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#languages i guess
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Germanic sisters!
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volumina-vetustiora · 11 months
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what the fuck
saxo cere comminuit brum
what the actual fuck
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sysig · 4 months
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Permission to headbutt: Granted (Patreon)
#My art#UT#Sans#Papyrus#Ft. something smol and I do on a regular basis ♪#This could be Handplates or it could be classic Undertale I leave that up to you lol#I definitely picked up a lot of the style quirks lol - but there are some of the ones that I like myself! Like Papyrus' darkmode clothes lol#And Sans' shorts having the stripe in the front haha - little details ♫#Realistically it probably is Handplates tho just based on where my head's at lol - I love the Handplates dynamic :D#Handplates#I talked myself into it! Pfft ♪#I found myself relating a lot to Sans especially while rereading - I want nothing more in the world than for my siblings to be happy! <3#So I gathered up a bunch of ideas of things especially me and smol do together and this was the most obviously cute one haha#Easiest to do! Tho I did still go a little extra on this lol#I'm trying to do more digital stuff ♪ It wasn't the best art day and I'm still a little nervous to jump right in :')#Not doing any sketches on paper beforehand feels weird but I guess it is thematic in a way lol#And I'm still pleased with how they turned out hehe#It really does feel nice to be drawing them again <3#And doing silly sibling things! Hehe#I dunno how clear it is since it's so ingrained into how smol and I talk to each other lol family language!#One of us will literally just announce ''bonk'' and the other will prepare for/lean in for a headbutt haha#She is a tiny bit taller than me - it's not quite /this/ extreme but she does lean down for me! S'cute <3#I like to think Papyrus would do the same hehe ♪ Let your lazy brother headbutt you! He can only reach so far!#On minimal effort anyhow hehe#It's just a fun way to be silly together ♫♪#Also yes I did show this to her and she cosigned lol - ''Cute'' -smol
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Languages I have learned/am learning because either a) hey that's cool or b) pop culture
French
Japanese
Italian
German
Russian
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puppetmaster13u · 4 months
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Prompt 169
Danny is from a world where everyone has wings, even if most have long since lost the ability to fly. Something about loading and aspect ratio, wings being too small, body too heavy, now mostly used as display, whatever. 
It doesn’t matter even if he had blueprints from when he was like six of a jetpack to help fly. It won’t work anyway and hey, he has his ghost form! Which uh, might be perhaps, affecting his wings which were maybe sort of scorched black and practically down to the bone thanks to the accident. 
It doesn’t matter, he swears. Though he’s admittedly relieved to see the new feathers growing in are different from Dan’s angry sunset. Even if they’re not even supposed to be able to grow back. Alright, this is fine, no one is going to notice! It’s not like everyone knows about the poor Fenton kid whose wings were absolutely destroyed thanks to an accident! It’s fine. 
He’s not flying in a half-panic towards the Far Frozen while crying because his wings are coming back and he’s so scared. He didn’t panic and instantly fled the moment Jazz pointed them out while changing the bandages. 
He definitely didn’t trip over something while wiping away said tears and blacking out from all the stress and all of his problems that he definitely mentioned to someone and isn’t keeping a secret. Definitely. 
Hawkwoman and Hawkman would like everyone to know that neither of them were expecting a very small child to be spat out of the villain of that week’s machine that should definitely not be a portal. A very small child, maybe nine or ten, with a multitude of concerning wounds both old and fresh. Which isn’t even beginning to touch on the wings. 
Feathered, like baby down despite the gnarled scars, unlike their own metallic, with the beginning of tiny specklings like stars amidst the darker fuzz peeking from the wounded flesh. 
Who?! Who dared?! It’s (at least to the forever reincarnating duo) a literal baby! They still have down! Tiny baby fuzz! Was it the portal?! Oh this villain is going to taste their maces for causing this if that’s the case! 
