dragging them higher up your inner thigh. your eyebrows furrow as you try harder to concentrate on the book in your hands and not jeno's hands.

his hands leave your thighs quick enough to turn his camera off. "jeno? where did you go?" a female's voice whines leading you to snap your eyes up to jeno's laptop to see a blonde girl pouting her red-stained lips.

jeno chuckles at you. "i'm still here, i just have to do something and i don't need you all seeing what i do in my personal time." is all he states before muting himself.

jeno’s hands return to your thighs, gripping the flesh harder as they travel dangerously closer to your core.

“jeno?” you whisper out. jeno smirks and takes the book from your hands, putting it down with the page you were reading still open.

“baby.” jeno hums, his lips tracing the side of your neck, his tongue peeking through his lips as he reaches your jaw.

he takes a deep breath, inhaling the scent of your lime basil & mandarin perfume. "you always smell so good." he mumbles into your skin.

TAGLIST — @sinisxtea @haechology @wonwootakemyheart @sk8mrk @vltevgrdn @rjreins @nanaleehyuck

#galacticseonghwa #nct #nct dream #nctzen #lee jeno #nct jeno #nct lee jeno #jeno smut #jeno fic #vice president jeno #lee jeno smut #lee jeno fluff

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mellonieee · 1 day

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Every single time Foop/Irep has ever interacted with and/or mentioned his parents

(OG FOP only because he hasn't talked about them once in A New Wish. That might change in season 2 if they decide to include the antifairies more. I love this family and their non-existent relationship ♥��)

I go into quite a bit of detail here so I'll put the rest under the cut!

1. Anti Poof (Season 7, episode 1)

This was the only episode his parents showed up on screen with him. But it's important to note how Anti Wanda and Anti Cosmo react to his existence in the first place. They're excited!

They both want this child! Anti Cosmo starts the episode bemoaning the fact that there isn't an anti-poof and that he wants equality for antifairies. (Poof/Peri has existed for an entire season at this point.)

I'm assuming it's just the case of antifairy pregnancy possibly being longer than fairy pregnancy and the fact Poof/Peri was made through a magic wish unlike Foop/Irep that they weren't born around the same time, but who knows how any of that even works. But regardless of that, his parents are both overjoyed when Foop/Irep is born--Anti Wanda's love for her son is out of the question, and Anti Cosmo only gets mad at his son once Foop/Irep goes out and ruins anti fairy world, not in any other instance does Anti Cosmo act mean to Foop/Irep, even when he gets zapped twice by him, AC merely reprimands Foop/Irep by telling him that he needs a nap.

Gotta love the ending where his parents get him a cake and want to break him out of jail. Baby's first jail time!

Irep/Foop's second appearance Playdate of Doom (Season 7, Episode 22) doesn't have any mention to his parents, sadly. And oddly enough, this goes both ways with his parents. Anti Cosmo and Anti Wanda appear in Balance of Flour (season 7, episode 29), which was their last and final on screen appearance in the original show, and they dont mention their son at all. It's noticably weird because Poof/Peri was there the entire time. Despite his parents disappearing off screen, the start of Anti Cosmo and Anti Wanda getting mentioned does start the next season after.

2. Love Triangle (season 8, episode 1)

(I'm going to just refer to Irep and Peri as their current names from now on instead of using both because it gets tedious.)

Irep's Kelly Clarkson lunchbox aside--in this scene he states that his Mother packed Anti Venom in his lunch as well as his chicken nuggets. I like to think this means Anti Wanda packs his school lunch regularly because that's cute.

These constant mentions of his parents from here on out are notable because it means that even though they don't show up, heck, they don't even show up in the episode Spellmentary School is introduced despite Cosmo and Wanda being there and that being the perfect opportunity to use Anti Cosmo and Anti Wanda, it's being implied and shown that Irep is still in the care and custody of his mother and father.

Despite showing up in season 9 by himself, Irep does not mention either of his parents again after the first episode of season 8, but it's still shown that he lives with his parents in their castle.

(image fromThe Terrible Twosome, Season 9, Episode 6)

3.Return of the L.O.S.E.R.S. (Season 10, Episode 7)

Irep starts mentioning his parents again starting in season 10. In this scene he states that he's in timeout for now because he put spiders in his father's food. If I wanted to get nitpicky about this, Love Triangle implies antifairies actually eat spiders and don't seem to mind.

New Headcanon: Anti Cosmo is the antifairy version of vegan or whatever and that's why he had issue with it.

Irep continues to mention his parents in a few season 10 episodes after this.

4. Blue Angel (season 10, episode 13)

Irep mentions that he took his rich father's credit card and used it to buy a bunch of cars to destroy the environment. I don't doubt Anti Cosmo has a ton of money considering he's the leader of the antifairies, but there's no way he actually gave Irep that card willingly lol. Outside of that the Chloe and Irep interaction in this was nice, the only part of the episode I really liked.

Irep continues to show up in season 10 after this episode and does not mention his parents in any other appearances outside of his last one. Which is episode 35...

