#kaba modern

[anarchywoofwoof]

do u have posts where you talk abt prison abolition and alternatives to police? that'd be nice

so i've actually tried to approach abolition before multiple times and quite frankly, there are so many incredibly valuable insights provided by POC (People Of Color) and lifelong abolitionists that exist on the internet, it would be a tremendous disservice for my pasty white ass to sit here and try and educate anyone on this topic alone.

the last time i had this ask come up (you can find that post here), i deferred to FD Signifier for my thoughts on police abolition. i will do so again here for maximum visibility because he deserves it far more than i do. it is close to 2 hours long, but easily the best explanation or breakdown you'll find in such a relatively short time frame.

i'll expand on this by offering some of the more popular works that i'm aware of and a few works that i've read regarding abolition.

"invisible no more" by andrea j. ritchie provides an examination of how Black women, indigenous women, and women of color experience racial profiling, police brutality, and immigration enforcement. it aims to contextualize individual stories within the broader system of police violence and mass incarceration, calling for a radical shift in the way that we look at public safety.

"policing the planet" edited by jordan t. camp and christina heatherton combines firsthand accounts from activists with research from scholars and artistic reflections. it aims to trace back the global spread of the broken-windows policing strategy and its wide-ranging effects.

"our enemies in blue: police and power in america" by kristian williams addresses the history of policing in the united states, arguing that police brutality is intrinsic to law enforcement. it explores the relationship you've probably heard before between police and power from the era of slave patrols to modern times.

"the new jim crow" by michelle alexander extremely influential, you've probably heard of this one. it goes over how the u.s. criminal justice system functions as a system of racial control, particularly through the failed war on drugs, disproportionately targeting Black men and devastating communities of color (obligatory fuck nixon and reagan)

"violence work: state power and the limits of police" by micol siegel offers a new perspective on the police as the embodiment of state power, interconnected with the state and global capital. this one gives a unique examination of the u.s. state department's office of public safety and its influence on international police training.

"chokehold: policing Black men" by paul butler, who is a former federal prosecutor, examines the laws and practices that systematically target Black men, perpetuating institutional violence and societal fear.

"no more police: a case for abolition" by mariame kaba and andrea ritchie presents a comprehensive and practical plan for police abolition. it addresses current concerns while envisioning a future of reduced violence and enhanced justice. this is a cornerstone work and it's been lauded in many circles as being a definitive text on police abolition.

[whilereadingandwalking]

Can't believe NYT forgot to include all of our ballots! I spent about 20 minutes on this one and will probably have regrets later. Some are for their impact on the sci fi and fantasy world, some for their pure literary merit, some for their impact on the lived world, but most of all, their impact on me. These books all shifted my outlook, reading life, and writing life significantly. There are some notable snubs that just didn’t make the list, but what can you do?

My list: - The Fifth Season by NK Jemisin - fantasy royalty for a reason - We Do This 'Til We Free Us by Mariame Kaba - changed how I think about activism & hope - Braiding Sweetgrass by Robin Wall Kimmerer - an indigenous-based framework for how humans & nature & climate can co-exist - My Brilliant Friend by Elena Ferrante tr. Ann Goldstein - our modern-day Jane Austen - The Book Thief by Markus Zusak - this book was a revelation to young me and has made me cry every single reread - They Can't Kill Us Until They Kill Us by Hanif Abdurraqib - a book about music & about everything else too - Extremely Loud & Incredibly Close by Jonathan Safran Foer - introduced high-school-me to contemporary literary fiction - My Favorite Thing is Monsters by Emil Ferris - graphic novel artistry like you only get once a decade, and queer to boot - Every Heart a Doorway by Seanan McGuire - this series is everything that both adult & child me loves about fantasy - In the Dream House by Carmen Maria Machado - the blueprint of genre-defying queer nonfiction

Template from ktlee.writes

[batmanisagatewaydrug]

every single book I read in 2022. all 129 of them.

jesus christ

let's start with the best of the best; everything else will get listed beneath the read more because I'm not an animal. even just picking out my favorites is honestly probably going to get pretty lengthy, even though I'm trying to keep the synopses short.

batmanisagatewaydrug's noteworthy books of 2022

Complaint! (Sara Ahmed, 2021) - necessary for anyone doing diversity work in higher education, tbh

America is Not the Heart (Elaine Castillo, 2018) - achingly gorgeous novel of heartbreak and healing.

The School for Good Mothers (Jessamine Chan, 2022) - honestly? I feel very good calling this my favorite book of the entire year. sensitive, smart, chilling.

Black Feminist Thought (Patricia Hill Collins, 1990) - truly ashamed to say I didn't read this sooner. Collins' clear-eyed analysis remains crazily spot-on 30+ years later.

Hurts So Good: The Science and Pleasure of Pain on Purpose (Leigh Cowart, 2021) - I read this book so early in 2022 and literally have not stopped thinking about it since.

Batman: King Tut's Tomb (Nunzio DeFillippis, Christina Weir, José Luis García-López, and Kevin Nowlan, 2009) - dare I say the most fun I had with a comic all year.

You Made a Fool of Death with Your Beauty (Akwaeke Emezi, 2022) - a romance unlike any other. queer, fun, sexy, bold as hell, and joyfully life-affirming.

The Dangers of Smoking in Bed (Mariana Enríquez, trans. Megan McDowell, 2021) - DELICIOUSLY creepy short stories that will lurk in your brain forever.

Lesser Known Monsters of the 21st Century (Kim Fu, 2022) - if a more perfect short story collection exists I am yet to find it.

The World We Make (N.K. Jemisin, 2022) - I normally hesitate to include sequels on a list like this, but god DAMN Jemisin is the queen of modern spec fic for a reason.

We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Mariame Kaba, edited by Tamara K. Nopper, 2021) - excellent collection of Kaba's abolitionist writings, drawing on years of organizing experience and wisdom.

Jade City (Fonda Lee, 2017) - look out! new favorite doorstopper fantasy series alert!

Priestdaddy (Patricia Lockwood, 2017) - about the best damn memoir I've ever read. heartbreaking and hysterical in turns, poetry the whole way through.

Batman: The Long Halloween and Batman: Dark Victory (Jeph Loeb and Tim Sale, 1996 and 1999) - it's always so exciting when something much-hyped lives up to the hype in every way. Batman at his grim and moody Batmaniest with a Gotham that’s deliciously bleak.

Station Eleven (Emily St. John Mandel, 2014) - I didn't think I'd like this book much at all, then ended up proposing on the second date. oops!

I'm Glad My Mom Died (Jennette McCurdy, 2022) - you will also be glad McCurdy's mom died, and also experience every other known human emotion along the way.

Kaikeyi (Vaishnavi Patel, 2022) - SPLENDID mythology retelling + political fantasy.

My Body (Emily Ratajkowski, 2022) - haunting haunting haunting personal essays about Ratajkowski's life as a model and subsequent alienation from her own body.

Batman: Bruce Wayne, Murderer? (Greg Rucka et al, 2002) - genuinely what can I say I'm a messy bitch and I love when the Bats are having a terrible time.

The Batman Adventures Vol. 2 #1-17 (created by Dan Slott, Ty Templeton, Rick Burchett, Terry Beatty, and Bruce Timm, 2003) - a continuation of the Batman: The Animated Series universe that frankly just fucking rules.

Little Rabbit (Alyssa Songsiridej, 2022) - a potent and erotic adult coming of age story.

The Right to Sex: Feminism in the Twenty-First Century (Amia Srinivasan, 2021) - thorny, difficult, vital essays.

Fearing the Black Body: The Racial Origins of Fat Phobia (Sabrina Strings, 2019) - jaw-droppingly thorough research into the role of fatpobia played and plays in the project of race-making.

On Earth We're Briefly Gorgeous (Ocean Vuong, 2019) - yeah so it turns out no one was REMOTELY exaggerating. Vuong really is That Good.

Hench (Natalie Zina Walschots, 2020) - wild fun with a ruthless protagonist and her sex villainous beetle man boss; what more could you ask for?

Love Your Asian Body: AIDS Activism in Los Angeles (Eric C. Wat, 2021) - learning about queer history makes me feel like I’m holding something so vibrant and fragile and precious right in my little queer hand. this book is an emotional journey in such a shining way.

Never Have I Ever (Isabel Yap, 2021) - EXCITING short story collection centered on girls having Just The Weirdest Time.

and everybody else:

fiction:

Light From Uncommon Stars (Ryka Aoki, 2021)

Our Wives Under the Sea (Julia Armfield, 2022)

A Tiny Upward Shove (Melissa Chadburn, 2022)

A Prayer for the Crown-Shy (Becky Chambers, 2022)

Disorientation (Elaine Hsieh Chou, 2022)

The Laws of the Skies (Grégoire Courtois, trans. Rhonda Mullins, 2019)

The Monster Baru Cormorant (Seth Dickinson, 2018)

The Tyrant Baru Cormorant (Seth Dickinson, 2020)

Greenland (David Santos Donaldson, 2022)

Dead Collections (Isaac Fellman, 2022)

The Halloween Moon (Joseph Fink, 2021)

A Dowry of Blood (S.T. Gibson)

Nightmare Alley (William Lindsay Gresham, 1946)

The Vegetarian (Han Kang, trans. Deborah Smith, 2015)

The Metamorphosis (Franz Kafka, trans. William Aaltonen, 1915)

Before the Coffee Gets Cold (Toshikazu Kawaguchi, trans. Geoffrey Trousselot, 2019)

Woman, Eating (Claire Kohda, 2022)

Long Division (Kiese Laymon, 2014)

Jade War (Fonda Lee, 2019)

No One is Talking About This (Patricia Lockwood, 2021)

Portrait of a Thief (Grace D. Li, 2022)

Elatsoe (Darcie Little Badger, 2020)

A Snake Falls to Earth (Darcie Little Badger, 2021)

Glitterati (Oliver K. Longmead)

Gideon the Ninth (Tamsyn Muir, 2019)

Harrow the Ninth (Tamsyn Muir, 2020)

Nona the Ninth (Tamsyn Muir, 2022)

The Memory Police (Yoko Ogawa, trans. Stephen Snyder, 2019)