The rest of the Justice League would honestly like to know what just happened and are honestly unsure on if they should stop the two…
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claraoswalds · 4 months
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Wild Blue Yonder // The Church on Ruby Road
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misterradio · 8 months
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Im really curious how people know about Esperanto. Since its a relatively recent language (from the 1880s), its obviously not going to be as widely spoken in the world as other languages (altho apparently it is the most widely spoken constructed language). I assume most people are introduced to it later in some way?
If u know what Esperanto is, feel free 2 reblog this and say how you learned about it in the tags.
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zivazivc · 2 years
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miraculous but it’s in slovene and i’m in charge of chat’s nicknames for ladybug
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fumifooms · 3 months
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Kaka compilation
Because everyone is sleeping on him. Witness his greatness!! First two Kaka colored icons were colored by me, lineart by Ryoko Kui though!
Kaka & Kiki are kinda like Laios & Falin… Kaka being stoic and giving repressed energy like early Laios, Kiki being cryptic and always smiling and kinda soft-looking. Autism siblings 2, ostracized and othered as kids and have a deep bond due to sticking together through it all, though unlike with Laios their parents are very loving so Kaka developed family as a big value more than Laios (bc asides for Falin Laios doesn’t care much about it).
In the gnome festival comic you can see Kaka is more emotive than he seems! Full with a :3 face, and he’s the one crying at the end. He’s insecure about his legs and being tall… It really got to him. Conceal don’t feel. In the gnome festival comic you also see him sensing others’ gaze on him and that something is off unlike Kiki, again Laios-like in the way that judgement from others gets to him more than her.
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nonranghaes · 6 days
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it's weird that you don't call out to jun when he comes into your apartment. jun knows that you know he was coming over at some point to spend time with you, and usually you greet him in some way when you hear the apartment door unlock. he's a little earlier than he planned, but you told him to 'come over whenever' and now he's a little worried that you didn't mean it. he quietly slips into the pair of slippers that stays here at your place, and makes his way further into your apartment to set down the bag of groceries he brought on your kitchen counter. your bedroom door is open, but the tiny room you use as a home office is open just a sliver.
he makes his way over, leaning in to listen for a moment... only to hear your voice. there's a little strain to it as you struggle through a sentence, and it clicks all at once: you're speaking chinese. albeit not very well (it's clear to jun that this is one-hundred percent new to you), but you're still trying. your pronunciation is a bit clumsy, but he can hear the way you try to use the right tone with what you're saying...
when did you start learning this much? jun had taught you little things in the past--the absolute basics, really, plus a few other little phrases that veer into his own cheesy need to hear you say sweet things--but this...? he steps back from the door. why hadn't you told him? you could have told him and he'd happily help you learn. but he trusts you: you must have your reasons to keep this a secret, so he won't push. he steps away, deciding to busy himself with getting ingredients put away--or set up for the two of you to cook together, in case you're hungry now.
then he knocks a cup into the sink, and immediately he hears you coming out of your office. relief crosses your face when you see it's just jun, and you lean against the open doorway.
"i didn't know you were here." you pause, and then he sees you get hit with realization. "... how long were you here?"
"i just got here," he says. it's technically the truth, isn't it? he's only been here for a few minutes. "were you working?"
you nod. "yeah. just had to answer a phone call," you lie to him, but he just nods and acts like he doesn't know that. you come up to his side, wrapping an arm around him. "is this for lunch?"
he leans over to you and presses a kiss against your cheek. "are you hungry?"
"mhm," you just snuggle in for a moment, enjoying his presence. "you should teach me more recipes you learned from your mom sometime."
jun finds himself smiling already. was that what this all was...? an attempt for you to understand him better? to show that you care for him so much that you want to know his culture, too? "i'd love to," he says softly, and wraps an arm around you to tug you closer to his side. "only if you teach me things you learned from your family, too."
then he'll make more efforts to understand you and your background, too. just to show you that he loves you as much as you love him.
