As much as I dont wanna write Klance fanfic in 2023, there is a lack of Rock Band Aus in fandom.
Like Lance and Keith are both guitarists in separate bands.
Keith is the youngest member in The Blade of Mamora, which is an older rock band that’s reviving itself and they added Keith as their new guy (because the old guitarist was a perv or smth idk)
And Lance is the lead singer/guitarist/front runner for his pop-punk band he started from his garage with Hunk and Pidge. They have reasonable success, but are no where near as prolific as The Blade. (They’re like 1975. Def famous, but they aren’t doing area tours.) They call themselves Voltron.
Lance is a competitive idiot, and got into guitars because he saw an article about Music Prodigy Keith when he was a kid. He started his band when Keith was asked to join the Blade at like 17.
Now that Voltron is becoming more popular, they’re doing small interviews with like Buzzfeed, and Lance has this big speech about how Keith is his mortal enemy despite never havjng met him. Keith doesn’t watch these or have social media, but he hears about the rivarly through Shiro (his big bro and manager) but ultimately doesn’t care.
Shiro, though, sees how unhappy Keith is with the Blade. He’s like 19 now and spending all this time with 40-50 year old men, who are nice and offer guidence, but like they can’t be besties. They also all treat Keith like a nephew, so Keith is super behind in social skills.
So Voltron is getting signed by the same Blade of Mamora record company, and Shiro overhears a meeting where they are discussing strategy. (The pop division is run by Allura (daughter of CEO) and she is eager to prove herself.) Allura sees Lance’s ability to really loose himself with the crowd and in his singing, and wants to push him to sing more WITHOUT the guitar.
Shiro hears this and meets with Allura later to offer Keith as the new lead guitar.
*chaos ensues*
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Fic Snippet: Honey, That’s Alright
So, I have no idea when I’ll have the energy to write this series [AO3 | tumblr] again, especially since I’ve kind of moved away from the Voltron fandom, but I wrote this little snippet several years ago and it seems a waste to leave it sitting in my google drive to rot.
It’s actually from the fic in the series after the one I got stuck on so slight spoilers for how But Then Again, There’s You was planned to end.
For those unfamiliar with the series, there’s not a lot of context needed. Just know that Keith is the bassist for a band that’s found fame in the last couple of years. Lance is a high school physics teacher. They’re exes who broke up due to misunderstandings and have only just got back together.
Series Previous Parts: Cocoon, Getting Time and Regretting It, Aftermath, But Then Again, There’s You, Scraping the Paint,
[It’s also the origin of this old art of mine. I’d written the scene before I drew the art, which just shows how long this has been sitting in my drive]
Fandom: Voltron: Legendary Defender
Pairing: Klance
Snippet Word Count: 2,314
Notes: Lyrics are from Oceans by Seafret.
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The rattle of the subway keeps Lance awake as he leans back in his hard plastic chair, head against the window, and lets it carry him home. He can’t fall asleep. The trip is too short, he’ll miss his stop. But he can lean against the window and breathe deeply and let the even-toned voices of the podcast in his ears lull him into relaxation. He could almost be on a boat with the way the car rocks beneath him. If it weren’t for the smell and the noise of other humans, if it weren’t for the lack of salt in the air and the call of birds, he could almost believe it.
The old lady across the aisle is staring at him when he lifts his head. He gives her a smile and she quickly looks away.
His stop comes. He hoists his messenger bag up onto his shoulder and shuffles out of the car with the rest of the swarm, up the steps and into the soft evening light and the wall of street noise. The sky is dyed a magical, hazy violet colour by the light pollution and Lance takes two seconds to stare at it as he comes out into the open, the other passengers streaming passed him like bacteria into an open wound. He may not be able to see the stars but the far off winking of artificial lights isn’t a bad second-best.
Red greets him at the door, weaving figure-eights between his legs.
“Alright, you little monster. Let’s get you some dinner,” he says fondly, scratching behind her ears.
She miaos her agreement and he smiles.
Lance feeds Red, takes a shower and puts on his softest, fuzziest pyjamas. He reheats last night’s leftovers because he’s still not used to cooking for one again yet, keeps cooking far too much, and sits in front of his laptop, making his way through the videos he’d marked for later on youtube. He can hear Red crunching on her biscuits across the room. He’s just sat back down from dumping his dishes in the sink and making himself some hot chocolate in Keith’s mug -- because, dammit, it’s been sitting clean on the shelf for two weeks and that’s just too lonely -- when she comes and settles on his chest.