Even Though I Knew the End (C.L. Polk, 2022)

100 Boyfriends (Brontez Purnell, 2021)

Flowers for the Sea (Zin E. Rocklyn, 2021)

Any Way the Wind Blows (Rainbow Rowell, 2021)

Interview with the Vampire (Anne Rice, 1976)

Aristotle and Dante Discover the Secrets of the Universe (Benjamin Alire Sáenz, 2012)

Aristotle and Dante Dive Into the Waters of the World (Benjamin Alire Sáenz, 2022)

Into the Riverlands (Nghi Vo, 2022)

Siren Queen (Nghi Vo, 2022)

Strange Beasts of China (Yan Ge, trans. Jeremy Tiang, 2020)

short story collections:

The Memory Librarian: And Other Stories of Dirty Computer (Janelle Monáe, Yohanco Delgado, Eva L. Ewing, Alaya Dawn Johnson, Danny Lore, and Sheree Renée Thomas, 2022)

Walking on Cowrie Shells (Nana Nkweti, 2021)

Terminal Boredom (Izumi Suzuki, trans. Polly Barton, Sam Bett, David Boyd, Daniel Joseph, Aiko Masubuchi, and Helen O’Horan, 2021)

nonfiction:

Gender Trouble: Feminism and the Subversion of Identity (Judith Butler, 1990)

How to Read Now (Elaine Castillo, 2022)

Playing the Whore: The Work of Sex Work (Melissa Gira Grant, 2014)

What We Don't Talk About When We Talk About Fat (Aubrey Gordon, 2020)

White Tears/Brown Scars: How White Feminism Betrays Women of Color (Ruby Hamad, 2020)

Belly of the Beast: The Politics of Anti-Fatness as Anti-Blackness (Da'Shaun L. Harrison, 2021)

Some of My Best Friends: Essays on Lip Service (Tajja Isen, 2022)

One Day We'll All Be Dead and None of This Will Matter (Scaachi Koul, 2017)

How to Slowly Kill Yourself and Others in America (Revised Edition) (Kiese Laymon, 2020)

Sister Outsider (Audre Lorde, 1984)

Conversations with People Who Hate Me: 12 Lessons I Learned from Talking to Internet Strangers (Dylan Marron, 2022)

Cultish: The Language of Fanaticism (Amanda Montell, 2021)

World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments (Aimee Nezhukumatathil)

Histories of the Transgender Child (Jules Gill-Peterson, published as Julian Gill-Peterson, 2018)

Yoke: My Yoga of Self-Acceptance (Jessamyn Stanley, 2021)

A Queer History of Fashion: From the Closet to the Catwalk (edited by Valerie Steele, 2013)

Transgender History: The Roots of Today's Revolution (Revised Edition) (Susan Stryker, 2008)

The End of Policing (Alex S. Vitale, 2017)

The Trouble With Normal: Sex, Politics, and the Ethics of Queer Life (Michael Warner, 1999)

Read My Lips: Sexual Subversions and the End of Gender (Riki Wilchins, published as Riki Anne Wilchins, 1997)

poetry:

Short Talks (Anne Carson, 1992)

Content Warning: Everything (Akwaeke Emezi, 2022)

Prelude to Bruise (Saeed Jones, 2014)

Alive at the End of the World (Saeed Jones, 2022)

Bright Dead Things (Ada Limón, 2015)

Motherland Fatherland Homelandsexuals (Patricia Lockwood, 2014)

Nature Poem (Tommy Pico, 2017)

Night Sky with Exit Wounds (Ocean Vuong, 2016)

Time Is a Mother (Ocean Vuong, 2022)

comics:

Batman: One Bad Day - Mr. Freeze (Gerry Duggan, Matteo Scalera, and Dave Stewart, 2022)

Spandex - Fast and Hard (Martin Eden, 2012)

Harley Quinn: The Animated Series: The Eat. Bang! Kill. Tour (Tee Franklin, Max Sarin, and Marissa Louise, 2022)

Batman: Whatever Happened to the Caped Crusader? (Neil Gaiman and Andy Kubert, 2009)

The Sandman: Preludes & Nocturnes (Neil Gaiman, Sam Keith, Mike Dringenberg, and Malcom Jones III, 1988)

The Sandman: In the Doll's House (Neil Gaiman, Michael Zulli, Mike Dringenberg, Chris Bachalo, Malcolm Jones III, and Steve Parkhouse, 1989)

The Sandman: Dream Country (Neil Gaiman, Kelley Jones, Malcolm Jones III, Colleen Doran, and Charles Vess, 1991)

The Sandman: Season of Mists (Neil Gaiman, Kelley Jones, Malcom Jones III, Mike Dringenberg, Matt Wagner, P. Craig Russell, George Pratt, and Dick Giordano, 1992)

The Sandman: A Game of You (Neil Gaiman, Shawn McManus, Colleen Doran, Bryan Talbot, Stan Woch, and George Pratt, 1993)

Run, Riddler, Run (Gerard Jones and Mark Badger, 1992)

Catwoman: When in Rome (Jeph Loeb and Tim Sale, 2005)

Batman: Year One (Frank Miller and David Mazzicchello, 1986)

Batman: One Bad Day - Penguin (John Ridley, Giuseppe Camuncoli, Cam Smith, and Arif Prianto, 2022)

Batman: Bruce Wayne - Fugitive (Greg Rucka et al, 2002)

Batman: One Bad Day - Two-Face (Mariko Tamaki, Jaiver Fernandez, and Jordie Bellaire, 2022)

Batman & Robin Eternal Vol 1 & Vol 2 (James Tynion IV and Scott Snyder, 2015 and 2016)

Batman: Their Dark Designs (James Tynion IV, Guillem March, and Tomeu Morey, 2020)

The Joker War Saga (James Tynion IV and Jorge Jiménez, 2021)

Papergirls Vol. 1-6 (Brian K. Vaughan and Cliff Chiang, 2016-2019)

Real Hero Shit (Kendra Wells, 2022)

Poison Ivy #1-6 (G. Willow Wilson and Marcio Takara, 2022)

and some gaming guides!

Monster of the Week (Michael Sands, 2012) - great game. so cool. cannot wait to actually play it someday.

Thirsty Sword Lesbians (April Kit Walsh, 2021)

special shame zone because I want you to know how bad this sucked, do not read this:

Rethinking Sex: A Provocation (Christine Emba, 2022). patronizing, puritanical, reductive, painfully cisheteronormative. weirdly afraid of group sex. not actually that provocative, just aggressively Catholic.

and last but most certainly least, a comic that I want to remind you all fucking sucked just one more time before the year is done.

Batman: One Bad Day - The Riddler (Tom King and Mitch Gerads, 2022)

Tom King, go fuck yourself. Mitch is cool though, the art slapped.

[theculturedmarxist]

If you talk to an ordinary American, or, in my experience, if you talk to an average Israeli, for that matter, they don’t know anything about who the Palestinians are. They don’t know where they come from, they don’t know how they live, what they believe, and they don’t want to. Right? Because that just complicates things… – historian Sam Biagetti.

Last month, The New York Times conducted a series of interviews with a number of American Jewish families and the way they have been dealing with what the paper calls a “generational divide over Israel.”

The Times notes a trend that has been developing for a long time—younger American Jews becoming markedly more critical of, sometimes downright hostile to, Israel than their elders. The piece looks at “more than a dozen young people…[who] described feeling estranged from the version of Jewish identity they were raised with, which was often anchored in pro-Israel education.”

One such person is Louisa Kornblatt. She is the daughter of liberal Jewish parents, who grew up experiencing the cruelties of anti-Semitism in suburban New Jersey. Her grandmother “had fled Austria in 1938, just as the Nazis were taking over.” Partly as a result of this legacy, Louisa Kornblatt “shared her parents’ belief that the safety of Jewish people depended on a Jewish state” as a child.

However, her views began to shift once “she started attending a graduate program in social work at U.C. Berkeley in 2017.” As she recalls it, “classmates and friends challenged her thinking,” with some telling her that she was “on the wrong side of history.”

While in graduate school, “she read Audre Lorde, Mariame Kaba, Ruth Wilson Gilmore and other Black feminist thinkers,” who further made her re-think ingrained assumptions. Eventually, “Kornblatt came to feel that her emotional ties to Jewish statehood undermined her vision for ‘collective liberation.’”

“Over the last year, she became increasingly involved in pro-Palestine activism, including through Jewish Voice for Peace, an anti-Zionist activist group, and the If Not Now movement.” She now goes so far as to assert, “I don’t think the state of Israel should ever have been established,” because “It’s based on this idea of Jewish supremacy. And I’m not on board with that.”

Also interviewed are the parents of Jackson Schwartz, a senior at Columbia University whose education there has significantly altered his outlook on Israel:

“The parents of Mr. Schwartz…said they listen to him with open minds when he tells them about documentaries he has seen or things he has learned from professors like Rashid Khalidi, a prominent Palestinian intellectual who is a professor of modern Arab studies at Columbia. Dan Schwartz said his son helped him understand the Palestinian perspective on Israel’s founding, which was accompanied by a huge displacement of population that Palestinians call the Nakba, using the Arabic word for catastrophe.”

“It wasn’t until Jackson went to Columbia and took classes that I ever heard the word Nakba,” Dan Schwartz said.

These interviews are hugely instructive for two reasons. For one thing, they demonstrate very clearly why power centers are so critical of higher education, especially in the humanities: They are afraid young people might actually—horror of horrors—learn something, particularly something that challenges the status quo.

American culture overflows with accusations from parents that their kids went off to college only to be “indoctrinated.” But at least in these instances, the opposite is what happened—far from being brainwashed, the kids read books and learned history, and were forced to think hard about the implications. In other words, higher education did exactly what it is supposed to do—forced students to encounter and engage with perspectives and thinkers they otherwise never would have.

In reality, most parents (and certainly media outlets) who complain of indoctrination are actually worried about education—that is, that their children will develop more nuanced, critical and informed views of the world after engaging with unfamiliar viewpoints. Such aggrieved elders don’t see it this way, of course, largely because they themselves never shook off the propaganda of their youth. Indeed, they likely are not even capable of perceiving it as such. But that is what it is.