5.Certifiable Super Sitter (season 10, episode 35)

Certifiable Super Sitter is that one episode with the Vicky chainsaw image that people keep ragging on because it breaks every established rule. Peri doesn't show up at all for this entire season until this episode. The in-universe reason is because he was at school the entire time, the writing reason being because of too many characters. Despite this, Irep shows up more often than his own counterpart.

Irep states the reason he came over is because "his parents left without leaving him a forwarding address again."

Again? What does he mean by again? He's literally been living in Anti-Cosmo's Castle the entire time. These screenshots are from the exact same season. And there has been nothing to imply that Anti Wanda and Anti Cosmo even moved out of the castle in the first place. The castle in literally still in Anti-Cosmo's name. Even after they stopped appearing, Irep's mentions of them implied that they all still lived in Anti-Cosmo's Castle. How else would Irep be getting his lunches packed by his mother, how else would Irep have gotten in trouble for putting spiders in his father's pasghetti?

Anti Wanda attached herself to her son as soon as he was born and called him "Sweetie." (Anti Poof) Anti Cosmo literally cried over not being able to have a godchild. (The Fairly Oddlympics) I don't think they would purposely do that.

If Irep never mentioned his parents outside of Anti Poof, then I guess that could be a way to explain their absence? But it just doesn't make sense. He kept bringing them up. His parents were in his life. Like I'd even take the explanation of 'Anti Cosmo and Anti Wanda had an offscreen 3 season side plot where they get hunted down' or something crazy like that. What happened???

#mellonie takes fop lore too seriously: part 2 #fop #fairly oddparents #the fairly oddparents #anti fairies #anti wanda #irep #anti cosmo #irep fop #i dont play around when it comes to the antifairies man #fopanw #a new wish #fop a new wish

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all-pacas · 2 days

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OKAY. 13 AND CHASE IN AFTER HOURS THO

The fact that when 13 needs help, she calls Chase. Why does she call him? Why doesn't she call someone else? She needs someone to deliver her a portable ultrasound, and okay, you could argue Foreman is a bad call because he's her ex and would pry. That House would just refuse. Taub would have been a good pick tbh, he would drop it off and just go home no questions asked. But no, she calls Chase

(And I love that call. "You doing anything?" "Oh, yeah, I'm just about to go out," Chase lies blatantly, asleep in bed with a book on the crusades on his chest. Like the loser he is. I don't know that it was done well but I love how S7 examines his Dumb Whore tendencies: it isn't really him, it's a rebound. He does it again when he gets stabbed.)

And of course the second he shows up he immediately sees through 13's excuses and pushes his way into the apartment. Because we love Chase's observation skills triumphing over his laziness.

13 tells Chase the prison backstory. Like! It's kind of glossed over. She hasn't told this to anyone else. She doesn't hide it. I killed my brother. It wasn't murder. Chase is just pacing, you just know he's twigged as hell, he's so anxious all at once as she tries to brush past it. The idea that 13 kind of had to tell him to explain Darrien's presence but she's also — House is the only other person who knows.

CHASE: Have you talked to anybody about it? I mean, are you okay?

Like we know this immediately triggered something in Chase, but 13 doesn't, and seeing him so anxious and pacing and ignoring the bleeding dying woman as 13 works, it's just. Incredible. It's good. He cares immediately, he's relating to this immediately.

But I love seeing them work together. Like they just immediately go in sync, Chase offering suggestions and 13 doing the work. They're just. It's nice.

SIDE NOTE: House says he called everyone before he called Cuddy. We see him call 13 and Taub. Chase is off picking up drugs, we don't see House call him, but like. He had to have called Chase first, right? Did Chase not pick up? Did he blow him off because he already was dealing with someone bleeding to death in someone's apartment??

The way they fight oh my god. The way 13 just is trying to fucking murder Chase. She punches him, she claws and shoves him, and then he just clocks her and stares horrified as she falls to the floor. Like it's an actual fight, it's brutal, it's so good. They hurt one another. I can't explain it but I love how brutal it is, that they both walk away with bruises, that it isn't pretty. Incredible. Amazing scene.

CHASE: You were defending your friend beyond all rationality, granting her the right to die in your bedroom. Was it really all because of a promise? 13: That word means something to some people. CHASE: Not that much. […] CHASE: You promised your brother you'd euthanize him and you think you won't feel bad about it as long as you can blame it on the promise. That's why you have this twisted obligation to keep all promises… or your carefully constructed defense mechanism could crumble down. 13: I saved my brother from a lot of pain.

!! Chase keeps bringing it up, he keeps bringing up her brother, not out of I can't believe you did a murder or I can't believe you went to prison but: you must hate yourself. He's calling her out on her coping mechanisms, he's calling her out on her guilt, and it's so fucking clear what he means is I get it but he's not saying that part. 13 killed her brother and now has to believe she did the right thing, no matter what, no matter how she feels. She's taking away her own agency: it was for a promise, it was his decision, she had nothing to do with it, it's fine, it doesn't feel bad. Chase killed Dibala and told himself it was for the greater good, it was morally just, it was the right thing to do, it doesn't feel bad. And it nearly destroyed him. And so he's pushing and pushing at it. He never goes 13 went to prison! he never goes it's so crazy you did that! Whenever he brings it up it's only in the context of how worried he is about her. Has she spoken to someone? Is she coping? Is this healthy? Is she okay? He's so worried. He cares so much.

