#just. it’s so pretentious.

[theshadowrealmitself]

Seeing a funny movie line encouraging everyone to respond with a pet peeve is my personal hell

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[closetsof-backlogged-dreams]

as sad and disappointing as this is, look me in the eyes and tell me that this isnt the absolute funniest shit youve ever seen. like, they changed their bio to ONE vaguely implicative sentence and posted some promo statement about where you can find it on streaming services, and this little shitty cockroach fandom (affectionate) absolutely BLOWS THE FUCK UP. like, within the span of 2-3 days, we completely took over tumblr so that this 15-year-old fandom was trending, their twitter account gained roughly 6k followers, and everyone is theorizing about a season six a reboot a spin-off a red white and royal blue crossover every thing under the SUN and it literally gets so bad that the poor intern (thats probably gotten two hours of sleep this week and is running solely on celsius and coffee) and the two-person marketing team that managed this whole thing had to scramble to clarify that WE'RE NOT ACTUALLY DOING ANYTHING WE'RE JUST ADVERTISING THE SHOW AGAIN

like. thats the funniest shit EVER.

[egophiliac]

Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷

So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH

(P.s: Lovin' the art style ✨)

oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!

and sometimes it's just "weird things my sister has said that I make fun of her for"

[opera-ghost]

it's immensely funny to me how andrew lloyd webber read this passage from the book and was like yeah the journey down to the phantom's lair is this really breathtaking magical gondola ride where christine is just captivated by the strange and fantastical beauty of it all (see below)

when in the novel they're both like in a rowboat in the dark with christine scared out of her mind and confused as hell while erik is paddling like he's out for an extreme day of fishing and just staring christine down for the entire duration of the journey without blinking once . like mind you his eyes quite literally GLOW in the DARK and he's just fucking staring into her soul and silently rowing and probably not even breathing like

[redonionlover]

sunstone..? perhaps???

anon ur so real for this... they're my faves since i first played rw

havent drawn them in a loong time though so i doodled these real quick :^)

[aibyoutachi]

shadow and the real self

[effemar]

psuedo-medieval fantasy AU ✌️✌️✌️

everyone give it up for ronan's great kilt i had to google so many diagrams to try and figure out how they worked. also big thank you to my mom for gansey's dumb hat btw she was like 'you HAVE to keep the dumb hat'

[turtleblogatlast]

Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

[yubriamakesart]

I started up Stardew Valley again and got the distinct feeling that I wouldn't get out of it without making fanart this time.

[stil-lindigo]

the candle.

a comic about rediscovering passion and recovering from burnout.

creative notes:

[kairennart]

And the first time that you kissed me I drank dry the river Lethe The Liffey would have been softer on my stomach all the same But you spoke some quick new music That went so far to soothe this soul As it was And ever shall be Unearth without a name

Hozier, First Time

[mysillyside]

The way I completely lose all interest in Lawlight as a ship if Light isn't Kira. And frankly, I feel like L would agree with me on this one. I don't think he'd gaf abt Light in the slightest if Light wasn't Mr. Serial Killer.

[hwiyoungies]

it’s ok wonwoo we’ve all been there

[boydykedevo]

I love semicolons; hands down the best punctuation mark. It’s like if adhd run on sentence Extra Bonus Thoughts were codified in grammar.

[daisywords]

anyway my stance on "reading the classics" basically boils down to the fact that what is or is not defined as "a classic" is somewhat arbitrary, and therefore it makes no sense to treat "the classics" as some sort of uniform genre that you either like or dislike. Whether you liked Great Expectations has no bearing on whether you'll like 1984 or Rebecca or Pride and Prejudice or East of Eden or Frankenstein or Crime and Punishment. Because those are all vastly different books. "I don't want to read Classics; they're all boring and probably sexist or something." <<free yourself from the arbitrary category of "classic." It just means a lot of people liked the book. You might not. but you might. Treat it as an individual title.