The interviews from the Times piece also demonstrate what Sam Biagetti refers to in the quote that sits atop this article: the phenomenon of older Americans who profess attachment to (and presumably knowledge of) Israel, displaying aggressive—no, fanatic—ignorance about basic Israeli/Middle East history.

That Mr. Schwartz had never heard of the Nakba until his son learned about it from Rashid Khalidi speaks volumes about the way young people in this country are “taught” about Israel, as well as how much their parents actually “know” about it. It is the equivalent of a German father professing fierce attachment to the German nation-state, but never hearing the word “Holocaust” until his child tells him about it after learning the history from a Jewish professor.

The new documentary Israelism explores this issue of younger Jewish people raised to reflexively identify with Israel and to view it as a “Jewish Disneyland,” but who changed their minds (and behavior) upon encountering the brutal realities of the Israeli occupation of the West Bank and Gaza.

It is a powerful film, one that takes a look at the too-often ignored indoctrination regarding Israel taking place in many Jewish day schools, the way younger people are starting to de-program themselves from it, and where they go from there.

Directed by first-time filmmakers Erin Axelman and Sam Eilertsen, Israelism largely follows two protagonists whose experiences mirror those of the filmmakers.

The first protagonist, Eitan (whose last name is never revealed), grew up in a conservative Jewish home in Atlanta. Typical of such an upbringing, he was steeped in pro-Israel PR.

He recounts that “Israel was a central part of everything we did in school.” His high school routinely sent delegations to AIPAC (the American Israel Public Affairs Committee, also known as the “Israel lobby”) conferences.

Outside of school, the PR continued. He describes going to Jewish summer camp, where each year the staff included a group of Israeli counselors, brought in “to connect American Jews to Israeli culture.”

This included having the children playing games designed to simulate being in the Israeli military, including the use of actual Israeli military commands.

The film intersperses interviews of its protagonists with interviews of prominent individuals who promote this Israeli PR.

For instance, Rabbi Bennett Miller, the then-National Chair of the Association of Reform Zionists of America, asks with a laugh, “does [my] average congregant understand that I’m teaching them to become Zionists? Probably not, but it is part of my madness, so to speak.”

Enamored with what he saw as the glory of military service, Eitan told his parents that he was going to join the Israeli military rather than go to college. He had always thought of Israel as “my country,” and learned from numerous childhood visits there that he “fit in” better in Israel than in the United States.

During basic training with the IDF, he was trained as a “heavy machine gunnist” [sic] with an emphasis on urban warfare. After seven months of this, he was deployed to the West Bank. His life in the IDF involved operating the various checkpoints which comprise the apartheid system, as well as patrolling Palestinian villages on foot in full gear with a bulletproof vests. He recounts that on such patrols, the mission of his unit was to make their presence felt, in order “to let them know that we were watching.”

His encounter with the occupation changed him forever. “Even though Israel was a central part of everything we did in school,” he recalls, “we never really discussed the Palestinians. It was presented to us that Israel was basically an empty wasteland when the Jews arrived. ‘There were some Arabs there,’ they said, but there was no organized people; they had really treated the land poorly. Yeah, there are Palestinians, [but] they just want to kill us all…” Furthermore, “It was always presented to us that the Arabs only know terrorism.”

His role as an occupier made him see things rather differently. He witnessed IDF soldiers needlessly abusing captives, who were blindfolded and handcuffed, thrown to the ground, kicked and beaten. He despairs that he “didn’t even speak up,” something he is visibly still struggling with. And, he says, “that’s just one of many stories that I have from my time in the West Bank. It took many years to really come to terms with my part in it. Only after I got out of the army did I begin to realize that the stuff that I did [from] day to day, just working in checkpoints, patrolling villages—that in itself was immoral.”

After great difficulty, Eitan has begun to publicly speak out about his experiences, though he notes that it took a long time, and that on his first attempt, he was not able to make it through without crying excessively. Since then, he has gotten better, and continues to pursue this necessary work.

Israelism’s second protagonist is Simone Zimmerman. Zimmerman’s grandfather settled in Israel; he and his immediate family were some of her only relatives to escape the Holocaust. Zimmerman herself was raised in a staunchly pro-Israel household, attending Hebrew school from kindergarten through high school. While in high school she lived in Israel for a period as part of an exchange program, which was just one of many visits.

These organized stays in Israel routinely involved her and her friends dressing up in Israeli army uniforms and pretending to be in the IDF. She participated in Jewish youth groups and summer camps which, like Eitan, immersed her in a steady diet of pro-Israel propaganda. Summing up her childhood experience, Zimmerman explains that “Israel was just treated like a core part of being a Jew. So, you did prayers, and you did Israel.”

Like Eitan, she was familiar with AIPAC: “AIPAC is just the thing that you do. Like, going to the AIPAC conference is just sort of seen as a community event.” Perhaps unsurprisingly, almost ten percent of her high school graduating class ended up joining the Israeli army, and many of her summer camp and youth group friends did as well. This is the power of effective propaganda instilled from a young age, Zimmerman observes. “The indoctrination is so severe, it’s almost hard to have a conversation about it. It’s heartbreaking.”

Israelism contains footage of this indoctrination in action inside Hebrew schools.

Scenes of teachers excitedly asking classes of young children, “do you want to go to Israel too?” and the children screaming back, “YEAH!!!” are reminiscent of the similarly nauseating kinds of religious indoctrination made famous in an earlier era by films like Jesus Camp.

Some of these scenes can be glimpsed in the trailer for the film. Older students are seen reading copies of Alan Dershowitz’s book The Case for Israel, which was famously exposed as a fraud by Norman Finkelstein years ago. Zimmerman herself gets to look at some of her old worksheets and art projects from her elementary school days, all of which in some way revolved around the Israeli state.

Other than enlisting in the IDF, Zimmerman had been told that the other major way to be “a good supporter of the Jewish people” was to become an “Israel advocate.” Choosing the latter path, Zimmerman became involved with Hillel, the largest Jewish campus organization in the world, when she began attending the University of California at Berkeley. Hillel, too, worked very hard to instill pro-Israel beliefs in her. She describes being trained in how to rebut “the ‘lies’ that other people [were] saying” about Israel.

The film explores the nature of Hillel’s work fostering pro-Israel activism at college campuses across the country. Tom Barkan, a former IDF soldier and “Israel fellow” at the University of Connecticut’s Hillel chapter, says, “name a university in America, we probably have a person there.” Barkan’s mission is to turn Jewish college students into either Israel advocates or military recruits. While he warns eager students that joining the IDF will not be easy, he wistfully tells them that it will be “the most meaningful experience that you ever go through.”

Former Jewish day school teacher Jacqui Schulefand works with Barkan in her role as Director of Engagement and Programs at UConn’s Hillel branch. Her love for the State of Israel is inseparable from her identity as a Jewish person, which she proudly explains. “Can you separate Israel and Judaism? I don’t know—I can’t. You know, some people I think can. To me, it’s the same. Yeah, you can’t separate it. Israel is Judaism and Judaism is Israel. And that is who I am, and that is my identity. And I think every single thing that I experienced along my life has melded into that, like there was never, you know, a divide for me.”

Schulefand describes joining the Israeli armed forces as “the greatest gift you can give,” and notes that “we actually have had quite a few of our former students join the IDF—amazing!” But her demeanor sours when she is asked about criticisms of the country. In a tone combining incomprehension with a hint of disgust, she laments that “somehow, ‘pro-Palestinian’ has become ‘pro-social justice.’”

It was this sort of pro-Israel advocacy network that organized Simone Zimmerman and other students to oppose what they perceived to be “anti-Semitic” activities such as student government legislation favoring the Boycott, Divestment, and Sanctions (BDS) movement against Israeli occupation, and other measures critical of Israel.

To prepare for such confrontations, she was handed talking points that told her what to say—accuse critics of being anti-Semitic, of having a double standard, of making Jewish students feel unsafe, etc. Describing her feelings about BDS and the Palestinian cause at the time, Zimmerman says that “I just knew that it was this bad thing that I had to fight.” She remembers literally reading off the cards when it came time for her to make the case for Israel.

However, such work inevitably brought her into contact with people who challenged her views. She encountered terms like apartheid, ethnic cleansing, and illegal occupation. “I thought I knew so much about Israel, but I didn’t really know what anybody was talking about when they were talking about all these things,” she said.

Growing up, she was barely taught anything about Palestinians, much like Eitan: “The idea that there were native inhabitants who lived there [when settlers began to arrive] was not even part of my frame of reference.”[1] To the extent that her upbringing provided her with any conception of what a Palestinian was, it was that a Palestinian was someone “who kills Jews, or wants to kill Jews.” But now she was dealing with actual Palestinian students and their non-Palestinian allies, who told her things she found alarming.

Zimmerman went back to Hillel, embarrassed that she and the other pro-Israel advocates were not doing a good job refuting the information they had been confronted with. When Zimmerman asked what the proper responses were to specific criticisms directed at Israel—other than shouting “double standard” or “anti-Semitic”—no one provided her with any. “That was really disturbing for me,” she says. She was flabbergasted that “there are these people called Palestinians who think that Israel wields all this power over their lives and don’t have rights, don’t have water. What is this? How do I respond to it?” “How is it that I am the best the Jewish community has to offer—I’ve been to all the trainings, all the summer camps—and I don’t know what the settlements are, or what the occupation is?”

This anguish led Zimmerman to see the occupation for herself, the summer after her freshman year. This was her first time “crossing the line” into the West Bank. The film movingly details her experiences there. She listened to Palestinian families describe routine instances of being beaten by the IDF, and the harsh realities of life under military rule.

She befriends Sami Awad, Executive Director of the Holy Land Trust, who works to give Americans tours of the territory. An American citizen born in the U.S., Awad describes encounters with American kids who have joined the IDF, people “who just moved here to be part of an army to play cowboys and Indians.” He remarks on the absurdity that “Somebody…comes here from New York or from Chicago, and [claims] that this land is theirs.”

