#layer 47

[eli-workshop]

Hunyer :3

[neproxrezi]

make another mech i said! it wont take long i said! you definitely wont spend eighty three years working on a new emblem for it i said!

[luminary-of-the-marz]

Rulf 💔💔💔

[bluesidedown]

hnnnggggg

[breezere]

saiouma but they do that thing where they get really comfy with one another to the point they can just peqcefully sit in silence together while doing stuff on their phones, and sometimes show the other something they found before going back to being being silent.

i use to have a friend i could do this with and god it was just the vibe

boys chillin........

[magentasteam]

I’m baaack!

I have Sciatica that was caused by muscle tension, which was a side effect of my ADHD meds. Had to discontinue it and I promise you when I say this: I absolutely could not focus on anything BUT the abnormality. The hyperfixation was so scary. Woke up everyday and that was the first thing that was in my mind even if it didn’t quite hurt as bad as it could. Like damn, I couldn’t even focus on thinking about 47’s air-fried booty buns when I tried meditating… so you know I was broken( I’m jk lol)These few months have been a literal pain in the ass, but I’ve got some magnesium and L-Theanine supplements and they’ve been helpful.

I believe I missed two birthday drawings and I’m working on them. Also it’s been an actual year since I’ve played Hitman, so I need to get back into it. I haven’t played since Ambrose released.The trilogy stimulates my brain without stressing me out now that I think about it. That’ll probably change when I get to freelancer mode omfg. Baby Boi is gonna be in bandages after every campaign and won’t be able to play with his brand new Nintendo DS XL. 😔

[kind-of-a-shitty-wizard]

i say, i'm getting really curious about jenkins, is he a fidus chappie or one of those approach-at-your-own-risk types? and now that we're here could you tell me your favourite thing about him?

thanks muchly

AA ty for this ask!!!! im so glad someones curious abt him i'm vibrating at the speed of LIGHT thank YOU muchly

is he a fidus chappie is a tough question. hes polite/cool/professional but thats mostly cos of his job (he's a train attendant so he's gotta be a gentleman). HOWEVER his temper is kind of short when he's teased, so he gets snippy quickly.... but he can also be?? playful?? he has some vaguely-flirty lines. he contains multitudes lol

overall, under his politeness i think he's got a sore spot about being underestimated and overall is a bit of a misanthrope. i mean he kills people hehe >:] so i think ill leave it at, you'd probably only want to have a pleasant passing conversation at the train station or at a coffee shop before he gets ideas LMAO

as for my favorite thing its actually SO hard to choose one.... i like his whole physical appearance (stupid little pince-nez, slutty little waistcoat etc) but i choose his hair bc cos it comes down in the finale as a representation of how he's coming unhinged and this trope SUSTAINS me. slay jenkins

[thetasteofsunshineonyourtongue]

ID: A gif of Gable and Travis Matagot sitting at a table in a tavern. Gable is wearing fine, clean clothes, their hair done in a long braid down their back. They are facing Travis with their back to the viewer. Across from them is Travis, lacking a coat, waistcoat, or cravat, wearing a simple yellowed shirt that sitting uneven on his shoulders. His breeches are missing a buckle, he’s not wearing shoes, and his stockings are are dirty. His hair is loose, lank and unkempt, and he looks unshaven. He’s looking at Gable with his eyebrows set resolutely and his mouth open, his arms resting on the table, left hand cut and bloody. Out of focus in the background, two waiters whisper to each other while looking at Gable and Travis. The firelight from the hearth illuminates the scene and flickers and dances over the room. The image next to it is a still of the gif. End ID.

the time we acknowledged what we are

[vulcannic]

every time i merge layers, procreate jump scares me by making all my hidden layers visible and i-

be not afraid

[bilderdagbok]

suddenly its 2016 again

reference images used under the cut!

[gojuo]

this is so fucking bad 😭😭😭😭 i need to hand paint over the messy pixelated parts layer by layer every layer 😣🔫

[eli-workshop]

AYO IT'S HUNTER TIME

[crystal-clear-crystalline]

[ID: An animated gif featuring two chibis and a shadow-y blob. The chibi on the left has black hair with bangs, rectangular glasses and is wearing a suit and tie. He's staring at the event in front of him. The chibi on the right has slicked black hair, a bandana around the neck, an arm band. The chibi on the right is playing patty cake with the shadow-y blob, momentarily closing his eyes and smiling as his dimples show. Everything is drawn in front of a grey background. /. End ID]

A fun little animation I made as part as a content warning buffer on instagram for a artwork reupload cause I am very inconsistent with my accounts rn rip. There was more in-between frames but it was going to be too much work for something pretty small and this was the frame rate I wanted at the start