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🧡🧡🧡🧡
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coquelicoq · 7 months
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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
#just kidding i don't know what linguists call that tenor. or any tenors. i'm not totally positive what a tenor even is#but i can't let that stop me from writing a jokey post on tumblr dot com#register is a very interesting area of linguistics that i know very little about#so i'm probably revealing the depths of my vast ignorance here to all the sociolinguists who surely hang on my every word#but i've always thought of the formal/informal pronoun thing as being about two things: intimacy-distance & rudeness-politeness#and of course you can usually tell from context whether a formal pronoun is meant to indicate distance or politeness#(plus distance and politeness are related to each other (to various degrees depending on culture))#but it seems like it would be cool to have a built-in alignment chart of sorts just for pronoun combos#instead of prep jock nerd goth...why not try intimate self-effacing polite superior?#the goblin emperor#pronouns#register#sociolinguistics#my posts#f#anyway i know i said i wasn't going to reread the goblin emperor...but guess what. lol#and i edited my tags on that earlier post but fyi the language DOES distinguish between plural and formal singular pronouns#i had said i thought it used the same pronouns for plural and formal but i just wasn't paying close enough attention#so anyway i just reread the part where maia is talking to setheris in formal first and informal second#and you can see setheris going ohhh shit. oh shit oh shit oh shit#i'm in biiiiiig trouble#you sure are dude. that's the Time to Grovel signal#it's interesting because at the very beginning of the book when i first saw the formal first used i just thought it was the royal we#because i knew the main character was supposed to be royalty#but then EVERYONE was doing it. so it's not the royal we it's just the formal we#however. this does make me realize that the way the royal we would function in a language that retains the t-v distinction#is the same way i'm describing here. it's just reserving that particular tone (i'm better than you and am displeased with you)#for royalty only. which makes sense given royalty's whole deal
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funny ways to say “in the middle of nowhere”
Collected funny ones under this post + contributions to this one (my selection). Most involve ass(holes), have god/the devil, (nonsense) names of villages…
🇩🇪German: in the ass of the world/ the pasture- am Arsch der Welt/der Weide; where Fox and Hare bid each other good night - Wo sich Fuchs und Hase Gute Nacht sagen (old-fashioned), where the dead dog lays - Da liegt der tote Hund, in Buxtehude/ (Kuh)kaff, in der Pampa, in Timbuktu
🇮🇹Italian: in assland - in culonia/culandia, in the wolves’ ass - in culo ai lupi, in the ass of the word - in culo al mondo; 🇫🇷 French in the asshole of the world - dans le trou du cul du monde
🇨🇿Czech: Where foxes bid good night to one another - Kde si lišky dávají dobrou noc
🇩🇰Danish: where the crows turn around - Hvor kragerne vender on Lars diarrheas field/on the field of Lars Shitpants - På lars tyndskids mark
🇳🇴Norwegian: far damn from violence - langt pokker i vold, “huttaheiti” (gibberish)
🇸🇪Swedish: out (there) in the spinach - ute i spenaten,“tjotaheiti” (see above, maybe originally from Tahiti)
🇪🇸in Spain: in the fifth hell/pine tree - En el quinto infierno/pino, where Christ lost the sandal/hat/lighter - Donde Cristo perdió la alpargata/gorra/mechero;
🇲🇽 Mexico: Where the devil farts - Donde el diablo se echa un pedo, and sometimes someone answers: “Y nadie lo escucha” And no one hears
🇹🇼in Taiwan: where birds don't lay eggs and dogs don't shit - 鳥不生蛋狗不拉屎的地方 
🇵🇱Polish - where crows turn around -  Gdzie wrony zawracają, where dogs bark from their ass - gdzie psy dupami szczekają 🐶; Where the devil says goodnight - Gdzie diabeł mówi dobranoc, where (black) pepper grows - gdzie pieprz rośnie, (mostly in the context of running as far away as possible or chasing someone away)
🇦🇺Australia: woop woop or "in the middle of woop woop' 🇳🇿 NZ: wop wops
🇻🇳Vietnamese: holy forests, poisonous waters - rừng thiêng nước độc / where mountain passes are windy/cloudy and winds swirl in vortexes - đèo heo hút gió or đèo mây hút gió (rarely used)