Awad’s family was originally from Jerusalem. His grandfather was shot by an Israeli sniper in 1948, and the rest of his family were evicted by Israeli forces soon after during the Nakba. They have never been allowed to return, and have lived under occupation ever since. Nevertheless, Awad is an extraordinarily empathetic person, having made a career out of trying to teach Westerners what life is like in the West Bank, in the hopes that they will use what they learn to effect positive change. He recounts visiting Auschwitz, and says that the experience gave him an insight into “inherited trauma” and how it shapes the conflict today. In the film he comes across as optimistic:

“I really believe that there is an emerging awakening within the American Jewish community…From American Jews, coming here, and listening to us, and hearing us, and seeing our humanity, and understanding that we are not just out sitting in bunkers, planning the next attack against Israelis, that we do have a desire to live in peace, and to have our freedom, and to walk in our streets, and to eat in our restaurants, and like we – I mean it’s crazy that I have to say this, that we are real human beings that just want to survive and live, like all other people in this world.”

Zimmerman also meets Baha Hilo, an English speaker who works as a tour guide with To Be There, another group that helps people understand the reality that Israel imposes on the West Bank. His family was expelled from Jaffa in 1948 during the Nakba. They were forced to settle in Bethlehem, sadly believing that they would eventually be able to return to their homes.

Hilo discusses his frustration that Israelis get to live under civil law, whereas Palestinians like him must live under the humiliating military law of the occupation: “When an American goes to the West Bank, he has more rights there than I have had my entire life!” The film takes care to note that Americans play a major role in such realities: “Of the roughly 450,000 [illegal] Israeli settlers living in the occupied West Bank, 60,000 are American Jews.” Some readers may recall the famous viral video of an Israeli named Yakub unashamedly stealing Palestinian homes while conveying a breathtaking sense of entitlement.

Hilo laments that, “From the day you are born, you live day in and day out without experiencing a day of freedom.” His astonishment at the audacity of Israelis, particularly those who are also Americans, mirrors Awad’s: “What makes an 18-year-old American kid who was given [a] ten days’ trip for free in Palestine, what makes him want to come in and sacrifice his life? Why would a foreigner think it’s ok to have superior rights to the rights of the indigenous population? Because somebody told them it’s [their] home.”

While happy to make such friends, Zimmerman nonetheless says of her time there, “I don’t think I realized the extent to which what I would come to see on the ground would really shock me and horrify me.” This experience often changes people. The filmmaker Rebecca Pierce is interviewed on her own visits to the West Bank, and her reaction is in line with Zimmerman’s. Pierce had always been opposed to using the word “apartheid,” but once she saw the reality of the situation, she changed her mind immediately.

The protagonist of With God on Our Side (a 2010 documentary critical of Christian Zionism), a young man named Christopher, had a similar reaction, specifically at the behavior he witnessed from the Israeli settlers. Each year a group of them converges on the Arab section of Old Jerusalem to celebrate Israel’s capture of East Jerusalem in 1967. Christopher witnessed the festivities, which featured a massive crowd of settlers wrapped in Israeli flags, shouting “death to Arabs” repeatedly as they danced through the streets.

A large group identified an Arab journalist, surrounded him, began chanting at him and flipping him off, to the point where the police had to be called. Christopher was visibly shocked at all this, glumly remarking that he “felt ashamed to be there.” This same celebration is also seen in Israelism, and the Israeli chants are as deranged as ever: “An Arab is a son of a bitch! A Jew is a precious soul!” “Death to the leftists!”

Zimmerman’s experiences led her to become a co-founder of the If Not Now movement, a grassroots Jewish organization which works to end U.S. support for Israel. They have engaged in activism targeting the ADL (more on them in a moment), AIPAC, the headquarters of Birthright Israel, and other organizations which directly contribute to the perpetuation of Israel’s occupation. “We decided to bring the crisis of American Jewish support for Israel to the doorsteps of Jewish institutions to force that conversation in public,” Zimmerman says.

Israelism contains powerful scenes of younger Jewish people engaging in this work. Many come from similar backgrounds as Eitan and Simone. Consider Avner Gvaryahu. Born and raised in Israel, Gvaryahu also joined the IDF. His combat experience ultimately turned him against the occupation. His whole life in Israel, he had never been inside a Palestinian home, but was now being tasked with “barg[ing] into one in the middle of the night.”

By the end of his service, he had routinely taken over Palestinian homes and used them as military facilities. No warrants were needed, and no notice was ever given to the families who were living there. He reflects back “with shame” on how violently he often acted toward the residents in such situations. Gvaryahu is now the Executive Director of Breaking the Silence, an organization of IDF veterans committed to peace.

“There are a lot of Jewish young people who see a Jewish establishment that is racist, that is nationalistic,” Zimmerman explains. Jeremy Ben-Ami, the President of J Street, agrees. “They’re really, really angry about the way they were educated, and the way they were indoctrinated about these issues, and justifiably so.”

While such courageous individuals often receive quite a bit of hatred from their own community (Zimmerman says, “The word I used to hear a lot was ‘self-hating Jew.’ Like, the only way a Jewish person could possibly care about the humanity of Palestinians is if you hate yourself”), their numbers are growing, and one hopes that this will continue. Israelism was released a few months before the terrorist attacks of October 7th and Israel’s genocidal response, events which make the film timely and important.

Since October 7th, we have seen many of the tactics and talking points used to justify Israel’s crimes that the film depicts return with a vengeance. Chief among them is the by-now ubiquitous claim that calling out Israeli atrocities is somehow anti-Semitic.

Zimmerman is anguished that “so many of the purported leaders of our community have been trying to equate the idea of Palestinian rights itself with anti-Semitism.”

This applies to no one more than Abraham “Abe” Foxman, who until his recent retirement was the long-time head of the Anti-Defamation League (ADL), an organization masquerading as a civil rights group but which is really a pro-Israeli government outfit which has long sought to redefine anti-Semitism to include “criticisms of Israel.”

These efforts have borne fruit—“The Trump administration issued an executive order adopting” this definition of anti-Semitism “for the purposes of enforcing federal civil rights law,” Michelle Goldberg notes in The New York Times. Foxman says in the film that “it hurts me for a Jewish kid to stand up there and say ‘justice for the Palestinians,’ and not [say] ‘justice for Israelis’; it troubles me, hurts me, bothers me. It means we failed. We failed in educating, in explaining, et cetera.” Many Israel supporters seem to share Foxman’s horror that Jewish people sometimes care about the well-being of people other than themselves.

Israelism explores this deliberate conflation of anti-Semitism with anti-Zionism. Sarah Anne Minkin, of the Foundation for Middle East Peace, is deeply bothered that “The way we talk about anti-Semitism isn’t about protecting Jews, it’s about protecting Israel. How dangerous is that, at this moment with the rise of anti-Semitism?”

Indeed, the film contains footage of the infamous Unite the Right rally featuring hordes of white supremacists marching through Charlottesville, Virginia, with torches, screaming “Jews. Will not. Replace us!” over and over, as well as news footage of the aftermath of the Tree of Life Synagogue mass shooting.

One of the chief tasks of Israeli propagandists has been to conflate such acts with anti-Zionist sentiment. Genuine anti-Semitism of the Charlottesville variety is (obviously) a product of the far right—recall that President Donald Trump famously referred to “very fine people on both sides” of that incident, an unmistakable wink and nod to such fascist groups.

People who comprise such groups, the type who paint swastikas on Jewish homes, are not the same as peace activists marching to end the Israeli occupation. This should not be difficult to understand. But the Israel PR machine has done a marvelous job confusing otherwise intelligent people on this issue.

Also quoted in the film is Ted Cruz, who like Trump is a regular speaker at AIPAC events, and who like many Republicans pitches his political rhetoric to appeal to the very reactionaries who espouse genuinely anti-Semitic sentiments. This does not stop him from having the audacity to refer to criticisms of Israel as anti-Semitic, shamelessly insisting that “the left has a long history of anti-Semitism.”

The American right wing has been hard at work lately, trying to convince gullible people that the rise of actual anti-Semitic incidents is the result of critics of Israel. The New York Times’s Michelle Goldberg reports that “Chris Rufo, the right-wing activist who whipped up nationwide campaigns against critical race theory and diversity, equity and inclusion initiatives, told me he’s part of a group at the conservative Manhattan Institute workshopping new policy proposals targeting what it sees as campus antisemitism.”

Such efforts apparently convince many liberal-leaning people to agree with UConn Hillel’s Jacqui Schulefand, who as noted above believes that “Israel is Judaism and Judaism is Israel.”

If you believe this, it is understandable how you might come to see criticizing a government’s policies, or the political ideology (Zionism) undergirding them, as anti-Semitic. I do not often profess gratitude for President Biden (indeed, I am really hoping the “Genocide Joe” label sticks), but it was nice to see him publicly state that “You don’t have to be a Jew to be a Zionist. And I’m a Zionist.” This pronouncement clarifies something that the Israel Lobby likes to obscure—that Zionism is a political ideology, like “conservatism,” “socialism” or “libertarianism.”

As such, critiquing it is not racist or anti-Semitic, even if the criticism is inaccurate.

It is always important to consider the ways in which assumptions held uncritically can lead one astray, especially assumptions ingrained from a young age, before people possess the capacity to sufficiently question what they are being told. Israelism is a powerful, thought-provoking film that does this spectacularly. And it does so for a topic that does not get as much attention as it should. Discussions of Christian propaganda are fairly common (again, think of Jesus Camp, or even With God on Our Side), as are denunciations of the kind of Islamic fundamentalist propaganda that comes out of places like Saudi Arabia.

It is almost too easy to go after the Mormons or the Scientologists. But the indoctrination taking place in many Jewish schools gets comparatively little attention. I have written previously of my admiration for people, like Naomi Klein, who frankly discuss the troubling fact that Israeli PR defined much of their early schooling. It is important to have an entire film devoted to the subject. People might not like what they see, but they need to see it.

Israelism is streaming here until January 31st.