I adore 13 and Chase running out of ideas with Darrien and calling dad. Most sibling coded of all time. Just. And the fact that House doesn't allude to also being in the hospital, actively bleeding and in pain, just, yes, we gotta help bail you two idiots out. Beautiful moment.

Chase getting 13 ice and coffee and still feeling guilty for punching her out, and 13 not blaming him at all. Like. You know. Don't beat people up. But in this one case I totally approve. Because I love it.

13: Darrien had to shoot that kid. It was the right thing. Completely justified. But it didn't matter. She destroyed her life trying to forget. I'm afraid that's what's gonna happen to me. CHASE: You really should talk to someone. 13: I've talked to a therapist. It didn't help. CHASE: Well, maybe you should talk to someone who isn't a therapist. 13: Do you really think you have any idea what it's like to live with something like this? CHASE: Let's grab a coffee.

Since the second Chase found out, this is what it's been leading towards. I love that he doesn't answer, he doesn't say a thing, but this is what he's been thinking all episode, why he's been pushing, why he's been so worried and caring: talk to me. Tell me you're not okay. Tell me everything isn't fine. And 13 holds it back until the end of the case, until it's over and she has no distractions. It's not at all clear Chase himself has talked to someone about Dibala, btw. He probably hasn't.

And how insane is that. He never told Foreman or House; they figured it out. He told Cameron: she left him. (Imagine being 13, hearing this. Realizing the timeline. She went to their wedding. What did she think happened when Cameron just … left? How quickly does she figure it out now?) House told Chase to talk to someone, Chase tried Confessing, but whenever he's tried to tell anyone it's gone terribly for him. I don't think he has talked to anyone. But he repeats House's advice to 13: talk to someone. (Talk to me.) He's offering her what he never got. And their situations are different, hers is much more sympathetic and easy to accept than his. Chase never goes I never got help or you have nothing to feel bad about or implies he doesn't think it's a big deal: his entire reaction is just empathy. He wants 13 to get what he didn't get, he wants to help.

The song that plays over the end of the episode is Bon Iver's Flume. And as much as you can apply it to House, and Cuddy, and Wilson, and all of that — it's a song about feeling isolated, feeling alone and being afraid of letting go. Of holding on to things that stain and hurt. The lyrics that play while 13 and Chase are having their coffee in the conference room, though:

i wear my garment/so it shows now you know

And I just! I love! Them! The ways 13 and Chase are so alike and so damaged, the way Chase reacts with empathy and care and wants her to have what he didn't, the way they know one another's secrets and worst moments and rely on one another so easily. 13's secrecy is a meme, in and out of universe, but Chase is absolutely no better: he won't even admit he's Catholic when talking to a nun. They're private to faults, they mask by sleeping around and taking risks and pretending not to care, they hide their hurts and then somehow, they punch one another in the face and know everything. I'm just. I'm so obsessed with them. I want them like this always.

#robert chase #remy thirteen hadley #prodigal siblings

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rose-tinted-kalopsia · 1 day

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"floral blessings" ; a braindump from yours truly because this card is absofuckinglutely my most favorite xavier card on the face of the planet and i am. going. to talk about it <3

like with all my 5* card "analyses" (but also more like a wordvomit really 😭) this will contain spoilers for: (a) this card itself, (b) the lightseeker myth, (c) the lumiere myth, (d) anecdotes, main story, and world underneath !

[ this is also very long............ you have been warned 🤲 ]

first of all...... MY GOD...... FHSNNFBSJFJSJFK YELLING SCREAMING THROWING UP IM NEVER GETTING OVER THE KINDLED CARD FOR THIS BECAUSE. BECAUSE HELLOOOO??? HELLOOOO???

anyway..................

timeline-wise, the card pretty much implies a very solid relationship between the two, so while i don't know where i'd place it between 21 days and no restraint, it's definitely still after 21 days! but with that said, rather than more focus on their individual development like in no restraint, this one seems to focus more on their relationship as a whole, i think?

overall this braindump won't be as organized as what i wrote for no restraint (i think...) because my brain is still so completely absolutely mush over this card, but i needed to write SOMETHING or i'd explode to smithereens 😭 so nevertheless...!!!! i'll section off a couple scenes so if you want an outline, it'd be something like:

[1] general setup (an overview of parallels); [2] "reunion" (parallels and relationship development); [3] xavier's forwardness (the courtyard meetings, lessons, giving of the mask); [4] day of the festival; [5] the wish

but bear with me;;; there is SO MUCH that goes on here, and i really wish i had the patience and coherency to point out every little thing because holy shit 😭

firstly though, and i just found this really cool, but apparently the flower goddess festival is (was) an actual thing!

from what i've found (and correct me in i'm wrong) it's apparently a very ancient festival that's not widely celebrated these days, so it's not super popular or well-known, but it has many names such as: "Flower Goddess Festival (花神节 huāshén jié)" "Hundred Flowers’ Birthday (百花生日 bǎihuā shēngrì)" and "Flower Goddess’ Birthday (花神生日 huāshén shēngrì)" !!! i couldn't find much information about it though, but it seems that what was in the card such as the flower cakes and the dance really were actually part of the festival~ and i've also seen people say that xavier and mc's outfits feel to be from the tang dynasty, which a lot of people speculate is the time period that this festival originated!