He sticks a cushion under his laptop so he can still see the screen over her ears; an elaborate bold-eye look that’s incredible to look at but Lance doubts anyone would want to wear it off the runway.
“I know, baby,” he murmurs, returning her affectionate headbutt as best he can while she has him pinned, “You miss your dad.”
As soon as the words are out of his mouth he sees it. A video with both the ‘recommended for you’ and ‘new’ tags cheerily printed across the bottom: ‘Castle of Lions - Oceans live @ east village arts club + intro (AKA the one time Keith Kogane willingly-ish gave us personal info)’
With a grin and a snorted laugh that has Red sending him an affronted look, Lance clicks the link.
The video is shaky and frequently out of focus, clearly from a phone held aloft in a crowd. The band are a series of oddly coloured streaks across an otherwise blue and black screen for several moments before the cameraperson stops waving their phone through the air. Then they’re standing there under lights that are slowly filtering from blue, harsh and cold, through green to a warm orange that sets Allura’s dark skin afire. Matt, the palest of them all, just looks very sunburnt.
“Thank you,” Shiro is half-way through saying as the video opens. “I -- Uh, how you all doing tonight?” The crowd erupts in response and Shiro smiles. “Good. Good. I’m glad to hear it. You know it’s kind of pretty crazy for us to be here. On our first trip to the UK.” The crowd screams again. “Because sometimes it still feels insane, really, that we ever made it this far. And we’ve gotta thank all of you for that. All of you who came to our shows, ordered our merch, and paid for our music instead of just ripping it off the internet. You paid our rent and bought us our instruments -- bought us the sandwiches we had for lunch today -- decided we were worth something. And you’re the reason we managed to get here, all the way to Liverpool to play for you. So thanks.” There’s one last whoop and Shiro starts lifting his guitar strap off his shoulder and over his head. “So this next one is from the new album and… actually, Keith why don’t you introduce this one? I’m gonna go see if I can put this somewhere for a sec.” He gives the guitar a little lift in his hand.
“Wait, what?” says Keith. “Sh-Shiro -- no -- wha? Come back.”
The crowd laughs as he ducks out from behind his mic to run across the stage and stop Shiro with a hand on his arm. Allura’s hiding a snicker behind a hand. Matt just throws his head back and laughs openly.
Keith says something then but, away from the mic, the video doesn’t pick it up. Given the way he’s lifting the strap of his bass over his own head, passing the instrument to his brother, and the intense look in his eyes it’s probably something along the lines of, ‘drop this and I will literally skin you alive’.
“Ha, brothers, amiright?” he laughs awkwardly as he returns to his mic. He’s fiddling with it, adjusting the angle, kicking the feet around in a circle. “So… uh, I guess this falls on me, huh?”
“Woo, Keith!” Allura interrupts and the crowd ripples with laughter again. Keith just looks distinctly uncomfortable.
“Uh, yeah,” he says, pulling a keyboard on a stand a little closer and kicking the mic over so that he can stand behind it and still be heard. “So, I guess every band has that one nice, pretty song. I mean, everyone who looked up the Plain White T’s after hearing Hey There Delilah can vouch for that.” He pauses like he expects the easily-provoked laughter of the crowd again but they’re quiet, listening. “And, uh, this song is probably that for us.”
Shiro appears, creeping back on stage, but he just gestures for Keith to keep going. Keith probably frowns at him -- that’s the sort of response Keith would do in such a situation -- but the quality’s too low for Lance to see it. The video streaks as the phone is passed from one hand to another. No doubt the cameraperson is getting tired arms.
“And… Um…” Keith is still straightening the keyboard, making sure it’s all still connected, adjusting the mic, not looking too deep into the audience. He plays a few chords to be sure it’s working. “I don’t know how many of you know this but I recently moved to New York to live with my boyfriend.”
There are a few whoops in the crowd and Lance feels himself blush. That’s him. He’s that boyfriend. That’s his boyfriend acknowledging him on stage in front of a crowd of people who practically worship him.
“But,” Keith is saying, “the thing is, we still do all our recording and a lot of filming and all that stuff in LA. We still go on tour. So I’m not actually home a whole lot. And it’s not just me. I mean, Allura’s family -- her uncle lives here in England and she lives in America with us. And Matt missed his little sister’s graduation because we were in the middle of recording on the other side of the country. Luckily she’s going on to do her doctorate now so he’s still got another chance. But still. And Shiro… I mean, he’s got me, I guess, but I’m not exactly the same as our parents or our grandparents or all his friends.”
“Don’t cry, Keith!” shouts Matt, micless and beaming.