[ahmetcumhur-blog]

Aldous Huxley

Cesur Yeni Dünya

"Tabii ki yeni totaliter sistemin eskisine benzemesini gerektirecek hiçbir neden yok. Polis copu ve idam mangaları, yapay açlık, toplu hapsetmeler ve toplu sınırdışı etmeler yoluyla devlet, yalnızca insanlıkdışı değil (bugünlerde buna kimse pek aldırm��yor); açık şekilde yetersizdir ve ileri teknoloji çağında yetersizlik, Kutsal Ruh'a karşı işlenmiş bir günahtır. Gerçekten etkili totaliter devlet, siyasi patronların ve onların yönetici ordularının tüm güçleri kendisinde toplayan hükümetinin, kölelerden oluşan nüfusu köleler köleliklerini sevdikleri için zor kullanmaksızın kontrol ettikleri devlettir. Günümüzün totaliter devletlerinde köleliği sevdirmek, propaganda bakanlıkları, gazete yayıncıları ve okul öğretmenlerine verilmiş bir görevdir. Ancak yöntemleri halen kaba ve bilimdışıdır. Cizvitlerin, "bana çocuğun aldığı eğitimi söyle sana yetişkin halinin dinî inançlarını söyleyeyim" diye böbürlenmeleri, hüsnü kuruntunun ürünüdür. Ve muhtemelen modern pedagog, öğrencilerinin reflekslerini şartlandırma konusunda, Voltaire'i yetiştiren değerli rahipler denli başarılı değildir"

[witchygirlgray333]

Some Youtuber recommendations

Not sure if anyone's interested but I always love to find new favourite Youtubers and I'm constantly watching Youtube so here's some of my favourites (and if I remember I'll write a brief description of the content they post). Please let me know if you have any other recommendations!

Spill sesh (I love when I actually know about things happening so I can contribute to conversations and these are short videos about current celebrity drama and things like that)

Wood Dweller

Grav3yardgirl - She posts loads of fun content about crazy purchases

Izzzyzzz

Mother the mountain farm - Vlogs of 2 sisters living together in the Australian countryside and running a homestead farm, they do lots of DIY's and it's so inspiring seeing them run the farm, building things such as shelters for the animals, spending lots of time adventuring and spending time with their animals (my favourites are the goats), sewing clothes and lots more

TED-ED - Short informative videos posted regularly posting about loads of different topics

Lady of Faewood - Witchy and fantasy themed DIYs and makeup

Ilymation - Animated story time videos

Zoe sugg - Vlogs about her life, motherhood and family, makeup and beauty, running a successful business and spending time with her friends

Hannah lee dugan - Living in the woods, DIY's, home improvement, teaching herself new skills and her adventures travelling and living in the middle of nowhere

Alyssa Nicole - Vlogs about her pets, witchcraft, reading etc

Hello kitty and friends - Short episodes of the Hello Kitty and friends youtube show, they're so cute and they make my day, they also post cute DIY's

Samantha Jo - Fun vlogs and she has such a funny sense of humour, lots of relatable content and she has the cutest doggo called Dunken

Darling desi - Cosy wholesome videos, major autumn cottagecore vibes

Paperworms cat - Journal flip throughs

Lindsey Kaba - Journalling videos and flip throughs, she has such a fun and creative journalling style and it matches my style so well, so motivating and inspiring and always helps me when I'm in a journalling slump or just need some cheering up

Mindful witch - Spooky / halloween / witchcraft hauls, alt fashion and living a mindful and magical lifestyle

Sierra ann - Vlogs, self improvement, her videos are so fun and I love how open and real she is in her videos

James welsh - Skincare advice

Chloe bunny - Another favourite, her videos are so comforting and relaxing and she does vlogs, book hauls, reading vlogs and more

ANJA - vlogs of her trying new things and living an amazing exciting life and experiencing cool things such as her videos 'I flew to NYC for the love of my life', 'living alone with a nudist in the woods', 'i moved to berlin baby' and 'no phone, 7 countries, 1 month'. I'm chronically ill and on bed rest and I lowkey live vicariously through her videos hehe

Hitomi Mochizuki - Sisterhood, yoga, spirituality, wellness, self love, self improvement

Jaiden animations - Animated videos telling fun stories and vlog style videos such as 'the time when psychics read my future' and 'my childhood stories' and 'my dog stories'

Sophia K - Book videos such as reading vlogs and book hauls

Coco day - Reading / university / lifestyle / art vlogs

Cecilia Blomdahl - Interesting videos about her life on Svalbaard which is an island close to the north pole and she has an adorable dog called Grimm. It's so interesting and fun to watch someone living such a totally different life to me and learning about things such as life in the artic, the midnight sun, polar night etc and there's some beautiful content such as when she's watching the northern lights!

Remi clog - Cleaning motivation, relatable videos about motherhood, living with ADHD and maintaining a clean home

Sky life - Learning about different spiritual practices, wellness, alternative lifestyles etc, such as her video 'learning ancient magic with the modern day cleopatra' and 'I tried ketamine meditation therapy'. She gives me lots of ideas for things to add to my life bucket list and it's so interesting to learn about so many things

Cate van luven - Journal flip throughs, journal with me, journaling supplies haul and they have a really similar journaling style to me so I love watching their video for inspo for my journalling, art and grimoire

Werallgonnadie - Vlogs about starting to learn ballet in your 20's which I love (I'm not particularly interested atm in learning ballet but I love that she posts vlogs about learning ballet for the first time as an adult, shopping, clips from her ballet lessons, coquette hauls, advice, grwm etc)

Karissa love - Witchy videos and vlogs, poetry, self love, makeup

Haley pham - Reading vlogs and other book related content, daily life vlogs, book hauls etc

Dakota Warren - Dark acadamia vibes, book content, vlogs, fashion, hauls etc

Alwyn Oak - Such cosy videos about her witchcraft and these videos always make me feel better, motivate me and help me to connect with my inner child. I look up to her so much and I aim to make my everyday life more like hers. Her videos include her altar, vlogs, exploring the forest near her home which she calls the enchanted woods (she's made a map of it and has named different part of the woods that she connects to and this kind of thing brings me so much happiness, my inner child loved doing these kind of things and her content reminds me to take time to connect with my inner child and enjoy every little part of everyday), DIYs and arts and crafts, books, home makeovers, nature, going on adventures, celebrating the sabbats, recipes and so much more

Lilymaexo - Relatable teen girl content, mainly vlogs

Skalababy - Productive and motivational vlogs of her daily life

Leena norms - Being more eco friendly, making her own clothing, trying new hobbies, books and advice

Brittany Broski - Funny, stupid videos that never fail to make me feel better

Mint Faery - One of my all- time favourites, witchy vlogs, witchy advice and informative videos, showing their beautiful altar, spells and rituals, everyday magic, storytimes, hauls and unboxings, chronic illness witch content

Madi's nursing journey - Nursing vlogs (I'm not even interested in becoming a nurse but I love her vlogs so much)

Fawn child - Vlogs and book videos such as reading vlogs and book hauls

Keelin Moncrieff - Vlogs of being a young mum, self improvement and self care, books, realistic and relatable videos, advice etc

Rachel Maksy - DIY's, cosy cottagecore / wholesome vibes fashion, trying new hobbies such as her video 'I found an old knitting machine in my basement', historical videos (I'm not quite sure how to call them but I love them) such as her video 'I found an 1800's book of etiquette' or 'I tried some old Hollywood eyebrows'. She posts really cosy autumnal videos and she has a really fun sense of humour.

Rattus rattus - One of my top favourite youtubers, alt fashion, DIYs (including ones you can do on a budget), vlogs, thrift hauls and lots more, such a perfect youtuber to subscribe to especially if you're a halloween lover!

Luna Seranova - Witchy videos (vlogs, informational videos, books, divine feminity and seggs magic, hauls and unboxings, makeup and grwms)

Danelle Hallan - True crime videos handled in a polite and respectful manner

Zhirelle - Motivational yet realistic vlogs of a college art student navigating life

Emmie - I love her videos so much, she posts lots of book videos, weekly vlogs which include reading, studying, her adorable kitten Calcifer and general lifestyle things

Drama Kween - Short videos discussing current topics such as celebrities, social media people, bad tiktok trends, tv shows and films etc

Stephanie Harlowe - True crime videos, she handles the topics in such a respectful way and in my opinion she gives non-biased information

Throneofpages - Reading vlogs and other book related videos

Perfectpaperbacks - Reading vlogs and other book related videos

Didn't realise how long this would be... oops!

[endergelisenataklar]

Merhaba) René Magritte'yi görüp es geçseydim sanata büyük hakaret etmiş olurdum. Kendimce bir kaç cümle yazarak yorumlamak istiyorum, müsaadenle..

Sırtını gördüğümüz herhangi bir sanat eserindeki insan, topluma, herhangi bir yere ait olmayan sadece kendi iç dünyasında kendi benliğinde kabul etmiş düşüncelerle var olan biri gibi düşünebiliriz. Hatta anonim şekilde olan bir karaktere bürünmüştür. Sırt, kesin cevaplara ulaşılmayacak olan gizemli bir delik gibi -bir ifade alanı olan yüzün aksine- dilsizdir, peki bu dilsiz olan sırt bize neyi ifade eder ki? Dili yok ama özgürlüğün duygusunu yansıtıyor olabilir. George Banu'ya göre sırttan görülen insan, modern insanın habercisidir. Bu duruş, dünyaya arkasını dönme; var olan kurallardan kopma; başkaldırı, devrim ya da bir tür kınama olarak algılanabilir. Kuralları bozan, onları aksatan, düzene gedik açan ve istikrarsızlaştıran bir görünüm olarak sırt, bir tür özgürleşmedir. Banu sırtın, görünüm şekli nasıl olursa olsun bir algıya karşı geldiğini ve kanunun otoritesini yıktığını belirtir. Kutsal gözün gözetiminden kaçılamayacağının düşünülmesi nedeniyle, Rönesans dönemine kadar dini resim, sırtı görmezden gelmiştir. Aslında olaya biraz çok farklı perspektifle bakmış olabilirim. Çünkü ilgimi çeken kitabın aynadaki görüntüsüydü yani kitap doğru bir şekilde yansıtılmış. Belki de tekrar tekrar baktığımızda milyonlarca anlam bulabiliriz. Aslında bulmamıza gerek yok. Michel Foucault bu bir pipo değildir kitabında şöyle yazmıştır; ''Ne dil, ne resim, birbirinin terimlerine indirgenebilir. (…) gördüğümüzü söylememiz boşunadır çünkü gördüğümüz, söylediğimizin içine hiçbir zaman yerleşmiş değildir.”