BUT, MOVING ON...

i. general setup — an overview of parallels

i think honestly what's most interesting to me here is how much the overall card mirrors xavier's lightseeker myth so incredibly well. with all of xavier's cards, and how he's grown as a person and how their relationship has developed overall... so much of all of that ties to who he was as a lightseeker, to who he was as the prince of philos. in fact, it goes without saying that lumiere's myth story itself is so bound to the lightseeker myth. because, and i've said this so often and repeat myself a lot with it, lumiere is a direct reflection of the princely persona xavier has grown up with. that the reason he's always been so averse to who he becomes as lumiere is because he essentially channels prince xavier, someone who he's never thought to be truly him, someone who he's been wanting to push aside and no longer be. (i talk about it in my lumiere myth braindumps and touch on it in my no restraint braindump!)

and there's something about that reflection that transfers here, too, because there are two things that all three situations have in common: (1) a position of importance, and (2) a duty to do or fulfil something.

of the prince of philos and heir to the throne, of lumiere as the strongest hunter expected to protect the citizens, of the young master—usually the son of a wealthy family, however, in this case xavier claims he was "adopted" due to his calligraphy skills—with the task of seeing the festival through and teaching the flower goddesses calligraphy.

yet, at the same time, there's something different about the way xavier assumes this role of the "young master":

he's able to say no.

the role is lighter, likely because it's not a true role and, like mc as a flower goddess, he knows that it's temporary—but the way that their first meeting in the courtyard can remind you so much of prince xavier is almost jarring.

it's reminiscent of the very first time mc sees him with his bodyguards, in our most favorite anecdote "when shooting stars fall":

"They aren't clad in all black as one would expect, and they keep a respectable distance away from Xavier. Still, these people exude an air of oppression. Xavier, with his bag, is at the center of their group. It seems he's used to being stared at. The only difference is that rather than being his usual expressionless self, he appears slightly upset."

lt's reminiscent of that time they staged a spar, only for the royal messenger and his guards to interrupt it:

"The royal decree he brought today was related to the future of Philos ... Xavier was taken away by the Royal Messenger. Our duel ended with no clear winner, and the crowd quickly left."

and you can see how his progression grows, from prince xavier, to lumiere, to this role he plays as the young master—if as the prince of philos he had no choice but to follow the path laid out for him until he had enough of it, as lumiere he was more free to choose who he saved and when he saved them. now, as the young master, he's able to say no, sir, something urgent came up. he's able to say right now, i have something that i want to do first.

which, also interestingly, but in the more 'passive' role he played as part of the special task force, he wasn't quite one to say "no" either—though he kept a low and nonchalant profile, he's never outright refuted anyone, even if he might disagree, such as the party gathering or whatnot.

(also, slight segue, but it's notable that he's likely grown into a habit of a little selfishness due to what appears to be some kind of aversion to "serving the people". i do talk a little bit about that here—but it's the fact that (a) all he really cares about is mc, and (b) he likely still doesn't want to fall back into his patterns as prince xavier where he felt chained to think of the people more than the woman he loves. it does bring a little bit of question to his morality, but we know that mc has very much been something like his moral compass throughout.)

but, more than just the ability to say what he thinks and say no to certain things he doesn't put as a priority... he also feels light enough to goof around a little. dozing off/doodling during class, cheekily vying for mc's attention without concern about showing "favor"... something about xavier in this little persona he's taken on is an air of confidence. this was a kind of confidence you didn't see from him as the prince, as lumiere, even as the task force member. and it's not the confidence in his abilities, which has always been there—

it's the confidence in himself.

it takes a certain level of sureness to be able to do things on your own terms, or to be able to voice the fact that you want to.

i believe that throughout the parallels strewn throughout this card with how the setup is, it's this confidence that shines through and really makes things different.

because this time, xavier is different.

he's growing as a person.

ii. the "reunion"

this part of the card had me gasping out loud, i kid you not 😭😭😭 because the parallels really the fuck parallel in here 😭

"The Chen residence is far away. And I can't exactly leave as I'm one of the Flower Goddesses. So, I had to let Xavier investigate himself."

"He said he'd be back after four days. Why isn't he here ... Worried, I sit on the grass and gaze at the night sky. I'm barely in the mood to appreciate the fragrant blooms above."

first of all, the setting very much feels like the meteor shower scenario in "when shooting stars fall", but also...

"Xavier would always leave me like this. At times he joined the expedition team. Other times he was returning to the palace with the Royal Messenger. I'd always ask when he could return. He always returned within the timeframe given to me.Before the Prince entered the Forest, everyone was praying for his safety. At that time, Xavier whispered into my ear... 'Seven days.'"

"He's always lied, again and again and again and again. He said hope would follow when spring arrived. He said he'd take me to the new planet he discovered.He said he didn't want to be King but also refused to let me stand by another's side. He said he'd return when I miss him. He said when I become the Queen of Philos, he'd be my knight. The song he made up is now a reality. Yet as thousands cheer my name, he abandons me... At that moment, a spaceship soars across the sky like a shooting star, disappearing into the night. My footsteps echo in this empty room. No one will be by my side. My star has left me. And this time... he will not return home."

everyone's favorite scene from the lightseeker myth.

while at the same time...