🇨🇦🇫🇷 Québéc: Saint clin clin des meuhs meuhs (actual village name…)
🇸🇦 Arabic (Saudi dialect): in the castle of wadren في مقلاع وادرين (an old castle in the middle of desert)
🇮🇱 in Israel: Israel: at the end of the world, take a turn left - סוף העולם שמאלה
🇫🇮Finnish: behind God’s back - jumalan selän takana, in the devil’s ass - helvetin perseessä;
🇬🇷 Greek: at the devil’s horn - Στου διαόλου το κέρατο;
🇧🇬 Bulgarian: on the ass of geography - На гъза на географията
🇮🇸 Icelandic Out in an asshole - úti í rassgati;
🇧🇷 in Brazil: in cock’s house - na casa do caralho;
🇦🇷 in Argentina: in the pussy of the parrot- en la concha de la lora 🦜;
🇪🇪 Estonian: in the bear's ass - karuperses 🐻
🇺🇸 USA: bumfuck Egypt
🇧🇪 in Belgium (Dutch): in a farmer’s asscrack - in een boerengat
🇺🇦 Ukrainian: in the devil's swamps в чорта на кулічках,  where the crow won't carry bones куди ворон кісток не заносить
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vicsy · 4 months
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what saddens me the most about the Lance situation as it is, especially in the lights of the tweet liked by Bianca Bustamante (who is a signed junior driver at McLaren as of today) where op calls Lance “an autist”, apart from the regular “just a pay driver” shtick, is the normalization of hating Lance. somehow people in the fandom and evidently among the actual drivers (hello, Drugo, you bitch) have adopted a rhetoric that paints Lance as someone who is ok to hate because: a) daddy owns the team; b) doesn’t have goat level results; c) just because! he’s not widely loved, so it’s all fine, all good. and it’s not real since we’re on the internet. right?
it’s sickening to see what people say about him (both using ableist language, antisemitic comments etc) and then defend themselves saying “well you see he’s this and that and this so I hate him”. you don’t. you’re just full of inhuman hate and need an outlet. or you wanna be one of the “cool kids” which means only liking certain drivers and shitting on the others. fucking check yourselves.
since f1 fandom across all platforms is far from healthy, you get used to seeing takes that make you want to gouge your eyes out, yet Lance seems to be the most popular target of that hatred, unbiased as it is. it’s not even fully about the money or the fact that Lance, indeed, has a father who loves him very much and made sure his son got all the opportunities in the world. you can be mad about it all you want but it won’t change anything.
the line between not liking a particular driver and straight up mixing him with dirt is non-existent these days.
in all honesty, if Lance really didn’t care about racing, at all, he would have walked away already. why risk your life if you’re already set for life money wise? sit and think about that for a bit.
regarding the tweet recently liked by Bianca — I want to make it clear that I’m not familiar with her and I am not hating on her, simply judging this incident — I can’t help but wonder. you made it to f1 and you know how soc med works. likes are public. why? answer might not be clear. but entertain this idea — if there was already a precedent where she found it ok to like a tweet that praises her and shits on Lance, imagine what the kind of mindset there is already in place. so many things we don’t know about that happens behind the scenes.
this isn’t the last we have shit like that happen and it isn’t the first. doesn’t make it any less frustrating and rage inducing.
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okay so @unfortunatebedhead got us more of these wild-ass corn chip snack things that have these incomprehensible comics on the back and I texted my dad to ask what it said and he's all "sorry toch i can't speak cantonese" but last time we got 'em unfortunatebedhead's mom said it was incomprehensible in cantonese as well so help:
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the fuck does this mean????
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likealittleheartbeat · 2 months
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I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.
The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.
So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.
So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.
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