merhaba öncelikle. yazdıklarını baştan sona ılımlı ılımlı, defaatle okudum. şunu söyleme gereğinde bulunmam gerekir ki, kendinden emin bir şekilde altı dolu tümcelerle mükemmel bir çıkarımda bulunduğunu söyleyebilirim. olayı kendi içinde içselleştirip, daha sonra sentezleyip, aynı güzellikle pürdikkat bir şekilde sunmuşsun. bu yüzden teşekkürlerimi iletmek isterim. michael foucault'a katılıyorum. hakikat budur ki gördüklerimiz, söylediklerimizin içine hiçbir zaman yetişemezler. bu sözü en iyi zeki demirkubuz'un yeraltı filmindeki yemek sahnesiyle, nuri bilge ceylan'ın bir zamanlar anadolu'da filmindeki yemek sahnesinin arasındaki fark belirler. nuri bilge bir zamanlar anadoluda'ki yemek sahnesinde, toplumun çatışmasını, hiyerarşik düzenini, sosyal ve kültürel farklılıklarını mükemmel bir şekilde anlatırken, zeki demirkubuz bana kalırsa tam olarak yeraltı filmindeki yemek sahnesinde rené magritte'nin bahsettiğimiz tablosunu anlatır. ve yine bana kalırsa rené magritte bahsettiğimiz tabloda insanın kendine yabancılaşmasını, benliğini inkar etmesini sürrealist bir biçimde anlatır. bu zeki demirkubuz'un bahsettiğim yemek sahnesi için de geçerlidir. aralarındaki tek fark zeki demirkubuz realistik bir tutumla sanatını icra ederken rené magritte sürrealistik bir tutumla sanatını icra etmiştir. george banu'ya da aynı şekilde katılıyorum. gerçekten de sırttan görülen insan modern insanın habercisidir. günümüz dünya düzeninde, filhakika kapitalizmde bireylerin tek tipleştiğini düşünüyorum. bu tek tipleşme elbette ki politiktir, bu yüzden günümüz dünya düzeni george orwell'ın 1984 romanını anımsatır. aynı şekilde kutsal gözün gözetiminden kaçılamayacağının düşünülmesi nedeniyle, rönesans dönemine kadar dini resmin sırtı görmezden gelmesi bile bunun çok büyük bir kanıtı olduğunu düşünüyorum. aynadaki kişi de kendi aynasına dönmüştür. mesele budur. kendini arayışın içinden çıkılmazlığıdır mesele. kaba bir dille düşüncelerinin tahakkümüne girdiğimi söyleyebilirim fakat okuduğum bir bilgiye göre magritte çocukluk travmasından dolayı yüzleri çizmez. annesini deniz kenarında ölü bulmuştur ve yüzü elbisesi ile örtülüdür. bu tüm resimlerini aynı eğride etkiler. bu yüzden "kim magritte resimlerini anladığını söylüyorsa, resimden hiçbir şey anlamıyordur." denir. bu yüzden birçok savı da reddeder magritte. sürrealizmine en büyük dayanak annesinin ölüm travması olarak görülür, ama ona elbette kabul ettirilemez. tartışılabilir, ama anlaşılamaz. kendisi de bu durumu şöyle açıklar "resimlerim açık imajlar ve hiç bir şeyi gizlemiyorlar. onlar gizemi hissettiriyor ve evet kabul ediyorum birisi benim resimlerimden birini gördüğünde şu basit soruyu soruyor 'bu ne anlama geliyor?' aslında hiçbir anlama gelmiyor çünkü; gizem de bir anlama gelmez. gizem, bilinmezliktir." der. ve son olarak cümlelerimi kendisinin bir mottosuyla sonlandırmak istiyorum. aslında çok ama çok basit bir motto fakat içerdiği idealite çok derin; -isible things always hide other visible things.- yani; "görünen şeyler her zaman diğer görünen şeyleri gizler." hoş kal.

[jtrbluv]

DAWG I MISS RHPC TOO </3 but i meant i was watching old abdc quest crew performances LMFAOOOOO i need to see a yoongi and dtrix dance battle fr

dawg the way i looked back on my comment and stumped myself bc how did i get them confused but dude stop I MISS ABDC HUH i watched kaba modern live the other week at a comp (and like it does not compare at all to their abdc) days but dayum. also i miss yoongi, Real and rhpc, also Real

[pintubajafortressbangli01]

MODERN..!! WA 0821 7001 0763 (FORTRESS) Fortress Pintu Baja Di Kaba-Kaba

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- Lapisan Honeycomb Paper sebagai Penyerap Suara.

- Lapisan PE-Film untuk Perlindungan Tambahan.

- Dilengkapi dengan 6 Set Baut Pemasangan.

- Memiliki Ambang Pintu yang Kokoh.

Dapatkan keamanan yang tak tertandingi dengan Fortress Pintu Baja, solusi pintu yang kuat dan tahan lama untuk melindungi rumah Anda.

Hubungi Kami Segera (0821-7001-0763)

Head Office (Kantor Pusat) :

Jl. Raya Binong Jl. Kp. Cijengir No. 99, Rt.005/Rw.003, Binong, Kec. Curug, Kabupaten Tangerang, Banten 15810

Kantor Cabang JBS : (Solo, Pekanbaru, Surabaya, Lampung, Palembang, Kendari, Makassar, Balikpapan, Medan, Bali, Dan Kota Lainnya Menyusul)

Provinsi Bali Meliputi : Kab Badung-Mangupura, Kab Bangli, Kab Buleleng-Singaraja, Kab Gianyar, Kab Jembrana-Negara, Kab Karangasem-Amlapura, Kab Klungkung-Semarapura, Kab Tabanan, Kota Denpasar Dan Seluruh Kota Se-Indonesia.

#fortresspintubajadikaba-kaba #pintufortressdikutaselatan #pintubajaringandidaup #merkpintubajadipangkungparuk #merkpintubajaterbaikdiababi

Fortress Pintu Baja Di Kaba-Kaba, Pintu Baja Ringan Di Kuta Utara, Merk Pintu Baja Di Dausa, Merk Pintu Baja Terbaik Di Patemon, Pabrik Pintu Baja Fortress Di Bunutan.

[pintubajamotifkayubadung01]

MODERN..!! WA 0821 7001 0763 (FORTRESS) Pintu Motif Kayu Minimalis Di Ababi

WA 0821 7001 0763 (FORTRESS) Pintu Motif Kayu Minimalis Di Ababi

MODERN..!! WA 0821 7001 0763 (FORTRESS) Pintu Motif Kayu Minimalis Di Ababi, Pintu Rumah Motif Kayu Di Kaba-Kaba, Kusen Dan Pintu Motif Kayu Di Kuta Selatan, Kusen Dua Pintu Motif Kayu Di Daup, Kusen Pintu Motif Kayu Minimalis Di Pangkungparuk.

FORTRESS adalah produk Pintu Baja Motif Kayu Sebuah terobosan inovasi terbaru sebagai alternatif pengganti pintu rumah konvensional yang mengunakan material baja sebagai bahan baku utamanya.

Tingkatkan Keamanan Rumah Anda dengan 13 Keunggulan Fortress Pintu Baja!

Material Baja Berkualitas Tinggi.

- Finishing dengan Pola Serat Kayu Alami.

- Kusen Baja dengan Detail Architrave yang Anggun.

- Engsel Baja Tersembunyi dalam 4 Set.

- Sistem Penguncian 5 Titik dengan Kunci Utama.

- Sistem Keamanan A-B Lock dengan 7 Kunci Elektronik.

- Dilengkapi dengan Slot/Grendel untuk Penguncian Tambahan.

- Terdapat Lubang Pengintip.

- Pelindung Karet pada Kusen dan Daun Pintu.

- Lapisan Honeycomb Paper sebagai Penyerap Suara.

- Lapisan PE-Film untuk Perlindungan Tambahan.

- Dilengkapi dengan 6 Set Baut Pemasangan.

- Memiliki Ambang Pintu yang Kokoh.

Dapatkan keamanan yang tak tertandingi dengan Fortress Pintu Baja, solusi pintu yang kuat dan tahan lama untuk melindungi rumah Anda.

Hubungi Kami Segera (0821-7001-0763)

Head Office (Kantor Pusat) :

Jl. Raya Binong Jl. Kp. Cijengir No. 99, Rt.005/Rw.003, Binong, Kec. Curug, Kabupaten Tangerang, Banten 15810

Kantor Cabang JBS : (Solo, Pekanbaru, Surabaya, Lampung, Palembang, Kendari, Makassar, Balikpapan, Medan, Bali, Dan Kota Lainnya Menyusul)

Provinsi Bali Meliputi : Kab Badung-Mangupura, Kab Bangli, Kab Buleleng-Singaraja, Kab Gianyar, Kab Jembrana-Negara, Kab Karangasem-Amlapura, Kab Klungkung-Semarapura, Kab Tabanan, Kota Denpasar Dan Seluruh Kota Se-Indonesia.

#pintumotifkayuminimalisdiababi #pinturumahmotifkayudikaba-kaba #kusendanpintumotifkayudikutaselatan #kusenduapintumotifkayudidaup #kusenpintumotifkayuminimalisdipangkungparuk

Pintu Motif Kayu Minimalis Di Ababi, Kusen Dan Pintu Motif Kayu Di Nyambu, Kusen Dua Pintu Motif Kayu Di Kuta Utara, Kusen Pintu Motif Kayu Minimalis Di Dausa, Kusen Pintu Motif Kayu Terdekat Di Patemon.

[pazaryerigundem]

Konya Karatay Spor Merkezi gün sayıyor

https://pazaryerigundem.com/haber/187241/konya-karatay-spor-merkezi-gun-sayiyor/

Konya Karatay Spor Merkezi gün sayıyor

Konya’da Karatay Belediyesi tarafından, belediye tarihinin en yüksek bütçeli yatırımı olarak hayata geçen “Karatay Spor Merkezi”nin yapımı sürüyor.

KONYA (İGFA) –Karatay Belediyesi tarihinin en büyük bütçeli yatırımı olan Karatay Spor Merkezi’nin yapımı aralıksız bir şekilde devam ediyor.