"For some reason, seeing Xavier quietly admiring the nebula, I suddenly feel a wave of panic and instinctively reach out to grab his hand."

^ that's from "shining traces", but only one out of the many examples wherein mc feels as it xavier is someone she could lose at any second—not particularly because she doesn't trust him, but because there's a nagging feeling in her chest that they could be separated for longer than either of them would have hoped to be. after all, it's happened before already, she just doesn't know it. but whatever it was that happened in her previous lives, i've no doubt that the anxiety from back then had likely transferred over anyway.

and this is what this reunion feels like.

a sense of discomfort around his absence, that nagging "what if" he doesn't come back.

but it doesn't stop there—

because xavier does return, albeit very tired-looking (again i'd call this reminiscent of That Moment in "when shooting stars fall" where he brings her the protocore in hopes to keep her from dying).

and more than that, he explains. again, like what happened in the no restraint card, he explains. he doesn't keep things vague on purpose, or makes it seem like he's hiding something from her. he explains, and he takes the initiative to, if only to soothe her worries.

to soothe her worries.

that's an important point.

(and also on a side note:)

HDJJAJDJSJ I HAD TO AND THIS IS A DIRECT PARALLEL TO "No matter how many times it takes, no matter where you are... I will find you." BY THE WAY

anyway......!!!!!!!!! again, it doesn't stop there.

because this scene and this conversation also directly talk about home.

and this conversation means a lot more to xavier than, i think, generally one would realize. mostly because—and i remember kay making a really good point about it here—xavier has gone through a lot to get to where we see him now, and so much of change that he's had to get used to... time traveling so far only to get stuck? the different lifetimes he and the backtrackers would have had to witness this whole entire time?

like i mentioned, our brain's natural instinct is to strive for stability—you can even see it in what we know from our high school biology lessons a la homeostasis. yet, what xavier went through, what the backtrackers went through, is one hell of a shock of a change. it's the kind of change that needs processing, but isn't easy to process, and especially not quickly. and xavier had little to no one to lean on for support, to lean on to guide him through it. the result of which being that, as established even in his earlier cards... change isn't something he likes.

and as also established in world underneath, we know he just simply wants a neat little mundane life with mc.

keyword: with mc.

he doesn't really know what home is, because he has a distorted perception of it—the xavier now, in this moment, still recalls his home planet, the life he has ties to, back in philos. but as he is now, his home is in linkon. and then it comes to the conclusion that the answer is, really truly, neither.

his home is with her.

he says it, this time, explicitly.

it's his declaration that it's okay if things change, as long as he has her—as long as she remains the constant. then change is something he can deal with.

yet, even as he reveals all this to her, the conversation starts with him asking her. the conversation starts about her. and it's she who's able to give the opening back to him, by touching on things like change and belongingness.

"Even in a place this strange, you'll feel like you don't belong. No matter how long you stay ... Am I wrong? l'm sure many people feel safer in a place they're familiar with."

mc isn't a stranger to change, either—she's had a lot of it in her life, specifically the life she lives now as a hunter. the chronorift catastrophe, her family... it's not as if she doesn't know how jarring change can be, and she expresses that here—having to "start again" in a place she's unfamiliar with... it's not easy, and it's easy to feel out of place.

humans are social creatures. we were made to be social, we were made to interact with others. but from that need and that inherent desire (because no matter how small, it's always going to be there) stems the need to belong. a human emotional need to affiliate with and be accepted by members of a group.

this is something that is so prominent in mc that it is a place of solace for her to feel like she belongs somewhere. but this sense of belongingness is something that xavier has NOT experienced for a long, long time. it's only something he's been learning to experience again with her, and the people that surround them in this life that want nothing but the best for them both.

it goes back:

his home is wherever she is.

and i think that it's beautiful that, after hearing xavier's side, mc then chooses to agree with it:

"Maybe... the sense of belonging I have is like yours."

if his home is wherever she is, then her home is with him.

ALSO— while we're talking about this scene... the little banter they have with the flower cake?????? AND THE FACT THAT HE KISSES HER?!!?!?!?! JUST LIKE THAT!!!???!?!?!?!?!! (if you can't tell, i yelled about it)

AND THIS SCENE;?!

—"His eyes are a little red, maybe because of how exhausted he's been lately. Even his blinking has slowed down ... 'I'm a little tired. Can I lie down for a bit?'"

—"Before I can answer, Xavier rests his head on my lap."

DIRECTLY plays out the mutual reliance they have on one another for comfort and rest, because it parallels that line in lightseeking ovsession that we're all familiar with:

"You rest, I’ll be by your side. Always. If you have nowhere to go, nowhere to rest your weary self… you can stay with me."

i think that as much as they have been growing in to their own persons, they're both so closely intertwined, and so much of their love for each other really just pours out all the time.

iii. xavier's forwardness

granted, one thing that's interesting in this is that they do start out pretty tame. there's a little bit of a vague area concerning their relationship at the start of the card, especially since mc seems back into her old habits of starting something and not following through—or otherwise, unintentionally starting something, and then shying away afterwards. she does get noticeably flustered, but she pushes the fluster away... almost as if old habits die hard.