[vasilissadragomir]

one of the most heart-wrenching things about thg universe is that you feel the loss of who each character would be outside the circumstances of their birth almost as acutely as you feel the loss of the characters themselves.

sure, we know what lucy gray and her family would be doing in a different world; she’d be dancing and singing and making music which defines a cultural identity. but what about the others? would haymitch have been a hilarious, loving father with a family had he not been forced to survive 47 other children’s brutal deaths? would finnick have been a charismatic and beloved actor, bringing joy to immeasurable people on his own terms? would beetee and wiress have worked together to develop technology to make it easier to connect loved ones far and wide? what would reaper and annie have given to the world, or thresh, or rue, or even coral or cato or glimmer or clove?

if katniss wasn’t half-starving and forced to spend each day hunting to feed her family, would archery be her true passion? or if she’d been a well-sustained little girl with access to art supplies, would she have spent her time sketching captivating dresses? she picks up ropes and making fish hooks quickly—could her dexterity have lent itself to knitting, sewing, or crocheting with vibrant yarns and fabrics? there’s so much evidence that katniss finds clothing inspiring and empowering, even when she dismisses it as frivolous. she likes being pretty, she just hates the circumstances under which she’s made to look pretty. cinna shows her that beauty has its own power, and there are several moments in her interactions with cinna and his designs that make me wonder who she’d be if she had space for art and creativity in her life.

conversely, peeta has had art in his life since he was a small child, but for him, art has always been entangled with his trauma. he could bake and decorate well because he learned from his mother, a mother who beat him his whole life. but his talent grows, not only as a survival tool in the first games, but when he paints rue on the floor of the training center before the second games. his art becomes not only a symbol of his trauma, but a means of resistance and solidarity. in a world where peeta’s intrinsic kindness and loving heart had been nurtured and welcomed rather than abused, could he have been a painter, helping people find collective meaning in the simple realities of life?

could katniss and peeta have still found each other in another world, a world without the horrors they were raised with, and bonded over their love of art? could they have been each other’s muses?

maybe they find their way to share art, after the events of mockingjay, as part of their process of healing and falling in love with each other. when they’re finally safe and have been for a long time, maybe katniss fashions peeta an easel for him to paint in their living room. after months of watching him gaze out the window and paint the changing leaves, katniss takes to knitting on a rocking chair in the other corner of the living room to steady her restless hands. they work silently as the days go by, quietly exchanging the things they’ve made to give each other the reassurance and love neither could ever fully convey with words.

and maybe one day, when they learn there’s a baby on the way due in midwinter, katniss takes a page from peeta’s sketchpad and starts to plan a series of sweaters and hats and socks she can knit for the baby. and peeta goes to the little nursery upstairs and starts working on a mural, so the baby will have something beautiful to look at every day. they work together to design the perfect baby blanket for their child, to ensure they will always be wrapped in a layer of protection and love by their parents.

but even if they find creativity and beauty in their lives after the end of mockingjay, the art they make will simply never be what that art could have been had they not faced what they faced. art comes from suffering, yes, but the human condition has so much suffering as is, and we’d never know what kind of art they’d make if they hadn’t experienced trauma of a distinctly sadistic and inhuman nature. but maybe their children, raised in a better world with love and protection and safety and joy and creativity and expression, will be the ones to create the art peeta and katniss never could.

[teaboot]

Yo I haven't done it in forever so I forgot that working at a sex shop gives you superpowers

1. The We-Vibe Tango is a low frequency and fully waterproof rechargeable bullet vibrator that we used to sell for about $150. A new model came out about a year ago so it's on sale now online for $47. Can confirm that shipping is discreet and they have a really good warranty, just keep the packaging.

*(I'm not sponsored to say that and nobody is paying me rn, it's just a legit good deal.)

2. There are essentially three bases used for lube: Water, Oil, and Silicone. Oil breaks down any materials other than glass or metal, and Silicone breaks down Silicone toys and sometimes condoms. Water is safe for everything but tends to dry out, so people don't like it- but if you add water or spit, drying water-based lube will slick right back up.

3. If your water-based lube has given you any itching, tightening, or burning sensations, you probably have a chemical sensitivity. Obviously everyone has different preferences, but my number one recommendation is Water Slide- it's a super reasonable price compared to other lubes, it feels natural, it's incredibly gentle on the skin, and it doesn't stain sheets.

**(Again, I'm not being paid for this. By anyone. At all. I'm just sick of hearing people come in and tell me they don't use lube cause it hurts, or that they're using fucking coconut oil in their vagina. Please, God, don't put coconut oil in your vagina.)