Yaklaşık 26 bin metrekarelik inşaat alanına sahip Karatay Spor Merkezi’nde; 1000 metrekarelik yarı olimpik yüzme havuzu, profesyonel müsabakalara uygun suni çim saha, tribüne sahip 1161 metrekarelik kapalı spor salonu, okçuluk salonu, salon sporlarına uygun tesisler, idari ofisler, sporcu ve antrenör odaları, toplantı salonu, masa tenisi ve daha birçok farklı spor alanı bulunacak.

MERKEZİN İNŞAATINDA İNCELEMELE

Karatay Belediye Başkanı Hasan Kılca, AK Parti Konya Milletvekili Mehmet Baykan, Türkiye Taekwondo Federasyonu Başkanı Prof. Dr. Metin Şahin ve Türkiye Amatör Spor Kulüpleri Konfederasyonu Başkan Yardımcısı ile aynı zamanda konfederasyonun Konya Şube Başkanlığı’nı da yürüten Remzi Ay ve ASKF Yönetim Kurulu Üyeleri ile beraberindekiler, merkezde incelemelerde bulundular.

Milletvekili Mehmet Baykan, federasyon başkanı Metin Şahin ile konfederasyon şube başkanı Remzi Ay; Karatay Spor Merkezi’nin mimari yapısı, bölümleri ve özellikleri ile merkezin inşaatında gelinen aşama hakkında Başkan Hasan Kılca’dan bilgi aldılar.

Tesisi inceledikten sonra değerlendirmelerde bulunan Adalet ve Kalkınma Partisi (AK Parti) Konya Milletvekili Mehmet Baykan, Konya’ya kazandırılan merkez dolayısıyla Karatay Belediye Başkanı Hasan Kılca’ya teşekkür etti. Milletvekili Mehmet Baykan; kompleksin hem bölgeye önemli sportif bir değer katacak hem de gençlerimizin çok daha modern ve iyi şartlarda spor yapmalarına imkan veren bir tesis olduğunu söyledi. 

Karatay Belediye Başkanı Hasan Kılca, ilçenin dört bir tarafını yeni nesil spor merkezleriyle donatmaya devam ettiklerinin altını çizerek ülkenin geleceği olan gençler için hayata geçirdikleri yatırımları önemsediklerini kaydetti.

Karatay Spor Merkezi’nin belediyenin en yüksek bütçeli yatırımı olduğunu hatırlatan Başkan Hasan Kılca şunları ifade etti; “Bizim geleceğimiz gençlerimizdir. Onlara sahip çıkmanın en önemli yollarından birisi de onlara spor yapabilecekleri, eğitimlerini alabilecekleri imkanları sunabilmektir diye düşünüyoruz. Bizler de Karatay Belediyesi olarak özellikle eğitim ve sporda onların yanında olmaya büyük gayret gösteriyoruz. Karatay Spor Merkezi projemiz de bu bağlamda belediye tarihimizin en büyük yatırımıdır. Bu projemiz, geleceğe dönük bir yatırımdır ve uzun yıllar Konyamıza, Karatayımıza, ülkemize hizmet edecek. Toplamda 14 farklı branşta gençlerimiz spor yaparak Konyamızın altyapısına ve ülkemizin milli takımların yeni isimleri yetişecek. Kaba inşaatı tamamlanan merkezimizi kısa sürede tamamlayarak gençlerimize armağan edeceğiz inşallah.”

BU KOMPLEKS TESİSTEN ÇOK ÖNEMLİ SPORCULAR YETİŞECEK

Türkiye Taekwondo Federasyonu Başkanı Prof. Dr. Metin Şahin de Karatay Belediyesi tarafından Konya’ya kazandırılan Karatay Spor Merkezi’ni çok beğendiğini ifade etti. Metin Şahin; “Karatay Belediyemiz tarafından şehre kazandırılan Karatay Spor Merkezi’ni inceledik ve burayı gerçekten de çok beğendim. Bu güzel ve kompleks tesisi görünce buradan nice önemli yıldızların büyük sporcuların yetişeceğine dair umudumuz daha da arttı. Tam olimpik bir kompleks olmuş gerçekten. Buradan hem birbirinden önemli sporcular yetişecek hem de vatandaşlarımızın da spor yapabileceği güzel bir hizmet olmuş. Bu önemli proje dolayısıyla Karatay Belediye Başkanımızı yürekten kutluyorum” dedi.

BU Haber İGF HABER AJANSI tarafından servis edilmiştir.

[pintubajafortressbadung01]

MODERN..!! WA 0821 7001 0763 (FORTRESS) Fortress Pintu Baja Di Ababi

WA 0821 7001 0763 (FORTRESS) Fortress Pintu Baja Di Ababi

MODERN..!! WA 0821 7001 0763 (FORTRESS) Fortress Pintu Baja Di Ababi, Pintu Fortress Di Kaba-Kaba, Pintu Baja Ringan Di Kuta Selatan, Merk Pintu Baja Di Daup, Merk Pintu Baja Terbaik Di Pangkungparuk.

FORTRESS adalah produk Pintu Baja Motif Kayu Sebuah terobosan inovasi terbaru sebagai alternatif pengganti pintu rumah konvensional yang mengunakan material baja sebagai bahan baku utamanya.

Tingkatkan Keamanan Rumah Anda dengan 13 Keunggulan Fortress Pintu Baja!

Material Baja Berkualitas Tinggi.

- Finishing dengan Pola Serat Kayu Alami.

- Kusen Baja dengan Detail Architrave yang Anggun.

- Engsel Baja Tersembunyi dalam 4 Set.

- Sistem Penguncian 5 Titik dengan Kunci Utama.

- Sistem Keamanan A-B Lock dengan 7 Kunci Elektronik.

- Dilengkapi dengan Slot/Grendel untuk Penguncian Tambahan.

- Terdapat Lubang Pengintip.

- Pelindung Karet pada Kusen dan Daun Pintu.

- Lapisan Honeycomb Paper sebagai Penyerap Suara.

- Lapisan PE-Film untuk Perlindungan Tambahan.

- Dilengkapi dengan 6 Set Baut Pemasangan.

- Memiliki Ambang Pintu yang Kokoh.

Dapatkan keamanan yang tak tertandingi dengan Fortress Pintu Baja, solusi pintu yang kuat dan tahan lama untuk melindungi rumah Anda.

Hubungi Kami Segera (0821-7001-0763)

Head Office (Kantor Pusat) :

Jl. Raya Binong Jl. Kp. Cijengir No. 99, Rt.005/Rw.003, Binong, Kec. Curug, Kabupaten Tangerang, Banten 15810

Kantor Cabang JBS : (Solo, Pekanbaru, Surabaya, Lampung, Palembang, Kendari, Makassar, Balikpapan, Medan, Bali, Dan Kota Lainnya Menyusul)

Provinsi Bali Meliputi : Kab Badung-Mangupura, Kab Bangli, Kab Buleleng-Singaraja, Kab Gianyar, Kab Jembrana-Negara, Kab Karangasem-Amlapura, Kab Klungkung-Semarapura, Kab Tabanan, Kota Denpasar Dan Seluruh Kota Se-Indonesia.

#fortresspintubajadiababi #pintufortressdikaba-kaba #pintubajaringandikutaselatan #merkpintubajadidaup #merkpintubajaterbaikdipangkungparuk

Fortress Pintu Baja Di Ababi, Pintu Baja Ringan Di Nyambu, Merk Pintu Baja Di Kuta Utara, Merk Pintu Baja Terbaik Di Dausa, Pabrik Pintu Baja Fortress Di Patemon.

[pintuwcaluminiumkacabadung]

MODERN..!! WA 0821 7001 0763 (FORTRESS) Pintu Besi Rumah Di Ababi

WA 0821 7001 0763 (FORTRESS) Pintu Besi Rumah Di Ababi

MODERN..!! WA 0821 7001 0763 (FORTRESS) Pintu Besi Rumah Di Ababi, Pintu Belakang Besi Di Kaba-Kaba, Pintu Belakang Rumah Besi Di Kuta Selatan, Pintu Besi Aluminium Di Daup, Pintu Besi Baja Di Pangkungparuk.

FORTRESS adalah produk Pintu Baja Motif Kayu Sebuah terobosan inovasi terbaru sebagai alternatif pengganti pintu rumah konvensional yang mengunakan material baja sebagai bahan baku utamanya.

Tingkatkan Keamanan Rumah Anda dengan 13 Keunggulan Fortress Pintu Baja!

Material Baja Berkualitas Tinggi.

- Finishing dengan Pola Serat Kayu Alami.

- Kusen Baja dengan Detail Architrave yang Anggun.

- Engsel Baja Tersembunyi dalam 4 Set.

- Sistem Penguncian 5 Titik dengan Kunci Utama.

- Sistem Keamanan A-B Lock dengan 7 Kunci Elektronik.

- Dilengkapi dengan Slot/Grendel untuk Penguncian Tambahan.

- Terdapat Lubang Pengintip.

- Pelindung Karet pada Kusen dan Daun Pintu.

- Lapisan Honeycomb Paper sebagai Penyerap Suara.

- Lapisan PE-Film untuk Perlindungan Tambahan.

- Dilengkapi dengan 6 Set Baut Pemasangan.

- Memiliki Ambang Pintu yang Kokoh.

Dapatkan keamanan yang tak tertandingi dengan Fortress Pintu Baja, solusi pintu yang kuat dan tahan lama untuk melindungi rumah Anda.

Hubungi Kami Segera (0821-7001-0763)

Head Office (Kantor Pusat) :

Jl. Raya Binong Jl. Kp. Cijengir No. 99, Rt.005/Rw.003, Binong, Kec. Curug, Kabupaten Tangerang, Banten 15810

Kantor Cabang JBS : (Solo, Pekanbaru, Surabaya, Lampung, Palembang, Kendari, Makassar, Balikpapan, Medan, Bali, Dan Kota Lainnya Menyusul)

Provinsi Bali Meliputi : Kab Badung-Mangupura, Kab Bangli, Kab Buleleng-Singaraja, Kab Gianyar, Kab Jembrana-Negara, Kab Karangasem-Amlapura, Kab Klungkung-Semarapura, Kab Tabanan, Kota Denpasar Dan Seluruh Kota Se-Indonesia.