...but xavier, on the other hand, is more consistently bold with whatever he's doing.

there's no hesitation on his part at all, even.

in fact, xavier is the one who initiates most of these things, and doesn't shy away from it. his cheekiness really shines through—he's the one who kisses her suddenly (and for all the other kisses he initiates in the card); he's the one who fixes her clothes, her hair; he's the one playing around while teaching her calligraphy; he's the one who's so eager and unbothered about showing off their relationship:

—"Did we need to hide? Or can the Young Master not chat with a Flower Goddess?"

—"It was going to be awkward... And I heard one of the hosts of this ceremony is the mansion's owner. Since you're an organizer and the Young Master, it wouldn't look good if I was biased, right?"

—He touches the small of my back, which makes me stand up straight. "But you always have special place in my heart."

and:

"Well, I guess everyone knows now. Does this mean I can officially play favorites?"

like he's actually being SUCH a menace i had to pause and take a deep breath

but he's very consistently bold, and it, again, goes back to the confidence that he's gained in himself. he seems a little less of the uncertain, almost shy ish xavier who didn't quite know how to make proper advances... this time, he knows mc is comfortable with his advances, and he gets to play around with that. they're comfortable around each other, to this point that he can be a little more free with his words and his actions.

and eventually, we see mc beginning to reciprocate that again—especially during the festival itself, and in the kindled moments.

which brings me to...

iv. the festival day

i'd specifically talk about, here, the moment before the dance and during the dance.

because it's alao the exact moment that we see mc begin to actually reciprocate and throw back her own advancements—it's the exact moment we have a confirmation that she loves him, that she adores him, that he means so so so so much to her.

and on the day of the festival, we go back to what i highlighted earlier:

he soothes her worries.

the first instance we see this is their little "reunion" that we talked about—it's his very presence, and his added explanation, that calms her down in that moment.

and now is not so different:

—"The most important part of the ceremony, the Flower Goddess Dance, is about to begin. I glance again at the crowd. 'Where will you be during the dance?'"

—"Xavier gently takes my hand that's holding the petal. 'That flower from the roadside will wilt if you keep touching it.'"

—"'I'm just a little nervous.'"

—"'Scared of dancing, hunter? Actually, I got you a gift ... It was meant to be a surprise. But since you're feeling nervous, I figured I should tell you."

—"'That works. Now, my focus has shifted to the excitement about your gift.'"

(which, another side note, but "Scared of dancing, hunter?" had me GASPING because???? the way he teases her in this?! it's so unabashedly him without holding anything back, no coyness about it but he's being a cheeky little shit 😭 i adore him...)

a few things to note here is that out of context, it does feel like a little bit of an awkward way to be comforting someone—yet, it works extremely well. what xavier does here is not provide reassuring sugarcoated words like "it's going to be okay", he distracts her from the problem instead by giving her something to look forward to. which, in this case, is the gift.

interestingly, in a way the 'distracting' is also reminiscent of something he does when he tries to hide something from her—cutting the conversation short when she asks about lumiere, in the lumiere myth asking her to go check on the 'wanderer' so as not to let her see what he had to inject from the ship...

in his lightseeker myth, they talk briefly about his fight with the king, and the possibility of him no longer taking the throne. this conversation proves vague and a little bit one-sided, and in the end he pushes forward the idea of eloping to uluru almost as if to avoid further discussion about the fight itself.

but this time, that's not particularly where he stops: he addresses her question as well, just to find a fallback, an extra little bit of reassurance.

—"'See that tree over there? I'll be standing under it.'"

—"I follow Xavier's gaze. Nearby is a tree covered in red silk ribbons and wooden plaques by the bridge. 'So if I mess up the dance, you'll see everything, huh?'"

—"'I promise I'll forget about them after a good sleep.' His gaze remains on my face, appearing indifferent. Yet I sense a passion about to overflow. 'The only thing l'll remember today is your beauty.'"

FIRST OF ALL. "The only thing I'll remember today is your beauty." A BEAUTIFUL FUCKING LINE, BY THE WAY. IT GAVE ME LITERAL BUTTERFLIES I HAD TO PAUSE FOR A MOMENT. (1) more proof that in the end she's really all he cares about, (2) he's being unabashedly bold with his words again—no filter moment, but zero hesitation, (3) "i sense a passion about to overflow"? he's not being coy about this either, he's saying what he truly feels. he's opening up and expressing himself more, expressing his love for her more, and being genuine about it!

but also, in terms of additional comfort, it's a widely known tactic in states of panic to ground yourself by using your senses to register something familiar: you see something familiar to you, hear something familiar to you, touch something familiar to you, smell something familiar to you. such as, the ground beneath your feet. the air around you, the vague sound of chattering around you, maybe even the touch of your bag, or the fabric of your clothing, the window you know has always been there, etc. panic brings about a sense of derealization, and grounding yourself is usually the first step to calming down.

what xavier is doing now is offering the knowledge to her that he will be there. that she knows exactly where to look for him if she needs to during the dance. she has the opportunity to ground herself with his presence whenever she needs to.