4. A lot of massage oils use almond oil to suspend other ingredients, and warming products sometimes use cinnamon. Always, always, always check people's allergies.

5. You can buy toys off cheap sites if you want, just be wary of quality and ALWAYS read the product description. I personally wouldn't buy anything that isn't Silicone, stainless steel, or glass, because unlike jelly, plastic, "fantaflesh", and Silicon, (which is NOT Silicone!!!) They are non-porous, sterile, and don't melt in contact with each other. This means that as long as you clean them properly and don't use the wrong lubes, they will not hold bacteria or break down, which makes them safe for both you to reuse and your partner/s to share. (And to switch between front door/back door, so long as you wash before going back to front.)

6. Cotton and polyester bondage rope are cheap and great to practice with. Silk sounds fancy and is very strong but be advised that a lot of silk rope is "Silk(TM)", not actual silk. Read the product description. (I personally am reluctant to spend more than about $2 per foot for mass-produced synthetic rope, but could be persuaded to pay more for ACTUAL silk, nylon, handmade ropes, or especially attractive colors/patterns/textures.) You want your rope to be at least as thick as your thumb and layered to avoid lacerations, and taut (not stretchy) to be sure you're in control of how much pressure you're putting on.

7. Choking someone by pressing on the windpipe is painful and inefficient. If you want to, stay very, very light, as it's a very delicate area. If you want a head rush, press down on the sides of the windpipe, just below the corners of their lower jaw. You will feel a pulse there. That's the carotid artery. It carries oxygen to the brain. Pressing there will allow them to breathe, but will still "choke" the air going to their head. It's faster and painless. Only hold this for 3-4 seconds if you lack experience. It takes just under 15 seconds to make someone pass out from a blood choke, and after that you risk causing *permanent brain damage*. If your partner passes out, release pressure immediately and keep their airways clear. If you're the one being choked, know that your only warning will be spotty vision and a dizzy sensation. Communicate with your partner/s and for the love of God, do your research first. I'm not a doctor. Please God, please do your research.

8. Don't reduce blood flow to any part of the body for more than 20 minutes. This includes cock rings. Take a break for an hour between uses.

9. Most 'dick pills' are just a stimulant, a mild vasodilator, and a placebo. Usually mostly caffeine. They are not worth $20 apiece. Take a minute to meditate, have a hot shower, drink some black tea, have a coffee, go for a run, whatever- you'll get the same effect. And no, there is not a single ethical and legal sex shop in the country that can sell you viagra. You would have better luck on Facebook. Do not buy viagra on Facebook.

10. There are no "male toys" and "female toys". Your only limitations are safety and creativity. If youre sticking something into something else, just make sure everything is clean, not too big, not sharp or abrasive, and can be taken back out.

11. If something "goes missing" in your vagina and you panic, you muscles will tense up and it'll it'll harder to get back. Relax and stand up. Wait a minute. Chill. Calm down. Jump a couple times. There's nowhere for it to go and worst case scenario, I promise the emergency walk-in has seen something weirder or worse in the past hour or so.

12. You cannot return toys that you buy and don't like and I swear to God if you come into my store with an opened product and try to give it back I will lose my shit

13. Actually while I'm at it, people who work at sex shops are more often than not not sex workers and even if they were, it would still not be appropriate to flash or grope them or ask them "what they use", I will run you over in the fucking parking lot

[eddiediaaz]

Hi! Can I ask how you did the double exposure gifs for your merlin set? They're beautiful btw!

heyy, thank you!! of course!

it's actually not very hard, the trick is to find the right shots for this. here's how i did it (reference gifset), under the cut.

for this tutorial i will be: — using photoshop cs5 on windows — assuming you know how to make gifs using the timeline — have basic coloring, sharpening, groups, and layer masks knowledge

I. CHOOSING THE RIGHT SHOTS

the ultimate trick to pull this off is to choose the right image. in order to do the double exposure, you need a silhouette shot that has these:

a defined and dark silhouette with a background that is not too busy

enough contrast between the silhouette and the background

the silhouette should take at least 50% of the space

not too much movement

here are a few examples of why they work and why they won't:

gwen: perfect example since this shot is already quite contrasted with a defined silhouette. there won't be a lot of work needed to make this one work.

merlin: not a great example because even tho there's a somewhat good contrast between him and the background, the silhouette is just too bright, not dark enough.

arthur: another good example, even if there are some bright spots on his face and armor. since he's not moving too much, you can definitely brush some black over him to make his silhouette darker (i'll explain/show later)

morgana: this one could work because the contrast is great, but of course her skintone is very bright against the black clothing. that being said, since the movement is not too bad, it could be possible to brush some black over her and move these layers with keyframes (as mentioned for arthur's example). i haven't tried it tho, but i think it would work well enough.

once you have your silhouette shot, you need another gif for the double exposure. what works best, in my opinion, are:

wide, large shots

shots with no to little camera movement (no pan, zoom, etc), but the subjects in the shot can have little movement of course

pretty cinematography/scenery shots

i find these are easier to find and make it work, it's not as "precise" as with silhouette shots. it's mostly just trial and error to see what works best with the silhouettes.