#pintubesirumahdiababi #pintubelakangbesidikaba-kaba #pintubelakangrumahbesidikutaselatan #pintubesialuminiumdidaup #pintubesibajadipangkungparuk

Pintu Besi Rumah Di Ababi, Pintu Belakang Rumah Besi Di Nyambu, Pintu Besi Aluminium Di Kuta Utara, Pintu Besi Baja Di Dausa, Pintu Besi Baja Ringan Di Patemon.

[pintukamartidurgianyar]

MODERN..!! WA 0821 7001 0763 (FORTRESS) Pintu Buat Kamar Tidur Di Pangkungparuk

WA 0821 7001 0763 (FORTRESS) Pintu Buat Kamar Tidur Di Pangkungparuk

MODERN..!! WA 0821 7001 0763 (FORTRESS) Pintu Buat Kamar Tidur Di Pangkungparuk, Pintu Kamar Bagus Di Ababi, Pintu Kamar Cantik Di Kaba-Kaba, Pintu Kamar Elegan Di Kuta Selatan, Pintu Kamar Klasik Di Daup.

FORTRESS adalah produk Pintu Baja Motif Kayu Sebuah terobosan inovasi terbaru sebagai alternatif pengganti pintu rumah konvensional yang mengunakan material baja sebagai bahan baku utamanya.

Tingkatkan Keamanan Rumah Anda dengan 13 Keunggulan Fortress Pintu Baja!

Material Baja Berkualitas Tinggi.

- Finishing dengan Pola Serat Kayu Alami.

- Kusen Baja dengan Detail Architrave yang Anggun.

- Engsel Baja Tersembunyi dalam 4 Set.

- Sistem Penguncian 5 Titik dengan Kunci Utama.

- Sistem Keamanan A-B Lock dengan 7 Kunci Elektronik.

- Dilengkapi dengan Slot/Grendel untuk Penguncian Tambahan.

- Terdapat Lubang Pengintip.

- Pelindung Karet pada Kusen dan Daun Pintu.

- Lapisan Honeycomb Paper sebagai Penyerap Suara.

- Lapisan PE-Film untuk Perlindungan Tambahan.

- Dilengkapi dengan 6 Set Baut Pemasangan.

- Memiliki Ambang Pintu yang Kokoh.

Dapatkan keamanan yang tak tertandingi dengan Fortress Pintu Baja, solusi pintu yang kuat dan tahan lama untuk melindungi rumah Anda.

Hubungi Kami Segera (0821-7001-0763)

Head Office (Kantor Pusat) :

Jl. Raya Binong Jl. Kp. Cijengir No. 99, Rt.005/Rw.003, Binong, Kec. Curug, Kabupaten Tangerang, Banten 15810

Kantor Cabang JBS : (Solo, Pekanbaru, Surabaya, Lampung, Palembang, Kendari, Makassar, Balikpapan, Medan, Bali, Dan Kota Lainnya Menyusul)

Provinsi Bali Meliputi : Kab Badung-Mangupura, Kab Bangli, Kab Buleleng-Singaraja, Kab Gianyar, Kab Jembrana-Negara, Kab Karangasem-Amlapura, Kab Klungkung-Semarapura, Kab Tabanan, Kota Denpasar Dan Seluruh Kota Se-Indonesia.

#pintubuatkamartidurdipangkungparuk #pintukamarbagusdiababi #pintukamarcantikdikaba-kaba #pintukamarelegandikutaselatan #pintukamarklasikdidaup

Pintu Buat Kamar Tidur Di Pangkungparuk, Pintu Kamar Cantik Di Bunutan, Pintu Kamar Elegan Di Nyambu, Pintu Kamar Klasik Di Kuta Utara, Pintu Kamar Klasik Modern Di Dausa.

[pintubesifortressgianyar01]

MODERN..!! WA 0821 7001 0763 (FORTRESS) Pintu Besi Rumah Di Pangkungparuk

WA 0821 7001 0763 (FORTRESS) Pintu Besi Rumah Di Pangkungparuk

MODERN..!! WA 0821 7001 0763 (FORTRESS) Pintu Besi Rumah Di Pangkungparuk, Pintu Belakang Besi Di Ababi, Pintu Belakang Rumah Besi Di Kaba-Kaba, Pintu Besi Aluminium Di Kuta Selatan, Pintu Besi Baja Di Daup.

FORTRESS adalah produk Pintu Baja Motif Kayu Sebuah terobosan inovasi terbaru sebagai alternatif pengganti pintu rumah konvensional yang mengunakan material baja sebagai bahan baku utamanya.

Tingkatkan Keamanan Rumah Anda dengan 13 Keunggulan Fortress Pintu Baja!

Material Baja Berkualitas Tinggi.

- Finishing dengan Pola Serat Kayu Alami.

- Kusen Baja dengan Detail Architrave yang Anggun.

- Engsel Baja Tersembunyi dalam 4 Set.

- Sistem Penguncian 5 Titik dengan Kunci Utama.

- Sistem Keamanan A-B Lock dengan 7 Kunci Elektronik.

- Dilengkapi dengan Slot/Grendel untuk Penguncian Tambahan.

- Terdapat Lubang Pengintip.

- Pelindung Karet pada Kusen dan Daun Pintu.

- Lapisan Honeycomb Paper sebagai Penyerap Suara.

- Lapisan PE-Film untuk Perlindungan Tambahan.

- Dilengkapi dengan 6 Set Baut Pemasangan.

- Memiliki Ambang Pintu yang Kokoh.

Dapatkan keamanan yang tak tertandingi dengan Fortress Pintu Baja, solusi pintu yang kuat dan tahan lama untuk melindungi rumah Anda.

Hubungi Kami Segera (0821-7001-0763)

Head Office (Kantor Pusat) :

Jl. Raya Binong Jl. Kp. Cijengir No. 99, Rt.005/Rw.003, Binong, Kec. Curug, Kabupaten Tangerang, Banten 15810

Kantor Cabang JBS : (Solo, Pekanbaru, Surabaya, Lampung, Palembang, Kendari, Makassar, Balikpapan, Medan, Bali, Dan Kota Lainnya Menyusul)

Provinsi Bali Meliputi : Kab Badung-Mangupura, Kab Bangli, Kab Buleleng-Singaraja, Kab Gianyar, Kab Jembrana-Negara, Kab Karangasem-Amlapura, Kab Klungkung-Semarapura, Kab Tabanan, Kota Denpasar Dan Seluruh Kota Se-Indonesia.

#pintubesirumahdipangkungparuk #pintubelakangbesidiababi #pintubelakangrumahbesidikaba-kaba #pintubesialuminiumdikutaselatan #pintubesibajadidaup

Pintu Besi Rumah Di Pangkungparuk, Pintu Belakang Rumah Besi Di Bunutan, Pintu Besi Aluminium Di Nyambu, Pintu Besi Baja Di Kuta Utara, Pintu Besi Baja Ringan Di Dausa.

[pintubajafortressgianyar01]

MODERN..!! WA 0821 7001 0763 (FORTRESS) Fortress Pintu Baja Di Pangkungparuk

WA 0821 7001 0763 (FORTRESS) Fortress Pintu Baja Di Pangkungparuk

MODERN..!! WA 0821 7001 0763 (FORTRESS) Fortress Pintu Baja Di Pangkungparuk, Pintu Fortress Di Ababi, Pintu Baja Ringan Di Kaba-Kaba, Merk Pintu Baja Di Kuta Selatan, Merk Pintu Baja Terbaik Di Daup.

FORTRESS adalah produk Pintu Baja Motif Kayu Sebuah terobosan inovasi terbaru sebagai alternatif pengganti pintu rumah konvensional yang mengunakan material baja sebagai bahan baku utamanya.

Tingkatkan Keamanan Rumah Anda dengan 13 Keunggulan Fortress Pintu Baja!

Material Baja Berkualitas Tinggi.

- Finishing dengan Pola Serat Kayu Alami.

- Kusen Baja dengan Detail Architrave yang Anggun.

- Engsel Baja Tersembunyi dalam 4 Set.

- Sistem Penguncian 5 Titik dengan Kunci Utama.

- Sistem Keamanan A-B Lock dengan 7 Kunci Elektronik.

- Dilengkapi dengan Slot/Grendel untuk Penguncian Tambahan.

- Terdapat Lubang Pengintip.

- Pelindung Karet pada Kusen dan Daun Pintu.

- Lapisan Honeycomb Paper sebagai Penyerap Suara.

- Lapisan PE-Film untuk Perlindungan Tambahan.

- Dilengkapi dengan 6 Set Baut Pemasangan.

- Memiliki Ambang Pintu yang Kokoh.

Dapatkan keamanan yang tak tertandingi dengan Fortress Pintu Baja, solusi pintu yang kuat dan tahan lama untuk melindungi rumah Anda.

Hubungi Kami Segera (0821-7001-0763)

Head Office (Kantor Pusat) :

Jl. Raya Binong Jl. Kp. Cijengir No. 99, Rt.005/Rw.003, Binong, Kec. Curug, Kabupaten Tangerang, Banten 15810

Kantor Cabang JBS : (Solo, Pekanbaru, Surabaya, Lampung, Palembang, Kendari, Makassar, Balikpapan, Medan, Bali, Dan Kota Lainnya Menyusul)

Provinsi Bali Meliputi : Kab Badung-Mangupura, Kab Bangli, Kab Buleleng-Singaraja, Kab Gianyar, Kab Jembrana-Negara, Kab Karangasem-Amlapura, Kab Klungkung-Semarapura, Kab Tabanan, Kota Denpasar Dan Seluruh Kota Se-Indonesia.

#fortresspintubajadipangkungparuk #pintufortressdiababi #pintubajaringandikaba-kaba #merkpintubajadikutaselatan #merkpintubajaterbaikdidaup

Fortress Pintu Baja Di Pangkungparuk, Pintu Baja Ringan Di Bunutan, Merk Pintu Baja Di Nyambu, Merk Pintu Baja Terbaik Di Kuta Utara, Pabrik Pintu Baja Fortress Di Dausa.