(and again, it's a direct reflection of that line: "You rest, I’ll be by your side. Always. If you have nowhere to go, nowhere to rest your weary self… you can stay with me.")

and it's exactly what she does.

though she ends up enjoying the dance and the crowd does block her direct view of the tree during the dance itself, she takes comfort in the fact that she knows he's there.

she trusts him; she doesn't need to see him to know that he'd there.

and then she thinks something beautiful:

"Engrossed in the dance's rhythm, my mind is strangely at peace. After all, I know there's someone in the crowd whose eyes are only on me."

once again, it goes back—his presence offers her comfort.

the first thing she does once she's received all the flowers is run to him, and he waits for her gladly. like he's always waited for her, like he always will wait for her.

"A lot of people wanted to give you flowers. I couldn't get past them, so I decided to wait for you here. Seems they're quite fond of you, just like me."

a note: the peach blossom

i figured this deserved a section on its own actually, particularly because the whole theme is this whole "flower goddess" thing... and in the beginning, we see mentions of the "goddess of daffodils" and the "goddess of peonies".

yet, we never really truly find out what mc's potentially assigned flower was—

the only mention of a flower that we do see, directly related to her, is when the little kid compliments her hair and places a peach blossom into her basket.

and while i wouldn't know if this means it's her flower or not, but the specific mention of the peach blossom is adorable, because in chinese floriography, the peach blossom represents love.

it's used in a lot of chinese literature and often associated with the arrival of spring—which, "according to the rites of zhou, the middle of spring is a period when men and women fall in love freely." therefore, a lot of chinese literature and poems also allude peach blossoms to romance, being that spring does as well. but, it's also associated with beauty: "after the wei and jin dynasties, beauties were portrayed in a more detailed way with words like taohua mian (peach-blossom-like face) or tao sai (peach-blossom-like cheek)." and there are other things it represents too, like prosperity, growth, and longevity.

when xavier gives mc the hairpin at the end, mc describes it as "pretty and adorned with pink flowers as if they are on a branch", and while not explicitly stated, i do believe that they are also peach blossoms.

whether or not that's the case, and whether or not the peach blossom was mc's flower (or maybe that it's just generally part of the festival), i think it's a really cute detail! i think it perfectly represents their growing relationship, and essentially the beauty with which xavier always sees her~

BUT, MOVING ON.....

v. the wish

the final stretch boils down to this.

"A gentle breeze stirs the wooden plaques hanging from the branches. A faint, melodic sound dances in the air. 'They say a Flower Goddess can bless people's wishes. And if the person making the wish is someone she favors, it's more likely to come true.'"

it's where the kindled moment falls, as xavier proposes for them to make a wish together.

and, mind you, this whole entire scene is ADORABLE AND LIVES RENT FREE IN MY HEAD ... the playfulness between their words, the "if i tell you my wish, it won't come true", the way xavier CARRIES HER??? AND THE WAY HE CATCHES HER WHEN SHE FALLS AND PINS HER AGAINST THE TREE AND AND AND AND.

everytime i think of it i end up keysmashing in my head IT'S JUST SO CUTE i could burn it into my head 😭😭😭😭

but, AHEM, he also says...

"Throughout history, humanity has always made the same wishes. Perhaps it's because those feelings we have... are timeless."

i think it's a really pretty line, but more than how pretty it is, i think it represents xavier perfectly.

xavier has lived long enough, and he's likely also made similar wishes along the way. for mc to be safe, for mc to be happy... things along those lines. and for him to describe that as "timeless" also represents his love for her—because it is timeless. he loves her more than anything else in the world. it transcends space, and time, and anything else; to him, she is love. she is timeless.

it's worth noting that everytime xavier and mc get scenes where they wish together, xavier never really says what his wishes are.

in "when shooting stars fall", mc wishes for many things. for xavier's freedom and happiness, for her to be healthy, for time to stop in their moment together... for xavier's freedom, xavier's happiness, and, in her final moments—"i wish to meet you in my next life." but he's never said explicitly what he wished for at all.

in "warm wishes", mc also mentions a lot of wishes:

"I wished I could pass all my tests with flying colors and go to a good university. I wished for Grandma to be healthy. I wished for my neighbor's cat to come home..."

and her actual wish that night was:

"l wish.... everyone can have snowflakes fall on their shoulders when they're lonely, and see the stars when they're lost."

yet that night, xavier didn't make a wish. he explicitly stated:

"l didn't make a wish. I want to save my wish for when I need it the most. Plus, everything I want right now has come true."

...but this time is different.

he did make a wish.

and, this time around, he specified what it is.

"I wish I can be your sanctuary until the end of time, in your eyes."

this is a wish that's important to him. he chooses to make this wish, and he chooses to tell her about it.

there's a lot to dissect in just one statement alone, because it's so imbued into the xavier that's loved her for thousands of years.... the xavier that has grown and developed into who he is in this moment.

a sanctuary is a place of refuge and protection; a place of safety. a place of comfort. a place of rest.

and multiple times throughout this card, it highlights how xavier has been able to offer mc a certain sense of comfort. even right when the results are announced, one look at him calms her down—this part really got me.