“I’m not going to cry!” Keith snaps back. The crowd laughs then, shocked out of their strange stupor by Matt’s interruption. “I’m just saying that a lot of people are separated from the people they love -- whether they’re romantic partners or family or friends or whatever -- for lots of different reasons and, even though we wouldn’t want to be doing anything else, uh, this song is about what that feels like.” He pauses for a moment, chewing his lip with a frown deep enough to show up on even the grainy video. “I guess, what I really mean is: I’ll be home soon, babe.”
Keith never calls Lance ‘babe’. That’s Lance’s thing. He’s using Lance’s word and it’s that, almost more than the way he looks so resolutely ahead, so close to dead down the camera lens, when he says it that makes a little shiver run down Lance’s spine. He feels so close through the poor quality video. Like he could be right there beside Lance in the silent apartment.
“Okay,” he finds himself whispering in return. Red shuffles on his chest and he places one hand on her ribs to settle her.
Keith’s words spark a wave of cheers and, with barely a glance between the band members, Matt hits the first chord.
A hush falls over the crowd. Like a breath held. This really is so much softer, so much more tender and fragile -- like all those beloved people are cupped right there in their hands -- than other Castle songs.
I-I-I want you
Shiro’s voice sounds so lonely, drawn out and warbling over only Matt’s gentle guitar. Lance feels something pinch in his chest.
Yeah, I want you
And nothing comes close
His eyes are focused on Keith, standing there, hands hovering above the keys, eyes closed, waiting for his cue. So it’s impossible for him to miss when he opens his mouth and joins Shiro’s friendless voice in the air.
To the way that I need you
I wish I could feel your skin
And I want you
From somewhere within
Lance knows this song. He remembers Keith writing it. Sitting on the edge of their bed late at night when he should be sleeping, strumming at an acoustic guitar with the soft pad of his thumb so as not to wake Lance and humming the looping melody brokenly to himself. He didn’t need to know that Lance was already awake, curled on his side and watching him through half-lidded eyes as the moon highlighted him in stark white lines between the blinds.
It feels like there’s oceans
Between me and you once again
Without his guitar, Shiro is practically wrapped around the mic. He has it cupped in his hands, eyes closed. And the absolutely heartbroken expression on his face is reflected in the sound.
We hide our emotions
Under the surface and try to pretend
But it feels like there’s oceans
Between you and me
The second verse arrives and Allura finally comes to life with the barely there sound of brushes against the skin of her drums. The sound builds. Layer upon layer. Matt’s guitar and then Shiro’s voice, Keith’s voice, the deep bass of Allura’s foot pedal, the brush on the drums. They slide one on top of the other, building up like a figurine from a 3D printer, until Lance feels his throat start to tighten every time the words ‘I want you’ fall from Shiro’s lips, begging and raw. Keith’s fingers finally begin their job. And the steady, simple beat they walk sounds so much like a clock slowed down that Lance is trying not to remember the way that Keith would wrap himself around him from behind when he was cooking and just sway to the steady metronome tick on their wall. Finding music in nothing more than the everyday.
Stop it, Lance thinks. He doesn’t want to remember what it’s like to have Keith here, in his arms, in his bed. Because he’s not. He’s off travelling the world, living his dreams, bringing happiness to people who find meaning in the words he writes. He’s off doing good and he won’t be back for weeks.
So there’s no point in thinking about this now.
He shakes the thought from his head and Red places a questioning paw on his cheek.
“I’m alright,” he whispers to her. She just shifts her paw to pat against his nose. He gives one of her toe-beans a little kiss and she yanks it back, affronted yet again.
So much like Keith.
Lance smiles as the chorus comes around once more.
Keith is frowning again as Allura’s drums fall out, letting Shiro’s voice, with Keith’s echoing it eerily, come through clearly. And it strikes Lance yet again how odd it is to hear it without anything around it. There needs to be that second guitar, that bass -- He needs Allura’s heavy drums to hold those precious voices up and support them because it just feels undeniably wrong that they could sound so alone.
And all of a sudden, as Keith’s voice falls into a haunting hum through his speakers and Red purrs contentedly on his chest, Lance would give anything to just jump on a plane right now and fly to England. To be there. To stand in that crowd, one face among many in a dimly lit room, unseen and unknown, just to be there. And see him. Somehow, knowing he misses Lance too is making this all so much worse.
Red gives a soft mewl and Lance runs his hand down her spine, scratching the backs of his nails through her fur but she won’t settle back down this time.
“I know, baby,” he tells her again as the song fades out and the apartment falls silent once more, empty but for the two hearts beating together on the couch. “He’s coming home soon. He promised.”
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