II. PREPPING THE SILHOUETTE

for the effect to work, we want a silhouette that's dark as possible. i'm gonna use the gwen and arthur shots as examples.

for the gwen gif, i started by sharpening, and then upped the contrast by quite a lot so her silhouette is mostly black, while retaining some nice details. i've used only 3 layers here:

selective color layer: in the blacks tab, playing with the black slider (value: +10)

brightness/contrast layer: added a lot of contrast (+61) and a bit of brightness (+10)

black and white layer: on top, its blending mode set to soft light and at 20% opacity. gives a bit more depth and contrast

then for the arthur example, i've also sharpened it first, and added contrast layers in this order (the skintone looks horrible, but it won't matter soon lol):

levels layer: black slider at 0, grey slider at 0.76, white slider at 104

selective color layer: in the blacks tab, black slider at +10

brightness/contrast layer: brightness at +1-, contrast at +47

black and white layer: on top, its blending mode set to soft light and at 20% opacity. gives a bit more depth and contrast

as you can see, half of his face is still quite bright. to correct that, create a new empty layer and put it between the gif and the coloring layers.

using a really soft brush and the black color, brush some black over his face and body on that new empty layer. you can edit the layer's opacity if you want, i've set mine to 71%. since arthur doesn't move much here, there's no need to keyframe this layer's position. for the morgana example, this is where you'd need to play with keyframes to make it work. here's where i'm at now after this:

you can always edit this layer later if you need, after doing the double exposure blending.

once the silhouette is all ready, you can put all layers in a group and rename it (i've renamed mine silhouette).

III. BLENDING

now the fun part! import the wide/scenery shot in photoshop, then resize it to the same height of your silhouette gif. make sure the gif is a smart object layer, and sharpen it. finally, bring this gif onto the silhouette canvas (by right clicking the smart object > duplicate layer). once you have both gifs onto your canvas, put the wide shot gif layer in a group, and set this group's blending option to screen.

you can then position the wide/scenery gif the way you like it in the canvas. this is how it looks for both examples after i've done that:

if the blending mode screen doesn't give you the best result, so you can play around with other blending modes (such as lighten and linear dodge in these particular cases), but generally speaking, screen is the real mvp here haha.

IV. COLORING

now that the double exposure effect is done, we need to color the gifs to bring them together. i went with simple coloring here, simply enhancing the colors that were already there. just make sure that the coloring layers for each gif are in their respective groups. here's how i've colored both examples:

gwen silhouette group: i added a gradient map layer on top of the contrast layers in black to green and set the blending mode to color

scenery shot group: multiple coloring layers, with a green color fill layer (blending mode set to color), with a layer mask so it only affects the top half of the gif

for the arthur gif, i did something very similar but with warmer colors. i didn't use a gradient map for arthur though:

arthur silhouette group: i made the yellow warmer, closer to orange/red, with a hue/saturation layer, and added more vibrance. didn't feel like it needed a gradient map layer here though.

wide shot group: basic coloring layers to enhance colors from the merlin & daegal shot, and an orange color fill layer set to the color blending mode.

at this point you're pretty much done. just need to add some final touches and typography (if you want).

V. FINAL TOUCHES

a small and completely optional detail, but i wanted to soften the edges of the wide gifs. to do so i've duplicated the smart object gif layer and removed the sharpening filters (right click on smart filter > clear smart filters). put this layer on top of the other smart object layers (but still below the coloring).

then with this same layer still selected, go to filter > blur > gaussian blur... > 10px. this will give you a very blurry gif, but we only want the edges of the canvas to be softer. so add a layer mask to this layer. with a very large and soft brush (mine was at 0% hardness and about 800px size), brush some black onto the layer mask to remove the blur in the middle of the gif.

you can play with this layer's opacity or gaussian blur amount if you want (by double clicking on the gaussian blur smart layer filter). here how both examples look with this gaussian blur layer:

you can also mask some of wide/scenery gifs if you'd prefer, so it shows less outside of the silhouette. just put a layer mask on that whole wide shot group and brush some black or grey on the layer mask. it's what i did for the gwen gif, with a very soft brush and i set the mask density to 72% (i kept the arthur one as is tho):

and that's how i did it! hopefully that was clear enough :)