The Secret Nation (La Nación Clandestina) | Jorge Sanjinés | 1989 | Bolivia
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“Toro? Sounds like a load of bull.”
Octopussy (1983)
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"At first glance, the term 'Tropical Gothic' sounds a lot like an oxymoron, since in popular understanding the genre is often synonymous with its early settings of bleak European wildernesses battered by howling winds and tumultuous storms. In contrast, Tropical Gothic heroes and heroines have vacated traditional eerie castles and chilling wind-swept moors to take up residence in haunted plantation houses, overgrown bayous, mysterious jungles and exuberant tropical cities, where the horrific and the uncanny not only lurk in the shadows but occupy open, sun-drenched spaces alongside humans."
— Anita Lundberg, Katarzyna Ancuta & Agnieszka Stasiewicz-Bieńkowska, "Tropical Gothic: Arts, Humanities and Social Sciences."
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I want to make a shitpost where everytime a character Transforms in the 1986 Transformers movie, it switches dubs
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white ppl on twitter saying ben affleck is more famous than jlo….
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Tatiana Huezo
Director and screenwriter Tatiana Huezo was born in 1972 in San Salvador, El Salvador. Huezo first garnered international attention for her 2011 debut documentary film, The Tiniest Place, which was screened at over 80 film festivals globally and won the Grand Prix for Best Feature-length film at Visions du Reel. Her film Tempestad, which follows the stories of two women affected by human trafficking, won Best Documentary at the 2016 Fenix Awards, and four Ariel Awards. Huezo's first fictional feature, Prayers for the Stolen, received a Special Mention from the jury at Cannes.
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Informes sobre la violencia y la tortura, Centro de Arte y Comunicación (CAyC), Buenos Aires, 1973 [The CAyC Files, International Center for the Arts of the Americas (ICAA) at the Museum of Fine Arts, Houston, TX + Institute for Studies on Latin American Art (ISLAA), New York, NY]
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