"I glance nervously at Xavier. He makes eye contact with me, and his gaze conveys a steadfast reassurance."

it's a recurring theme in the card—comfort. peace. the peace that you can find in someone. the safety that you can find in someone. in this case, mc with xavier, and vice versa.

...and i've always associated xavier with comfort, but peace and safety have been attributes i've been hesitant to associate with him, because it's different. for you to feel safe with someone, for you to feel at peace with someone, they need to communicate, as well, a certain sense of steadfast reassurance. xavier has always been soft and comfortable, but he hasn't always exuded that steadfast type of aura.

i think that this is something that he himself realizes.

i've mentioned it before, but his wish is also a direct parallel to That Line from lightseeking obsession.

"You rest, I’ll be by your side. Always. If you have nowhere to go, nowhere to rest your weary self… you can stay with me."

yet there's also a striking difference.

what is different?

the person that he's developed into.

prince xavier, lightseeker xavier—as i mentioned earlier, there's a certain kind of confidence in himself that isn't present, and it shows. i would argue that he was at his most vulnerable that time, likely more vulnerable than when they first landed on earth, because he didn't know how to treat his relationships at all. he was too bound by the confines of what everyone, and i mean everyone, including mc at the time, wanted him to be. there was never clear communication with anyone, and it mostly seems as if he's been going through the motions—as opposed to more freedom that he's been granted on earth.

and it shows, because, that line in lightseeking obsession—does not exude confidence.

it's a comforting statement, sure...

but it's not even something that mc herself believes.

"you always lie."

it's as if xavier, as much as he's trying to comfort mc, is trying to reassure himself, too—he tries too hard to make himself appear reassuring to her that it falls short, all this on top of the times that she feels she's been let down by him.

it's ironic, almost. he says such a bold declaration despite knowing that there's a chance he wouldn't be able to keep it.

but this is different.

this time, xavier has grown to he sure of who he is and who he wants.

he said it in 21 days—"every version of me belongs to you, and only you."

yet despite the confidence that he now has in himself, notice how different this is to lightseeker's line—

he's wishing.

and he specifies that he wants it to be true in her eyes.

it's as if he's saying, i'm not sure if this is what you think about me, but i do know that i want it to be what you think about me.

he's not reassuring her; he's not making a bold declaration. he's not saying, you will think of me as a sanctuary. neither is he saying, i will be your sanctuary.

he's saying, i want to be your sanctuary.

the final decision falls to her.

the confidence lies in stating what he wants, and there's no fear in it—there's no hesitation, nothing that implies that he's scared to say it. he's confident in what he says, and either confident that she'll accept it, or confident that no matter what her choice is in the matter it's okay.

that's why this wish is so strong.

and it's mc who then says, at the end;

"I wanted to tell you that your wishes will always come true."

because she reciprocates.

and this whole moment, everything that happens from hereon—the results, the hairpin...

—"'If you meet a Flower Goddess you like, give her fresh flowers. It's a local custom here. But there are many people who admire you, and all of them have given you flowers. My flower wouldn't be special enough. So, I made a flower hairpin. This is the first time I made one, though. Don't judge it too harshly.'"

—"Xavier's hand is warm. Like petals being carried on the wind, his smile descends and touches my heart. 'What makes you say that? It's amazing. Besides, even if you just gave me flowers, they'd be the most special ones l've ever received.'"

it's worth noting that the scene where xavier gives the hairpin is also very much the same way he makes the wish. he does admit that he doesn't know if she'd appreciate flowers—but he takes it a step forward. he knows he wants to be extra special, he knows he wants her to have something she'll remember, so he does something different. he makes, and gives her, a flower hairpin. of his own accord.

it doesn't stop at his insecurities, which he still has—he takes those insecurities and spins them into something he can be sure of himself.

and there it is again.

the steadfast reassurance.

and it's what makes the moment so much more memorable to mc, so much more meaningful.

and it's why, then, he can say things like this:

"No matter what happens, I'm always blessed to have someone by my side, who makes my gaze never feel alone."

"Forever is but a collection of moments strung together. With every minute comes another, second after second. When I open my eyes again, I want you to still be by my side."

it's in a way wherein xavier is able to take some lead in their relationship, because he's more sure of himself this time. and it progresses their relationship in a way that it wouldn't have if he never learned—he's learning. he's growing. and he's really truly turning out to be someone that can love with his whole heart, without holding back.

i think this card showcases that the most, and maybe that's why i love it so much <3

ALSO, P.S., ONE MORE PARALLEL—

xavier says that the flowers are blooming beautifully this season—"it smells like spring". in his lightseeker myth, he says something similar! "With spring's arrival, hope is soon to follow."

just a neat lil thing, i think <3 spring is always so closely associated with xavier, and the card really does end on such a light and hopeful note.

#GOOD ALMOST-AFTERNOON #to me and my love for this card #love and deepspace #love & deepspace #lnda #lads #l&ds #xavier #love and deepspace xavier #love & deepspace xavier #lnds xavier #lads xavier #l&ds xavier #ʚɞ*.ﾟ. lnds #*ੈ♡. rose talks

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